Magic

Andrea Pozzo’s Vault in the Nave of the Church of Saint Ignazio, Rome, 1691-1699

M.C. EscherDay and Night, 1938Woodcut, printed from two blocks15.25 x 27.75in

M.C. EscherWaterfall, 1961Lithograph15 x 12in

John Pugh, Taylor Hall, 1981, acrylic on stucco, 24 x 36 feet

John Pugh, Valentine’s Day, 2000, acrylic on stucco, 49.75 x 15 feet

Octavio OcampoMiracle of the Roses 1996Oil on canvas

Octavio OcampoLupe 1982Oil on canvas

Rex Whistler, A Change of Expression, Undated, Pencil on paper, 6.5 x 8.5in

Shigeo FukudaLunch with a Helmut On1987Welded forks, knives, spoons73 x 31 x 42.5in

Shigeo FukudaOne Cannot Cut the Sea1988Welded scissors122 x 112 x 97.5in

Bridget Riley, Movement in Squares, 1961, Tempera on Hardboard, 48.5 x 47.75

Bridget Riley, Untitled (Diagonal Curve), 1966, emulsion on board, 60 x 60in.

Photograph of Bridget Riley, May 1964, by David Newell Smith

Tauba AuerbachUntitled Fold Painting III2009Acrylic on linen80 x 60 in

Tauba AuerbachUntitled Fold Painting2010Acrylic on canvas40 x 30 in

Magical Realism

Andew Wyeth, Christina’s World, 1948, Tempera on gessoed panel, 32.25 x 47.75

Andew Wyeth, Afternoon Flight, 1976, watercolor on paper, 23 x 28.5

George Tooker, The Subway, 1959, egg tempera on composition board, 18 x 36in.

George Tooker, Coney Island, 1948, Tempera on panel, 19x 26in.

Edward Hopper, House by Railroad, 1925, oil on canvas, 24 x 29in.

Edward Hopper, Gas, 1940, oil on canvas, 26.25 x 40.25

Ivan AlbrightAnd Man Created God inHis Own Image1930-31Oil on canvas48 x 26in.

Ivan AlbrightHeavy the Oar to HimWho is Tired, Heavy theCoat, Heavy the Sea1929Oil on canvas53.25 x 34in.