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    Manfred SymphonyFrom Wikipedia, the free encyclopedia

    The ManfredSymphony in B minor, Op. 58, is aprogrammaticsymphonycomposed byPyotr

    Ilyich Tchaikovskybetween May and September 1885. It is based on the poem "Manfred" written

    byLord Byronin 1817. It is the only one of Tchaikovsky's symphonies he completed that is not

    numbered (theSymphony in E flatis a conjectural work left unfinished by the composer) and was

    written between theFourthandFifth Symphonies.

    Like the fantasy-overtureRomeo and Juliet, Tchaikovsky wrote the ManfredSymphony at the behest

    of nationalist composerMily Balakirev, who provided a program written by criticVladimir Stasov.

    Stasov had sent the program to Balakirev in 1868, hoping that Balakirev would write a symphony

    based on it. Balakirev did not feel capable of carrying out this project and sent the program to French

    composerHector Berlioz, whose programmatic works had genuinely impressed him. Berlioz refused,

    claiming old age and ill health, and returned the program to Balakirev. Balakirev kept the program

    until he reestablished contact with Tchaikovsky in the early 1880s.

    The ManfredSymphony is the only programmatic symphonic work by Tchaikovsky in more than one

    movement. He initially considered the work one of his best, and in a typical reversal of opinion later

    considered destroying all but the opening movement. The symphony was greeted with mixed

    reviews, some finding much to laud in it, and others feeling that its programmatic aspects only

    weakened it. Manfredremained rarely performed for many years, due to its length and complexity. It

    has been recorded with increasing frequency but is still seldom heard in the concert hall.[citation needed]

    Contents

    [hide]

    1 Form

    2 Orchestration

    3 Overview

    4 Analysis

    5 Key signatures

    6 Critical views

    7 Recordings

    8 Bibliography

    9 References

    10 External links

    Form[edit]

    1. Lentolugubre. Manfred wanders in the Alps. Weary of the fatal question of existence,

    tormented by hopeless longings and the memory of past crimes, he suffers cruel spiritual

    http://en.wikipedia.org/wiki/Program_musichttp://en.wikipedia.org/wiki/Program_musichttp://en.wikipedia.org/wiki/Symphonyhttp://en.wikipedia.org/wiki/Symphonyhttp://en.wikipedia.org/wiki/Symphonyhttp://en.wikipedia.org/wiki/Pyotr_Ilyich_Tchaikovskyhttp://en.wikipedia.org/wiki/Pyotr_Ilyich_Tchaikovskyhttp://en.wikipedia.org/wiki/Pyotr_Ilyich_Tchaikovskyhttp://en.wikipedia.org/wiki/Pyotr_Ilyich_Tchaikovskyhttp://en.wikipedia.org/wiki/Manfredhttp://en.wikipedia.org/wiki/Manfredhttp://en.wikipedia.org/wiki/Manfredhttp://en.wikipedia.org/wiki/Lord_Byronhttp://en.wikipedia.org/wiki/Lord_Byronhttp://en.wikipedia.org/wiki/Lord_Byronhttp://en.wikipedia.org/wiki/Symphony_in_E_flat_(Tchaikovsky)http://en.wikipedia.org/wiki/Symphony_in_E_flat_(Tchaikovsky)http://en.wikipedia.org/wiki/Symphony_in_E_flat_(Tchaikovsky)http://en.wikipedia.org/wiki/Symphony_No._4_(Tchaikovsky)http://en.wikipedia.org/wiki/Symphony_No._4_(Tchaikovsky)http://en.wikipedia.org/wiki/Symphony_No._4_(Tchaikovsky)http://en.wikipedia.org/wiki/Symphony_No._5_(Tchaikovsky)http://en.wikipedia.org/wiki/Symphony_No._5_(Tchaikovsky)http://en.wikipedia.org/wiki/Symphony_No._5_(Tchaikovsky)http://en.wikipedia.org/wiki/Romeo_and_Juliet_(Tchaikovsky)http://en.wikipedia.org/wiki/Romeo_and_Juliet_(Tchaikovsky)http://en.wikipedia.org/wiki/Romeo_and_Juliet_(Tchaikovsky)http://en.wikipedia.org/wiki/Mily_Balakirevhttp://en.wikipedia.org/wiki/Mily_Balakirevhttp://en.wikipedia.org/wiki/Mily_Balakirevhttp://en.wikipedia.org/wiki/Vladimir_Stasovhttp://en.wikipedia.org/wiki/Vladimir_Stasovhttp://en.wikipedia.org/wiki/Vladimir_Stasovhttp://en.wikipedia.org/wiki/Hector_Berliozhttp://en.wikipedia.org/wiki/Hector_Berliozhttp://en.wikipedia.org/wiki/Hector_Berliozhttp://en.wikipedia.org/wiki/Wikipedia:Citation_neededhttp://en.wikipedia.org/wiki/Wikipedia:Citation_neededhttp://en.wikipedia.org/wiki/Wikipedia:Citation_neededhttp://en.wikipedia.org/wiki/Manfred_Symphonyhttp://en.wikipedia.org/wiki/Manfred_Symphonyhttp://en.wikipedia.org/wiki/Manfred_Symphonyhttp://en.wikipedia.org/wiki/Manfred_Symphony#Formhttp://en.wikipedia.org/wiki/Manfred_Symphony#Formhttp://en.wikipedia.org/wiki/Manfred_Symphony#Orchestrationhttp://en.wikipedia.org/wiki/Manfred_Symphony#Orchestrationhttp://en.wikipedia.org/wiki/Manfred_Symphony#Overviewhttp://en.wikipedia.org/wiki/Manfred_Symphony#Overviewhttp://en.wikipedia.org/wiki/Manfred_Symphony#Analysishttp://en.wikipedia.org/wiki/Manfred_Symphony#Analysishttp://en.wikipedia.org/wiki/Manfred_Symphony#Key_signatureshttp://en.wikipedia.org/wiki/Manfred_Symphony#Key_signatureshttp://en.wikipedia.org/wiki/Manfred_Symphony#Critical_viewshttp://en.wikipedia.org/wiki/Manfred_Symphony#Critical_viewshttp://en.wikipedia.org/wiki/Manfred_Symphony#Recordingshttp://en.wikipedia.org/wiki/Manfred_Symphony#Recordingshttp://en.wikipedia.org/wiki/Manfred_Symphony#Bibliographyhttp://en.wikipedia.org/wiki/Manfred_Symphony#Bibliographyhttp://en.wikipedia.org/wiki/Manfred_Symphony#Referenceshttp://en.wikipedia.org/wiki/Manfred_Symphony#Referenceshttp://en.wikipedia.org/wiki/Manfred_Symphony#External_linkshttp://en.wikipedia.org/wiki/Manfred_Symphony#External_linkshttp://en.wikipedia.org/wiki/Manfred_Symphony?veaction=edit&vesection=1http://en.wikipedia.org/wiki/Manfred_Symphony?veaction=edit&vesection=1http://en.wikipedia.org/wiki/Manfred_Symphony?veaction=edit&vesection=1http://en.wikipedia.org/wiki/Tempohttp://en.wikipedia.org/wiki/Tempohttp://en.wikipedia.org/wiki/Tempohttp://en.wikipedia.org/wiki/Manfred_Symphony?veaction=edit&vesection=1http://en.wikipedia.org/wiki/Manfred_Symphony#External_linkshttp://en.wikipedia.org/wiki/Manfred_Symphony#Referenceshttp://en.wikipedia.org/wiki/Manfred_Symphony#Bibliographyhttp://en.wikipedia.org/wiki/Manfred_Symphony#Recordingshttp://en.wikipedia.org/wiki/Manfred_Symphony#Critical_viewshttp://en.wikipedia.org/wiki/Manfred_Symphony#Key_signatureshttp://en.wikipedia.org/wiki/Manfred_Symphony#Analysishttp://en.wikipedia.org/wiki/Manfred_Symphony#Overviewhttp://en.wikipedia.org/wiki/Manfred_Symphony#Orchestrationhttp://en.wikipedia.org/wiki/Manfred_Symphony#Formhttp://en.wikipedia.org/wiki/Manfred_Symphonyhttp://en.wikipedia.org/wiki/Wikipedia:Citation_neededhttp://en.wikipedia.org/wiki/Hector_Berliozhttp://en.wikipedia.org/wiki/Vladimir_Stasovhttp://en.wikipedia.org/wiki/Mily_Balakirevhttp://en.wikipedia.org/wiki/Romeo_and_Juliet_(Tchaikovsky)http://en.wikipedia.org/wiki/Symphony_No._5_(Tchaikovsky)http://en.wikipedia.org/wiki/Symphony_No._4_(Tchaikovsky)http://en.wikipedia.org/wiki/Symphony_in_E_flat_(Tchaikovsky)http://en.wikipedia.org/wiki/Lord_Byronhttp://en.wikipedia.org/wiki/Manfredhttp://en.wikipedia.org/wiki/Pyotr_Ilyich_Tchaikovskyhttp://en.wikipedia.org/wiki/Pyotr_Ilyich_Tchaikovskyhttp://en.wikipedia.org/wiki/Symphonyhttp://en.wikipedia.org/wiki/Program_music
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    pangs. He has plunged into occult sciences and commands the mighty powers of darkness,

    but neither they nor anything in this world can give him the forgetfulness to which alone he

    vainly aspires. The memory of the lost Astarte, once passionately loved, gnaws his heart

    and there is neither limit nor end to Manfred's despair.[1]

    The musical embodiment of this program note is presented in five extensive musical slabs

    spaced out by four silences. A brooding first theme, briefly unharmonized, builds to music

    both spacious and monolithic. A second theme leads to a second musical slab, this time

    pushing forward with the loudest climax Tchaikovsky ever wrote. The music in the third slab

    seems calmer, while the fourth slab marks the appearance of Astarte. The fifth slab

    culminates in a frantic climax and a series of abrupt, final chords .[2]

    2. Vivacecon spirito. The Alpine fairy appears before Manfred in the rainbow from the spray of

    a waterfall.[1]

    Tchaikovsky's efforts in exploring fresh possibilities in scoring allowed him to present his

    music with new colors and more refined contrasts. In this scherzo, it seems as though the

    orchestration creates the music, as though Tchaikovsky has thought directly in colors and

    textures, making these the primary focus. Put simply, there is no tune and little definition of

    anyharmonicbase, creating a world alluring, fragile and magical. The point becomes clear

    when an actual and lyrical tune enters the central section of the movement.[3]

    3. Andantecon moto. A picture of the bare, simple, free life of the mountain folk .[1]

    Thispastorale opens with asiciliana, then the three-note call of a hunter. The opening

    theme returns. We hear a brief and lively peasant dance, then an agitated outburst, before

    the opening theme returns. The opening pastoral theme eventually returns more spaciously

    and in a fuller, more decorative scoring. The hunter sounds his horn; the music fades.[4]

    4. Allegrocon fuoco. The subterranean palace of Arimanes. Infernal orgy. Appearance of

    Manfred in the middle of the bacchanal. Evocation and appearance of the shade of Astarte.

    He is pardoned. Death of Manfred.[1]

    Many critics consider the finale to be fatally flawed, but the problem lies less with music than

    with the program. Up to this point Tchaikovsky has done well at reconciling the extra-musical

    requirements for each movement with the music itself. Now, however, the program takes

    over, beginning with afugue, which is by its nature academic and undramatic, to depict the

    horde's discovery of Manfred within their midst.[5]

    The result, though in many ways becoming

    a condensed recapitulation of the latter half of the first movement ,[6]

    becomes a fragmented

    movement with musical disruption andnon-sequiturs, ending with the Germanic chorale

    depicting Manfred's death scene.[5]

    Orchestration[edit]

    Woodwinds

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    3Flutes(3rd doublingpiccolo)

    2Oboes,

    Cor anglais

    2Clarinetsin A, B-flat

    Bass clarinet

    3Bassoons

    Brass

    4Horns

    2Cornets

    2Trumpets

    3Trombones

    Tuba

    Percussion

    Timpani

    Bass drum

    Cymbals

    Tam-tam

    Triangle

    Tambourine

    Bells

    Keyboard

    Harmonium(usually played onOrgan) featured in the climactic coda of the finale.

    Strings

    ViolinsI & II

    Violas

    Cellos

    Double basses

    2Harps

    Over

    vi

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