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Lost in DivErsity€¦ · 15:25 Lecture: “The Invention of European Free Jazz” Piano Lecture 2...

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About the Enjoy Jazz Festival During the 2012 Enjoy Jazz Festival, distinguished experts, artists, and journalists will meet at the Heidel- berg Center for American Studies (HCA) to look at the diversity of jazz in Europe and the United States. They will discuss the social relevance of the genre on both sides of the Atlantic, similarities and differences of European and American jazz, and their effects on our societies. On the occasion of the initiation of the UNESCO World Jazz Day this year, the participants of the symposium will try to explore the political dimensions of a genre that was seen as the epitome of freedom in the 1960s and trace transatlantic reciprocities. With this symposi- um, the HCA, in cooperation with Enjoy Jazz, attempts to establish a venue where intellectual curiosity and musical zest will feel equally at home. This symposium was conceptualized by Christian Broe- cking and is supported by BASF SE. Lost in DivErsity A trAnsAtLAntic DiALoguE on thE sociAL rELEvAncE oF JAzz An International Symposium at the Heidelberg Center for American Studies November 8-9, 2012 Curt und Heidemarie Engelhorn Palais Hauptstraße 120 D-69117 Heidelberg T +49 6221 / 54 37 10 F +49 6221 / 54 37 19 hca @ hca.uni-heidelberg.de www.hca.uni-hd.de Conceptualized and Convened by: Christian Broecking In Cooperation with: Supported by:
Transcript
  • About the Enjoy Jazz Festival

    During the 2012 Enjoy Jazz Festival, distinguished experts, artists, and journalists will meet at the Heidel-berg Center for American Studies (HCA) to look at the diversity of jazz in Europe and the United States. They will discuss the social relevance of the genre on both sides of the Atlantic, similarities and differences of European and American jazz, and their effects on our societies.

    On the occasion of the initiation of the UNESCO World Jazz Day this year, the participants of the symposium will try to explore the political dimensions of a genre that was seen as the epitome of freedom in the 1960s and trace transatlantic reciprocities. With this symposi-um, the HCA, in cooperation with Enjoy Jazz, attempts to establish a venue where intellectual curiosity and musical zest will feel equally at home.

    This symposium was conceptualized by Christian Broe-cking and is supported by BASF SE. Lost in DivErsity

    A trAnsAtLAntic DiALoguE on thE sociAL rELEvAncE oF JAzz

    An International Symposium at the Heidelberg Center for American Studies

    November 8-9, 2012

    Curt und Heidemarie Engelhorn PalaisHauptstraße 120D-69117 Heidelberg

    T +49 6221 / 54 37 10F +49 6221 / 54 37 [email protected] www.hca.uni-hd.de

    Conceptualized and Convened by: Christian Broecking

    In Cooperation with:

    Supported by:

  • thursday, november 8

    (HCA)10:00 Welcome and opening remarks

    10:30 Keynote Daniel Fischlin (University Research Chair and Full Pro-fessor of English and Theatre Studies at the University of Guelph, Guelph)“The Fierce Urgency of Now: Improvisation, Rights, and the Ethics of Co-Creation”

    session 1, 11:15-12:45: Jazz and human rightsEric Porter (Professor of American Studies, History, and History of Consciousness at the University of California, Santa Cruz):“Improvising Social Justice in Post-Katrina New Orleans“

    Wolfram Knauer (Director, Jazzinstitut Darmstadt, Darm-stadt)“Social Relevance - Baloney?”

    12:45-15:00 Lunch Break

    (Aula of the Old University)session 2, 15:00-16:30: American idols – European identity i

    Piano Lecture 1 15:00 Piano Solo: Alexander von Schlippenbach (Berlin)15:25 Lecture: “The Invention of European Free Jazz”

    Piano Lecture 215:45 Piano Solo: Vijay Iyer (New York)16:10 Lecture: “Transcultural Improvisation”

    16:30-17:00: Break

    session 3, 17:00-18:00: Jazz and Politics iKeynote Yusef Lateef (Amherst, Massachusetts)“Reflections on the Social Relevance of Black Improvised Music”

    Keynote Archie Shepp (Paris)“Reflections on the Political Power of Black Improvised Music”

    (HCA)18:00-18:30 reception

    session 4, 18:30-20:00: American idols – European identity iiHoward Mandel (President, Jazz Journalists Association, Arts Reporter for National Public Radio, Author, New York)“Motivations in U.S. Jazz“

    Christian Dalgas (Project Manager Copenhagen Jazz Festival, Copenhagen)“Supporting, Exploring, and Protecting Jazz as a Contem-porary Art Form in Denmark”

    Thomas Krüger (President, German Federal Agency for Civic Education, Bonn)“Free Tunes – the Public Meaning of Jazz in Germany”

    Friday, november 9

    (HCA)session 5, 10:00-11:15: Jazz and Politics iiMark Terkessidis (Psychologist, Migration Expert and Author, Berlin)“The Orchestra, the Session, the Collective: Could Jazz be a Model for Living Together in Multiplicity?“

    Ted Panken (Jazz Journalist and Radio Host, New York) “All Jazz Is Modern: The Jazz at Lincoln Center Orche-stra, Radical Aesthetics, and the AACM”

    session 6, 11:15-12:30: Jazz and Politics iiiTom Carter (President, Thelonious Monk Institute of Jazz, Member U.S. National Commission for UNESCO, Washington, DC)“Jazz and Diplomacy“

    Rainer Kern (Director, Enjoy Jazz Festival, Heidelberg)“Jazz and the City”

    DJ Lecture, 12:30-13:15Thomas Meinecke (Author, Musician, and DJ, Berg, Bavaria)“Jazz - Resistance, Resignification“

    13:15-14:15 Lunch Break

    session 7, 14:15-16:00: American idols – European identity iiiKatja von Schuttenbach (German-American Jazz Histo-rian and Author, Washington, DC)“Trailblazing Pianist Jutta Hipp: A Life of Jazz and the Pursuit of Freedom”

    Maxi Sickert (Journalist, Jazz Historian and Author, Berlin) “The Shatter of the American Dream - Hope and the Change of Perspective in the German and European Jazzaesthetic“

    Angelika Niescier (Composer and Improviser, Cologne)“The Braxton Experience”

    16:00-17:00 Final remarks


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