Lux Perpetua Lux Perpetua Lux Perpetua Lux Perpetua
For Solo Soprano Saxophone For Solo Soprano Saxophone For Solo Soprano Saxophone For Solo Soprano Saxophone and Orchestraand Orchestraand Orchestraand Orchestra
(2011(2011(2011(2011))))
Kathryn Salfelder
Kon Brio Music (ASCAP)
www.kathrynsalfelder.com
Program Listing:
Lux Perpetua Kathryn Salfelder (1987- )
I. Introit
II. Refractions
III. Reflections
IV. Shadows
V. Glimmers
VI. Elegy
Program Note:
"There, peeping among the cloud-wrack above a dark tor high up in the mountains, Sam saw a white star twinkle for a while.
The beauty of it smote his heart, as he looked up out of the forsaken land, and hope returned to him. For like a shaft, clear and
cold, the thought pierced him that in the end the Shadow was only a small and passing thing; there was light and high beauty
forever beyond its reach." - J.R.R. Tolkien
Lux Perpetua explores light’s many facets in six continuous movements, performed without pause. The first and final
movements offer emotional reflections on hope in a time of sorrow. The inner four movements focus on light's physical
properties and how they are perceived by the human eye.
The first movement, Introit, (from the Latin introitus, or "entrance") references the opening movement of a Requiem Mass.
The title of this work, Lux Perpetua, is derived from the standard requiem text "...et lux perpetua luceat eis" (...and may
perpetual light shine upon them). The subsequent two movements are a musical journey into optics. In Refractions, a change in
speed constitutes a change in direction, resulting in ascending/descending patterns and abrupt shifts in motivic ideas. In
Reflections, the ‘mirror image’ is exemplified through melodic techniques of retrograde and inversion.
The fourth movement, Shadows, explores the timbral colors of the saxophone including the use of multiphonics, in which the
soloist performs multiple pitches simultaneously. In Glimmers, dashes of light, like paintbrush strokes of brilliance, shimmer
across the texture in the violins and upper winds. These high voices quote Asola's 16th century motet, O Vos Omnes: "O all ye
who pass by, attend and see, if there be any sorrow like my sorrow." Elegy, the final movement of the work, was actually the
beginning of my creative process, and it contains the very first notes I composed after a year hiatus in my writing. Its final bars
re-establish the opening cello motive from the Introit, but in a new register with a decidedly different aura.
With heartfelt thanks to David Alan Miller, Timothy McAllister and the Albany Symphony, I dedicate this work in memory of
my mother, my best friend, Elizabeth J. Salfelder (1948-2011). She is deeply missed, forever loved, and always present in my
heart and in my music.
Instrumentation
2 Flutes
2 Oboes
2 Clarinets in A
2 Bassoons
2 Horns in F
2 Trumpets in C
Timpani
Solo Soprano Saxophone
Strings
To the Conductor:
Accidentals remain in effect for the duration of the measure at the octave in which they occur. They are sometimes rewritten
within a measure for clarity.
Notes in parentheses ( ) in the solo part may be omitted.
Dotted slurs indicate phrasing
Performance time: c. 14 minutes
Commissioned by the Albany (NY) Symphony
First Performance: October 22, 2011, Troy Savings Bank Music Hall, Troy, NY.
Albany Symphony, David Alan Miller, conductor
Timothy McAllister, soprano saxophone
Copyright © 2011 Kon Brio Music (ASCAP). International Copyright secured. All Rights Reserved.
Copying or reproducing this publication in whole or in part violates the Federal Copyright Law
Flute 12
Oboe 12
Clarinet in A 12
Bassoon 12
Horn in F 12
Trumpet in C 12
Timpani
Solo SopranoSaxophone
Violin I
Violin II
Viola
Violoncello
Contrabass
Grave
q = 52
ppp ppp
Grave
q = 52
ppp ppp
ppp
ppp
ppp
pp
espress.
pp
pp
espress.
pp
Kathryn Salfelder (b. 1987)
Lux Perpetua
Transposed Score
To my Mom, Elizabeth Salfelder (1948-2011), with Love and Thanks
I. Introit
Commissioned by the Albany (NY) Symphony Orchestra
(med-hard mallets)
div. a 2
( )
33
( )
div. a 2
3 3
3
3 3
( )
div. a 2
Timp.
Sop. Sax.
Vln. I
Vln. II
Vla.
Vc.
Cb.
pp
q = 569
6
n ppp
n ppp
n ppp
ppp n
p
p
p pp p
p pp p
p
Timp.
Sop. Sax.
Vln. I
Vln. II
Vla.
Vc.
Cb.
pp
1311
p pp
n pp p pp
n pp p pp
n pp p pp
n p mp
n p mp
n p mp
n p mp
n p
3
3
3 3
3 3 3 3
( )
div. a 2
div. a 3
div. a 2
espress.
3
3
3
Lux Perpetua2
Timp.
Sop. Sax.
Vln. I
Vln. II
Vla.
Vc.
Cb.
mpmf
17 21
mp mf
mp mf
mp mf
mf
mf
mf
mf
mf
Timp.
Sop. Sax.
Vln. I
Vln. II
Vla.
Vc.
Cb.
22
mpmf
mp ff mp ff
mp ff mp ff
poco a poco cresc.
poco a poco cresc.
poco a poco cresc.
poco a poco cresc.
sim.
unis. intensely
3
sul Dunis.
intenselydiv a 2
intensely
intensely
intensely
intensely
intensely
sim. l.v.
3 3 5 3 5
div a 2
unis.
unis.
Lux Perpetua 3
Timp.
Sop. Sax.
Vln. I
Vln. II
Vla.
Vc.
Cb.
25
poco a poco cresc.
mp ff f poco a poco cresc.
mp ff
(f)
(f)
(f)
(f)
Timp.
Sop. Sax.
Vln. I
Vln. II
Vla.
Vc.
Cb.
27
(ff)
(ff)
(ff)
(ff)
(ff)
(ff)
5 3
3
6 3
unis.intensely
unis.
3 3 3
Lux Perpetua4
Fls.
Obs.
Cls.
Timp.
Sop. Sax.
Vln. I
Vln. II
Vla.
Vc.
Cb.
f
q = 112
28
f
f
ff
ff
q = 11228
Fls.
Obs.
Cls.
Sop. Sax.
mf ff
p mf
mf
3532
mf ff
p mf
mf
mf ff
a 2
II. Refractions
secco
5
3 5
56
1.
1.
with increasing desperation
Lux Perpetua 5
Fls.
Obs.
Cls.
Sop. Sax.
Vln. I
Vln. II
Vla.
Vc.
Cb.
f f
4038
f
mf f f
fff
f
f
f
f
f
Fls.
Obs.
Cls.
Sop. Sax.
Vln. I
Vln. II
Vla.
Vc.
Cb.
f
4542
f f
f
f
1. solo
6 6
1. solo
6 6
5
5 5
6
a 2
1. solo
3
Lux Perpetua6
Fls.
Obs.
Cls.
Sop. Sax.
Vln. I
Vln. II
Vla.
Vc.
Cb.
mf ff mf ff
48
47
mf ff mf ff
mf ff mf ff
Fls.
Obs.
Cls.
Sop. Sax.
mf ff mf ff mf ff ffmf
50
mf ff mf ff mf ff ffmf
mf ff mf ff mf ff ffmf
a 2
3 5
56 6
5
6 5 5 5 5 5 3
Lux Perpetua 7
Fls.
Obs.
Cls.
Bsns.
Hns.
C Tpts.
Timp.
Sop. Sax.
Vln. I
Vln. II
Vla.
Vc.
Cb.
mp mf ff
5554
mp mf ff
mp
intensely
ff
ffmp ( ff)
ff
ff
intensely
intensely
ffffmp ( ff)
ff
f
ff
55
ff
intensely
ffmp ( ff) ff
intensely
ff ffmp ff
intensely
ff ffmpff
intensely
ffffmp
ff
ff
intensely
3 3 3 3 3
6 6
6
Lux Perpetua8
Fls.
Obs.
Cls.
Bsns.
Hns.
C Tpts.
Timp.
Sop. Sax.
Vln. I
Vln. II
Vla.
Vc.
Cb.
mf ff
6158
mf ff
ffmp ( ff) ff f
ffff
ffmp ( ff) ff f
f
61
ffmp ( ff) ff f
ffmp ( ff) ff f
ffmp ff f
ffmp ff f
ff
66
66
66
66
Lux Perpetua 9
Fls.
Obs.
Cls.
Bsns.
Hns.
C Tpts.
Timp.
Sop. Sax.
Vln. I
Vln. II
Vla.
Vc.
Cb.
ff
62
ff
ff
f
f ff
ff
ff
ff
ff
ff
f ff
a 2
3
1.
3
(secco)
6 6
66 6 6 6 6 6 6 6 6
Lux Perpetua10
Fls.
Obs.
Cls.
Bsns.
Hns.
C Tpts.
Timp.
Sop. Sax.
Vln. I
Vln. II
Vla.
Vc.
Cb.
Tranquilo
(q = 112)65
mp
p
p
p
p
p
Tranquilo
(q = 112)65
p
p
submp p
submp p
submp p
p
III. Reflections
1.solosotto voce
2.legato 1.legato
3 3 3
div a 2
legatosul G
legatosul G
legatodiv a 2
div a 2 sul G
div a 2
Lux Perpetua 11
Fls.
Obs.
Cls.
Bsns.
Hns.
C Tpts.
Sop. Sax.
Vln. I
Vln. II
Vla.
Vc.
Cb.
p mp
70
p mp
mp
p mp
mp
mp
mp
p mp
mp
mp
mp
mp
mp
mp
p mp
p mp
a 2
(1.)
legato
1. solo
3 6 6
6 6
legatosul D
sul G
sul G
Lux Perpetua12
Fls.
Obs.
Cls.
Bsns.
Hns.
C Tpts.
Sop. Sax.
Vln. I
Vln. II
Vla.
Vc.
Cb.
mp
mp
76
mp
mp
mf
mp
mp
n
n mp
76
mp
mp
mp
mp
mp
mp
mp
mp
mp
legato
soli
63 3
legato
sul Dlegato
sul A
legatosul D
legatosul A
legato
legato
legato
legato
Lux Perpetua 13
Fls.
Obs.
Cls.
Bsns.
Hns.
C Tpts.
Sop. Sax.
Vln. I
Vln. II
Vla.
Vc.
Cb.
mf
mf
mp
8481
mfp
mf
mf
mf
mf
sub p
p
p
mf mp
84
mf
mf
mf
mf
mf
mf
mf
mf
mf
delicato
solo
1.
delicato
6 6
Lux Perpetua14
Fls.
Obs.
Cls.
Bsns.
Hns.
C Tpts.
Sop. Sax.
Vln. I
Vln. II
Vla.
Vc.
Cb.
86
p
p
1.
Lux Perpetua 15
Fl. 1
Fl. 2
Ob. 1
Ob. 2
Cl. 1
Cl. 2
Bsn. 1
Bsn. 2
Hns.
C Tpts.
Sop. Sax.
Vln. I
Vln. II
Vla.
Vc.
Cb.
mp
9291
mp
mp
mp
p mp
mp
mp
p
p
92
mp
mp
mp
mp
delicato
delicato
delicato
delicato
delicato
delicato
delicato
2. straight mutedelicato
unis.
unis.
unis.
pizz
delicato
Lux Perpetua16
Fl. 1
Fl. 2
Ob. 1
Ob. 2
Cl. 1
Cl. 2
Bsn. 1
Bsn. 2
Hns.
C Tpts.
Sop. Sax.
Vln. I
Vln. II
Vla.
Vc.
Cb.
mf
95
mf
mf
mf
mf
mf
mp
mp
p mp mf
mf
mf
mf
3
1. straight mute
delicato
3 6 6
div a 2
unis. 3
arco
Lux Perpetua 17
Fls.
Obs.
Cl. 1
Cl. 2
Bsn. 1
Bsn. 2
Hns.
C Tpts.
Sop. Sax.
Vln. I
Vln. II
Vla.
Vc.
Cb.
f
99
f
f
f
f
f
f
f
99
f
f
f
f
f
f
f
f
f
legato
legato
legato
6 6 3 6
div a 2
legato
legato
div a 2 legato
legato
div a 2 legato
legato
div a 2
legato
legato
Lux Perpetua18
Fls.
Obs.
Cls.
Bsns.
Hns.
C Tpts.
Sop. Sax.
Vln. I
Vln. II
Vla.
Vc.
Cb.
mp
106104
mp
mp
mp
mp
mp
106
mp
mp
mp
mp
mp
mp
mp
mp
mp
a 2
2.
legato
legato
1. soloopen
3
3
66
Lux Perpetua 19
Fls.
Obs.
Cl. 1
Cl. 2
Bsns.
Hns.
C Tpts.
Sop. Sax.
Vln. I
Vln. II
Vla.
Vc.
Cb.
pp
109
pp p pp
pp p
pp
p
p
pp
pp
pp
pp
pp
6
6 3 3 3
Lux Perpetua20
Fls.
Obs.
Cl. 1
Cl. 2
Bsns.
Hns.
C Tpts.
Sop. Sax.
Vln. I
Vln. II
Vla.
Vc.
Cb.
114113
pp
pp ppp p
114
pp p pp pp p pp
pp p pp pp p pp
pp pp p pp pp p pp
pp n
pp n
pp n
3
Lux Perpetua 21
Sop. Sax.
mf
n
n
mfmp
q = 56 - 62Molto rubato
119
Sop. Sax.
n
n
mf (mf)
p
129
127
Sop. Sax.
(p) pp mp
139134
Sop. Sax.
Vln. I
Vln. II
Vla.
Vc.
Cb.
pp ppp mp
144 148142
n pp p
pp pp p
p mp
p mp
Sop. Sax.
Vln. I
Vln. II
Vla.
Vc.
Cb.
p ppp
153149
pppp pp
pp ppp pp
p ppp pp
p ppp pp
3
IV. Shadows
intense, bright
3 3
3
warm, mellow
3
3
3
3
3
unis.sul tasto
unis.sul tasto div a 2
unis. sul tasto
unis. sul tasto
(sul tasto) div a 2
unis.
(sul tasto)
delicato div a 2
delicato div a 2
delicato
sul tasto
Lux Perpetua22
Fls.
Obs.
Cls.
Bsns.
Hns.
C Tpts.
Timp.
Sop. Sax.
Vln. I
Vln. II
Vla.
Vc.
Cb.
allarg.155
f
p mf f
f
mf f fmp
allarg.
p f
pf fmp f
p f
p f
p f
3 5
sim.
poco a poco ord.
(ord.)
poco a poco ord. unis
(ord.)
poco a poco ord.
(ord.)
unis.
poco a poco ord.
(ord.)
poco a poco ord. (ord.)
Lux Perpetua 23
Fl. 1
Fl. 2
Ob. 1
Ob. 2
Cl. 1
Cl. 2
Bsns.
Hns.
C Tpts.
Timp.
Sop. Sax.
Vln. I
Vln. II
Vla.
Vc.
Cb.
mf
q = 138
160
mf
mf
mf
f n
f n
f
q = 138160
n
n
V. Glimmers
( )3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
33
Lux Perpetua24
Fl. 1
Fl. 2
Ob. 1
Ob. 2
Cl. 1
Cl. 2
Bsn. 1
Bsn. 2
Hns.
C Tpts.
Timp.
Sop. Sax.
Vln. I
Vln. II
Vla.
Vc.
Cb.
f p
168165
f p
p mf f p
p mf mp f mp f
mp f mp f
n mp
mp f mp
mf
mf
mp
f
p mf
168
f mp f
f
mp f mp
mf
3
3
3
3
3
3
3
3
3
1. solo, straight mute
3
3 3 3 3 3 3 3 3 3 3 3
3
unis.
div a 3
3 3 3 3 3
3
3 3
3 3
pizz
3
Lux Perpetua 25
Fl. 1
Fl. 2
Ob. 1
Ob. 2
Cl. 1
Cl. 2
Bsn. 1
Bsn. 2
Hns.
C Tpts.
Timp.
Sop. Sax.
Vln. I
Vln. II
Vla.
Vc.
Cb.
f
170
f
f
mp f
mp f mp f
mp f
f mp f mp f mp f
p mf p mf
mp ff mp f
f mp f mp f mp f
33 3
3 3
33 3
3 3
33 3
3 3
3
3 3
3
1.
3
3 3 3 3
3 3
unis
div a 3
3
3 3 3 3
3
3 3
3
3 3
3
3
3 3
3 3
3
Lux Perpetua26
Fl. 1
Fl. 2
Ob. 1
Ob. 2
Cl. 1
Cl. 2
Bsn. 1
Bsn. 2
Hns.
C Tpts.
Timp.
Sop. Sax.
Vln. I
Vln. II
Vla.
Vc.
Cb.
pp
176174
pp
pp
mp f pp
mp f pp
pp
mp f mf
mf
mf
f pp
f
176
f
mf
mp f mf
mf
mf
3
3
3
3
3
3
3
2. solostraight mute
3
3
3
3 3
3
3 3
3 3 3 3 3 3 3 3
unis.
3
3
3
3
3 3 3
3
arco3
Lux Perpetua 27
Fl. 1
Fl. 2
Ob. 1
Ob. 2
Cl. 1
Cl. 2
Bsn. 1
Bsn. 2
Hns.
C Tpts.
Timp.
Sop. Sax.
Vln. I
Vln. II
Vla.
Vc.
Cb.
mf p mf mp ff
178
mf p mf mp ff
mf p f p mf mp ff
mf p f p mf mp ff
mf p mf mp ff
mf pmf
mp ff
f
f
f
mf p f
mf
mf f
mp ff
mp ff
f
f
3
3
3
3
3 3
3
3
3
3
3
3
3
3
3 3
33
3
3
3
3
3
( )
3
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
3
3
3
3
3
Lux Perpetua28
Fl. 1
Fl. 2
Ob. 1
Ob. 2
Cl. 1
Cl. 2
Bsn. 1
Bsn. 2
Hns.
C Tpts.
Timp.
Sop. Sax.
Vln. I
Vln. II
Vla.
Vc.
Cb.
f
183
f
f
f
f
f
mf f
mfmf f
f
183
f
f
leggiero
3 3 3 3 33 3 3 3 3 3
3
3 3
leggiero
3 3 33 3 3 3 3 3 3 3
leggiero
33 3
3
3 3
leggiero
3 3 3 33 3
leggiero
3 3 3 3 33 3
3
3 3 3
3
3 3
leggiero
3 33
3
3
3
3 3 3 3
a 2 cantabile
opencantabile
leggiero
3
3 3
3 3 3 3 3
3
3
3 3 3
leggiero 3 3
3 3
3
pizz
3 3leggiero
arco
3
33 3
Lux Perpetua 29
Fl. 1
Fl. 2
Ob. 1
Ob. 2
Cl. 1
Cl. 2
Bsn. 1
Bsn. 2
Hns.
C Tpts.
Timp.
Sop. Sax.
Vln. I
Vln. II
Vla.
Vc.
Cb.
p
189187
submf f sub p
submf f
sub p
p
mf f
mf f
mf f
mf f
mf f subp
189
3
3 3 3 3 3
3 3
3 3 3 3 3 3 3
3
3
3 3
3 33
3
3
3 33 3 3 3 3 3
3 3 3 3 3 3
3
3
3
3 3 3
3
3 3 3 3 3
3 3
3
Lux Perpetua30
Fl. 1
Fl. 2
Ob. 1
Ob. 2
Cl. 1
Cl. 2
Bsn. 1
Bsn. 2
Hns.
C Tpts.
Timp.
Sop. Sax.
Vln. I
Vln. II
Vla.
Vc.
Cb.
p
193191
p
p
p p
p
p
pp
p
subpp p
193
pp p
pp p
pp p
pp
3 3 3 3
straight mutes
3 3
3 3 3
3
3 3 33
3 3 3 3 3 3 3 3
3
half3 3 3 3
3 3 3 3
half3
3
3 3
arco
half
3 3 3 3 3
pizz
Lux Perpetua 31
Fl. 1
Fl. 2
Ob. 1
Ob. 2
Cl. 1
Cl. 2
Bsns.
Hns.
C Tpts.
Timp.
Sop. Sax.
Vln. I
Vln. II
Vla.
Vc.
Cb.
mp mf
197195
mp mf
mp (mf) mf
mp mf
mp mf
mp mf
mpmp
mf
mf
mp
mp mfmf
197
mp mf
mp mf
mp mf
3
3
3
3
3
3
3
3
(with hands, l. v.)
3
33
3
33 3 3 3 3
3
3
3 3 3
3
tutti
3
3
3 3 3 3 3
tutti
3 33
3
tutti
3 33 3 3 3 3 3 3 3 3 3
Lux Perpetua32
Fl. 1
Fl. 2
Ob. 1
Ob. 2
Cl. 1
Cl. 2
Bsns.
Hns.
C Tpts.
Timp.
Sop. Sax.
Vln. I
Vln. II
Vla.
Vc.
Cb.
f
203200
f
mf f
f
f
mff
f
203
f
f
f
mf f
f
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3 3 33 3
3
3
3
3 3 3 3 3
3
3
3
3
33
3 3 3
3 3 33 3
3 3
3
3 3 3
3
3 3
33
3 3
arco 3
3
Lux Perpetua 33
Fls.
Obs.
Cls.
Bsns.
Hns.
C Tpts.
Timp.
Sop. Sax.
Vln. I
Vln. II
Vla.
Vc.
Cb.
poco accel. 204
mf
poco accel.
(mallets, l.v.)
33
3
3
3
3
3 3 3
3
3 3 3 3 3 3
3
3 3 3
Lux Perpetua34
Fls.
Obs.
Cls.
Bsns.
Hns.
C Tpts.
Timp.
Sop. Sax.
Vln. I
Vln. II
Vla.
Vc.
Cb.
q = 168 (h. = 56)
210
208
f
f mp
f
q = 168 (h. = 56)
210
open
33 3
3
3 3 3 3 3 3 3
Lux Perpetua 35
Fl. 1
Fl. 2
Ob. 1
Ob. 2
Cl. 1
Cl. 2
Bsn. 1
Bsn. 2
Hns.
C Tpts.
Timp.
Sop. Sax.
Vln. I
Vln. II
Vla.
Vc.
Cb.
f
213
f
f
f
f
f
mf
mf
mfmf f
mff
mf
mf
mf
mf
mf
a 2cuivre
Lux Perpetua36
Fl. 1
Fl. 2
Ob. 1
Ob. 2
Cl. 1
Cl. 2
Bsn. 1
Bsn. 2
Hns.
C Tpt. 1
C Tpt. 2
Timp.
Sop. Sax.
Vln. I
Vln. II
Vla.
Vc.
Cb.
ff
220217
ff
ff
ff
ff
ff
f
f
f
f ff
220
f
f
f
f
f
(a 2) (ord)
4 5
Lux Perpetua 37
Fls.
Obs.
Cls.
Bsn. 1
Bsn. 2
Hns.
C Tpt. 1
C Tpt. 2
Timp.
Sop. Sax.
Vln. I
Vln. II
Vla.
Vc.
Cb.
221
f
ff
ff
ff
ff ff fff
4
4
4
4
5
5 3 3 3
4 5 3 3
4 5
Lux Perpetua38
Fls.
Obs.
Cls.
Bsns.
Hns.
C Tpts.
Timp.
Sop. Sax.
Vln. I
Vln. II
Vla.
Vc.
Cb.
h = 56225
sffzffmp fff
sffz sffzffmp fff
sffz ffmp fff
fff
sfffz fff
h = 56225
ff
intensely
ffmp fff
ff
intensely
ffmp fff
intensely
ff ffmp fff
ff
intensely
ffmp fff
ff
intensely
VI. Elegy
secco
3
5 6
Lux Perpetua 39
Sop. Sax.
mf mp p
227
Fls.
Obs.
Cls.
Bsns.
Hns.
C Tpts.
Sop. Sax.
Vln. I
Vln. II
Vla.
Vc.
Cb.
230
pp p
espress.
subpp
230
p
p
p
p
5
3 3
div. a 2dolce
sim.
div. a 2
dolce
div. a 2dolce
sim.
dolce
Lux Perpetua40
Fls.
Obs.
Cls.
Bsns.
Hns.
C Tpts.
Timp.
Sop. Sax.
Vln. I
Vln. II
Vla.
Vc.
Cb.
233 237
fpp
sfzp sfzpfpp p mp
fpp p f
233 237
pp
pfpp
p mf
p
sfzp sfzpfpp p mf
sfzp sfzp fppp mf
sfzp sfzp fppp mf
sfzp sfzp ppp mf
unis. div. a 2
sim.
Lux Perpetua 41
Fls.
Obs.
Cls.
Bsns.
Hns.
C Tpts.
Timp.
Sop. Sax.
Vln. I
Vln. II
Vla.
Vc.
Cb.
f
238
f
mp
f
mf
mp mf
mf
f
f
mf
a 2
1.
a 2
solo
Lux Perpetua42
Fls.
Obs.
Cls.
Bsns.
Hns.
C Tpts.
Timp.
Sop. Sax.
Vln. I
Vln. II
Vla.
Vc.
Cb.
242
f p
f p
f mf mp mf
242
f p f p mf p
f mf
f mf
f
f mf
f mf
(1.)
solo
unis. ( )
unis.
unis div a 2
div a 2
Lux Perpetua 43
Fls.
Obs.
Cls.
Bsns.
Hns.
C Tpts.
Timp.
Sop. Sax.
Vln. I
Vln. II
Vla.
Vc.
Cb.
p
248246
mp p
mp p
p
p
mp mp (p)
248
mp
mf mp
mp
1.
1. espress. (solo)
espress.
1.
1.
1.
3
espress.
unis
3 soli
1.
espress.
2. 3.
espress.
Lux Perpetua44
Fls.
Obs.
Cls.
Bsns.
Hns.
C Tpts.
Timp.
Sop. Sax.
Vln. I
Vln. II
Vla.
Vc.
Cb.
p subpp ppp
253
251
p subpp ppp
p subpp ppp
p
p
subpp ppp
subpp ppp
(pp) pp
253
p pp
p pp
p pp
p pp
p subpp ppp
(1.)
(1.)
(1.)
2.
(1.)
2.
1.
sotto voce, ethereal
div. a 2
espress.
espress.
espress.
espress.
tutti
Lux Perpetua 45
Sop. Sax.
Vln. I
Vln. II
Vla.
Vc.
Cb.
257
Sop. Sax.
Vln. I
Vln. II
Vla.
Vc.
Cb.
pp
260
fp fpp pp
fp fpp ppp
fp fpp ppp
fp fpp ppp
fp fpp ppp
p pp ppp
freely, ad lib if desired
cantabile
loco
cantabile
...luceat eis.
September 10, 2011New Haven, CT
Lux Perpetua46
