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sims reed gallery

sims reed galleryThe Economist Building

30 Bury StreetLondon SW1Y 6AU

Tel. +44 (0) 207 930 5111 Fax +44 (0) 207 930 1555

gallery@simsreed.com www.gallery.simsreed.com

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Francis Bacon

Portrait o f Peter Beard I

Etching, aquatint, and dry point printed in colours, 1976.

Signed in pencil and numbered from the edition of 100.

Printed on Arches paper.

Printed and published by Georges Visat, Paris.

38 x 28 cm

4

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Mel Bochner

Obscene

Monoprint with collage, engraving and embossment on hand-dyed Twinrocker handmade paper, 2012.

Signed in pencil verso.

Published by Two Palms, New York.

76.2 x 56.5 cm

6

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Peter Doig

From 'Pond Life

From the complete portfolio of 10.

Etching and aquatint printed in colours, 1996.

Signed in pencil and numbered from the edition of 35.

Printed by Hope (Sufferance) Press, London.

Published by the Paragon Press, London.

54 x 43 cm

8

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10

Blaise Drummond

Pacific Palisades

Lithograph with photogravure printed in colours, 2012.

Signed in pencil and numbered from the edition of 30.

Printed by Michael Woolworth, Paris.

56 x 76 cm

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12

Blaise Drummond

Forest

Ink, collage and watercolour on paper, 2012.

78 x 108 cm

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14

Richard Estes

D-T rain

Screenprint in colours, 1988.

Signed in pencil and numbered from the edition of 125.

Printed on thick card by Editions Domberger, Stuttgart.

Published by Parasol Press, New York.

107 x 195 cm

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16

Richard Estes

The Ginger Man

Screenprint in colours, 1979.

Signed in pencil and numbered from the edition of 100.

Printed on Fabriano Cottone paper by Editions Domberger, Stuttgart.

Published by the Parasol Press, New York.

70 x 50 cm

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18

Richard Hamilton

The Annunciation

Inkjet on paper, 2005.

Signed and numbered from the edition of 60.

68 x 59.4 cm

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Richard Hamilton

Release

Screenprint in colours with collage, 1972.

Signed in pencil and numbered from the edition of 150.

Printed on Hodgkinson mould-made paper by Kelpra Studios, London.

Published by Petersburg Press for the National Council of Civil Liberties and Release

(Lullin 83)

70.1 x 87 cm

20

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David Hockney

Lithographic water made of Lines and C rayon

Lithograph printed in colours, 1978-80.

Signed in pencil, dated and numbered from the edition of 42.

Printed on TGL handmade paper by Roger Campbell, Lee Funderburg and Kenneth Tyler.

Published by Tyler Graphics.

(Tokyo 211)

73.9 x 86.2 cm

22

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David Hockney

Lithograph of Water Made of Thick and Thin Lines and Two Light Blue Washes

Lithograph printed in colours, 1978-80.

Signed in pencil, dated and numbered from the edition of 40.

Printed on TGL handmade paper by Roger Campbell and Kenneth Tyler.

Published by Tyler Graphics.

(Tokyo 207)

64.7 x 86.3 cm

24

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David Hockney

Rue de Seine

Etching and aquatint, 1971.

Signed in pencil and numbered from the edition of 150.

Printed on J Green mould made paper by the Print Shop, Amsterdam.

Published by Petersburg Press, London for the National Council of Civil Liberties and Release inLondon.

(Scottish Arts Council 121; Tokyo 111)

89 x 71 cm

26

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David Hockney

Christopher Isherwood and Don Bachardy

Lithograph, 1976.

Signed in pencil and numbered from the edition of 96.

Printed on Laurence Barker handmade paper by Mark Stock.

Published by Gemini GEL, Los Angeles.

(Tokyo 174)

72.4 x 95.2 cm

28

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David Hockney

Picture of a still life in an elaborate silver frame

Screenprint in colours, 1965.

Signed in pencil and numbered from the edition of 85.

From: A Hollywood Collection.

Printed on BFK Rives paper by Gemini , Los Angeles.

Published by Editions Alecto.

(Scottish Arts Council 41)

77 x 56.5 cm

30

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David Hockney

Weather Series - Lightning

Lithograph, printed in colours, 1973.

Signed and dated in red crayon, and numbered from the edition of 98.

Printed by Ron Olds and Dora Hirt.

Published by Gemini G.E.L.

(Tokyo 130)

99.6 x 80.3 cm

32

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David Hockney

Three Kings and a Q ueen

Etching and aquatint, 1961.

Signed in pencil. From an edition of approximately 50.

Printed on English handmade paper by Ron Fuller and Peter Mathews at the Royal College of Art,London. Published by the artist.

(Tokyo 7)

45.5 x 79 cm

34

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Howard Hodgkin

Frost

Etching and aquatint with hand colouring, 2000-2002.

Signed with initials in pencil, dated and numbered from the edition of 50.

Printed by Jack Shirreff, Wiltshire.

Published by Alan Cristea Gallery, London.

116.2 x 115.7 cm

36

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Gerald Laing

Kate Moss

Screenprint in colours, 2007.

Signed by the artist and numbered from the edition of 90.

Printed by Artizan Editions, Hove.

Published by the artist.

98.6 x 65.5 cm

38

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Gerald Laing

Domestic Perspective

Screenprint in colours, 2009.

Signed in pencil and numbered from the edition of 90.

Printed by Artizan Editions, Hove.

Published by the artist.

128 x 68 cm

40

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Roy Lichtenstein

C rying G irl

Lithograph printed in colours, 1963.

Signed in pencil.

Printed by Colorcraft, New York.

Published by Leo Castelli Gallery, New York.

(Corlett II.1)

45.7 x 60.3 cm

42

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Christian Marclay

Puff O uch!

Photogravure on chine colle, 2011.

Signed in pencil verso and numbered from the edition of 25.

Printed on Revere Silk Polar White Paper byGraphicstudio, Florida.

Published by Graphicstudio with their wet stamp, verso.

32.5 x 23 cm

44

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Joan Miró

L’Enfance d’Ubu

Lithograph printed in colours, 1975.

Signed in pencil.

A numbered proof aside from the edition of 120.

Printed on Arches Paper by Mourlot, Paris.

Published by Teriade, Paris.

(Mourlot 1014)

31.4 x 45 cm

46

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Joan Miró

La présidente nymphomane

Lithograph printed in colours, 1971.

Signed in pencil and numbered from the edition of 50.

Printed on Arches paper by Arte Adrien Maeght, Paris.

Published by Maeght, Paris.

(Maeght 698)

119.7 x 77.5 cm

48

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Henry Moore

Head

Etching and drypoint. 1974.

Signed in pencil and numbered from the edition of 80.

Printed on Rives paper by Lacouriere et Frelaut, Paris.

Published by Gerald Cramer, Geneva

(Cramer 228).

30.6 x 38.7 cm

50

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Henry Moore

Ready For Shearing

Etching and drypoint. 1974.

Signed in pencil and numbered from the edition of 80.

Printed on Rives paper by Lacouriere et Frelaut, Paris.

Published by Gerald Cramer, Geneva

(Cramer 230).

30.6 x 38.7 cm

52

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Henry Moore

Mother and Child V I

Etching and aquatint printed in colours, 1983.

Signed in pencil and numbered from the edition of 65.

Printed on Arches paper by James Collyer and John Crossley, London.

Published by Raymond Spencer Company for the Henry Moore Foundation, Much Hadham.

(Cramer 676)

52.1 x 44 cm

54

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Takashi Murakami

Flowerball Red

Lithograph on paper, 2008.

Signed and numbered from the edition of 300.

Dia.71cm

56

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Yoshitomo Nara

Don’t C ry

Ukiyo-e woodcut, 2012.

Signed and numbered from the edition of 50.

Published by Pace Editions Inc and Tomio Koyama Gallery.

42.5 x 29.9 cm

58

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Yoshitomo Nara

Broken T reasures

Ukiyo-e woodcut, 2012.

Signed and numbered from the edition of 50.

Published by Pace Editions Inc and Tomio Koyama Gallery.

42.5 x 29.9 cm

60

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Ben Nicholson

Fragment of Tuscan Cathedral

Etching with handcoloursing, 1966.

Signed in pencil.

An artists proof aside from the signed and numbered edition of 50.

Printed on wove paper by LaFranca, Switzerland.

Published by Galerie Beyler, Switzerland.

(LaFranca 18)

32.3 x 27.5 cm

62

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Eduardo Paolozzi

Calcium Light Night: Central Park In the Dark Some 40 Years Ago

Screenprint in colours, 1975-76.

Signed in pencil and numbered from the edition of 200.

From: Calcium Light Night.

Printed on J. Green mould-made paper by Advanced Graphics, London.

Published by Propylaen Verlag, Berlin.

(Miles 179)

99 x 69 cm

64

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Enoch Perez

Hotel La Concha

Etching printed in colours, 2005.

Signed in pencil and numbered from the edition of 30.

Published by Grimm Fine Art Editions, Amsterdam.

56.5 x 76 cm

66

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Pablo Picasso

(Pierres)

Drypoint on celluloid, 1958.

Signed in pencil. From the edition of 45.

From: ‘Pierres’.

Printed on Auvergne a la main paper by Pierre Andre Benoit, Ales.

Published by Pierre Andre Benoit, Ales.

(Cramer 93; Bloch 864)

11.5 x 11.5 cm

68

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Bridget Riley

Serpentine Print

Screenprint in colours, 1999.

Signed in pencil, dated, titled and numbered from the edition of 200.

Printed on wove paper, by Artizan Editions.

25.5 x 25.5 cm

70

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Joe Tilson

P.C . From New York

Screenprint collaged in three sections, 1965.

Signed in pencil and numbered from the edition of 70.

Printed on cartridge paper by Kelpra Studios, London.

Published by Marlborough Graphics, London.

197 x 65 cm

72

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Joe Tilson

Sky Two

Screenprint in colours with torn elements, 1967.

Signed in pencil and numbered from the edition of 70.

Printed on J Green paper by Kelpra Studios, London.

Published by Marlborough Graphics, London.

124 x 69 cm

74

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Andy Warhol

Shoes (Red)

Screenprint in colours with diamond dust, 1980.

Signed in pencil and numbered from the edition of 60 verso.

Printed on Arches paper by Rupert Jasen Smith, New York.

Published by the artist, New York.

(Feldman & Schellmann II.253)

102.2 x 151.1 cm

76

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Andy Warhol

Shoes (Black)

Screenprint in colours with diamond dust, 1980.

Signed in pencil and numbered from the edition of 60 verso.

Printed on Arches paper by Rupert Jasen Smith, New York.

Published by the artist, New York.

(Feldman & Schellmann II.256)

102.2 x 151.1 cm

78

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Andy Warhol

(O ne Blue Pussy)

Lithograph with extensive watercolour applied by hand, c. 1954.

From: 25 Cats Named Sam and One Blue Pussy.

Signed in blue ink on the colophon and numbered 69/190.

Printed by Seymour, Berlin.

Published by the artist.

(See Feldman & Schellmann IV 52A - 68A)

23 x 15 cm

80

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