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Engagement and Differentiation: making a difference for all
learners Matsqui Elementary June 27th, 2013 Faye Brownlie
www.slideshare.com
Engagement • Schlechty: high aBenCon and commitment – task or acCvity has inherent meaning or value to the student
• Stuart Shanker – self-‐regulaCon; calmly focused and alert
• Brownlie and Schnellert – voice and choice
Differentiated Instruction
An approach to teaching and learning that gives students mulCple opCons:
-‐ for taking in informaCon
-‐ for making sense of ideas
-‐ for presenCng ideas
-‐ for being evaluated on their learning
Some Key Understandings: • Access to the content • Present learning goals, learning intenCons • Focus on concepts and principles • Use flexible groups • Use on-‐going assessment (assessment FOR learning)
Features of High-‐Engagement Learning Environments
• available supply of appropriately difficult texts • opCons that allow students more control over the texts to be read and the work to be accomplished
• the collaboraCve nature of much of the work • the opportunity to discuss what was read and wriBen
• the meaningfulness of the acCviCes
• Allington & Johnston, 2002; Presley, 2002; Wigfield, 1997; Almasi & McKeown, 1996; Turner, 1995
Gallery Walk – writing lesson • In groups, 3 things that count in wriCng • Made class list and categorized • Focus on meaning and thinking
– DescripCon – ImaginaCon – Detail – Knowledge – Focus – Ideas – Passion – Intriguing – Understandable
• Place a series of pictures around the room • Students in groups of 3 • 3 minutes per picture
• Chat – How could you use this image in your wriCng?
• Build on one another’s thinking • View 4 pictures
• Eagle Dreams -‐ Wri.en by Sheryl McFarlane ; Illustra;ons by Ron Lightburn;
• ISBN: 1-‐55143-‐016-‐9
• Task: a piece of wriCng, choose your genre, think about the criteria
• As you are moving to your desk, keep walking unCl you have your first line in your head
• 12 minutes to write
• As students are wriCng, move about the room, underlining something powerful (criteria connected) in each person’s wriCng
• Each student shares what was underlined • Listen to hear something you might want to borrow
• As a class, decide on why each was underlined • Create the criteria: – Words that are WOW – Details that showed emoCon or made a picture
– Hook – first line made me want to keep reading
Sample 1
One cool and breezy night, in a prairie, a boy sat on the rim of his open window, looking out at the moon, hoping for something to happen. Ajer a few minutes, he went back in and close his window. Robin sighed. “I wished my life has more excitement in it, “ he thought, before he turned off his light and went to bed, he took one quick look at his kite on top of his bed that’s shaped like an eagle, and went to sleep.
Sample 4
At Sunday, the Ximing and his father mother go travel. On, Ximing say “I’m see a eagle!” His father and his mother is going to his. And his mother say “Oh, Help it!” OK. It was heal. OK. We are go back home!
At home: Today is very funning. Because we are helpa eagle! I’m so happy now! Ximing is Cme to eat a dinner say mother say …
• Kids can add/edit/conCnue to work • Set up for next class – Work on same criteria – Hear again, pieces that work – Move to where kids can idenCfy criteria in their own work and ask for help with criteria that are struggling with
• Ajer repeated pracCce, students choose one piece to work up, edit, revise, and hand in for marking
• Feedback is conCnuous, personal, Cmely, focused
K – Building Connections/Response to Reading
• PracCce making connecCons • Choose a symbol • Talk about how this helps our reading • Read together and make connecCons • Students show their connecCons by drawing and wriCng
• with Jessica Chan, Inman, Burnaby
Goal: develop and apply mathematical language
• Sit back to back with a partner • Partner A observes the diagram and describes it to partner B
• Partner B draws what he hears Partner A describing
• Reflect: what worked in the partnership? What didn’t? How can it be improved?
Inuit Study
• Now try the same strategy with content.
• Back to back drawing. • Ajer each sketch, check out the image and write a one sentence synthesis of what is important – or generate 5-‐8 key phrases describing the picture.
• Students walk through the ‘gallery’ and observe the other pictures and statements/phrases.
• Students web what they now know.
Think Aloud: Students need
• A model • Guided pracCce in following the model
• An opportunity to pracCce the strategy, with support as needed
• Choice in the degree of complexity they use to complete the task
Sea OBer Pup -‐ Victoria Miles (Orca)
There is a forest of seaweed in the ocean.
It is a forest of kelp. At the boBom of the
kelp forest, Mother sea oBer searches for
food.
High above, her pup is waiCng. He is
wrapped in a piece of kelp so he can’t
drij away while Mother is down below.
He bobs, floaCng on his back in the
cold waves, holding his front paws and
hind flippers above the water to keep them dry.
Multiple Texts • Choose a text that is just right for you • Read the text • Place 2-‐3 sCckers on the text: – Something that is interesCng to you – Something you wonder about – Something that connects to what you know or have experienced
• Find a partner and share your reading and your sCckers
• Quick write: what I want to remember from today’s reading
Resources • Assessment & Instruc-on of ESL Learners – Brownlie, Feniak,
& McCarthy, 2004 • Grand Conversa-ons, Though<ul Responses – a unique
approach to literature circles – Brownlie, 2005 • Student Diversity, 2nd ed. – Brownlie, Feniak & Schnellert,
2006 • Reading and Responding, gr. 4,5,&6 – Brownlie & Jeroski,
2006 • It’s All about Thinking – collabora-ng to support all learners
(in English, Social Studies and Humani-es) – Brownlie & Schnellert, 2009
• It’s All about Thinking – collabora-ng to support all learners (in Math and Science) -‐ Brownlie, Fullerton & Schnellert, 2011
• Learning in Safe Schools, 2nd ed – Brownlie & King, Oct., 2011