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Making Multicultural Australia - Bonegilla - a migrant reception camp Painting and photographs.

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“Reception”, Arrival Series silkscreen, Artist: Milan Milojevic. This work is part of a series which illustrates the contrast between the expectations of post war migrants in coming to Australia, and the harsh realities that greeted them here. Among these were the reception camps, like the one at Bonegilla. Collection of the artist.
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Making Multicultural Australia - http://www.multiculturalaustralia. Bonegilla - a migrant reception camp Painting and photographs
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Page 1: Making Multicultural Australia -  Bonegilla - a migrant reception camp Painting and photographs.

Making Multicultural Australia - http://www.multiculturalaustralia.gov.au

Bonegilla - a migrant reception camp

Painting and photographs

Page 2: Making Multicultural Australia -  Bonegilla - a migrant reception camp Painting and photographs.
Page 3: Making Multicultural Australia -  Bonegilla - a migrant reception camp Painting and photographs.

“Reception”, Arrival Series silkscreen, 1990. Artist: Milan Milojevic.

• This work is part of a series which illustrates the contrast between the expectations of post war migrants in coming to Australia, and the harsh realities that greeted them here. Among these were the reception camps, like the one at Bonegilla.

• Collection of the artist.

Page 4: Making Multicultural Australia -  Bonegilla - a migrant reception camp Painting and photographs.

• English classes – though many residents continued to speak in their native language, most attended English lessons.

• Photo: Department of Immigration and Multicultural Affairs, 1949, Catalogue No. 49/24/3

Page 5: Making Multicultural Australia -  Bonegilla - a migrant reception camp Painting and photographs.

• Leisuretime at Bonegilla Reception Centre.

• Photo: Department of Immigration and Multicultural Affairs, 1949,

• Catalogue No. 49/22/19.

Page 6: Making Multicultural Australia -  Bonegilla - a migrant reception camp Painting and photographs.

• For many migrants and refugees, Bonegilla was their first “home” in Australia.

• While some spent no longer than a week, others waited up to two years for employment and alternative housing.

• Photo: Department of Immigration and Multicultural Affairs, 1949,

• Catalogue No. 49/22/13

Page 7: Making Multicultural Australia -  Bonegilla - a migrant reception camp Painting and photographs.

• Nina Skoroszewski (right) and friends outside the women’s barracks, Bonegilla, 1950.

• Collection of Nina Skoroszewski.

Page 8: Making Multicultural Australia -  Bonegilla - a migrant reception camp Painting and photographs.

• Women’s barracks at Bonegilla, December 1950.

• Collection of Nina Skoroszewski

Page 9: Making Multicultural Australia -  Bonegilla - a migrant reception camp Painting and photographs.

• Block 9, Bonegilla, December 1950.

• Collection of Nina Skoroszewski.

Page 10: Making Multicultural Australia -  Bonegilla - a migrant reception camp Painting and photographs.

• These images are free for your use for educational purposes, however not for publication.

• For more copyright information go to www.multiculturalaustralia.gov.au


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