MINISTRY OF TOURISM & CREATIVE ECONOMY FOREWORDKTCF INITIATORS FOREWORD

Welcome to Kota Tua Creative Festival.

You are the reason we are here. Whether you are part of the creative communities, building owners, government officials, street vendors, adorers of Kota Tua or passers-by, we are together in this 2-day special event to explore the unique open spaces and abandoned heritage buildings in the treasured yet often forgotten part of Jakarta.

This festival is inspired by centuries old urban forms and dynamic social spaces that take place here today, in light of the renewed spirit of Kota Tua. What are the different ways to reoccupy heritage buildings with contemporary uses without losing its historical memories? The festival program – music, art, design, and culture – focuses on creative fields as an essential force in the revitalization of Kota Tua.

One of the missions of Kota Tua revitalization plan is to encourage a sense of belonging and love for the city. To achieve this, a thoughtful restoration is needed not only on its physical spaces, but also on the intangible social spaces. Learning from Venice, festivals -which can be realized in short period of time with minimum facilities due to its temporality- could be an effective starting point towards physical revitalization of Kota Tua.

As Ahok (Basuki Tjahaja Purnama, Acting Governor of Jakarta) puts it- Kota Tua can be the Jewel of Jakarta- it shall not stay a dream, yet a feasible plan. And the best way to carry out the plan is to start oneself and not to wait for others. When one building is revived and re-souled, more buildings will follow. More creative industries will join in. Along with new infrastructure and facilities, more buildings will be renovated. In the exhibition ‘Jakarta Old Town Reborn: 7 Projects for the City,’ we work with the best of Dutch and Indonesian architects to deliver specific concepts which can be realized today.

Diana Ang, Windi Salomo and Daliana Suryawinata

Kota Tua Creative Festival is a pilot project of Creative Public Spaces Program, an enterprise which initiates the creation of temporary and permanent physical public spaces in the city. It is made in close cooperation with the Ministry of Tourism and Creative Economy and the Liveable Cities Task Force of the Indonesian Diaspora Network.

Assalamu’alaikum Wr.WbBlessings on us all,

Creative economy is very important for the future growth and quality of life of Indonesia. For this we need to have the creative people and the next generation really arise and develop their human capital to develop the diverse creative. Thus, the spirit of the first Kota Tua Creative Festival is to encourage creative people -- Indonesian architects, artists, designers, and other creative fields -- to enter the public realm and bring visible changes in the social and physical spaces in Jakarta and other cities.

KTCF is a program of Creative Public Spaces -- an initiative for the creation of temporary and permanent physical public spaces to be built in central locations in Jakarta, where open public spaces should have existed. Public spaces are a platform of expression, communication, and collaboration, an essential space for creative communities. Creative economy has enormous potential to improve the city’s image and quality of life through leveraging unique perspectives from unique individuals and communities, those whose passion allow them to unlock the potential of Indonesia’s rich natural resources, cultural heritage and diversity.

In alignment with various programs from Agency of Arts Development, Agency of Creative Economy based on Arts & Culture, and the 2014 Ministry of Tourism and Creativity (Director General for Creative Economy based on Arts and Culture), we hope that Kota Tua Creative Festival will inspire changes that can improve the livelihood of Indonesian citizens.

The program in Kota Tua Creative Festival also expresses a change of lifestyle as a result of increased awareness of aesthetics, which responds to the demands and progress of the contemporary society. In Kota Tua Creative Festival, this is achieved through the following programs: contemporary art and architecture exhibitions, young designers and creative culinary booths, museum walk, bike tour, performances, and many other participatory activities.

We thank the committee of Kota Tua Creative Festival and all parties who have helped made this event possible from planning to realization. We hope that Kota Tua Creative Festival can become a regular event that continues to expand opportunities for the proliferation and development of creative industries in Indonesia.

Thank you.

Mari PangestuMinister of Tourism and Creative Economy

NETHERLANDS EMBASSY FOREWORDJAKARTA CITY GOVERNMENT TOURISM & CULTURE FOREWORD

Indonesia and the Netherlands have a long shared history; and its proof can be found everywhere. Houses, office buildings, industrial monuments and archival records—all of them create trails of this history. In addition, Indonesia is rich with historical monuments, lending their nuances to the ‘painting’ of this nation’s history.

The importance of this cultural heritage deserves greater attention. This is a positive development, because the past and present of a nation and city is intertwined through national cultural heritage. To know the past is to know the present. If they disappear or are diminished, then cracks will begin to appear in the nation’s history and self. A good management of cultural heritage is not limited to the care of objects and buildings; this mission must have a wider reach, and must be oriented toward the future.

This is also applicable to Kota Tua, as a historical phenomenon uniquely related to Indonesia today. Its appeal to the youths of Indonesia is abundantly clear and is undoubtedly related to the extraordinary history of this part of the city. Kota Tua (or Kota) has always been a place where the people of Indonesia meet and interact with foreign guests in an informal setting. In addition to its historical and cultural role, this part of the city also plays an important social role in modern-day Jakarta. There is no better way to demonstrate its importance than through the daily activities at Taman Fatahillah.

But, it can be much better: Kota Tua has the almost limitless opportunity to flourish in this role. “To see is to believe”, they say, and this is what the initiative aims to do. With great enthusiasm, we have entered into this cooperation [partnership] in order to showcase Kota Tua’s vast potential. The Netherlands has a strong reputation in areas of conservation and reutilization of monuments as living and relevant aspects of today’s reality: a synergy of the old and the new. The latter is certainly no less important for Kota, and it is here that we wish to establish cooperation with relevant Indonesian partners. The Netherlands have many young and talented architects who are eager to share their works with their counterparts in Indonesia.

Also in relation to Kota, we must also mention the cooperation in water management, as part of the National Capital Integrated Development Programme. We must keep Kota from ever being submerged underwater.

Tjeerd F. de Zwaan Ambassador of the Kingdom of the Netherlands to Indonesia

We have come to the stage where the revitalization of Kota Tua area inJakarta has commenced. Not only will Kota Tua serve as an importanttourism attraction, but also it may also grow as a potential center for creativecommunities. The city of Jakarta has been working together with privateand public institutes to prepare a masterplan and action points to revitalizeKota Tua. As an example, JOTRC is focusing on the development of thebuildings and revival of commercial activities, while the city focuses on infrastructure, such as parking lots and traffic management.

Kota Tua Creative Festival is a unique event initiated by young generation ofprivate individuals with the Indonesian Diaspora Network and the Ministryof Tourism and Creative Economy. The preparation has began since May2013 when the city of Jakarta and Minister Mari Pangestu endorsed the festival as a way to test revitalization programs at Kota Tua based on creative industry.

We thank you all sponsors and institutes who have made this event possible,and we hope to see other initiatives in the future along the similar vision tomake Jakarta a better city for the people.

Enjoy Jakarta!

Arie Budhiman

Head of Department of Tourism & CultureThe City of Jakarta

Kota Tuabisa menjadi permatanya

kota Jakarta

Basuki Tjahaja Purnama,

Plt Gubernur DKI

SemogaRuang publik

dan ruang terbuka hijau semakin banyak dan merata di seluruh

Jakarta, dan warganya bisa menjaga kebersihan

dan merawatnya

Albertus Prawata,Arsitek/StudioArsitektropisHarapan saya

untuk kota Jakarta: (Kembali) menjadi tempat

harapan-harapan disemai dan dituai

Rofianisa Nurdin,RUANG Online

Magazine

Semoga Jakarta tidak lagi kotor dan menjadi

kota yang aman dan ramah untuk berwisata.

I LOVE JKT!Iffa,

Borneo Orangutan Survival Foundation

Saya mengarapkan

Jakarta yang bersih, sehat, nyaman dan sejahtera

Hendra Pratama,Pt. Drymix Indonesia

Kota Tua menjadi bersih,

aman dan nyaman sehingga bisa menjadi

tujuan rekreasi bagi seluruh

warga JakartaBerto, Lecturer

UniversitasBina NusantaraMasyarakat

Jakarta yang damai dan guyub, sebagai penjamin

kenyamanan kunjungan wisatawan

mancanegara.Ahmad Darus,

Karyawan / Lembaga Musyawarah

Kelurahan (LMK)

Jakarta di masa depan menjadi kota

megapolitan global yang layak huni untuk masyarakatnya dengan tetap mempertahankan

kearifan lokalnyaSigit Kusumawijaya,

Arsitek & Urban Designer

Semoga transportasi

umum lebih layak, lebih banyak ruang publik dan

acara/festival yang kreatif & menarik, dan warganya

semakin tertib

Natasha Selenia,Mahasiswi

Semoga Jakarta menjadi kota yang lebih

diverse, less traf�c, dan masyarakatnya lebih perduli

akan kebersihan dan keamanan sekitar

Jennifer Angela,Wirausahawati

Martha Debby, Guru

Menjadi kota yang lebih bersih,

terbebas dari macet, banjir, dan kejahatan

Jakarta butuh banyak

RUANG PUBLIK KREATIF!Daliana Suryawinata,

Arsitek/SHAU

Boavia,Karyawan

Jakarta jangan ada banjir lagi

Indyrra Chrisyadewi,Mahasiswa

Semoga Jakarta menjadi

kota yang lebih sehat dan ramah untuk

dikunjungi dan ditinggali

Saya berharap Jakarta menjadi

kota yang bersih, teratur dan tertata rapih dalam setiap

birokrasi, dalam pengurusan KTP, dan lain-lain

Yohana Nirahuwa,Karyawan swasta

Pamela Natalia,Merchandiser

Semoga kedepannya bisa

menjadi kota yang bersih dari sampah dan bebas dari

bahaya dan kekerasan di jalan raya

Diandra Tarcia Nada,Interior Materials

Marketing

Transportasi umum yang

semakin rapih, bersih, teratur, aman dan nyaman.

Lalu lintas yang mengikuti peraturan.

Albertus Prawata,Arsitek/StudioArsitektropis

Libatkan para desainer &

komunitas kreatif untuk menciptakan

kawasan-kawasan di kota Jakarta menjadi lebih

hidup dan berwarna

Anugrah Fikriyanto,Mahasiswa

Menjadi Kota yang

dapat ditinggali dengan nyaman

dan aman

Semoga kota Jakarta dapat menjadi salah satu

kota paling livable di dunia pada tahun 2045!

Abdul Said Ahtar,Future Cities Laboratory Mari

bermimpi: Jakarta sebagai

kota untuk manusia, dan manusianya berbuat untuk

kota!Reza Ambardi Pradana,

CPG Consultants

Ivan Octovian,Arsitek

Jakarta punya hutan kota, lebih

perduli ruang publik, transportasi umum

yang lebih baik

Harapan nomor satu adalah

kemauan besar untuk melakukan usaha

memperbaiki mental warga kota

Ardzuna Sinaga,Urban Designer

AECOM

Arya Harsono,Student

I hope Jakarta can be

a cultural utopia that welcomes creativity

from all individuals and become the

innovative city it was born to be!

Hai Jakarta, saya harap kamu

makin aman dan nyaman untuk perempuan.

Aminnn!!!Bunga Mega,

Cewequat

Michael Tjioeputra,Mahasiswa

Jakarta bisa menjadi

smart and livable city yang mencintai

dan dicintai semua orang

Kami ingin Jakarta bisa nyaman dan dinamis, sungai

mengalir, tidak ada sampah, dan setiap warganya setiap

tahun wajib menanamsatu pohon.

Adi Harsono,KS Energy, Ltd.

Wicianto Zen,Mahasiswa

Modern, aman, nyaman,

menjadi kota dunia

Semoga Jakarta bisa

menemukan jati dirinya sebagai Jakarta yang

satu-satunya di duniaRealrich Sjarief,

Arsitek

Ayo,

Kota Tua milikmu jua. Mari kita lestarikan

Kota Tua.

Yunita Lestari,Penggiat Kota Tua

Semoga fasilitas umum

dan gratis diperbanyak. Perbanyak wi-fi gratis juga

di tempat wisata.

Julisa Pratiwi,Public Relations

Semoga anak-anak di

Jakarta bisa melihat bintang di malam

hari tanpa harus pergi ke planetarium

Anky Prasetya,Film Editor

Mensejajarkan Kota Tua Jakarta

dengan Kota-kota Tua dunia

Robert Tambunan,Jakarta Heritage Trust

I hope the slums in Jakarta will

be reduced by the cooperation of the people,

by the people, and for the people, and architects

and government as facilitators

Patriot Negri,Mahasiswa

Ivan Octovian,Arsitek

Jakarta punya hutan kota, lebih

perduli ruang publik, transportasi umum

yang lebih baik

Tetap indah dengan

segala karakter dan keistimewaannya, lebih

indah dengan keteraturan dan kedisiplinan

kotanyaAjeng Nadia Ilmiani,

Karyawan Swasta

SemogaJakarta menjadi tempat dimana

mimpi terwujudkan, kebahagiaan meraja-rela,

dan kebaikan tinggal bersama penduduk

kota JakartaEsviyola,

Net-ImpactNGO

Priyanka Tobing,Konsultan

Hukum

Jakartaku harus jadi

sumber sukacita, bukan penimbun luka.

Jadi rumah, bukan rimba yang merenggut nyawa.

Jadi sorga, bukan neraka dunia.

Saya ingin kota Jakarta

menjadi “rumah” yang aman, tentram

dan penuh kebudayaan dan citra diri

Oktafiani Joeng,Merchandiser

Bebas banjir, bebas polusi, bebas macet,

mari bersepedaSuparno,

Komunitas Sepeda Onthel

Jakartabebaspolusi

Rohaji,Security

Hasnul Fatimah,Cleaning Service

Jakarta bebas

korupsi

Menjadi kota yang penuh canda dan

tawa, bukan penuh buaya dan rawa. Menjadi kota yang

tentram dan aman, bukan penuh dengan preman

dan jagoan.

Dipa Sitepu,Designer

We need open-minded young people

to bring us changes

Siwi,Guru TK

Semakin menjadi kota

yang warganya mau berkorban

demi Jakarta yang lebih baik lagi

Janice Hertania,Mahasiswi

Saya mengharapkan Jakarta yang

masyarakatnya bergotong royong

menumpas kebodohan dan mengurangi

kemiskinanDevi Kasih,

Pegawai Swasta

Dipimpin oleh Leader yang

jujur dan tegas

Desi,Guru TKSemoga

semakin maju dan semakin aman.

“believe Jakarta” - NumoDallas Avian,

Event Art Organizer

Wati Chaeron,Emic Research

Jakarta that breathes out fresh

air, facilitates good living, breeds people’s creativity

and nurtures a vibrant young generation

Seto,Wiraswasta

Jakarta:kota dunia yang

nyaman, hijau dengan karakter unik, original

dari budaya dan sejarahnya, tanpa

mencoba ikut-ikutan budaya lain

Kawasan Kota Tua Jakarta dapat segera terbebas dari kesan kumuh dan kusam

Ella,Karyawan PT Kereta Api

Indonesia(Persero)

Wujudkan Jakarta Livable City:

Jakarta nyaman, Jakarta aman,

Jakarta berkualitas

Hastito Rahmadhika,Mahasiswa

YORI ANTAR Curator Jakarta Old Town Reborn: 7 Projects for the City

Kota Tua has lost its spirit. Old and dying soul, degraded and abandoned are some characters that represent the conditions of Kota Tua now. About 182 neglected heritage artifacts are surrounded with decadent environment that considered undesirable place to live and/or work. Complex and intertwined problems are hidden behind its pretty yet derelict neoclassical façade. Different government initiatives have failed to restore its energy and vitality due to its minor scale and lack of coordination. Building owners claimed that renovating and maintaining a heritage building is not beneficial for them. One by one, these old buildings disappear, either through force or through neglect, crumbling away because no one cared for them. Many attempts had been made to renovate these old buildings, or to give them new functions; however, the lack of coordination, their isolated and singular efforts were not strong enough to create a lasting impact, let alone acting as a generator that could jump-start this increasingly forgotten and abandoned part of the city.The façade has frozen; however, for better or worse, its grand narration is appropriated by peddlers and squatters into a discontinued storyline.

Jakarta Old Town Reborn (JOTR) decided to take actions for the future of Kota Tua. JOTR invites 7 Dutch and Indonesian notable architects to collaborate with local government and building owners to reprogram 6 heritage buildings and 1 landscape area located along Kali Besar and Fatahillah Square. We’ve gone through several workshops, seminars, debates, site visits, negotiations with stake holders, consultations with government agencies, and come up with ‘archipunctural urban renewal strategy’ to spread six distinct projects that is interconnected by a larger green master plan of Kota Tua. JOTR uses ‘archipunctural’ solution to inject new life for Kota Tua and increase the livability of the historical old town district with a small, design-oriented approach. This group of pilot projects should act as exemplary urban magnets to restore Kota Tua energy to continue its urban narrative.

JOTR is initiated by Erasmus Huis and RumahAsuh, in collaboration with seven distinct personas or architectural firms (andramatin architects, djuhara+djuhara, Han Awal& Partners, KCAP, MVRDV, NiekRoozen feat. Wageningen University, and OMA). While, the archipunctural strategy is proposed by SHAU. It is also supported by the Embassy of the Netherlands, the Ministry of Tourism and Creative Economy, IAI-EU, Tropica Greeneries, MPYK Studio and the Kota Tua Creative Festival curatorial team. Jakarta Old Town Revitalization Corporation has pioneered a pilot project of the conversion of Post Office building into a Contemporary Art gallery and Visitor’s Center, opened in March 2014. As a continuation to the pilot project, we’re proud and happy to present our proposals for Kota Tua in this exhibition. However, we invite your participation to actively engage in this project by critically (but not cynically) evaluating these proposals and think thoroughly the kind of narration that Kota Tua should continue.

With this project, together we shall witness the existing abandoned monuments of Kota Tua will be reborn to continue its narrative and give a new spirit to Jakarta.

Kota Tua telah kehilangan jiwanya. Menua dan hampir mati, terdegradasi dan ditinggalkan, adalah karakter yang merepresentasikan kondisi Kota Tua saat ini.Sekitar 182 artefak

peninggalan colonial terbengkalai, dikelilingi oleh lingkungan yang buruk dan berpolusi, dihindari sebagai tempat hidup dan/atau bekerja. Wajah usang neoklasik-nya menyimpan

permasalahan yang kompleks dan berbelit. Berbagai inisiatif telah dilakukan baik oleh pihak swasta maupun pemerintah, namun tidak banyak membangkitkan vitalitasnya, bahkan

satu persatu gedung tua punah, baik disengaja maupun rubuh sendiri karena kurangnya perawatan dan pemeliharaan. Banyak gedung tua sudah dicoba renovasi dan diberi fungsi

yang baru namun karena kurangnya koordinasi, terisolasi dan cenderung harus berjuang sendiri maka tidak cukup kuat memberikan dampak apalagi sebagai generator yang

diharapkan bisa menghidupkan kembali kawasan Jakarta Kota yang semakin ditinggalkan dan dilupakan. Wajahnya telah dibekukan, namun, narasinya diteruskan oleh pedagang kaki

lima dan penghuni liar untuk membuatcerita yang sama sekali baru.

Jakarta Old Town Reborn (JOTR) menawarkan sebuah masa depan untuk Kota Tua. JOTR mengundang 7 tim arsitek dari Belanda dan Indonesia untuk bekerja sama dengan

pemerintah dan pemilik bangunan untuk menghidupkan 6 bangunan bersejarah serta sebuah bidang lansekap disekitar Kali Besar dan lapangan Fatahilah. Kami mengadakan

loka karya, seminar, debat, kunjunganlahan, bernegosisasi dengan para stakeholder, berkonsultasi dengan aparat pemerintah, dan sepakat dengan sebuah ide ‘archipunctural

urban renewal strategy’. Strategi tersebut berfokus kepada enam buah proyek arsitektural yang disebar di beberapa tempat, kemudian dihubungkan oleh sebuah master plan lansekap.

Walau skalanya kecil dan berorientasi desain, proyek-proyek ini akan bekerja secara ‘archipuntural’ (architecture + acupunture), menyuntikkan aktivitas-aktivitas baru untuk

menghidupkan Kota Tua dan menjadikan kawasan bersejarah tersebut layak ditinggali. Proyek-proyek ini akan menjadi daya tarik baru Kota Tua untuk melanjutkan narasi urbannya.

JOTR dimotori oleh Erasmus Huis dan Rumah Asuh, yang berkolaborasi dengan tujuh karatkter/firma arsitektur (andramatin architects, djuhara+djuhara, Han Awal & Partners,

KCAP, MVRDV, Niek Roozen bersama Wageningen University, dan OMA).Sedangkan, masterplan diusulkan oleh SHAU. Program ini juga didukung oleh Kedutaan Belanda,

Kementerian Pariwisata dan Ekonomi KreatifIndonesia, IAI-EU, Tropica Greeneries, MPYK Studio serta Kota Tua Creative Festival curatorial team.

Salah satu proyek perintis telah dibuka bulan Maret 2014 lalu, Kantor Pos Kota Tua dikonversi menjadi Musium Seni Kontemporer serta Pusat Informasi Wisata Kota Tua.

Sebagai kelanjutan dari rangkaian proyek ini, dengan bahagia dan berbangga, kami persembahkan rencana-rencana terhadap Kota Tua dalam pameran ini. Tak lupa kami

mengundang partisipasi anda untuk secara aktif terlibat dalam proyek ini untuk secara aktif mengkritisi (tapi tidak dengan sinis) danmengevaluasi rencana-rencana ini, serta sama-

sama memikirkan narasi apa yang harus dilanjutkan oleh Kota Tua.

Dengan proyek ini, kita akan mengubah monumen Kota Tua yang terbengkalai terlahir kembali dan melanjutkan narasinya serta memberi semangat baru kepada Kota Jakarta.

Andramatin architects

Djuhara+Djuhara

Han Awal & Partners

KCAP

MVRDV

Niek Roozen Landscape Architects

Wageningen University

OMA

SHAU

ARCHITECTURE EXHIBITION

Andramatinwww.andramatin.com

A contemporary Indonesian architect, both Isandra Matin Ahmad, the man and the firm that bears his name, andra matin, are known

for clean, modern creations that attempt to use space in a way that reflects and is sensitive to its environment. Upon inspection, these deceptively

simple, straightforward buildings represent a sophisticated interplay of internal and external boundaries and contain subtle ambiguities that

imbue them with a certain underlying tension and dynamism. Andra Matin (Aang) is one of

the founders of Arsitek Muda Indonesia (Young Architects of Indonesia, AMI), which has

greatly influenced the progress of architecture in Indonesia. His publications include Haikk! in

2008 by Borneo publications. A frequent lecturer at universities in Indonesia he has won numerous

awards including the Association of Indonesian Architects (Ikatan Arsitektur Indonesia, IAI), in

1999 and 2002, 2006 and 2011. His work has also appeared in various international media, and several issues in Japanese architecture magazine,

GA Houses.

Kantor Pos

Galeria Fatahillah: Reviving historical trail through urban culture

Djuhara + Djuharawww.djuhara.com

Djuhara + djuhara was established in 2004 by husband and wife, Ahmad Djuhara and

Wendy Djuhara. It was previously called Firma Arsitektur Ahmad Djuhara (2001 – 2004), until Wendy joined in 2004. Both

are active members of several organizations, namely Young Architects of Indonesia (AMI),

Indonesian Architects Institute (IAI, where Ahmad was the chairman for Jakarta chapter

from 2006 to 2009) and as Committee Member of House Vision Indonesia. The firm

has won several awards, such as Citation from IAI Award for Sugiharto Steel House

(2002), IAI Award for Pondok Gede House (2008), Shining Stars Bintaro Kindergarten

(2009). The last one was also shortlisted (in the Learning Category) at the World

Architecture Festival 2010.

Edi Sadeli (Yayasan PSMI)

Sadeli House: Esensi Revitalisasi Gedung Sadeli

HAN AWAL & PARTNERS

Han Awal & Partners was established in 1970, and currently led by Yori Antar. He is one of the

founders of AMI (Young Architects of Indonesia) in 1989 and also a freelance photographer for Aga

Khan Awards for Architecture. In 2008, he established Rumah Asuh

Foundation which focusing on preservation of colonial buildings

and Indonesian traditional architecture. The firm and

Rumah Asuh have won numerous awards including the Association

of Indonesian Architects (IAI) in 2008, 2011, and Awards of

Excellence from UNESCO Asia-Pacific Awards 2012 for Wae Rebo. In 2010, he established Liga Merah

Putih (Red-White League) with photographers Oscar Matuloh and

Jay Subiakto.

Kota Bawah (Rumah Akar)

Kota Bawah: The Reincarnation

KCAPwww.kcap.eu

KCAP Architects&Planners is a Dutch office for architecture, urban design and urban planning,

founded by Kees Christiaanse in 1989. During the last 20 years KCAP has established itself as one of the leading international practices in the

fields of architecture and urbanism. Working on an international level from the start, KCAP

has designed and realized projects in major countries and cities all over the world such as

Hamburg, Zurich, Perm, London, Beijing and Amsterdam.

Samudera

Samudera: Collapse. Redesign. Revived.

MVRDVwww.mvrdv.nl

MVRDV was founded in 1993 by Winy Maas, Jacob van Rijs and Nathalie de Vries in Rotterdam, the

Netherlands. The practice engages globally in providing solutions to contemporary architectural and urban

issues. A highly collaborative, research-based design method involves clients, stakeholders and experts

from a wide range of fields from early on in the creative process. The results are exemplary, outspoken projects,

which enable our cities and landscapes to develop towards a better future.The work of MVRDV is exhibited

and published worldwide and has received numerous international awards. Together with Delft University

of Technology, MVRDV runs The Why Factory, an independent think tank and research institute providing an agenda for architecture and urbanism by envisioning

the city of the future.

Kerta Niaga

Smart Nature for Kerta Niaga: A piece of nature in the heart of Jakarta

Niek Roozen Landscape Architects + Wageningen University

www.niekroozen.comwww.wageningenur.nl

Niek Roozen bv was established by Niek Roozen in 1982.Over the years the firm has worked on a variety of projects including parks,

horticulture and garden exhibitions, theme parks and master plans, both nationally and internationally.

Niek Roozen bv landscape architects has always worked together closely with other national and international design firms since

the firm was established. We choose our teams, depending on the project, to include urban designers, architects, traffic engineers,

horticultural engineers or civil engineers. Our office works closely with Atelier Loos van Vliet on our projects in China. Niek Roozen

bv and Atelier Loos van Vliet are currently in the process of setting up a satellite office in China in order to expand the opportunities

to work with other international design offices as well as be more directly involved in the detailed design and construction phases of

our Chinese projects.

Wageningen University & Research centre (WUR) comprises of the university and several specialised institutes. One of these institutes

is Applied Plant Research-Nursery stock. This institute is working on cultivation and use of nursery stock crops like, perennials,

avenue trees, shrubs, conifers, roses, forest and hedging plants. The focus in cultivation is on economic, environmental and social sustainability. In close cooperation with growers, mainly on-farm,

experiments are executed. In the urban environment plants can contribute to the well-being of people. This contribution is part of

the Green city concept. We always state ‘the right plant on the right place’. Plants need space above ground as well as below the surface for their development. The amount of space depends on the species, function required and the local growing conditions.

Especially in cities rooting space needs attention.

The landscape of Kali Besar and Taman Fatahillah

Kota Tua Green City: Green vision for a vibrant neighborhood

OMAwww.oma.com

OMA was founded in 1975 by Rem Koolhaas, Elia and Zoe Zenghelis and Madelon Vriesendorp as

a collaborative office practicing architecture and urbanism. Now, OMA is a leading international

partnership practicing architecture, urbanism, and cultural analysis. OMA’s buildings and masterplans

around the world insist on intelligent forms while inventing new possibilities for content and everyday

use. OMA is led by six partners - Rem Koolhaas, Ellen van Loon, Reinier de Graaf, Shohei Shigematsu,

Iyad Alsaka, and David Gianotten - and sustains an international practice with offices in Rotterdam, New

York, Beijing, Hong Kong, and Doha.

Tjipta Niaga

Ruang Ragam: Creating a heterogenous Kota Tua

SHAUwww.shau.nl

SHAU aims to design attractive buildings and cities which are socially and environmentally

responsible. The studio was established in 2008 as two independent offices in Rotterdam

(Florian Heinzelmann and DalianaSuryawinata) and Munich (Tobias Hofmann) and serves as

common platform. Since 2012 SHAU runs an office in Jakarta, Indonesia led by Yogi Ferdinand. The individual offices collaborate on a project basis

and combine their extensive working experiences in well-established and internationally-recognized architecture firms where they successfully worked

on numerous projects on various scales. We can therefore offer a broad scope of services ranging from urban to architectural project commissions.

SHAU is mostly interested in delivering outstanding design solutions while embedding societal as well as environmental concepts in the design process.

Key projects include MuaraAngke Vertical Housing, Jakarta (which received presidential mention in 2013

during the 2nd Congress of Indonesian Diaspora); House by the Danube, Obernzell Germany; Social Mall (with andramatin), Jakarta; Microlibraries in

Bandung, among others.SHAU actively engages itself with international exhibition curatorial, project

commissions, writing, lectures, and public events.

Urban Archipuncture Strategy

archipuncture generation catalog SHAU

SHAU + Diana Ang

Public spaces are places where people can exist together and are free to express their voices. A collective voice is more than the sum of its individual

voices. We attempt to capture this essence in Clouds of Thoughts - a canopy composed of messages of hope from Jakarta’s diverse citizens: students,

teachers, government and private employees, street vendors, creative communities, and many more individuals that make up the city’s narrative.

The installation invites people to stroll and sit under its shade while finding these aspirations, and also becomes a visual map for the festival through its

gradients of primary colors: blue aligning to the entrance from Stasiun Kota, red aligning to the main pedestrian entrance, and yellow hovering above Fatahillah

Square. Through the installation, we celebrate the new spirit in Kota Tua revitalization, to quote Goenawan Mohamad , as a creative agenda.

Fatahillah Square Installation: Clouds of Thoughts

Perbaiki apa yang perlu

diperbaiki, jaga semua yang harus dijaga.

Jakarta layak untuk dibanggakan.

Afrizah Pisca AlindaMahasiswa

Semoga makin meningkatkan

kenyamanan dan keamanan untuk transportasi publik.

Makin oke sistem pemerintahannya!

Happy day Djakarta!Stephanie Yovita,

Copywriter And Social Media Specialist

Semoga Jakarta bisa menjadi kota yang

lebih baik dan bebas macet serta banjir

Shinta Nurin Ayu Narulita,

PNS

Agar ada banyak

ruang publik, gedung pertunjukan,

dan teater untuk orang kreatif

Mari Pangestu,Menteri

Pariwisata& Ekonomi Kreatif

Pedestrianfriendly, tentunya

didukung oleh trotoar yang sesuai standar,

street furniture & green corridor terawat,

transportasi publik memadai

Aulia Kurniaputri,Mahasiswa

I hopethat we can

have proper spaces to read: a library

or a park Dyah Wulandari,

Karyawan GoogleSemakin

menghargai masa lalu dan

senantiasa sadar dalam melangkah

ke masa depanRizki Supratman,

Arsitek

Warga kelas menengah &

bawah dapat menikmati rumah dan taman di dekat

kantornya, jadi punya waktu lebih berkualitas untuk

keluarga dan diri sendiri

Randi PratamaKusuma,

CNPS

Semoga Jakarta memiliki polisi yang lebih

jujur dan baikRahadiyan Harryputra,

Graphic Designer

Harapannya, desain & material di

ruang publik dieksekusi dengan baik, sekalipun

fasilitas dan infrastruktur kota bersifat temporary

Putri Kusumawardhani,Urban Designer

Saya berharap ada

zona khusus industri berteknologi tinggi dengan

konektivitas handal dan kelas dunia namun terjangkau

perusahaan startup

Muhamad Kamaluddin,Corporate Planning

Department/RasGas

Jakarta bisa menjadi setara dengan kota-kota metropolis

dunia lainnya, yang ramah pada pejalan kaki dan

bebas banjir.Maria Dewi,

Kandidat DoktorJurusan Teknik

Perkotaan

Jakarta menjadi kota yang

bersih dan aman untuk para pejalan kaki dan

pengguna transportasi umum

Rinaldy Zulkarnain,Mahasiswa 1. Petunjuk

jalan jelas dalam jarak pandang yang

proporsional.

Astrid L. Rebekka,

LRT

2. Naik-turun penumpang bis

HARUS di HALTE resmi.

Penegakan peraturan oleh

pihak berwenang benar-benar dijalankan

dan dilakukan. Pelanggar peraturan dihukum

sesuai peraturannya.

Berto, LecturerUniversitas

Bina Nusantara

I wish for an acceleration of

open-mindedness and great empathy in this nation:

for mercy to overcome any judgement or any

emotion of hate.

Vanessa M. Liem,Student

Saya ingin pedagang kaki lima yang nggak punya

pangkalan bisa berjualan

Obeh,PedagangSoto Mie

Saya ingin kota Jakarta

menjadi Kota yang BERSIH, AMAN dan

NYAMAN

Cliff Salomo,Swasta

Saya bermimpi

sederhana dan berharap agar sungai-sungai

di Jakarta menjadi bersih dan dapat dilalui perahu

turis seperti di Amsterdam.

Amin!Dwi Rahayu,

InteriorDesigner

Become a livable and lovable city!

Ester Elfrida Jutensia,PNS

Lebih ramah, aman dan

bersahabat. Lapangan dan tempat kumpul

keluarga di pusat kota diperbanyak

Wahyu Kumoro,PNS

Semoga Jakarta bisa jadi

SURGA DUNIA

Ririn Risanti,Graphic Designer

Semoga penduduknya

semakin teratur

Cindy Frishanti,Media Staff

Semoga seni yang ada di

Kota Tua bisa dikembangkan

kembaliNovia Pratiwi Putri,

Pelajar

Perbaiki apa yang perlu

diperbaiki, jaga semua yang harus dijaga.

Jakarta layak untuk dibanggakan.

Afrizah Pisca AlindaMahasiswa

Raditya Agarwalla,Engineer

Ciptakan ruang kosong

dalam jarak setiap 5km. Ruang ini untuk bermain

anak, paru-paru kota, dan tempat melepas

stress.

Pump UpThe Jam!

Florian Heinzelmann,Architect/SHAU

DKI bebas

korupsi

Lie Cherry,Wiraswasta

Semakin dipernyamannya

space untuk pejalan kaki, diperbanyakkan pohon-pohon dalam kota sebagai sumber

udara segarAtri Anggirani,Desain Gra�s

Indonesia beriklim tropis,

we should be greener than other

countries.

Michel,Arsitek

Semoga kemacetan dan

tingkat kriminalitas berkurang. Semoga

transportasi umumnya bisa lebih baik

Agatha Vania Karina, Graphic Designer

Tidak macet & banjir,

dan banyak taman dan pohon di ruang-ruang

gersangRemy Thalita,

Karyawan Swasta

Jakarta dikenal menjadi

kota yang memiliki ruang publik yang

cantik, yang dipenuhi dengan public art

Windi Salomo,Event Producer

Proyek MRT lancar, people stop buying cars,

use public transport more. More trees and parks

in the cities.Sandy Putranto,Urban Designer Suatu

saat warganya bisa berkata

“Aku CINTA Jakarta!!!” dengan bangga

& tulusFatih Anfasa,

Mahasiswa

Saya ingin kota

kelahiran saya jadi kota yang ramah

lingkungan, ramah pejalan kaki, ramah anak

dan perempuan dan aman bagi

penduduknyaDiyah Kwee,Freelancer

Jakarta diharapkan

menjadi barometer bagi ibukota negara

lainnya didunia dalam hal kedamaian dan

keguyuban diantara masyarakatnya

Ahmad Darus,Karyawan/Lembaga

Musyawarah Kelurahan

(LMK)

Semoga Jakarta menjadi kota yang sehat, bersih, damai,

dan amanAngger Prawitasari,

Training Admin

Jakarta bebas sampah,

bebas macet, tertib, cantik dan menarik orang

untuk datang dan menikmati budaya timur Indonesia,

go Jakarta!!!

Susi Ratnawati,Wiraswasta

Nggak macet,plus banyakkin

pepohonan, bukan bangunan.

Ahdhan,carikAvasaHarapan

nomor satu adalah kemauan besar untuk

melakukan usaha memperbaiki mental

warga kotaArdzuna Sinaga,Urban Designer

AECOM

Jakarta to be a walking

city, better public transportation to

help with the traffic issue

Cynthia Mononutu, Graphic Designer

Kata Macethilang dari

perbendaharaan kata warga Jakarta

Luhki Herwanayogi,

Sutradara

Jaga keunikan yang

ada dalam bangunan-bangunan di Kota Tua.

Jangan lupa perawatannya juga membutuhkan kebersamaan dan

partisipasi masyarakat

Ajianto Dwi Nugroho,

Swasta

Jakarta menjadi kota dimana ruang-ruang publik kreatifnya menjadi

inspirasi bagi warga dan pengunjungnya

Diana Ang,Arsitek

Bersih dari sampah,lahan hijau ditambah

Indra Jaya Wangsa,Mahasiswa &

Indie FilmmakerBerharap

kota Jakarta menjadi simbol

Ibukota Indonesia yang berbudaya, bermasyarakat,

berbangsa dan bersatu

Uli Padmanegara,Freelancer

Jakarta yang lebih maju, bersih,

teratur, bijak dan dewasa

Reza Sukianto,Karyawan

Semoga kesejahteraan

meningkat, transportasi umum semakin baik, aspal jalanan mulus.

Drainase berfungsi dengan baik. Lebih banyak ruang hijau

dan taman-taman.Izzy Tanasale,

Ibu Rumah TanggaJakarta

yang lebih hijau, manusiawi dan beradab.

Tentunya sangat berharap banjir dan kemacetan dapat segera diatasi.

Melanie Widjaja,Kemenparekraf

Jakarta bisa menjadi

kota megapolitan yang SIMPEL dan

FLEKSIBELHenry Edward Parlindungan

Tambunan,Wirausaha

Adakan peremajaan

angkutan umum

Nia Kusniawati,Cleaning Service

Tak setiap saat, sebuah karya seni rupa mendapatkan kesempatan ‘menantang’ seperti kegiatan pameran kali ini. Karya-karya ini dipamerkan di sebuah lokasi yang jauh berbeda dengan situasi ruang di sebuah galeri atau museum seni rupa pada umumnya. Boleh jadi, tempat ini sebelumnya adalah sebuah ruang kerja atau kegiatan sehari-hari yang tak ada hubungannya sama sekali dengan ekspresi seni rupa. Kini, ruangan itu menunjukkan identitas keadaanya secara lain. Bagaimanapun kini, ruangan ini tampil sebagai suatu keadaan yang bernilai khusus: meski nampak jejak keadaan yang terabaikan namun jelas kuat memancarkan pesona sejarah dan aroma waktu yang perkasa. Keadaan tempat atau ruangan yang digunakan untuk berpameran ini ada, meski tentu juga boleh jika seseorang tak setuju, sebagai sebuah tantangan sekaligus undangan. Pesona sejarah dan aroma jejak waktu yang sedemikian kuat sebagai karakter ruang pameran ini menjanjikan semacam situasi ‘baru’ bagi kelahiran kembali gagasan yang muncul dari sebuah karya seni rupa yang mungkin tadinya dianggap telah ‘selesai’, bahkan oleh sang senimannya sendiri.

Keadaan studio masing-masing seniman tentu saja tak pernah mirip dengan bayangan tentang ruang, di sebuah galeri atau museum, yang dikehendaki setiap seniman untuk mempresentasikan karya-karya yang dikerjakannya. Sebagai tempat produksi atau penciptaan karya, ruangan studio seniman umumnya lebih lusuh dan liar, dijejali berbegai jejak gagasan, tindak tanduk eksperimentasi, atau kehendak yang keseluruhannya tak sempat dinyatakan sebagai karya. Namun demikian, ruang presentasi di sebuah bangunan tua di kompleks kota tua Jakarta ini adalah sebuah situasi ‘ke-beda-an’ yang lain. Ada bukan sebagai ruang presentasi yang netral dan anggun layaknya di ruangan galeri, namunjuga bukan situasi lusuh yang akrab sebagaimana di ruangan studio kerja para seniman. Ruangan presentasi di kota tua Jakarta ini secara persistent turut menawarkan gagasan, bahkan kembali menarik keadaan masing-masing karya pada situasi

RIZKI. A. ZAELANI Curator

awal ketika karya dikerjakan oleh sang seniman. Karya-karya yang dipamerkan ini bukan hanya hadir sebagai sebuah presentasi tetapi juga sebuah representasi ‘baru’ hasil campuran dari gagasan yang dimiliki masing-masing seniman dan nilai situasi yang diperagakan oleh sang ruang.

Presentasi dan representasi karya-karya seni rupa dalam pameran ini, saya anggap, merobek tabir dalam asumsi kita mengenai persoalan tentang ‘yang lama’ dan ‘yang baru.’Meski tempat pameran ini bisa dianggap sebagai ruang usang dari gedung yang sudah lama, namun pada prakteknya, karaktek ruang dan nilai situasi yang diperagakan oleh tempat ini adalah kenyataan yang ‘baru’, yang kemudian bisa dipahami sebagai kualitas yang bisa ditambahkan pada tiap-tiap karya seniman yang dipamerkan di sini. Langkah persiapan untuk presentasi pameran ini tak hendak menjadikan ruangan ini menjadi ruangan yang bersifat netral ibarat ruang di sebuah galeri atau museum. Sebaliknya, berusaha semaksimal mungkin untuk membiarkan, atau mempersilahkan keadaan ruang ‘sebagaimana adanya’. Pun karya-karya yang dipamerkan adalah karya-karya yang telah ‘selesai’ dikerjakan atau dipamerkan oleh para seniman, dan bukan karya yang disiapkan khusus untuk dipamerkan di tempat yang khas semacam ini. Dalam perkembangan seni rupa, dikenal metoda ekspresi yang disebut sebagai ‘site specific project’ (ekspresi seni rupa sebagai proyek khusus yang disiapkan berdasarkan keadaan ruang pamer bagi karya). Pameran ini jauh dari gagasan penyiapan karya sebagai sebuah karya ‘site specific project’ tersebut. Beberapa seniman hanya menyiapkan beberapa langkah penyesuaian karya yang lebih berkaitan dengan teknis pemasangan karya. Pameran ini, dan juga ruangan pameran ini, seakan-akan hendak menyiapkan kelahiran kembali masing-masing kekuatan dari karya-karya yang akan ditampilkan. Pesona sejarah, aroma jejak waktu, dan kharisma ruang yang ada di tempat ini adalah elemen lama yang jadi kekuatan baru yang seolah bekerja memperbaharui gagasan dan kreativitas para seniman.

Karya-karya dipamerkan ini, tentu saja, bukan dimaksudkan untuk ‘menghiasi’ ruang ini, tidak menghiasi dalam pengertian demi menjadikan tempat nampak lebih indah. Karya-karya yang dipamerkan ini, bagi saya, adalah sebuah contoh bagaimana kita tetap mampu mengartikulasikan sikap penghargaan

kita terhadap pelajaran mengenai hikmah waktu dan nilai kehidupan. ‘Ars longa, vita brevis.’ Perjalanan hidup kita tak akan pernah cukup untuk memahami apa yang sempurna yang diwariskan setiap pencapaian yang sesungguhnya kita, manusia, mampu ciptakan. Setiap hasil keterampilan, kemampuan, daya pikir, yang dihasilkan oleh manusia tak akan pernah cukup untuk bisa dipahami sepenuhnya dalam batas-batas waktu hidup manusia itu sendiri. Apa yang kita anggap ‘yang lama’ pada kenyataanya selalu mampu menjadi ‘yang baru’ ketika kita diberi kesempatan untuk memiliki kepekaan meraih pelajaran baru darinya. Dengan demikian setiap yang kita ciptakan, pada kenyataannya, adalah jejak resonansi dari bentuk-bentuk dan tingkat-tingkat penciptaan yang lain. Setiap manusia, seperti halnya juga para seniman, tak pernah bisa menjadi asal dari sebuah proses penciptaan selain justru menjadi bagian dari sumber dan muasal proses kerativitas lain yang tak bisa langsung dikenal atau dipahami oleh setiap orang. Dalam hal ini, maka seorang seniman pada akhirnya akan menyadari ihwal adanya cakrawala langit-langit yang lain, yang lebih luas, di atas langit-langit proses kreasi yang digelutinya secara personal.

Pameran ini didedikasikan kepada setiap usaha dan kerja keras setiap pihak dalam rangka menghidupkan kembali kemampuan manusia saat kini agar tetap mampu belajar dari prestasi dan hasil-hasil pencapaian manusia di lain waktu, situasi, dan kesempatan. Karya-karya yang dipamerkan ini lebih mirip sebagai sebuah dialog atau interaksi antara situasi ‘yang lama’ dengan ‘yang baru’, ‘yang lalu’ dengan ‘yang kini’, ‘yang saat kini’ dengan ‘yang kemudian nanti’. Ekspresi karya-karya yang dipamerkan ini hanyalah sebuah contoh dari kehendak dan ketulusan untuk terus belajar dan memahami, mengenang setiap apa yang kita tahu sebagai hadiah pengetahuan justru karena kita akhirnya menjadi sadar pada hal ihwal yang lain yang belum lagi kita ketahui. Cakrawala keluasan dan ketinggian harkat kemanusiaan tak akan pernah cukup dihargai dalam kemasaan kalkulasi nalar dan perhitungan dari rencana-rencana, selain jadi berharga karena tetap dirawat dan dihidupkan dalam kepekaan dan kecerdasan hati.

Rizki A. Zaelanikurator

It is not often that an artwork receives a ‘challenging’ opportunity as in our exhibition today. These works are presented in a location/site far removed from a space in a gallery or museum of art. Perhaps, this used to be a place of work, or a place where its daily activities had nothing to do with art expression. Today, the location shows a different side to its conditional identity. Whatever its past, the site is now presented as a condition with special values: despite its neglect, it strongly shows its historical charm and the powerful scent of time. The condition of this site, which we now use as an exhibition space, is both a challenge and an invitation—although people are certainly welcomes to disagree. The charm of history and the scent of time are so powerful that its character promises to provide a ‘novel’ situation for the rebirth of an idea, emerging out of artworks once considered as “completed” perhaps even by their own artists.

Each artist’s studio is certainly unlike the idea of space inside a museum or gallery, as envisioned by artists to display their works. As a place of artistic creation or production, an artist’s studio is usually shabbier and wilder, filled to the brim with trails of ideas, experimental conducts, or desires that cannot be fully transformed into a particular work. And yet, a presentation site inside an old building in Jakarta’s Old Town is a ‘different’ situation altogether. It is not a neutral and elegant presentation space like most gallery rooms, but neither is it a shabby but homely space of an artist’s studio. The presentation space in Jakarta’s Old Town persistently offers ideas, even taking each artwork back to its earlier situation, when it was still a work-in-progress under the artist’s hands. Works exhibited here, are not merely presentations, but a ‘new’ representation, a product of the artist’s own idea(s) intermingled with the situational value of the space itself.

I consider the presentation and representation of artworks in this exhibition, as an attempt to uncover

Ars longa, vita brevis

Only from the heartCan you touch the sky

Jalal al-din Rumi

the veil around our assumptions regarding ‘the old’ and ‘the new’. Although we may see the site as a worn-out room inside an old building, in practice, its spatial character and situational value is a ‘new’ reality, which can then be understood/regarded as a quality that can be added to each of the artworks exhibited here. All the preparations ahead of this exhibition never once attempted to make it into a neutral place like those found in galleries or museums. On the contrary, we try as much as possible to allow the site to be ‘as it is’. In addition, works presented here are those that have been completed or even shown in prior exhibitions by the artists, not specially-made pieces for such a unique place as this. In the development of art, we recognize a method of expression called ‘site specific project’ (i.e. an art expression done as a special project in reaction to, or based on, the specific situation of a specific exhibition space). However, our current exhibition is far from a ‘site specific project’. The few artists who made small adjustments to their works did so only for technical reasons regarding the display of works. This exhibition, like the exhibition space itself, seems to be preparing for the rebirth of the strengths in each exhibited works. The charm of history, the scent of time, the charisma exuding from this space—they are old elements made into new strengths that work to rejuvenate the artists’ ideas and creativity.

These exhibited works are certainly not intended to ‘decorate’ the space—at least, not ‘decorate’ in the sense of beautifying a place. The works on exhibit, for me, act as an example of how we will have the ability to articulate our appreciation of time’s wisdoms and life’s values. Ars longa, vita brevis. Our life’s journey will never be long enough for us to comprehend the perfect things bequeathed by the achievements that

we, as humans, can actually create. Not every achievement through human skills, abilities, and thoughts, can be fully understood within the human lifetime. What we consider as “old”, in reality, can always become “the new”, if only we are given the opportunity to have the kind of sensitivity needed to find new lessons from it. And so, every creative thing, in reality, comes from the resonance emitted by other creative levels and forms. Each person, including the artist, can never be the font/source of a creative process, but only a part of the source and beginning of other creative processes that are not immediately recognizable or understandable. In this case, an artist will finally realize that there are other horizons, wider than his or her own creative horizon.

This exhibition is dedicated to every effort and hard work that has gone into our attempts to rejuvenate our abilities, so we can continue to learn from the achievements made in another time, situation, and opportunity. Works exhibited here are perhaps more like dialogs or interactions between “old” and “new” situations, “the past” and “the present”, “today” and “future” things. The expressions of works presented here serve as examples of the desire and heartfelt attempts to continue to learn and understand, to recall everything that we know as gifts of knowledge, especially because we have become conscious of things that we have yet to know. It is not enough to appreciate the length and breadth of human dignity through logical calculations or through the accounting of plans; instead, it becomes valuable and priceless because it has been nurtured and kept alive through sensitivity and an intelligent heart.

Rizki A. Zaelanikurator

Ade Artie Tjakra

Alvin Tjitrowirjo

Tiarma Dame Ruth Sirait

Abdul Sobur

Andre Tanama

Andro Napitupulu

Andy Dewantoro

Asmudjo Jono Irianto

Aviandari Lestari

Bonggal Hutagalung

Dydik Sukowati ‘Codit’

Ghina Fianny

Isha Hening

Josua Alessandro

Kemal Ezedine

Kinez Riza

Masagoeng

Muhammad Taufiq ‘emte’

Nus Salomo

Rendra Santana

Riono Tanggul Nusantara

Risa Astrini

Rony Rahardian ‘Onik’

Theo Frids Hutabarat

Willy Himawan

Yani M Sastranegara

Yaya Sung

Ykha Amelz

Zico Albaiquni

CONTEMPORARY ART EXHIBITION

ADE ARTIE TJAKRABorn in Jakarta, Indonesia

EDUCATIONTeguh Ostenrik

Dolorosa Sinaga

SOLO EXHIBITION

2002 Manusia Seutuhnya, Galery Cipta III, TIM, Jakarta.

GROUP EXHIBITION

2013 Art Bazaar Jakarta Locafore, Kota Baru Parahyangan, Bandung2012 Sepuluh Pelukis Perempuan Jakarta ,Museum Seni Rupa Dan Keramik, Jakarta KITA The Philippine/Indonesia ART EXCHANGE, Cebu, Manila, Philippine, and Bali Asian Watercolour Expression 2012, Bentara Budaya, Jakarta, Jogya, Solo, Bali2011 LOCAFORE – Art, Design & Jazz festival – Kota Baru Parahyangan,Padalarang Bandung; 23 Sept – 31 Des 2011 Pameran Watercolour On Beautiful Small Space; 11 Sept-11 Okt 2011 di Art Space Jakarta Barat Irisan Grand Indonesia East Mall, Jakarta Art Malaysia - PCA4 , Kuala Lumpur Malaysia2010 10th Anniversary One galeri, Jakarta Deterjen GaleriCipta II TIM Jakarta China – ASIAN youth Artwork creativity contest)

WORKSHOPCharles Reid, Ramon Kelley, Richard McDonald USA

Living In The Fantacy

Bronze 85 x 95 x 137 cm

ALVIN TJITROWIRJOTIARMA DAME RUTH SIRAIT

ABDUL SOBURJL. Suryo No. 11 A, 2nd Floor.

Jakarta Selatan+62 816 193 1300info@alvin-t.com

WWW.ALVIN- T.COM

Chrysalis

“The notion of a new language always develops with time from its infancy towardsmaturity, in Indonesia there has been a development towards modernity”This art installation is a representation of a stage of transformation between infancyand maturity within the contemporary Indonesian design world. There has been asurge of modernism penetrating our lives. Influences have come from all parts of theworld which indirectly shape the notion of modern design within the local society.Chrysalis is a development of understanding towards modernism within Indonesia.Its shape conceived from a frozen movement of an organism blossoming towards adirection yet to be known.Made out of Rattan, a material that is common towards the local eyes but haven’tsecured its proper respect, the installation is mounted on top of a stage to berepresented as work-in-process and also a milestone for this development ofunderstanding towards what modern contemporary Indonesian deign can be in thenear future.

Chrysalis

Rattan Manau in natural finish, Teak in wax finish400 x 150 x 220 cm2013

ANDRE TANAMABorn in Yogyakarta, March 28th, 1982

Perumahan Alam Citra B.39, Jl. Parangtritis Km.7, Sewon, Bantul 55188,

D.I. Yogyakarta, Indonesia. +62 856 2911 888

andre_tanama@yahoo.com www.gwensilentproject.blogspot.com

www.andretanama.weebly.com

Andre Tanama is one of young Indonesian visual artist. While being active as fine art

lecture in Institut Seni Indonesia Yogyakarta (Indonesia Institute of the Arts), he is also

being active creating visual artworks in various media such as drawing, printmaking,

painting, and sculpture. This time, he focus on exploring his “lovely” figures: Wayang

Monyong, Gwen Silent, and Agathos as metaphor of many issues. He brings his figures in many exhibitions in Indonesia

and other countries such as Malaysia, Singapore, Italy, Switzerland, USA,

Netherland, Portugal.

EDUCATION2005 - Indonesia Institute of the Arts (ISI)

Yogyakarta, Bachelor of Fine Art (cum laude)

2010 - Postgraduate Indonesia Institute of the Arts (ISI) Yogyakarta,

2006 - present; Master of Fine Art (cum laude) Lecturer in Fine Art - Indonesia

Institute of the Arts (ISI) Yogyakarta

SOLO EXHIBITION2013 Wayang Monyong, Miracle Art Space, Tirtodipuran, Yogyakarta2012 Agathos, Langgeng Gallery, Magelang, Central Java2011 The Tales of Gwen Silent, Bentara Budaya Jakarta2010 The Tales of Gwen Silent, Bentara Budaya Yogyakarta Gwen Silent, Final Project of Master Degree, Galeri Biasa, Yogyakarta

GROUP EXHIBITION2014 Do You Believe in Angel, curated by Tony Godfrey, Equator Art Project, Singapore and Philipine Pager Piring, 15th Peringatan Wafat YB Mangunwijaya, Bentara Budaya Yogyakarta2013 Neo-Iconoclasts, Langgeng Gallery, Magelang Tegangan: Sosok/ Artikulasi, Pameran Seni Rupa Dosen ISI Jogja & ITB, Galeri ISI Yogyakarta Coffeelicious, Coffetalk Art Space, Yogyakarta Melihat/Dilihat, Pameran Seni Rupa karya-karya Dosen Seni Rupa se-Indone sia, Galeri Nasional Indonesia, Jakarta Silaturahmi #2, Bentara Budaya Jakarta2012 Legend of Jogja, Primae Noctis, Switzerland Hello, Goodbye, it is all about East and West, Willem Kerseboom Gallery, Amsterdam Here and There, Now and Then, printmaking exhibition curated by Tony Godfrey, Langgeng Art Foundation, Jogja Art Stage Singapore, Marina Bay Sands, Singapore (with Primo Marella Gallery) Revolution of Indonesia II, Art Front Gallery, Singapore Archive Reclaim.doc, Galeri Nasional Indonesia, Jakarta2011 PAN Amsterdam, RAI Parkhal (hall 8), Amsterdam Jakarta Biennale #14 Maximum City, Central Park Mall, Jakarta PMR Cube - Contemporary Culture Interplay, Sampoerna Strategic, Jakarta Flight for Light - Religiocity in Indonesian Art, Grand Opening ART:1 New Museum, Art Space:1, Jakarta

Yang Mendamba Kesunyian

Painted Fiberglass 70 x 70 x 105 cm

2014

ANDRO NAPITUPULUBorn in Soroako, April 20th, 1986

Jl. Kalijati Indah no 26 Rt 06/Rw 04, Antapani, Bandung 40291

(022) 7279465 / +62 856 210 8990nailedfleshwithoutblood@yahoo.com

EXHIBITIONS2007 Graphic Art Application, Galeri Soemardja, Bandung Us/Industry, Galeri Rumah Teh, Bandung Scale ; 15x15x15 Project, Galeri Soemardja, Bandung2008 Exhibition for Capo Project Workshop, Bandung New Emergence II, Selasar Sunaryo, Bandung Urban Toys Exhibition, Workshop Capo Project, Urban Fest Ancol, Jakarta Metaphoria; 15x15x15 Project#2, Galeri Soemardja, Bandung2009 TREXI Custom Show, Tunjungan Plaza Surabaya, Surabaya TREXI Custom Show, FX Mall, Jakarta We’re All Millionaires, AOD Art Space, Jakarta Inhabitant, Padi Artground, Bandung Post Mortem, Vanessa Artlink, Jakarta2010 DRAWING the day after TODAY, Padi Artground, Bandung Recreate x Reality x Representation; 15x15x15 Project#3, Galeri Soemardja, Bandung Munny World Festival Indonesia, TOC, Fx Mall, Jakarta Sang Ahli Gambar dan Kawan-Kawan; Tribute kepada S. Sudjojono, Galeri Kita Bandung2011 Sweet Agony, Dia.Lo.Gue, Kemang, Jakarta Hybrid Project; The Butterfly Effect, Museum Barli, Bandung Festival Grafis Bandung Reframing Printmaking, Lawangwangi Art and Science, Bandung Hybrid Project; The Butterfly Effect- Expanded, Maja House, Bandung The Other I, Padi Artground, Bandung

WORKSHOP AND SEMINAR2008 Workshop Capo Project, Selasar Sunaryo Art Space Bandung2007 Seminar and Leather Workshop2006 Printmaking Workshop, KGB-ITB

AWARDS2010 Marlboro Style Your Party Finalist2008 Most Favorite Capo (2008)2006 Indonesian Printmaking Trienal II Finalist

QUEAJ

mixed mediaapprox. 40 x 40 x 40 cm2014

ANDY DEWANTOROBorn in Tanjung Karang, Lampung, 1973

Jl. Setrasari V No.8 Bandung - 40153Jl. Patra IV No. 64, Jakarta Barat

EDUCATION

1995-2000 Interior Design, Faculty of Fine Art and Design, Bandung Institute of

Technology (ITB)

SOLO EXHIBITION

2012- We Wanted To Be The Sky D Gallerie, Jakarta, Indonesia

2011- Half Full Half Empty Valentine Willie Fine Art, Kuala Lumpur

2010- empty – space – landscapes Galeri Semarang, Indonesia

GROUP EXHIBITIONS

2014 ART STAGE SINGAPORE 2014 Semarang Contemporary Art Gallery, Marina Bay Sands, Singapore 2013 Lost and Found Ark Galerie, Space K, Gwacheon, Seoul, South Korea Art Basel 2013 Hong Kong Convention and Exhibition Center, Hong Kong G-Seoul International Art Fair 13 Ark Galerie, Grand Hilton Seoul, South Korea Homo Ludens 4 Emmitan CA Gallery, Bentara Budaya, Denpasar, Bali 2012 A TRIBUTE TO A MENTOR, Indonesian Modern and Contemporary Art Exhibition Gedung Tribakti, Magelang, Indonesia Re.claim Galeri Nasional, Jakarta, Indonesia CONTEMPORARY INDONESIAN ART EXHIBITION Sin Sin Fine Art, Hong Kong ART STAGE SINGAPORE 2012 Semarang Contemporary Art Gallery, Marina Bay Sands, Singapore 2011 LINTAS Edwin’s Gallery, Jakarta,Indonesia Flight for Light: Religiosity in Indonesia Art, Art:1 Space, Jakarta, Indonesia The Indonesian Eye Contemporary Art Exhibition Saatchi Gallery, London, England Indonesian Artist Group Show Sin Sin Fine Art, Hong Kong Bazaar Art Jakarta 2011 The Ritz Carlton, Jakarta, Indonesia We Are Now Open GARIS artspace, Jakarta, Indonesia ART|JOG|11 Taman Budaya Yogyakarta, Yogyakarta, Indonesia CONTEMPORARY LANDSCAPE Lawangwangi – Art & Science Estate, Bandung, Indonesia HOMO LUDENS #2 Emmitan CA Gallery, Surabaya, Indonesia Indonesian Eye Contemporary Art Exhibition: Fantasies & Reality Ciputra Artpreneur Center, Jakarta, Indonesia ART STAGE SINGAPORE 2011 Semarang Contemporary Art Gallery, Marina Bay Sands, Singapore

A Quite Place

Oil on canvas 240 x 180 cm

13-14

ASMUDJO JONO IRIANTOBorn in Bandung, September 26th, 1962

EDUCATION1990 - BA, Fine Art Department,

Faculty of Art and Design, Bandung Institute of Technology.

MA, Fine Art Department, Faculty of Art and Design,

Bandung Institute of Technology.

SOLO EXHIBITION

2000 Kleptosign 1, Barak Gallery, Bandung. Kleptosign 2, Lontar Gallery, Jakarta. Kleptosign 3, Cemeti Art House, Yogyakarta.2002 Debt Store, Cemeti Art House, Yogyakarta.2014 Unoriginal Sin: Art in The Expired Field. Selasar Sunaryo Art Space. Bandung.

GROUP EXHIBITION

2007 4th Ceramic Biennale, Icheon, Kyonggi Province, Korea. Pameran 100 Tahun Affandi, Yogyakarta Biennale Yogya IX-2007, Yogyakarta Mapped, 5 ceramic artists from Singapore, Malaysia, Vietnam and Indonesia. Esplanade, Singapore. Pameran Asian International Art Exhibition 22nd “Imagining Asia”, Selasar Sunaryo Art Space, Bandung Quota, Indonesian Contemporary Art National Gallery, Jakarta2008 Arafura Craft Excahnge. Trajectory of Memories, Tradition and Modernity in Ceramics, Museum and Art gallery of The Nortjern Territory, Darwin, NT, Australia. Manifesto National gallery, Jakarta Jatiwangi Art Factory Contemporary Art Exhibition, Jatiwangi, West Java2009 Dear Andry, S-14 gallery, Bandung Dear Andry II, Ruang Rupa, Jakarta Bandung Initiative 4, Rumah Rupa, Jakarta Kado #2, Nadi Gallery, Jakarta2010 Critical Point, Edwin Gallery, Jakarta Making is Thingking Kota Baru Parahyangan, Bandung2012 Progress Report Galeri Soemardja, Bandung Institute of Technology2013 Pameran Karya Pengajar Seni Rupa 2013: Progress Report, Galeri Nasional Jakarta Pameran Sudjojono dan Kebangsaan, Galeri Nasional Indonesia, Jakarta

Stairway to heaven

resin, zinc frame, found objectVariable dimension2014

resin, books350 x 70 x 35 cm

2014

Untitle#1

AVIANDARI LESTARIBorn in Bandung, June 9th, 1990

Jl. Dago Giri no111 Desa Mekarwangi Warung Caringin Bandung, Indonesia

+62 8177 355 99aviandarilestari@gmail.com

AWARD2014- Primary evaluation, Bexco Young

Artist Award, Busan, South Korea.2013- Finalist, Soemardja Art Award

2013, Galeri Soemardja, Institut Teknologi Bandung, Indonesia.

2014 Research team assistant. Academic Paper for Indonesian National Gallery. Curator team assistant for Manifesto 2014, Indonesian National Gallery, Jakarta Indonesia. Curator team assistant for The World and I : A Solo Exhibition by Heri Dono, Art:1 New Museum, Jakarta Indonesia.2013 Curator team assistant for SEA+ Triennale 2013, Indonesia National Gallery, Jakarta Indonesia Curator team assistant for Indonesian Art Award 2013, Indonesia National Gallery, Jakarta Indonesia Curator assistant of Mr.Rizki A. Zaelani for Mall Art project at Bazaar Art 2013, Pacific Place, Jakarta Indonesia2012 Volunteer for Art Stage Singapore 2012, Marina Bay Sands, Singapore Project manager of Lubberland: a group exhibition by Cinq-cinq, W_Space Jakarta, Indonesia2011 OK Video, video workshop by Meiro Koizumi and Agung Hujatnikajennong, Selasar Sunaryo Artspace, Bandung Indonesia VIDEOSONIC #2 – The Spectacle, video workshop with Michael Brynntrup and Filmklasse Braunschweig students, Institut Teknologi Bandung Indonesia Public Installation workshop by Faculty of Architecture, Institut Teknologi Bandung Indonesia Public Installation seminar by Faculty of Architecture, Universitas Indonesia, Jakarta Indonesia Marketing of Festival Grafis Berseni, Lawang Wangi, Art and Science Estate, Bandung, Indonesia.

GROUP EXHIBITION

2013 Soemardja Art Award 2013, Galeri Soemardja, Institut Teknologi Bandung, Indonesia2012 Mix Template, Galeri Kita, Bandung, Indonesia Ranah Bertabuh Kreasi, Medco Building, Jakarta, Indonesia. 15x15x15, Galeri Soemardja, Institut Teknologi Bandung, Indonesia. Lubberland, a Group Exhibition by Cinq-Cinq, W_Space, Jakarta, Indonesia. Mitbringsel, Konnektor Forum Fur Kunste, Hannover, Germany

You Don’t Speak But I Hear You

Pigmented resin on organdi cloth 130 x 100 x 10 cm

2013

BONGGAL HUTAGALUNGBorn in Sleman, July 28th, 1988

Jl. Sekeloa Utara 1 No. 13 A Bandung 40134

EDUCATIONBachelor Degree, Faculty of Art and Design,

Majoring on Ceramics Art, Bandung Institute of Technology.

SOLO EXHIBITION

2013 Pottrippin Galeri Hidayat, Bandung

EXHIBITIONS

2014 Manifesto 4 Galeri Nasional, Jakarta2013 Cataclysm Swoon Gallery, Bali Subject Matter: A Locus Of Collectivism Art:1, Jakarta Everyday Is Like Sunday Langgeng Gallery, Magelang Step-art Galeri Kamones, Bandung2012 Jakarta Contemporary Ceramic Bienale North Art Space, Jakarta GIF Festival, www.giffestival.tumblr.com Seni Keramik Kontemporer Indonesia: A Progress Report, Museum Seni Rupa dan Keramik, Jakarta Design/Art, Lawangwangi, Bandung 15x15x15 mind eye, Soemardja Gallery, Bandung 2011 Cerita Kami Tentang Hidup, di CCF, Bandung Aroma Kengerian, Galeri Kita, Bandung Skin Matters, Galeri Soemardja, Bandung2010 Hail To Sail, Galeri Kita, Bandung Middelbare Akte, Soemardja Gallery, Bandung 15x15x15 recreate, reality, representation, Soemardja Gallery, Bandung FOURPLAY, Japan Foundation, Jakarta2009 Going Beyond guest house C.M.N.K Art Space, Bandung

Coolest Pot In Town

What Is Done In Love Is Done Well

Cracked Pot With Boobs

Yaela

glazed stoneware, neon lights 52 x 33 x 33 cm

1180C2013

engobed stoneware, sgraffito51 x 47 x 43 cm

1180C2013

glazed stonware, rosary 52 x 36 x 36 cm 1180C2013

glazed stonware 52 x 33 x 33 cm 1180C2013

EKO DIDYK ( CODIT ) SUKOWATI

Born in Tegal 1977

EDUCATION1996 - Modern School of Design,

Yogyakarta1997 - Indonesian Institute of The

Arts,Yogyakarta (1997-2006)

SOLO EXHIBITION

2002 KORNFLIK, ViaVia Cafe Kembara, Yogyakarta

GROUP EXHIBITION 2014 NEOICONOCLASTS, Langgeng Gallery, Magelang

2013 SWEET SEVENTEEN, ViaVia Cafe Kembara, Yogyakarta Bazaar Art Jakarta, organized By Srisasanti Gallery, The Ritz Carlton,Pacific Place, Jakarta2012 The Legend Of Jogja, Primae Noctis Art Gallery, Milan,Italia IVAA-ArtJog ArchiveAID 2012, TBY, Yogyakarta

2011 PMR CUBE Contemporary Culture Interplay, The Atrium, Sampoerna Strategic Square, Jakarta. Pulp F(r)iction (Going Across The Grain),Chandan Gallery,Kuala Lumpur, Malaysia The Alleys of a City Named Jogya, Primo Marella Gallery, Milan, Italia2010 ARTJOG10, Indonesian Art Now:The Strategies of Being, TBY,Yogyakarta The Comical Brothers, Andi’s Gallery, Galeri Nasional Indonesia, Jakarta

AWARDS: Best Sketch, Fine Art Faculty, Indonesia Institute of The Arts Best Painting, Fine Art Faculty, Indonesia Institute of The Arts

Drowned In Arabica Creamers

acrylic on canvas 170 x 190 cm

2014

GHINA FIANNYBorn in Jakarta, November 4th, 1989

Perumahan Bank Mandiri Pondok Pinang, Blok C-19 Jakarta Selatan

+62 812 990 717 47ghinafianny@gmail.com

EDUCATION Institut Teknologi Bandung Fakultas Seni Rupa dan Desain

EXHIBITIONS2013 Pameran Soemardja Award sebagai nominasi kategori Mahasiswa Terbaik di Galeri Soemardja ITB (Desember 2013)2012 Pameran lukisan Mix Template oleh GALI ITB di Galeri Kita Bandung (Oktober 2012) The Wicked Artist and the Innocent Thief di Gedung Indoesia Menggugat Bandung (Mei 2012)2011 Pameran grafis Reframing Printmaking, Festival Grafis Berseni di Lawangwangi Art and Science Estate Bandung (September 2011) Pameran Proyek Akhir Seni Eksperimental di Lawangwangi Art and Science Estate Bandung (Juni 2011)

Mors Vincit Omnia

acryilic paint used rontgen48 x 55,5 cm

2013

ISHA HENINGBorn in Jakarta, August 3rd, 1986

Gardenia Boulevard Resort Apartment - A1003Jl. Warung Jati no. 12 Pejaten

Jakarta Selatan, Indonesia +62 817 13 73 13

ishahening@gmail.comwww.vimeo.com/ishahening

www.ishahening.com

EDUCATION2008 - Bachelor Degree in Visual

Communication Design - MultimediaFaculty of Art and Design, Bandung

Institute of Technology (ITB)Bandung - West Java, Indonesia

PROFESSIONAL EXPERIENCE

2011 present Freelance motion designer - Jakarta, Indonesia2012 - 2013 Motion design lecturer at Lasalle College International, Jakarta - Indonesia2012 Freelance motion designer at Chris Harvey Project - Santa Monica, CA, USA2010 - 2011 Freelance motion designer, director and visual jockey2010 - present Writer and contributor at motionbydesign.net2009 - 2010 Motion designer at Coconut Mind - Jakarta, Indonesia2008 - 2009 Graphic designer at Rumah Buku - Bandung, West Java, Indonesia2007 Motion designer (intern) at Mirage Post Production - Jakarta, Indonesia

AREAS OF SPECIALIZATION

Motion Graphics Live visual Performance Visual Mapping Projection Audio Visual Installation Music Video

COMPUTER PROFICIENCY

Operating System: Mac OS, Windows Adobe After Effects Final Cut Pro Cinema 4D Adobe Photoshop Adobe Illustrator Modul8 Resolume Avenue & Arena Logic Pro iWork

Tango

Motion Graphics2 min 30 sec

1280 px X 720 px2014

JOSUA ALESSANDROBorn on April 26th, 1979

(+62) 8119771781 (+62) 8118402277

joe@josuaalessandro.com pattyjosua@gmail.com

www.josuaalessandro.comwww.flickr.com/photos/escapadepictures/sets/

www.pinterest.com/joealessandro/www.vimeo.com/josuaalessandro/

My career started as a photojournalist in 1998. I freelanced for many publications ranging

from political to lifestyle magazines. My broadcasting career started in 2003 when I

joined Trans TV as their news cameramanand later on Associate Producer for news

programs. I have covered many important events such as the 2004 Tsunami and the

Ambon conflict. Now I work for myself as a freelance photographer/cameraman.

PERSONAL PROJECT

1999 Reformation, a question mark ? Jakarta University Student Exhibition2011 The Unseen Photo Exhibition A travel photography exhibition at Dia.Lo.Gue Artspace - Kemang

PROFESSIONAL CAREER

2008 -2010 Associate Producer Magazine Program, News Division, Trans TV2003 –2008 News Cameraman Trans TV Key Achievements: Aceh & North Sumatra Tsunami coverage in 2005 Tokyo, Osaka and Kyoto nightlife coverage in 2004 Ambon conflict coverage in 20042001-2003 Photographer Tempo Newspaper2000-2001 Photographer Djakarta Magazine2000-2001 Photographer Male Emporium Magazine2000 Photographer Puncak Tourism Community Magazine1998-2000 Photographer Tajuk Magazine

Into The Light

Waiting

Holding Hands

Passing By

The Trumpets Veil

KEMAL EZEDINEBorn in Yogyakarta, October 3rd, 1978

Jl. Nyuh Bulan No. 23 Nyuh Kuning Ubud Mas Gianyar Bali

+62 815 865 99 725 kemal_ezedine@yahoo.com

EDUCATION1997-2004; Facultuy of Fine Art and

Design, Bandung Institute of Technology

SOLO EXHIBITION

2012 Tales of Moving Island, s.14 Bandung

GROUP EXHIBITION 2014 Artjog2014 Taman Budaya Yogyakart, (Mahendra Yasa Feat. NeoPitamaha) Pameran Manifesto#4 Galeri Nasional, Jakarta

2013 Pameran Ilustrasi Cerpen Kompas 2012, Bentara Budaya Bali, Denpasar Mythography:now, Sudakara Artspace, Sanur, Bali BAZAART 2013, (mural and artcar project) Pacific Place, Jakarta JALAN MONSTER, Ubud Public Art Festival, Seniman Industries art project, Ubud, Bali Art Mini Mart, Sika Gallery, Campuhan, Ubud, Bali Art Bromo: Collision of Nature and Culture, Java Banana Gallery, Mt.Bromo, Probolinggo,

2012 Reposisi, Gallery Nasional, Jakarta Renegotiating Boundaries, Lawangwangi Artspace, Bandung Indonesian Contemporary art #1: Maping, ART:1(moondecor), Jakarta

Three

Asakusa

acrylic on canvas200 x 130 cm2011

acrylic on canvas200 x 150 cm2011

KINEZ RIZA+62 811 938 142

kinez.riza@gmail.com

EDUCATION2007-2010; Chelsea College of Art &

Design, University of The Arts London, United Kingdom

Fda Diploma in Art & Design (awarded Distinction)

2010 - London Metropolitan University, United Kingdom BA Education Studies :

Sociology

SOLO EXHIBITION2012 Wayfaring Complete Works, D Gallerie, Jakarta Indonesia GROUP EXHIBITION2012 Deer 1, Dia.Lo.Gue Artspace, Jakarta Indonesia2013 Jakarta’s New and Emerging, Dia.Lo.Gue, Bazzar Art Fair, Jakarta, Indonesia

PROJECT BOOTH2013 Etherworld, Art Dubai, UAE

RESIDENCIES2013 The Artic Circle Autumn Art and Science Expedition, The Farm Inc, Hiogh Artic2013-present Artist-in-Residence, Archaelogy and Paleontology Department, Geology Museum, Bandung and Excavation Site, Flores, Indonesia

ASSOCIATIONS, GRANTS & AWARDS2013 Feature Artist, Global Archive Photography

SELECTED PUBLICATIONS / ARTICLES2012 KOMPAS Newspaper, Artist’s Interview, Jakarta, Indonesia Media Indonesia Newspaper, Artist’s Interview, Jakarta, Indonesia Jawa Pos, Artist’s Interview, Jakarta, Indonesia Jakarta Post, Artist’s Interview, Jakarta, Indonesia Jakarta Globe, Artist’s Interview, Jakarta, Indonesia Seputar Indonesia Newspaper, Artist’s Interview, Jakarta, Indonesia

2013 Art Agenda, Art Dubai collective review Etherworld, New York, USA The Art Newspaper, Art Dubai earns its stipes : Deer 1, Kayan Mentarang, London, UK 2013 : Harper’s Bazzar Art, Lights! Camera! More Camera Action!, Etherworld, Dubai, UAE 2013 TATLER Indonesia, Capturing the Wild Edens, Jakarta, Indonesia Artist’s Interview, Global Archive Photography, London, UK Artist’s Interview, Modern Rate, http: modernrate.blogspot.com

Kelimutu

Komodo

Duratrans print on lightbox116 x 176 x 7 (framed lightbox)

2013

Duratrans print on lightbox117 x 177 x 7 (framed lightbox)

2013

MASAGOENGBorn in Purwokerto, Indonesia, June 12th, 1978

Jl. Tambak II No.27, RT 009/RW 05 Pegangsaan, Menteng Jakarta Pusat 10320

+62-81514653366masagoeng@live.comwww.masagoeng.com

EXHIBITIONS

2013 ‘Picturing Pictures’, at Ho Chi Minh Fine Art Museum, Vietnam. PameranSeniRupa Nusantara “Metamuk”, GaleriNasional, Jakarta. Pameran Persahabatan Korea- Indonesia, GaleriNasional, Jakarta. Art Expo, Art Exhange Gallery, Singapore.

2012 Group Exhibition: ‘Parahyangan’, Kota BaruParahyangan - Bale SeniBarli Bandung.

2011 Group Exhibition: ‘Harmony of Color’, Grand Indonesia, Jakarta.

2010 Group Exhibition: ‘LESTARI’, The Energy Building, Jakarta.

2009 Group Exhibition: ‘Tribute to Jacko’, Sultan Hotel, Jakarta.

2008 Group Exhibition: ‘En8ma’, Soka Gallery, Jakarta. Group Exhibition: ‘Renjana The Living Spirit’, National Gallery of Indonesia, Jakarta.

Queen of Butterfly

Oil on Canvas200 x 300 cm

2014

MUHAMMAD TAUFIQ ‘emte’Born in Jakarta, March 15th, 1979

JL. Andara 1 no.30 RT 002/03 Pondok Labu Jakarta 12450

rapidodancer@gmail.com

EDUCATIONVisual Communication Design

Jakarta Institute of Arts (IKJ)

EXHIBITIONS2014 Kreavi challenge collaboration with JavaJazz Festival (JIEXPO Kemayoran, Jakarta) SOFT VIOLENCE -solo exhibition (platform3, Bandung) RUPANADA exhibition (Jogja Gallery, Jogjakarta) MANIFESTO#4 –Keseharian- Mencandra Tanda-tanda Masa (Galeri Nasional, Jakarta)2013 LOKALISASI -an Indonesian flavour exhibition ( Eastern Promise Kemang, Jakarta ) ARTE Indonesia Arts Festival ( Plenary Hall - Jakarta Convention Center ) FEARFEST -halloween art exhibition (Cafe Mondo -Kemang, Jakarta)2012 CAFFEINATED -an Illustration Art Exhibition (Inkubator asia, Jakarta)2011 Proyek Buku Sketsa - RURU Gallery - (Ruang Rupa, Jakarta) Bandung Wayang Festival (Kotabaru, Padalarang, West Java) Art collaboration with GAP ( 0% Plastic Bag campaign ) INTERSTELLAR -The Howler Terror Club collaboration (Family Affair-Bandung, Pacific Place-Jakarta) Kopling-Kopi Keliling-art exhibition ( Cafe Kedai -kemang, Jakarta ) POISON#1 -art exhibition ( Puri Art Gallery, Jakarta Art District ) Kopi Keliling - art exhibition ( Tornado Coffee -Kemang, Jakarta )

AWARDS2007 Penghargaan “Adikarya Ikapi Award”, peringkat ke-1 kategori ilustrasi buku anak terbaik2010 IGDA (Indonesian Graphic Design Award) kategori ilustrasi terbaik2011 Pinasthika Creative Award ( Gold ) - ilustrasi terbaik Pinasthika Creative Award ( Silver ) - ilustrasi terbaik Citra Pariwara (Silver) - kategori print craft Citra Pariwara (Bronze) - serial Ad in print

Ashpalt Angels

The Best Part of The Meal Is The Conversation

Spin Spin Sugar

acrylic on canvas100 x 70 cm

2014

acrylic on canvas100 x 70 cm2014

acrylic on canvas100 x 80 cm2014

NUS SALOMOBorn in Medan, Indonesia, May 9th, 1967

Jl. Cikini FG 3 / 5, Bintaro Jaya Sektor 7 Tangerang

+62 855 108 3333 nus_salomo@yahoo.com

nussalomo@gmail.com www.nussalomo.com

EDUCATIONBandung Institute of Technology Indonesia

ArchitectureArt Center College of Design, Pasadena, CA

Product & Entertainment Design

SOLO EXHIBITION2006 The Post Human at Galeri Lontar, Jakarta. Curated by Asikin Hasan2008 Nus the Cybernaut digital painting solo exhibition at O House Gallery, Jakarta Curated by Jim Supangkat2009 Deus ex Machina at Ark Galerie, Jakarta. Curated by Jim Supangkat

GROUP EXHIBITION2011 Group sculpture exhibition, Irisan, with Andi’s Gallery at Grand Indonesia. Curated by Hardiman & Asikin Hasan Group exhibition, Art Motoring, National Gallery, Jakarta. Curated by Rizki Zaelani & Rikrik Kusmara Kompas Illustration exhibition, at Bentara Budaya, Jakarta & Yogyakarta Homo Ludens 2, Emmitan CA Gallery, Surabaya, Indonesia. Curated by Wahyudin Crossing the Boundaries, with Andi’s Gallery, National Gallery, Jakarta. Curated by Asmudjo J. Irianto Contemporary Sculpture exhibition, Expansi, National Gallery, Jakarta. Curated by Asikin Hasan Outdoor sculpture exhibition, Rampak Ragam, Kota Baru Parahyangan, Bandung. Curated by Asikin Hasan Flight for Light - Indonesian Art & Religiosity, Art:1 New Museum & Artspace, Jakarta. Curated by Jim Supangkat & Rikrik Kusmara PMR Cube : Contemporary Culture Interplay, Sampoerna Strategic Square, Jakarta. Curated by Jim Supangkat & Asmudjo J. Irianto 2012 What Pictures Want to Say, at Art:1 artspace, Jakarta. Curated by Rizki Zaelani New sculpture exhibition, Simpangan, at Salihara gallery, Jakarta. Curated by Asikin Hasan Outdoor sculpture exhibition Alam Patung, Kota Baru Parahyangan, Bandung. Curated by Asikin Hasan Contemporary Fibre Art #1 : Mapping, Art:1 Artspace, Jakarta. Curated by Asmudjo Irianto & Rizky Zaelani2013 Exhibition of 5 artists & designers for Martell, at Designclopedia and Sky, Jakarta Group exhibition at Bazaar Art Jakarta supported by Andi’s Gallery, The Ritz Carlton, Pacific Place, Jakarta

King Cutter

Fibreglass & Laser Cut Acrylics 45 x 70 x 125 cm

2009

RENDRA SANTANABorn in Tasikmalaya, August 11th, 1974

Komp Suka Asih, Jl. Suka Asih Atas VI No. 357 / 358, Sindangjaya, Mandalajati, Bandung

+62 815 613 8001 rendrasantana@yahoo.com

EXHIBITION & WORKSHOP

2014 How To Draw#1. YPK Bandung Telik Sandi, Ghin artspace Jelengkong Bandung2013 Locafore Bale Pare Exhibition Hall, Kota Baru Parahyangan, Padalarang, Bandung

GROUP EXHIBITION

2013 Ho Chi Minh City Fine Art Museum, Vietnam2012 Parahyangan, Kota Baru Parahyangan - Bale Seni Barli, Bandung2011 Bayang, Islamic contemporary, Galeri Nasional Indonesia, Jakarta2010 Tribute to Soedjojono, Lawangwangi, Bandung Percakapan Masa, Galeri Nasional Indonesia Symphony of Indonesia, R.A Fine Art Gallery, Kuala Lumpur Malaysia Veduta Bandung Initiative 5#, Vannesa Art Link Jakarta

Time Machine

Oil on Canvas150 x 200 cm

2014

RIONO TANGGUL NUSANTARABorn in Yogyakarta, August 17th, 1984

Bumen, KG III, No.474, Kotagede Yogyakarta

EDUCATION2003-2010; Seni Murni, ISI Yogyakarta

2000-2003; SMSR Yogyakarta

EXHIBITIONS

2014 Manifesto #4, Galeri Nasional, Jakarta, Indonesia Neoiconoclast, Langgeng gallery, Magelang

2013 Realis Tecno Museum, with Ace House Collective, Jakarta Biennal, Jakarta Punkasila,The lepidopters a space opera, mona foma,tazmania. Spot Art 2013, Singapore

2012 The Legend Of Jogja, Primae Noctis Gallery Jogja Agro Pop, Taman Budaya Yogyakarta Phoning it in from Yogyakarta, Space 1026, Philadelpia, US Art Jog 12, Taman Budaya Yogyakarta

2011 Tak Ada Rotan Akar Punjabi, Ace House Collective, Parallel event, Biennale Jogja XI, Yogyakarta Crop Cycle, Gallery Canna, Jakarta Contemporary Culture Interplay, Sampoerna Strategic, Jakarta Kios Kaos, Kedai Kebun Forum, Yogyakarta Scope Basel 2011, Basel, Swiss Art Jog 11, Taman Budaya Yogyakarta Mengintip Laut, Brest Festival, LIP Gallery, Yogyakarta Speech Object, Ace House Collective, Musee De L’objet, Blois, France Street Movement, Outloud, Yogyakarta The Alleys of City Named Jogja, Primo Marella Gallery, Milan, Italia

How To Perfect Draw

hard pastel on canvas150 x 180 cm

2014

RISA ASTRINIBorn in Bandung, May 9th, 1988

JL. Haurpancuh II no 7 RT 01 RW 04 Kelurahan Lebakgede. Dipati Ukur, Bandung

+62 813 22 00 0908risarusarisa@yahoo.com

EXHIBITION

2013 Bandung Contemporary, Selasar Soenaryo Art Space, Bandung, Indonesia.2012 Purwa Wiwitan Daksina Wekasan, Selasar Soenaryo Art Space, Bandung, Indonesia. s.14 Library Program, s.14, Bandung, Indonesia. Lubberland, W_artspace, Jakarta, Indonesia.2011 Contemporary Archeology, Sigi Art Gallery, Jakarta, Indonesia.2010 15x15x15 mini art project #3, recreate x reality x representation, Soemardja Gallery, Bandung, Indonesia.2009 Deer Andry, Mess 56, Yogyakarta, Indonesia. Deer Andry, Ruang Rupa, Jakarta, Indonesia. Deer Andry, s.14, Bandung, Indonesia.

The Goddess Astarini

Kinetic objects comprising UV lampLaser cut and digital print on acrylic sheets

60 cm x 60 cm x 20 cm 2012

RONY RAHARDIAN ‘REBELLIONIK’

Born in Cilacap, January 22nd, 1979Menteng Square Tower A floor 3 AO.33

Jakarta PusatCCO at ONX Idea Studio / www.onxidea.com

EDUCATION1998 – 2003; S1 Architecture Parahyangan

University Bandung

EXHIBITIONS

2014 We Are Ultraviolla Feb 13 – 162013 Ultraviolla, June 17 – July 10, Plaza Indonesia, Jakarta

GROUP EXHIBITION

2008 Trashure, LocaKemang , Jakarta2011 Lain Doeloe Lain Sekarang, Kalibata City Jakarta NYLON Art & Fashion, Atrium Plaza Indonesia, Jakarta RATED A, Bengkel Night Park, Jakarta2012 RATED A, Fairground , Jakarta 22 Anniversary Plaza Indonesia, Plaza Indonesia, Jakarta

a

ULTRAVIOLLA

Lightbox111 x 170 cm

2014

THEO FRIDS HUTABARATBorn in Jakarta, Indonesia, February 6th, 1987

Nasio A8/9, Jatimekar, Bekasi, IndonesiaMuararajeun Baru 21B, Bandung, Indonesia

+62 813 1413 4342theo_frids@yahoo.com

www.theofrids.carbonmade.com

EDUCATIONMFA, Faculty of Arts,

Bandung Institute of Technology

EXHIBITIONS

2014 Preparing, group exhibition; Cemara 6 Gallery Museum, Jakarta2013 Everyday is Like Sunday, group exhibition; Langgeng Gallery, Magelang Bandung Contemporary 13:Disposition, group exhibition; Lawangwangi Art & Science Estate, Bandung Running Linchpin, group exhibition; Artsphere Gallery, Jakarta Pressing, group exhibition; Videoinsight Center, Turin Ghost (Dear Curator Curate Me), group exhibition; Selasar Sunaryo Art Space, Bandung Kitaran, group exhibition; Indonesia Menggugat Building, Bandung2012 Trick or Truth, group exhibition; Fang Gallery, Jakarta Mix Template, group exhibition; Kita Gallery, Bandung Bazaar Art Jakarta (with Gallery Rachel), artfair; Ritz Carltron Hotel, Jakarta ArtJog 12, artfair; Taman Budaya Yogyakarta, Yogyakarta Prismatic Vibe, group exhibition; Fang Gallery, Jakarta Lindap, group exhibition; rumahproses, Bandung Bandung New Emergence vol.4, group exhibition; Selasar Sunaryo Art Space, Bandung Bandung Contemporary Art Awards #02 (BaCAA #02), group exhibition; Lawangwangi Art & Science Estate, Bandung Interface: Bandung, group exhibition; Valentine Willie Fine Art, Kuala Lumpur Little Box, group exhibition; Bentara Budaya Jakarta, Jakarta2011 Jakarta Biennale #14, biennale; Indonesia National Gallery, Jakarta Festival Grafis Berseni 2011, group exhibition; Lawangwangi Art & Science Estate, Bandung Survey #3 (For Whom The Bell Tolls), group exhibition; Edwin’s Gallery, Jakarta ArtJog 11, artfair; Taman Budaya Yogyakarta, Yogyakarta Sweet Agony, group exhibition; dia.lo.gue artspace, Jakarta

Mixed media150 x 100 cm

2014

Bloodless Development

WILLY HIMAWANBorn in Denpasar, Febuary 13th, 1983

Jl. Kanayakan Baru No. 7, Dago Bandung 40135

(022) 2505061 /+62 813 2209 1008willyhim1302@gmail.com

willy_himawan@yahoo.com www.willyhim.wordpress.com

ABDUL AZID ‘Abung’

SOLO EXHIBITION

2008 Layer Separation kuratorial oleh Jim Supangkat, Artsphere Gallery, Jakarta 2009 Fusion of Paradox kuratorial oleh Jim Supangkat, Emmitan Gallery, Surabaya

GROUP EXHIBITION

2010 Superimposed, D gallery, Jakarta ARTJOG 10; The Strategies of Being” Taman Budaya Yogyakarta2011 Art & Motoring, Indonesia National Gallery Contemporary Landscape Lawangwangi Gallery, Bandung ARTJOG 11, Taman Budaya Yogyakarta 1001 Doors; Reinterpreting Tradition, Ciputra Gallery, Jakarta2012 Report/Knowledge, Gallery Soemardja ITB Bandung Kompas, Short Story Ilustration Touring Exhibition Bentara Budaya,(Jakarta,jogja, solo,bali) Indonesia2013 27th AIAE Ratjadamnoen Contemporary Art Space, Bangkok – Thailand Report/Knowledge #2, Gallery Soemardja ITB Bandung Melihat/Dilihat; Pameran Pengajar Perguruan Tinggi Seni se-Indonesia, Indonesia National Gallery, Jakarta Sosok: Tegangan/Artikulasi, Galeri ISI Yogyakarta South East Asia + Triennale, Indonesia National Gallery Paperium; persfective/creativity Museum Sribaduga Bandung

ART’S When You Arrived

Fluoroscent glow in the dark paint, uv neon, canvas, PIR censor, Mechanic

approx 160 x 110 x 5 cm2014

YANI SASTRANEGARABorn in Rangkasbitung, August 17th, 1955Jl. Srengseng Dalam No.38 Kembangan,

Jakarta-Barat 11630Jl. Sumatra No.58 Kampung-Gedong,

Jombang-Ciputat, Tangerang 15414(021) 7455219 / +62 812 834 0655

tigajiwanara@yahoo.com tigajiwanara@gmail.com

EDUCATION1981 - LPKJ – IKJ Seni Patung

EXHIBITIONS2012 Pameran bersama ICAD 2, Artura Insanindo – Grand Kemang Jakarta Pameran patung outdoor LOCAFORE, Bale Pare, Kota Baru Parahyangan, Bandung Pameran Seni Rupa SLENCO, Bentara Budaya Jakarta Pameran Karya Untuk Kawan IV Art Pieces for Solidarity , Galeri Nasional Indonesia - Jakarta Pameran Jakarta Untuk Jakarta, Museum Seni Rupa - Jakarta Pameran Patung JEJAK , Galeri Cipta 2 TIM - Jakarta Pameran Pekan Produk Kreatif Indonesia 2012 , Epiwalk Epicentrum, Kuningan - Jakarta Pameran Seni Rupa Instalasi ‘…+ Optima’ , Museum Seni Rupa dan Keramik - Jakarta2013 Pameran Seni Rupa Cinta Kasih, Galeri Cipta II – Jakarta Pameran Seni Rupa, Hotel ARYA DUTA, Jakarta Pameran Seni Rupa ARTJOG13, MARITIME CULTURE, Taman Budaya Yogyakarta Pameran Seni Rupa, Java Banana Gallery, Bromo. Pameran Seni Rupa Horizon of Strenght : Meta:Kriya Nusantara, Tugu Kunstkring Paleis – Jakarta. Pameran Indonesian Contemporary Art & Design (ICAD) 2013 RESTART - reinvent history, revolutionize story, Artura Insanindo-Grand Kemang Jakarta. Pameran Ulang tahun Jatiwangi Art Factory – Cirebon. Pameran Seni Patung dan Instalasi TRAX 13, Galeri Cipta II – TIM. Pameran bersama Crossing Conversation / Percakapan Menyilang, Gelora Bung Karno - Jakarta Pameran Patung HEAVY PUNCH, Watusaman Sculpturespace dan API2014 Pameran Martell Contemporary Art Exhibition - Challenging The Boundaries, Martell-Pernord Ricard Indonesia – Kuningan City. Pameran Seni Rupa Fiesta Kota Tua Jakarta, Gedung Kantor POS Fatahillah - Jakarta Pameran Seni Rupa MODUS, API Yogyakarta dan Semarang Gallery - Jakarta Pameran Seni Rupa , TIM - Jakarta

Tilu Tangtung

Plat Galvanis, besi beton1. D = 100 cm, T = 260 cm 2. D = 100 cm, T = 260 cm3. D = 100 cm, T = 220 cm 2014

YAYA SUNGBorn in Jakarta, Indonesia, September 2nd, 1986

Jl. Senayan Utama I No. 1 A Sektor 9 Bintaro Jaya Tangerang, Indonesia 15229

+62 812 989 25743 hello@yayasung.com

www.yayasung.com

EDUCATION2004-2008; BA, Visual Communication and

Design, University of Pelita Harapan. Jakarta, Indonesia

2009-2010; Pre-Master for Fine Art Programme, Cambridge School of Visual and

Performing Arts. Cambridge, United Kingdom

SOLO EXHIBITION

2013 Legal Artist Series: Jalan Kemenangan at Ruang MES56, Yogyakarta - Indonesia.

RESIDENCIES2014 Makan Angin #1 Cemeti Art House, Yogyakarta – Indonesia Fictive Communities Koganecho Bazaar, Yokohama – Japan

GROUP EXHIBITION2014 1 x 25 Jam Cemeti Art House, Yogyakarta – Indonesia2013 Seks Volume 3 Waga Gallery, Jakarta – Indonesia Blink/ Glance/ Gaze Dia.Lo.Gue artspace, Jakarta – Indonesia ARTE: Indonesia Arts Festival 2013 at Jakarta Convention Center, Jakarta – Indonesia2012 EXI(S)T #1: Maps, Reimagined at Dia.Lo.Gue artspace, Jakarta, Indonesia2011 Jakarta Doeloe+SKRG at Museum Layang-Layang, Jakarta - Indonesia2010 Self Portrait, at CSVPA’s Personal Learning Center, Cambridge - United Kingdom PUBLICATIONS2013 Emerging New Artists at Harper’s Bazaar Magazine, Indonesia The Photography Annual at Pipeline Magazine, Hong Kong Thoughts on Victory Street at JJK Magazine, Indonesia 2012 Artists Exi(s)t With Hope of Gaining More Exposure at Jakarta Globe, Indonesia2011 Local Artists Rock! at Cosmo Girl Magazine, Indonesia2010 Picturized: On Your Mark Get Set Go at Trax Magazine, Indonesia

‘Walking Banana’ series

matte coated platinum photo paper on wood panel 60 x 120 cm

2012

ZICO ALBAIQUNIBorn on August 8th, 1987

http://zicoalbaiquni.blogspot.com

EDUCATION2004-2008 - Bachelor Degree, Faculty of Art

and Design ITB, Majoring in Painting,

Institute Technology of Bandung. Study for Master Degree,

Faculty of Art and Design ITB

AWARDS2012 - Nominator “Soemardja Awards

Nominator “ BandungContemporary Art Awards”

SOLO EXHIBITION 2014 SEKE Platform3 Bandung

GROUP EXHIBITION2014 Manifesto No.4 : Keseharian Galeri Nasional Jakarta2013 Bandung Contemporary : Disposition Lawangwangi, Bandung BMUKK Austria : Artist-in- Residence Program 2013 Vienna, Austria Pressing: Indonesian Art Exhibition Videoinsight Centre, Turin, Italy Pameran Ilustrasi Cerpen Kompas Bentara Budaya, Jakarta Locafore Bale Pare, Kota Baru Parahyangan, Indonesia2012 Soemardja Awards 2012 Galeri Soemardja, Bandung Folklore Hompimpa Group Exhibitition, Siete, Bandung MixTemplate Galeri Kita, Bandung Bandung New Emergence Vol. 4, Selasar Sunaryo Art Space, Bandung Bandung Contemporary Art Award, Lawangwangi, Bandung What Images Want, Art1 Mondecor, Jakarta Prismatic Vibe, Feng Gallery, Jakarta Re-interpretating Tradition, Ber.seni Project, Jakarta Bazaar Art Fair: Islamic Art, Pacific Place, Jakarta Papered Experimental, Gedung Indonesia Menggugat, Bandung2011 Jakarta Biennale # 4: Maximum City, Galeri Nasional, Jakarta Rite of Now, Galeri AJBS, Surabaya Artist Studio, Paris Van Java, Bandung

WORKSHOP2012 MERDEKA Pameran Group Kostkomik, Galeri Gerilya Bandung LOKAKARYA GERILYA#1: Performance art, Presentasi dan Metode, Galeri Gerilya Bandung LOKAKARYA GERILYA#2: ON PINS AND NEEDLES,by Jef Carnay , Galeri Gerilya Bandung I Am You Pameran Maradita Sutantio, Galeri Gerilya Air Seni Citarum, Green Peace Indonesia2013 Pelangi Citarum, Green Peace Indonesia BMUKK : Artist- In- Residence, Vienna, Austria

Preposition in Silent Translation

MPS MediumVariable Dimension

2014

YKHA AMELZBorn in Jakarta, Indonesia, May 12th, 1983

+62 81 214 113 646ykha.amelz@gmail.com

http://www.behance.net/ykha

EDUCATION2001 - Bachelor degree of Architecture

Parahyangan Catholic University. Bandung.

EXHIBITIONS

2014 #NP : A duet exhibition with Rukmunal Hakim - WAGA, Jakarta 2013 Girl Gangs of Indonesia - Newsagency Gallery, Sydney ARTE - JHCC, Jakarta Bazaar Art Jakarta - Ritz Carlton, Jakarta Begadang Neng? - Ruang Rupa, Jakarta2012 Nike Cortez 40/40 - Soleplay, Jakarta2011 Reinterpreting Traditions: 1001 Doors - Ciputra Marketing Gallery, Jakarta Interstellar: A collaboration with T.H.T.C. - The GOODS Dept., Jakarta Pameran ilustrasi buku anak: Goelali - Jakarta Letsdietogetherin2012 - Common Room, Bandung La Composition Seduisante - Edwin’s Gallery, Jakarta Kopi Keliling Vol.4. - TRYST Living, Jakarta ANTI SIXTEEN - The GOODS Dept, Jakarta Jakarta – Bandung Pulang - Pergi. Dia.lo.gue, Jakarta Proyek Buku Sketsa - Ruang Rupa, Jakarta Munny Custom Toy Exhibition - Plastic Culture, Jakarta 2010 Topeng Nusantara: eXpresi - Alun-Alun Indonesia, Jakarta.

Dia & Tanduknya

Graphite & acrylic on canvas2 x 1,5 m

Berawal dari kutipan “Mulutmu harimau-mu”, dalam karya ini sosok seekor banteng dan tanduknya dipilih sebagai metafora sebuah tindakan, sesuatu yang lebih dari hanya sekedar salah kata. Serudukan tanduk adalah sebuah tindakan, sebuah jalan, sebuah target yang telah dipilih oleh seorang individu. Tanduknya adalah senjatanya, namun juga kelemahannya jika diangkat terlalu tinggi. Dia harus menjaga baik-baik arah tanduknya, karena dia sendiri adalah tanduknya.

About the initiators

Daliana Suryawinata is a founding partner of SHAU Architecture & Urbanism in Rotterdam and Jakarta, Chief of IAI (Indonesian Institute of Architects) European Union Chapter and leader of Liveable Cities Taskforce at the Indonesian Diaspora Network. She is a co-founder of Creative Public Spaces Program.

Diana Ang is an architect at OMA (Office for Metropolitan Architecture) in Hong Kong and a graduate of Rice University. She is a co-founder of Creative Public Spaces Program.

Windi Salomo is a founding partner of Dia.lo.gue Artspace in Jakarta, and head of W production, an art event production house.

Catalogue Program cover printed on Renoir Natural White 230 gsm by Surya Fancycontent printed on Bookpaper Marusumi 64 gsm by PT Surya Palacejaya

Kota Tua Creative Festival 2014