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Libro Lettering Anti Guo

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    CHAPTERON

    LETTERING

    < />^> ^S

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    -

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    CHAPTERON

    LETTERINGSAMPLES OF

    Figures, Headings, Initials,Scrolls and Titles.

    PRICE 25 CENTS.

    THE BROWNING PRESSCOLLINWOOD, OHIO

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    CONTENTS .

    Sample Style of LetteringPractice SheetCommon Errors in Mechanical DrawingsBlock Type .Faucy LettersInitial LettersMonograms .Headings and Show CardsScrolls and Tail PiecesTitles on DrawingsBordersTitle Plate

    LIBI ARY of CONGRESS Two Ooo es P.eceived,"

    APR ~ 1906.ri:ht Entry

    {sS V ~ ~ f J t ~ L L / {O CO Y B.

    REMARKS .

    3467

    13182 0

    2124252728

    The sketches for the following pages were made by 1\lr. E . H . Browning, 1\lr \V .E. King, Mr. C. C. Riester, Mr. F. H. Sibley, Mr. J. S. Meyers and l \Ir W . . \ .Thompson.

    ERRATA.Page 2, unJer Form of Let ters , read Fig. 7 ins tead of Fig . 5.Page 3, Fig. 9 should read Fig. 7.

    S E C O N D f : O I T I O N .

    OPYRI IITED HY

    W . D . B R O W N I N GOLL IN \ \ 01> 0.

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    L CH PTER ON LETTERINO1 0t._c;;... -- T is not so much the& J idea of instruction as

    to the forming ofletters and figures asin or e extensivetext-books, as it is

    to giYe a collection of alphabets,headings, titles aud borders thatwill aid the student in the arrangement of snch things on drmYings.

    The student will do well to makea collection of engravings, fnlldesigns, letterings, comics, figures,initials, tail-pieces, etc., from catalogues, magazines, papers, books,etc., and to put them in a scrapbook for future use.

    Tl e pencil should be held at rightangles to the line to be drawn whendrawing straight lines. and at anangle of about 30 to the paper,while in order to insure good smoothlines, tbe ruling pen or right lineshould be held perpendicular to theright . line.NOTE.-See Errata on opposite page.

    Any of the many styles of pensused for writing may be used forfree-band lettering, but the tee-

    Fig. 2-How to hold a ruling pen.square aud ruling pen and compasswill be needed for many of theother styles. Tlle pen which isbest adapted for a certain piece of

    work can be decided only by triaSome draftsmen and artists prefer aGillott, sorne a Spencerian, sorne aball-pointed, sorne a stub, and thecoarseness of the point and thepressure determines the line.

    A new pen shonld be cleaned ofthe oil coating by dipping in the

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    2 Slant and Form of Letters.ink and wiping severa times, or bymoistening with the tongue. Thepen should be wiped clean everytime it is laid away, and should notbe used in com Pon writing inks,for they wi.ll o r r ~ e it badly.

    Keep the bottle off the drawing,and take the pen to the ink, andcarry it carefully to avoid a blot.

    Assume an easy. position as inwriting, and avoid gripping the pento cramp the fingers.

    Fig. 3.

    ordinarily atJ angle of 45 with thehorizontal will suffice for the upstrokes and the axis of ellipses,excepting that of the letter O. Thelatter angle will have to be increasedof course when the lettering is compressed as shown in Fig. s

    An augle of 6o with the horizontal ( Fig. 4) will make the letterlay over considerable more than inFig. 2 but stili makes a good look-ing letter. t is very imp0rtantthat all letters in the same \Vord andsentence have the same inclination.

    _ x t ~ n d e ax t ended Letteringis use for E m p h o s i ~

    Fig. 6.The Form of Letters

    N ever use a blotter on the letter- Almost every curve of the lettersing as one does in writing, butallow ancl figures of the vertical andthe ink time to dry, thus avoiding inclined types may be considered asbrown and thin lines. When the embodied in the letter o or O, sothat it would be well for theeDiripressetf [ompressed lellenng is u_sed student to practice on it_ tosave sfJace 11 dl:?M 1fl . .' untll he can make l t neatly,

    Fig. 5.flow has been too rapid, and the inkis piled high, tear off a piece of theblotter and bring the tip clown tothe top of the globule of ink toabsorb sorne of it without spreadingit over the paper, as is the case ifthe blotter is laid ftat upon the iuk.

    The stndent, and in fact the drafts-man, should layout guide lines forthe height and slant of the lines.

    The Slant of Letterst has been suggested by Mr

    Reinhardt that a slope of r to 2-( Fig. 3) is sufficient for the stemsor down strokes of the letters, and

    as indicated in Fig. 5Style of LettersA n easy style of lettering is shown

    in Fig. 7, and the height may bemade as shown in FiR. 8. Dividethe body into three and the totalheight into five parts, except the twhich should be only four parts.

    Printers class the letters such asa b e, l o, &c., as "lower case"letters,and C D X Y &c. as caps,"or "upper case" letters. So that a"font" of type is a quantity madeup of upper and lowP.r case letters.

    The practice sheet (Fig. 9) isarranged to go on a sheet r4 x 19,

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    with border 13'' x r7' , allowil1g 1-}marg in at the left and f at the top ,bottom and rigbt, leaving room for atitle in the lower right hand corner.I f sorne of the lettering is cramped,and tbe lines do not fill out, simplyrepeat sorne of the words or figures.abe e ~ ~ W 3 5f

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    'Q>Q::;m'>...m'>

    t'-i77 .'1 111 1? .: o re t -r;o 11' , ) 'R /1 tn 11> ro, '-" ('( ' ;; f. v '' '""' x. }f z 234 567894 S 'C D' t F 'G -H' f J: 'lf. M tfV (P tP' '(,> Jfi ' $ f ' ,/' / W ~ lf .? 1 .1 J1[ lY Y YI Yl JlJl IX X LThe size or this Drawing is fo be 4"x 8" O u l s i d ~ t Oimensions and 3"x 7'inside he Border Line Puf everyff11nq onhe piafe Exocl y os shawn except fhe figures which tndicate the heiqhl of" he Le#ers. These are fo be Lefl o T & &

    To ay out the piafe beqin al he left hand border and Measure off f"or an /nch for a marqin. Then Divide hePiole Verticaf y tnlo spoces (wide Pul two Lines o f letlers in each One inch space, he fines lo be aid ouf os fo lows T _ h ~The Bo#om o he le#ers in he lower fine o f each Spoce mus/ Coincide mlh /he Divtsion /Jne o f he spoce ond lhlboltom o f he Upper fine tn eoch one mch space is lo be placed [ above he Division tne o f he Space. Bo h Horizontal and Diagonal Gutde fines musf be drawn befare he elters Are pul tn. The diagonals hove a s ope o f ZJ lo/ as Shown.Thts gives he slope of he slems. The Dlrpses Which form /he bolloms of /he .sma/1 Lelters Hove a slope o f 4.5. The body or hele/ter should be J of" /he who/e heighl and he slems of he ellers q j p e should exlend lwo fj"flhs o f /he whole heighlBe/ow he h1e. In he firsl lwo fines On lhis piole /he Arrows .fhow he Direr:lion of /he slrokes. . The oppearance o f aOrawinq is oflen spotled by Coreless /ellering. There are lhree Rules i'Yhich il is Necessary lo observe in arder lo /eller we/1.The fi'rsl .rule is lo seled a stinple slyle of Lelfer and Always slick lo ti. A pradical le/ter is one lhal Can be rapidly ondeosi y Mode f"reehand -The second rule is Praclice. The third rule is more Praclice. The ype o ( leller shown on lhis . Pioleis recommended as YJe of he mosl prac ica/ fr Ordinary mechan/cal Drawings tls principal advonlage Beinq the speed w1Yhwhich /he Le ers con be made. COre shou/d be token lo Keep he spacinq even, fr i f lhe slanl is Untorm and heSpacing qood he work WJlh look Righl even i f /he /ndivJdual lelfers ore nol al we/1 made. This sly e. of ellenn oolrs/he bes/ When /he lelfers are kepl ralher Narrow in proporlion lo he Heiqhl o'nd /he spacing i.s Clase. The size o /helelters here 1:S ,f or /he Body, ond lhe slems ex/ene/ -. above and be ow The 1ne. The Capila/s are al/ ,i- Hiqh.A complete Oiscussion ond descriplion o( lhis Slyle con he lund in Reinhardls Lelfenng for Dral.smen, Engineers. andSlude nls: Pub ished by O Van Noslrand Co., Ne;r York . Price one do/lar. This Jale must be penetled in ond aproved o/he nstruclor befare ony ink t:S pul on it. The JY e. name and dale is lo be p aced in lhe corneras shown, in a R e c l ~ n q l e l fx3' in .size. The bes/ pen for lhis work is a 67/olls 303 which has b e ~ nwe/1 broken tn, lhof is oughf lo hove been. used enough lo reman: he sharp poinf and ber:ane rtextble.

    Piole 1Soph. ~ c h o n i c o l Orawin9Name Oole

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    ' 1~ 'OQq 11>Pl ~ f +o-O

    11> '( )~11> ....::l 11>' 1:;: - :::ag.O .-+Pl ::r' 1 11>' ::ro 11>>+opr Q .::r - .. t:l'Jl(ICo oo .....o :'"1

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    ~ q utcfr brot/IJjxy't Jpj ovPr ;P.' lcJK_" c/o2__ tim}: ' ~ f f J ( i J : l / l j / I L . i f l / t O I J Q i ) l V / ) J ( - / l l f : : _ J y ; ; ~

    ) r y m ~ f ' ..br&dltJ f x c ~ o ; - d ? J ' vYcr e loj ~ @ l Glg1J@]ffe @ J e ) > @ t @ @ } f @ J @ J K > l 0 ~ r2 fJR? ) @ ) ~ ~ < 9 ' y { . ~ _ ) 7 @ . f u ~ " ~ 1 . 2 S ) . J & ~ 7 g ~ ~ ke

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    ~ . quid. -6toto1.1{oc Junmil o i J ~ r i ~ f.l t ~ o s . (5 lB < t )l) Qfif iJ5 ~JJ 1 M> 1fmD. ~ ID 111 arummD .x 3 0 . 1 e t ~ < 1 * C > ~ ~ ~ - - : 6- a i e ~ broWf\ X jl1IT\p.s overtf\elaz,y dqg ~ ~ 1 \ . W W ' = ~

    1 . B e D . t ; G 0 l j i J f \ c ~ ( i OPQQ.S 1UVWWXYZ> ~ ( J . . , ) ~ ~ J P : ~ l q u 1 0 ~ brroWt1 y o ~ JUmps oveJr tflv ~ ~ ~ dofl BCD E,_o/0 M dfh _ c Y 2 ~ 8 ~ 22. ) t ~ ~ - U V/t X J _A oQVICKoB:RWf:ioFoXoJVMD-5 o9VJ:R oillLO L A Z Y o _ D Q G ~ ~ ~

    Something fine for Penmen Artists and Engrossers

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    6 Common Errors m /lfechanical Drawing

    e oMMoN E R R o R s IN M E: C H F \ N I C F \ 1 . . D R P I W I N G .

    S U P E R F L . U O U S D I M E N ~ I Q N SP O O R L .V O I S P 0 6 E : 0 1 I M P D ~ -T F f N T O N E O M I T T E . D ,No DI $ , . 1 NC. ' T I ON , , . . 'V'I.IE.\G.HT P R O P E A L t lMENS IONE D4C LEF\J:\ 0 \ S T I NC. 'T I O N

    R 6 R D L .1NE .oF\ G o o c I . . I NE . .

    W E R K E N E ~ B Y E R R S U I I t ~ .A BAo oo,..,.e:o ~ . . , , . . . EA N RVE.FII\GE ONE.

    W K \ C H L t N ~ D c E STI1E A R R O W ' M t : A N ?

    5 1 DE V1e. W O M I T T E O . E.tTHER W l \y o. K .lE:rERIAJt:ltKr: THIS TFTK S u TOO MUCI-I YCRTICFIL . s F tcE.r Be Gr5fu/ /?.bot.IT l iTro _7QiJs o ~ k__de::s

    m e ~ ~ ~ ~ ~ e r ~t l sed more ;n s/ruclro/ 7/iOn mach;ne wor k

    MR H E T so T I .N I - L PR NT VVE:LL.Don t . lY l t x S tY l e s o.f p .. ti..n..:. F o R G O T H E . S T R R T E : . D \ I E R . . . , . I C F \ ~ .

    S h ~ c u n Y /lcld; /YGthiW

    T w o W A Y S O F S R Y I N G T H E S R M E THING-.D R I L L A N O T A P F OR f G R S PIPE. B E T T E ~ , SR'r , ~ P I P E T R P. * COF\Et> HoLE.S . Bt:TTE;R S01v, " C o R E 6 011'1. B O A E D - S R Y , 6 B O R . E .ONE R 1 c ~ t T HR,..o, M R R K szo.J 8 { 1 A s s i1V..N. s2o.LEFT , 82.1. ETT I : . I ' lSAY I O P P H R N O . 621 .RtGH'T H f \ N D O N E IS S H O W N MI\I

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    B loc/ : L clters 7

    ~ ~ ~ 111~ ~ ; ~ ~ 1111UIJ rnB ~ I ~ ~ ~ ~ ~i 11 W ~ M111; li o 1lllllll ~ i ~ 1 ~ ~ 1111

    FIG. 11-Piain Block Letters and Figures. J is wrong .)

    FIG . 12 Plain Block Let ters Rounded .

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    A [ ; ) ~ ~ [ f ( g f f i { m ~ ~ r n ; ~ [ M J [ p @ ~ ~~ V ~ W W ~ l ~ U ~ ~ ~ ~ ~ ~ ~ ~~ ~ [ @ J ~ ~ @ O O r n J ] ~ ~ [ M ] ~ l P @ ~ ~

    :~ V W W W / A l ~ ~ ~ ~ ~ ~ ~ ~ ~ @ J ~ ~ f'. - - - - -- - . .r - - - - - - - - - - TBCDEFGHIJKLM a b c d e ~ i J k > l r n n o r t r e s ~ ~ ~ J

    NOPQRSTUVWXYZ \ 5 eo E c.rl-1@ La b d E f ~ h l j k J m n o p q r s t u l\ o pQ n ~ ~ l VV vw xyz 12345 67890. 1 l ~ V ~._ _. V .Samples of Lettering 1 [iand ~ ; J l n ~ -foo / l f ~ d e r a < ? J

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    Pra ice Pia fe 9

    1 1 11

    2 ~ B C D B R C H I J KLM NOPO RST UVWXYZ . , - : ;

    3cbcdefg hij kl m no pq s tuvwxyz4

    A B C D E F G H ~ K L ~ N O P QR S T U V W X Y Z 12 . .345678obcde/ ghi;l

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    A B D f. f ~ ~ t J K lMurn o n T a V - X yu x u o 1 u. \_ , .-

    =- ' ~ V.,. ~ J 4r 5 5 r ~ 8 g ~. . " ' '- 1 / 1 1l. 1 r, ;.,., 1 . ~ . . .;, . :_ 1 ' . ' oAf ORM I E I l f ~ - e ~ ~ r ..dll l i&>r., 1 " 1 ~ ~ ' ' l ' lu ,, 1 ,1 u 1 1 -

    mm GThis and the styles on the next following pages are samples to be used in headings, titles, etc.

    -

    :>(3 't .z

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    ABCDEFGHIJ?KL OPQRSTZ l 2 3 4567 8 9 R O ~ A_ 41 10 tp ~ < > f 0 J l e > ~ J ( P l a i ~ 1 7 e s s , Deicacy .~ ~ t fl i.Jj\13 . Sfte]gt? Q Bealtty. _

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    Skeleton Letters

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    haded aud Fancy J

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    eavy odY

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    Scro/l 7) pe

    ~ G n~ 7'

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    o; ; ~ i' I // j

    , // j . ~ ~

    ~ 1 t N8 : N :................................................................No alphabet is susceptible of so many variations as is the Sickels. This alphabet.by Mr. Flickinger shows the style most commonly

    u s ~ d by engrossing artists. I t can be line shaded, or brush may be used with pleasing effect. i i / ) f ~ c ; { i ; a . J J u u u z f

    O

    ~;~'

    l - - '~ '

    HARRIS&CO.F ( A ~ \ ~ ~ ;

    rMDflLL S. . A ~ ~ ~ ~

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    llr dings nd Cards

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    eadingsand Cards

    ~ U Ri/ERVFINEQJT

    fooAY Nf J

    ~ R H I T E T U ~ ~ ~ STRUCTURAL~ t { H A ~ I ( l .

    2J

    U t ~ T I O N 5 4 JA l l i ~ W [ D ~D D J \ f T I ~ G ftOOP

    .PRA JI [

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    Si:ro/ls and ail Pieces

    SCROLLS ANO TAIL PIECES

    few scrolls ancl tail pieces are here shown

    ~

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    Tilles oj Drawings.

    TITLES OF DRAWINOS

    THE title of the drawing is theinscription describing what thedrawing is supposed to represent,the name of the firm for whommade, and the maker and date.

    This title may be ornamental orplain, as the draftsman thinks best.

    arrangement and number of words ,and then the style of lettering maybe selected.

    _/i l{ _7HE WIRNER&SWAS YCo CLEVELAND, oDATE - SCALE - -

    OHAWN Y APPROVEJJ Y M:_ .In sorne drafting rooms the space

    allotted for tbe title is filled by afew words and lines put on by arubber stamp, and some additionaldata added by the draftsman. - - - - - - - - - - - - - - - . . J

    A few forms are here shown togive an idea of thedifferent arrange-ment of wording.A title shonld first be sketchedout on a piece of paper to get the

    The lettering is put in so as tolie equally on each side of the cen-ter line, as shown in the following illustrations, which are shown half.skeleton and half finished.

    Br/dge ~ 2 Big A'on, Evonsvil/e, .llrizono.. K cmd T. RY. Jv JOOLEO V. ... S,.oons, Sin. Jie lrock h r o ~ h 175 oc.c.End.ffn.s.

    l HOROS f iNlJ ENO POSTS.Seo/e- -J'4 /I'J

    MERIC N BRIDCE OO.EDGEMOOR PLANT.

    A B. Co. Con>r. No. . ~ ___ n C h a r g e o t . _ / 1 . t . . ' ( ~ g L ...M&deby.J.C. _______ D . o . t e . l l h r . f , ~ _ R e v ___ l J.QCheckod > f - - ~ / O o . 4 / ~ 7 / ~ . R e .

    t No.L ,2,2_Q__ S H E E T No .. l2 ... .

    Showing title put on with stamp and pen, also sizes of borderlines of Drawing, Tracing and Blue Print.

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    illes.

    [ g ~ l f ~ ~ ~ l ~ g)fftoorArcf] o ~ ~ ~ r y CGJrrrr ero V e;: C::

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    Eancy Borders 27

    F NCY BORDERS

    ~i l l l

    [l

    l l lorne fancy border lines are here shown that can be used for general

    d rawings and t itle sheets

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    28 A Title Plate.

    A TITLE PLATEThis plate is on paper I4x19 with 2 margin on left and 1 on right end

    and 1 on top and bottom.

    The type for this title plate was taken from pages 7 and 8, and theblocks each ,3 inch for the first, third and fifth rows , and inch eachfor the others .

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    APR ~ 19 6

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