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CONTACT: Cindy Moran, Public Relations Director 4142241761 or [email protected] SASSY, SENSUAL, AND SULTRY – LOW DOWN DIRTY BLUES BY RANDAL MYLER AND DAN WHEETMAN MILWAUKEE REPERTORY THEATER STACKNER CABARET MARCH 20 – MAY 24, 2015 March 18, 2015 – [Milwaukee] – Milwaukee Repertory Theater will close out the 2014/15 Stacker Cabaret Season with a sizzling production of Low Down Dirty Blues. Continuing in the recent Stackner tradition of showcasing actor/musician/vocalists, Low Down Dirty Blues will feature four awardwinning performers: Felicia Fields, Chic Street Man, Caron Sugaray” Rayford, and Robert Stephens. Stackner Cabaret audiences will forget that it’s still cold outside when they come see these powerhouse entertainers belt out the blues. Directed by Randal Myler, the production is set to begin in The Rep’s Stackner Cabaret March 20, 2015 and runs through May 24, 2015. Opening night is Sunday, March 22, 2015. The nightclub may be closed, but the party is just heating up! Join a group of musician/singers as they gather afterhours to swap stories and share their fervor for music. Four multitalented performers pour their passion, soul, and love into the greatest hits of Muddy Waters, Ma Rainey, Sophie Tucker, Howlin’ Wolf, Pearl Bailey, and many more. Twentytwo smokin’ songs, nonstop blues riffs, titillating double entendres, and hot rhythms keep the theater sultry and steamy from the first note to the last. Low Down Dirty Blues has a stellar cast who we are beyond excited they will be performing in our Stackner Cabaret.” says Artistic Director Mark Clements. “We are finding that our audiences love it when they see great singers, dancers, and actors who can pick up multiple instruments and play them really well. Low Down is going to be a hot, smoky, sexy evening and will be a wonderful way to close out our Stackner season.” Director Randal Myler added, “I'm just so excited to be working here . . . and to be able to bring some of my favorite singers in the country to The Rep.” The Executive Producers for Low Down Dirty Blues are David and Camille Kundert. The Stackner Cabaret season is sponsored by Sally Manegold.
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Page 1: Low Down press releaseLFEdits · PDF filearrangementwith’award=winning’composer’Dr.’Jose’Bevia;’and’with’Joel’Weiskopf’in’jazzpiano.!

 CONTACT:  Cindy  Moran,  Public  Relations  Director    414-­‐224-­‐1761  or  [email protected]

 SASSY,  SENSUAL,  AND  SULTRY  –  

LOW  DOWN  DIRTY  BLUES  BY  RANDAL  MYLER  AND  DAN  WHEETMAN  

 MILWAUKEE  REPERTORY  THEATER  STACKNER  CABARET  

MARCH  20  –  MAY  24,  2015    March   18,   2015   –   [Milwaukee]   –   Milwaukee   Repertory   Theater   will   close   out   the   2014/15   Stacker  Cabaret  Season  with  a  sizzling  production  of  Low  Down  Dirty  Blues.  Continuing   in   the   recent  Stackner  tradition  of  showcasing  actor/musician/vocalists,  Low  Down  Dirty  Blues  will  feature  four  award-­‐winning  performers:  Felicia  Fields,  Chic  Street  Man,  Caron   “Sugaray”  Rayford,  and  Robert  Stephens.  Stackner  Cabaret   audiences   will   forget   that   it’s   still   cold   outside   when   they   come   see   these   powerhouse  entertainers  belt  out   the  blues.  Directed  by  Randal  Myler,   the  production   is  set   to  begin   in  The  Rep’s  Stackner  Cabaret  March  20,  2015  and  runs  through  May  24,  2015.  Opening  night  is  Sunday,  March  22,  2015.    The  nightclub  may  be  closed,  but  the  party  is  just  heating  up!  Join  a  group  of  musician/singers  as  they  gather  after-­‐hours  to  swap  stories  and  share  their  fervor  for  music.  Four  multi-­‐talented  performers  pour  their  passion,  soul,  and  love  into  the  greatest  hits  of  Muddy  Waters,  Ma  Rainey,  Sophie  Tucker,  Howlin’  Wolf,  Pearl  Bailey,  and  many  more.  Twenty-­‐two  smokin’   songs,  non-­‐stop  blues   riffs,   titillating  double-­‐entendres,  and  hot  rhythms  keep  the  theater  sultry  and  steamy  from  the  first  note  to  the  last.    “Low  Down  Dirty   Blues   has   a   stellar   cast  who  we   are   beyond   excited   they  will   be   performing   in   our  Stackner   Cabaret.”   says  Artistic   Director  Mark   Clements.   “We   are   finding   that   our   audiences   love   it  when  they  see  great  singers,  dancers,  and  actors  who  can  pick  up  multiple  instruments  and  play  them  really  well.  Low  Down  is  going  to  be  a  hot,  smoky,  sexy  evening  and  will  be  a  wonderful  way  to  close  out  our  Stackner  season.”    Director  Randal  Myler  added,  “I'm  just  so  excited  to  be  working  here  .  .  .  and  to  be  able  to  bring  some  of  my  favorite  singers  in  the  country  to  The  Rep.”  

The   Executive   Producers   for   Low   Down   Dirty   Blues   are David   and   Camille   Kundert.   The   Stackner  Cabaret  season  is  sponsored  by  Sally  Manegold.  

 

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 TICKETS    Single  tickets  for  all  Low  Down  Dirty  Blues  performances  are  now  on  sale  and  can  be  purchased  online  at  www.MilwaukeeRep.com,  by  phone  at  414-­‐224-­‐9490  or  in  person  at  The  Rep’s  Ticket  Office  at  108  E.  Wells  Street.  Ticket  prices  start  at  $40.00.  Group  tickets  are  also  available  for  purchase  by  calling  Morgan  Halverson  in  Group  Sales  at  414-­‐290-­‐5340.    To  learn  more  about  The  Rep  or  its  productions,  please  visit  www.MilwaukeeRep.com.  

 THE  CAST    Felicia   Fields   is   a  Tony  Award-­‐nominated  performer.  Her  production   credits   include  Crowns,   The  Rose  Tattoo,  and  Amen  Corner  with  Goodman  Theatre;  7  Guitars  with  Court  Theatre;  Low  Down  Dirty  Blues  and   It  Ain’t  Nothin’  But   the  Blues  with  Northlight  Theatre;  Richard   II  with  Chicago  Shakespeare;  Show  Boat  and  Hello,  Dolly!  with  Drury  Lane  Theatre;  and  Dreamgirls  with  the  Marriott  Theatre.  She  earned  a  Tony  Award  nomination  for  her  portrayal  of  Sofia   in  The  Color  Purple.  Fields  has  also  earned  a  Joseph  Jefferson  Best  Actress  in  a  Musical  Award  for  Sophisticated  Ladies  and  several  nominations,  including  for  her  performance  in  Low  Down  Dirty  Blues  with  Northlight  Theatre.  She  has  also  received  a  Black  Theatre  Alliance  Award  and  a  Clarence  Derwent  Award.  Her  on-­‐screen  credits  include  Chicago  Fire,  Sense8,  Who  Gets  the  Dog?,  Save  the  Last  Dance,  and  The  Knights  of  Prosperity.    Chic  Street  Man  has  performed  at  many  venues   including   the  Paleo  Festival,   the  Montreux,  and  Bern  Jazz  Festivals   in  Switzerland,  the  General  Assembly  of  the  United  Nations   in  New  York,  and  the  United  Nations  Human  Rights  Center   in  Geneva.  He  composed  the  music  and  starred   in  the  Off-­‐Broadway  hit  show  Spunk,  adapted  by  George  C.  Wolfe,  Cleveland  Play  House’s  world  premiere  of  Touch  The  Names  and   Berkeley   Repertory   Theatre’s   production   of   The   Caucasian   Chalk   Circle.   He   was   a   contributing  performer  and  musical  arranger  for  the  DCTC  production  of  It  Ain’t  Nothin’  But  the  Blues  and  McCarter  Theatre’s  and  Berkeley  Repertory  Theatre’s  production  of  Zora  Neale  Hurston’s  Polk  County.  Street  Man  was   Professor   Slick   in   Pullman   Porter   Blues   at   Seattle   Repertory   Theatre,   Arena   Stage   in   DC   and  Goodman  Theatre   in  Chicago,  Slow  Drag   in  Seattle  Repertory  Theatre’s  Ma  Rainey’s  Black  Bottom  and  Rev.  Gary  Davis   in  the  Vineyard  Playhouse  production  of  Search:  Paul  Clayton.  He  has  appeared  in  the  films  Triple  Bogey  and  Hangin’  with  the  Home  Boys.    Caron  “Sugaray”  Rayford  was  born  and  raised  in  Tyler,  Texas.    His  musical  career  began  as  a  young  boy,  singing  and  playing  drums  in  church.  He  was  influenced  by  gospel  music  early  in  his  life.  He  left  music  for  a  period  of  time  to  become  a  Marine.  After  his  discharge,  he  started  back  in  music  and  has  been  singing  the  blues  for  the   last  15  years.  He  currently  tours  worldwide  with  his  band,  Sugaray  Rayford  Band.  He  was  just  nominated  for  BB  King  Entertainer  of  the  Year  and  Traditional  Male  Vocalist  for  the  2015  Blues  Music  Awards.  He   is  also   lead  vocalist   for  The  Mannish  Boys,  who  are  also  nominated   for   three  2015  Blues  Music  Awards.      Robert  Stephens  blends  his  experiences  in  jazz,  classical,  gospel  and  R  &  B  to  bring  a  unique  perspective  to   the  theatrical  experience.  Some  of  his  professional  credits   include  serving  as  music  director   for   the  

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national  tour  of  Unforgettable:  The  Nat  King  Cole  Story;  choral  director  for  the  Newark  Symphony  Hall  performance  of   the  Tony  Award-­‐winning  musical  The  Gospel  at  Colonus;  musical  director   for   the  road  production   of   Black   to   Broadway   directed   by   TC   Carson   of   Living   Single;   and   many   more.   Other  professional  credits  include  musical  arrangements  for  EMI  Gospel  recording  artist  Queen  Esther  Marrow  and   the   Harlem   Gospel   Singers,   where   he   provided   arrangements,   synthesizer   programming,   and  sequencing  for  two  of  their  world  tours.  Stephens  has  also  written  commercial  music  for  ESPN’s  March  Madness  Basketball  Tournament.  He  has  also  recorded  and  performed  with  some  of  the  finest  artists  in  Gospel   music,   including   Grammy   Award-­‐winning   artists   Donnie   McClurkin,   Rev.   James   Cleveland,  Hezekiah  Walker,   along  with  Rev.  Timothy  Wright,  Dorothy  Norwood,  The  Harlem  Gospel   Singers  and  many  more.  He   is   also   an  educator,   having   taught  music   in   the  Newark  NJ  public   school   system,   and  maintaining  an  active  private  instruction  schedule.  His  formal  musical  training  includes  study  in  the  area  of   classical   piano   with   Dr.   John   Gorman,   Joseph   Bilotti,   and   Dr.   Min   Kim;   orchestration   and   jazz  arrangement  with  award-­‐winning  composer  Dr.  Jose  Bevia;  and  with  Joel  Weiskopf  in  jazz  piano.    CREATIVE  TEAM    Randal  Myler  (Author/Director)  has  received  a  Tony  Award  Nomination  for  It  Ain’t  Nothin’  But  the  Blues  (Best  Book  of  A  Musical),  and  the  show  itself,  which  he  also  directed,  was  nominated  for  Best  Musical.  His  musical  on  the  life  of  Hank  Williams  Lost  Highway  ran  for  two  years  at  the  Grand  Ole  Opry’s  Ryman  Auditorium   and   Off-­‐Broadway   garnered   many   awards,   including   a   Drama   Desk   nomination   and   Best  Director   nomination   from   the   Other   Critics   Circle.   Myler’s   hit   musical   Love,   Janis   ran   for   over   750  performances   Off-­‐Broadway   and   has   been   produced   throughout   the   country,   and   his   directing   and  productions  have  received  over  15  Jeff  Awards  and  nominations  from  Chicago  critics.  Myler’s  numerous  regional  theater  directorial  credits  include  Lincoln  Center,  Kennedy  Center,  Arena  Stage,  Actors  Theatre  of   Louisville,  Mark   Taper   Forum,   Geffin   Playhouse,   Seattle   Repertory   Theatre,   Dallas   Theatre   Center,  Alley  Theatre,  BAM,  Denver  Center,  Cincinnati  Playhouse,  Old  Globe,  Arizona  Theatre  Company,  Kansas  City  Repertory  Theatre,  Northlight  Theatre,  Portland  Center  Stage,  Alabama  Shakespeare  Festival,  and  many  others.      Dan  Wheetman  (Author/Music  Director)  is  making  his  Rep  debut  with  this  production.  Wheetman’s  first  professional  theater  gig  was  the  DCTC  tour  of  Quilters   in  1985.  This  year  marks  the  30th  anniversary  of  that  first  job  and  the  start  of  his  artistic  collaboration  with  Randal  Myler.  He  has  appeared  in  productions  all  over  the  U.S.  as  an  actor  and  musician.  He’s  written  several  plays  with  Mr.  Myler,   including   It  Ain’t  Nothin’  But  the  Blues,  Appalachian  Strings,  Fire  on  the  Mountain,  Mama  Hated  Diesels,  and  Low  Down  Dirty  Blues.  He  has  garnered  several  LA  Critics  Circle  awards  for  Musical  Direction  and  a  Tony  nomination  as  a  writer   for   It  Ain’t  Nothin’  But  the  Blues  at   the  Lincoln  Center   in  New  York.  Along  with  his   theater  work,  Dan  has  recorded  several  solo  albums  and  plays  in  a  very  eclectic  band,  Marley’s  Ghost.    Collette   Pollard   (Scenic   Designer)   resides   in   Chicago   and   designs   scenery   locally,   regionally   and    internationally.   Pollard   was   the   Scenic   Design   Jeff   Award   recipient   for  In   the   Garden  at  Lookingglass  Theatre  Company.  Recently  she  became  an  Artistic  Associate  at  Timeline  Theatre  in  Chicago  where  she  designed  Danny  Casalaro,  The  How  &  the  Why,  Blood  &  Gifts,  and  The  Front  Page,  which  she  received  a  Joseph   Jefferson   Award   for   Scenic   Design.   Regional   credits   include:  Geller   Girls,  Good   People  and  The  Fairytale   Lives  of  Russian  Girls   (Alliance  Theatre,   all   receiving  Suzi  Bass  Award  and  Atlanta  Fan  Award  

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Nominations);  A  Minister’s  Wife  (San  Jose  Repertory  Theatre);  The  Nutcracker    (Adrienne  Arsht  Center  of  Performing   Arts   Miami);   A   Streetcar   Named   Desire  (Williamstown   Theatre   Festival);   and   The   Glass  Menagerie  (Kansas   City  Repertory  Theatre).   Pollard   was  the   recipient  of  the   Michael   Merritt   Maggio  Emerging   Designer   Award   in   2010   and   received   her   MFA   from   Northwestern   University   where   she  currently  co-­‐teaches  the  Toy  Theatre  course.    Janice  Pytel  (Costume  Designer)  returns  to  The  Rep  having  previously  designed  costumes  for  A  Raisin  In  the   Sun.  Recent   credits   include  The   Clean  House   (Remy   Bumppo);  Women   at  War   (Rivendell   Theatre  Ensemble);   The   Qualms,   Slowgirl,   Belleville,   and  Middletown,   (Steppenwolf   Theatre   Company);  Good  People   and   Clybourne   Park   (Alley   Theatre);   Partners   and   The   Grown-­‐up   (2014   Humana   Festival);  Our  Town  (Actors  Theatre  of  Louisville);  Rest,  Appropriate  and  The  Whale  (Victory  Gardens  Theater);  Joan  of  Arc  (Chicago  Opera  Theater).  Broadway:  33  Variations  and  I  Am  My  Own  Wife.    She  has  also  worked  with  Writers  Theatre,  Court  Theatre,  Alliance  Theatre,  Centerstage,  Kansas  City  Repertory  Theatre,  Goodman  Theatre,  Madison  Repertory  Theatre,  Arena  Stage,  Geffen  Playhouse,  and  Center  Theater  Group.  She  has  also  designed  costumes  for  film,  dance,  and  performance  art.    Rob  Perry  (Lighting  Designer) is  making  his  Milwaukee  Rep  debut  with  Low  Down  Dirty  Blues.  This  past  fall  he  designed  the  Off-­‐Broadway  world  premiere  of  Lost  Lake  directed  by  Dan  Sullivan  for  Manhattan  Theatre  Club.  Upcoming  shows  include  Vanya  and  Sonia  and  Masha  and  Spike  at  Arena  Stage  in  DC  and  Goodman   Theatre   in   Chicago.   Other   regional   designs   include   LaJolla   Playhouse,   Chicago   Shakespeare  Theater,   Dallas   Theater   Center,   California   Shakespeare   Festival,   Hartford   Stage,   Philadelphia   Theatre  Company,   Triad   Stage,   Shakespeare   Theatre   Company   in   DC,   McCarter   Theatre   and   Yale   Repertory  Theatre.  Perry  is  a  graduate  of  the  Yale  School  of  Drama  and  an  Associate  Professor  at  the  University  of  Illinois  at  Urbana-­‐Champaign.    Josh  Horvath   (Sound  Designer)  has  previously  designed  at  Milwaukee  Rep   for  A  Raisin   In   the  Sun  and  The   Story.  Off-­‐Broadway:   Lincoln   Center.   Regional   credits:   Long  Wharf,   Hartford   Stage,   Arena   Stage,  Center   Stage,   The   Alliance,   McCarter   Theatre,   Kansas   City   Repertory   Theatre,   Madison   Repertory  Theatre,  Milwaukee  Shakespeare,  First  Stage,  Goodman  Theatre,  Steppenwolf  Theatre  Company,  Court  Theatre,   Lookingglass   Theatre   Company,   Mark   Taper   Forum,   California   Shakespeare,   and   Oregon  Shakespeare.  Horvath  is  the  recipient  of  four  Chicago  Joseph  Jefferson  Awards  and  an  LA  Ovation  Award.  He  teaches  sound  design  for  theater  and  film  at  Northwestern  University,  is  a  company  member  of  The  House  Theatre  of   Chicago,   an   artistic   associate  of   Lookingglass   Theatre  Company,   and  a   collaborative  partner   with   Goodman   Theatre.   Recent   and   upcoming   shows   include:   Baskerville   (McCarter  Theatre/Arena  Stage);   Immediate  Family  (Mark  Taper  Forum);  Secret  Garden  (Court  Theatre);  and  King  Lear  (California  Shakespeare).    JC   Clementz   (Casting   Director)   is   The   Rep’s   Artistic   Associate:   Casting   Director   &   Artistic   Internship  Program  Director   now   entering   his   fourth   season  with  Milwaukee   Repertory   Theater.   Clementz  most  recently  directed  The  Doyle  &  Debbie  Show  in  The  Rep’s  Stackner  Cabaret  and  last  season’s  production  of  Forever  Plaid,  as  well  as  several  short  plays  over  three  seasons  of  Rep  Lab.  He  also  assistant  directed  Othello,  To  Kill  a  Mockingbird,  A  Christmas  Carol,  and  Yellowman.  He  has  traveled  throughout  Europe  as  the   Assistant   Stage  Manager   for   New   York   Harlem   Productions’   international   tour   of  Porgy   and   Bess  

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(director   Baayork   Lee),   and   spent   four   summers   working   at   Perry-­‐Mansfield   in   the   mountains   of  Colorado.  Clementz  holds  an  MFA  in  Directing  from  Western  Illinois  University.    Kimberly   Ann   McCann   (Stage   Manager)   returns   for   her   third   season   at   Milwaukee.   She   previously  worked  on  Ragtime  and  Forever  Plaid.    Broadway  credits  include  Curtains.  Off-­‐Broadway  credits  include  Bill  W.  and  Dr.  Bob,  How  to  Save  the  World  and  John  Ferguson.  Regional  credits   include  Million  Dollar  Quartet   (Chicago),  Goodman  Theatre,  Northlight  Theatre,  Skylight  Music  Theatre,  and  Tuacahn  Center  for  the  Arts.  Other  credits  include  Door  Shakespeare,  Illinois  Shakespeare  Festival,  Colorado  Shakespeare  Festival,   tours   with   ArtsPower   National   Touring   Theatre   and   numerous   productions   at   The   Julliard  School.  McCann  is  a  graduate  of  Illinois  State  University  and  a  proud  member  of  Actors’  Equity.    Audra  Kuchling  is  the  Stage  Management  Intern  for  this  production.      

###    

FACT  SHEET    WHAT:  Low  Down  Dirty  Blues    WRITTEN  BY:  Randal  Myler  and  Dan  Wheetman    DIRECTOR:  Randal  Myler    THEATER:  Stackner  Cabaret    DATES:  March  20,  2015  –  May  24,  2015  

DESCRIPTION:    

The  nightclub  may  be   closed,   but   the   party   is   just   heating   up!   Join   a   group  of  musician/singers   as   they   gather  after-­‐hours  to  swap  stories  and  share  their   fervor   for  music.  Four  multi-­‐talented  performers  pour  their  passion,  soul,  and  love  into  the  greatest  hits  of  Muddy  Waters,  Ma  Rainey,  Sophie  Tucker,  Howlin’  Wolf,  Pearl  Bailey,  and  many  more.  Twenty-­‐two  smokin’  songs,  non-­‐stop  blues  riffs,   titillating  double-­‐entendres,  and  hot  rhythms  keep  the  theater  sultry  and  steamy  from  the  first  note  to  the  last.  

ACCESS  SERVICES  

Audio-­‐Described  Performance,  Sunday,  March  29  –  7:00pm  –  the  show  will  be  described  aloud  for  patrons  who  are  blind  or  have  low  vision.    PERFORMANCES:      Friday,  3/20/15  –  8:00pm  –  Preview  Saturday,  3/21/15  –  8:00pm  –  Preview  Sunday,  3/22/15  –  7:00pm  –  Opening    

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Tuesday,  3/24/15  –  6:30pm  –  Early  Bird  Wednesday,  3/25/15  –  7:30pm    Thursday,  3/26/15  –  7:30pm    Friday,  3/27/15  –  8:00pm    Saturday,  3/28/15  –  4:00pm/8:00pm    Sunday,  3/29/15  –  2:00  pm/7:00pm  –  Audio-­‐Description    Tuesday,  3/31/15  –  7:30pm    Wednesday,  4/1/15  –  7:30pm  Thursday,  4/2/15  –  7:30pm    Friday,  4/3/15  –  8:00pm    Saturday,  4/4/15  –  4:00pm/8:00pm  Sunday,  4/5/15  –  2:00pm/7:00pm    Tuesday,  4/7/15  –  7:30pm  Wednesday,  4/8/15  –  7:30pm  Thursday,  4/9/15  –  7:30pm  Friday,  4/10/15  –  8:00pm  Saturday,  4/11/15  –  4:00pm/8:00pm  Sunday,  4/12/15  –  2:00pm/7:00pm    Tuesday,  4/14/15  –  7:30pm  Wednesday,  4/15/15  –7:30pm  Thursday,  4/16/15  –  7:30pm    Friday,  4/17/15  –  8:00pm    Saturday,  4/18/15  –  4:00pm/8:00pm  Sunday,  4/19/15  –  2:00pm/7:00pm    Tuesday,  4/21/15  –  7:30pm  Wednesday,  4/22/15  –  7:30pm  Thursday,  4/23/15  –  7:30pm    Friday,  4/24/15  –  8:00pm    Saturday,  4/25/15  –  4:00pm/8:00pm  Sunday,  4/26/15  –  2:00pm/7:00pm      Tuesday,  4/28/15  –  7:30pm  Wednesday,  4/29/15  –  7:30pm    Thursday,  4/30/15  –  7:30pm    Friday,  5/1/15  –  8:00pm  Saturday,  5/2/15  –  4:00pm/8:00pm  Sunday,  5/3/15  –  2:00pm/7:00pm    Tuesday,  5/5/15  –  7:30pm  Wednesday,  5/6/15  –  7:30pm  Thursday,  5/7/15  –  7:30pm  Friday,  5/8/15  –  8:00pm  Saturday,  5/9/15  –  4:00pm/8:00pm  Sunday,  5/10/15  –  2:00pm/7:00pm  

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 Tuesday,  5/12/15  –  7:30pm  Wednesday,  5/13/15  –  7:30pm  Thursday,  5/14/15  –  7:30pm  Friday,  5/15/15  –  8:00pm  Saturday,  5/16/15  –  4:00pm/8:00pm  Sunday,  5/17/15  –  2:00pm/7:00pm    Tuesday,  5/19/15  –  7:30pm  Wednesday,  5/20/15  –  7:30pm  Thursday,  5/21/15  –  7:30pm  Friday,  5/22/15  –  8:00pm  Saturday,  5/23/15  –  4:00pm/8:00pm  Sunday,  5/24/15  –  2:00pm/7:00pm  –  Closing    TICKET  PRICES:  Begin  at  $40.00    TICKETS/INFORMATION:  414-­‐224-­‐9490  or  buy  tickets  online  at  www.MilwaukeeRep.com  

TICKET  OFFICE  LOCATION:  108  E.  Wells  Street  in  Milwaukee’s  Downtown  Theater  District  

TICKET  OFFICE  HOURS:  Monday  –  Sunday,  Noon  –  6  pm*  *On  days  with  performances  the  Ticket  Office  will  stay  open  until  15  minutes  after  curtain.    

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Milwaukee   Repertory   Theater   is   a   nationally-­‐recognized   company   that   presents   compelling   dramas,   powerful  classics,  award-­‐winning  contemporary  works,  full-­‐scale  musicals,  housed  in  its  three  unique  performance  venues  –  the  Quadracci  Powerhouse,  Stiemke  Studio  and  Stackner  Cabaret.  The  Rep  also  produces  an  annual  production  of  A   Christmas   Carol   at   the   beautiful   and   historic   Pabst   Theater.   Under   the   leadership   of  Artistic   Director  Mark  Clements  and  Managing  Director  Chad  Bauman,  The  Rep  is  committed  to  creating  plays  that  are  meaningful  and  relevant   to   the   society  we   live   in  –  plays   that   are   challenging,   visceral   and  engage   the   community   through   the  issues   they  explore,  demonstrating  how  a   theater  deeply   rooted   in   its   locality  can  also  enjoy  a   richly   influential  and  resonant  national  voice.  


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