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    Mentouri University, Constantine

    Faculty of Letters and Languages

    Department of Languages

    Dissertation submitted in partial fulfilment of the requirement of a Master

    Degreein Applied Language Studies

    Boardof Examiners

    President: Dr. Youcef Beghoul M.C University of Constantine

    Supervisor: Dr. Nacif Labed M.C University of Constantine

    Presented by: Supervised by:

    Miss. Sawsen Benane Dr. Nacif Labed

    Mr. Zakaria Bensahih

    2010 -2011

    An Awareness Building about the English Idiomatic Expressions

    and their Use in Writing

    The Case of Master One Students of English Civilization and Literature

    University of Constantine

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    i

    Dedication

    I should be grateful to ALLAH the Almighty who gave me strength to accomplish this work.

    To the angel who devotes her life for me, my MOM.

    To all my lovely exceptional family.

    To my best friend Zinou.

    To Adra.

    To Meryem and Amira, especially, and all my friends generally.

    Thank you Allah

    Zakaria

    To my dear mother for her never-ending love and guidance

    To my sister Abir, for being such a supportive, reliable and loving person

    To Aunt Hind and Uncle Ali

    To my fathers soul hoping he is proud of me. May he rest in peace

    I dedicate this work

    Susan

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    ii

    Acknowledgement

    We would like to express our profound gratitude to the great teacher

    ever Dr. Nacif Labed who provided us with his support and guidelines without which we

    would be lost. We would like to thank him for his positive thinking, patience and

    commitment that gave us the push to accomplish our dissertation.

    Our deepest thanks go to Dr. Nemouchi who was quite helpful and to all the teachers of

    the department of foreign languages.

    We would like also to thank Bouchrit Lamine and Sadrati Djamel

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    iii

    List of Tables

    Table 1: The Grammatical Structure of Idioms..................27

    Table 2: The Grammatical variety Within Idioms.............31

    Table 3: Students Knowledge of Idioms..............................................................39

    Table 4: Degree of Idiom Comprehensibility in Isolation and in Context............40

    Table 5: Understanding idioms with Equivalents in Other Languages..42

    Table 6: Students Knowledge and Use of Idioms ....................................44

    Table 7: Frequency and Accuracy of Students Use of Idioms in the Essays....45

    Table 8 Percentage of the Students Use of Idioms in the Essays.....46

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    iv

    Table of Contents

    General Introduction1

    Chapter One: Writing and Idioms: An Overview

    Introduction.6

    1. Definition of Writing............6

    2. Types of Writing...7

    2.1. Academic Writing.8

    2.2. Creative Writing............11

    2.3. The Use of Creative Language in Academic Writing...14

    3. Vocabulary, Diction and Style.16

    4. Figures of Speech.17

    5. Definitions of Idioms...19

    6. Types of Idioms...20

    6.1. According to Their Meaning....20

    6.2. According to their Structure.....26

    7. The use of Idioms....32

    Conclusion...33

    Chapter Two: The Fieldwork.

    Introduction.................35

    1. Description of the population......................35

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    v

    2. Description of the Research tools......................37

    2.1. The Pre-test.............................37

    2.2. The Courses....................................38

    2.3. The Post-test ..............................................38

    3. Description of the Pre-test results ................40

    4. Description of the Post-test results................44

    5. Discussion of the Results...........................................47

    Conclusion.....................49

    General Conclusion and Recommendations .50

    References.......52

    Appendices .........56

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    vi

    Abstract

    The present research, which is made up of two chapters, is conducted to check then build up

    Master One students awareness of idioms. It is in an attempt to draw their attention to the

    importance of using figures of speech in academic written production, namely idioms. We

    noticed a lack of knowledge of idioms amongst Master One students of English Civilization and

    Literature in the Department of Languages, as well as, simple writings poor of images and

    figures of speech in general. So, we decided to initiate an awareness building about idioms. We

    focused on showing them how they can make their compositions more interesting and aesthetic

    using the Idiomatic Expressions. We came up with two hypotheses; the first one is that if

    students are introduced to idioms, then their ability of understanding and appropriately using

    them will be higher. The second hypothesis is: the more these students use idioms in their

    writing the more expressive, vivid and prestigious it gets. In order to validate such hypotheses

    we designed a pre-test to check their awareness, a post-test to check the effectiveness of the two

    courses given after the pre-test. These courses were to introduce the students to idioms and their

    importance in writing. The results obtained showed a lack of students knowledge of idioms and a

    lack of mastery. They also proved the effectiveness of our introduction of idioms and thus, our

    first hypothesis was confirmed. However, the results have also shown that it was not effective

    enough to make these students use idioms in their writings. We concluded saying that students

    need more lectures, time and especially more practice to use idioms in writing.

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    1

    General Introduction

    In the process of learning English as a foreign language, learners are supposed to go over

    many aspects related to it, and which are necessary for successful communication. Once they

    master the basic linguistic elements, students are supposed to go beyond that and improve their

    level with more genuine, culture related items. Many of these students will notice that their

    writing style, for example, is simple, their expressions are plain and clichd and their essays are

    no different from any other undergraduate student. Nobody then will be interested in reading

    what they write. Even the students themselves might get bored doing this inevitable task. These

    students cannot stand at the level of producing ordinary essays; they should rather use better

    words and expressions; something that would make their essays sound more native and also most

    attractive and enjoyable.

    This goal cannot be reached unless students go beyond the level of grammar and structure and

    enrich their diction with more important, vivid, and aesthetic words and expressions such as

    metaphors, proverbs, and idioms. That latter, will be the focus of our research study. Moreover,

    this research will introduce the students to the importance of using the idiomatic expressions in

    written discourse. This research is conducted on the basis that the majority of students doesnt

    know idioms or find difficulties in understanding and using them in the production of essays

    because of their ambiguous and unpredictable meaning. English is known to be a highly

    idiomatic language and students must know that and work on using idioms whenever possible.

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    Aim of the Study

    By checking students knowledge of idioms and examining their errors in understanding and

    using them in writing, the provided research aims at raising their awareness of the importance of

    knowing and using figures of speech in general, and idioms in particular for the sake of

    enlivening their writings. It aims also at enlarging students knowledge of idioms by motivating

    them through light and energizing lectures to make their own researches and investigations.

    Further, the dominating aim of the research is to push them to get rid of the boring and non-

    attractive style and have their own outstanding and idiosyncratic style. And thus, improve their

    writing skills to rise to a level prestigious enough to suit them.

    Research Questions and Hypotheses

    At this point, some crucial questions such as these are to be answered:

    1) Why dont students of English use Idiomatic Expressions in their writings?

    2) If they do, how appropriate and frequent do they use them?

    3) Can an awareness building about idioms be helpful to make these students produce better

    essays?

    We hypothesize that: if the students are introduced to idioms, then their ability of

    understanding and appropriately using idioms will be higher. And if they know idioms well

    enough they will use them in their writing which makes their essays more expressive, beautiful,

    entertaining and prestigious.

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    Means of Research

    This research studies the case of Master1 students being advanced learners of English. The

    choice was based on the assumption that they have the required linguistic competence to be

    introduced to such element as Idioms. We also assume that they are at a point where their pieces

    of writing should be positively distinct from those of a lower grade in terms of structure and

    meaning. And as English is said to be a highly idiomatic language, idioms will do the job. In our

    research we will be making use of two tests. The first will function as a pre-test to check the

    advanced learners knowledge about idioms, their degree of comprehensibility as well as their

    frequency of using them in written production. The second will be done after two lessons

    designed as an initiative to raise their awareness of idioms, their main categories, and their

    cultural background. In addition, these lessons will show the importance and benefits of using

    idioms in writing. The second, which is a post-test, will check the efficiency of the awareness

    building. Its results will confirm or infirm our hypotheses.

    Structure of the Study

    The research will be divided into two main chapters: a theoretical and a practical

    part. The theoretical chapter will involve a review of the literature of both writing and idioms;

    Starting by definition of writing and academic versus creative writing. Then, we will mention the

    use of figures of speech in writing, which functions as an introduction to idioms being the central

    issue. The rest of the research will be devoted to idioms, definitions, types, cultural background

    and comparisons, in addition to a large number of examples and illustrations. Chapter two

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    represents the practical side of the research. It contains descriptions, analysis and discussions of

    students' performance in the tests given.

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    Chapter One: Writing and Idioms: An Overview

    Introduction.6

    1. Definition of Writing...62. Types of Writing.7

    2.1. Academic Writing8

    2.1.1. Definition of Academic Writing...8

    2.1.2. Principles of Academic Writing9

    2.2. Creative Writing...11

    2.2.1. Definition of Creative Writing..11

    2.2.2. What is Needed in Creative Writing.12

    2.3. The Use of Creative Language in Academic Writing..14

    3. Vocabulary, Diction and Style16

    4. Figures of Speech17

    5. Definitions of Idioms..19

    6. Types of Idioms...20

    6.1. According to Their Meaning....20

    6.1.1. Literal and Non Literal Idioms.20

    6.1.2. Transparency in Meaning.21

    6.1.2.1. Transparent ...21

    6.1.2.2. Semi-transparent....21

    6.1.2.3. Semi-opaque..22

    6.1.2.4. Opaque..22

    6.2. According to their Structure...26

    6.2.1. Grammatical Structure..26

    6.2.2. Fixed and Variable Idioms..27

    6.2.2.1. Optional Elements....27

    6.2.2.2. Variable Elements.28

    6.2.2.2.1. Someone versus One.29

    6.2.2.3. Movable Elements....30

    6.2.2.4. Grammatical Variation.31

    6.2.2.5. Other Variations Within Idioms..32

    7. The use of Idioms.32

    Conclusion33

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    Chapter One: Writing and Idioms: An Overview

    Introduction

    To master a language, a foreign learner must work on the receptive skills as listening and

    reading; the productive asspeaking and writing. But realizing thoughts with the production of

    graphic symbols is not that random and simple task. Letters should be gathered to form words

    according to conventions. Words have to be gathered to form sentences; and so sentences are

    combined into paragraphs and texts, and all in all have to serve a meaning.

    However, our main concern in this chapter is the relation of writing with vocabulary,

    especially idioms. In other words, we want to take the initiative to raise students awareness of

    the importance of using English idioms in their writings. Our main interest is so to help learners

    to produce essays in which they use idioms to make their English sound native-like, artistically

    and beautifully written rather than using simple and simple vocabulary that would not enliven

    their writings, and thus they would not attract the readers attention. Using idioms is expected to

    produce strong effects and deep impressions.

    1. Definition of Writing

    The act of putting a pen or any writing instrument on a flat surface like a paper is theoretically

    regarded as an easy task. However, when we put this theory in practice, it's very difficult to

    prove this easiness. In other words, it does not stand at the level of combining graphic symbols

    and numbers together. It is much more complex. Byrne in his book Teaching Writing Skill

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    defines writing as "the act of forming these symbols on a flat surface of some

    kind." (Byrne, 1991, p.1). Elbow sees that "writing well is a complex, difficult, and time-

    consuming process."(Elbow, 1998, p.3). Some scholars go further to refer to writing as an

    election of experience, and that's exactly what Nancy Arapof (1967)has mentioned when she

    claimed that writing is much more than the orthographic symbolization of speech. It is, most

    importantly, a purposeful selection and organization of experience."(Nancy, p. 233).

    Kane (2000) sees that apart from being a simple combination of units(words, phrases, sentence)

    on a paper, writing it is rather built on two assumptions "writing is a rational activity, and that it

    is a valuable activity(...)Writing is a way of growing." ( pp.3-4). According to Kane "rational

    activity" refers to putting mind in practice for acquiring the techniques of writing that can be

    learned by anyone. On the other hand, "valuable activity" is that writing deserves to be learned

    for its benefits (business and psychology). So, written expression is the art of making words say

    what one wants them to say.

    2. Types of Writing

    Writing is divided into many types depending on the users needs. Such types are cooperative

    writing, cognitive writing, academic writing and creative writing. Among the previous kinds

    academic and creative writing are the ones we are going to tackle since they are the best to serve

    our purpose. In this part we will provide definitions of both types and give characteristics of each

    of them. Also we will try to make a combination between the two seemingly opposites. In other

    words, we show the possibility of including creative language within academic writing.

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    2.1. Academic Writing

    2.1.1. Definition of Academic Writing

    This type of composition has been widely spread due to the fact that English is needed for

    many commercial, scientific, social and academic purposes. Foreign learners are likely to use

    academic writing in their assignments, because it represents the structured written form of

    language. Whitaker (2009) sees that academic writing refers to any production the student is

    assigned to do for his or her faculty, then it may have many names like essay, paper, research

    paper, term paper, argumentative paper/essay, analysis paper/essay, informative essay, position

    paper. Another perspective of the Australian School of Business (2011) suggests that academic

    writing is the final fruit that evolves from the process of one's thought. (The University of New

    South Wales, p. 2). The University of Michigan's English Language Institute (2011) defined

    academic writing from many considerations:" Academic writing is a product of many

    considerations: audience, purpose, organization, style, flow, and presentation." (The University

    of Michigan Press, p.7). Bailey (2003) refers to that type of writing by saying that Academic

    Writing is designed for anybody who is studying (or planning to study) at English-medium

    colleges and universities and has to write essays and other assignments for exams or coursework.

    "(Bailey, p.vi). He also he adds that it is a flexible course that allows students to work either

    with a teacher or by themselves, to practice those areas which are most important for their

    studies."(Ibid).

    2.1.2. Principles of Academic Writing

    Academic writing represents the structured form language, and this can be seen from the

    strict rules that control its usage. The University of Michigan (2011) states five major principles

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    of academic writing which are: audience, purpose, organization, style, flow and presentation.

    Audience, as a principle, refers to the knowledgeable instructor of the given subject. That is why

    the writer has to understand the readers' assumptions and prior knowledge. Whitaker (2009) from

    the University of Seattle considers also the same standard as in the case of student writer, his

    audience is his fellow students so they may be attracted to his field of writing but not interested

    in reading his paper. So, here comes the responsibility of the student to grab their attention by

    engaging them in his ideas, with his style, logical evidences and reasons. That is also what

    Thaiss (2006) has mentioned in his thesis saying that an imagined reader who is coolly rational,

    reading for information, and intending to formulate a reasoned response."(p. 3).

    Purpose has a strong link with the previously mentioned principle. The interconnection

    between them results in two points. First, when readers have less knowledge or background

    about the topic, the writer's aim is to guide them with instructions like in text books. Second,

    when the audience is more knowledgeable than the writer, the purpose is that the writer should

    show familiarity, expertise and intelligence. That last point is the case for student writers.

    Whitaker (2009) shares the same principle but in a different way stating that "the goal of your

    paper is to answer the question you posed as your topic. Your question gives you a purpose. The

    most common purposes in academic writing are to persuade, analyze/synthesize, and

    inform."(p.1).

    Organization is the third mentioned standard by the University of Michigan as followed:"

    information is presented to readers in a structured format. Even short pieces of writing have

    regular, predictable patterns of organization."(p.8). In addition to that, Whitaker (2009) said that

    the logical organization of every academic essay consists of introduction, body paragraphs and

    conclusion.

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    The fourth element is Style. Some scholars, like Laurie Rozakis (2003), define style in writing

    as an author's distinctive way of writing. Style is made up of elements such as word choice,

    sentence length and structure, punctuation, figures of speech, and tone. Writers might change

    their style (...) to suit different audience". (p.10). All academic writers have to make sure that

    their writings are composed of the appropriate formal style that fits the transmitted message for

    the audience. Nevertheless, there are some exceptions for using the congruent scholarly formal

    style as explained in the following excerpt:

    "One difficulty in using the appropriate style is knowing what is considered academic

    and what is not. Academic style is not used in all academic settings. Lectures are

    generally delivered in a relatively nonacademic style. It is not uncommon to hear

    lecturers use words and phrases like stuff, things, bunch, or a whole lot of, which would

    not be appropriate for an academic writing task. They may also use elaborate metaphors

    and other vivid expressions to enliven their speaking style."(University of Michigan. p.

    10).

    Moreover, academic writing avoids using the first person and more often uses the third

    person "he, she, or it", because the focus is on the action not on the doer. It is advised to write in

    full forms and avoid constructions, for example instead of using he's use he is or instead of

    writing doesn't write does not. Colloquial vocabulary such as "a lot of or stuff" is avoided.

    Also, phrasal verbs like look into are avoided; instead, it is preferred to use polysyllabic verbs

    like investigate.

    2.2. Creative Writing

    2.2.1. Definition of Creative Writing

    Many of us often feel the inner power that they want to own something new and extremely

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    different, change their lives to get rid of the routine, or even use self experience to create

    something out of the restricting rules to be extraordinary, imaginative and aesthetic. That inner

    power is creativity. In the world of writing, there exists a type called creative writing. So, what

    does this term refer to? According to Ramet (2007), Chambers Dictionary sees creative as

    Having the power to create, that creates, showing, pertaining to, imagination, originality ,and

    writing refers to The act of one who writes, that which is written, literary production or

    composition.(p. xi). So, Ramet sees that the term creative writing may be defined as having

    the power to create an imaginative, original literary production or composition."(Ibid). Creative

    writing has been also defined as "a journey of self-discovery and self-discovery promotes

    effective learning." (Gaffield-Vile, 1998, p.31). For that, creative writing has a strong link with

    the fact of being proud after finishing writing, because it involves cognitive skills and feelings.

    (Nemouchi, 2008, p34). This kind of writing includes many sub-types under its category as it is

    explained in Wikipedia, the free encyclopedia (2011):"Creative writing is considered to be any

    writing, fiction, poetry, or non-fiction, that goes outside the bounds of normal professional,

    journalistic, academic, and technical forms of literature the bounds of normal professional,

    journalistic, academic, and technical forms of literature. Works which fall into this category

    include novels, epics, short stories, and poems. Writing for the screen and stage, screenwriting

    and playwriting respectively, typically has their own programs of study, but fit under the creative

    writing category as well."

    2.2.2. What is Needed in Creative Writing

    Taking into consideration that there are no rules to govern creative writing, any writer should

    feel free whenever his pen gets in touch with the surface on which he writes. He should imagine

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    the paper, in front of him, as an open space that has no dimension (Morley, 2007, p.1); he writes

    all expressions he wants. No matter how he writes them since" in the writing game we are all

    beginners."(Ibid, p.90). No matter when he starts or finishes writing since he creates that open

    space so that he is the governor of his world in which there are no rules, except those you set for

    yourself, and they will be many and complex."(Ibid, p.91).

    It is important to note that together with the inner power in creative writing, there exists also

    enthusiasm. In fact, enthusiasm that students feel comes as "they are writing a simple poem

    about someone they care about; or while they construct a narrative or tell a story of their

    childhood, they are investigating in their own experience in their own

    experience." (Nemouchi, 2008, p.35). As a result, this can bring motivation to the student writer

    who will always search for the right words to describe his idea, feeling, and experience and so on

    in the right manner. But sometimes he feels frustrated, especially a foreign language learner

    when he does not find the exact word while he writes about hard describing imaginative settings.

    In other words, creative writing depends on but the power of words, and to Beetlestone (1998) it

    is of the student to start writing short productions rather than long ones, and it also important to

    construct creative writing gradually by smaller structured phrases and sentences after that

    shifting to longer ones.

    In order to avoid such situations, a creative student writer has many tools available to him for

    better composition as Morley (2007) suggests: "clarity is hard-won, and of first importance.

    Economy is all. Style, above all else, is your aim, and it should show no sign of effort. Energy, in

    language, is eternal delight." (p.90). Similarly, to Markel (2007) the writer has not to worry

    about being objective, because creative writing is subjective since it depends on emotions,

    opinions, and self experience. Students can also enliven their language by the application of

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    vivid vocabulary like adjectives and adverbs. Moreover, the writing language should be

    sharpened by the use of metaphors, alliteration, hyperbole, similes, and idioms (the latter being

    our concern in this research). In other words, they represent the figurative language that brings

    images, sense-impression, and pictures to the mind of the reader. Teresa Hackett (2005) provides

    two examples described in two different ways just to explain this notion. The first excerpt is:

    'Toby was lost. He must have wandered off from his family during their morning hike because

    around noon he realized that he was all alone in the middle of the woods. He wasnt frightened

    exactly, but he was definitely anxious to find his family before evening. The thought of spending

    a night in the woods alone was a scary one. Heaving a sigh, Toby walked on. (p.13)

    The second is 'Toby was totally lost. He must have wandered off from his family during their

    morning hike because around noon he realized that he was alone in the middle of the wide

    whispering woods.Thonk! Thunk! His feet went on the soft pine needles that covered the ground

    like a soft brown blanket. Birds twittered and tweeted from the sky-scraping branches of trees,

    but there was no sound of his family. He wasnt frightened exactly, but he was as anxious as a

    fish out of water to find his family before evening. The thought of spending a night in the woods

    alone was one that made his heart dance a fearful frenzied jig in his chest. Heaving a sigh, Toby

    tiredly trudged on.' (Hacket, 2005, p.13)

    She explains that both the passages consist of the same events and character but described in

    two different ways. Story one tells the adventure of Toby in an easily understandable language

    that contains few details and does not describe the feelings of Toby when he was lost. However,

    story two is more entertaining when it makes the reader involved in Toby's experience by the use

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    of figures of speech. They help showing the whole picture to the audience rather than telling

    them. (Ibid)

    2.3. The Use of Creative Language in Academic Writing

    As it was mentioned, academic writing is the kind of writing that is governed by certain rules

    need not be deviated. Creative writing, on the other hand, is not governed by any rules. It is the

    type of writing where a writer has a total freedom to express himself in any way he likes using

    whatever expressions and words. All that matters is what he wants to say. But what if there is a

    chance of selling the cow and getting the milk at the same time? What if there is a possibility of

    writing academically and creatively. So as that title shows, and based on what many scholars

    have suggested, you can make academic writing more vivid by the use of creative language, and

    especially by including figurative language. It is unarguable that university students are supposed

    to write different forms (essays, reports, and dissertations, etc) in a congruent manner; yet, White

    and Arndt (1991) point out that, For many students writing is a chore to be got through for a

    grade, and to many others, not only is it a chore, but a boring one at that.(p. 11). The fact of

    getting bored happens because academic writing is bounded by strictness of formulating the

    thesis statement, topic sentence, supporting details and final comments. And as students are

    absolutely required to write in a clear, abstract, plain and scholarly formal language, this means

    for many those two aspects will be missed. The notions of creativity and style are the two aspects

    that Carter (1997) and Carter and McCarthy (1995) suggested to be of equal importance for the

    most formal essay as is traditional, formal, transactional, and objective language. Candlin and

    Hyland (1999) believe that academic writers and students writing academic assignments must

    not throw their creativity away. Hence, for the reason of attracting the reader's attention a writer

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    should open the door to creativity and aesthetic style. The audience (fellow students) may be

    interested in the topic of a student writer but not so eager to read his essay if any or both of these

    aspects are absent. In other words, it is the creativity and the writing style that contribute in

    inviting the audience even in the most formal essays.

    Whitaker supports this idea by saying:" As students in the field, they are interested in your

    topic, but perhaps not so interested in reading a paper. So you will have to engage them with

    your ideas and catch their interest with your writing style." (2010, p.3).

    Tarnopolsky (2006) shares the same idea about the strictness of academic writing pointing that:

    "Writing business letters or CVs (practical writing), students cannot learn to write (or

    think) creatively because they have to write strictly following the existing standards andsamples of similar documents that were used in teaching in order to demonstrate those

    standards. But when writing an essay in English, learners are supposed to express their

    own original ideas and find the most suitable language means for achieving this goal. It

    does not only develop the skill of productive writing but also the general creative

    communicative abilities...And since writing is the most conscious and deliberate of allcommunication skills, academic writing becomes a unique means for learners

    consciously mastering the creative, productive, and expressive approach towards

    communicative performance... "(p.1, 2)

    According to him creative writing serves to enhance writing abilities, and even more

    importantly, ameliorates student's fluency and sophistication. (ibid). He also believes that

    creativity in academic writing is such an emulation or imitation among learners. And again,

    Wyrick (2002) provides learners with a technical way to improve and enliven their writing,

    which is figurative language. She argues that:"figurative language not only can help you to

    present your ideas in clear, concrete, economical ways but also can make your prose more

    memorable" (p.167). According to the oxford essential guide to writing, effective figures depend

    on total diction. It is all about your words. (1988, p.294). Thus, and again, academic writing

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    should be equipped with tools like creative and figurative language to accelerate the

    development of the student's writing abilities or skills.We have been mentioning the figures of speech or figurative language, vocabulary, diction

    and style very often throughout the research and it is high time we gave them their share of

    explanation.

    3. Vocabulary, diction and style

    Since we are dealing with creativity, a master element to be mentioned here is vocabulary.

    Creativity can be best presented if the vocabulary is well mastered and manipulated. Barrass

    says: "Without words we cannot think; and we are limited in our ability to think by the number

    of words at our command. As we enlarge our vocabulary, and learn to construct effective

    sentences and paragraphs, we improve our ability to think and to express our thoughts and

    feelings." (2005, p. 51). A student writer should, by all means, enrich his vocabulary through

    frequent reading. Any book, article or even a dictionary may prove handy for this matter. And

    thus, the student will have more choices to express himself when writing. The vocabulary chosen

    then is called diction. According to Cody diction is:derived from the Latin word dictio, which

    refers to the choice of words. (2006, p. 75). Rozakis defines diction saying:"The words you

    select as you write and speak make up your diction. There are words, and then there are words.

    The word you want in a specific instance depends on context: your audience, purpose, and

    tone." (2003, p. 300). She believes that: "Successful writers adapt their language to the audience

    and circumstances because they know which words are appropriate in a specific

    situation." (ibid, p. 299). Thus, the fact that the student writer has his own diction, chooses a

    word over another or even a phrase or an expression and uses them the way he wants; makes his

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    pieces of writing or essays different from anybody else`s. He has his own style. According to

    Cody style is: the choice and arrangement of words in sentences and of sentences in paragraphs

    as that arrangement is effective in expressing our meaning and convincing our readers or hearers.

    Agood style is one that is effective, and a bad style is one which fails of doing what the writer

    wishes to do.(2006, p.295).

    All in all, rich vocabulary helps making one`s diction that leads to having ones own

    idiosyncratic style. But now, how can one make his writings most interesting and informative,

    and at the same time his style most enjoyable and appealing? The newest article published on

    line by the NCSSM Writing Program (2011), sums up and lists the criteria of successful writing

    that help improve one`s style in the following: Varied, precise, and appropriate diction;

    meaningful and highly effective sentence variety, tone appropriate for purpose and audience of

    essay, verbal adventurousness and self-confidence that includes: Stylistic elegance; innovative

    and energetic presentation and skillful use of figurative language, humor, anecdotes and

    rhetorical questions.

    4. Figures of speech

    Whenever language is simple, plain, direct, whenever it employs words in their conventional

    meaning, we say that it is literal. Literalcomes from the Latin litera, "letter"; what is literal is

    according to the letter. On the other hand, Figurative means that a word has been stretched to

    accommodate a larger or even very different sense from that which it usually

    conveys. (1988, p.296). Consider, for example, this statement: "A writer's style should be

    purposive, not merely decorative." It is to be read literally: the words mean nothing more and

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    nothing less, than what they say. In figurative language the same idea has been expressed like

    this: "Style is the feather in the arrow, not the feather in the cap."

    Figurative language or figures of speech are devices that enliven language. They include:

    proverbs, metaphors, similes, idioms, etc. our main concern in this research is idiomatic

    expressions. But to avoid any confusion between the different kinds, here are some definitions:

    Similes are figures of speech in which a thing is described by being likened to something

    usually like or as.

    Eg: He smells like a dead horse in August.

    Metaphors are expressions in which the persons, actions or things referred to, are described

    as if they really were what they merely resemble.

    Eg: Zakovic is my sunshine.

    Proverbs are well-known neatly-expressed sayings that give advice or express supposed

    truths.Proverbs contain everyday experiences and common observations in succinct and

    formulaic language, making them easy to remember and ready to be used

    Eg:Behind the Cloud the Sun Is Shining: Abraham Lincoln

    Idioms: "idioms are the grease that makes the language flowthe sheer number of idioms

    and their high frequency in discourse, make them an important aspect of vocabulary

    acquisition and language learning in general.(Fernando. 1996). Cooper adds saying: since

    idioms are so frequently encountered in both spoken and written discourse, they require

    special attention in language programs and should not be relegated to a position of

    secondary importance in the curriculum. (1998). Thus, we have decided to devote the rest

    of our research to Idioms. And here is an overview.

    Eg: I wonder when you are going to stop having a finger in every pie. You are such a pain in

    the neck!

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    . Definitions of Idioms

    English as any other language has phrases that cannot be understood literally. Even if you

    know the meanings of all the words in such a phrase and you understand the grammar

    completely, the total meaning of the phrase may still be confusing. These expressions are called

    idioms or idiomatic expressions.

    The older meaning of an idiom was: a form of speech peculiar to a nation or to a limited

    area. (Oxford Dictionary of Grammar, 1994) This is no longer correct since more and more

    people from all over the world are learning English. And after going through several books,

    articles and dictionaries; here are some definitions:

    Websters New World College Dictionary (fourth edition, 1999:708) outlines five senses of

    the term. The third sense is "a phrase, construction, or expression that is recognized as a unit in

    syntactic patterns or has a meaning that differs from the literal meaning of its parts taken

    together". The example that follows is: she heard it straight from the horses mouth.

    In a much simpler way, Oxford Dictionary Of English Grammar defines idioms as a group

    of more or less fixed words having a meaning that is not deducible from those the individual

    words (1994). And according to the Penguin dictionary of English idioms, an idiom

    is "a combination of words with a special meaning that cannot be inferred from its separate

    parts." (2001). The Cambridge Encyclopedia of the English Language identifies an idiom by two

    features. First, the meaning of the idiomatic expression cannot be deduced by examining the

    meanings of the constituent lexemes. Second, the expression is fixed, both grammatically and

    lexically. Thus, the idiom: put a sock in it!" means `stop talking`, and it is not possible replace

    any of the lexemes and retrain the idiomatic expression. So expressions like `put a stocking in it`

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    or `put a sock on it`, must be interpreted literally or not at all. Idioms are figures of speech. And

    they differ from other figures, such as similes, metaphors and proverbs in that they have a

    conventionalized meaning. That is, they are recognized by the native speakers. (Injo, 1986).

    6. Types of Idioms

    6.1. According to Their Meaning

    6.1.1. Literal and Non Literal Idioms

    We recognize two types of idioms of this kind:

    The first type is an idiom which has both a literal meaning and a figurative meaning. And of

    course it is the figurative or metaphorical sense that is considered as an idiom. (Gulland, 02). Let

    us take this example from the penguin dictionary of idioms: John cannot say boo to a goose. You

    might think at the beginning that this is a strange thing to say. Of course it is quite possible for

    someone to say boo to a goose, but who would want to do such a thing? However, its idiomatic

    meaning is simply that John is very timid that he would not dare to make the mildest protest, no

    matter how bad he was treated.

    The second type as in the case of the following example, taken from the same source, the

    idiom can only have a figurative meaning. That is, no literal interpretation can be made: shall

    we go Dutch? This means that everyone should pay for his own meal or entertainment or has to

    share the expenses. Again, it is impossible to infer the meaning of the idiom from its separate

    words in question.

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    Before moving forth with this, here is a clarification of what a figurative meaning is.

    According to Ponterotto: Figurative language is a language which does not mean what it

    says.(1994, p.2). For example if you say that a person has burnt his boats; it is just an image that

    refers the inability of going back home (retreat is impossible). Idioms often originate from

    metaphors in which figurative meaning is embedded. And it is really hard then to draw a

    dividing line between them. The figurativeness of an idiom is actually a characteristic that helps

    in the identification of idioms in general along with other characteristics such as being a lexical

    item having a certain peculiar collocation.

    .1.2. Transparency in meaning

    According to Lewis The figurative meaning of an idiom is the criterion by which different

    kinds of idioms are said to range from easily interpretable to totally opaque. (1993. p.98). He

    adds saying that there is a continuum from transparent to opaque along which idioms are

    categorized. And he calls it: 'spectrum of idiomaticity'. Thus, idiom comprehensibility is related

    to its degree of transparency. Fernando sees that this spectrum can be divided into a four-point

    scale. (1996. p. 204), i.e. four degrees that are as follows.

    6.1.2.1. Transparent

    In this type of idioms, the idiomatic meaning is pretty close to the literal one that some

    scholars, namely Fernando, consider them non-idiomatic to a certain extent, as in:

    - Think nothing of it = do not worry about it.

    - To be a piece of cake = very easy.

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    .1.2.2. Semi-transparent

    This kind of idioms is usually a metaphor, such as:

    - To eat like a horse = in large quantities

    - As two peas in a pod = alike.

    - To fish for complements = want to be praised.

    6.1.2.3. Semi-opaque

    Here the figurative meaning becomes more detached from the meaning of the constituent

    elements of the idiom:

    - To be all thumbs = clumsy.

    - To sit on the fence = to be neutral.

    - To be thin skinned = over sensitive.

    6.1.2.4. Opaque

    The meaning of the idiom is completely different of that of the individual elements. It is

    impossible therefore to work it out. I.e. either you know it or you simply do not, as in:

    - To spill the beans = reveal a secret.

    - Till the cows come home = for a long time or forever.

    - To catch somebody off guard = unprepared.

    The question to be asked now is how can one understand the meaning of an idiom especially

    if it is an opaque one? The best way to learn an idiom is either to see it in context or/and to check

    its origins and how it came into use. After putting the previous idioms in context notice how

    clearer they get:

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    .1.2.4.4.1. Transparent:

    Eg01: - sorry, I couldnt pick up the phone. I had a meeting.

    -Oh! Think nothing of it. It was not important. (Do not worry about it)

    Eg02: -So, how was the game? Did you win?

    -Sure we did. It was a piece of cake. (Very easy)

    6.1.2.4.4.2. Semi-transparent:

    Eg01: No wonder he has a stomachache. He eats like a horse. (In large quantity)

    Eg02: Is this your sister? You are as two peas in a pod. (Alike)

    Eg03: -I am not nearly as pretty as Isabel.

    -what are you saying! You are a hundred times prettier! You really are fishing for

    complements! (Wants to be praised)

    6.1.2.4.4.3.Semi-opaque:

    Eg01: Do not ask Marry to help you with the cooking. She is all thumbs. (Not skillful and

    clumsy)

    Eg02: Listen mike, either you support me or you dont. You cant just sit on the fence all

    your life. (Avoid deciding between two sides of an argument)

    Eg03: I did not mean him to take my remarks so personally. He is so thin-skinned!

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    .1.2.4.4.4.Opaque:

    Eg01: she has spilt the beans about your engagement. It will be all over the town by now.

    Eg02: you can argue about that till the cows come home. You will never agree. (Forever)

    Eg03: The question caught him off his guard, so he could not answer. (Was unprepared)

    (Our examples)

    Many idioms have stories behind their use. They are usually related to the social and cultural

    environment in which they appeared. They are sometimes related to old stories, legends and

    myths. Knowing the origin of an idiom can surely help understanding it no matter how opaque it

    is. Examples of such idioms are:

    Achilles` heel

    This expression was named after the old Greek hero Achilles. When he was a child, his

    mother dipped him into the River Styx which made him invincible. She held him by the heel,

    which therefore was not touched by the water. And thus it was the only vulnerable pats of his

    body Achilles died after being wounded by an arrow in the heel. (Oxford Idioms Dictionary.

    2006. P: 2). so, now people use this expression to refer to a hidden weakness or fault in

    somebody that can be used against them.

    Eg01: Her stubbornness proved to be her Achilles heel.

    Eg02: He was such a successful man. What a sticky end! Being a ladies man was really his

    Achilles heel. I feel sorry for him.

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    A ball and chain

    In the past, prisoners had to wear a heavy metal ball on a chain around one leg so that they

    could not escape. (ibid. P: 16). Now the expression is used as an idiom to mean: a problem that

    prevents you from doing what you would like to do.

    Eg: English was as a ball and chain when I finally decided to study architecture abroad.

    It can also humorously mean: someone`s husband or wife as in:

    - I must get home to the ball and chain. She would be waiting by now.

    Cry wolf

    Its a folk story of the shepherd boy who shouted wolf! just to frighten people, so that when

    a wolf did come, nobody went to help him. And thus the expression crying wolf refers to a

    false alarm against danger.

    Eg: Is the economic future really so bad? Or are the economists just crying wolf?

    Sometimes, an especially for foreign students of English having similar idioms in one`s own

    language and culture is helpful and makes the English one easier to understand an more

    memorable. And they are more like old sayings:

    - Appearance can be deceptive.

    - As cunning as a fox.- A friend in need is a friend indeed.

    Which have similar expression, in terms of function, in Arabic:

    - Almadhahir khadda3a.

    - Makiron katha3lab.

    - Assadik wktaddik.

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    In such sentences, even if a student does not understand every single constituent word; but the

    general idea gets across; however, it does not always work.

    .2. According to their structure

    6.2.1. Grammatical structure

    This table shows the different categories of idioms according to their syntactic structure.

    Every idiom we encounter must fall within one of the following forms:

    Form Example Meaning

    Verb+ object+ complement Kill two birds with one stone To produce two useful things by

    just doing one action.

    Prepositional phrase In a blink of an eye In an extremely short time

    Simile As dry as a bone Very dry indeed

    Compound A bone of contention Something which people argue

    about or disagree over

    Binominal Rough and ready Crude and lacking

    sophistication.

    Trinomial Cool, calm and collected Relaxed, in control not nervous.

    Whole clause or sentence To cut a long story short To tell the main points but not

    all the fine details.

    Table 01:The Grammatical Structure of Idioms

    6.2.2. Fixed and variable idioms

    It was mentioned in the different definitions that idioms are more or less fixed expressions or

    phrases. So most idioms are fixed in their form, and cannot be changed or varied. Sometimes,

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    however, the grammar and vocabulary can slightly be varied. According to the American Idioms

    Dictionary, the majority of the idioms allow four kinds of variation which are: optional items,

    variable elements, movable elements and grammatical variation.

    .2.2.1. Optional elements

    They are words, phrases or variable elements that may or may not be present in an idiom. In

    some idioms adding or omitting certain words does not change its meaning at all. The optional

    item is usually put between parentheses in most dictionaries.

    Eg: Alike as (two) peas in a pod.

    The idiom here is actually two variants:

    - Alike as peas in a pod

    - Alike as two peas in a pod.

    But this does not really matter since the metaphor gets across. And it is still the same idiom.

    6.2.2.2. Variable elements

    A variable element in an idiom is a word that can stand for a whole list or class of words or

    phrases. The most common ones are: someone, somebody, something, someone or something,

    one (The same person as the agent of the sentence), someplace (for locations). And other more

    specific items like: an amount of money, doing something, some time (Spears, 08)

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    - To put pressure on somebody to do something.

    Eg: The director is putting pressure on the workers to finish their reports on time.

    The underlined elements can vary within the same class: somebody can be workers, children,

    her husbandand so can the other elements.

    - To be a prey to something.

    Eg: He was often a prey to doubt and despair.

    Something here can also be replaced by a large number of possible words: poverty, sadness,

    wolves (metaphorical)

    Someone versus one

    In the process of learning idioms, a student may get confused. How can `one` be different

    from `someone` in an idiom? So `one` simply refers to the same human being that is named as

    the agent or subject of the sentence in which the variable element `one` is found. The variable

    element `oneself` works the same way.

    Eg01: To be able to do somethingstanding on one`s head.

    Some possible variants here are:

    - He is able to bake cookies standing on his head.

    - She is able to drive this car standing on herhead.

    - Iam able to finish this report standing on my head.

    The personal pronoun must be linked to the possessive one. So sentences like the following

    ones are incorrect or inappropriate

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    - He is able to bake cookies standing on her head.

    - She is able to drive this car standing on his head.

    - Iam able to finish this report standing on yourhead

    Because the idiom will be like: to be able to something standing onsomebody`s head, that

    is someone else`s head, and this is not it. A native English speaker would instinctively know the

    latter sentence is wrong, but language learners might find it a little hard to tell the difference

    between one and someone. So, extra practice is required at this point.

    .2.2.3. Movable elements

    They are usually adverbs or other particles that can either follow or precede a direct object.

    This mainly concerns phrasal verbs and it refers to the possibility of moving the verb`s particle

    before the object. (Some phrasal verbs are considered as idiom. They are the ones with a

    figurative meaning such as: to look aftersomebody, which means to take care of him/her).

    Examples:

    - keep something quiet. Or keep quietabout something.

    - Verb+ Object+ particle. Or verb+ particle+ Object.

    Put+ your hat+ on. Or Put+ on+ your hat.

    Take+ the trash+ out. Or Take+ out+ the trash.

    We should also mention that not all phrasal verb particles are movable. For instance, it is

    impossible to say: I will lookhim after. It is rather: I will look after him.

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    .2.2.4. Grammatical variation

    A good knowledge of the Basic English grammar enables the learner to reduce the plural

    nouns to singular, verbs to their infinitive forms and passive voice to active. And then the idiom

    will be easy and ready to be used.

    Variation Example

    Occasionally, an idiom in the active voice can

    be used in the passive.

    01. Government ministers always pass the

    buck if they are challenged about poverty.(blame someone else or refuse to accept

    responsibility) > 02. The buck has been

    passed from minister to minister. No one

    seems prepared to accept the responsibility.

    Some verb-based idioms also have non-

    compound forms.

    There is too much buck passing in the

    government these days.

    One or more words can be varied in the idiom Stop acting the fool/goat. (stop acting

    stupidly)

    Table02. Grammatical Variety within Idioms

    According to Ball, the idiomatic expression does not conform to ordinary grammatical usage.

    You may use verb in the past or present tense to refer to a future event.

    Eg01: It is time we wenthome. (Past for future meaning)

    Eg02: When you come tomorrow, I will pay you back. (Present for future meaning)

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    Also, the idiomatic expression is not strictly grammatical, but is well established within the

    native speakers. (They are mostly spoken)

    Eg01: It is ages since we met. (Singular with plural noun)

    Eg02: He is a friend ofmine. (Possessive instead of personal pronoun)

    Some others show unusual structures. Such as: come to think of it. (1988, p. 204)

    .2.2.5. Other variations within idioms

    The last point mentioned in table two needs more details. Sometimes a word in an idiom can

    be replaced with another. Whether one word is more used or is most recognized as an idiom; or

    are equally used. And the idiom, then, is defined at the first word that is fixed.

    Eg: A bag/a box of tricks: A set of methods or equipments that somebody can use.

    - The hotel managers are using a whole new bag/box of tricks to attract their guests.

    Some idioms have variants which belong to a particular variety of English such as American

    English

    Eg: `Eat humble pie` is a British idiom which has an American variant: Eat a crow. And they

    both mean: say and show that you are sorry for a mistake that you made.

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    . The use of idioms

    As we have mentioned earlier in this research, figures of speech, such as idioms, play an

    important role in enlivening one`s essay. However, a student writer must bear in mind that the

    way of using and choosing them is what matters the most. Figures of speech which, according to

    Baratta (2004), belong to the hardly described word style cannot be viewed as right or wrong.

    Yet, the best side from which we should consider them is appropriateness. Moreover, it is the

    context that determines a figure of speech to be appropriate or inappropriate. As a result, he

    suggests contextual awareness to determine how much figures of speech and other literary

    devices are needed for an academic essay. Consequently, the excess of using figures of speech in

    one's academic essay will make it less formal and even not academic. Thus, a student writer

    should be very selective and moderate while writing. In fact, most idioms are considered

    informal, especially American. But most dictionaries mention whether the idiom is formal,

    informal or even slang.

    Eg01: To go ape: (to be very angry) is considered as very informal or slang.

    Eg02: A man of straw: (a weak or cowardly person) is a formal expression. And so on

    So, whenever a student learns a new idiom, he ought to check it out in a dictionary for better

    and appropriate use.

    Conclusion

    If you are sick of your simple and plain English, and you really want to write vivid and

    outstanding essays, idioms will do the trick. Not only they clarify ideas and concepts, they

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    entertain your readers so that they take pleasure in reading the witty succinctness in which your

    complicated ideas are made clearer and enriched by images. So explore this aspect of language

    and you will be surprised by what you can learn. And remember, they say: an image is worth a

    thousand words

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    Chapter Two: The Fieldwork.

    Outline:

    Introduction...36

    1. Description of the population.....................36

    2. Description of the Research tools.......37

    2.1. The Pre-test..............................37

    2.2. The Courses.....................................37

    2.3. The Post-test ...............................................38

    3. Description of the Pre-test results ..................40

    4. Description of the Post-test results.................44

    4.1. Part One...................................43

    4.2. Part Two..................................43

    5. Discussion of the Results...........................................47

    Conclusion.......57

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    Chapter Two: The Fieldwork.

    Introduction

    Chapter two represents the practical part of the research. It focuses on raising students`

    awareness about idioms and the importance of using them in their writing. The tools presented in

    this part are used for the requirements of the research. We designed a pre-test to check the

    student's knowledge about idioms. After that, we gave the students two courses as an initiative to

    build up their awareness about idioms and their usefulness in academic writing, giving as much

    information as was possible.

    Finally, we provided them with a post test to see whether they have taken advantage of the

    lessons given to them, and if they, eventually, would use idioms in writing. We have taken into

    consideration all the circumstances that surrounded the study. Both of the pre-test and the post

    test were handed to twenty of Master One students, who study English Civilization and

    Literature in the Department of Languages, University of Constantine. It is to be mentioned also,

    the interference some unwanted variables that could not, in any way, be ruled out.

    1. Description of the Population

    Our research population is one group of 35 Master One students of English Civilization and

    Literature, from the Department of Languages, University of Constantine, from which we

    randomly chose 20. We have purposefully selected this population on the basis that after four

    years of study, they have good language mastery. They are also more exposed and interested in

    the English culture and its different aspect, which makes understanding idioms easier.

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    2. Description of the Research Tools

    The tools used in this research are a set of a pre-test, two courses, and a post test.

    2.1. The pre-test (See appendix 1)

    It was designed to evaluate the students' knowledge about the idiomatic expressions. It is also

    an indirect introduction to the concept of idiom. We wanted the pre-test to be as inviting as

    possible to motivate students.

    It is divided into four units, every unit serves a purpose. Unit 1 starts from question 1 to

    question 4. It is a kind of warm up to the rest of the questions. It checks whether or not the

    students know idioms. Unit 2 includes questions 5 and 6. In this unit we provided four idioms:

    - Think nothing of it.

    - Air one's views.

    - Fog the mirror.

    - Kick the bucket.

    These idioms represent the four degrees of idiom transparency. They were given to check the

    degree of comprehensibility of idioms in isolation in question five, and then in context in

    question six. Unit 3 consists of question 7. It was given to present the idea of the similarity of

    certain idiomatic expressions between English and Arabic, and to see if this similarity will help

    understanding idioms. Students were to give the equivalents of the idioms provided in their

    mother tongue. The idioms are:

    1- Once bitten twice shy.

    2-All that glitters is not gold.

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    3-Honesty is the best policy.

    The fourth unit includes question 8, in which we asked students to write paragraphs about a

    funny story or a terrible day they had. We wanted the topics to be light, motivating and suitable

    for imagination. We asked them to be creative so that they will be free to use figures of speech,

    precisely idioms. We hid the purpose of the pre-test in order not to influence the students'

    performance in any ways and get their real level and style. With the agreement of the teacher of

    the written production skill, the students were given half an hour of time to answer the questions.

    This limitation of time was done on purpose to check out the existing knowledge of students and

    their performance in such situation.

    2.2. The courses

    The results of the pre-test were as we anticipated. They showed a lack of knowledge of

    idioms. After getting back the students' answers of the pre-test, we devoted two courses in two

    different sessions for the awareness building. In the first session we started with a general

    feedback of the pre-test, which helped introducing the theme of our research. The second session

    aimed at refreshing students' knowledge about the writing skill and its two types (academic and

    creative writing). In addition to that, we have introduced them to the importance of using

    creative and figurative language in academic writing. In the end, we shed light on the idiomatic

    expressions as an instance of the figurative language. It was an overview that included

    definitions, types and classifications. In addition to some useful tips to learn, understand,

    memorize and appropriately use these idioms.

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    2.3. The post-test

    To check the effectiveness of our lectures, we designed a post-test. We were interested in

    knowing to things: first, whether the students knowledge about idioms has improved. Second, if

    so, are they going to use idioms in their writing, in the sense that they realize now their

    importance? Thus, the post-test was divided into two parts; in the first part we asked the students

    to come up with their own definitions of idioms, and then provide us with examples of idioms in

    isolation and in context. The examples should prove their ability of using idioms appropriately.

    In the second part students were asked to write an assay about one topic out of three. The three

    topics were:

    1-Why did you choose to study English and why civilization and literature?

    2-How can idioms improve your pieces of writing? Give Examples.

    3-If you want to write about a topic of your choice be our guest.

    The reason of which topic 1 is chosen is that it is a topic anyone can write about passionately.

    So there is a chance of creativity that leads to the use of idioms. By writing about topic 2

    students will hit the core of our research idioms, because they should be able, by now, to tell

    the difference between a plain simple text and an idiomatic one. Topic 3 gave them a chance to

    express themselves without ties and, hence, to be creative.

    In the post-test, however, we did not limit students by the time as in the pre-test but it rather

    took one day. Again, we wanted them to be comfortable for better results. Also, doing it at home

    gives them a chance to do more research about idioms and thus our purpose would be fulfilled.

    3. Description of the Pre-test Results

    The pre-test papers have been gathered from the sample students. Then the answers were

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    carefully examined and analyzed.

    nit One: Includes the questions from1 to 4

    We wanted to know whether or not students can recognize the idiom in the joke, and if they

    know the term itself. Giving examples would be a prove.

    Students who: Number Rate

    Understood and explained

    the joke

    12/20 60%

    Knew the term idiom 6/20 30%

    provided correct examples 5/20 25%

    Table03: Students Knowledge of Idioms

    As Table03 shows, 12 out of 20 students understood the joke that included the idiom` pay

    attention. So, the warm up was 60% successful. The other 40% students were not able to explain

    the punch line. As for their knowledge of the term idiom, only 6 students could recognize the

    nature of the expression. This means, only 30%of them know about idioms. The students who

    could provide correct examples, though, were only 5 that is 25%. We noticed also that some

    students understood the joke and provided examples, but just could not give the term idiom. So

    they know the concept, yet not the terminology.

    Unit Tow: includes questions 5 and 6

    We aimed at knowing students degree of idiom comprehension in isolation and in context to

    show context effectiveness.

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    Student

    Right guess of idioms in

    Isolation Context

    Number/4 Rate Number Rate1 1 25% 4 100%

    2 1 25% 1 25%

    3 1 25% 1 25%

    4 0 0% 4 100%

    5 1 25% 3 75%

    6 0 0% 0 0%

    7 0 0% 3 75%

    8 1 25% 0 0%

    9 1 25% 1 25%

    10 0 0% 3 75%

    11 0 0% 0 0%

    12 1 25% 1 25%

    13 1 25% 4 100%

    14 1 25% 1 25%

    15 2 50% 3 75%

    16 1 25% 1 25%

    17 0 0% 1 25%

    18 3 75% 3 75%

    19 2 50% 3 75%

    20 0 0% 1 25%

    Total 17 21.25% 38/80 47.5%Table4: Degree of Idiom Comprehensibility in Isolation and in Context

    We can see that none of the students could know all the four idioms provided when they were

    put in isolation. Only one student out of 20 could recognize 3 idioms. That is 5% of students

    understood 75% of the provided idioms. Two students, who represent 10%, understood 2 idioms

    out of 4, that is 50% of the idioms. On the other hand, 10 students, that is half of the students,

    knew no more than 1 idiom, which represents a percentage of 25%. The rest of students that are

    7 (35%) did not know any idiom at all. Their degree or rate of understanding those idioms is 0%.

    So, students degree of idiom comprehensibility in isolation is 21.25%.

    As for idioms in context, 3 students understood all the four idioms provided in context. This

    means that 15% of students were a 100% successful in understanding idioms in context. Then, 6

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    students, which represent 30% of them, figured out the meaning of 3 idioms. it is a total

    understanding of 75%. Forty percent of students (8) had the rate of 25% when they knew only 1

    idiom in context. The remaining 3 students had the percentage of 0% as they did not recognize

    any of the idioms. Hence, this results show a total understanding of idioms in context of.5%.

    Unit Three: question 7

    We wanted to see if students will give idiom equivalents in Arabic or French to show that the

    similarity of these expression help understanding idioms.

    student

    Right equivalent of idioms

    in another language

    Number/3 Rate

    1 2 66.66%

    2 1 33.33%

    3 1 33.33%

    4 2 66.66%

    5 2 66.66%

    6 2 66.66%

    7 0 0%

    8 0 0%

    9 2 66.66%

    10 2 66.66%

    11 1 33.33%

    12 2 66.66%

    13 0 0%

    14 0 0%

    15 1 33.33%

    16 2 66.66%

    17 1 33.33%18 2 66.66%

    19 2 66.66%

    20 3 100%

    Total 28 46.66%

    Table5: Understanding idioms with Equivalents in Other Languages

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    Table 5 displays that only one student out of 20, which represents 5%, could write the right

    equivalents of all the three idioms in other languages. 10 students gave the appropriate

    equivalent of 2 idioms out of 3, which is a percentage of 66.66%. The Table also shows that

    only5 students were able to find an equivalent of 1 idiom, which is a percentage of 33.33%. Four

    students, however, did not give any equivalent. Consequently the average of understanding

    idioms which are similar to others in other languages is 46.66%.

    nit Four:

    The paragraph was aimed to see if students will use any form of figures of speech,

    particularly, idioms. Out of 20 students, 06 did not even write the paragraph, which represents

    30%. And only 02 of the other 14 used idioms in their paragraph, which is a percentage of

    14.28%. They did not use any form of figurative language. They only used one idiom taken from

    the examples we gave them, which is to pay attention.

    4. Description of the Post-test Results

    4.1. Part One

    This part of the test was designed to see if the awareness building about idioms was

    successful. In question one, 14 students out of the 16 who gave back their post-test papers,

    provided a good definition of idioms. That is a percentage of 87.5%. If we consider the 4 missing

    papers as unsuccessful definitions, then the total rate will be 70%.

    The answers of questions two and three are to show if these students know idioms well

    enough to provide accurate examples in an appropriate context. The results are tabulated as

    follows:

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    Students Examples of Idioms

    In isolation In context

    Number/4 Rate Accuracy/4 Rate

    1 4 100% 4 100%

    2 4 100% 4 100%

    3 4 100% 3 75%

    4 4 100% 4 100%

    5 4 100% 4 100%

    6 4 100% 4 100%

    7 4 100% 3 75%

    8 3 75% 3 75%

    9 4 100% 4 100%

    10 4 100% 3 75%

    11 4 100% 3 75%

    12 4 100% 3 75%13 4 100% 4 100%

    14 4 100% 4 100%

    15 4 100% 4 100%

    16 4 100% 3 75%

    17 0 0% 0 0%

    18 0 0% 0 0%

    19 0 0% 0 0%

    20 0 0% 0 0%

    Total 63 78.75% 57 71.25%

    Table6: Students Knowledge and Use of Idioms

    It is noticeable from the table above that in 15 students wrote down 4 correct idioms in

    isolation and gave their adequate explanations. This means that 75% of students gave a 100%

    good examples. Just 1 student gave 3 out of 4 good examples with their explanations; this

    represents 75% of idioms. The 4 missing papers were considered as null. Those 20% of students,

    thus, gave neither examples of idioms in isolation nor their explanation; they, therefore, have a

    rate of 0%. Hence, totally we have 63 correct idioms in isolation with their right meaning, which

    is a percentage of 78.75% of the students' knowledge and use of idioms.

    However, in context we can see that 9 out of 20 students succeeded in putting their four own

    idioms in context, that equals 45%. We noticed also that 7 students could put 3 idioms in their

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    right context. That is 35% of students were 75% successful. The four remaining students did not

    succeed in doing this task. That represents 0%. All in all, the rate of accurately putting idioms in

    context is 1.25%.

    4.2. Part two

    Students in question 8 were asked to write an essay to see if they, after the awareness

    building, will use idioms frequently and accurately. As we examined the students essays, we

    noticed that none of them used any form of figures of speech other than idioms. Some did not

    include any figures of speech at all. The use of idioms was as the following table demonstrates.

    Students Idioms

    Frequency Accuracy

    1 0 0

    2 0 0

    3 0 0

    4 5 5

    5 1 1

    6 0 0

    7 1 1

    8 0 0

    9 0 0

    10 1 1

    11 2 2

    12 0 0

    13 0 0

    14 0 0

    15 1 1

    16 2 217 0 0

    18 0 0

    19 0 0

    20 0 0

    Total 13 13

    Table7: Frequency and Accuracy of Students Use of Idioms in the Essays

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    We can see from Table 7 that only 1 student out of 20 accurately used 5 idioms in his essay.

    Then, 4 students accurately used 2 idioms. Two students made use of only 1 idiom in their

    productions. However, 13 students, including those who did not give back their papers, did not

    provide idioms at all in their compositions. As a result, only 13 idioms were used in 20 students

    essays. These results are represented in percentage in Table 8.

    Number of

    idioms

    Number of

    students

    Rate

    0 13 65%

    1 2 10%

    2 4 20%

    5 1 5%

    Total/13 Total/20 Total/ 100%

    Table8: Percentage of the Students Use of Idioms in the Essays

    This table shows that 65% of the students did not include a single idiom in their essays. And a

    total of 35% of them used idiom as follows: 5% used 5 idioms, 10% used 1 idiom and 20% used

    2 idioms in their essays.

    5. Discussion of the Results

    The results of the pre-test analysis show that students knowledge about idioms is low and

    limited. The fact that the percentage of students who actually knew the term idioms is 30% and

    that of those who gave examples is25% as table 3 shows, proves that there is a lack of awareness

    and knowledge of idioms amongst these students. As for unit 2, which was represented in

    Table4, it shows that the percentage of students understanding of idioms in context (47.5%) is

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    higher than that of idioms in isolation (21.25%). This is an evidence of the usefulness of context

    in understanding idioms. The rate is not very high itself, so depending on context alone is not

    enough. Table 5, on the other hand, shows a similar percentage of understanding idioms in

    comparison to other languages which is 46.66%. Here, many students were able to identify the

    equivalent idiom in Arabic and in French which helped them understand the English idiom. So,

    comparing idioms might be another method to understand idioms if context does not help. As for

    the paragraphs, the very low rate of using idioms which is 14.28% and the fact that none of them

    used any form of figurative language other than idioms, is again a sign of students lack of

    awareness of idioms and the importance of using them for better writing. That is why their

    paragraphs were really plain and simple. The other 30% of the students, though, did not write a

    single word because of the lack of time. All in all, these students were in need of an awareness

    building about idioms and writing. Then next step was an attempt to raise their awareness via

    courses. Our lectures were only a small introduction that resulted in the following.

    The pos-test results show that 70% of the students were successful in writing their own

    definitions of idioms. Also, 80% were able to give good examples of idioms in isolation with

    their meanings, a percentage of78.75%. Most of those idioms were put in an appropriate context

    (71.25%); Even though we considered the score of those who did not return the test papers as

    null. These results are considerably high and show a great improvement in students knowledge

    and mastery of idioms. This means that the idioms awareness building was, though short,

    effective and fruitful. On the other hand, they essay results were unexpected. After having given

    the students enough time (a whole day) to write; only 35%of them used idioms in their writing

    ranging from 1 to 5 idioms only. The other 65% of them have not used a single idiom or any

    figurative language of any kind. And their style was neither academic nor creative, not even a

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    combination of both as we wanted an expected. In our assumption, this is either because the idea

    of using idioms is still new to them, or the concept is too vague so they need more time and

    practice; or the awareness building was not deep enough to make them use idioms. The first

    assumption is more probable because the results of the first part of the pre-test prove that these

    students have acquired a great deal of knowledge in the courses and they successfully understood

    what idioms were about. Also, we think after going over their written productions that their level

    of English is not is it is supposed to be and they need to work on their grammar and diction

    weaknesses. Furthermore, the awareness building was only an introduction to idioms and their

    role in enlivening essays. And the purpose was to motivate them and push them to investigate

    more if they wanted to enhance their writing abilities. Our goal was reached since the first part

    was successfully done.

    In a nutshell, our first hypothesis is confirmed. That is if the students are introduced to

    idioms, then their ability of understanding and appropriately using idioms will be higher. This

    has been proved. Yet, the second hypothesis which is: if they know idioms well enough they will

    use them in their writing which will make their essays more expressive, beautiful, entertaining

    and prestigious, was disconfirmed. So maybe they just did not know them well enough. Also

    knowing idioms does not necessarily mean that a student will use them.

    Conclusion

    To conclude, students knowledge of idioms could be improved through light, energetic and

    motivating lectures. Yet students should make their own effort and investigate more. But if they

    really want to enhance their writing abilities they must work on their weaknesses, apply what

    they learn, and practice writing whenever possible.

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    General Conclusion and Recommendations

    Our study is devoted to check and improve students awareness of idioms and their

    importance in enlivening their essays. As an attempt to motivate them to make their own

    researches about the issue being a very vague, yet an interesting one. The main questions we

    were to answer are whether Master One students of English Civilization and Literature know

    idioms and if they do know them, why dont they use them in writings. This is what led us to

    question whether an awareness building will make them use idioms to write better essays. Thus,

    we came up with two related hypotheses that are: if Master students of English are to idioms,

    then their ability of understanding and appropriately using idioms will be higher. And if they

    know idioms well enough they will use them in their writing which makes their essays more

    expressive, beautiful, entertaining and prestigious.

    Before getting into practice, we have presented an overview of writing and idioms

    represented by Chapter One. The aim behind this theoretical part is to shed lights on the nature of

    writing, its two types academic and creative writing, in addition to the nature of idioms, their

    types, and then the use of creative language in academic writing by the inclusion of idioms.

    Chapter Two, our fieldwork, included a thorough description or the research tools that were a

    pre-test and a post-test. It also described an important step in the research which is the two

    awareness building courses given to students. The results were analyzed and helped us determine

    the efficiency of our work.

    At first, the majority of students lacked knowledge of idioms as a term and concepts. Their

    essays were simple and did not include any kind of figurative language. Yet, after the courses,

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    their knowledge and mastery of idioms has improved a great deal, which confirmed our first

    hypothesis. Their essays on the other hand did not witness the same rate of improvement. Their

    style was still the same and the idioms were almost absent. These results have disconfirmed our

    second hypothesis.

    We finally concluded by justifying these results by the lack of time which was a major

    limitation of our study. Also, improving one essay does not happen overnight. Students are

    recommended to practice writing more and investigate more to get their essays to the level that

    suits them as Master students

    In the light of our findings, we recommend the following:

    For better results in the future, the awareness building should be deeper and should

    include numerous sessions of guided practice. This is as far as Master students are

    concerned.

    For even better results, the awareness building should start from students first year so

    that by the time they graduate, both their spoken and written productions will be better.

    We hope that our work was a good eye-opener and that it has helped to have insight into the

    use of idioms in writing. We also hope that it will help learners as well as teachers reconsider

    their stand vis-a-vis creative writing and idioms.

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