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I n t r o d u c t i o n • Brand History p.01–02
• Our Success p.03–04
• Our Miss ion p.05–06
• Brand Grid p.09–12
Brand Visual Standards • Logo p.15–16
• Anatomy + Clear Space p.17–18
• Incorrect uses p.19–20
• Colors p.21–22
• Typography p.23–24
Brand Extensions • Spa Treatment p.27–28
• Home Decor p.29–30
• Beauty School p.31–32
TA B L E O F C O N T E N T S :
B r a n d H i s t o r yThe inventor of modern makeup, max factor l i tera l ly changed the faces of the wor ld and
created a cosmet ics empire that launched the mult ib i l l ion-dol lar beauty industr y.
Nice women never wore makeup. Even the word was taboo in pol i te soc iety—unti l Max
Factor entered the scene. Born in Poland in 1877, Factor worked as a beaut ic ian for
the Russ ian roya l fami ly, the Romanovs . In 1904 he f led to America , where he opened
a cosmet ics s tore in Los Angeles . Creat ing makeup or ig ina l ly for s i l ent f i lms, then the
ta lk ies , and ul t imate ly color motion pictures . Soon women everywhere wanted to look
l ike the i r favor i te g lamorous s tars , and Factor was there to he lp, br inging hi s innovat ive
cosmet ics to the genera l publ ic . He revolut ionized the wor ld of beauty by producing
many f i r s t s : l ip g loss , foundat ion, eye shadow, concea ler, and water res i s tant makeup. A
t rue innovator, he a l so introduced the concept of co lor harmony and ce lebr i ty-endorsed
cosmet ics adver t i s ing.
0 1 • W H O W E A R E
0 2 • B R A N D I D E N T I T Y S T A N D A R D S • B R A N D H I S T O R Y
Max Factor
& Company
was founded
by Maximi l ian
Faktorowicz ,
a Pol i sh-Jewish
cosmet ic ian
ar t i s t for the
Russ ian roya l
Bal le t .
Ti m e l i n e
Created the f i r s t
cosmet ic made
spec i f ica l ly for
motion pictures ,
a th inner grease
pa int made in
12 shades .
“Max Factor’s
Supreme Nai l
Pol i sh ,” was
introduced. It
i s a meta l pot
of be ige-colored
powder that i s
spr inkled on
the nai l s and
buffed with a
chamois buf fer.
It g ives na i l s
sh ine and t int .
Created “Society
Nai l Tint ,” a
smal l porce la in
pot conta ining
rose-colored
cream. Appl ied
to the nai l and
buffed, i t g ives
a rose color.
Developed
cosmet ics that
are spec ia l ly for
use in b lack-
and-white f i lms.
Max Sr. was a l so
awarded the
Oscar award for
thi s innovat ion.
The f i r s t Lip Gloss
i s invented
Opened the
unique Max Factor
Makeup Sa lon in
Los Angeles .
Pan-Cake,
forerunner of
modern cake
makeup i s
c reated. It
i s or ig ina l ly
deve loped for
color f i lms.
Max Factor died
a t the age 59.
Max Factor J r.
expanded the
fami ly-run
bus iness across
the wor ld. Fir s t
commercia l ly
concea ler : “erase”
was produced.
Created Tru-Color
Lipst ick , which i s
the f i r s t smear
proof l ips t ick .
Invented the f i r s t
“waterproof ”
make-up
Launches the
wor ld’s f i r s t
c lear mascara .
0 2 • O U R S U C C E S S
0 3 • B R A N D I D E N T I T Y S T A N D A R D S • T I M E L I N E 0 4 • B R A N D I D E N T I T Y S T A N D A R D S • T I M E L I N E
• 1909 • 1914 • 1925 • 1927 • 1928 • 1930 • 1935 • 1937 • 1938 • 1940 • 1971 • 1988
O u r M i s s i o n
Max Factor wi l l cont inue to re f lect the
diverse t rends of i t s consumers as a
leader in the loca l cosmet ics industr y
through innovat ive and provocat ive
colors and products .
The new Max Factor wi l l be the Tota l
Beauty Solut ion Shop that targets f resh
and young women. It wi l l resemble a
pr incess’s pr ivate room where everything
about the space , the inter ior, inc luding
the cosmet ics , wi l l embodies the beauty
and youth descr ibed in a sweet romant ic
fa i r y ta le .
Max Factor cosmet ic wi l l g ive you a
f resh natura l g low look that you don’t
even fee l l ike you have any
make-up on.
0 3 • W H O W E W I L L B E
0 5 • B R A N D I D E N T I T Y S T A N D A R D S • B R A N D M I S S I O N
WE BRING FAIRY TALES TO LIFE
W H O W E W E R E
0 4 • B R A N D G R I D
0 9 • B R A N D I D E N T I T Y S T A N D A R D S • B R A N D G R I D
0 4 • B R A N D G R I D
W H O W E A R E
1 2 • B R A N D I D E N T I T Y S T A N D A R D S • B R A N D G R I D
B R A N D V I S UA L S TA N D A R D S
0 5 • L O G O
S Y M B O L : Max Factor symbol i s
cons i s ted of the crown and decorat ive
ornaments . Both e lements brought
together the e legant fee l ing that f i t
the fa i r y ta le theme.
L O G O T Y P E : We use Bauer Bodoni for
our wordmark. This typeface i s c lean
and s imple , yet looks very high-end
and profess ional .
S I G N A T U R E : Our s ignature cons i s t s
of two component : our symbol and
the logotype. It i s used to ident i fy and
s t rengthen our brand ident i ty.
O u r I d e n t i t y
S E C O N D A R Y S I G N A T U R E
T E R T I A R Y S Y M B O L
We A l s o H a ve
There are only three conf igurat ion of
the s ignature . The pr imary s ignature
should a lways be cons idered f i r s t ,
except for the smal l s i ze appl icat ions
or products where the logo i s under 1”
wide or 0 .5” ta l l .
S e c o n d a r y S i g n a t u r e c o n s i s t s o f t h e ‘ M ’ m a r k w i t h t h e c r o w n
T e r t i a r y S y m b o l c o n s i s t s o f t h e c r o w n s y m b o l o n l y .
0 7 • A L T E R N A T I V E L O G O
1 5 • B R A N D I D E N T I T Y S T A N D A R D S • L O G O 1 6 • B R A N D I D E N T I T Y S T A N D A R D S • L O G O
MAX FACTOR
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0 6 • A N ATO M Y + C L E A R S PA C E
For ul t imate v i s ib i l i ty and impact , i t ’s important to reta in a des ignated ‘c lear space’
around the s ignature .
The minimum required c lear space i s def ined by the measurement of ‘X ’ , a s shown. In
which, ‘X ’ i s measured by the he ight of the base of the crown.
The ‘c lear space’ should never be intersected or intruded upon by any other graphic
object or edge. Nor should i t be enclosed in shape.
Mainta ining thi s c lear space in a l l uses to g ive the s ignature the proper ‘breathing room’
to v i sua l ly s tand out .
S t r u c t u r e o f O u r I d e n t i t y
X
X
X
1.25X
5.25X
1 . 2 5 X
1 . 2 5 X1 3 . 2 5 X
1 4 . 5 X
9 . 2 5 X9 . 2 5 X
5 . 2 5 X
5 . 2 5 X
21X
58X
21X14.5X
6X
2X
6XS E C O N D A R Y S I G N A T U R E T E R T I A R Y S I G N A T U R E
1 7 • B R A N D I D E N T I T Y S T A N D A R D S • A N A T O M Y + C L E A R S P A C E
MAX FACTOR
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W h a t ’s No t To D o
An important factor in creat ing and
mainta ining a v i sua l ident i ty i s the
cons i s tent presentat ion of the ident i ty
e lements . Therefore , the way the
s ignature i s d i sp layed must be g iven
careful a t tent ion. Shown below are
examples of incorrect or unacceptable
uses of our symbol , logotype and
s ignature .
DO NOT subst i tute other typefaces other than spec i f ied
DO NOT change color of any of the e lements in the logo
DO NOT add or removeany new e lements to the logo
DO NOT subst i tute other ornament other than spec i f ied.
DO NOT use the symbol a lone without the wordmark
DO NOT f l ip or rotatethe ornament in the logo
DO NOT use the logo on any dark or b lack background
DO NOT vary the propor t ion of the logo in any way
DO NOT t i l t or rotate the logo in any manner
0 7 • I N C O R R E C T U S E S
2 0 • B R A N D I D E N T I T Y S T A N D A R D S • I N C O R R E C T U S E S
MAX FACTOR
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MAX FACTORM
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0 8 • C O LO R S
O u r C o l o r s
There i s only one approved color pa let te for the s ignature . Our colors are s t rong
and s t ra ightforward. They represent Max Factor brand at i t s most bas ic leve l- your
s ignature .
The colors are based on the Pantone Matching System and they should not be t inted or
adjusted when used.
P A N T O N E 2 5 5
S E C O N D A R Y C O L O R S
P R I M A R Y C O L O R S
P A N T O N E 2 1 3
P A N T O N E 1 8 8
P A N T O N E 2 9 7
C : 5 0 M : 1 0 0 Y : 0 K : 2 5
C : 2 0 M : 7 Y : 6 0 K : 0
C : 0 M : 1 0 0 Y : 1 0 0 K : 5 0
P A N T O N E 1 9 1 5
R : 1 1 5 G : 2 0 B : 1 1 4
C : 0 M : 0 Y : 0 K : 8 0
R : 1 3 9 G : 1 4 B : 4
2 1 • B R A N D I D E N T I T Y S T A N D A R D S • C O L O R S 2 2 • B R A N D I D E N T I T Y S T A N D A R D S • C O L O R S
Primary Typeface: A D O B E G A R A M O N D P RO
Adobe Garamond Pro i s des igned by Claude Garamond in 1561. Garamond’s
le t ter forms convey a sense of f lu idi ty and cons i s tency. Some unique character i s t ic s
in hi s l e t ter s are the smal l bowl of the a and the smal l eye of the e . Long extender
and top ser i f s have a downward s lope. Garamond i s cons idered to be among the most
leg ib le and readable ser i f typefaces for use in pr int(of f l ine) appl icat ions .
Most of Garamond typefaces are more c lose ly re la ted to the wok of a la ter punch-
cutter, Jean Jannon. A direct re la t ionship between Garamond’s le t ter forms and
contemporary type can be found in the Roman vers ions of the typefaces Adobe
Garamond, Grajon, Sabon, and Stempel Garamond.
Secondary Typeface: C E N T U R Y G O T H I C
Century Gothic is a geometr ic sans-ser i f typeface designed for Monotype
Imaging 1991. Century Gothic was inspired from Sol Hess’s Twentieth Century,
which was drawn between 1937 and 1947 for the Lanston Monotype Company
as a vers ion of the successful Futura typeface, but with a larger x-height and
more even stroke width. The Century Gothic face is dist inct for i ts s ingle-story
lowercase a and g. Century Gothic is more closely related to Avant Garde
Gothic, designed by Herb Lubal in, and released by the International Typeface
Corporat ion ( ITC) in 1970. Century Gothic is s imi lar to ITC Avant Garde in i ts
pure geometry, and does not possess the subt le var iat ion in st roke width found
in either Futura or Twentieth Century.
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z a b c d e f g h i j k l m n o p q r s t u v w x y z
A D O B E G A R A M O N D P R O R E G U L A R
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z a b c d e f g h i j k l m n o p q r s t u v w x y z
C E N T U R Y G O T H I C R E G U L A R
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z a b c d e f g h i j k l m n o p q r s t u v w x y z
A D O B E G A R A M O N D P R O I T A L I C
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z a b c d e f g h i j k l m n o p q r s t u v w x y z
C E N T U R Y G O T H I C I T A L I C
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z a b c d e f g h i j k l m n o p q r s t u v w x y z
A D O B E G A R A M O N D P R O B O L D
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z a b c d e f g h i j k l m n o p q r s t u v w x y z
C E N T U R Y G O T H I C B O L D
0 9 • T Y P O G R A P H Y
Bb
Aa
2 3 • B R A N D I D E N T I T Y S T A N D A R D S • T Y P O G R A P H Y
B R A N D E X T E N S I O N S
S p a Tr e a t m e n t
Enjoy the complete spa exper ience . We
have put together a var ie ty of luxur ious
combinat ions to sat i s fy your re laxat ion
appet i te and re juvenate your spir i t . Our
lav i sh amenit ies inc lude sauna s team
water fa l l showers , pr ivate whir lpools ,
outdoor re laxat ion areas , message and
fac ia l / sk in t reatments as wel l a s body
t reatments .
1 0 • B R A N D E X T E N S I O N S
MAX FACTOR
MAX FACTOR
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H o m e D e c o r
Max Factor a l so launches a one of a
k ind furni ture s tore that of fer a wide
range of wel l -des igned, funct ional home
furnishing products in fa i r y ta les s ty le .
You could decorate your house or your
pr ivate room as one of your favor i te
pr incess character. Al l of our products
embodies the beauty and youth descr ibed
in a romant ic fa i r y ta les . In thi s way, you
are not only look l ike a sweet pr incess
but you can a l so l ive l ike a pr incess too.
1 0 • B R A N D E X T E N S I O N S
2 9 • B R A N D I D E N T I T Y S T A N D A R D S • B R A N D E X T E N S I O N S
MAX FACTOR
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B e a u t y S c h o o l
Max Factor beauty school i s des igned to teach you the sk i l l s you
wi l l need, inspire you to explore your pass ion and creat iv i ty. We
of fer a unique learning environment that guarantees the f inest
and fun educat ion through hand-on, rea l wor ld exper ience .
We inspire our s tudents to exceed expectat ions and cont inue
the i r quest s for l i fe long learning beyond tradi t ional c las s room
instruct ion. Max Factor beauty school promote the concept that
educat ion encompasses more than learning bas ic technica l sk i l l s .
It i s about s tudents rea l i z ing the i r fu l l potent ia l and growing as
indiv idual s and profess ional s a l ike .
1 0 • B R A N D E X T E N S I O N S
3 0 • B R A N D I D E N T I T Y S T A N D A R D S • B R A N D E X T E N S I O N S 3 2 • B R A N D I D E N T I T Y S T A N D A R D S • B R A N D E X T E N S I O N S
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