THE EARTH BELOW (THEEARTHBELOW.COM) - ELEC TRONIC PRESS KIT
M OT H TO F L AM E P R E S E N TS
THE EARTH BELOWRunning time ..............................................................15:56 min
Genre ...........................................................................Drama
Rating ...........................................................................G: General Audience
Year ...............................................................................2016
Language ....................................................................English
Country of Origin ......................................................United States
Format .........................................................................4096X2160, 24fps, 2.39:1, Sound Stereo
Virtual Press Office ....................................................www.theearthbelow.com
Links .............................................................................Official website: www.theearthbelow.com
Official Facebook: www.facebook.com/theearthbelowfilm
IMDB: http://www.imdb.com/title/tt6251702/?ref_=nm_flmg_prd_3
Twitter: www.twitter.com/mothtoflame
Hashtag: #theearthbelow
THE EARTH BELOW (THEEARTHBELOW.COM) - ELEC TRONIC PRESS KIT
SYNOPSISP19256, a young woman in a futuristic world that has eliminated men from its gene pool,
struggles with her duty to become pregnant for her people. One evening, a fateful decision
must be made: whether she will remain with the life she knows or escape with a mysterious lost
traveler to unlock a future she dreams of.
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THE EARTH BELOW (THEEARTHBELOW.COM) - ELEC TRONIC PRESS KIT
DIRECTOR’S STATEMENT“The Earth Below” for me is a combination of my admiration for Puccini’s opera “Madam Butterfly”
and the themes of Alienation, Woman Power, and Unrequited Love.
Ever since I watched the opera “Madame Butterfly,” I have been fascinated with the balance and
influence of East meets West. This stems from my upbringing as an Asian American, which often
times consisted of finding equilibrium between these two very different cultures. Growing up,
I often felt “stuck in the middle,” never fully identifying with either my family’s cultural ideals
or those of my Western friends. For me, “The Earth Below” explores some of these emotional
struggles as an Asian American – not feeling like I belonged, wanting what I was told I should not
want, and being constantly alienated within my own family and amongst my friends.
The story of Madame Butterfly also touches upon the strength of being a woman in a misogynistic
environment. Though we are lucky in the U.S. to have progressed in the treatment of women,
much of the world still does not see women as equals to men. In the original story, Butterfly’s
handles her fate weakly and is limited by her cultural circumstances—I wanted to explore a
different perspective. In “The Earth Below”, Butterfly’s strength grows as she recognizes and
embraces her own self-value and independence.
Finally, I wanted to explore the question: “Can you love more than one person at a time?” Society
puts pressure on monogamous relationships and it is interesting to challenge these societal norms
and put the characters through the ebb and flow of passion, developing relationships, forbidden
and unrequited love.
It has been an amazing opportunity collaborating with my long-time friend and writer, Eric
Hwang. When I pitched the story to him and to the rest of the crew on a challenge to develop
our first science fiction drama, the support has been incredible. Together we have been able to
put together a tiny glimpse into this story that we hope to eventually develop into a full-length
feature.
-Christine W. Chen
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THE EARTH BELOW (THEEARTHBELOW.COM) - ELEC TRONIC PRESS KIT
WRITER’S STATEMENTThe initial story concept for “The Earth Below” was pitched to me as an adaptation of Madame
Butterfly that takes place in a dystopian world where men no longer exist. I was excited by the
project because of the opportunities it presented—it was a chance for me to write a female
lead character and create a story in a science-fictional world. The challenge was tying it to an
Asian-American theme.
I was primarily determined to stray away from Puccini’s portrayal of a weak and submissive
Butterfly and make her a more complex character with agency. In the process of unearthing
her personality and her relationship to Luther (the analog to Puccini’s Pinkerton), I found that
the story lent itself so organically to one of the most challenging and fundamental Asian-
American experiences: the reconciliation of a dual identity.
Butterfly’s plight of having to decide between staying on her own planet and escaping with
Luther is a direct parallel to a struggle that many Asian-Americans face: whether to adhere to
the expectations of parents and ancestors or to pursue individual desires. The film echoes this
existential crisis—one that is not easily explained to outsiders and one that does not have a
clear resolution.
The relationship between Butterfly and Luther is maddening—their attraction for each other is
undeniable, but both are held back by their confusion and obligations. Pitting these clashing
and sometimes contradictory emotions into an urgent circumstance allowed the characters to
give in to the reckless part of themselves—despite the heartbreaking consequences they both
know will follow.
I have always adored complicated love stories, strong female characters and science fictional
worlds—it was a privilege to be able to blend these elements with “The Earth Below”.
- Eric Hwang
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CAST
ELIZABETH TRIEU
as P19256 (Butterfly)
Elizabeth Trieu is a native TexAsian, an
adventurer and activist of good vibes. She
recently debuted in “#Slaughterhouse,” a
witty slasher, as her role as Lisa. She has
lived in Los Angeles, New York, and Austin,
and looks forward to the release of “The
Earth Below” and a couple of other shorts
that are in post. In addition, she is starting
production on her own piece, “An Affair For
The Birds” at the beginning of 2017.
COREY LANDISas Luther
Corey Landis is an actor in Los Angeles.
He has appeared in 11 feature films and
nearly as many shorts, recurred on “That
‘70s Show” as Young Red Forman, and has
starred in over 100 commercials, most
frequently as the spokesman. Landis is a
singer-songwriter who just released an
album with legendary Beatles engineer
Geoff Emerick. He also co-directed the
feature-length documentary “Toy Masters”
about the He-Man franchise.
CAST - LONG
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CREW
CO-PRODUCER/DIRECTORChristine Chen
Christine Chen started filming at an early
age with her parent’s VHS camera. She soon
discovered it was more than a hobby when
she filmed her first documentary in Lijiang,
China during undergrad for Rice University.
Christine later started her production
company Moth to Flame, while obtaining
her MBA at the University of Texas
McCombs School of Business.
Her feature film, Funemployment” will be
coming out in 2017 and her short films, “A
Bird’s Nest,” “Two Roads”, and “Ya Albi” can
all be seen on ShortsHD.
CO-PRODUCER/WRITEREric Hwang
Eric Hwang is an independent film
producer and screenwriter from Colorado.
An avid cinephile and filmmaker since high
school, he hopes his stories, like “The Earth
Below”, will bring more exposure to Asian-
Americans and their unique experiences
into mainstream media. He currently
resides in Los Angeles, CA.
DIRECTOR OF PHOTOGRAPHYTaylor Camarot
Taylor Camarot is a cinematographer based
out of Austin TX, specializing in dramatic
narrative work. His visual approach pushes
what would be unconventional to the scifi
genre, forgoing traditional tropes and
focusing on being honest to the story.
Through his process, he highlights the
capacity and beauty of human emotion.
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CREDITS
CREDITS - SHORT
C R E W
Director ........................................................................... Christine Chen
Writer ............................................................................... Eric Hwang
Producers ........................................................................ Christine Chen and Eric Hwang
1st Assistant Director .................................................... Mattias Alegro Marasigan
Director of Photography ............................................... Taylor Camarot
1st Assistant Camera ..................................................... Jesse Vielleux
2nd Assistant Camera .................................................... Ali Nidzgorski
2nd Assistant Camera .................................................... Stephen Laughrun
Gaffer ............................................................................... Charlie Pearce
Editor ............................................................................... Christine Chen
Art Director ..................................................................... Kellie Penna
Original Music ................................................................ Nick Longoria
Sound Design & ADR ..................................................... Kirby Meador
Sound Recordist ............................................................. Jason Cates
Makeup Artist ................................................................. Roxy McDanel
Hair Stylist ....................................................................... Gloria Tsai
Hair Stylist ....................................................................... Antonio Palacios
Props and Costumes ...................................................... Kellie Penna
DIT .................................................................................... John Bechinina
Colorist ............................................................................ Taylor Camarot
Production Assistant ..................................................... Autumn Hope
Production Assistant ..................................................... Jon Grandstaff
Production Assistant ..................................................... Albert Rondan
Production Assistant ..................................................... Taylor Fontana
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C A S T
Elizabeth Trieu ................. P19256
Corey Landis .................... Luther
Teresa Tullos .................... AI Voice
Gloria Tsai ......................... The Matriarch