Materials Received

Leonardo

Materials ReceivedSource: Leonardo, Vol. 35, No. 1 (2002), pp. 109-111Published by: The MIT PressStable URL: http://www.jstor.org/stable/1577101 .

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MATERIALS RECEIVED

Audio Compact Discs

Compositions, Demonstrations, 1946- 1974

Hugh Le Caine.JWD Music, Ontario, Canada, 1999.

40 Years and One: Philip Corner Plays the Piano

Philip Corner. XI Records, New York, NY, U.S.A., 2000.

Hunger Tin.RP. Burning Emptiness Inc., Mar- seilles, France, 2001.

I Love Fantasy Alejandro and Aeron. Lucky Kitchen 011, La Rioja, Spain, 2001.

Invisible Map Biota. ReR Megacorp, Surrey, U.K, 2000.

La Rioja Alejandro and Aeron. Lucky Kitchen 011, La Rioja, Spain, 2001.

Like a Duck to Water Mother Mallard. ReR Megacorp, Sur-

rey, U.K., 2000.

New Zealand Sonic Art 2000 Various artists. Department of Music, Uni-

versity of Waikiko, New Zealand, 2000.

90% Post-Consumer Sound Ellen Band. XI Records, New York, NY, U.S.A., 2000.

Rainforest Soundwalks: Ambiences ofBosavi, Papua New Guinea Steven Feld. Earthear, Santa Fe, NM, U.S.A., 2001.

Ruinas Encantadas

Alejandro and Aeron. Lucky Kitchen 011, La Rioja, Spain, 2001.

Speak Puppet Janet Feder. ReR Megacorp, Surrey, U.K, 2000.

Books

Approaches to Understanding Visual Culture Malcolm Barnard. Palgrave, New York, N.Y, U.S.A., 2001. 200 pp., illus. Paper. ISBN: 0-333-77287-3.

Architecture from the Outside Elizabeth Grosz. MIT Press, Cambridge, MA, U.S.A., 2001. 213 pp. Paper. ISBN: 0-262-57149-8.

Ars Electronica: Facing the Future

Timothy Druckery, ed. MIT Press, Cambridge, MA, U.S.A., 2001. 446 pp., illus. Paper. ISBN: 0-262-54127-0.

Arts et Technologies: Nouvelles Approches de la Creation Artistique Martine Epoque. Meridien, Montreal, Canada, n.d. 208 pp., illus. Paper. ISBN: 2-909604-16-0. In French.

At the Dawn of Modernity: Biology, Culture and Material Life in Europe after the Year 1000 David Levine. University of California Press, Berkeley, CA, U.S.A., 2001. 427

pp. Trade. ISBN: 0-520-22058-7.

The Bauhaus and America

Margret Kentgens-Craig. MIT Press, Cambridge, MA, U.S.A., 2001. 273 pp., illus. Paper. ISBN: 0-262-61171-6.

Becoming Designers: Education and

Influence Esther Dudley, ed. Intellect Books, Exeter, U.K., and Portland, OR, U.S.A., 2001. 135 pp. Paper. ISBN: 1-84150- 032-1.

Biotica: Art, Emergence and Artificial Life Richard Brown. Computer Related

Design Research Studio, Royal College of Art, London, U.K., 2001. 114 pp., illus. Paper. ISBN: 1-874175-33-0.

Body and World Samuel Todes. MIT Press, Cambridge, MA., U.S.A., 2001. 337 pp. Paper. ISBN: 0-262-70082-4.

The Body/Body Problem Arthur C. Danto. University of Califor- nia Press, Berkeley, CA, U.S.A., 1999. 246 pp. Paper. ISBN: 0-520-22908-8.

Bootstrapping: Douglas Engelbart, Coevolution and the Origins of Personal

Computing Thierry Bardin. Stanford Univ. Press, Stanford, CA, U.S.A., 2001. 274 pp., illus. Paper. ISBN: 0-8047-3871-8.

But Is It Art?

Cynthia Freeland. Oxford Univ. Press, New York, NY, U.S.A., 2001. 221 pp., illus. Trade. ISBN: 0-19-210055-6.

Calculated Bets: Computers, Gambling, and Mathematical Modeling to Win Steven Skiena. Cambridge Univ. Press, Cambridge, U.K., 2001. 221 pp., illus.

Paper. ISBN: 0-521-00962-6.

The Constructivist Laboratory Alexander Lavrentiev. Grant, Moscow, Russia, 2000. 255 pp., illus. Trade. ISBN: 5-89135-150-1. In Russian and

English.

Creative Evolutionary Systems PeterJ. Bentley and David W. Corne, eds. Morgan Kaufmann Publishers, San Francisco, CA, U.S.A., 2002. 545 pp., illus. Trade. ISBN: 1-55860-673-4.

Dialogues with Boulez Rocco di Pietro. Scarecrow Press, Lan- ham, MD, U.S.A., 2001.168 pp. Trade. ISBN: 0-8108-3932-6.

Displaying the Marvelous: Marcel Duchamp, Salvador Dali and Surrealist Ex- hibition Installations Lewis Kachur. MIT Press, Cambridge, MA, U.S.A., 2001. 259 pp., illus. Trade. ISBN: 0-262-11256-6.

The Domain of Images James Elkins. Cornell Univ. Press, Ithaca, NY, and London, U.KI, 1999. 282

pp., illus. Paper. ISBN: 0-8014-8724-2.

The Dream Drugstore: Chemically Altered States of Consciousness J. Allan Hobson. MIT Press, Cambridge, MA, U.S.A., 2001. 318 pp., illus. Trade. ISBN: 0-262-08293-4.

The Emergent Self William Hasker. Cornell Univ. Press, Ithaca, NY, U.S.A., and London, U.K, 1999. 235 pp. Trade. ISBN: 0-8014- 3652-4.

Expanding the Envelope: Flight Research at NACA and NASA Michael H. Gorn. The University of

Kentucky Press, Lexington, KY, U.S.A., 2001. 456 pp., illus. Trade. ISBN: 0-8131-2205-8.

Experimental Sounds and Radio Allen S. Weiss, ed. MIT Press, Cam-

bridge, MA, U.S.A., 2001. 186 pp. Paper. ISBN: 0-262-73130-4.

Eyewitnessing: The Uses of Images as His- torical Evidence Peter Burke. Cornell Univ. Press, Ithaca, NY, U.S.A., 2001. 215 pp., illus. Trade. ISBN: 0-8014-3968-X.

Leonardo Reviews 109



The Fallacies of Cold War Deterrence and a New Direction Keith B. Payne. The University of Ken-

tucky Press, Lexington, KY, U.S.A., 2001. 242 pp. Paper. ISBN: 0-8131-9015-0.

Gabo on Gabo Martine Hammer and Christina Lod- der, eds. Artists Bookworks, Sussex, U.K, 2000. 295 pp., illus. Paper. ISBN: 0-946311-11-0.

Genes, Peoples and Languages Luigi Luca Cavalli-Sforza. University of California Press, Berkeley, CA, U.S.A., 2000. 207 pp., illus. Paper. ISBN: 0-520- 22873-1.

The Geometry of Multiple Images Olivier Faugeras and Quang-Tuan Luong. MIT Press, Cambridge, MA, U.S.A., 2001. 634 pp., illus. Trade. ISBN: 0-262-06220-8.

How to Build a Mind: Toward Machines with Imagination Igor Aleksander. Columbia Univ. Press, New York, U.S.A., 2001. 196 pp. Paper.

Inhuman Reflections: Thinking the Limits of the Human Scott Brewster, John J. Joughin, David Owen and RichardJ. Walker, eds. Man- chester Univ. Press, Manchester, U.K., and New York, NY, U.S.A., 2000. 229

pp. Trade. ISBN: 0-7190-5337-4.

Leonardo on Painting Martin Kemp, ed. Yale Univ. Press, New Haven, CT, U.S.A., and London, U.K, 2001. 320 pp., illus. Paper. ISBN: 0-300- 09095-1.

The Liberating Power of Symbols: Philosophical Essays Jurgen Habermas. MIT Press, Cam-


Life's Matrix: A Biography of Water

Philip Ball. University of California Press, Berkeley, CA, U.S.A., 2001. 403


Malevich on Suprematism Patricia Railing, ed. Museum of Art, Univ. of Iowa, Iowa City, IA, U.S.A., 1999. 111 pp., illus. Paper. ISBN: 0-87414-1119-2.

Meaning in Technology Arnold Pacey. MIT Press, Cambridge, MA, U.S.A., 2001. 264 pp., illus. Paper. ISBN: 0-262-66120-9.

Metal and Flesh. The Evolution of Man: Technology Takes Over Ollivier Dyens. MIT Press, Cambridge, MA, U.S.A., 2001. 110 pp. Paper. ISBN: 0-262-04200-2.

The Metaphysics of Beauty Nick Zangwill. Cornell Univ. Press, Ithaca, NY, U.S.A., and London, U.K, 2001. 217 pp. Trade. ISBN: 0-8014- 3820-9.

The Misunderstood Gene Michel Morange. Harvard Univ. Press, Cambridge, MA, and London, U.K, 2001. 185 pp. Trade. ISBN: 0-674- 00336-5.

Musical Imagery Rolf Inge Godoy and HaraldJorgensen, eds. Swets and Zeitlinger, Lisse, The Netherlands, 2001. 302 pp., illus. Trade. ISBN: 90-265-1831-5.

Narrative as Virtual Reality Marie-Laure Tyan. Johns Hopkins Univ. Press, Baltimore, MD, U.S.A., and Lon- don, U.K, 2001. 388 pp., illus. Trade. ISBN: 0-8018-6487-9.

The New World of Mr. Tompkins George Gamow and Russell Stannard.

Cambridge Univ. Press, Cambridge, U.K, 1999. 258 pp., illus. Paper. ISBN: 0-521-63992-1.

PhilosophizingArt Arthur C. Danto. University of California Press, Berkeley, CA, U.S.A., 1999. 273


Picturing Tropical Nature

Nancy Leys Stepan. Cornell Univ. Press, Ithaca, NY, U.S.A., 2001. 245 pp., illus. Trade. ISBN: 0-8014-3881-0.

The Postdigital Membrane: Imagination, Technology and Desire Robert Pepperell and Michael Punt. Intellect Books, Bristol, U.K, 2000. 181

pp., illus, Trade. ISBN: 1-84150-042-9.

The Postnational Constellation: Political

Essays Jurgen Habermas. MIT Press, Cam-


Practical WAP: DevelopingApplicationsfor the Wireless Web Chris Bennett. Cambridge Univ. Press, Cambridge, U.K., and New York, NY, U.S.A., 2001. 424 pp. Paper. ISBN: 0-521-00561-2.

Presences of lannis Xenakis Makis Solomos, ed. Centre de docu- mentation de la musique contempo- raine, Paris, France, 2001. 265 pp., illus.

Paper. ISBN: 2-9516440-1-9.

Puppets, Masks, and Performing Objects John Bell, ed. MIT Press, Cambridge, MA, U.S.A., 2001. 185 pp., illus. Paper. ISBN: 0-262-52293-4.

Pure Immanence: Essays on Life Gilles Deleuze. Zone Books, New York, N.Y, U.S.A., 2001. 102 pp. Trade. ISBN: 1-890951-24-2.

Recording Conceptual Art Lexander Alberro and Patricia Norvell, eds. University of California Press, Berkeley, CA, U.S.A., 2001. 153 pp., illus. Paper. ISBN: 0-520-22011-0.

Revolutionizing the Sciences Peter Dear. Princeton Univ. Press, Princeton, NJ, U.S.A., 2001. 200 pp., illus. Paper. ISBN: 0-691-08860-8.

The Science of Illusions

Jacques Ninio. Cornell Univ. Press, Ithaca, NY, U.S.A., 1998. 203 pp., illus.

Paper. ISBN: 0-8014-3770-9.

The Shattered Self: The End ofNatural Evo- lution Pierre Baldi. MIT Press, Cambridge, MA, U.S.A., 2001. 220 pp., illus. Trade. ISBN: 0-262-02502-7.

Should We Risk It?: Exploring Environ- mental, Health, and Technological Problem

Solving Daniel M. Kammen and David M. Has- senzahl. Princeton Univ. Press, Prince- ton, NJ, U.S.A., 1999. 399 pp., illus.

Paper. ISBN: 0-691-07457-7.

Spacefaring: The Human Dimension Albert A. Harrison. University of Cali- fornia Press, Berkeley, CA, U.S.A., 2001. 311 pp. Trade. ISBN: 0-520-22453-1.

Synaesthesia: The Strangest Thing John Harrison. Oxford Univ. Press, New York, NY, U.S.A., 2001. 255 pp. Trade. ISBN: 0-19-263245-0.

Tree of Origin: What Primate Behavior Can Tell Us about Human Social Evo- lution Frans B.M. de Waal, ed. Harvard Univ. Press, Cambridge, MA, U.S.A., 2001. 311 pp., illus. Trade. ISBN: 0-674- 00460-4.

110 Leonardo Reviews



Uplifted Spirits, Earthbound Machines: Studies on Artists and the Dream of light, 1900-1935

Jyrki Siukonen. Suomalaisen Kirjallisuu- den Seura, Helsinki, Finland, 2001. 183


Utopian Entrepeneur Brenda Laurel. MIT Press, Cambridge, MA., U.S.A., 2001. 117 pp., illus. Paper. ISBN: 0-262-62153-3.

Vermeer's Camera: Uncovering the Truth Be- hind the Masterpieces Philip Steadman. Oxford Univ. Press, New York, NY, U.S.A., 2001. 256 pp. Paper. ISBN: 0-19-215967-4.

Visualizations: The Nature Book of Art and Science Martin Kemp. University of California Press, Berkeley, CA, U.S.A., 2000. 195

pp., illus. Trade. ISBN: 0-520-22352-7.

Welcome to Cyberschool: Education at the Crossroads in the Information Age David Trend. Rowman and Littlefield, Lanham, MD, U.S.A., and Oxford, U.K., 2001. 153 pp. Paper. ISBN: 0-7425-1564-8.

Wu Li (1632-1718): His Life and Paint-

ings Xiaping Lin. Rowman & Littlefield

Publishing Group, Inc., Lanham, MD, U.S.A., 2000. 240 pp., illus. Trade. ISBN: 0-7618-1843-X.

Multimedia Products

Autoicon Donald Rodney. InIVA, London, U.K., 2000. CD-ROM, Macintosh or PC.

Composing Interactive Music Todd Winkler. MIT Press, Cambridge, MA, U.S.A., 1999. 350 pp., illus. Paper. ISBN: 0-262-73139-8. Book with CD- ROM for Macintosh.

Electronics for Artists Bill Urmenyi. Bill Urmenyi, Ltd., Lon- don, U.K., 2001. ISBN: 0-9540862-0-1. CD-ROM for Macintosh or Windows.

Machine Musicianship Robert Rowe. MIT Press, Cambridge, MA, U.S.A., 2001. 392 pp., illus. Trade. Book with CD-ROM for Macintosh or Windows. ISBN: 0-262-18206-8.

Uplifted Spirits, Earthbound Machines: Studies on Artists and the Dream of light, 1900-1935

Jyrki Siukonen. Suomalaisen Kirjallisuu- den Seura, Helsinki, Finland, 2001. 183


Utopian Entrepeneur Brenda Laurel. MIT Press, Cambridge, MA., U.S.A., 2001. 117 pp., illus. Paper. ISBN: 0-262-62153-3.

Vermeer's Camera: Uncovering the Truth Be- hind the Masterpieces Philip Steadman. Oxford Univ. Press, New York, NY, U.S.A., 2001. 256 pp. Paper. ISBN: 0-19-215967-4.

Visualizations: The Nature Book of Art and Science Martin Kemp. University of California Press, Berkeley, CA, U.S.A., 2000. 195

pp., illus. Trade. ISBN: 0-520-22352-7.

Welcome to Cyberschool: Education at the Crossroads in the Information Age David Trend. Rowman and Littlefield, Lanham, MD, U.S.A., and Oxford, U.K., 2001. 153 pp. Paper. ISBN: 0-7425-1564-8.

Wu Li (1632-1718): His Life and Paint-

ings Xiaping Lin. Rowman & Littlefield

Publishing Group, Inc., Lanham, MD, U.S.A., 2000. 240 pp., illus. Trade. ISBN: 0-7618-1843-X.

Multimedia Products

Autoicon Donald Rodney. InIVA, London, U.K., 2000. CD-ROM, Macintosh or PC.

Composing Interactive Music Todd Winkler. MIT Press, Cambridge, MA, U.S.A., 1999. 350 pp., illus. Paper. ISBN: 0-262-73139-8. Book with CD- ROM for Macintosh.

Electronics for Artists Bill Urmenyi. Bill Urmenyi, Ltd., Lon- don, U.K., 2001. ISBN: 0-9540862-0-1. CD-ROM for Macintosh or Windows.

Machine Musicianship Robert Rowe. MIT Press, Cambridge, MA, U.S.A., 2001. 392 pp., illus. Trade. Book with CD-ROM for Macintosh or Windows. ISBN: 0-262-18206-8.

Of Shifting Shadows Gita Hashemi. Exisle Creations, 2000. CD-ROM for Macintosh or PC.

Of Shifting Shadows Gita Hashemi. Exisle Creations, 2000. CD-ROM for Macintosh or PC.

Paris/Reseau Network Karen O'Rourke. Centres d'Etudes et de Recherches en Arts Plastiques, Uni- versit6 Paris I, Paris, France, 2000. CD- ROM for Macintosh or PC.

Virtual Music: Computer Synthesis of Musi- cal Style David Cope. MIT Press, Cambridge, MA, U.S.A., 2001. 557 pp., illus. Trade. ISBN: 0-262-03283-X. Book with CD.

Periodicals

Computer MusicJournal Vol. 25, No. 2, 2001.

JAVA and Databases Vol. 6, No. 3, 2000.

Kiasma Vol. 4, 2001.

Kulturchronik No. 6, 2000.


Kulturchronik Vol. 2, 2001.

TekhnemaJournal of Philosophy and Tech-

nology No. 6: Teleologies-Scientific, Techni- cal and Critical, Fall 2000.

Visiting Arts in Edinburgh No. 46, Summer 2001.

Whole Earth

Spring 2001.

Whole Earth Summer 2001.

World Wide Web Sites

Tout-Fait: The Marcel Duchamp Studies On-

linejoural With over 60,000 visitors in the last

year, "Tout-Fait: The Marcel Duchamp Studies Online Journal," a not-for-

profit, peer-reviewed publication, has become the critically acclaimed web- site for any research regarding Marcel

Duchamp and his circle. For students worldwide and for anyone interested in Duchamp, this bi-annual publication is an indispensable source of

Paris/Reseau Network Karen O'Rourke. Centres d'Etudes et de Recherches en Arts Plastiques, Uni- versit6 Paris I, Paris, France, 2000. CD- ROM for Macintosh or PC.

Virtual Music: Computer Synthesis of Musi- cal Style David Cope. MIT Press, Cambridge, MA, U.S.A., 2001. 557 pp., illus. Trade. ISBN: 0-262-03283-X. Book with CD.

Periodicals

Computer MusicJournal Vol. 25, No. 2, 2001.

JAVA and Databases Vol. 6, No. 3, 2000.

Kiasma Vol. 4, 2001.



Kulturchronik Vol. 2, 2001.

TekhnemaJournal of Philosophy and Tech-

nology No. 6: Teleologies-Scientific, Techni- cal and Critical, Fall 2000.

Visiting Arts in Edinburgh No. 46, Summer 2001.

Whole Earth

Spring 2001.

Whole Earth Summer 2001.

World Wide Web Sites

Tout-Fait: The Marcel Duchamp Studies On-

linejoural With over 60,000 visitors in the last

year, "Tout-Fait: The Marcel Duchamp Studies Online Journal," a not-for-

profit, peer-reviewed publication, has become the critically acclaimed web- site for any research regarding Marcel

Duchamp and his circle. For students worldwide and for anyone interested in Duchamp, this bi-annual publication is an indispensable source of information. Students and artists, art historians and Duchamp scholars are invited to publish with Tout-Fait. Among the journal's contributors are

information. Students and artists, art historians and Duchamp scholars are invited to publish with Tout-Fait. Among the journal's contributors are

Stephen Jay Gould, Arthur C. Danto, Jean Clair, Francis M. Naumann and

many others. <http://www.toutfait. com>.

Stephen Jay Gould, Arthur C. Danto, Jean Clair, Francis M. Naumann and

many others. <http://www.toutfait. com>.

INTRODUCING THE

LDR PANELISTS

Andreas Broeckmann lives and works in Berlin. He studied art history, sociology and media studies and worked as a

project manager at V2_Organisation Rotterdam, Institute for the Unstable Media, from 1995-2000. Since the autumn of 2000 he has been Artistic Director of "transmediale-international media art festival berlin." He is a member of the Berlin-based media association "mikro," and of the Euro-

pean Cultural Backbone, a network of media centers. In texts and lectures he deals with post-medial practices and the

possibilities for a "machinic" aesthetics of media art. For more information visit: <www.transmediale.de>, <www.v2. nl/abroeck>, <www.mikro.org>, <www. e-c-b.net>. E-mail: <abroeck@ transmediale.de>.

Annick Bureaud, a theoretician and critic of new media art, lives and works in Paris. She is Director of Leonardo's collaborating society in France, The Leonardo Observatory for the Arts and Techno-Sciences (OLATS) <http://www.olats.org>. Bureaud is also editor of IDEA on-line, the International Directory of Elec- tronic Arts <http://nunc.com>. Her column on electronic arts appears regularly in the French contemporary art magazine ART Press. She teaches at the Art School of Aix-en-Provence and at the Paris Design School ENSCI and is a guest lecturer at the School of the Art Institute of Chicago and the Uni-

versity of Quebec in Montreal.

Robert Coburn is a composer and sound artist. His creative work includes concert music, both acoustic and elec- troacoustic; live, interactive computer music; temporary sound environment installations; and permanent sound- works as public art. His music has been

performed throughout North America and Europe. His permanent sound- works Bell Circles II and 39 Bells are installed as public art at the Oregon Convention Center and along the Avenue of the Arts (Philadelphia, PA).

INTRODUCING THE

LDR PANELISTS

Andreas Broeckmann lives and works in Berlin. He studied art history, sociology and media studies and worked as a

project manager at V2_Organisation Rotterdam, Institute for the Unstable Media, from 1995-2000. Since the autumn of 2000 he has been Artistic Director of "transmediale-international media art festival berlin." He is a member of the Berlin-based media association "mikro," and of the Euro-

pean Cultural Backbone, a network of media centers. In texts and lectures he deals with post-medial practices and the

possibilities for a "machinic" aesthetics of media art. For more information visit: <www.transmediale.de>, <www.v2. nl/abroeck>, <www.mikro.org>, <www. e-c-b.net>. E-mail: <abroeck@ transmediale.de>.

Annick Bureaud, a theoretician and critic of new media art, lives and works in Paris. She is Director of Leonardo's collaborating society in France, The Leonardo Observatory for the Arts and Techno-Sciences (OLATS) <http://www.olats.org>. Bureaud is also editor of IDEA on-line, the International Directory of Elec- tronic Arts <http://nunc.com>. Her column on electronic arts appears regularly in the French contemporary art magazine ART Press. She teaches at the Art School of Aix-en-Provence and at the Paris Design School ENSCI and is a guest lecturer at the School of the Art Institute of Chicago and the Uni-

versity of Quebec in Montreal.

Robert Coburn is a composer and sound artist. His creative work includes concert music, both acoustic and elec- troacoustic; live, interactive computer music; temporary sound environment installations; and permanent sound- works as public art. His music has been

performed throughout North America and Europe. His permanent sound- works Bell Circles II and 39 Bells are installed as public art at the Oregon Convention Center and along the Avenue of the Arts (Philadelphia, PA).

Leonardo Reviews 111 Leonardo Reviews 111



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