form/ PORTFOLIO OF MINH PHAM
work/
01/002–015
05/064–08104/046–063
08/118–129 09/130–147
02/016–033
06/082–097
03/034–045
07/098–117
project FOSSIL
class PackagIng 2
project STEP UP
class gRaPhIc dESIgn 2
project EXcESS
class TyPOgRaPhy 4
project OFEna
class PackagIng 2
project BRandIng
class SELEcTEd
project SwEET TREaTS
class PackagIng 4
project ThE PaPER
class PRInT 3
project SaUcOny
class PackagIng 3
project InSIghT
class PRInT 1
anything can be beautiful if you love them. nature is an endless
discovery. I believe that beauty exists in how each of us defines
it. I am constantly fascinated by the things which are natural in
their raw forms. I create things because I enjoy bridging a part
of myself with the unknown. This brings out the part of me that
I do not know exist, and it is satisfying.
as I see more things in nature that fascinate me, I want to know
more about them, and these experiences have helped me with
solving problems inside and outside of the creative field. I think
seeing is like a journey that is in progress, and it never ends.
you don’t know what you will see next, but you will always learn
something from your experience. It is one of my passions to be
able to create something with my visual memory.
concept
page 002
visual form MINH PHAM
01Most of us walk through our days not even paying attention to our surroundings. we can make our own decisions to see the beauty we miss around us.
page 003 section PackagIng
project FOSSIL 01 02 03 04 05 06 07 08 09
stern/
Men spend less time caring for their skin. They arespending most of their time in outdoor activities andhazardous work conditions that damage their skin.
01/
visual form MINH PHAM
page 004
project FOSSIL
class PackagIng 2
instructor chRISTInE gEORgE
audience URBan MEn
typeface ROckwELL
adjectives cLaSSy, gROUndEd
The goal was to choose an existing brand and create a new line
of products while keeping its logo original. Fossil is a very well-
known brand for its vintage-inspired designs. It is very popular
among women for accesory items that include watches, jewelry
and handbags. I wanted to introduce a new line of products that
would attract a new group of people, Fossil skincare for men.
Fossil’s vintage styles have inspired me to use colors and variety
of textures in my design to communicate antiquity that relates
to time. The design would also have to emphasize masculinity. I
chose dark and rustic colors to create a sense of antiquity and
these colors also bring strength and sturdiness to the design
that evoke masculinity. I decided to include variety of weathered
wood textures in this design because they remind me of things
that has aged over time. wood gives us a sense of solidity and
masculinity. My vision was to help men stay in-touch with their
masculinitiy when using Fossil products.
objective
solution
project FOSSIL 01 02 03 04 05 06 07 08 09
page 005 section PackagIng
visual form MINH PHAM
page 006
project FOSSIL 01 02 03 04 05 06 07 08 09
page 007 section PackagIng
visual form MINH PHAM
page 008
project FOSSIL 01 02 03 04 05 06 07 08 09
page 009 section PackagIng
visual form MINH PHAM
page 010
project FOSSIL 01 02 03 04 05 06 07 08 09
page 011 section PackagIng
visual form MINH PHAM
page 012
project FOSSIL 01 02 03 04 05 06 07 08 09
page 013 section PackagIng
visual form MINH PHAM
page 014
project FOSSIL 01 02 03 04 05 06 07 08 09
page 015 section PackagIng
visual form MINH PHAM
page 016
02we cannot observe everything closely, therefore we must discriminate and try to select the significant. The power of observing can be developed by training the habit of watching things with an active mind.
project SwEET TREaTS 01 02 03 04 05 06 07 08 09
page 017 section PackagIng
tooth/
02/Studies show that cocoa is actually good for us. It is rich in antioxidants, vitamins, minerals, and a lot of nutrients. This is a great reason to love candy.
visual form MINH PHAM
page 018
tooth/
To create a new brand along with vareity of products to expand
its marketplace at affordable price in many locations. The goal
was to see how a brand would succeed in sales among its other
competitors. I wanted to focus on a candy brand for kids.
My vision behind creating Sweet Treats brand was to focus on
kids loving to eat candies, and each character from the brand
represents a kid of different personality. I wanted this brand
to be high quality, whimsical, fun, memorable and orginal that
appeal to kids who are curious to try something new and keep
coming back for more.
objective
solution
Studies show that cocoa is actually good for us. It is rich in antioxidants, vitamins, minerals, and a lot of nutrients. This is a great reason to love candy.
project SwEET TREaTS 01 02 03 04 05 06 07 08 09
page 019 section PackagIng
project SwEET TREaTS
class PackagIng 4
instructor ThOMaS McnULTy
audience kIdS
typeface MR MOUSTachE
adjectives whIMSIcaL, haPPy
visual form MINH PHAM
page 020
project SwEET TREaTS 01 02 03 04 05 06 07 08 09
page 021 section PackagIng
visual form MINH PHAM
page 022
project SwEET TREaTS 01 02 03 04 05 06 07 08 09
page 023 section PackagIng
Sweet Treats
Sweet Treats
Sweet Treats
SweeTTreaTs
SweeTTreaTs
nnnn
nnnn
nnnn
>>
Sweet Treats
Sweet Treats
1 I
Sweet Treatsj
SweeTTreaTs
nn
SweeTTreaTs
nn
nn
iA1
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1
2
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105
B
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Sweet Treats
Sweet Treats
Sweet Treats
SweeTTreaTs
SweeTTreaTs
nnnn
nnnn
nnnn
>>
Sweet Treats
Sweet Treats
1 I
Sweet Treatsj
SweeTTreaTs
nn
SweeTTreaTs
nn
nn
iA1
2
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1
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105
B
**************************************
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Sweet Treats
Sweet Treats
Sweet Treats
SweeTTreaTs
SweeTTreaTs
nnnn
nnnn
nnnn
>>
Sweet Treats
Sweet Treats
1 I
Sweet Treatsj
SweeTTreaTs
nn
SweeTTreaTs
nn
nn
iA1
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1
2
3
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9
105
B
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Sweet Treats
Sweet Treats
Sweet Treats
SweeTTreaTs
SweeTTreaTs
nnnn
nnnn
nnnn
>>
Sweet Treats
Sweet Treats
1 I
Sweet Treatsj
SweeTTreaTs
nn
SweeTTreaTs
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iA1
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A B
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Sweet Treats
Sweet Treats
Sweet Treats
SweeTTreaTs
SweeTTreaTs
nnnn
nnnn
nnnn
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Sweet Treats
Sweet Treats
1 I
Sweet Treatsj
SweeTTreaTs
nn
SweeTTreaTs
nn
nn
iA1
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B
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Sweet Treats
Sweet Treats
Sweet Treats
SweeTTreaTs
SweeTTreaTs
nnnn
nnnn
nnnn
>>
Sweet Treats
Sweet Treats
1 I
Sweet Treatsj
SweeTTreaTs
nn
SweeTTreaTs
nn
nn
iA1
2
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5
1
2
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4
6
7
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9
105
B
**************************************
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Sweet Treats
Sweet Treats
Sweet Treats
SweeTTreaTs
SweeTTreaTs
nnnn
nnnn
nnnn
>>
Sweet Treats
Sweet Treats
1 I
Sweet Treatsj
SweeTTreaTs
nn
SweeTTreaTs
nn
nn
iA1
2
3
4
5
1
2
3
4
6
7
8
9
105
B
**************************************
**************************************
Sweet Treats
Sweet Treats
Sweet Treats
SweeTTreaTs
SweeTTreaTs
nnnn
nnnn
nnnn
>>
Sweet Treats
Sweet Treats
1 I
Sweet Treatsj
SweeTTreaTs
nn
SweeTTreaTs
nn
nn
iA1
2
3
4
5
1
2
3
4
6
7
8
9
105
B
**************************************
**************************************
Sweet Treats
Sweet Treats
Sweet Treats
SweeTTreaTs
SweeTTreaTs
nnnn
nnnn
nnnn
>>
Sweet Treats
Sweet Treats
1 I
Sweet Treatsj
SweeTTreaTs
nn
SweeTTreaTs
nn
nn
iA1
2
3
4
5
1
2
3
4
6
7
8
9
105
B
**************************************
**************************************
Sweet Treats
Sweet Treats
Sweet Treats
SweeTTreaTs
SweeTTreaTs
nnnn
nnnn
nnnn
>>
Sweet Treats
Sweet Treats
1 I
Sweet Treatsj
SweeTTreaTs
nn
SweeTTreaTs
nn
nn
iA1
2
3
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5
1
2
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6
7
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105
B
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visual form MINH PHAM
page 024
project SwEET TREaTS 01 02 03 04 05 06 07 08 09
page 025 section PackagIng
visual form MINH PHAM
page 026
project SwEET TREaTS 01 02 03 04 05 06 07 08 09
page 027 section PackagIng
visual form MINH PHAM
page 028
project SwEET TREaTS 01 02 03 04 05 06 07 08 09
page 029 section PackagIng
visual form MINH PHAM
page 031
project SwEET TREaTS 01 02 03 04 05 06 07 08 09
page 031 section PackagIng
visual form MINH PHAM
page 032
project SwEET TREaTS 01 02 03 04 05 06 07 08 09
page 033 section PackagIng
visual form MINH PHAM
page 034
03The things noticed will only become significant if the minds of the observers consciously or unconsciously relate them to either some relevant knowledge or past experience. Our minds is sensitive to changes.
project SaUcOny 01 02 03 04 05 06 07 08 09
page 035 section PackagIng
kids/
Everyone is looking for the right skincare products that are most suitable for them. Since kids’ skins are more sensitive, it is important to use good products that don’t harm their skin type.
03/
visual form MINH PHAM
page 036
To introduce a skincare line that benefits consumers. The main
goal was to enhance a brand’s image and increase its sales in
the market place by giving it a new direction. Saucony brand is
dynamic, colorful, and full of life; therefore, I chose to create a
line of fun and memorable Saucony products that would appeal
to kids because kids are full of life, especially when they are
outside playing under the sun.
My concept behind creating Saucony skincare line emphasizes
on two parts, function and attractiveness. Parents are always
searching for the right skincare products that are most suitable
for their kids; therefore, I wanted to create a Saucony skincare
line that would target different skin types for kids. I envision
this line of products will become useful items in kids’ daily lives
that benefits their skins, and they will also attract kids as a toy.
The design would attract many kids by using bold colors and
giving each product of this skincare line a different character so
that kids would want to use it again and again. Saucony would
become their favorite skincare products as they know they can
depend on these characters when they need protection from
the changing weather .
objective
solution
project SaUcOny 01 02 03 04 05 06 07 08 09
page 037 section PackagIng
project SaUcOny
class PackagIng 3
instructor ThOMaS McnULTy
audience kIdS, agE 7–16
typeface chInO dISPLay PRO,
hELVETIca
adjectives LIVELy, FUn
visual form MINH PHAM
page 038
project SaUcOny 01 02 03 04 05 06 07 08 09
page 039 section PackagIng
visual form MINH PHAM
page 040
project SaUcOny 01 02 03 04 05 06 07 08 09
page 041 section PackagIng
visual form MINH PHAM
page 044
project SaUcOny 01 02 03 04 05 06 07 08 09
page 045 section PackagIng
visual form MINH PHAM
page 046
04It is important to observe the things around us. Sometimes you can find beauty in the imperfection.keen observation is what transmutes information into knowledge and it broadens our imagination.
project EXcESS 01 02 03 04 05 06 07 08 09
page 047 section TyPOgRaPhy
data/
04/we see everything fragmentarily. we are trained from childhood to look, to observe, to learn, to live in a fragment. we can never look at anything completelybecause our eyes can only view few things at once.
visual form MINH PHAM
page 048
data/
we see everything fragmentarily. we are trained from childhood to look, to observe, to learn, to live in a fragment. we can never look at anything completelybecause our eyes can only view few things at once.
To introduce a special conference for a certain group of people.
The project was to create a book and applications for a specific
conference that introduces specific people to new informative
topics. we are living in a world of complexity that is constantly
evolving, by teaching people about topics that they can learn
from or things that they have never heard of, they would have a
better knowledge of their surroundings and apply them to their
daily life and for their future.
My vision for the conference was to research on how people live
everyday and identify one of the components of our daily lives
that causes stress. In the modern society where our minds get
bombarded with new information every seconds, and this could
cause our stress level to increase. when we open our email, the
characters we see become words, words become paragraphs
running across our computer screens bombarding our eyes. In
applying this concept, my idea emphasized on breaking shapes
apart to create a sense of chaos of information overload. In my
other book, I created unity and harmony to simplify everything.
My main goal was to create complex simplicity.
objective
solution
project EXcESS 01 02 03 04 05 06 07 08 09
page 049 section TyPOgRaPhy
project EXcESS
class TyPOgRaPhy 3
instructor aRIEL gREy
audience PUBLIc
typeface BLEndER PRO,
LUggagE
adjectives MOdERn, adVancEd
visual form MINH PHAM
page 050
project EXcESS 01 02 03 04 05 06 07 08 09
page 051 section TyPOgRaPhy
visual form MINH PHAM
page 052
project EXcESS 01 02 03 04 05 06 07 08 09
page 053 section TyPOgRaPhy
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You’ve got
ou’ve got
visual form MINH PHAM
page 054
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You’ve got
ou’ve got( Growing use of e-mail)
The internet delivers precisely the kind of sensory and cognitive stimuli that is
repetitive, intensive, interactive, addictive, that have been shown to result in
strong and rapid alaterations in brain circuits and functions. It may well be the
single most powerful mind-altering technology that has ever come into general
use.
During the course of the day, most
of us with access to the Web spend
at least a couple of hours online,
sometimes much more, and during that
time, we tend to repeat the same or
similar actions over and over again,
usually at a high rate of speed and
often in response to cues delivered
through a screen or a speaker.
As well as filtering out unsolicited commercial messages (spam), users also have to contend
with the growing use of e-mail attachments in the form of lengthy reports and media files.
Our environment molds the shape and function of our brains as well, and it can do so to the point of no return.
The Internet holds a wealth of information on virtually any topic one could think of. With a simple search, you can gain access to knowledge about almost any subject out there. In fact, you can often get so much information returned that it’s a little intimidating even knowing where to start. common as ever-growing amounts of informatiogo online. At its worst, information overload can be paralyzing. Too much information can leave us feeling overwhelmed and unable to make decisions. It can leave us more confused.
Internet is altering people’s habits, losing the ability to read and absorb
a longish article on the web or in print. Even the blog post of more than
three paragraphs is too much to ABSORB.
When we go online, we enter an
environment that promotes cusory
reading, hurried and distracted
thinking, and superficial learning.
http://www.gmail.com
http://www.google.com
http://www.v.youku.com/v_show/id_XMTQ1ODMwODU2.html
project EXcESS 01 02 03 04 05 06 07 08 09
page 055 section TyPOgRaPhy
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visual form MINH PHAM
page 056
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
project EXcESS 01 02 03 04 05 06 07 08 09
page 057 section TyPOgRaPhy
visual form MINH PHAM
page 058
project EXcESS 01 02 03 04 05 06 07 08 09
page 059 section TyPOgRaPhy
visual form MINH PHAM
page 060
project EXcESS 01 02 03 04 05 06 07 08 09
page 061 section TyPOgRaPhy
LEaRnIng IS gROwIng
004
MInh PhaM
visual form MINH PHAM
page 062
FOSSIL
PaRT 1.2
01 02 03 04 05 06 07 08 09
005
project EXcESS 01 02 03 04 05 06 07 08 09
page 063 section TyPOgRaPhy
visual form MINH PHAM
page 064
05Observation begins with immersing ourselves in the textures and tones of life. It suggests action in that it promotes feeling, thinking and responding toward something that has deep meaning.
project STEP UP 01 02 03 04 05 06 07 08 09
page 065 section gRaPhIc dESIgn
trip/
It is important to have programs that give kids from low-income areas a chance to experience the fun at a museum and cultural events. This would help build their confidence and motivate them to learn.
05/
visual form MINH PHAM
page 066
trip/
project STEP UP
class gRaPhIc dESIgn 2
instructor LaURa MILTOn
audience LOw-IncOME kIdS
typeface BEMBO
adjectives EdUcaTIOnaL, JOLLy
To create an event that helps low-income families. I wanted to
focus on helping kids get a better education. a healthy society is
one in which all kids have the ability to achieve their intellectual
and economic potential. It is important for kids to get a proper
education so that they can grow to become good people and able
to become financially stable to live a happy and healhty lifestyle.
My event is based on the idea of giving kids a chance to visit the
arts, music, and culture. I thought about a ticket as a pass to let
them go on field trips and have fun. It’s a good opportunity for
them to learn and explore something new. when they get to see
and learn new things, they are likely to know what they like
and want out of life. It is a ticket of opportunity to step up in life
and experience better.
objective
solution
project STEP UP 01 02 03 04 05 06 07 08 09
page 067 section gRaPhIc dESIgn
visual form MINH PHAM
page 068
project STEP UP 01 02 03 04 05 06 07 08 09
page 069 section gRaPhIc dESIgn
visual form MINH PHAM
page 070
project STEP UP 01 02 03 04 05 06 07 08 09
page 071 section gRaPhIc dESIgn
visual form MINH PHAM
page 072
project STEP UP 01 02 03 04 05 06 07 08 09
page 073 section gRaPhIc dESIgn
visual form MINH PHAM
page 074
project STEP UP 01 02 03 04 05 06 07 08 09
page 075 section gRaPhIc dESIgn
visual form MINH PHAM
page 076
project STEP UP 01 02 03 04 05 06 07 08 09
page 077 section gRaPhIc dESIgn
visual form MINH PHAM
page 078
project STEP UP 01 02 03 04 05 06 07 08 09
page 079 section gRaPhIc dESIgn
visual form MINH PHAM
page 080
project STEP UP 01 02 03 04 05 06 07 08 09
page 081 section gRaPhIc dESIgn
visual form MINH PHAM
page 082
06The world offers endless possibilities for noticing and the more we notice, the more we will find to notice and learn from.
project ThE PaPER 01 02 03 04 05 06 07 08 09
page 083 section PRInT
craft/
greeting cards are a way of treasuring precious memories and are sentimental. They are for the oneswho have hard time expressing themselves in person.
06/
visual form MINH PHAM
page 084
craft/
greeting cards are a way of treasuring precious memories and are sentimental. They are for the oneswho have hard time expressing themselves in person.
project cUT ThE PaPER
class PRInT 3
instructor ESZTER cLaRk
audience FEMaLE, agE 25–35
typeface kaZOOTI, SERIFa
adjectives cREaTIVE, LIVELy
project ThE PaPER 01 02 03 04 05 06 07 08 09
page 085 section PRInT
To create a brochure with one set of three posters that introduce
and promote a company’s products. My goal was to focus on one
company that make cards since it has a lot of beautiful cards that
not a lot of people know about.
My vision behind the design of this brochure was to look at the
process of how to make a card. The process of cutting the paper,
finding the right color, and searching for the necessary tools is
important when creating a greeting card. I believe that when we
share unspoken words in writing with the people we love or a
stranger, we share the closeness with that specific person, and it
is very memorable and have either small or big impact in their
daily lives. I chose to use variety of paper, tools and dots of many
colors to define the process of making hand-made cards.
objective
solution
visual form MINH PHAM
page 086
project ThE PaPER 01 02 03 04 05 06 07 08 09
page 087 section PRInT
visual form MINH PHAM
page 088
project ThE PaPER 01 02 03 04 05 06 07 08 09
page 089 section PRInT
D u
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pag e
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fk
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su
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visual form MINH PHAM
page 090
D u
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pa
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su
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project ThE PaPER 01 02 03 04 05 06 07 08 09
page 091 section PRInT
visual form MINH PHAM
page 092
project ThE PaPER 01 02 03 04 05 06 07 08 09
page 093 section PRInT
visual form MINH PHAM
page 094
project ThE PaPER 01 02 03 04 05 06 07 08 09
page 095 section PRInT
Finding paper is fun to experiment because there are
so many different types of paper out there. They can be from
paper that comes in variety of texture, designs, colors,
and weight. We have a place where we keep all of our paper.
The ones that we like to use are both vibrant with colors
and have some kind of texture to them.
Brainstorming is a p
opul
ar t
o
ol that helps you generate creativ
e solutions to a problem. rainstorm
ing
prov
id
es a freewheeling environment in
which everyone is encouraged to pa
rti
cipa
te. Quirky ideas are welcom
ed , and many of the issues
of
g
roup p
roblem-solvi
ng a re overcome .
All partic
ipants
PAPERSEARCH
www.Rafale.com
THEPAPER
cut
The Old Wesleyan Chapel47a High Street Sutton on TrentNottinghamshire NG23 6QA UK
visual form MINH PHAM
page 096
www.Rafale.com
THEPAPER
cut
The Old Wesleyan Chapel47a High Street Sutton on TrentNottinghamshire NG23 6QA UK
2
c
I
M
pb
Iu
www.Rafale.com
The Old Wesleyan Chapel47a High Street Sutton on TrentNottinghamshire NG23 6QA UK
THET LS
select
www.Rafale.com
THEC L R
decide
The Old Wesleyan Chapel47a High Street Sutton on TrentNottinghamshire NG23 6QA UK
project ThE PaPER 01 02 03 04 05 06 07 08 09
page 097 section PRInT
visual form MINH PHAM
page 098
07we can make a conscious decision to see the beauty we miss daily, such as geometry, architecture, colors, or nature. This experience can help us become better storytellers, communicators, writers and designers.
project InSIghT 01 02 03 04 05 06 07 08 09
page 099 section PRInT
what if you could compare the prices of goods across the world and then buy the products where they are the cheapest? The more searches you do, the betterprices you will find on electronic products.
07/
it/
visual form MINH PHAM
page 100
it/
To create a magazine that promote a line of products that exist
in the market. I decided to work with electronics since there are
a lot of consumers purchase these items often. new technologies
are in high demands, so it is important to help people choose
the right products with the best prices in the market.
My idea behind Insight magazine was to look at how lines join
together to create a network of data. I thought about the idea of
lines which can be compared to a network of people. I used the
lines to represent a chip that we see inside a computer. In our
environment, people can be connected through communication,
and this helps us becoming more aware of what is going on in
our fast-moving environment.
objective
solution
project InSIghT
class PRInT 1
instructor LIan ng
audience PUBLIc, agE 25–35
typeface hELVETIca
adjectives FUTURISTIc, SLEEk
project InSIghT 01 02 03 04 05 06 07 08 09
page 101 section PRInT
visual form MINH PHAM
page 102
project InSIghT 01 02 03 04 05 06 07 08 09
page 103 section PRInT
FE
BR
UA
RY
09
visual form MINH PHAM
page 104
FE
BR
UA
RY
09
project ThE PaPER 01 02 03 04 05 06 07 08 09
page 105 section PRInT
SENNHEISER HD 800DENON AH-D1001K
SENNHEISER
How would you describe perfection? Wrap your head
in a pair of Sennheiser HD800s and the first thing you
will notice is the extraordinary transient response. The
natural snap of the leading edge of pianos and drums
is beautifully coherent without being overly sharp;
within each xylophone strike one hears both the ins-
tantaneously loud bell-like tone and the metallic ‘ting’
as the mallet strikes the bar.
DENON
Building a superb-sounding sealed can is no easy
feat but DENON has managed to devise an entire
closed headphone model series that are very well-
engineered at every step of the way. The AH-D1001K
model offers truly excellent musical detail resolution
along with an impressive timbral accuracy that com-
pares very favorably side-by-side with much pricier
headphones.
AKG
AKG Acoustics in Austria has brought their consiable
audio engineering skills into sharp focus on their
high-end dynamic headphone designs and produced
an astonishingly superb-sounding pair of cans in their
flagship K701 and K702 models. Getting it absolutely
right at this demanding level of reference-grade audio
performance is tough and the K701/K702 get pretty
darn near perfection.
AKG K 702 BLACK
HEADPHONE TYPE: Head Set
ACOUSTIC SEAL: Semi-Sealed
DRIVER TYPE: Dynamic
EAR COUPLER TYPE: Full-Size
COUPLER SIZE: Large
CORD TYPE: Straight Left-Side
CORD LENGTH: 9.5ft
DETACHABLE CABLE: Yes
IMPEDANCE @ 1KHZ: 62
CONNECTOR TYPE: 1/4
WARRANTY: 2 years
HEADPHONE TYPE: Head Set
CONNECTOR TYPE: 1/4
WEIGHT: 330g. w/o cable
IMPEDANCE 1kHz: 300
THD+N: 0.02 %
DETACHABLE CABLE: Yes
CORD LENGTH: 3 Meters
CORD TYPE: Straight Y
COUPLER SIZE: Large
EAR COUPLER TYPE: Full-Size
DRIVER TYPE: Dynamic
ACOUSTIC SEAL: Open
WARRANTY: 2 years
HEADPHONE TYPE: Head Set
ACOUSTIC SEAL: Semi-Sealed
DRIVER TYPE: Dynamic
EAR COUPLER TYPE: Full-Size
COUPLER SIZE: Large
CORD TYPE: STRAIGHT Left-Side
CORD LENGTH: 9.5ft
DETACHABLE CABLE: Yes
IMPEDANCE: 62
CONNECTOR TYPE: 1/4
WARRANTY: 2 years
DENON AH-C751K GRADO SR 60I BEYERDYNAMIC DT KOSS PORTA PRO AUDIO-TECHNICA SHURE SE210
$79.00$105 $389 $49 $99 $149
COMPARE YOUR CHOICES
1 2 3 4 5
16
INSIDE ELECTRONIC
visual form MINH PHAM
page 106
SENNHEISER HD 800DENON AH-D1001K
SENNHEISER
How would you describe perfection? Wrap your head
in a pair of Sennheiser HD800s and the first thing you
will notice is the extraordinary transient response. The
natural snap of the leading edge of pianos and drums
is beautifully coherent without being overly sharp;
within each xylophone strike one hears both the ins-
tantaneously loud bell-like tone and the metallic ‘ting’
as the mallet strikes the bar.
DENON
Building a superb-sounding sealed can is no easy
feat but DENON has managed to devise an entire
closed headphone model series that are very well-
engineered at every step of the way. The AH-D1001K
model offers truly excellent musical detail resolution
along with an impressive timbral accuracy that com-
pares very favorably side-by-side with much pricier
headphones.
AKG
AKG Acoustics in Austria has brought their consiable
audio engineering skills into sharp focus on their
high-end dynamic headphone designs and produced
an astonishingly superb-sounding pair of cans in their
flagship K701 and K702 models. Getting it absolutely
right at this demanding level of reference-grade audio
performance is tough and the K701/K702 get pretty
darn near perfection.
AKG K 702 BLACK
HEADPHONE TYPE: Head Set
ACOUSTIC SEAL: Semi-Sealed
DRIVER TYPE: Dynamic
EAR COUPLER TYPE: Full-Size
COUPLER SIZE: Large
CORD TYPE: Straight Left-Side
CORD LENGTH: 9.5ft
DETACHABLE CABLE: Yes
IMPEDANCE @ 1KHZ: 62
CONNECTOR TYPE: 1/4
WARRANTY: 2 years
HEADPHONE TYPE: Head Set
CONNECTOR TYPE: 1/4
WEIGHT: 330g. w/o cable
IMPEDANCE 1kHz: 300
THD+N: 0.02 %
DETACHABLE CABLE: Yes
CORD LENGTH: 3 Meters
CORD TYPE: Straight Y
COUPLER SIZE: Large
EAR COUPLER TYPE: Full-Size
DRIVER TYPE: Dynamic
ACOUSTIC SEAL: Open
WARRANTY: 2 years
HEADPHONE TYPE: Head Set
ACOUSTIC SEAL: Semi-Sealed
DRIVER TYPE: Dynamic
EAR COUPLER TYPE: Full-Size
COUPLER SIZE: Large
CORD TYPE: STRAIGHT Left-Side
CORD LENGTH: 9.5ft
DETACHABLE CABLE: Yes
IMPEDANCE: 62
CONNECTOR TYPE: 1/4
WARRANTY: 2 years
DENON AH-C751K GRADO SR 60I BEYERDYNAMIC DT KOSS PORTA PRO AUDIO-TECHNICA SHURE SE210
$79.00$105 $389 $49 $99 $149
COMPARE YOUR CHOICES
1 2 3 4 5
16
INSIDE ELECTRONIC
project ThE PaPER 01 02 03 04 05 06 07 08 09
page 107 section PRInT
visual form MINH PHAM
page 108
project InSIghT 01 02 03 04 05 06 07 08 09
page 109 section PRInT
VACUUM withhepa filter vacuum cleaners
YOU MAY HAVE HEARD OF DUST MITES, BUT HAVE YOU EVER SEEN
WHAT THEY LOOK LIKE? THESE NASTY LITTLE BUGS ONLY MEASURE
ABOUT 1/100TH OF AN INCH IN LENGTH, BUT THEY FEED OFF OF
HUMAN DANDER. THEIR WASTE IS A LARGE CAUSE OF ALLERGY AND
ASTHMA, ESPECIALLY IN CHILDREN. WE DON’T KNOW ANY PARENT
WHO WOULD WANT THEIR KIDS EXPOSED TO THESE CREATURES OR
OTHER SMALL BUGS THAT CAN HIDE IN THE FIBERS OF CARPETS.
MAKE NO MISTAKE THAT IF YOU ARE NOT VACUUMING YOUR HOME AT
LEAST ONCE PER WEEK, YOUR CARPETS ARE LIKELY INHABITED BY
THE UGLY BUG IN THIS PICTURE. ALL IS NOT LOST THOUGH. AS LONG
AS YOU HAVE A FUNCTIONING UPRIGHT OR CANISTER VACUUM,
PREFERABLY ONE WITH A HIGH EFFICIENCY OR HEPA FILTER, YOU
HAVE WHAT YOU NEED TO COMBAT THIS UGLY ALLERGEN.
THRIVE IN YOUR HOME
visual form MINH PHAM
page 110
VACUUM withhepa filter vacuum cleaners
YOU MAY HAVE HEARD OF DUST MITES, BUT HAVE YOU EVER SEEN
WHAT THEY LOOK LIKE? THESE NASTY LITTLE BUGS ONLY MEASURE
ABOUT 1/100TH OF AN INCH IN LENGTH, BUT THEY FEED OFF OF
HUMAN DANDER. THEIR WASTE IS A LARGE CAUSE OF ALLERGY AND
ASTHMA, ESPECIALLY IN CHILDREN. WE DON’T KNOW ANY PARENT
WHO WOULD WANT THEIR KIDS EXPOSED TO THESE CREATURES OR
OTHER SMALL BUGS THAT CAN HIDE IN THE FIBERS OF CARPETS.
MAKE NO MISTAKE THAT IF YOU ARE NOT VACUUMING YOUR HOME AT
LEAST ONCE PER WEEK, YOUR CARPETS ARE LIKELY INHABITED BY
THE UGLY BUG IN THIS PICTURE. ALL IS NOT LOST THOUGH. AS LONG
AS YOU HAVE A FUNCTIONING UPRIGHT OR CANISTER VACUUM,
PREFERABLY ONE WITH A HIGH EFFICIENCY OR HEPA FILTER, YOU
HAVE WHAT YOU NEED TO COMBAT THIS UGLY ALLERGEN.
THRIVE IN YOUR HOME
FE
BR
UA
RY
09
project InSIghT 01 02 03 04 05 06 07 08 09
page 111 section PRInT
visual form MINH PHAM
page 112
project InSIghT 01 02 03 04 05 06 07 08 09
page 113 section PRInT
visual form MINH PHAM
page 114
project InSIghT 01 02 03 04 05 06 07 08 09
page 115 section PRInT
visual form MINH PHAM
page 116
project InSIghT 01 02 03 04 05 06 07 08 09
page 117 section PRInT
visual form MINH PHAM
page 118
08The experiences we choose to focus on are a way of rationalizing, understanding and illustrating the difference between seeing, knowing and telling. This can be one approach to visual problem-solving.
project OFEna 01 02 03 04 05 06 07 08 09
page 119 section PackagIng
oil/
Olive oil is rich in antioxidants, especially vitamin E, and minimize cancer risk. among plant oils, olive oil is the highest in monounsaturated fat, and it doesn’toxidize in our bodies.
08/
visual form MINH PHAM
page 120
oil/
Olive oil is rich in antioxidants, especially vitamin E, and minimize cancer risk. among plant oils, olive oil is the highest in monounsaturated fat, and it doesn’toxidize in our bodies.
project OFEna
class PackagIng 2
instructor chRISTInE gEORgE
audience wOMEn, agE 25–35
typeface cEnTURy gOThIc,
TRaJan PRO
adjectives hEaLThy, VIBRanT
To create a line of olive oil products that are not well known to
people or outdated. The project includes 7 products from this
brand. The goal was to enhance its image and to look at how the
brand represents itself among other olive oil brands. I chose
Ofena because it has a lot of potential to be the brand of quality
that would attract consumers from around the world.
My inspiration behind the making of Ofena brand is from the
unique temperature of the natural vineyards of L’aquila, abruzzo,
Italy. Since this area has a micro-climate and is known for as the
“abruzzo oven,” I decided to focus on its warm temperature and
the earthiness of the vineyards. The colors I that chose evoke the
warthm and rustic charms of the region.
objective
solution
project OFEna 01 02 03 04 05 06 07 08 09
page 121 section PackagIng
visual form MINH PHAM
page 122
project OFEna 01 02 03 04 05 06 07 08 09
page 123 section PackagIng
Ofena
Ofena
Ofena
Ofena
visual form MINH PHAM
page 124
project OFEna 01 02 03 04 05 06 07 08 09
page 125 section PackagIng
visual form MINH PHAM
page 126
Ofena
Extra Virgin Olive Oil With Tomato
Product of Italy
16.9 FL OZ (500mL)
Ofena
Extra Virgin Olive Oil With Herbs
Product of Italy
16.9 FL OZ (500mL)
Ofena
Extra Virgin Olive Oil Cold Press
Product of Italy
16.9 FL OZ (500mL)
Serv. size 1 tbsp (15mL)Servings per container about 33
Amount per Serving
Calories 120
Total Fat 14g
Cholesterol 0mg
Sodium 0mg
Protein 0g
Total Carbohydrate 0g
Saturated Fat 2gTrans Fat 0gPolyunsaturated Fat 1.5gMonunsaturated Fat 10g
Fat Cal. 120
% Daily Value
Not a significant source of dietary fiber, sugars, vitamin A, vitamin C, calcium and iron.
662310554 0043567
NUTRITIONAL FACTS
Please store away from heat and light.
Distributed by: Tone Brothers, San Francisco, CA 94111 USA
INGREDIENTS: ORGANIC EXTRA VIRGIN OLIVE OIL.
w w w . o f e n a o l i v e o i l . c o m
Ofena
Serv. size 1 tbsp (15mL)Servings per container about 33
Amount per Serving
Calories 120
Total Fat 14g
Cholesterol 0mg
Sodium 0mg
Protein 0g
Total Carbohydrate 0g
Saturated Fat 2gTrans Fat 0gPolyunsaturated Fat 1.5gMonunsaturated Fat 10g
Fat Cal. 120
% Daily Value
Not a significant source of dietary fiber, sugars, vitamin A, vitamin C, calcium and iron.
662310554 0043568
NUTRITIONAL FACTS
Please store away from heat and light.
Distributed by: Tone Brothers, San Francisco, CA 94111 USA
INGREDIENTS: ORGANIC EXTRA VIRGIN OLIVE OIL.
w w w . o f e n a o l i v e o i l . c o m
Ofena
Serv. size 1 tbsp (15mL)Servings per container about 33
Amount per Serving
Calories 120
Total Fat 14g
Cholesterol 0mg
Sodium 0mg
Protein 0g
Total Carbohydrate 0g
Saturated Fat 2gTrans Fat 0gPolyunsaturated Fat 1.5gMonunsaturated Fat 10g
Fat Cal. 120
% Daily Value
Not a significant source of dietary fiber, sugars, vitamin A, vitamin C, calcium and iron.
662310554 0043569
NUTRITIONAL FACTS
Please store away from heat and light.
Distributed by: Tone Brothers, San Francisco, CA 94111 USA
INGREDIENTS: ORGANIC EXTRA VIRGIN OLIVE OIL.
w w w . o f e n a o l i v e o i l . c o m
Ofena
Ofena
Extra Virgin Olive Oil With Tomato
Product of Italy
16.9 FL OZ (500mL)
Ofena
Extra Virgin Olive Oil With Herbs
Product of Italy
16.9 FL OZ (500mL)
Ofena
Extra Virgin Olive Oil Cold Press
Product of Italy
16.9 FL OZ (500mL)
Serv. size 1 tbsp (15mL)Servings per container about 33
Amount per Serving
Calories 120
Total Fat 14g
Cholesterol 0mg
Sodium 0mg
Protein 0g
Total Carbohydrate 0g
Saturated Fat 2gTrans Fat 0gPolyunsaturated Fat 1.5gMonunsaturated Fat 10g
Fat Cal. 120
% Daily Value
Not a significant source of dietary fiber, sugars, vitamin A, vitamin C, calcium and iron.
662310554 0043567
NUTRITIONAL FACTS
Please store away from heat and light.
Distributed by: Tone Brothers, San Francisco, CA 94111 USA
INGREDIENTS: ORGANIC EXTRA VIRGIN OLIVE OIL.
w w w . o f e n a o l i v e o i l . c o m
Ofena
Serv. size 1 tbsp (15mL)Servings per container about 33
Amount per Serving
Calories 120
Total Fat 14g
Cholesterol 0mg
Sodium 0mg
Protein 0g
Total Carbohydrate 0g
Saturated Fat 2gTrans Fat 0gPolyunsaturated Fat 1.5gMonunsaturated Fat 10g
Fat Cal. 120
% Daily Value
Not a significant source of dietary fiber, sugars, vitamin A, vitamin C, calcium and iron.
662310554 0043568
NUTRITIONAL FACTS
Please store away from heat and light.
Distributed by: Tone Brothers, San Francisco, CA 94111 USA
INGREDIENTS: ORGANIC EXTRA VIRGIN OLIVE OIL.
w w w . o f e n a o l i v e o i l . c o m
Ofena
Serv. size 1 tbsp (15mL)Servings per container about 33
Amount per Serving
Calories 120
Total Fat 14g
Cholesterol 0mg
Sodium 0mg
Protein 0g
Total Carbohydrate 0g
Saturated Fat 2gTrans Fat 0gPolyunsaturated Fat 1.5gMonunsaturated Fat 10g
Fat Cal. 120
% Daily Value
Not a significant source of dietary fiber, sugars, vitamin A, vitamin C, calcium and iron.
662310554 0043569
NUTRITIONAL FACTS
Please store away from heat and light.
Distributed by: Tone Brothers, San Francisco, CA 94111 USA
INGREDIENTS: ORGANIC EXTRA VIRGIN OLIVE OIL.
w w w . o f e n a o l i v e o i l . c o m
Ofena
Ofena
Extra Virgin Olive Oil With Tomato
Product of Italy
16.9 FL OZ (500mL)
Ofena
Extra Virgin Olive Oil With Herbs
Product of Italy
16.9 FL OZ (500mL)
Ofena
Extra Virgin Olive Oil Cold Press
Product of Italy
16.9 FL OZ (500mL)
Serv. size 1 tbsp (15mL)Servings per container about 33
Amount per Serving
Calories 120
Total Fat 14g
Cholesterol 0mg
Sodium 0mg
Protein 0g
Total Carbohydrate 0g
Saturated Fat 2gTrans Fat 0gPolyunsaturated Fat 1.5gMonunsaturated Fat 10g
Fat Cal. 120
% Daily Value
Not a significant source of dietary fiber, sugars, vitamin A, vitamin C, calcium and iron.
662310554 0043567
NUTRITIONAL FACTS
Please store away from heat and light.
Distributed by: Tone Brothers, San Francisco, CA 94111 USA
INGREDIENTS: ORGANIC EXTRA VIRGIN OLIVE OIL.
w w w . o f e n a o l i v e o i l . c o m
Ofena
Serv. size 1 tbsp (15mL)Servings per container about 33
Amount per Serving
Calories 120
Total Fat 14g
Cholesterol 0mg
Sodium 0mg
Protein 0g
Total Carbohydrate 0g
Saturated Fat 2gTrans Fat 0gPolyunsaturated Fat 1.5gMonunsaturated Fat 10g
Fat Cal. 120
% Daily Value
Not a significant source of dietary fiber, sugars, vitamin A, vitamin C, calcium and iron.
662310554 0043568
NUTRITIONAL FACTS
Please store away from heat and light.
Distributed by: Tone Brothers, San Francisco, CA 94111 USA
INGREDIENTS: ORGANIC EXTRA VIRGIN OLIVE OIL.
w w w . o f e n a o l i v e o i l . c o m
Ofena
Serv. size 1 tbsp (15mL)Servings per container about 33
Amount per Serving
Calories 120
Total Fat 14g
Cholesterol 0mg
Sodium 0mg
Protein 0g
Total Carbohydrate 0g
Saturated Fat 2gTrans Fat 0gPolyunsaturated Fat 1.5gMonunsaturated Fat 10g
Fat Cal. 120
% Daily Value
Not a significant source of dietary fiber, sugars, vitamin A, vitamin C, calcium and iron.
662310554 0043569
NUTRITIONAL FACTS
Please store away from heat and light.
Distributed by: Tone Brothers, San Francisco, CA 94111 USA
INGREDIENTS: ORGANIC EXTRA VIRGIN OLIVE OIL.
w w w . o f e n a o l i v e o i l . c o m
Ofena
Ofena
Extra Virgin Olive Oil With Tomato
Product of Italy
16.9 FL OZ (500mL)
Ofena
Extra Virgin Olive Oil With Herbs
Product of Italy
16.9 FL OZ (500mL)
Ofena
Extra Virgin Olive Oil Cold Press
Product of Italy
16.9 FL OZ (500mL)
Serv. size 1 tbsp (15mL)Servings per container about 33
Amount per Serving
Calories 120
Total Fat 14g
Cholesterol 0mg
Sodium 0mg
Protein 0g
Total Carbohydrate 0g
Saturated Fat 2gTrans Fat 0gPolyunsaturated Fat 1.5gMonunsaturated Fat 10g
Fat Cal. 120
% Daily Value
Not a significant source of dietary fiber, sugars, vitamin A, vitamin C, calcium and iron.
662310554 0043567
NUTRITIONAL FACTS
Please store away from heat and light.
Distributed by: Tone Brothers, San Francisco, CA 94111 USA
INGREDIENTS: ORGANIC EXTRA VIRGIN OLIVE OIL.
w w w . o f e n a o l i v e o i l . c o m
Ofena
Serv. size 1 tbsp (15mL)Servings per container about 33
Amount per Serving
Calories 120
Total Fat 14g
Cholesterol 0mg
Sodium 0mg
Protein 0g
Total Carbohydrate 0g
Saturated Fat 2gTrans Fat 0gPolyunsaturated Fat 1.5gMonunsaturated Fat 10g
Fat Cal. 120
% Daily Value
Not a significant source of dietary fiber, sugars, vitamin A, vitamin C, calcium and iron.
662310554 0043568
NUTRITIONAL FACTS
Please store away from heat and light.
Distributed by: Tone Brothers, San Francisco, CA 94111 USA
INGREDIENTS: ORGANIC EXTRA VIRGIN OLIVE OIL.
w w w . o f e n a o l i v e o i l . c o m
Ofena
Serv. size 1 tbsp (15mL)Servings per container about 33
Amount per Serving
Calories 120
Total Fat 14g
Cholesterol 0mg
Sodium 0mg
Protein 0g
Total Carbohydrate 0g
Saturated Fat 2gTrans Fat 0gPolyunsaturated Fat 1.5gMonunsaturated Fat 10g
Fat Cal. 120
% Daily Value
Not a significant source of dietary fiber, sugars, vitamin A, vitamin C, calcium and iron.
662310554 0043569
NUTRITIONAL FACTS
Please store away from heat and light.
Distributed by: Tone Brothers, San Francisco, CA 94111 USA
INGREDIENTS: ORGANIC EXTRA VIRGIN OLIVE OIL.
w w w . o f e n a o l i v e o i l . c o m
Ofena
Ofena
Extra Virgin Olive Oil With Tomato
Product of Italy
16.9 FL OZ (500mL)
Ofena
Extra Virgin Olive Oil With Herbs
Product of Italy
16.9 FL OZ (500mL)
Ofena
Extra Virgin Olive Oil Cold Press
Product of Italy
16.9 FL OZ (500mL)
Serv. size 1 tbsp (15mL)Servings per container about 33
Amount per Serving
Calories 120
Total Fat 14g
Cholesterol 0mg
Sodium 0mg
Protein 0g
Total Carbohydrate 0g
Saturated Fat 2gTrans Fat 0gPolyunsaturated Fat 1.5gMonunsaturated Fat 10g
Fat Cal. 120
% Daily Value
Not a significant source of dietary fiber, sugars, vitamin A, vitamin C, calcium and iron.
662310554 0043567
NUTRITIONAL FACTS
Please store away from heat and light.
Distributed by: Tone Brothers, San Francisco, CA 94111 USA
INGREDIENTS: ORGANIC EXTRA VIRGIN OLIVE OIL.
w w w . o f e n a o l i v e o i l . c o m
Ofena
Serv. size 1 tbsp (15mL)Servings per container about 33
Amount per Serving
Calories 120
Total Fat 14g
Cholesterol 0mg
Sodium 0mg
Protein 0g
Total Carbohydrate 0g
Saturated Fat 2gTrans Fat 0gPolyunsaturated Fat 1.5gMonunsaturated Fat 10g
Fat Cal. 120
% Daily Value
Not a significant source of dietary fiber, sugars, vitamin A, vitamin C, calcium and iron.
662310554 0043568
NUTRITIONAL FACTS
Please store away from heat and light.
Distributed by: Tone Brothers, San Francisco, CA 94111 USA
INGREDIENTS: ORGANIC EXTRA VIRGIN OLIVE OIL.
w w w . o f e n a o l i v e o i l . c o m
Ofena
Serv. size 1 tbsp (15mL)Servings per container about 33
Amount per Serving
Calories 120
Total Fat 14g
Cholesterol 0mg
Sodium 0mg
Protein 0g
Total Carbohydrate 0g
Saturated Fat 2gTrans Fat 0gPolyunsaturated Fat 1.5gMonunsaturated Fat 10g
Fat Cal. 120
% Daily Value
Not a significant source of dietary fiber, sugars, vitamin A, vitamin C, calcium and iron.
662310554 0043569
NUTRITIONAL FACTS
Please store away from heat and light.
Distributed by: Tone Brothers, San Francisco, CA 94111 USA
INGREDIENTS: ORGANIC EXTRA VIRGIN OLIVE OIL.
w w w . o f e n a o l i v e o i l . c o m
Ofena
Ofena
Extra Virgin Olive Oil With Tomato
Product of Italy
16.9 FL OZ (500mL)
Ofena
Extra Virgin Olive Oil With Herbs
Product of Italy
16.9 FL OZ (500mL)
Ofena
Extra Virgin Olive Oil Cold Press
Product of Italy
16.9 FL OZ (500mL)
Serv. size 1 tbsp (15mL)Servings per container about 33
Amount per Serving
Calories 120
Total Fat 14g
Cholesterol 0mg
Sodium 0mg
Protein 0g
Total Carbohydrate 0g
Saturated Fat 2gTrans Fat 0gPolyunsaturated Fat 1.5gMonunsaturated Fat 10g
Fat Cal. 120
% Daily Value
Not a significant source of dietary fiber, sugars, vitamin A, vitamin C, calcium and iron.
662310554 0043567
NUTRITIONAL FACTS
Please store away from heat and light.
Distributed by: Tone Brothers, San Francisco, CA 94111 USA
INGREDIENTS: ORGANIC EXTRA VIRGIN OLIVE OIL.
w w w . o f e n a o l i v e o i l . c o m
Ofena
Serv. size 1 tbsp (15mL)Servings per container about 33
Amount per Serving
Calories 120
Total Fat 14g
Cholesterol 0mg
Sodium 0mg
Protein 0g
Total Carbohydrate 0g
Saturated Fat 2gTrans Fat 0gPolyunsaturated Fat 1.5gMonunsaturated Fat 10g
Fat Cal. 120
% Daily Value
Not a significant source of dietary fiber, sugars, vitamin A, vitamin C, calcium and iron.
662310554 0043568
NUTRITIONAL FACTS
Please store away from heat and light.
Distributed by: Tone Brothers, San Francisco, CA 94111 USA
INGREDIENTS: ORGANIC EXTRA VIRGIN OLIVE OIL.
w w w . o f e n a o l i v e o i l . c o m
Ofena
Serv. size 1 tbsp (15mL)Servings per container about 33
Amount per Serving
Calories 120
Total Fat 14g
Cholesterol 0mg
Sodium 0mg
Protein 0g
Total Carbohydrate 0g
Saturated Fat 2gTrans Fat 0gPolyunsaturated Fat 1.5gMonunsaturated Fat 10g
Fat Cal. 120
% Daily Value
Not a significant source of dietary fiber, sugars, vitamin A, vitamin C, calcium and iron.
662310554 0043569
NUTRITIONAL FACTS
Please store away from heat and light.
Distributed by: Tone Brothers, San Francisco, CA 94111 USA
INGREDIENTS: ORGANIC EXTRA VIRGIN OLIVE OIL.
w w w . o f e n a o l i v e o i l . c o m
Ofena
project OFEna 01 02 03 04 05 06 07 08 09
page 127 section PackagIng
visual form MINH PHAM
page 128
project OFEna 01 02 03 04 05 06 07 08 09
page 129 section PackagIng
visual form MINH PHAM
page 130
09The key to becoming better observers of the world, through words and images, is to work with our senses to remember the impressions we experience and absorb. we rely on our senses for our survival.
project BRandIng 01 02 03 04 05 06 07 08 09
page 131 section IdEnTITy
Branding is the process of using a word or an image to identify a company or its products. also, it is what separates the competitors and helps the consumers remember a product. It is a promise of trust.
09/
brand/
visual form MINH PHAM
page 132
Branding is the process of using a word or an image to identify a company or its products. also, it is what separates the competitors and helps the consumers remember a product. It is a promise of trust.
brand/
project BRandIng
class SELEcTEd
instructor cOMBInEd
audience PUBLIc
typeface VaRIETy
adjectives MEMORaBLE, BOLd
To create variety of brands that promote the companies and their
unique products. The goal in making these brands was to boost
their sales in the market or enhance their look and feel to stand
out among their competitors.
These marks stand for their quality and trust of the companies.
I think that when a good brand can sell and attract consumers
on an emotional level, the company is a successful one. a great
brand is one that last for many years and is memorable. I chose
to create these brands through hearing and observing people’s
likes and dislikes of many specific things that they have been
using in their daily lives.
objective
solution
project BRandIng 01 02 03 04 05 06 07 08 09
page 133 section IdEnTITy
CRAYOLA
CRAYOLA
page 134
visual form MINH PHAM
CRAYOLA
CRAYOLA
project BRandIng 01 02 03 04 05 06 07 08 09
page 135 section IdEnTITy
McLellan Botanicals
McLelland Botanicals
page 136
visual form MINH PHAM
McLellan Botanicals
McLelland Botanicals
project BRandIng 01 02 03 04 05 06 07 08 09
page 137 section IdEnTITy
upstep where kids meet culture
upstep where kids meet culture
page 138
visual form MINH PHAM
upstep where kids meet culture
upstep where kids meet culture
project BRandIng 01 02 03 04 05 06 07 08 09
page 139 section IdEnTITy
SweeTTreaTs
nn
nn
SweeTTreaTs
nn
nn
visual form MINH PHAM
page 140
SweeTTreaTs
nn
nn
SweeTTreaTs
nn
nn
project BRandIng 01 02 03 04 05 06 07 08 09
page 141 section IdEnTITy
TH
E PERFECT CATCH
1897
TH
E PERFECT CATCH
1897
THE P
ERFECT CATCH
1897
THE P
ERFECT CATCH
1897
page 142
visual form MINH PHAM
TH
E PERFECT CATCH
1897
TH
E PERFECT CATCH
1897
THE P
ERFECT CATCH
1897
THE P
ERFECT CATCH
1897
project BRandIng 01 02 03 04 05 06 07 08 09
page 143 section IdEnTITy
HOME DEPOTBUILDING YOUR WORLD
HOME DEPOTBUILDING YOUR WORLD
page 144
visual form MINH PHAM
HOME DEPOTBUILDING YOUR WORLD
HOME DEPOTBUILDING YOUR WORLD
project BRandIng 01 02 03 04 05 06 07 08 09
page 145 section IdEnTITy
ROUND UP
SURIN ELEPH NT
ROUND UP
SURIN ELEPH NT
visual form MINH PHAM
page 146
ROUND UP
SURIN ELEPH NT
ROUND UP
SURIN ELEPH NT
project BRandIng 01 02 03 04 05 06 07 08 09
page 147 section IdEnTITy
Minh Pham
Visual form
408.455.2134
minhphamvisual.com
academy of art University
79 new Montgomery, San Francisco, ca
Portfolio Seminar
Mary Scott
The key Bindery
Oakland, ca
Exposed sewing
cougar
graphic Imagery
clarendon
adobe Suite 6
Epson 1400
canon digital Rebel XS EOS
Minh Pham
designer
portfolio
phone
website
school
address
class
instructor
bindery
location
technique
text stock
printer
typeface
software
printer
camera
photograph
copyright © 2013 all rights reserved.
no part of this publication may be reproduced, stored in
a retrieval system or transmitted, in any form or by any
means, without the written permission of Minh Pham.
Mom, dad, Trang, Mia, dom, annie, nam, Tibeo, Mai, apo, Bora,
and Sammi. Instructors: Mary Scott, ariel grey, and Thomas
Mcnulty. I would not succeed in school today if it weren’t for you
guys. Thank you for all of your support and being there for me
when I really needed you.
thanks to