Middle Finger

8/10/2019 Middle Finger

1/25

/rucuar-eNc

AIE{tCI

'-

_,

Ateneo

Fine Arts

faFBgY.@

"..

I

I

pal]illal

fli Han

0ng

saiin

sa

Frlrprno

nifiorr

Capindirrg

direkyurat

disertyl ng

prndukspfi

ni

[d

laesan. Jr.

urihirtal tta musika attunog niTerma Barroiu

drsenyo

ng rlaw

nr

l/eliton

Roxas

Jr

galaui

ni

Ia

Torrado

Agnsrnl-2.5-$.12-l0,lg-2?,7ggahi

:i

Agoxo

2,

L

l0.

tg

21.2

ttg

hapon

The

Black

Box

Frne

Arts

Anner

0ld Communicatrons

Butlding

Pamantasaltg

Aterteo de ltilarlila

' :&'

b$..

{..


2/25

[{I$$A8I

TRI[{

ItlI

PRI$IilTilI

larn happytsnatelhat

ln

ns

3$thseason.

TanghalangAtenw

[A]

presentsto

usseveral

plays

centered.aroultdtleli]eme

of'Nauigatting

tdentiliss'that

p0llray

*ur $ruggls

10

d8nne and

discoverlrho

lre

are

our

identily

and

place

in th0'#0rld.

As

it

delves

into the anxieiles o{

adolescence.

the

pl*y

"Middh

finger

.

uritlen

by Iiilpino-American

playunight

Hsn

0s8.

has a

dhtirlct

Filipino

flayur, uhich evel}

Bet$

$tonger

uilh

lhe Filipin0

tmnslation by

Aleneo

lacutty

Bm

kpitrk$*

-

*

Iie Palanca

Allard-$inning

ptay

*f

TA'$ neu

arlslit

direcler and

rnodsralor Glenn Setilla

Mas

probes

that interface

be-

tween ehildhcad and adultlioad.

'Rite

sf Passap

,

sn

adapfali0n

0l

a

phy

uritten ln

l(inaray-a

by Maila

Mila$ils 0ere$ia

Lachica.

takes

a

disturbilg

look at a

yuung

man bereft

of

proper guidance

from a small

lown

in

lhs Vhaya$.

lor

its

season finale. IA brings baek Samuel

$eckstts

ciassrc

'Uaiting

for

0odol'

in

its

orrginal [ngltsh

temtrn

and in

its

frliprio

riii,itar'on

-by.Naiilnii

Artist fistandr

iinis. lt

is a

stirnulatinB;l0se

l0 lhls open-e;ded

disiourle

an

ideniigwrd

place.

0n

hehall o{

the

university.

I sould like

lr

cmgmlulah

and

thnk IA for

sharpenin8

our sensitivilles.

opening our

eyes

and cultrvaling

depth

tn

therr art

*.

Sith

my

best vnhes,

I

rmdn

Very lruly

yours.

Jnse

Ramnn

T. Viltarin SJ

::

PfiISIOIt,lI LOYOTASC}IOOIS

:


3/25

fulI$$A$I

TTililI

I}lI

tIIffi Pffi$IIII{I

'\llho

am

l?'Morelhantuo

decadssato,lhatrms

aquesli0nftatapplicafttstotheAleneo

hadl0wrrtean exayon.Soml

aonlicantswouldbeclntheiressatslIiihtheirnames.birthdates.placeso{birth.narnesollheirparenls

Someapplicants

riiOe4

ro

get

losln

the murky

lraters

of

setf-refleclron

Some

rmuld

conclude

that really

they uere $iiltryrng

1o figure

oul tlho

lhey uers al

lhal

poinl.

''-ianghalangAteneosllne-up

of

days

lhisyear

remrnds me

0flhat

quetlionaldsltheosmsions

insneiliftuhenunecan

be so

very iule ol onei

oun rUeirtrty

and mlssron

in lile

one m0menl" aild

bs totally

ctuslr$s and

tust

$e

nen

mofiIent.

Ihe

tsnsionsbstus0nconformityandindividuatrty

certarntyanddoubt.mnfidenwandin$s&rity.stceptanceands$uggle-

thess mark

lho

l0urnsy

l0 sslf'krlfirl8d6a

and

malurit1.

Whother

you are

ualchlng

'Middle

tinger".

.Rne

ol?assage-.

or

"Paglihinlay

ky

fudu-.

I hope

yu

uilt

tltott

younelvesto

-

frslmthichuaclersdolsvenforonliamomentlhisidintificatisnandBrnp$hJHilhuthersulhomaysrmaynatbelika

ounelms

hdp

us see

lhal ue are

nol al0flB.

end

tlld

uB ars

all on

this

same

interesllng

joum*y

l$gtlhir.

\\lho am

l?

What am

I doing

here? What

am

I

uailing

lor? ihese arc

questiflns

fial

Uke

a

lifsfime

l0 ansver.

I

uould

like

to lhank

IanghalangAtened

forhelplngus

rnisilthenthroughthes*

hi$tyrelevantan$

highlyrelatable

ptodttclisns

John

iaul C.

Vetgara,

Ph.D

utcr PRrst0tt{t. L0Y0|.A

sctl0drs

03


4/25

a

RIM

T}{I

[[TIt{[

IIAl\l

OI

ltU]lllAt'lIIII

We have

heard

it

said

many

times

bet0re;

[,e

live in dangeruus

limss.

Bul

nolx

such

an

awareness of

our

realily seems

lo

ilev-en

*iiuiiurr

wtir

wittr

super

typhggns.

storm

surges.

shootrng

down

of

a

passenget

plane.

hundreds

of dead

in

Oiz,

ii

*riionr*ues

to rage

ltre'tisr

ioes

on

Whar

ptace-do

rire

have

fir

theater lhen.

llre rrlho

live in

the

most.dangerous

iiii,uitini

porr

tiotdertin

says,

'For

where

danger

is1

grous

lhe

saving

power

also'

And

the

saving

power?

Where

does

'r

firilifiri ii

tiurOeeier

sees

ir tfotlowing

H0ldirlin).

iripoetry.

lt

lies

in

arl.

lor

all art

is

poelry

And

lhealer.

ol

course.

ii

one

of

rfre

ioremasiot

rtre

arts.

itre irnmediacy

of

ths ipoken

word,

lhe

porler

ol action

on

lhe

slage.

the

mlors.

ths

iounUs-tfrey

iru'nli

avenues

ol escap.

ralher,

thqy

torce

us

to look

^at

dangu

in

the

eye.

and,lo

summon $e

saving

powei

ftrar

tris

urfhin each

one of

us.

lialute

langhalang

Aleneo 0n

ils 36lh

season.

as

lhey

challenSe

us

once again.

as

ihey

have always

done,

to

lirc

courageously.

poetically.

in

lhese

most dangerous

ol

limes

'Hsmmon

t

Barbi;filn.

-:

AIIINff

O[AI,I,

SCHOOL

OI

HlJl\{AlIITITS

.-.,,\:{*$.. kq*

k.

*

". e*

'*{"

s

-.s

.ss-

J

P.

dt

*.s

#.s

a,. *&..

,af

:"

R's''

,**.."\.....

lrq*


5/25

[lII$$AfiI

TROM

IrlI

rlFII ARI$

MaluIod

kong binabati anglanghdangAtenm

{1A)

sa

pagtalampok

ngayrngta$n

ng

t{tlcng

duia

nalunutalakayu

pttu-

loy na

pagtuklas

ng indibrduwal ng kanyang

sarrli

u

nagbabagong

mundo:

"l\triddle

[rnger"ni

Han

0ng:

"Brte

nl Passage" nt

Glenn

Mas:

al

"Waiting

for

0odot"ni $amuel

Be*sll.

lrrtaha{aga

na

natatattkay

ang m$

$anilong

Baksa

sa

pamamaraan

ng

dula

dahrl higit na

naitatnghal

al

naipamamalay ang

karamsar rB

t{o

at

lipunan sa walang humpay ni{ang

pa$lawid

sa

mahahalagang

kabanala ng buhay.

MaalabparinnapagbatisrTAparrsabapnilang$irektorFansin$gatModerryurnasiG.0lennl\ilas

isangpiemyadong

mandurlula

at kasalukuyanglagapag-u$nry

para

ia

ihreaterArt$'Program n8

filineo.

}ii$it

pa

$afia natifig

mati*ang

ary

naipunlanfl

lradlsyon

ng

paElaianghal

ng mga

dula

mula

riit sa afi*g

pamanla-qtn

uptng,maging

tunay na

kaagapay

ng

allng

hayan

sa

paglalakbay

sa mrndo

ng sining,

I-

-

tr1mfidrfrng

,nrhanda ng

TA

ngayong

tamay

pat -oJ

d*til,*r*

u

hriuy

di

tdlino r6mga mandudulang

nagbubu-

-

hatsahnayngmgaguroaterag-aaq{dtl0sapame.nl:asatt.kasamaangmgakaibiBa0Barlislaairnanltlikhanananiniuala

ililil,-iipiminriiiniqilisis;ining,

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..,

i

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i

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,

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orniclgfl^{E*ifrTfihnau

, i


6/25

ABOIJI

IA}lO}lALAl[ff AIII'IIB

Ianghalang

Ateneo,

the

longest-running

th$ater

company of

the

Loyola Schools,

Ateneo do Manila Universily.

$eares

int0

ils il0rk

the

th0alftal

radilions

ol

the

Unil0rsityi

sesquicentennial

past:

lhe

devolion of

lhs

sal0n

de actos at

ths [scuela Munhipal,

the eloquence of

the

Ateneo

0ramatics 0ulld.

the

joie

de

vivre

of

the Ateneo

Ptayers Theater. and

tha

innovalive

spirit

0l

lile

Alsne0

[xprrimenlal

Ihealer.

Like

these

companies,

Ianghelang

Aleneo uses

lheaterlo fosler

rloquentiia,

sapiefita,

and humanltas

-

lhe

pillars

of

Jesuit

pedagogy.

lt

sees

itsetf

-

*"'

as a

lhealer

company

in lhe service of

sludsnt formalion.

and by exlension

-

given

lhe

Jesuil

ideal of

magis

-

a

theater in service of lhe rlalion.

Since its founding in

l$72

{and

formally

recognirud five

yean

later], TanghalangAleneo

has

grown

lrom a

lledgling

band

ol student

players

t0

one of the country's leading

schooltased

thealer

companies.

lts

repertoire 0f

plays

is daunting: world

claxics.

Filipino

originrls.

and

documsfltarytexls

tumed

inlolheeter

pieces.

lls

produclions

*

:

are

n0ted

forlhought,

gener0sily,

and energy, wtrile

ils

lingua

franca

on stage

ls both [llipino

and

tnglish.

lts

film;

many more use

thef

theais{

experience

lo

excel ln management.

law.

teaching

media. and

cullural

work.

Uorld ulas

professional

theateraefirs

have

graced

its shons.

and several

oulslandirtg

designers and

chort-

[ilr.

Floy

0uinios.

[ls.

kances Makil-lgnacio,

Ms. lrlyra

Belran.

and [rlr^ Eino Gonzales.

Moreover. its audiences

,

exlend outside

lhe rampus lo embraci

theater patrons

uithin

and outside

lhe metropolitan

area.

,.

,

l.

lnaddilion,TanghatangAleneohaslrontuoAliwAuards{orBeslProduclionandanotherlvoforBe$0irection,,

,,:rl

{or

its

prelious productisfis

0f

"lhe

0ealh

of

Memory" and

"Sinung

0alnayl

ln

ils 35lh

season,

"Ang

0rmteyer

06


7/25

Actress. Best

Aclor. and Be$

Featured

Actor.

Spanish

Program

for Cultural Cooperation.

and

the Japan Foundalion

ol a dogree

program

inlhealerArls

uithin

ihe FineArts

Program oftheAteneo de

Manila Unirersity.

Ianghalang

Ateneo

prgducts

sducate and

delight; thay sfimulate

the imagination

and

provoke

thought.

Jesuil

pedagogy

fses

vith

theater

arts

to

inlerrogats

the

-

playors

and audience$ vhose

liv?s inlersecl

uilh

thef

0Yn.

Salvador

Bernal.fioreenternandR

and Nenita[scasauere

amongthe

comBany'sadvisersinthe

earlyyears. BicardoSaludo

becamelhefrsl[ioderal0randArlislic

0trecror

when il

gained

universily

recognition

in 1979. Dr.

Ricardo G.Abad

succeeded

him

and

has rsmained

the

Artistic 0ireclor

and

Moderator

ofthe

compafty

since

19t4.

ln 2014. lllr. Glenn seytlta

illas came aboardthe

Company

as

ilsArli{ic

0irector and

liloderator in 0r.

Hicardo G.A[ad's

absence.


8/25

,{i*

i ABOIII

IllE

IIt\lI

AM$

PROERIIil

fion

in

ersative

nriting,

theater

arts,

ald

the

visuatq$.

The

Fine

Arts

Program

coniinues

tlie

Universi$'s

distinguished

tradi

Ir

uptrotds

artirtic

exre.,ence,

tr.,rl-iuy

i

niii''iut"piri,jitt

or

m

eon'

'

ttiti'at

appreiiation

oi

thesry

and

hi$ory'

and

a

treishrened

sense

of

imaginali-,

ffi

;ip;;ffi

il;;ffi

n

,,rrurr

*ii

rr,i*

in

rhb'conrexr

of

rhe

Fitipins

sensibitru

-a'd

service

to others.

The

Fine

Arts

program

seeks

to

strengthen

and

reassert

Ateneo

s

voice

in

phirippine

fine

arrs--iniriafly

in

creati,,e

o,riting

rhearer

arls

arr

manasement,

,rl

i,lfiiii,iiir"ii,,-rnilriir

triri*n

*uiir,

dance,

and

film

lt

does

so bv

oflering

a

set

o{curricurar

pr08rarlls *o

p,rrJl,tiiirililNli:*o,,iq

tr1tffir'ip

in

rt'*e

areas,

provrdes

0pp0rtunities

t0r

facuttv

members

to engage

in

professional

artistic

production,

and

exercise

infltlence

bolh

within

and

outside

the

campus

lts

aes-

thetic slyte

seeks to

fuse

gl,bal

and local

tradirions,

and

irs

finf,

*iit

p*t*itional

afi

0r

art-related

wortds

ollers

gathif$

furureemPloYmenl.

-

ln

a

{asr

changing

wortd

ARTISTS

D0

lillAK[

A

\IASI

0ltttRtNCE

lhe

uniqueness

oi

tYl":t

illld:l

lhreal' and

su

it0jh$

rr

ARTS.

As

a

gobal

trenO

tromogennis

,ritrn*ni

nOures

curture

and

ttsiipressions

(for

instance.

ln

architecture'

arlvork'

perf

ormances

and

literature)

t0 ,

il;,rg.

ih;

i;frool

of

Humannies

f ine

[fis

proeram

affirms

the Ateneo

de

Manila

s

dis-

4inguishedtraditi0ninthearts.

.s

i

t


9/25

r

+*l $:$'....-

,i.i.ri\li.

{

::::i:lii.i\rr

Specificatty.

the

Fine

Aris

Program

s

f0ur lracks

0r areas

0f

$udy

envision

the following:

'

Theater

Arts seeks

a

creaflle

dial0Sue

0f

[aslern

a']d

\Uestern

f0irns

and

slyles and

seeks ahernatlye

uays t0 make

thearer

relevant

t0

the educati0nal

prgfss

a11d

the

bstlerrnenl

of society

'

crsalive

[/riling

asserts

ths Filipino

voice in Filipino

and tngish

in

varrous

literary

genrm

quality

of

life

'

lnlormafon.0esi$,

th{0u8h

lnullimedia

kehnotqy.

seels

images

and r0}re$silati0rr$

that

frs

local

and

$obal

srytes and

by so

doing

emphasizes

tilipino

aeslhetics

in

design.

lhs

arls$harpensd

byrigomuspraelire.And

ilplamstle$t$

inthe

uideriontexlothumar lile.Ihil$. itlo$ler$:

.

a

crilhal apprecialion

af

assttretir

theory

and

history.

.a

heightened

sense

0limaginafi0n.

.

a flexible mind

that

can

bridge

gaps

bsly*en

dissiplinss.

.a

crsatills

mind

thallhri{es

ifl

thermb8uityof

qcilangingql0rld,

l-

i

'

ilrd

tho

f

ormafion

ot

sirong

per*nat

i* ',idrioni

of

*iiiiir

*r*, to

r

rihrno

artist

in

ths

tlcbaliiing

vorld of

ltrr

lew

rniltennium.

forlhemarginallmd.lfyouchmsttohefielatter'tobeAnArtistfor0thers'lhAreneoiFiteArtsProgramisloryoul

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10/25

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11/25

$tA$ilt{

$$:

II|AUI$AIII{C

liltltlT[f$

i;irir a

tew ortrers

tra,re

lrave

iy

urnrl

rlm*ji

,-a

r,-t,iril-ewi0ik,

ui$tly

t$

lrttrti$hl

rt*

riua*r-making

skills

ot

lhe

mmpairy.

.

rii,ir*iir,rr*ifif.1opuf11jfyiu**t

*iththeyautgslu{t$nlaudiertesoltheAteneadtMantltUrlvo{sily

Joirr

us

as we brawly

navigate

r*t

uayihrtugh

our 3$lh

itlsaitr ssas0fll

t]lennswrlla

Mas,

[iIA

MOOIRAIOB

AND

ATIISlII

}I$I$$.

IAt.{fi}{ALA}IO

AITNIO

II


12/25

EEEE

EEEEEE SEEEEE

EEEEEEEEEEEEEEE

rsE:

'BEgEE


13/25

}f,'

photo

by[]riifrns

Chung


14/25

T}lIARII$IIIIIAilil

lrAt{

0t{0

PLAY$IRIEHI

pagkakaiba

sa eslado ng lipunan.

at hindi

pagkakasundo

ng mga

kultura. Trnanggap din

niya

ang Berlin Prile [ellowship

mula

sa

American Academy

sa

Eedin

noong

2010/2011.

Sarqgunran: American lheater Magadne.

February 2001

vl8 i2

p2$

lsi$lang

si }lan

0ng sa Maynila ngunit

lumipat

sa [stados

Unidos kasama

ang

kanyang

pamilya

noong

bata

pa

lamang. Una

siyang

tumira

sr

hs

Angeles, at

lumipat

siya

sa

fleuYork

City

naang

kalagitnaan ng 1930s.

Sinrdat niya ang ilang

dula

gaya

ng

"The

L.A.

Plays-

{American

ftepertory

Theater,

Bo$on, l$93;

IheAlmeida iheafie,

london, 1393):

"fteasons

to

Lirle"{Magic

Theater

San

lrancisco.

l$92):

"Bachelor

Hal'(Itrick

0escripliun.

San

Fnncisco, i992]:

"lk

Chang

fmg-

ments-{llre

Joseph

Papp Public

Theater/l{YSF"

f,{erl York

Cry,

t996}:

"Vttchei

{Mark

iapir

[otum

t{ewUlrks

Festival, LosAngeles,

1998.]:

at

ilang pagtatanghal at likhang sining, kasama

ang

Tynposium in

fi,ilanila

and fiorner Slore

Geagraphy"{The

ioseph

Papp

Publh Thealerl

I{YSF,

l99l and l9$2):"Play

of Falher and

Juniai

{Solo

Mio

Feslrval,

San

Francisco,

lg85):

al

"AirlortL{usic-{kasama

siJessiea

Hagedorn:IheJoseph Papp Publiclheater/l{YSland

Berke-

ley

Hepertorylheater.

1994).iinanghatng

Ma-Yi

Theater

Companysa

NerrrYork

Cityang

kanyang

dulang

"[,lysleries"noong

?001. at

ang iba

pa

ngang

dula

pagkatapos

nito.

$ng

"Suoony

Planet

,

ginawang

workshop

ng

parehong

kumpanya

noong

2001

ay

iinanghal

n00n3

2003 kasama ang

mga

kabahagi nilong Autodidacts"

at

'Virgin".

sa ilalim

ng

produksyong

"Tlir

Suitcase

.

I

Naka}lgrf

din

si Han

0ng

ng

Madrihurfello*ghip

n$hf+$9I.

Ang

unanryang

nffi,

"tixer

I

0t'/6'-TJiAThala

noong

Abril 2001

ng

Farrar.Strzus?nd

Grroux Sinulat din

niya

ang nobelang

m*-'Ihe0iirnherrted"na

naglahmmnliigapakwngpagmamahalanngmagkaparehongkasarian,

. $.

"-

B'

*

....-{-

G

o*.

-#

\


15/25

I*0lt{[$BcAPII{rt'u$,etT*i,''rr:,,'ffitrih[],#$*d:f.fr

&{aburrng

Tao

ng

Setsuan'

Bayan_niyanan:

nrs

iliril_n'ri

Bonan

cap

d

,s

s a

grarruare

ylareyloe

Man ra

wrh

a

major

in

ffi1lfitflifil,rfjlx|sk:[:i#J"rl_,J,bi,ur'*?#q,*:;

hilosophy

HerscurrentlvtheAssociatePrincipalrorsruueniiilai,s

rar*,,an

ang

rir*iiin'Tri"Hrve

irry

wrlr-.

a

presenrarion

he

n

the

Ateneo

de

Marttla

l]lsh

school

wtere

il

hai

a[0

;;i";r

o*,seo

ui,ni

ir,rr,rrpui,i

so*ro

for

rhe

Asran

shakespeare

hec,,rdrnat,rlrtrthelrlininosrbiecrArearnoir.,"cooro]nrior,,r

iiirri,

*.;ffiffi;;ember..laopor.aprayhewrore

the

0ffice

of

strrrlenl

Actrvrtres

tje'useo

ro

ne

in

;;il;;;iil,

and

direcred

f,r

0auad

(arrnga.

has

been rransrared

inro

Bahasa

ine

Arls

[)epl

ol

Ateneo

Lol/ola

schools.

,ro

oinrrrm

currri

ro'

andwasperformediniar,iiri.rnuonesrarasrAugusi200g.

c,nlinuing

Iducarron

{ccrI

buring

r,i,

t*,iiiii

ci*aiiri*'oiri,,

l]igh

school

fllrprrro

sublecl

Area

Ie

instrgated

il, r,rip-J'H*rir

As

an

acror,

he is

no

sranger

to

gre

Bard

s opus

as he

has

rraved

rogram

sur

rrp rhe

annuat

prnov-Tunrunan

ano

,,irr,riliiir,li,Ji

sd;ffi#

i;;;;ffi;ffi,

trke

Romeo

Macbeih.

Hamier

'lkaw

al ailg

|(awtlr

wrltng

wika

Aside

ttr*

utire

i

brri

;i;ri"h,

shyrock

Anrony.

rago

Marvorio

craudio.

|{ick Bonom [riar Lay-

s

a ptofesst(lnal ttanslalor of classh uorrrs rnro

iilplno'

il;;;*

rence

arnong

oihen

lte

has

ps*raysc

ather

dassiral

roles

such

leled

lh,

Itltprtro

rtanslattons

0lrhe

plays

l,r

i*pJrrrierrr"i:

,;li;diil#:tffiil;"n;:'fi,r*

in.cyrano

de

Bergerac

[r-

Dora;A0ascoilrvsrerra

'[vu,man

ir,lr,-riii,r,riii--'

TI'\il1t,&-1jtJr-piui'i,,orBeing[unesr.[srragonrn

-Monslet([ratrkcrtstern)"

caucairancrralknriLe:a"ni:ffiilfur

'wafrngforGodor"s*iimundorn-Lavrdaessueno.andsoc.

yix:l|i,ffif,l,iilii;iia1ffical:l

{tor

nanstaroi

inoi;ffi;;

rares

in-Aporogia'

i.lrs

ieiins'c,eoirs

in

modern

prays

incrude

rhe

ber

and

turrsrrc llrrer:r,r nr ,;,,,",pflljjl^ll1:,1j,ijlqy -T1,

$age

totanagei*

,ouiio*i

a,,*su,

in

rnii"no;n;;:"ffi;

ajted

for

the

producrions

of

ihe

0runkenness

of

l,loah..

"Ihe,Ve-fo{eft.

'fomedi.

Sr. louh

folles

oern

it$i;;

ard

"[{ary

Stuar}.

deyised

the

scilpt$

{ff

franstafijns-al

"l::$:lJt,ri

itri

{iipunrn

trong

r,sr,oyr-uil

t,ph;id'

uoces.de

L)(itt0

li/ilh

corresponding

tilipino

versrons

to

add

T0

eartta,translalion

contrrbutions

to

DUp

such

as

"0ora

-

lsang

Pasyenre

flg

liistirya.

"punong_rnspelNi.

a;j

Saflgkatao

He

is

a

regularludge

ol the

pilania

Auards

for

Lrlerafure

and

a

feiioul

rn

writers

tttorkshops

flon

also

re_

cenily

recered

the

Garuad

BuhayAwarO

to,

l,fost

Ouisianl.

rli3

Unginat

Scrrpt

for

hls

play"Wlllram'that

was

staled

by

rlA..He

is

soproud

of his

loveiy

wife {Addiel

and

his

tH;

adorable

klds

i0ani and

Zakj

ber

and

Arrrsric

t;rrecror

or

iearro

miprno

r,r*sor,i{*1fi_d;;,

;:ffiil;fiiyi,i_lfi]*Iiffffi,f

;Tffi|ill#Jil:

lso

worked

with

0rrlaans

uP

nuhang

latver.

lvirro

rr,rri,lr

piJi*i

erie.

ire

aso

iir

irrJ[rliorrr',,

rfie

musicars

"(ahapon

r,rgayon

ramalis

Personae

and

leatto

l(olehiyo

n[itrirram

nu ii},r

irri,u"r,

,r

gukri'

,ni

:ils

Brgrrg

i]rr,,

ng

,akrlang

Bahag_Har.

He

f

the

Tealro

Eagunlao

studenr thealer group

ano

rrre

rnoxi

siuueni

E

35t,

qrttt*

i,i##

,or,,

in

rhe

msvies

"pinoy

Bronde"ancegroupintheAteneoHish$choolaiurt

rriuirtiirii*ffi.

,no"srriliire,-ail'tia;lir,

*pprr**

in

soap

operas

and

in

a

r0gramdewloperand

trainerofflolephyers.

lttc.

fUromme,c,af.

w"v

"qr

q,ru

qr

0ireclorial

credrts

include

"wailing

lor

I'efly'

Ant,gone'.

Ary

ftor

has

also

done

signifirant

xo*

lor

$ulaang

ul

,,e

has

s

\*

.\:,,,


16/25

\,

$.r

\-

,\

'B'm

t[

LAC$O['I.

JR,

DIRICTOR,

PR0DUCTION

DISIGNIR

[d

istJretlanetlh$atrferli$l

rl8

$0ik$

back$agtmainly

*s diretl0r,

pr0dilrti0n

dlir ql......l...l.

rs t,YKf

l}le

diid-iii{t'jBtti.ni:.1}xng'$aon,

"0ndoy:

ang

buhav

sa

buhong",

"Sresllishl

*nUu1y.ii't*:fiii$ilntt',Iuthe

Vrrgin

Lablest

'Baby

B

and

lhe

Maids"far

.Tdi*iiQ{$:FatBi.llsi$I*li'rs'lompanv."Bernarda

Alba'.

"Pittng

P*libong"'

and

"Bames

People

Pla( fw

IIP 0ulaang Labotatoryo.

Srefi*Anrigei$t

wrliLitlu*e

"Littte

tltermaid"

f

or

kumpels'Rrvalry

r

4tlr

'Hstl.....i.|.&i.k{

Ped\ild

Wtr.$lomeft'

{0r

8e$rtcry

Phili$pines,

"$anaag

at $ikal".

tiiUrt-,,$erl$iU,.?i.i

s

&nlil$

ng

Pollrell

Street',

"ldadonna

Brtva',

Apples

ftam

'ttre

0esdlt...$slddn

thild",

aiid'Tattons

ltrailya fu

langhalang

Pilipltto

lle

is

cunent$

teachirrg $1age [,tanagement

tt the Philippine

High

Schact

fur

the

Ar"ts.

ald

taking

his MA

in

Theatsr

Arts

in

l.lP

$itiman.

n

*

{


17/25

JAY

CALIIAO

ASSISTANT

DIRECIOR

For

Short and Sweet

fi4anila

2014 Jay dkected

"Blabbermourh-.

uhieh

utas

selectad

Best

Prodtlction

of

\l/eek

2.

He

was alss the

Assistant

Direcior

of

Ianghalang

Atonea's

'Ang

Bakkhai"

under

J i(

Anicnche. for

Fine

Arts.

he directed

"Sighayo"for

thr

tine

Arrs

Fesival.

and

'Shadous

in

the

$ark"for #3SUlr{

Jay

is

eunently the

[ompany

ManagerufTanghalangAteneo.

And

he

likes

to

daydream.

r

':\

.l.

:-J-'


18/25

IrlI

CA$I

JAI(OB

8tlruil trJARIA

4

AB literature

(lngiish]

LI'[IffA

J0t-filtL[eR[n

{

ElAThraterArls

l{asalukuyang nasa

hlling ta$n

fia

$i Jae-llel

h

Jor

para

sa ilan

niyang mga minryahalna

kaibigal} sa

kunong BIA

Theatcr

Ails.

Para

u

Tanghalang

Atenso

(IAJ,

gumattag

na

siya bilarrg 0rfc0

sa'[uiidict",

l(aro

sa'0rs$*yas",

Bada{d

sa

"Sintang

Dalisay".

at

}ler$l

st

"l{}ng

oflhe Sird$,

Bukod

'

sa

TA, napanrod r.ra

tin

siya sa ikng

mga

produkryon

ng

leatrn Baguntao

{T$Ii

kn$

saan umusbug

at

nag-llab

ang

pagmmahal

niyt

$a

tealr0 al

pagtatanghal.

llan

sa

mga

ginampanan

niyant

papel

pua

sa

IBi

ay

Bassanio

sa

'Ang

t'legosyante

ng

Vnmcia,.{Th* Merduntof llsni$s},

[omh

m

-

"l(omedya

ng

*ga

}lapa$amalan"

{Comedy

o{

lnsr$J,

l{ama.

tayanll(oio

sa

"$angttatao"{ireryman}

at fialph sa

"Pocn.1g

,

mgaBangaru"{krdoflheFks}.

...

;-q6g

tlan

m

mg*

dulang

iyar ry isinali*

sa

[ilipino

ng

*$ig

11ii1.19

t---i::''

kaihigm$

si0uslan.

.

.

.

$\

S\S$

S.*sir

Mrrs than heing

* sludent

ector

0uelan

is foremosl

a

tvrilerfiranslaftr

o{ his mors

reeunl uorks

att Ary

Dalauang

Amo by

f;arlo

fioldtni

ileatro

gunlao):

adapting

'Ang

Juan

Iamban nt

Jacob'

{Aleneo

INIABlA00]:'turidicr

ah

ftulil

iTAl.

lng Bakkhai'by [uripides

"koilo

at

l(resida-

by

Shakespeart

as

"'kobol

sa

lrrya"; lS

Fim

Arts}

and

the text of

the cntrcally

acclarmed

"Sintang

Dalisay"

wilh ilr. Bimrrl*

0"

has

written a

tull lsngth

piaythat

had

a

readrng

for VilBin LabFest

g

("Attg

an

ni Nelson al

ftg ibang

tao'). and a

ptay

per{ormed

during

Vir$in Labte$

I

l(unsho")

uhich $as *wcrdsd

lirst Prue

2013 Palanca

Awards.

He.s

also

had

one

scrsorrurilinguilh

Bry$olden:

dlrecred

by[hi*s.

ftmp.

a,\.i:,:'

*:t

\ts.."

"

r-&

"7:\S

w,.$

H***

rw-k

*Yffi


19/25

YACtlll\l

BRIAl'l

RAfi,tOS

3 BS

Psychtttgy

Brian's thettre

credi*

influds

playing

the role

rl

Sxailia,

in Jealro

iasalYams

?0i-t

production

of

'Anf

fu8tilllis

ni Mang

Serapio.

Mtq.r*--r,

rnntty.

he

starnd

as

0ionP6

in

Tanghalarg

Ateneu*

"*n$

Bakkhai,

bfih in

lhe

llsne.q

runandtkhlitttFtuii

'.

\-im

[{IIIIAIL

AVIi AICANTARA

3 AB [ommunieatiqr

His

credrts

for leano

Bagunlao

include:

Bas-

sanro

in

"Negosyante

ng

Venesya'.

20ll

the

Set

Head

for

'Paghihintay

Kay

0odot'.

2012

Unang

Tulrsan

and

l(oro

lor"[tay Kat,riran

ang

}(atwnan"

2013.

}lis

sredltiforlqtrlhalingAteneo

i*cludu:

Pm-

theus lnd,Men$shero

in'An$

takkhai".

?013;

lighh.:Bsa{dsli}ffii

in

"[uridiea".

2*t3,

and

ttrillus

fiancer tt

"$reak

AwtyAntiSona"'

2014.

\-

{t

ffi

ffi

NK.

U|lALLACI

GAB

TIBAYAN

3

AB Psycholoty

Worked

in Repertory

Philippines

durrng

tte

fourth

and

fifth

grade

parlicululy

in"Seus$-

calthe

Musical"as

Mr.

hlayor.

and

in"Fame'

as

parl

0{iht

snsembte.

niurted

in

l*nghatalg

Atc*eo

as

Pentheus

and..{{eiis*em

in"All .

Eakklrai"

ifurt in

the

&$

$akkhai

Pasinayq

iour".

Assistanl

Telhnical-Director

in

"turidl

ice

.

and

a

Stagehand

in

"BroakAuayAntigone''


20/25

I

il

tl

fl

t

I

I

t

I

$

ti

il

I

I

ll

; .e :.,

llf,$$*ltIl[ff{

-

rxs--

t

p

t

l*.,,.i:,,* ly::Tl,ls.t;ff':ltvrsion.

and

fitm.

uei

credrs

inrtude

play.

[qf;,ti]H::,3,j"Pf,fn

urinins

r$

codsr,

riiiii

ri:i:ri

r{-i;:"ffiifi;

ln

"The

Tsmp$sr

.

Faulfia

6omciin

"fiti:

Maria

I

Clara

in'ltlofi.

trttch

I ll

tl,{tc-

ilt; *'tgj:r

Y:f:$,i:fui1'rr,ryii'i,,,

;'ru*ffiiffi,frT;

*'::::lm**,u'dil':

;;

ffi

ffi

'ffi

;

[i,

rililli

;'iiff

ii

ff

f

il:l'f

{:1fl111

1i9 'r,

yllq;1d'i

r*};ffiffi

iliil

il#;;

n

Iratn

ln

-sepharad

,,ocgi

Oe

txi'

--a---

/

luovr{u

uruduE'6 drrtj rrrs

wuillail

"hrtnno

l,trr;o-

in,;ar^;-.,.-

^

],.0

uelialn

As

you

Like

ll".

0lga/Mailyn

tn

'.H1;::y*,_r::*:-:Ury,q, ;;ifi

nipil;;{;,_,ifiilffi

fi

,,i

11lg.f X;;

::y*;,::lylf

:lF"ir,__

iii,,ii

:,ffi

;;,;

ffi

li,I,ii:

hrngalo.

bolh

from

rhe

Vrrgin

Lab test

$&

I

...\:.

,

rl::

1

24


21/25

[}1R$,MBHI&I}II

{lARJ

LOfiICA

iislhe*old

and

$tlirig

atethe

Reasont

of hoi Jay'

hl&fiJ

$hr

ir

a

iuffi$

T*b:i,tlTq*lxhllqffii#$,-::xxllt{$&iii

has been

a

part 0lseveralplaYs'..*'1T]l',;J,i,ll*

*,ririn,

run),"Nolr

Me

l;trft

illil;ffi;{liff

-{;fl

ilt;jtrH*fr

,

6;

t',':

Breirn".'6{asr.

-[alus

Line

.^

t.t,"lii,ir*iiii:nf,,,hm

1trethod"

[isushima

Hill\

illf

{ffi

l\ii

:Ilffiillf

i,i:lii

;: *ll- Jl$H:t},',ll

Hffi

,**h

$$

tffi i:

ffi:::,, HHiill

ilf

ilE:Hlffi

ientt'

(N*dt',)

AnB

Hutint

Letuut

ttrfiiitji[ifi

S

'iililrppine

Bedrime

Srones

Korurslsn

(ManangCharing)

itttrttu:::'"'::Ii;^il;,ir-ii,triu

[oundations

i,$Hf;#Ltx-ffi

;ilu,lirlllitfr

iili;:,,Hlril-.iryi;

in*

;:li#*,"'*,mi"ln:m''l:

i1**':l* iltfi

l;;ili1ltl

as

acring

teacher.

uru,*,

olg'u

;r*rg*i';ti*B

t'

rtme

I

soaps

and

fllms

Xrfi

litrT.trffi,$.ffi

lliiilflr}ili{:iffi

iluHl:irrril;


22/25

11*"s

.. .

I

$

t

I

I

I

u

r

II

$t

ll

ll

ll

il

li

I

I

I;X

1,1.:

I

ll'

l.N

r$

Nd

-.**

.

,.:''\o.\i'

--.

[/IYRt{A

NlI{ITAIMA

Assislanl

Teacher

sa

Ateneo

Junirr High

$chaol. l{agauuan

ng tilipint

0aling

mipmbra

si lliki

ng

Tanghalang

*teneo.

[{aaaring

rakila mo

na

s$*

sa

"Para

LosJoysfte$.

Maaailng

hindi. ll,{aa*ring

nakila

mr

na

rin

siyalilang

luridice

sa

$ulang'[uridice.

fl,laaaring

hindi rin.

l{gaycn,

dthil

may

kopya

ka

na

nitr.

rnalamang

nakita

mo

na

siya-*a

lralml-

bilang

lulyrta

sa

"Middle

finger.


23/25

mfi{[R,

IlI$t0rilrR

0Aul0

8lAilC0

1:,1|1ry:

rs

a

narryt

orypstanrr

Miclrigan

anols

ttte

thrrrl

ol

fir,e

chlldren

He

rs

of

lial_

lan

Amoricafl

orrgn

(looks

lrrshl

and

befue

lancltg;l.sr]lts

ol

opportunitres

rn

Manila,

ur;ts

na$lr,

rrr

Ny0

lor

3l/Z yearc.

where

lte

0iunlrt

lltri

lrlllly

card

touring

the

US

$th

,rlu;rrlr

Wirrks

lhe

Iron.

iie

lllilch,

and

lhe

yilllllln

h

addirr0n

ro

performing

acrms

,tlrrr,uSA

0avids

thearrrcii

enUurrli,s

frril

rrm

nln

t0 t anada. Spatn.

ltaly

Denmark.

and

..mpanrespectruely

as

well

as

ths

phtiipprnes

wnere

ll8

ts

currsntly

sfiooting

an

internalronal

I

t/

sn0tvand

tuo

l0ternationai

feature

f,lms

*f,fri,$ffiRtfftJrz

Subjecr

Area

Coordinaror

of

iiliprno,

Areneo

Junior

High

School

-s.-.

w $lj[{$n$fi,

\

rr#f,*|rr0fi

I

Urnrd,rn*rnisanacrorandwnter

Asanac-

f

6,#ruhxffi(*h,r,#ffitr

J

_rne

ygnlanlof

Venice.

tago

in

.Otheth.

niu"

F

rus

tn

Julius

Caesar.

and

Uncle

pecl(

rn

.How

I

Learned

to

0rive

l:::tl

-

I

Ianghalang

Areneo

atumnus.

Just

iasr

year.

he

played

rhe

rote

0t

Agistos

in

Ianghalang

Atene0.s

.uresleyas


24/25

il

{

Jueilas

pas$istt

far

plays

r

$lafied

oilt

as

an

inllsosnt

fo

a

ehildhood

crush.

When

she

lege

she

found

huself

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