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Mask in Theatre

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Mask in Theatre. masakhaمَسَخَ be transfomed. Put on a mask and anything is possible. Suddenly you can move, act, and think differently. The mask embodies the potential for transformation of all kinds - emotional, spiritual, physical, and symbolic. Greek Italian Japan Korean - PowerPoint PPT Presentation
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Mask in Theatre masakha َ خَ سَ مbe transfomed
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Page 1: Mask in Theatre

Mask in Theatre

masakhaَمَسَخbe transfomed

Page 2: Mask in Theatre

Put on a mask and anything is possible.  Suddenly you can move, act, and think

differently.  The mask embodies the potential for

transformation of all kinds - emotional, spiritual, physical, and symbolic.

Page 3: Mask in Theatre

Mask

CultureTheatre

GreekItalian Japan

KoreanChinese Opera

Page 4: Mask in Theatre

Greek TheatreThalia, the muse of comedy &

Melpomene, the muse of tragedy

Page 5: Mask in Theatre

Greek Theatre 5th Century BC

Comedy & Tragedy

Big eyes and mouthExaggerated expressionProject broad emotions (happiness, sadness,

anger) to audience from great distance

Change of characters (Performance limited to 3

actors)

Page 6: Mask in Theatre

Roman TimesStylized – Grotesque -

Fantastic

Page 7: Mask in Theatre

Commedia-dell-arte

16th – 18th CenturyInspired Venetian Masks

for the Carnival – the Mardi Gras

Page 8: Mask in Theatre

CharacterizationZanni

Zanni originates from Giovanni, a typical name of servants in Italy.

The role of Zanni is very changeable; silly, simple-minded and vulgar.

Zanni can also be sly, cunning and cheeky.Zanni is always poor and hungry.

Page 9: Mask in Theatre

Characterization

Pierrot

He is a kind and good character but to the point that he blames himself for the wrongs he

never did.

Too trusting and naïve, he is often cheated, joked on by others.

Page 10: Mask in Theatre

Noh Classical Japanese

Theatre Performed since the 14th

century Tradition more than

innovation Influenced more dramatic

form of theatre such as the Kabuki

Only SHITE, the main character, wears the mask

Masks are used to represent female or non-human characters (deities, demons, animals)

Page 11: Mask in Theatre

Characterization Deigan

Expression of a middle-aged woman

Deeply devoted to a loved one

Page 12: Mask in Theatre

CharacterizationHannya

Horns and sharp fangs are characteristic of a demon.

Demon who is transformed from a woman because of jealousy and anger.

Hannya seeks vengence

Page 13: Mask in Theatre

Extravagant masks for deities or monsters

Uses body language to express emotions

Medium expression Subtle Versatile; can

express a number of emotions by tilting the masks / adjusting the lighting

Page 14: Mask in Theatre

Korean T’al Masks are grotesque, exaggerated and use dark and

bright colors to suit performance at night by wood fires.

Red, black, white colors are favored. Most of the masks depict human faces but some

represent deities and animals. An interesting feature is that the masks of yangban,

the upper class gentlemen, are almost always deformed: a lopsided mouth, a distorted nose or squint eyes. (a reflection of the commoners' hostility toward the privileged class)

Page 15: Mask in Theatre

Chinese Opera One of the oldest known dramatic art

forms worldwide Chinese opera masks are significant in a

way that they represent the characters’ personalities and intense moods.

Opera masks are also used to represent various human emotions which leads to the “changing face” technique. (frequent on-stage change of facial expression)

Page 16: Mask in Theatre

CharacterizationGuan Yu

Red indicates devotion, courage bravery, uprightness and loyalty.

A typical "red face" is Guan Yu, general of the period of the Three Kingdoms (220-280)He is famous for his faithfulness to his Emperor, Liu Bei.

Page 17: Mask in Theatre

CharacterizationCao Cao

The white face is common on the stage for the powerful villain.

It highlights all that is bad in human nature: cunning, craftiness, and treachery.

Cao Cao, powerful and cruel prime minister in the time of the Three Kingdoms / Qin Hui, treacherous Song Dynasty prime minister who put the national hero YueFei to death

Page 18: Mask in Theatre

Masks in Theatre Traditionally, masks were used for practical reasons:

- for audience to see the expressions of actor/actress to be seen from a great distance- for a change of characters throughout the performance

Later, masks allow for the creative interpretation of characters- the colors, lines and shapes become symbolic and meaningful- stock character (stereotypical fictional characters) can also be represented

Page 19: Mask in Theatre

Mask

CultureTheatre

GreekItalian

JapaneseKorean

Chinese

AztecEgyptianIndianAfricanPolynesian

Page 20: Mask in Theatre

Masks and Culture

Page 21: Mask in Theatre

The Aztecs (Mexico)

Page 22: Mask in Theatre

The Egyptians

Click icon to add picture

Page 23: Mask in Theatre

The Indians

Page 24: Mask in Theatre

Balinese Mask

Page 25: Mask in Theatre

African war mask

Page 26: Mask in Theatre

Polynesian Tiki Mask

Page 27: Mask in Theatre

Masks and Culture- Performance and dance (Harvest dance)

- Religious rituals (Initiation rites)- Death mask


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