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Monitor Focusing Template

Date post: 22-Jul-2016
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Description:
Correct placement of monitors is a key parameter to achieve accurate sound reproduction. The standard recommendation ITU-R BS.775-3 provides clear guidelines for monitor positioning for 5.1 multichannel audio setups. This simple to use focusing template will let you make sure that each monitor is placed at the right angle from to the reference listening position. Additional guidelines concerning room treatment and listening distances are mentioned on the back page.
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Monitor Focusing Template Rear Left Rear Right Left Right Center 30° 30° 100° 120° 110° 100° 120° 110° ITU-R BS.775-3
Transcript

Monitor Focusing Template

Rear Left

Rear Right

Left Righ

t

Cent

er

30° 30°0°

100°

120°110°

100°

120°110°

ITU-R BS.775-3

1238CF

1 382

1234

1236

0.5 1 1.5 2 5 10 15 ( s)meter

1.6 3.2 5 6.5 16.5 32 50 (feet)

8320

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Room acoustic improvementsSeveral acoustic improvements can be made in a typical rectangular room where an audio monitoring setup is installed. Here are a few suggestions.

Listening distance recommendations

ACut the room front corners at 30 degree angle using high-mass materials (concrete, bricks, mul-ti layered gypsum board, etc). In case building materials have me-dium mass, make sure to fill the empty space behind these walls with mineral wool.

BUse a combination of absorption and diffusion on the side wall surfaces. Note that thin layers of porous absorbers only reduce HF reflections.

CIf the room is large enough, use diffusive and absorbing ele-ment(s) on the back wall.

DControl low frequency room res-onances using a large amount of absorption material for example in the back of the room and in the ceiling. Carefully designed and located panel resonator absorb-ers can also be used.

EUse a combination of absorption and diffusion above the listening area to reduce acoustic reflec-tions from the ceiling.

Not recommended When too close to the monitor, the drivers - tweeter or midrange/tweeter - are not summing together properly at the crossover point, which affects the perceived frequency response balance.

Recommended The long-term sound pressure levels (SPL) displayed take into consideration an average room reverbera-tion time (RT60) of 0.3 sec. Note: at extremely long distances the SPL may become too low for the application.

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MAI

-006

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