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Ámauteurish! · 2019. 5. 14. · cism. The first two were The National Pastime: Contemporary...

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Page 1: Ámauteurish! · 2019. 5. 14. · cism. The first two were The National Pastime: Contemporary Philippine Cinema, and Fields of Vision: Critical Applications in Philippine Cinema.

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Page 2: Ámauteurish! · 2019. 5. 14. · cism. The first two were The National Pastime: Contemporary Philippine Cinema, and Fields of Vision: Critical Applications in Philippine Cinema.

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Page 3: Ámauteurish! · 2019. 5. 14. · cism. The first two were The National Pastime: Contemporary Philippine Cinema, and Fields of Vision: Critical Applications in Philippine Cinema.

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Page 4: Ámauteurish! · 2019. 5. 14. · cism. The first two were The National Pastime: Contemporary Philippine Cinema, and Fields of Vision: Critical Applications in Philippine Cinema.

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Page 5: Ámauteurish! · 2019. 5. 14. · cism. The first two were The National Pastime: Contemporary Philippine Cinema, and Fields of Vision: Critical Applications in Philippine Cinema.

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Page 6: Ámauteurish! · 2019. 5. 14. · cism. The first two were The National Pastime: Contemporary Philippine Cinema, and Fields of Vision: Critical Applications in Philippine Cinema.

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Page 7: Ámauteurish! · 2019. 5. 14. · cism. The first two were The National Pastime: Contemporary Philippine Cinema, and Fields of Vision: Critical Applications in Philippine Cinema.

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Page 8: Ámauteurish! · 2019. 5. 14. · cism. The first two were The National Pastime: Contemporary Philippine Cinema, and Fields of Vision: Critical Applications in Philippine Cinema.

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Page 9: Ámauteurish! · 2019. 5. 14. · cism. The first two were The National Pastime: Contemporary Philippine Cinema, and Fields of Vision: Critical Applications in Philippine Cinema.

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Page 10: Ámauteurish! · 2019. 5. 14. · cism. The first two were The National Pastime: Contemporary Philippine Cinema, and Fields of Vision: Critical Applications in Philippine Cinema.

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Page 11: Ámauteurish! · 2019. 5. 14. · cism. The first two were The National Pastime: Contemporary Philippine Cinema, and Fields of Vision: Critical Applications in Philippine Cinema.

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