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Modernism: A New Perspective
This presentation is not intended tobe a comprehensive study ofModernism nor a detailed analysis ofits characteristics.
The coming 30-40 minutes will be anattempt to shed light on one of most
important factors that made itinevitable for modernism to emerge.
Scope of the Seminar
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What is Modernism?
It is a 20th century self-consciousnessmovement that revolted against the so-called outmoded traditions, values,
forms of art, architecture, literature,religious faith, social organization anddaily life.
Modernism is a blanket term for anexplosion of new styles and trends inthe arts of the beginning of the 20thcentury.
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The best quotation that sums Modernism upall is these lines from the Irish poet W.B.Yeats poem The Second Coming (1919):
Things fall apart; the
centre cannot hold;
Mere anarchy is loosed upon the world.
To know what centre Yeats is referring to, itis necessary to go back into history.
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Roots of Modernism
To understand Modernism one needsto know its relation to Modernity. Thislatter is considered to describe a wayof living and of experiencing lifewhich has arisen with the changeswrought by industrialisation,
urbanisation, and secularisation; itscharacteristics are disintegration,ephemerality and insecurity.
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Modernity and the Age of Enlightenment
What fell apart in the modern era were thevalues of the 18th century, known also asthe Age of Reason. The main value of the
age, besides reason, was the idea ofprogress.
In the 18th century thinkers becameoptimistic that by using the universal
values of science, logic and reason theycould get rid of all the myths and holy ideasthat kept humanity from progressing.
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At the centre of this world view lies thephilosophy of the French Rene Descartes(1596-1650). He declares that the only
thing one cannot doubt is ones ownexistence:
I Think, Therefore I am
Whereas his principle was intended to freehuman mind from the fetters of irrationalimagination, it opened the way to doubt allthe deep rooted beliefs that so far providedthe solid foundation for western civilization.
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Science, Nothing but Science!
Through reason and science, all poverty,ignorance and injustice would finally bebanished.
Reality was supposed to be understood andperceived through the rational mind of theEnlightenment.
With this in mind, 18th century people spent
the long night of their century disturbedonly by the nightmares of the openpossibilities of their new rational religion.
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The Dawn of the 20th Century
The growing suspicion about the validityand durability of these beliefs was assuredby the increase in poverty, humanbondage, deteriorating life conditions, and
the writings of thinkers like FriedrichNietzsche and Karl Marx among others. The one most important blow to these
ideals, a blow that marked the end to allwhat was considered Enlightenment, was
WWI. These ideals were shattered by thesame tools that were thought they wouldbring prosperity and freedom to humankind.
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In Search for a New Centre
Where western society had previouslya centre: whether in ChristianReligion or in the ideals of scienceand progress, suddenly it hadNOTHING!
There was an urging need to fill in
this void, this emptiness. Nothingnessitself was used as a filling to this void.
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Modernism as a Filling!
Mans need for a centre to cling towas a compulsive drive behind theemergence of Modernism. If science
proved to be futile then somethingelse must take its place. EarnestHemingway in his short story AClean, Well-Lighted Placeuses the
word nada (nothing in Spanish) tosubstitute significant places of LordsPrayer
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Our nada who art in nada, nada bethy name, thy kingdom nada, thy willbe nada in nada as it is in nada.
Our Father, who art in Heaven,halewed be thy name, Let thy
kingdom come. Thy will be fulfilled.
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Modernist Artists as Supermen
Nietzsches idea of the superman whois beyond good and evil provided theimpetus for artists to pursue theirown distinct way of filling this void.
Writers like T.S. Eliot, James Joyce,George Bernard Shaw, each
developed their own distinct way ofperceiving their reality
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Modern Schools of Painting
Dadaism was among the earliest schoolsof painting that called for thedestruction of all the traditional methods
and styles of painting. It was totalnegation. To bring back an affirmation,Surrealism sprang from Dadaism to be anew way of representing reality.
Cubism is another school thatrepresented the world in a threedimensional way.
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