“0,10 – The Last Futurist Exhibition of Painting”,
Petrograd, winter 1915/16. View of the room with
Malevich’s Black Square and other Suprematist paintings
Russian State Archive for Literature and Art, Moscow
Obmokhu Exhibition, May 1921,
Society of Young Artists, Moscow
El Lissitzky (1890–1941)
Proun Room, 1923; reconstruction 1971.
http://socks-studio.com/2015/08/29/el-lissitzkys-cabinet-of-abstraction/
ALEKSANDR RODCHENKOSpatial Construction no. 12
Alexander RodchenkoSportsman's Parade, Red Square, Moscow, 1932
https://collections.artsmia.org/art/4346/sportsmans-parade-red-square-moscow-alexander-rodchenko
El Lissintky Serguei Senkin
Katalog des Sowjet-Pavillons auf der Internationalen Presse-Ausstellung Köln 1928, pgs 15-17b1Published MARCH 2, 2014 at 2323 × 1761 in Details from Lissitzky’s “Pressa” catalogue, 1928
Katalog des Sowjet-Pavillons auf der Internationalen Presse-Ausstellung Köln 1928, pgs 3-5a1
De Stjl / Neoplasticismo
Montagem espacial abstrata
• Theo Van Doesburg e Piet Mondrian foram os principais teóricos, • Usar a arte para mudar a sociedade.• Busca por uma cultura universal e ética.• Redução, purificação, da arte ao básico (forma, cor e linha)• Arte simplificada e ordenada, levaria uma renovação da sociedade, e
quando a arte tivesse se integrado totalmente à vida ela já não seria mais necessária. Atitude espiritual e mística.
• 1918 publicam o manifesto com 8 itens, em idiomas holandês, francês, alemão e inglês. Em 1919 o arquiteto e designer juntou-se ao grupo.
• Arquitetura clareza, austeridade e ordem, semelhante a pintura. Linhas retas, ângulos de 90 graus e superfícies despojadas em 3 dimensões.
• Tetos planos e nivelados, paredes lisas, espaços internos flexíveis (sinônimo do estilo internacional)
Café L’Aubette. Theo van Doesburg.
Strasbourg,1927-1928. Destroyed by 1938 and
restored 1989-1994.
Schroder Houseby Gerrit Rietveld, at Utrecht, The Netherlands, 1924 to 1925
1924 Frederich Kiesler International Exhibition of New Theater Techniques as part of the Vienna Music and Theater Festival
The Who’s who of the avant-garde met at the exhibition in the Wiener Konzerthaus and at accompanying events organized by Kiesler: Rudolf Belling, Fortunato Depero, Theo van Doesburg, George Grosz, Fernand Léger, El Lissitzky, Filippo Tommaso Marinetti, Vsevolod Meyerhold, László Moholy-Nagy, Enrico Prampolini, Oskar Schlemmer, Lothar Schreyer, Fritz Schuhmacher, Kurt Schwitters and many others.
Stefan Oláh “Friedrich Kieslers Raumstadt im Arenbergbunker”
Frederick Kiesler, Raumstadt [City in Space], 1925. (© 2016 Austrian Frederick and Lillian Kiesler Private Foundation, Vienna)
Vision of a floating city: The entrance to the exhibition boasts a faithful reconstruction of Kiesler’s 1925 “SpaceCity”. Photo © MAK/Georg Mayer
https://www.stylepark.com/en/news/architecture-and-possibility
Abstract sculptures on co-realist furniture in a large room at Peggy Guggenheim’s gallery “Art of This Century”.Photo K. W. Herrmann, © 2016 Österreichische Friedrich und Lillian Kiesler-Privatstiftung, Vienna
Art can also be presented quite differently: A 1942 study on hanging and lighting images in the “Art of This Century” gallery.Photo © Österreichische Friedrich und Lillian Kiesler-Privatstiftung, Vienna
Pavilhão A. Alto na expo Nova York 1937
