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Lucrecia Kasilag

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DR. LUCRECIAROCES KASILAG“Tita King”“First Lady of Philippine Music”National Artist in Music in 1989Distinguished composer and music educatorFormer President of the Cultural Center of the Philippines
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DR. LUCRECIA ROCES KASILAG Tita King” First Lady of Philippine Music” National Artist in Music in 1989 Distinguished composer and music educator Former President of the Cultural Center of the Philippines
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Page 1: Lucrecia Kasilag

DR. LUCRECIAROCES KASILAG

“Tita King”

“First Lady of Philippine Music”

National Artist in Music in 1989

Distinguished composer and music educator

Former President of the Cultural Center of the Philippines

Page 2: Lucrecia Kasilag

DR. LUCRECIA ROCES KASILAG

born in San Fernando, La Union

grew up in Paco, Manila

(August 31, 1918 - August 16, 2008)

Father: Marcial Kasilag Sr. Mother: Asuncion Roces, a violinist and a music teacher

• Learned to play the bandurria and guitar at an early age• Every weekend, she and all five of her siblings performed as the “Kasilag

Rondalla” before their mother

Page 3: Lucrecia Kasilag

DR. LUCRECIA ROCES KASILAG

Academic Achievements:

• Valedictorian, Paco Elementary School (1930)• Valedictorian, Philippine Women’s University High School (1933)• Cum Laude, PWU Bachelor of Arts in English• Music Teacher's Diploma, St. Scholastica's College (1939), student of

Sister Baptista Battig• Bachelor of Music, Major in Piano at the PWU in 1949• Master of Music at the Eastman School of Music in Rochester, New York

under a Fulbright Travel Grant (1950)• received an Eastman School of Music fellowship, and studied theory

under Dr. Allen I. McHose and composition under Dr. Wayne Barlow;• Doctor of Music from Centro Escolar University (CEU)

Page 4: Lucrecia Kasilag

DR. LUCRECIA ROCES KASILAG

Positions Held:

• taught piano and music theory at SSC, and at the University of the Philippines Conservatory of Music (1946 – 1947)

• Dean of the PWU College of Music and Fine Arts (1953-1977)• In 1957, she put together the Bayanihan Folk Arts Center, which

undertook research and organized theatrical performances• Chairperson of the Philippine Society for Music Education in 1971• Chairperson of the Asian Composer’s League in 1975• Upon her retirement, she became Dean Emeritus of the PWU College

of Music and Fine Arts (1977)• Director of the Center for Arts and Humanities of the PWU• Honorary adviser to the Asian Arts Festival• Chairperson of the League of Filipino Composers

Page 5: Lucrecia Kasilag

DR. LUCRECIA ROCES KASILAG

Accomplishments continued:

• worked closely as music director with colleagues Lucrecia Reyes-Urtula, Isabel Santos, Jose Lardizabal and Dr. Leticia P. de Guzman

• made Bayanihan Philippine Dance Company one of the premier artistic and cultural groups in the country (reaped international recognition)

• National Artist for Music in 1989 (lone addition to the roster)• President of the Cultural Center of the Philippines during the Marcos

years, which music lovers like to describe as the "golden age of CCP" in terms of world-class presentations

• Special consultant during the Aquino administration• Other key positions in both national and international music

organizations: National Music Council of the Philippines, Regional Music Commission of Southeast Asia, and the National Music Competition for Young Artists Foundation

LUCRESIA KASILAG with Ferdinand Marcos, Imelda Marcos, pianist Van

Clibur and England’s prima ballerina assoluta Dame Margot Fonteyn.

Page 6: Lucrecia Kasilag

Awards and Honors:

• Doctor of Music, Honoris Causa from the Centro Escolar University, 1975

• Doctor of Law, Honoris Causa from the Philippine Women's University, 1980

• Doctor of Fine Arts, Honoris Causa from the St. John's University in New York, 1981

• The Outstanding Filipino (TOFIL) Awardee for Culture and the Arts, 1989• Avicenna award from the USSR• Dama de La Orden Alfonso X el Sabio from the Spanish government• Japan’s Third Class of the Order of the Precious Crown• France’s Commandeur dans l’Ordre de Arts et des Lettres

DR. LUCRECIA ROCES KASILAG

Page 7: Lucrecia Kasilag

DR. LUCRECIA ROCES KASILAG: COMPOSITIONS

• “Love Songs”• “Legend of the Sarimanok” • “Ang Pamana” • “Philippine Scenes” • “Her Son” • “Jose” • “Sisa” • “Awit ng mga Awit Psalms” • “Fantaisie on a 4-Note Theme”• “East Meets Jazz Ethnika”• “For You” for voice

• “The Message,” for voice• “Love Songs,” a song cycle for

soprano and piano• “Paru-paro at Uod” from Jose

Rizal’s “Pamana ng Lahi” • also arranged for duet, or for

voice and string quartet, and for “Dularawan,” a song-dance drama which was first performed at the inauguration of the CCP in 1969

has composed more than 250 works covering most genres including orchestra, chamber, organ, piano, vocal, sacred, operetta, dance, theatre, electronic and incidental music:

Dularawan (Excerpts)From the album: Pagdiriwang

1979

Page 8: Lucrecia Kasilag

DR. LUCRECIA ROCES KASILAG: COMPOSITIONS

• Having been exposed to the European classical music tradition in her studies, Kasilag drew interest to the exotic elements of Philippine traditional music and combined the two

• She collected and made studies of native instruments, as well as other Asian music during her travels

• Her concept of east-west fusion became the main basis for her numerous works, where she combined timbres of native and western instruments, and scales of different musical systems, therefore making her music distinctive

• such as the Divertissement for Piano and Orchestra, the prize-winning "Toccata for Percussions and Winds, Divertissement and Concertante," and the scores of the "Filiasiana," "Misang Pilipino" and "De Profundis"

Page 9: Lucrecia Kasilag

DR. LUCRECIA ROCES KASILAG: COMPOSITIONS

• Kasilag's compositional style embodied Classic and Romantic style during the 1940s • However, from the 1950s, her style was more experimental and incorporated twentieth-century

techniques in standard forms. . . .• April Morning (Fantasie Tone-Poem) was composed and completed by May 6, 1941. This composition is

based on a poem by a Filipina poet, Angela Manalang-Gloria (1907 - 1994)

Page 10: Lucrecia Kasilag

DR. LUCRECIA ROCES KASILAG: COMPOSITIONS

• Theme and Variations (based on a Filipino Folk Tune kundiman 'WalayAngay') April 17, 1950: use of Filipino folk songs . . . shows Kasilag's highly imaginative skill in converting a simple melody into various formschallenging the listener's ear with fresh material by which to perceive an old one

• was composed during Kasilag's years at Eastman, she incorporated new compositional techniques, like multi-meter and quartal and quintal harmonies, into her compositions

• Other techniques: rhythmic patterns including triplets, dotted rhythms of particular figures and placing accents on weak parts of the measure

• Elegy on Mt. Pinatubo (September 16, 1991), Kasilag graphically essays a poignant lamentation over the catastrophic tragedy wrought by the volcano, Mt. Pinatubo

• This composition is programmatic and evokes a clear depiction of the eruption of Mt. Pinatubo in 1991. Kasilag demonstrates it well by use of trills, major and minor seventh tremolos, scalar passages in parallel octaves and ninths, glissandi, extreme upper and lower registers, and quartalharmonies (lacking the third for an open sound)

Page 11: Lucrecia Kasilag

DR. LUCRECIA ROCES KASILAG: COMPOSITIONS

Carmencita LOZADA, violin ~ Francisco FELICIANO conducting the Philippine Philharmonic Orchestra KASILAG Violin Concerto, LK 241 BUENAVENTURA Violin Concerto in E Minor "Lakambini" MARCO POLO

(1986)

Page 12: Lucrecia Kasilag

DR. LUCRECIA ROCES KASILAG: COMPOSITIONS

From the Album: Authentic PhilippinesJanuary 1, 1999

Page 13: Lucrecia Kasilag

DR. LUCRECIA ROCES KASILAG: COMPOSITIONS

Lucrecia Kasilag - Violin Concerto (1/3) - ModeratoCarmencita Lozada: violin

Philippine Philharmonic Orchestra Francisco Feliciano: conductor

Manila-Nov. 1983Premiere performance and recording

Composed specially for Carmencita Lozada

Page 14: Lucrecia Kasilag

DR. LUCRECIA ROCES KASILAG: COMPOSITIONS

Lucrecia Kasilag - Concerto-(2/3)-AdiagoCarmencita Lozada: violin

Philippine Philharmonic Orchestra Francisco Feliciano: conductor

Manila-Nov. 1983Premiere performance and recording

Composed specially for Carmencita Lozada

Page 15: Lucrecia Kasilag

DR. LUCRECIA ROCES KASILAG: COMPOSITIONS

Lucrecia Kasilag - Concerto-(3/3)-AllegroCarmencita Lozada: violin

Philippine Philharmonic Orchestra Francisco Feliciano: conductor

Manila-Nov. 1983Premiere performance and recording

Composed specially for Carmencita Lozada

Page 16: Lucrecia Kasilag

DR. LUCRECIA ROCES KASILAG: COMPOSITIONS

Lucrecia Kasilag(left) – Sonata for Violin and Organ Composed for Carmencita Lozada (right): violinHans Trummer: organ10th Bamboo Organ Festival - 1985Allegretto-Andante-Allegro

Page 17: Lucrecia Kasilag

DR. LUCRECIA ROCES KASILAG: OTHER COMPOSITIONS

National Music Competitions for Young Artists, Commissioned Works for Youth Choir 1975-1978

(A Project of the First Lady, Imelda Romualdez Marcos, undertaken annually by the Cultural Center of the Philippines)

Paperback – 1979by Chairman Lucrecia R. Kasilag (Preface)

Page 18: Lucrecia Kasilag

DR. LUCRECIA ROCES KASILAG: OTHER COMPOSITIONS

National Music Competitions for Young Artists Commissioned Works for Children's Choir 1973-1978(A Project of the First Lady, Imelda Romualdez Marcos, undertaken annually by the Cultural Center of the Philippines) Paperback – 1979by Lucrecia R. Kasilag (composer) (Author), Lucio D. San Pedro (composer) (Author), Ramon Pagayon Santos (composer) (Author), Chairman LuceciaR. Kasilag (Preface)

Page 19: Lucrecia Kasilag

DR. LUCRECIA ROCES KASILAG: OTHER COMPOSITIONS

Lucrecia Roces Kasilag: My Story(Autobiography)

Philippine Women's University, 2000 158 pages

Excerpt from the book:

Page 20: Lucrecia Kasilag

DR. LUCRECIA ROCES KASILAG: AND OTHERS

National Artist for Music Lucrecia Kasilag at the Virac airport in 1992 with Pablo

Tariman, Estrella Placides and pianist ZenasReyes Lozada.

Page 21: Lucrecia Kasilag

DR. LUCRECIA ROCES KASILAG: AS FEATURED ARTIST

LUCRECIA R KASILAG AN ARTIST FOR THE WORLD Paperback – 1985by DE LA TORRE V (Author)

Page 22: Lucrecia Kasilag

DR. LUCRECIA ROCES KASILAG: CONCLUSION

• Biographical research on Kasilag has revealed her to be a well-known, successful pianist and composer of the twentieth century

• She has to her credit over 250 works of many genres. She has earned the respect of her Philippine countrymen and colleagues as well as educators abroad

• Kasilag's use of Filipino folk songs as thematic material and indigenous structural elements as the main melodic motif, had introduced a new perspective and technique in the study of indigenous music in the Philippines

Page 23: Lucrecia Kasilag

REFERENCES:

• Himig: The Filipio Music Collection of FHL. Lucrecia R. Kasilag. http://www.himig.com.ph/features/32-lucrecia-r-kasilag; http://www.himig.com.ph/people/23-lucrecia-roces-kasilag?composer=true; http://www.himig.com.ph/albums/389-pagdiriwang/songs/4620-dularawan-excerpts.

• Tariman, P.A. The Philippine Daily Inquirer. Lucrecia Kasilag, grand dame of RP music, dies at 90. http://showbizandstyle.inquirer.net/lifestyle/lifestyle/view/20080817-155206/Lucrecia-Kasilag-grand-dame-of-RP-music-dies-at-90.

• National Commission for Culture and the Arts. THE NATIONAL ARTISTS OF THE PHILIPPINES: Lucrecia R. Kasilag.http://www.ncca.gov.ph/about-ncca/org-awards/music/lucrecia_kasilag.php.

• Filipino American Artists Network. A Homage for Lucrecia Kasilag, First Lady of Philippine Music. http://www.filamartists.com/2008/08/19/a-homage-for-lucrecia-kasilag/.

• Salido, C.B. The Piano Compositional Style of Lucrecia Roces Kasilag. http://www.oovrag.com/essays/essay2004b-4.shtml. http://www.amazon.com/Piano-Compositional-Style-Lucrecia-Kasilag/dp/3639245636/ref=sr_1_cc_2?s=aps&ie=UTF8&qid=1427990175&sr=1-2-catcorr&keywords=lucrecia+kasilag.

• Bayanihan: The Philippine National Folk Dance Company. Dr. Lucrecia R. Kasilag: President and Music Director, Bayanihan. http://www.bayanihannationaldanceco.ph/kasilag.html.

• Yan, C. B. Lucrecia Kasilag: First Lady of Philippine Music. http://www.globalpinoy.com/gp.topics.v1/viewtopic.php?postid=4d22ca80b77ec&channelName=4d22ca80b77ec.

Page 24: Lucrecia Kasilag

REFERENCES:

• Carmencita Lozada: Kasilag / Buenaventura: Violin Concertos Lp. http://www.amazon.com/Carmencita-Lozada-Kasilag-Buenaventura-Concertos/dp/B00HJI2HUM.

• Lucrecia Kasilag-Violin Concerto-(1/3)-Moderato. https://www.youtube.com/watch?v=LkD4QwDlf4s.• Lucrecia Kasilag-Violin Concerto-(2/3)-Adiago. https://www.youtube.com/watch?v=bGJem06x4bE.• Lucrecia Kasilag-Violin Concerto-(3/3)-Allegro. https://www.youtube.com/watch?v=gI70ibkC0Jo.• Lucrecia Kasilag-Sonata for Violin and Organ (Composed for Carmencita Lozada).

https://www.youtube.com/watch?v=ktyoiHEMTIA.• De la Torre, Visitacion R. (1985). Lucrecia R. Kasilag: an Artist for the World.• Felipe, Vilma R. Santiago- (1998). A Gem of a Person, A Jewel of an Artist. In The National Artists of the Philippines (pp. 209–217).

Pasig City: Anvil Publishing.• Tariman, Pablo. (2008, August 17). Lucrecia Kasilag, grand dame of RP music, dies at 90”. Philippine Daily Inquirer.• Tiongson, Nicanor (Ed.). (1994). CCP encyclopedia of Philippine art (Vol. 6: Philippine music). Manila: Cultural Center of the

Philippines.• National Music Competitions for Young Artists, Commissioned Works for Youth Choir 1975-1978.

http://www.amazon.com/Competitions-Commissioned-1975-1978-undertaken-Philippines/dp/B002RGRNCI/ref=sr_1_1?s=books&ie=UTF8&qid=1427990745&sr=1-1.

• National Music Competitions for Young Artists Commissioned Works for Children's Choir 1973-1978. http://www.amazon.com/Competitions-Commissioned-Childrens-undertaken-Philippines/dp/B002RGLPDG/ref=sr_1_2?s=books&ie=UTF8&qid=1427990745&sr=1-2.

Page 25: Lucrecia Kasilag

DR. LUCRECIAROCES KASILAG

“Tita King”

“First Lady of Philippine Music”

National Artist in Music in 1989

Distinguished composer and music educator

Former President of the Cultural Center of the Philippines


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