By Leticia Trandafir TOOLS 20 . 09 . 16
Audio Cables:Everything
Musicians NeedTo Know About
Audio CableTypes
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Get your audio cable knowledgetogether.
Cables matter.
Unfortunately wireless music studiosaren’t a thing yet. In fact we’reconnecting all kinds of old, new,analog and digital geartogether more than ever.
Yeah I know, audio connectors mightnot be the most exciting part of yourmusic studio setup…
But recording a clean and loudenough signal from guitars, synths,
Leticia is a lover of acid basslines andhypnotic techno. She DJs andproduces under the namesoftcoresoft. Writer at LANDR.
drum machines, and mics into yourDAW has a lot to do with the audiocable types you choose.
So here’s an illustrated audio cableguide (I wish this was around when Iwas learning!). It’ll help you get abetter sound when playing gigs,recording, or even just jamming.
The Differencebetween Analog andDigital Audio Cables
First things first, what’s the differencebetween analog and digital audiocables?
Well, they both transmit audioinformation. The only difference isthat analog cables transmit electricalaudio signals while digital cablestransmit digital information in binarycode (zeros and ones, the languagethat computers speak).
Balanced andUnbalanced CablesNow let’s start with the mostcommon question about analogcables…
What’s the difference betweenbalanced and unbalanced cables?
Unbalanced cables have a bigger
chance of picking up radio
interference and noise. If you were to
cut open an unbalanced cable you’d
see two wires: a conductor wire and a
ground wire.
Balanced cables on the other hand
are designed to cancel out those
interferences and electrical hums.
They do it with the help of an added
wire inside – so two conductor wires
and a ground wire. With the help of
that second wire, both wires cancel
out the noise.
We’ll look at which cables arebalanced and which are unbalancedin a moment. But first…
Balanced andUnbalancedConnectionsNow the million dollar question: dobalanced cables make a balancedconnection?
The answer is no! Here’s a crucialthing to remember: all points in yourcable circuit must be balanced foryou to have a balanced connection.That includes the:
Output on your gear
Cables
Input it’s going into (like your mixer or
PA)
If just one of these is unbalanced, it’llmake your connection unbalanced.This is worth writing on a post-it andsticking it to your bathroom mirror.
I know it might be confusing for now,but keep reading!
How do you know if your gear isbalanced?
Your gear is balanced if:
It has XLR outputs or inputs
It’s written on it or in the manual
For example: microphones, somemixers, PA systems, some pro gearand synths with XLR out (like theRoland Jupiter 8 and others).
Your gear is unbalanced if:
It’s a guitar or bass
It has ¼ inch mono or stereo outputs
It has RCA inputs or outputs
A lot of gear is unbalanced if it has
only ¼ inch outputs. It’s most likelyunbalanced if it doesn’t say anything.Always check the manual or do someresearch if you’re not sure.
Why does all of thismatter?Knowing the difference betweenbalanced and unbalanced cables iscrucial for choosing the right cablesin each situation. This will preventnasty signal loss or gross noiseinterference in your recordings or livesets. The wrong cable might evendamage your devices.
If you have balanced gear and abalanced mixer, then by all meansuse balanced cables that will giveyou a nice balanced connection!
But if you don’t have a balancedconnection, remember to keepcables as short as possible.
Hot tip: for unbalanced connectionskeep your cables under 6 feet (about1.8 meters) to prevent interference.
Don’t worry, I’ll go into details belowabout which cables are balanced and
unbalanced in a second.
Audio Cable TypesPhew, I’m glad we got all that out ofthe way. Now it’s time to demystifythe most common types of audioconnectors.
ANALOG CABLES
XLR Cables
XLR cables are always balancedcables. They snap into place – so youwon’t unplug them by mistake if youpull on them (think of all the punkshows this has saved). XLR cablescan be very long without noiseinterference.
XLR cables are used to connect:
Microphones>
Powered speakers
PA systems
Instruments equipped with XLR
TRS Cables
TRS (Tip-Ring-Sleeve) areconnectors that have three wiresinside (two conductors and oneground), as I’ve explained withbalanced cables. They’re easy to spotbecause of the two rubber stripes onthe connector.
TRS cables can be both balanced orunbalanced depending on how youuse them. They’re the chameleons ofcables.
Let me explain!
TRS cables will be balanced whenyou use them as mono cablesbetween balanced devices. That’swhen you use a pair of them, one forthe left channel and one for right.That way in each cable, one of theconductor wires will be for the signal,and the other will help cancel thenoise.
When you use a single TRS cable instereo (left and right together in thesame cable), both conductor wiresinside will be used for the signal. Onewire will transport the left signal andthe other wire the right signal. Sothere’s no wire left for noisecancelling. This will be anunbalanced cable.
This situation is most common inheadphone cables and headphoneoutputs on gear.
TS Cables
TS (Tip-Sleeve) connectors arealways unbalanced. Why? Becausethey contain two wires: oneconductor and one ground. They’rethe ones with one rubber stripe onthe connector.
TS cables are also mono. They’rehandy for gear that has a monooutput: guitars, mono effects pedals,some synths and drum machines.They’re super common in any musicstudio.
Make sure your TS cables are asshort as possible – or else they mightpick up noises and electrical hums.
RCA cables
RCA connectors mostly come inpairs to achieve stereo. Most of thetime the red is used for Right (Redand Right both start with the letter R!)and the white is used for the Leftchannel.
RCA cables are similar to TS cables.Each RCA cable has one conductorand one ground. That means they’realways unbalanced.
So the same tip applies: keep themas short as possible.
RCA connectors are the DJ’s breadand butter. They’re the mostcommon wires used to connectCDJs and turntables to DJ mixers.
Hot tip: When you’re plugging yourCDJs and turntables, there are twotypes of RCA inputs: Line and Phono.
Line is for CDJs and otherinstruments, Phono is always forturntables.
Turntables have a much lower signal,so they need a more powerfulpreamp to bring them to line level(more on levels below). Always usethe correct input when plugging yourDJ setup to avoid noise anddistortion! For more on turntables,check out Turntable Lab.
DIGITAL CABLES
You’ll find more and more digitalcables in today’s home studio.
But I’m not gonna go in depth aboutthem because they’re morestraightforward than analog. And yes,I’ve left out some of the less
common ones – like AES/EBU,S/PDIF, etc.
Lots of people think that the lengthof digital cables doesn’t matter(some say it either works or itdoesn’t). But from experience if yougo really long with digital cables(several meters), there’s more chanceof it working improperly. So keep itshort!
MIDI Cables
MIDI cables are used to sync andcommunicate instructions betweengear.
As I’ve written in another post, MIDIdoes not make or transport sound. Ittransmits event messages.
Today most modern gear has MIDIin, MIDI out and MIDI thru. So theimportant thing to remember is yourMIDI signal flow.
When you’re asking yourself: should Iplug my MIDI cable in the IN, OUT, or
THRU jack? think about whether yourmachine is:
Sending the information = plug the
cable in the OUT
Receiving the information = plug the
cable in the IN
Passing the information along to
another machine = plug the cable in
the THRU
USB Cables
USB cables have become supercommon in audio production.They’re on MIDI keyboard controllers,audio interfaces, modern synths anddrum machines.
They make information exchangepossible between music gear andcomputers. USB cables alsotransport MIDI information.
The most widespread types of USBcables for instruments are USB A-Type (the classic flat one) and USB B-Type (the ‘square USB’).
USB connectors are following anongoing trend in electronics towardsminiaturization. Most new pieces ofgear come with their own USB cable,so you don’t need to worry.
The important thing to remember isthat if it stops working, it’s easy toreplace – just look for thecorresponding shape. They also tendto be quite fragile, so avoid keepingthem plugged in and wrapping themaround your gear when you transportthem.
Convert Unbalancedto BalancedThis is a scenario that will happen toyou at some point.
You’re playing a show, and the PAsetup has XLR connectors – whichare balanced.
Your gear is unbalanced becauseyou have a guitar, bass, or synth.
Plus, the main mixer console is veryfar from the stage, so longunbalanced cables will attract noiseand interference.
You need to convert the unbalancedconnection to a balanced one. Whatdo you do? How do you convert anunbalanced connection to abalanced one?
This is done using a DI box.
What is a DI box?
A DI box (direct injection) is deviceused in recording and live audio toconvert signals and match audiolevels (more on levels below). Itallows you to plug unbalanced gear(guitar, synth, bass) to balancedinputs on mixers and PA systems – itconverts it to a balanced connection.You get noise reduction, nointerference and the ability to runlong cables. Thanks DI box!
Plug a TS to TRSYou might be asking “can I plug anunbalanced TS plug into a balanced
TRS jack?”
The answer is yes. Most of the timethose ¼ inch (6.35 mm) inputs areboth balanced and unbalanced –they’re built to switch between thetwo. Manufacturers often write it onthe mixer itself: BAL/UNBAL.
As a general rule, read what it says onyour gear and mixer! It’s as simple asthat.
Audio Level 101:speaker, mic,instrument, and linelevelI promised to talk about levels. This ispretty crucial when you’re pluggingyour devices together.
What’s the difference between Mic,Instrument, Speaker and Line levelsignals?
What is Speaker level? Speaker level
is the strongest signal. And it makes
sense, speakers need a lot of power—
as anyone who stands in front of a
club sound system will know!
What is Line level? Line level is the
standard signal level (in terms of
voltage). Instrument, phono and mic
levels need to be boosted to match
this level.
What is Instrument level? Instrument
level is somewhere in between. It’s
weaker than line level but stronger
than mic level. Synths, basses and
guitars are usually at this level. A DI
box is used to match the level of
these instruments to line level.
What is Mic level? Mic level is the
weakest signal. It needs a mic
preamp to be brought up to line
level, otherwise you don’t hear it.
Untangle ThoseCablesKnowledge about audio cable typesand audio levels is key when you’rerecording music and playing livegigs. It’ll give you the know-how youneed to plug in your setup and getyour best sound.
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Plus, when you’re talking to thesound person at the venue or buyingsomething at the music store, youwanna know what you’re talkingabout right?
So keep this audio cable guide inyour bookmarks and return to it everytime you need to.
Because even though ads of gearalways show instruments floating inspace, the magic of music onlyreally happens when you plugeverything together.
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