LUTHERAN SERVICE BOOK
Companion to the Hymns
Copyright © 2019 Concordia Publishing House.
LUTHERAN SERVICE BOOK
C O N C O R D I A P U B L I S H I N G H O U S E • S A I N T L O U I S
Companion to the Hymns Volume 1
Edited by
Joseph Herl
Peter C. Reske
Jon D. Vieker
Copyright © 2019 Concordia Publishing House.
LUTHERAN SERVICE BOOKCompanion to the Hymns (031183)
also available: Pew Edition (031170)Accompaniment for the Hymns (031173)Companion to the Services (031184)
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All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior written permission of Concordia Publishing House.
Unless otherwise indicated, all Scripture quotations are from the ESV Bible® (The Holy Bible, English Standard Version®), copyright © 2001 by Crossway, a publishing ministry of Good News Publishers. Used by permission. All rights reserved.
Quotations from the Small Catechism are from Luther’s Small Catechism with Explanation, copyright © 1986, 1991 Concordia Publishing House. All rights reserved.
Quotations from the Lutheran Confessions are from Concordia: The Lutheran Confessions, second edition, copyright © 2006 Concordia Publishing House. All rights reserved.
Manufactured in the United States of America
ISBN 978-0-7586-1230-4
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445 When You woke that Thursday morning
TEXT BACKGROUND
LSB JOYOUS LIGHT
IN BABILONE (LSB 842)
TEXT COMMENTARY
2
LSB
3
You
2 3 22
3 3 2 3 2
445
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2
Jesus, greatest at the table 446
2 3
2
3
USE
TEXT: VICTOR E. GEBAUER
HISTORICAL SUMMARY
TEXT CATEGORY CONFESSION PLACE OF ORIGIN
AUTHOR SOURCE FIRST LINE - STANZAS LSB COMMENTS
2 LSB
TEXT EDITIONS 2 3 2 COMMENTARIES CWS
TUNE 32
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311
Stricken, smitten, and afflicted 451
Stricken, itten, n icteTEXT BACKGROUND
Iri n e ic T e 1 1 r t i e t i n in i Hymns on Various Passages of Scripture in, 1 In t e e t n , ne i i en
i e t e e rne tne in re c in r ic e e kn n T e n-e tice n i t in t i n, ne e e r ier rk , re ect t t e
t e n e n i e e n t t e re enterin t e ini tr
TEXT COMMENTARY
St n 1 e in it t e n e t e erin er nt in I i 3, t er ick inc r r te t er cri t r i e n t e e t n t e ri t e e i e n re ecte en, t t e re erence t t e tree c t
in t e r t e te in ti n 3 13, r e i e er ne i n e n tree T i ne i in e r t e c r e t e in r er t re ee en
nit T e n -e ecte r et i re erence t t t e r i t e in e ter n 1 1 I i r i e r t e r et ike r n t eir
r t er n I i t r in i t e ke t e r i t er it , r e i t e r t e t er e e , n erin in t e e r
t e in t e r e i in i S n, t e tr e e cen nt i cc r in t i n n t re n et e i i r 11 1 , t e i ine S n , t e in kin n e rin cr n t rn T e r re re erence n t t e ir c e t t i erin ret r et c I i , r t e re
t i t e t e tr e e i e it e en t t e int e t n cr i i i n 2 t i t e i r e t ee n e ie e
St n 2 e i e e tter r kenne t n n i i ci e n ne i in t e r en et e ne, Si n eter e en en in i t
e r t t e i t er t e e te e ene ie cke n e i ne inter ene t e, n t e en i t er in e en r t i t e i ,
e re e re t r nti i te en e n r ere ere t t e cr tt e 2 1 2 T e inn cent ne e t e t in t e ce t e i t
t t t e i t e re e e n et ree T e ee e t tr ke, t en, e r in e cr , , , e r ken e tt e 2 r t i
t e tr ke i ine tice, e ec tin ent r t e in nit e tr itten et it i n e re e e I i 3
St n 3 i re in er t t t e cr r t t e n t e r it in T e nt t ini i e t eir in r it in r in t e n c n iti n re ere i en t ee e er te eri it re i t nin r in c e r t e e t t e S n i e In ie t e cr , n in c n e er e c n i ere in r tter t t e ne t e e i t t t e t er inte t i cri ce
t re ee inner e ere i n e e S n, e n inte in t e r n it t e S irit tt e 3 1 , t e r t e in t e - n, ri t e er e r tit te n er t e cri ce cient t r t e in
t e e rSt n c nc e t e n in ti e e cri ti n t e cert int it
in ri t e i t e i r ck r ti n t t c nn t e e r erc e in r e t r t e e i In i , e e r n ti n n ic t re , r n ne c n
n ti n t er t n t t ic i i , ic i e ri t 1 rint i n 3 11
451
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451 Stricken, smitten, and afflicted
312
e i t e re e t e t, t e ce t r n r c rt n e n r tecti n, r n e i e erc n i e e e i t e n t ke re e in i 3
T e it tr t n t in t e e e t eir t i r t er in t e r e 1 rint i n 1 31 , r t ere i n t er n e n er e en i en n en ic e t e
e ct 12 T e re erence t t e r inner n e e rken ck t I i 3 e n e r r tr n re i n T i rne t e in t e r n 1 2 , c nce in t e i , ec rin
n t i t T ere re, e c n t ke r i e n ri t it t e t t c n ence, r e er e ie e in i i n t e t t e n 33
USE
T i n i r ri ri n e e rin entTEXT: AARON A. KOCH
HISTORICAL SUMMARY
TEXT CATEGORY rit in n Ire n T e te e r i n er 1 1 t 1 3 CONFESSION n-c n r i t PLACE OF ORIGIN Ire n COMMENTS T e t r t i te t, T e , e t t e
rc Ire n n r e i n e n e ic ect in 1 2
AUTHOR T e SOURCE T e , Hymns on Various Passages of Scripture -in, 1 , n I, 1 1 HEADING Stric en smitten of o an af icte ISAIAH iii FIRST LINE STRICKEN, itten, n icte STANZAS t n LSB e 1 COMMENTS
Differences in LSB fr t e 1 te t
1 Tis tr e n f it f r Tis the tr e n f it f r2 1 Te e e e r is r nin Te e, e e r Him groaning2 one o inter ose to sa e one o intervene to save2 t t e a f stroke t at fo n i t t e deepest stroke that pierced i3 2 or s ose the a age great or s ose the evil great3 n its g i t a esti ate Here its g i t a esti ate
1 Sinners, ho o have sa vation Here e have a rm foundation2 n are stri t of ev r oast Here the refuge of the lost3 ere i n a r fo n ation Christ, the Rock of our salvation
hrist the Savio r of the ost Is the name of which we boast
the 1 3 e ition of Hymns on Various Passages of Scripture, ines 2 1, 3 2, 3 , an 1 ha een change to the version in LSB ines 2 thro gh of stan a ook ike this in this so rce
2 Here’s the ref ge of the ost3 Christ’s the rock of o r sa vation
His the na e of hich e oast
TEXT COMMENTARIES ian 614–15 ohn ian Dah e 31 o ack 1 3 recht 11 f-e erge 12 De ar ea 2
TUNE NAME O mein Jesu, ich muss sterben DERIVATION irst ine of the er an te t ith hich it is associate CATEGORY ontinenta ro e ineteenth cent r er an an
stria ORIGINAL GENRE o k song re igio s te t PLACE OF ORIGIN er an COMPOSER ni enti e
SOURCE 1 Geistliche Volkslieder mit ihren ursprünglichen Weisen a er orn, 1 , no 3 , HEADING Die sie en To esse f er TEXT IN SOURCE ein es , ich ster en FINAL VOICING 3-voice ke oar score COMMENTS The origina is a arian fo k song The secon ha f of stan a 1 rea s D tter vo er Sch er en, aria steh ir ei, itt ei es , ach von er en, Da i To er na ver eih tho
other f of sorro s, ar , stan ith e ra to es s, oh, fro o r heart, that
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313
O perfect life of love 452
e grant e grace in eath This setting is in a 2 eter ith the ha f note as the se so the rst f eas re in LSB occ ies three eas res in this so rce
SOURCE 2 ri rich a ri , Kern des deutschen Kirchengesangs zum Gebrauch evange-lisch-lutherischer Gemeinden und Familien, 3r e r ingen, 1 , no 2 ,
3 TEXT IN SOURCE ein es ich s ster en FINAL VOICING -voice score COMMENTS The arian references have een re ove fro the te t in this theran ook The setting is in tri e eter itho t a ick note, so the rst eas re consists of
t o arter notes fo o e t o ha f notes
TUNE EDITIONS ahn 2 COMMENTARIES o ack 1 3 recht 11 f e erge 12 rink o an De ar ea 2 CWS 1
ARRANGER a n es SOURCE LW 1 2 , no 11
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3 1
I know that my Redeemer lives 461
I kno that e ee er livesTEXT BACKGROUND
Sa el e le 1 3 lishe over fo r o en h n te ts in his lifeti e This aster h n echoes the co fort an o s e le e erience later in life e ecting
his hristian ringing, o ng e le serve in the ritish av ntil he nearl lost a leg after a r tal naval attle ith the rench in 1 irac lo s healing the night efore his leg as to e a tate ro ght e le closer to his e ee er fter his gran father rea a ser on to hi Isaac atts an he hear the revival reacher
eorge hite el , e le eca e a a tist reacher serving congregations aro n on on, here he fo n eager a iences a ong the n ero s sea en an their fa ilies
Since he as ell verse in continental theological ritings, e le a have kno n a l erhar t s nine-stan a h n of 1 si ilarl na e Ich ei , ass ein
rl ser le t, lishe in 1 , hich re eate the hrase r le t e lives several ti es 1 The te t fro o 1 2 as o lar a ong theran co osers, ith nota le
orks that incl e an aster cantata eorg hili Tele ann Ich ei , ass ein rl ser le t, 1 1 for erl attri te to ach an the ell-kno n so rano aria I
kno that e ee er liveth fro an el s Messiah 1 1The o itte stan a rea s
e lives to cr sh the o rs of ell,e lives that he a in e ell,e lives to heal, an ake e hole,e lives to g ar fee le So l 2
TEXT COMMENTARY
The eight stan as of this aster h n se in LSB are nite aro n the re eate hrase e lives This echoes o s arvelo s e cla ation I kno that e ee er lives o 1 2 The rst an last lines of the h n re eat this ol
af r ation of con ent ass rance an o o s res rrection faith The h n is lle ith hristological co fort an i lical all sions to o r res rrecte or s en ring inistr
In o s eclaration of his e ee er s victor over eath stan a 1 , e note the o ective certaint of the o il res rrection o s is not a h anistic e ression of aersonal esire or ho e, t e es the glorio s con ence of a faith- lle eliever
re ee er in i lical ti es as one ho o ght ack a lost ite or relationshi see th es s acco lishe this thro gh is cross alatians 3 13 is res rrection seals the
re e tion of the entire orl , an all ho elieve this os el receive the e ee er sforgiveness an salvation o ans 2 Therefore, e stan s as the h rch s ea
hesians 1 22aintaining a loft vie of hrist s res rrection, e le tri hantl oints to
hrist s victor stan a 2 ollo ing St a l s or s 1 orinthians 1 , e le ass res s of o r Savior s victorio s an e alte state hili ians 2 The ascen e or of
glor 1 Ti oth 3 1 is no sitting at the right han of the ather hesians 1 1 23
1 This is a o ern s elling In the original so rce eling, h n I art 1 , 2 , the rst line is s elle Ich ei as ein rl ser le t
2 eorge hite el , A Collection of Hymns for Social Worship, 23r e on on, 1 , 2
461
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462 All the earth with joy is sounding
3 2
vio sl , hrist s res rrection also has ersonal i lications for in ivi al sinners stan a 3 The a thor shifts foc s fro the e alte hrist to the lessings an ene ts elievers no en o hrist s n atche love ohn 1 13 1 , is intercessor inistr ohn 1 2 e re s 2 , an is n rt ring thro gh or an Sacra ent ohn
21 1 1 as e eets all o r nee s atthe 11 2The ersonal co fort an consolation contin e stan a hrist rovi es hel
atthe 2 33 , g i ance ke 1 , an s stenance ark 3 as e a it tho ghts re iniscent of artha s conversation ith es s ohn 11 21 2
earing echoes of es s reass ring ro ises stan a , e are re in e that tr e eace resi es in i hrist s consoling ear not atthe 1 2 ark 3 ke
12 32 ohn 1 2 an is ro ise to re ove all tears evelation 21 are reaf r e as e cal s tro le hearts ohn 1 1
earning for f l ll ent stan a , a reference to hrist s threefol of ce e re s 1 , is alance hrist s calling s is frien s ohn 1 1 is res rrection ass res s of o r o n ohn 1 1
eaven is real, et hrist s res rrection g arantees real life no stan a Dail e e erience the forgiving gift of hrist s S irit ohn 2 22 23 hrist s con est
of eath rings eternal life 2 orinthians 1 1 es s is in ee re aring a lace in heaven for s ohn 1 2
e le ret rns in his nal stan a to his chief r ose giving glor to hrist the nchanging Savior e re s 13 e sing o s or s o 1 2 once ore, strongl
af r ing the co fort an ho e hristians e erience ring the aster season an at ever f neral of a eliever
TEXT: TIMOTHY H. MASCHKE
HISTORICAL SUMMARY
TEXT CATEGORY ritain ighteenth cent r CONFESSION a tist PLACE OF ORIGIN nglan
AUTHOR Sa el e le SOURCE eorge hite el , A Collection of Hymns for Social Worship, more particularly designed for the use of the Tabernacle and Chapel congregations in London, 23r e on on, 1 , no , 2 HEADING I kno that e ee er liveth o i 2 FIRST LINE I no that e ee er lives STANZAS stan as LSB ses 1 ,
COMMENTS The te t is not in the 21st e ition 1 of hite el s collection, as so e so rces have re orte ne line in LSB iffers fro the 1 te t
2 e lives to sto , an i e Tears e lives to wipe away my tears
TEXT COMMENTARIES lian y ohn lian olack 2 St lken SBH 3 Seaman 3 St lken LBW 3 2 ilgate 2 atson Trickett 1 recht 2 f em erge 1 2 St lken Salika CRS 2 De armea 3 1 Darling Davison 2 estermeyer 1 C H this title y atson
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