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LARPing Cosplay Beyond.pdf

Date post: 06-Jul-2018
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    LARPing

    cosplay

    &

    beyond

    Presentation by Andrea, Max, Katherine an

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    The History of LARP:

    -War games

    -Improvisational theater(commedia dell'arte)

    -The Tudors (1575)

    -Civil War re-enactments (1864)

    -Dungeons and Dragons (1974)

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      Fill out your character sheet

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      Choose an adventure

    http://www.youtube.com/watch?v=uzYDt_wq7kYhttp://www.youtube.com/watch?v=gksVtCzqGiUhttp://www.youtube.com/watch?v=oW0bi_XgMY0

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      LARP in the media

    https://hellofromthemagictavern.com/2015/10/12/32-offices-bosses/https://www.youtube.com/user/larpstheserieshttps://hellofromthemagictavern.com/2015/10/12/32-offices-bosses/

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      Let it be known...

     

    “Is LARP a

    resistance to media, acelebration of it, or is

    it an effect of how

    we've become wed to

    the simulacra, so that

    now instead of seeing

    ourselves represented

    or mirrored there, we

    use the mirror to

    construct our self-

    image?”

    The denizens of Foon convene

    discuss the matter at hand.

    Some declared LARP and oth“incursions” of the live to be escape, a chance to ‘be’ somefor awhile. Some questioned

    that the binary between simuand reality is an adequate wadescribe our many identities behaviors across different siand settings.

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    Cosplay & identityCostume + Play

    Sources: anime,

    comic books,

    video games,

    Film, television

    Intention: to

    represent a

    specific

    character 

      Where: Conventions and virtual spaces

    Yaya

    Bric

    Misa

    WheArac

    (speakwheels

    http://www.youtube.com/watch?v=9McSCE-ezSMhttp://www.boredpanda.com/disabled-mad-max-wheelchair-cosplay-bloodbag-ben-carpenter/http://www.boredpanda.com/disabled-mad-max-wheelchair-cosplay-bloodbag-ben-carpenter/http://www.boredpanda.com/disabled-mad-max-wheelchair-cosplay-bloodbag-ben-carpenter/http://superheroesincolor.tumblr.com/post/132980101675/25-year-veteran-still-serving-needs-lifthttp://www.dailydot.com/entertainment/amanda-knightly-misa-on-wheels-cosplay/http://www.dailydot.com/entertainment/amanda-knightly-misa-on-wheels-cosplay/http://mic.com/articles/137034/meet-brichibi-cosplay-the-queer-plus-size-diva-taking-the-cosplay-scene-by-storm#.YvQxEKAcJhttp://www.yayahan.com/portfolio/costumeshttp://www.youtube.com/watch?v=9McSCE-ezSM

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    Cosplivinand

    of mCospthe pthat

    in covidewithbodi

    Portrayal by Khaleesi Cosplay

    https://www.facebook.com/CosplayKhaleesi/?fref=tshttps://www.facebook.com/CosplayKhaleesi/?fref=tshttps://www.facebook.com/CosplayKhaleesi/?fref=tshttp://www.newyorkcomiccon.com/About/Harassment-Policy/http://www.newyorkcomiccon.com/About/Harassment-Policy/

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    59% said sexualharassment is aproblem in the comicsindustry

    25% had beenharassed in theindustry

    13% reportedunwanted commentsof a sexual nature at

    conventions

    8% reported assaultat conventions

    2014 survey (link)

    i

    https://bitchmedia.org/post/how-big-a-problem-is-harassment-at-comic-conventions-very-big-survey-sdcc-emerald-city-cosplay-consenthttp://www.newyorkcomiccon.com/About/Harassment-Policy/http://www.newyorkcomiccon.com/About/Harassment-Policy/

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      A great civil war in the land of Foo

    culminated in a Battle!

     

    Through dexterity, wit and strength,the warriors of the Opposable Thumbfaction won digital* equality foranimals in the land.

    *meaning the animals now have opposablethumbs (this may be considered what is known onEarth as a pun).

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    LARP and Virtual Reality

    “Live action play demands space, both conceptual and physical, to faci

    creation of magic circles wherein gamers can experiment with identity,

    scenarios that are challenging, thought provoking, and fun”

    ● Can be a costly activity

    ● Issues due to distance (30k worldwide)

    ● Time constraints

    ● Weather constraints

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    You or anyone You want to be

    “Another use of technology is to extend

    and enhance our bodies. Examplesfrom the fantasy world could be thatelves have better hearing than humans,

    and orcs can see in the dark. This canbe reached using embedded technologyhidden in costumes, masks etc.

    Technology can also enable us to playentirely non-human beings; animals oraliens.”

    http://www.youtube.com/watch?v=CYBR6lCiQ6Uhttp://www.youtube.com/watch?v=CYBR6lCiQ6Uhttp://www.youtube.com/watch?v=CYBR6lCiQ6Uhttp://www.youtube.com/watch?v=CYBR6lCiQ6Uhttp://www.youtube.com/watch?v=CYBR6lCiQ6Uhttp://www.youtube.com/watch?v=CYBR6lCiQ6Uhttp://www.youtube.com/watch?v=nYMf_-twKmQ

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    Community

    “As games progress, online

    interactions with storytellers andother players become integral

    aspects of engaging with the

    imaginary world”

    “Technology in LARP also wor ks

    to scatter the magic circle and

    extend gameplay and co-creativeprosumption into contemplative

    and communicative virtual

    worlds.”

    http://www.youtube.com/watch?v=bfZndNlRucghttp://www.youtube.com/watch?v=bfZndNlRucghttp://www.youtube.com/watch?v=bfZndNlRucghttp://www.youtube.com/watch?v=bfZndNlRucg

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    “Virtual reality should be used not to show us what we already know, but ope

    new forms of consciousness and thinking”

    http://www.youtube.com/watch?v=uqQqn7RWffEhttp://www.youtube.com/watch?v=F8CgPGl0IwMhttp://www.youtube.com/watch?v=F8CgPGl0IwMhttp://www.youtube.com/watch?v=uqQqn7RWffEhttp://www.youtube.com/watch?v=2sj2iQyBTQs

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    It was foreseen...

    that in the future, interactionthrough virtual reality will beas commonplace for Mugglesas it has been for wizards toteleport using a wand or aportkey. We shall also be underthe thrall of a corporation.Read Beth Coleman while youstill can.

    Our overlords are pictured onthe next slide.

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