oscarpatarroyoarchitect/designer/photographer

000

lightpavilionacademicproject

001germany2012

Viacrucis Pavilion

Music by Franz Liszt

Via Crucis is perhaps the closest Liszt came to cre-ating a new kind of church music through com-bining a new harmonic language with traditional liturgy. The harmony underpinning the music is experimental, including an extensive use of the whole-tone scale.

Pavilion Concept

This Pavilion is the deconstruction of the Liszt’s mu-sical piece by a rigorous analysis of the Tone scale used, then these surfaces were the main element to create a space where the most important was to show the diversity and constrast of the piece and also to create an unique experience for the user by the combination of Sound + Light + Space.

a. Reinterpretation

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a. Reinterpretation b. Design of Surface based on Musical Waves

b. Design of Surface based on Musical Waves

b. Pavilion = Surface + Light + User’s Experience

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Low Tones

Medium Tones

High Tones

Low Tones Low Light

Medium Tones Regular Light

High Tones Intense Light

c. Pavilion = Surface + Light + User’s Experience

Wood Pieces by Laser Model in Progress

Model in Progress

Pieces of Structure

Front Facade

3.5mts

Back Facade

Low Tones Low Light

Medium Tones Regular Light

High Tones Intense Light

Interior View: Regular Light

Aerial View

Main Perspective

oscarpatarroyoarchitect/designer/photographer2012