Date post: | 03-Oct-2015 |
Category: |
Documents |
Upload: | lacika1983 |
View: | 692 times |
Download: | 96 times |
BeBop Cliches/Patterns1
Dm7
G7
C^7
25 3
Dm7
G7
Dm7
G7
49
Dm7 G7
C^7
513 6
G7 Coltrane
Dm7 G7 717 8
G7
OR G7 etc.
921
C A7 Dm7 G7
C
1025
C A7 Dm7 G7
C
1129 12
C^7 or C7
C^7 orC7
1333
Dm7
G7
C^7
1437
Dm7
G7
C^7
3
1541 16
Dm7
G7
Dm7 G7(Eb7)
C^7
1745 18
G7
etc. G7
C
3 3 3
1949
Dm7
G7 C^7
3
2053
Dm7 G7 C^7
2157
Dm7
G7
C^7
2261
Dm7
G7(Db^7)
C^7
2365
Dm7
G7
C^7
2469 25
G7alt
C
G7
3
2673 Diminished
Dm7
G7
C^7
2777
Dm7 G7 C^7
81
2
13rds
BOXES - Exercises
(All permutations based on Cmaj.)
etc. etc.
2
Broken 3rds
etc.
etc.
3
Three Note Stacked 3rds
etc.
etc. 3 3 3 3
3 3 3 3 3 3 3 3 3 3
3a etc.
etc.
3 3 3 3
3 3 3 3 3 3
4
Four Note Stacked 3rds
etc.
etc.
4a etc.
etc.
5Three Note Stacked 3rds Up and Down
etc.
etc.
5aFour Note Stacked 3rds Up and Down
etc.
etc.
6
Broken Triads etc.
etc.
6a etc.
etc.
Brecker - Rhythm Changes
From "Oleo" bootleg - at NTSU '84
C
Am
Dm
G7 C A7 Dm
G7
6
C7 F7
14
in(Rhythm
concertChanges
F)
From "Frieda" David Benoit - Here's To You Charlie Brown
G
Em7
Am7 D7
Bm7
E7 Am7 D7
3
19
G7 C7
Bm7 3 3
26
B7 Bridge E7 A7
3
31
D7
G^7 3
37
47
57
67
76
Coltrane Changes (Countdown)
C^7
Eb7
Ab^7 B7
E^7 G7 C^7
5
C^7 Eb7
The following phrases come from the Ridker/Wieskoepf book Coltrane's Harmony
Ab^7
B7 E^7 G7 C^7 9
13
17
21
25
29
33
37
41
45
49
C^7 Eb7
Ab^7 B7 E^7
G7
C^7
53
57
61
65
69
73
77
81
85
89
93
2
CONFIRMATION (Bird Blues) CHANGES
Brecker
B7 E7alt
Trane
Am7 D7 Art Farmer
Gm7 C7
F^7
5
9
13
B7 E7alt
Am7 D7 Gm7
C7
F^7
17
21
25
29
33
37
41
45
Lines in Minor
Dm melodic
Traneetc.
5
Gm7 Trane
9
Gm7
F#m7 Fm7
Em7
13
Em7 Ebm7
Dm7 Dbm7
Brecker 17
21
25
29
Pete Lewis
Long Line Exercises
A7
3
Eric Alexander (BeBop Scale)
In the Key of C
Eric Alexander (BeBop Scale with Rotations)
In The Key of C
1Eric Alexander (Loops)
2 (Gm7-C7)
3
3 (Gm7-C7)
3
MAJOR 2, 5, 1s (all in C major)
Dm7
G7
C^7
Aebersold5
9
13
17
Good in Blues
21
25
Diminished
29
33
37
41
Red Garland Good in Blues
3 3 345
49
Dm7
G7
C
^7
Cannonball53
Dm7
G7 C^7
3
57
3
61
BeBop Cliche
65
Hemiola
3 3 3
3 3 3 3 3
69
Garzone
73
Use of Ab Pent. 6
77
Sonny Stitt
81
Diminished85
Good in Blues3 3 3
89
John Nugent
2
93
Dm7
G7
C^7 3
97
101
105
109
113
117
121
3
MINOR 2, 5, 1s (All in Aminor)
Bm7(b5)
E7alt
Am
5
Aebersold Tritone Sub
9
Aebersold
13
17
21
25
Diminished Scale29
Diminished Scale33
37
41
Quick Major 2, 5, 1s (All in Cmaj.)
4
Bird
7
Circle of 4ths
10
BeBop Cliche
13
Art Farmer
16
19
Trane22
25
28
31
34
BeBop Scale37
40
43
46
Trane / Bergonzi49
52
2
Quick Minor 2, 5, 1s (All in A minor)
B7 E7alt
Am
4
7
Diminished Scale10
13
16
19
Arpeggiation
22
Arpeggiation25
Arpeggiation28
Arpeggiation
31
Shapes
1 etc.
etc.
etc.
etc.
2 Also start this shape with the first note as a pickup.
etc.
etc.
etc.
etc.
3 (Gm)
(F#m) (Fm)
(Em) etc.
Use of above shape in a 2,5,1
Dm7 G7 C^7
4 etc.
5 A7alt Brecker Cape Verdean Blues etc.
-
6 Around the circle
of 4ths
etc.
7 Also starting one half step lower
etc.
8
Use of Patterns 2 and 1 in a 2, 5, 1
Dm7
G7
C^7
9 Whole-Tone (also, 1/2 step higher)
etc.
10 also 1/2 step lower
etc.
11
etc.
12 etc.
13 Diminished
also start on C and B
etc.
14 Diminished
etc. OR
etc.
15 etc.
16 Also start on D, C#, C
(G7, B7, Eb7)
Bob Berg
etc.
17 4ths
Also Start on C and D
etc.
Ricker
18 4ths
Also Start on B, C, C#, D, E b
Ricker
2
TURNAROUNDS (3, 6, 2, 5, 1s)
Em7
A7 Dm7 G7
C^7
5
9
13
Trane
17
Bird
21
Ornithology
25
29
33
37
41
45
V7 to I Resolutions
G7
C^7
G7
C^7
5
G7
C^7 G7
C^7 9
G7
The above six examples are "Double Rotation" (an idea from Cannonball Adderley)
C^7 G7
C^7
13
G7
C^7 Stan Getz
G7
C^7
17
C7 F7 Bars 4 and 5 in Blues3
20
G7
C^7 G7
C^7
24
G7
C^7 G7
Cannonball
C^7
28
G7 Triad Pairs
Brecker
C^7 G7 Triad Pairs
Gary Campbell
C^7
32
G7alt
Quarter TonesCm7 G7
Quarter Tones
C^7
36
G7alt
Chip McNiel
Cm
G7alt
Chip McNiel
Cm
340
G7alt
The last two examples make use of the Ab minor pentatonic 6
Cm
G7alt(Or start on 3rd of Dominant chord)
D or E
Cm
3 3 3 3 3 3 3
3