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of 153
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Light Meteringmaking your aperture & shutter speed worktogether to get a well exposed photo
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Film Exposure ?what contributes to
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Film Exposure ?what contributes to aperture setting
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Film Exposure ?what contributes to aperture setting
shutter speed
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Film Exposure ?what contributes to aperture setting
shutter speed film speed (sensitivity)
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Film Exposure ?what contributes to
Think about it like being out in the sun!
aperture setting shutter speed film speed (sensitivity)
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Film Exposure ?what contributes to
Think about it like being out in the sun!
aperture setting shutter speed film speed (sensitivity)
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Film Exposure ?what contributes to
Think about it like being out in the sun!
aperture setting shutter speed film speed (sensitivity)
aperture setting
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Film Exposure ?what contributes to
Think about it like being out in the sun!
aperture setting shutter speed film speed (sensitivity)
aperture settingwhat is the weatherlike? how much sun isgetting to you?
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Film Exposure ?what contributes to
Think about it like being out in the sun!
aperture setting shutter speed film speed (sensitivity)
aperture setting
shutter speed
what is the weatherlike? how much sun isgetting to you?
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Film Exposure ?what contributes to
Think about it like being out in the sun!
aperture setting shutter speed film speed (sensitivity)
aperture setting
shutter speed
what is the weatherlike? how much sun isgetting to you?
how long are you out
in the sun?
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Film Exposure ?
film speed
what contributes to
Think about it like being out in the sun!
aperture setting shutter speed film speed (sensitivity)
aperture setting
shutter speed
what is the weatherlike? how much sun isgetting to you?
how long are you out
in the sun?
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Film Exposure ?
film speed
what contributes to
Think about it like being out in the sun!
aperture setting shutter speed film speed (sensitivity)
aperture setting
shutter speed
what is the weatherlike? how much sun isgetting to you?
how long are you out
in the sun?
how sensitive is yourskin? do you burneasily or tan easily?
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most light
least light
2
2.8
4
5.6
8
11
16
22
1
2
4
8
15
30
60
125
250
500
1000
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Think about a water faucet and a bucket. The faucet will act as the aperture and atimer for the shutter speed. The bucket is a properly exposed photograph.
When you open the faucet all the way (f/2), water rushes out so you fill the bucketin a very short time (1/1000 sec). This would let in a lot of light for a short time.
When you open the faucet just a little bit (f/16), water barely trickles out andtakes much more time (1/15 sec) to fill the same bucket.
It doesnt matter which combination you choose, the bucket is filled the sameamount, just like a photo can be exposed the same amount by various apertureand shutter speed combinations while also controlling motion and depth of field.
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/16
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1/30/16
correctly exposed
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1/30 /8/16
correctly exposed
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1/1251/30 /8/16
correctly exposed correctly exposed
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1/1251/30 /8/16
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1/1251/30 /8/16 1/125
less time
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1/1251/30 /8/16
underexposed
1/125
less time
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1/1251/30 /8/16
underexposed
1/125
less time
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1/1251/30 /8/16
underexposed overexposed
1/125
less time
/4
wider aperture
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most light
least light
2
2.8
4
5.6
8
11
16
22
1
2
4
8
15
30
60
125
250
500
1000
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most light
least light
2
2.8
4
5.6
8
11
16
22
1
2
4
8
15
30
60
125
250
500
1000
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most light
least light
2
2.8
4
5.6
8
11
16
22
1
2
4
8
15
30
60
125
250
500
1000
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most light
least light
2
2.8
4
5.6
8
11
16
22 1
2
4
8
15
30
60
125
250
500
1000
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most light
least light
2
2.8
4
5.6
8
11
16
22
1000
500
250
125
60
30
15
8
4
2
1
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2
2.8
4
5.6
8
11
16
22
1000
500
250
125
60
30
15
8
4
2
1
balanced
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Equivalent Exposures
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/2.8 1/250
/16 1/8
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/2.8 1/250
/16 1/8=
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2.8 @ 1/250 sec.
16 @ 1/8 sec.
These images make use of equivalent exposures - using differentsettings, they accomplish the same exposure - but with differentcreative effects!
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2.8 4 5.6 8 11 16 22
125
Equivalent Exposures
Point of Departure (FOR EXAMPLE)
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2.8 4 5.6 8 11 16 22
125
Equivalent Exposures
60
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2.8 4 5.6 8 11 16 22
125
Equivalent Exposures
60 30
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2.8 4 5.6 8 11 16 22
125
Equivalent Exposures
60 30 15
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2.8 4 5.6 8 11 16 22
125
Equivalent Exposures
60250 30 15
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2.8 4 5.6 8 11 16 22
125
Equivalent Exposures
60250500 30 15
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2.8 4 5.6 8 11 16 22
125
Equivalent Exposures
602505001000 30 15
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2.8 4 5.6 8 11 16 22125
Equivalent Exposures
60250
equal light
5001000 30 15
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2.8 4 5.6 8 11 16 22125
Equivalent Exposures
602505001000 30 15
bracketing:shooting the same photo at different exposures
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2.8 4 5.6 8 11 16 22125
Equivalent Exposures
602505001000 30 15
250 125 60
bracketing:shooting the same photo at different exposures
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2.8 4 5.6 8 11 16 22125
Equivalent Exposures
602505001000 30 15
250 125 60
bracketing:shooting the same photo at different exposures
5.6 8 11
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How do I know whatsettings to use?
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How do I know whatsettings to use?
1. Start at your Point of Departure
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How do I know whatsettings to use?
1. Start at your Point of Departure
/8 & 125
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How do I know whatsettings to use?
1. Start at your Point of Departure
/8 & 1252. Use your cameras light meter
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How do I know whatsettings to use?
1. Start at your Point of Departure
/8 & 1252. Use your cameras light meter
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How do I know whatsettings to use?
1. Start at your Point of Departure
/8 & 1252. Use your cameras light meter
Whats a light meter?
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How do I know whatsettings to use?
1. Start at your Point of Departure
/8 & 1252. Use your cameras light meter
Whats a light meter?
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How do I know whatsettings to use?
1. Start at your Point of Departure
/8 & 125
(thats a light meteor)
2. Use your cameras light meter
Whats a light meter?
Needle Indicator Light Meter
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f/8125
not exposed
correctly
Needle Indicator Light Meter
Correct exposure when needles are line up
Needle Indicator Light Meter
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f/460
properly exposed
Needle Indicator Light Meter
Correct exposure when needles are line up
Needle Indicator Light Meter
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f/8125
over exposed
-
+
Correct exposure when needle is in the middle
Needle Indicator Light Meter
Needle Indicator Light Meter
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f/460
properly exposed
-
+
Correct exposure when needle is in the middle
Needle Indicator Light Meter
LED Indicator Light Meter
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f/8125+ too much light
LED Indicator Light Meter
Correct exposure when green light is on
LED Indicator Light Meter
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- too little lightf/8500
LED Indicator Light Meter
Correct exposure when green light is on
LED Indicator Light Meter
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correct exposuref/8250
LED Indicator Light Meter
Correct exposure when green light is on
LED Indicator Light Meter
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correct exposuref/8250
f 2 f 4 f 5.6 f 8 f11 f 16 f 22
250 1255001000 60 30X
LED Indicator Light Meter
Correct exposure when green light is on
Aperture Priority Metering
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M
1000500250125
6030158421
p y g(you choose the f-stop it tells you the shutter speed)
Correct exposure when light stays lit
Aperture Priority Metering
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M
1000500250125
6030158421
M
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M
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M
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M
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M
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M
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M
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6030158421
M
1000500250125
6030158421
M
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M
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M
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p y g(you choose the f-stop it tells you the shutter speed)
Correct exposure when light stays lit
Aperture Priority Metering
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M
1000500250125
6030158421
M
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M
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M
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M
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M
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M
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M
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M
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properly
exposed
p y g(you choose the f-stop it tells you the shutter speed)
Correct exposure when light stays lit
Shutter Speed Priority Metering
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M
221611
85.6
42.81.4
Too muchlight
p y g(you choose the shutter speed it tells you the aperture)
Correct exposure when light stays lit
Shutter Speed Priority Metering
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M
221611
85.6
42.81.4
M
221611
85.6
42.81.4
M
221611
85.6
42.81.4
M
221611
85.6
42.81.4
M
221611
85.6
42.81.4
M
221611
85.6
42.81.4
M
221611
85.6
42.81.4
p y g(you choose the shutter speed it tells you the aperture)
Correct exposure when light stays lit
Shutter Speed Priority Metering
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M
221611
85.6
42.81.4
M
221611
85.6
42.81.4
M
221611
85.6
42.81.4
M
221611
85.6
42.81.4
M
221611
85.6
42.81.4
M
221611
85.6
42.81.4
M
221611
85.6
42.81.4
Not enoughlight
M
221611
85.6
42.81.4
M
221611
85.6
42.81.4
Not enoughlight
M
221611
85.6
42.81.4
M
221611
85.6
42.81.4
Not enoughlight
M
221611
85.6
42.81.4
CorrectExposure
M
221611
85.6
42.81.4
y g(you choose the shutter speed it tells you the aperture)
Correct exposure when light stays lit
Manual Metering
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0 11 22 +-
Correct exposure when in middle
Manual Metering
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0 11 22 +-
One stop overexposed
8 60
Correct exposure when in middle
Manual Metering
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0 11 22 +-
Two stops underexposed
16 125
Correct exposure when in middle
Manual Metering
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0 11 22 +-
Properly exposed
8 125
Correct exposure when in middle
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Wh t t d h
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What to consider whenyou take a photo:
Wh t t d h
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What to consider whenyou take a photo:
What is structure of my photo?
Wh t t d h
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What to consider whenyou take a photo:
What is structure of my photo?-use the principles of composition
Wh t t id h
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What to consider whenyou take a photo:
What is structure of my photo?-use the principles of composition
What do I want to focus on?
Wh t t id h
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What to consider whenyou take a photo:
What is structure of my photo?-use the principles of composition
What do I want to focus on?-focus my lens
Wh t t id h
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What to consider whenyou take a photo:
What is structure of my photo?-use the principles of composition
What do I want to focus on?-focus my lens
What should I light meter on?
Wh t t id h
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What to consider whenyou take a photo:
What is structure of my photo?-use the principles of composition
What do I want to focus on?-focus my lens
What should I light meter on?-meter off my subject
THE ROBOT EYE
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Your cameras ROBOT EYE (a.k.a.the light meter/sensor) is trying tolook at what youre photographingand find the MIDDLE VALUE.
THE ROBOT EYE
If you try to get a light meter reading from a reallydark or a really light area, your picture will notcome out well because the robot eye will think thatis the middle value.
Instead, try to meter from something IN THE SAMELIGHT as your subject, that really is a middle value.
What is the structure of my composition?
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What is the structure of my composition?
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Rule of Thirds
What is the structure of my composition?
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Rule of Thirds
What is the structure of my composition?
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What do I want to focus on?
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What do I want to focus on?
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What should I Light Meter on?
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+
What should I Light Meter on?
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+
Recompose, check focus, shoot
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+
Recompose, check focus, shoot
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What is the structure of my composition?
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Using the Edges of the Frame
What is the structure of my composition?
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What do I want to focus on?
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What do I want to focus on?
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What do I want to focus on?
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What do I want to focus on?
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What do I want to focus on?
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100050025012560
30158421
M
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M
100050025012560
30158421
Recompose, check focus, shoot
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10005002501256030158421
M
Recompose, check focus, shoot
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What is the structure of my composition?
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100050025012560
30158421
What is the structure of my composition?
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100050025012560
30158421
Rule of Thirds
What is the structure of my composition?
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100050025012560
30158421
Rule of ThirdsLine
What is the structure of my composition?
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100050025012560
30158421
Using the Edges of the Frame
Rule of ThirdsLine
What do I want to focus on?
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100050025012560
30158421
What do I want to focus on?
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100050025012560
30158421
What should I Light Meter on?
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100050025012560
30158421
What should I Light Meter on?
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10005002501256030
158421
What should I Light Meter on?
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10005002501256030158421
10005002501256030158421
Recompose, check focus, shoot
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100050025012560
30158421
Recompose, check focus, shoot
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Your camera always measures
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REFLECTED light(light reflecting off a subject
and into the camera lens)
It cannot measure the lightON something
Your camera always measures
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REFLECTED light(light reflecting off a subject
and into the camera lens)
It cannot measure the lightON something
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Why is this correctlyexposed?
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p
Why is this correctlyexposed?
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p
Back light overpowersthe light meter
Why is this correctlyexposed?
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p
Why is this correctlyexposed?
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p
Light meter for aspecific area ofyour subject
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Back light overpowersthe light meter
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the light meter
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Light meter for aspecific area of
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specific area ofyour subject
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REMEMBER:
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REMEMBER:
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Point of departure - /8 & 125
REMEMBER:
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Point of departure - /8 & 125
but you may have to DEPART from this!
REMEMBER:
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Point of departure - /8 & 125
but you may have to DEPART from this!
What do the settings CONTROL? Use thisknowledge!
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REMEMBER:
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Point of departure - /8 & 125
but you may have to DEPART from this!
What do the settings CONTROL? Use thisknowledge!
Once you start getting close to finishingyour roll, be careful! If it is hard to advance,
DONT ADVANCE IT
REWIND your roll BEFORE opening thecamera. Ask me for help if you need to!
Movement:move the subject, move the camera, freeze the action
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1/30
Point of View:
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get low, look down, turn sideways,get underneath, crop, zoom
Focus:
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blur the foreground, blur the background,have great depth of field, shallow d. of field
f 5.6
Portrait:
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make a figure stand out in the environment,have them lost in it, zoom in on their face, take
a portrait not of their face.
Light Metering Names of Group Members:In your group load a camera with film focus your camera compose a photograph Find the
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In your group load a camera with film, focus your camera, compose a photograph. Find the
correct exposure, take a photo, advance the film, and write down your settings. You have 24
exposures so take turns photographing and posing. You may start wherever just number the
photos 1-24 as you shoot them.
Movement: move the subject, move the camera, freeze the action, blur the action
# shutter
speed
f/stop description of photo
Point of View: get low, look down, turn sideways, get underneath, crop, zoom
# shutter
speed
f/stop description of photo
front back
Light Metering Names of Group Members:In your group load a camera with film, focus your camera, compose a photograph. Find the
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In your group load a camera with film, focus your camera, compose a photograph. Find the
correct exposure, take a photo, advance the film, and write down your settings. You have 24
exposures so take turns photographing and posing. You may start wherever just number the
photos 1-24 as you shoot them.
Movement: move the subject, move the camera, freeze the action, blur the action
# shutter
speed
f/stop description of photo
Point of View: get low, look down, turn sideways, get underneath, crop, zoom
# shutter
speed
f/stop description of photo
front back
there are 24 shots on a roll offilm: try to have 6 for eachcategory. each person in yourgroup should take 6-8 photos.
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Light MeteringNames of Group Members:
In your group load a camera with film, focus your camera, compose a photograph. Find the
correct exposure, take a photo, advance the film, and write down your settings. You have 24
exposures so take turns photographing and posing. You may start wherever just number the
photos 1-24 as you shoot them.
Movement: move the subject, move the camera, freeze the action, blur the action
# shutter
speed
f/stop description of photo
Berk, Sonia,E & D A d
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Light MeteringNames of Group Members:
In your group load a camera with film, focus your camera, compose a photograph. Find the
correct exposure, take a photo, advance the film, and write down your settings. You have 24
exposures so take turns photographing and posing. You may start wherever just number the
photos 1-24 as you shoot them.
Movement: move the subject, move the camera, freeze the action, blur the action
# shutter
speed
f/stop description of photo
Emma & DeAndre
Movement: move the subject, move the camera, freeze the action, blur the action
# shutter
speed
f/stop description of photo
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speed
Point of View: get low, look down, turn sideways, get underneath, crop, zoom
# shutter
speed
f/stop description of photo
Movement: move the subject, move the camera, freeze the action, blur the action
# shutter
speed
f/stop description of photo
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speed
Point of View: get low, look down, turn sideways, get underneath, crop, zoom
# shutter
speed
f/stop description of photo
1 30 16 Berk running, camera panning (Sonia)
7/30/2019 Metering 2012
145/153
Movement: move the subject, move the camera, freeze the action, blur the action
# shutter
speed
f/stop description of photo
7/30/2019 Metering 2012
146/153
speed
Point of View: get low, look down, turn sideways, get underneath, crop, zoom
# shutter
speed
f/stop description of photo
1 30 16 Berk running, camera panning (Sonia)2 125 22Emma waving her arms (DeAndre)
3 125 5.6 everyones feet, bugs eye view (Berk)
7/30/2019 Metering 2012
147/153
7/30/2019 Metering 2012
148/153
4 1000 2 Sonias hand, shallow depth of field (Emma)
7/30/2019 Metering 2012
149/153
4 1000 2 Sonias hand, shallow depth of field (Emma)5 125 16 By tennis court fence, great d.o.f. (Berk)
7/30/2019 Metering 2012
150/153
4 1000 2 Sonias hand, shallow depth of field (Emma)5 125 16 By tennis court fence, great d.o.f. (Berk)
6 250 5.6 Self-portrait, reflected in water (DeAndre)
7/30/2019 Metering 2012
151/153
Movement: move the subject, move the camera, freeze the action, blur the action
# shutter
speed
f/stop description of photo
7/30/2019 Metering 2012
152/153
speed
Point of View: get low, look down, turn sideways, get underneath, crop, zoom
# shutter
speed
f/stop description of photo
1 30 16 Berk running, panning (Sonia)2 125 22Emma waving her arms (DeAndre)
3 125 5.6 everyones feet, bugs eye view (Berk)7 500 4 inside the tree looking out (Sonia)
Movement: move the subject, move the camera, freeze the action, blur the action
# shutter
speed
f/stop description of photo
7/30/2019 Metering 2012
153/153
speed
Point of View: get low, look down, turn sideways, get underneath, crop, zoom
# shutter
speed
f/stop description of photo
1 30 16 Berk running, panning (Sonia)2 125 22Emma waving her arms (DeAndre)
3 125 5 6 f
8 1000 4 Sonia doing a cartwheel (Emma)
