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L1 Power

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02/03/22 An Inspector Calls – Power Objective: To understand one of the key themes in the play
Transcript

Monday 1 May 2023An Inspector Calls – Power

Objective: To understand one of the key themes in the play

5 Minute TaskWrite down all the different ways in which you can have power over someone.

Write down 3 ways in which you have power in your own life.

Write down two ways in which people can use power positively.

Write down two ways in which people can use power negatively.

PowerWrite down all the different ways in which you can have power over someone.

Write down 3 ways in which you have power in your own life.

Write down two ways in which people can use power positively.

Write down two ways in which people can use power negatively.

Task: Match the types of power to their

definitions.CHALLENGE: add an

example to each one.

Social Power

Physical Power

Political Power

Linguistic Power

Economic Power

Intellectual Power

Having the ability to make decisions which affect other people.

Having more power in a particular environment,

or being of a ‘higher class’.

Having a stronger body than someone else.

Being able to use more sophisticated language

than someone else.

Being more knowledgeable than

someone else, or being more qualified.

Having more money or more possessions than

someone else.

An Inspector Calls – PowerSocial Power Physical Power Political Power

Linguistic Power Economic Power Intellectual power

Having a stronger body than someone else.

Being more knowledgeable than

someone else, or being more qualified.

Having more power in a particular environment,

or being of a ‘higher class’.

Having more money or more possessions than

someone else.

Having the ability to make decisions which affect other people.

Being able to use more sophisticated language

than someone else.

An Inspector Calls – PowerSocial Power Physical Power Political Power

Linguistic Power Economic Power Intellectual power

How are these types

of power shown in our

lives?

What kinds of power do

we have?

An Inspector Calls – Power

A. Highlight all the parts of the text that

say something about power.

B. What does the

text tell us about

power? Who is

powerful? How is it shown?

Task 3: read the stage directions

from page 1 and

complete A and B.

The dining room of a fairly large suburban house, belonging to a prosperous manufacturer. It has good solid furniture of the period. The general effect is substantial and heavily comfortable, but not cosy and home-like. (If a realistic set is used, then it should be swung back, as was in the production at the New Theatre. By doing this, you can have the dining table centre downstage during Act One, when it is needed there, and then, swinging back, can reveal the fireplace for Act Two, and then for Act Three can show a small table with a telephone on it, downstage of fireplace; and by this time the dining table and its chairs have moved well upstage. Producers who wish to avoid this tricky business, which involves two re-settings of the scene and some very accurate adjustments of the extra flats necessary, would be well advised to dispense with an ordinary realistic set, if only because the dining table becomes a nuisance. The lighting should be pink and intimate until the INSPECTOR arrives, and then it should be brighter and harder).

An Inspector Calls – Power

A. Highlight all the parts of the text

that say something

about power.

B. What does the

text tell us about

power? Who is

powerful? How is it shown?

Task 3: read the stage directions

from page 1 and complete

A and B.

At rise of the curtain, the four BIRLINGS and GERALD are seated at the table, with ARTHUR BIRLING at one end, his wife at the other, ERIC downstage, and SHEILA and GERALD seated upstage. EDNA, the parlourmaid, is just clearing the table, which has no cloth, of desert plates and champagne glasses etc., and then replacing them with decanter of port, cigar box and cigarettes. Port glasses are already on the table. All five are in evening dress of the period, the men in tails and white ties, not dinner-jackets. ARTHUR BIRLING is a heavy looking, rather portentous man in his middle fifties with fairly easy manners but rather provincial in his speech. His wife is about fifty, a rather cold woman and her husband’s social superior. SHEILA is a pretty girl in her early twenties, very pleased with life and rather excited. GERALD CROFT is an attractive chap about thirty, rather too manly to be a dandy but very much the easy well bred young man about town. ERIC is in his early twenties, not quite at ease, half shy, half assertive. At the moment, they have all had a good dinner, are celebrating a special occasion, and are pleased with themselves.

PLENARY: rate your own power by each

type.


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