2 MOTORCYCLE CLASSICS July/August 2014
DEPARTMENTS
FEATURES
NIC
K C
ED
AR
4 BLACK SIDE DOWN
The editor speaks.
6 READERS AND RIDERS
Road memories and thoughts on vintage motocross.
8 GEAR DRIVEN
6 sets of everyday saddlebags.
10 UNDER THE RADAR
Tomorrow’s Classics: 1988-1991 Honda NT650 Hawk GT.
12 VIEW FROM
THE SIDECAR
AHRMA Vintage Festival, The Meet returns and Hodaka gets celebrated.
70 MC HOW-TO
Learn how to replace Honda CB camshaft bearing blocks.
74 KEITH’S GARAGE
Keith’s fixes will keep your classic bike up and running.
78 DESTINATIONS
Ride the Rim of the World Highway on the way to Big Bear, California.
82 CALENDAR
Where to go and what to do.
86 COOL FINDS
New stuff for old bikes.
96 PARTING SHOTS
Quail Gathering 2014.
ON THE WEB!
RE Continental GTMC’s Richard Backus went riding with Royal Enfield CEO Siddhartha Lal at the North American launch of the new Royal Enfield Continental GT and discovered Lal — credited with turning Royal Enfield around — is a true motorcycle enthusiast bent on recasting the midsize motorcycle with bikes that look to the past while meeting today’s needs. More at MotorcycleClassics.com/Continental-GT
R O A DR O A D
MAP
14 LUCK OF THE DRAW:
1981 SUZUKI GS1100EX
Found in rough condition, this Suzuki was rescued by enthusiast Trace St. Germain, perhaps the perfect person to save a shabby Superbike from the 1980s.
22 TRIBUTE TRIUMPH: A CUSTOM
INSPIRED BY GARY NIXON
When Todd Van Dorn dragged a 1972 Triumph T120RV engine and several boxes of parts to Union Motorcycle Classics in Nampa, Idaho, he thought he wanted a bobber. What he got was something entirely different.
30 1957 MONDIAL 250 BIALBERO
The golden age of motorcycle road racing in the 1950s brought many makes to prominence, and none achieved world supremacy so quickly as the Italian marque FB Mondial.
38 PUTTING THE SPORT IN SPORTSTER:
1958 HARLEY-DAVIDSON XLCH
Competition improves the breed, they say, and the 1958 H-D XLCH Sportster was born of competition stock.
46 THE RED HUNTERS RIDE AGAIN
Shawn Doan owns two Ariel Red Hunters: a tastefully modified 1947 VH 500cc single-port, and a 1939 VH 500cc twin-port.
54 SOMETHING SPECIAL: HONDA S65
Honda’s small-bore singles were the first motorcycles for a generation of new riders.
62 1949 LAVERDA 75CC TOURISMO
The very first Laverda of them all, this is the actual prototype of Laverda’s 4-stroke, 75cc single. Legend has it the piston was cast in the family kitchen.
I like going fast, but as a street rider my opportunities to wick it up safely are limited.
Out on the track, you’re free to push as hard as you please to find the edge of trac-
tion and control, a point appreciated by editor Landon Hall in his newfound interest
in track days. But out on the street, in the world of erratic delivery vans, old ladies in
Chryslers and teenagers on cell phones, pushing the edge can put you on a line to
trouble faster than you can get out.
During a recent back road blast in a Subaru WRX STI, my foot buried in the throttle
to push the Subaru’s 310 horsepower out to its four wheels, it struck me that today’s
high-performance cars and motorcycles are so competent, so incredibly capable, that
by the time you get to the point of trouble, it’s too late. You’re going so fast, every-
thing is happening so fast, that you don’t have time to digest it. The point of no return
becomes a knife edge, and unless you’ve honed your skills, you can pass that point
before you even know it.
Increasingly, the bikes available to us are more competent than their riders. They’re
faster and heavier, making them harder for inexperienced riders to master because the
learning curve from zero skill is steep. I’ve always been a proponent of starting small
for the simple reason that your chances of success, of learning how to master and
control your bike, rise in reverse correlation to a bike’s engine capacity. Bikes like the
venerable Honda CB350, puny by today’s standards but considered midsized back in
the day, were and are a perfect learning platform.
A mainstay of the motorcycle market during the boom years of the Sixties and
Seventies, the over 250cc but under 750cc motorcycle had almost been marketed
out of existence. Recently, however, there have been encouraging signs the market
for smaller-bore bikes is starting to come back. Honda can’t make enough new
CBR250Rs, the CB500F is getting great reviews, and Harley-Davidson, the poster child
for big-bore battleships on two wheels, has started producing a new series of 500cc
and 750cc street bikes. After years of chasing the go-faster and bigger crowd, manufac-
turers are re-examining the market for smaller, and yes slower, motorcycles.
Royal Enfield CEO Siddhartha Lal thinks the midsized market is where the fun is,
a point he stressed during the U.S. launch of RE’s new Continental GT. Ironically, the
535cc single-cylinder Continental GT is the biggest motorcycle the Indian manufac-
turer has ever made. Be that as it may, Lal is chasing the midsized market because
A) it’s where RE already lives and B) he sees opportunity in expanding the category
because it represents accessible motorcycling. "There's space in the market for some-
thing that's less intimidating," Lal says.
Lal shares my conviction that riding slow can be just as fun as riding
fast. Sixty miles an hour on a Yamaha R1 is boring. But 60mph on a
Honda CB350 — or a Royal Enfield — can be a hoot. I got to spend a
day on RE's new bike, and pitching the Continental
GT into a series of decreasing radius, some-
times off-camber turns on a twisty back road
reminded me of just how fun riding small can
be. I might have only been going 40mph, but
it felt like double that as I leaned over and
squirted through the turns.
My pace was fast enough to be exciting,
but slow enough to let me digest every bit of
the road and surrounding environment. And
unlike the flyboys on their Gixxer’s, if a dog
ran out, I’d be able to get out of the way.
Speed's fun, but on the right bike, so is
going a little slower.
Richard Backus
Editor-in-chief
Digestible speed
—
4 MOTORCYCLE CLASSICS July/August 2014
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R E A D E R S A N D
RIDERS
Hot rodI enjoyed the May/June 2014 issue as
I have enjoyed all the issues since the
very first. This is the first time that I feel
compelled to write in the interest of my
fellow readers. I wish to refer to the fea-
ture article BMW/2 Hot Rod. First, I have
never been accused of being doctrinal
in matters of old Beemers. Thus, I do
not think it a sacrilege nor do I think it
is a good idea. I respect the beautiful
craftsmanship displayed in this “Hot
Rod” and the right of the owner to ride
whatever he wishes to. However, I do
feel compelled to warn my fellow read-
ers of the dangers of building and riding
this type of conversion. The primary
problem is the inadequacy of the /2
front brake. While the twin-leading-shoe
front brake used on the /5 is outstand-
ing for a drum brake, the /2 unit was not
even adequate for the power and speed
of the R60/2 engine, much less an R90S
engine. I have seen a few of these con-
versions and when the braking issues
are addressed they can be fine sidecar
rigs, though the R90/6 engine has the
more useful power characteristics for
sidecar use and is less valuable than an
R90S engine. For solo riding, the /5 and
later frames are far superior. In fact, the
BMW bikes entered in the ISDT in the
late Sixties used /2 engines mounted in
/5 prototype frames.
P. George/via email
Road memoriesRichard Backus’ Black Side Down column
brought back a lot of memories, as I’m
from Connecticut and I have traveled a lot
of miles in New England on classic bikes
riding with a friend of mine. The roads
and the ferries in New England are a must
for any person who rides.
C. Morse/Monroe, Connecticut
More road memoriesI’m sure many of your readers were
touched by your May/June 2014 col-
umn. It reminds us why we
keep riding after 50 years.
Although I lusted after your
“big” Norton, my wife and
I took our Honda 350 on a
3,000 mile honeymoon trip
more than 40 years ago. We
covered much of your route
and added a trip up Mt.
Washington. My wife still
kept her helmet on away
from the bike because of
the wind! Yes, we still ride
together.
Ken Fizette/Luzerne, Michigan
Norton touring in New EnglandIt’s strange how things work some-
times. I have one small road trip of three
to four days planned for this summer on
my 1975 Norton. It will be a meander-
ing ride from Ludlow, Vermont, to Mt.
Washington in New Hampshire. I couldn’t
think of another small road trip to do —
until I opened the May/June issue and
read Black Side Down. Taking ferries in and
around New England will be my second
road trip. Thanks for a wonderful theme
for a ride!
Mitch Zyman/Merrick, New York
Visiting CubaWe just returned from a wonder-
ful eight days in Cuba,
based in Havana at the
hotel Santa Isabel. We are
Americans and the trip was
through Latin Art Space
(latinartspace.com) and it
involved visits to several
artists’ studios and exhibi-
tions of music and danc-
ing. We were also treated
to a visit into Hemingway’s
house, which was particu-
larly interesting.
When I travel I usually
take a stack of magazines to
“Taking ferries in and around New England will be my second road trip.”
Rider: Brad Babcock, Lemont, Pennsylvania
Age: 67
Occupation: Retired videographer
Rides: 1953 Royal Enfield 350 Bullet, 1965 Royal Enfield 750
Interceptor, 1975 Honda CB125S, 1977 Honda Z50, 1983 Suzuki
GS450, 1984 Moto Guzzi V65SP, 1987 Yamaha SRX 250, 2002
Suzuki 1200 Bullet
BradÕs story: “I was particularly pleased to see the 1980-1983 Suzuki
GS450 as a Future Classic (March/April 2014), as I’m the proud owner
of a 1983 GS450E, which I bought new in 1985 and have kept in the
stable ever since. For six years it was my only bike. I commuted on it,
took it on sporting rides and toured on it, including several 600-900
mile round trips to Ontario. Now it’s my favorite back roads bike, pow-
erful enough, yet nimble. It now has more than 48,000 miles on it.
The sum total of repairs have been a new clutch cable, a new tachom-
eter drive cable and a regulator/rectifier, which was a known weak
point in Suzukis of that era. With eight motorcycles in the garage,
the GS450 is still one of my favorites. It’s all stock and original, except
for the added flyscreen and the seat, which I had redone by Sargents
when the original cover split. I still think it’s a very handsome bike.”
6 MOTORCYCLE CLASSICS July/August 2014
Brad Babcock’s put more than 48,000 miles on his 1983 Suzuki GS450 and still enjoys riding it today.
RIDERSS
read while away. On this trip my maga-
zines were motorcycle related. While I
was sitting at a café, almost immediately,
someone came up to me and asked to leaf
through it, and it didn’t take long for me
to realize that they cannot receive maga-
zines sourced in the U.S. Luckily I still had
one I had finished and it took about two
seconds to give it away. I did this with
the second and then the third. My new
Cuban friend said that these issues would
be handed around from one person to
another. Two of the three were copies of
Motorcycle Classics, which are probably still
making the rounds. So, if you are going to
Cuba and subscribe to motorcycle or car
magazines, you might want to set some
aside as you finish them to bring. It won’t
take long before you make some people
happy, yourself included.
Peter Krynicki/via email
Vintage MXI really enjoy Motorcycle Classics magazine and I appreciate the variety of bikes that are
covered in each issue. I just picked up the May/June 2014 issue and read John L. Stein’s
article on the experience and costs of vintage motocross. I’ve been racing in American
Historic Racing Motorcycle Association (AHRMA) motocross and cross country
events for 10 years and I’m glad to see our living museum featured in your magazine.
However, I fear the article paints a somewhat unfair picture of the costs of vintage
motocross, which may prevent some folks from giving it a try. There is no reason for
competitive vintage MX bikes to cost the same or more than competitive modern
bikes. With the possible exception of some British 4-strokes, all popular AHRMA-legal
bikes are simpler and more straightforward to maintain. There are literally dozens of
brands/makes of 1974 or older vintage MX bikes that are all generally competitive in
their respective classes, so the market has plenty of options to choose from. I choose
to race Bultacos mainly because that’s what my grandfather and father raced (I’m 26
years old and I grew up going to AHRMA races with them). We have a handful of them
that are basically stock except for tires and Works Performance shocks. We even run
the Amal carburetors and Motoplat ignitions. I don’t recall having to spend more than
$2,500 to have one complete bike ready to race and win. Bultacos aren’t everyone’s cup
of tea but I’ve won my share of races with them. I’m sure the same can be said of many
other brands I see at each race weekend.
Craig Light/Atlanta, Georgia
A few of Craig Light’s Bultacos, including a 200cc and 250cc
Pursang, a 125cc Sherpa S and a 175cc Lobito.
Circle #8; see card pg 73
1With years of expertise developing and sourcing motorcycle touring gear, when
Aerostich suggests a product, wise people listen. Case in point are these Ortlieb Low Profile Dry Bag Saddlebags. Made from exceptionally strong but lightweight and abra-sion-resistant reinforced PVC, these bags are unlike anything else featured here. A total of 34 liters of storage capacity means they can swallow a lot of gear, and swallow they do because instead of a zippered top or side panel they feature a 19.5-inch-wide access flap that simply rolls open and shut. Laterally and centrally positioned quick-release straps keep the bags closed, and their PVC construction combined with the roll top closure makes them waterproof and dustproof. The backside of each bag features a thermo-molded pad to protect your bike’s paint finish, and an inner organizer pocket features a large zippered pocket and two hook-and-loop pockets for securing smaller items. 3M Scotchlite reflectors aid nighttime visibility, and carrying handles make them easy to transport off your bike. Definitely the most intriguing bags we’ve seen in awhile. $217. More info: aerostich.com
2River Road’s textile Spectrum Medium Slant Saddlebag gives a nod to tradi-tion by combining old school leather saddle straps (complete with laced
adjustment panels) with RoadTex 1680 denier nylon, treated with a PVC coating to repel water. The medium-sized bags feature box-style lids for easy access and lockable zippers for secure storage. The interior is fully lined, and each saddle bag has its own custom-fitted liner bag for extra protection for your gear and added packing convenience. Zippered side pockets give extra storage space for smaller items like wallets and mobile media, and the bags are zippered to the saddle strap so you can remove the bags individually. They also feature heat-resistant bottom panels to guard against muffler burns. Quick-release straps aid in secure attachment of the bags while a removable neoprene layer protects your bike’s finish, and supplied waterproof rain covers ensure your gear stays dry. $179.95. More info: riverroadgear.com
3Cortech’s 2.0 36L Saddlebags are constructed from 1680 denier ballistic polyester with 1800 denier three-lined twill Jacquard
weave side pockets. (Jacquard weave gives better material control during the weaving process for extra strength and wear resistance.) The bags feature expandable main compartments for 36 liters of stor-
age capacity. Twin-zippered top panels with hook-and-loop flaps keep contents secure while giving easy access to the main compartments, and zippered side panels provide easily accessible storage for smaller items like maps, iPads and the like. There’s a protective heat shield on the lower
section of the bags, plus Phoslite reflective piping for nighttime visibility. Internal support panels help keep the bags’ shape, and a quick-release mounting system lets you add a Cortech Super 2.0 Tail Bag in seconds. Protective non-slip, non-scratch side pads protect your bike’s finish, and supplied rain covers keep things dry when the going really gets wet. Nicely proportioned and good looking, these bags should work well on just about any bike. $159.99. More info: cortechperformance.com
6 Great Saddlebags for Everyday Touring
8 MOTORCYCLE CLASSICS July/August 2014
1
2
3
G E A R
DRIVEN
5The Summit Saddlebags from Wolfman Motorcycle Luggage are no-nonsense throw-
over saddlebags. Yet while they may be short on catch phrase extras, Wolfman’s expedition quality, made in the U.S.A. bags are long on utility and durability. Made of 1680
denier ballistic nylon and featuring 40 liters of cargo space they can hold a lot of gear, made easier with the Summit’s double-zippered side-opening
panel. Attachment is basic over-the-seat with straps running to the passenger pegs and rear of the bike, and plastic form panels in the bags ensure they hold their shape under all conditions. A non-slip, non-scratch backing protects your bike’s finish, and there are D-rings on the side of the bags for attaching a Wolfman Wolf Tail bag or any other bag you might have. The zippered out-side pockets are large enough to carry an iPad and more, and there’s reflective piping to aid nighttime visibility. A rain cover is extra, but the plastic paneled and PVC-lined interior should
make these bags pretty water-resistant as they stand. $187.99; rain cover $27.49. More info: wolfmanluggage.com
4If you’re looking for the ultimate in old school touring style with top-shelf qual-ity and utility, you’ll fall in love with Fox Creek’s Throwover Saddlebags. Made
with high-quality, super thick 3.6-4.0mm top grain cowhide (Fox Creek calls it Crazy Horse leather, the thickest they use) with a heavy stiffening panel riveted and sewn into the back side, these heavy-duty saddlebags will hold their shape while gently relaxing over time. The top-opening flaps secure with riveted leather straps to chrome-plated, riveted buckles. All stitching is nylon to ensure the bags stay together rain or shine, and the leather is oil and wax treated for long-term exposure to the elements. With roughly 30 liters of storage capacity they’re big enough for weekend jaunts, yet small enough to leave on your bike for everyday utility. Handmade in the Blue Ridge Mountains of southwestern Virginia, Fox Creek Leather products are among the best we’ve seen. Available in brown (shown) and black. $300. More info: foxcreekleather.com
6We’ve always liked Tourmaster gear, and Tourmaster’s Elite Saddlebags don’t disappoint. Made from heavy-duty 1680
denier ballistic polyester with 840 denier patterned panels, their 36 liters of storage space makes them perfect for most touring needs. Hard bag-style
zippered and gusseted side openings mean you can really cram in your gear, and interior form panels make sure the bags
hold their shape. A removable neoprene pad on each bag protects your bike’s finish, and supplied rain covers for each bag keep your gear dry when the weather turns wet. The zippered side pockets are amply sized and feature mesh inner pockets for storing smaller items like wallets, keys, mobile media and your registration papers. There are neoprene covers for the saddle straps when needed to
protect painted surfaces, and the removable saddle straps can be mounted under the seat of
some bikes. Quick-release straps aid attachment, and the bags feature protective heat shielding on the
bottom panels, along with reflective triangles on the rear of each bag for improved nighttime vis-ibility. They also feature quick-release straps to add a Tour Master Elite Tail Bag. $189.99. More
info: tourmaster.com
www.MotorcycleClassics.com 9
6
5
4
U N D E R T H E
RADAR
As Honda’s current NC700 demon-
strates — the NC700’s radically
inclined liquid-cooled 670cc par-
allel twin is tilted 62 degrees for-
ward — Honda has never shrunk
from innovation as a way to kick-
start sales. So it was during Big
Red’s late 1980s doldrums that four
mold-breaking bikes arrived in the
U.S.: the screaming gear-drive dou-
ble overhead cam 400cc CB-1 four;
the practical but unlovely 800cc
liquid-cooled PC800 Pacific Coast
V-twin; the charming retro GB500 air/
oil-cooled single; and the revolution-
ary liquid-cooled 650cc V-twin Hawk GT.
But was the Hawk any good, or was it just
originality for its own sake?
As a midsize V-twin naked sport-standard, the Hawk antici-
pated Ducati’s M900 by seven years and Suzuki’s SV650 by
a decade. It incorporated a range of techie features like the
RC30-style Pro-Am single-sided swingarm, Pro-Link single
rear shock, cast alloy twin-beam chassis and stout (for the
time) 41mm front forks with alloy triple trees.
Somewhat at odds with this racy specification was the
engine, a bored-and-stroked version of the mild-mannered
1983 VT500 Ascot mill. This was a 52-degree, 3-valve, liquid-
cooled V-twin with offset crankpins, a straight-cut gear pri-
mary and 5-speed transmission — though the Hawk used
chain final drive instead of the Ascot’s shaft. Also new for the
Hawk was digital ignition and dual-plug cylinder heads. But
producing just 37.5 horsepower and 31ft/lb of torque at the
rear wheel on Cycle magazine’s dyno, was the Hawk’s hi-tech
spec wasted on a weedy powerplant?
Not so, said Cycle World, finding the Hawk’s powerplant very
satisfying “if you like riding a bike with immediate throttle
response … if you want a 650 that pulls from low rpm like
a 750.” Cycle agreed: “The torquey, flat power spread of this
engine coupled with a slick-shifting gearbox and light clutch
makes the Hawk a cinch to ride … a crack of the throttle will
zap highway traffic.” Cycle also recorded an impressive sub-
13-second standing quarter at almost 100mph, thanks in part
to the Hawk’s full-tank curb weight of just 411 pounds.
Cycle also liked the Hawk’s handling: “… the 650 GT has
those qualities that encourage a brisk riding pace: light
weight, nimble neutral steering, unshakable stability, lots
of corner clearance … balanced, responsive suspension and
accessible power.” Cycle World praised the Hawk’s handling,
too, noting that “with quick geometry and fat tires on wide
17-inch wheels, it responds immediately and positively to the
rider’s every input.”
It seems what Honda had actually produced was an out-
standing all-around motorcycle “that is as much at home on
city streets as it is on back roads,” Cycle World said, noting a
few negatives like a slightly short fuel range, a thinly padded
seat and heat from the headers, all of which compromised
its long-haul touring capability. Another area where Honda
had perhaps cut corners was in the suspension. The front
fork was non-adjustable, and Cycle World said it was “a little
soft, diving under braking.” Likewise, the rear suspension —
adjustable for spring preload only — “tends to feel mushy at
ON THE MARKET1989 Honda NT650 Hawk GT/$3,200
Honda NT650 Hawks donÕt turn up every day, which isnÕt particularly surprising given the modelÕs short run in the U.S. And when they do show up, good ones arenÕt cheap, a reflection of both owner and market appreciation for the model as it appears thereÕs a loyal following for HondaÕs forgotten twin. We found this 1989 model along with a first-year 1988 on eBay. The 1988 failed to sell with an offer of $2,995, while this bike had a ÒBuy it NowÓ of $3,200. Where the Ô88 had only 13,283 miles, this bike was showing 21,075. Yet miles donÕt tell the full story because the Ô89 looked very nice, with new fork seals, new chain and sprockets and a very nice Two Brothers exhaust system. The seller didnÕt supply much information, but the bike looked clean and well cared for. Not exactly cheap, but a nice survivor.
10 MOTORCYCLE CLASSICS July/August 2014
Forgotten middleweight:1988-1991 Honda NT650 Hawk GT
speed,” Cycle World’s editor’s opined.
Cycle’s tester also found the Hawk’s
riding position “rather cramped” and
the entire motorcycle “small and better
suited for smaller riders.” On the plus
side, Cycle World appreciated the inclu-
sion of a centerstand and thought-
fully positioned bungee cord hooks for
occasional luggage.
With all its good press and excellent
attributes, you’d think the Hawk GT
would have hit a home run in sales, but
it didn’t. After just three model years, it was dropped. For all its
good points, on paper the Hawk just didn’t stack up: at $3,995
for an optimistic output of 58 horsepower, it paled against
Honda’s own new 85 horsepower CBR600F, which came in at
just $400 more. Buyers simply did the
math — which is a shame, because if
they had ridden the Hawk, they would
have been surprised at its understated
performance and value, even though
it perhaps lacked outright horsepower.
Intriguingly, of the foursome cited in
the first paragraph — the Pacific Coast,
CB-1, GB500 and NT650 — the ungainly
Pacific Coast proved to be the longest
lived, lasting from 1989-1998.
Summing up, Cycle World called the
Hawk GT “a mix of old and new, a bike with one wheel planted
firmly in the traditions of yesterday and the other rolling
boldly into the technology of tomorrow.” It’s a concept that’s
perhaps better appreciated 26 years on. MC
1983-1985 BMW R65LSThe R65LS arrived in 1983 as a hopped-up version of BMW’s
entry-level R65. The short-stroke flat-twin engine featured larger
valves, Nikasil cylinders, a lighter clutch and flywheel, a larger
sump and Bosch electronic ignition. Horsepower was up from 45
to 50. Hans Muth (fresh from sculpting Suzuki’s Katana) molded
the futuristic mini-fairing/instrument panel, gas tank and seat/tail
unit (with glove box): Like many ‘80s fashions, it didn’t age well.
The standard R65 frame ran on new, lighter alloy wheels with
dual Brembo front disc brakes, but retained the rear drum. Final
drive was by shaft.
Like the Alazzurra and the Hawk, the LS wasn’t for those want-
ing outright performance. But it redeemed itself with a flexible
powertrain, friendly ergonomics and nimble handling. Cycle mag-
azine liked the firmer-than-usual-BMW suspension, which reduced
driveshaft reaction and improved cornering clearance. “Steering is
terrific,” Cycle said, making the
LS “a delight on curvy roads
or around town,” also noting,
“It’s hard to imagine how the
brakes could be better.” But
like the Hawk and Alazzurra,
long stints in the saddle were
uncomfortable, especially in
the neck and shoulders: Cycle
blamed a too-low handlebar.
Perhaps the R65LS’s biggest
problem was the badge on
the tank: BMW traditionalists
didn’t warm to it, and other
motorcyclists didn’t see the
value. Just 6,389 R65LS’s were
built over three model years.
Perhaps the R65 line’s great-
est contribution was in
lending its chassis to the
1981 R80G/S.
CONTENDERS Two-cylinder rivals to Honda’s NT650
1985-1987 Cagiva AlazzurraBy 1985, Cagiva’s canny Castiglioni brothers had bought
Ducati’s engine division and designed a range of motorcycles
around a 650cc version of Taglioni’s Pantah V-twin: the dual-
sport Elefant, custom Indiana and street bike Alazzurra. The
engine, forerunner of all 2-valve belt-drive Ducatis, was an air-
cooled 90-degree V-twin with single overhead cams and des-
modromic valve operation, fed by dual 36mm Dell’Orto carbs
and fired by Bosch electronic ignition. Helical primary gears
drove a wet multiplate clutch and 5-speed transmission with
chain final drive.
The powertrain was suspended from a “closed double cradle”
tubular steel frame with the swingarm mounted in bushings in
the rear of the engine cases. Campagnolo cast wheels carried
non-adjustable Marzocchi front forks and piggyback rear shocks
adjustable for preload and damping. Braking was by triple-disc
Brembos, but period testers found them weak and prone to fade.
Other gripes included lean-
mixture surging at midrange
revs, cold-blooded starting and
a painful, board-like seat.
While down on power
against its competition from
Japan, the Alazzurra worked
well in the twisties. Road Rider
praised its cornering as “an
effortless and confidence-
inspiring pastime.” The
Alazzurra proved to be a
sporty package with a strong,
torquey engine in a fine-
handling chassis, well-
equipped and finished. It
was, Cycle said, “sinewy,
poised, predacious in
an off-hand, casual
way.” Very Italian, then!
• 1983-1985• 50hp @ 7,250rpm/110mph • 650cc air-cooled OHV flat twin• 5-speed, shaft final drive• 417lb (dry)/45-60mpg• Price then/now:
$3,995/$2,500-$5,500
c
www.MotorcycleClassics.com 11
• 1985-1987• 55hp @ 8,500rpm/107mph• 650cc air-cooled SOHC V-twin• 5-speed, chain final drive• 421lb (dry)/41-47mpg• Price then/now:
$3,750/$1,500-$3,500
Years produced 1988-1991
Power 58hp @ 8,500rpm (claimed)
Top speed 115mph
Engine 647cc liquid-cooled
SOHC 52-degree V-twin
Transmission 5-speed, chain final drive
Weight (dry) 393lb
Fuel consumption 47-65mpg
Price then/now $3,995/$800-$3,000
HONDA NT650 HAWK GT
V I E W F R O M T H E
SIDECAR
The vintage race scene heats up July 11-13 as riders compete
in rounds 13 and 14 of the AHRMA/CPL Systems National
Historic Cup Roadrace Series during the 2nd annual AHRMA
Vintage Motorcycle Festival at Thunderbolt Raceway at New
Jersey Motorsports Park (njmp.com). This will be one of the
great events of the year, with racers gunning for the podium on
everything from 1920s handshift Indians to Seventies Japanese
Superbikes in 30-plus classes.
Motorcycle Classics will host the Motorcycle Classics Vintage Bike
Show, awarding trophies for Best Restored and Best Rider in
five classes, and we’ll also hand out our Editors’ Choice award
for the bike we’d most like to take home. This is a friendly,
relaxed show, with the focus on having a good time and enjoy-
ing the great variety of classic
bikes that vintage bike fans
own, whether they’re daily
riders, barnyard finds or
perfect restorations.
Other attractions dur-
ing the AHRMA Vintage
Festival include a motor-
cycle swap meet, live music,
motorcycle stunt shows, beer gardens
and more. Nestled in 500-plus forested acres, the 12-turn,
2.25-mile Thunderbolt Raceway is one of two tracks at the
race park, which is located less than an hour from Ocean City.
NJMP offers VIP suites and camping, and if you’re looking
for some fast and fun four-wheeling action, check out F1
Karting at the adjacent Lightning Raceway.
The Meet in TacomaIf you haven’t already, make plans for the 3rd annual The
Meet Vintage Motorcycle Festival August 22-24 at America’s
Car Museum in Tacoma, Washington. A concours event,
The Meet features 450-plus vintage motorcycles spread
out across the museum’s 3.5-acre Haub Family Showfield.
Last year’s event drew an estimated 4,500 vintage bike
fans, and this year’s show should easily best that thanks to
the announcement that fees for motorcycles entering the
concours have been eliminated. We’ll be set up with other
vendors ringing the field, plus there will be food, music,
a swap meet, a used bike corral, seminars and a Sunday
group ride. A panel of 14 judges including Motorcycle Classics’
Richard Backus will award trophies in 22 categories. This
show beats expectations every year, with an ever-changing
and growing selection of spectacular vintage motorcycles
from around the world on display. Best of Show last year
went to a 1955 Ceccato 75cc single, one of only a few made,
even fewer of which survive. More info at vintagemotor
cyclefestival.com
Time’s almost out to reserve your space
in the 2014 Benelli Vintage Tour. Led by
motorcycle tour veteran Burt Richmond with
Motorcycle Classics’ editor-in-chief Richard
Backus riding second, the Benelli Vintage
Tour features 10 days of riding through
Italy’s scenic Marche and Umbria regions
aboard vintage Italian motorcycles. Tour
participants will have their choice of vintage
Benellis and Motobis to ride, ranging from a
single-cylinder 1955 125cc Benelli Carenato
to a 6-cylinder Seventies Sei 750, with late
model “millennium” Benellis available for
those who want to ride two-up or just pre-
fer a newer machine. We’ll take in motor-
cycle museums including the famed Benelli
Museum and the Morbidelli Museum in
Pesaro, and finish the tour at the San
Marino GP at Misano World Circuit. Cost
for the tour is $3,500, which includes your
bike, hotel room, breakfast and dinner every
day, and a support vehicle and bilingual
guide. Go to motogp.com to purchase GP
tickets, which are extra. See the Mototouring
Benelli Vintage Tour ad on page 81 or go to
mototouring.com for more information.
Final call for Benelli Vintage Tour
AHRMA Vintage Festival at NJMP
Lovely NCR Ducati at last year’s The Meet in Tacoma, Washington.
12 MOTORCYCLE CLASSICS July/August 2014
AHRMA Vintage Festival, The Meet returns, MC tours Italy and Hodaka gets celebrated
Sold by PABATCO — Pacific Basin Trading Company — in
tiny Athena, Oregon, from 1964 through 1977, Hodaka motor-
cycles were developed on the premise that motorcycling should
be cheap: “No one should have to seriously strain their budget
to enjoy it,” a Hodaka sales booklet pro-
claimed. Developed by a small but dedi-
cated group of motorcycle enthusiasts
in an era when U.S. interest in motor-
cycling as a leisure sport was explod-
ing, the little bikes with the Hodaka
name — Japanese for “grow higher” —
became one of the biggest successes in
American dirt bike history.
Written by Ken Smith, the editor
of Australia’s excellent VMX vintage
offroad magazine (vmxmag.com.au),
with help from Strictly Hodaka owner
Paul Stannard (strictlyhodaka.com),
Hodaka: The Complete Story of America’s
Favorite Trail Bike chronicles the evolution of Hodaka motor-
cycles from PABATCO’s initial 1961 entry selling Japanese
Yamaguchi motorcycles to designing and specifying the
construction of its own range of dirt bikes, built by former
Yamaguchi engine supplier Hodaka.
PABATCO’s best years were in the Sixties and early Seventies
(15,736 Hodakas were sold in 1972), and motorcyclists of a cer-
tain age have fond memories of the Hodaka Ace, Wombat, Super
Wombat, Combat Wombat, Dirt Squirt and Super Rat. Yet cre-
ative names weren’t enough to save the small company against
rising competition, and new motorcycles
quit flowing in 1977: PABATCO shut
down its motorcycle operation in 1978.
Years in the making, the book’s release
celebrates the 50th anniversary of the first
Hodaka, the Ace 90, and a book release
party helps kick off Hodaka Days 2014,
held June 26-29 in PABATCO’s hometown
of Athena. Hodaka Days will feature for-
mer PABATCO employees, plus former
offroad superstars and industry insiders
Brad Lackey, Ron Pomeroy, Preston Petty
and Ken Smith.
Exhaustively researched, enthusiasti-
cally told and featuring scores of period
photographs and advertisements, the book contains full pro-
duction statistics by model and year, with engine serial number
data and yearly sales data by distributor and state. An absolute
must for any fan of offroad motorcycling history. Octane Press
(octanepress.com): 192 pages, $60. To order a copy, go to
MotorcycleClassics.com/Hodaka or see our ad on page 95.
Hodaka: The Complete Story of America’s Favorite Trail Bike
www.MotorcycleClassics.com 13
1981 Suzuki GS1100EX
Trace originally wanted to buy the bike just for its parts, but ended up
with the factory-spec restoration you see here. “I brought the bike home,
and I don’t know what got into me. I decided to restore it. It was really
badly oxidized, and I had never done a Suzuki before.”
Trace was lucky enough to be born in a motorcycling family. Instead
of having to hide his passion from his parents, as many kids did, Trace’s
parents encouraged him. “I have been working on bikes since I can
remember,” he says. “I mowed lawns to get my first bike, a Yamaha 80
with a stamped steel frame. I rode that thing to death.” The Yamaha was
replaced by a Suzuki 250X Hustler and then a Honda 350. Trace also
got into racing quarter midgets on the tracks at Sacramento and
Baylands in Northern California.
An accident when he was serving in the Army stopped Trace
from motorcycling for awhile, but eventually he was able to
resume riding. “Sporty, big displacement motorcycles get me
going — I like the horsepower,” Trace admits. A Kawasaki Z1R
was Trace’s street bike for a long time, and he still has it.
Trace also got back into racing. After trying road racing and
other types of motorcycle competition, he settled into drag
racing as his sport, starting in 1982 by building a Kawasaki
into a drag racer. “I didn’t want to do stupid things on the
street, and I enjoy being around drag racing people. People
in drag racing help each other. I have given people parts they
needed, and they beat me because they had the parts,” Trace
says. But that doesn’t stop him helping his competition. “You
have a better feeling about yourself,” he adds.
They say good guys finish last, but Trace earned two track
championships at the old track in Fremont, California, and has
notched seven track championships and one division champi-
onship at Sonoma Raceway in Northern California. Continuing
the family motorsport tradition, Trace’s son is also drag racing
— and winning, with two track championships under his belt so far.
Trace’s interest in mechanics has continued, as well. Now retired, at
least from normal work, he’s as busy as he’s ever been, building engines
for five drag racing teams. Trace also restores motorcycles for other
people with his buddy Brian Jennings, who also paints race bikes. “I like
TThis Suzuki is one lucky motorcycle. Found in rough
condition, unloved, for sale and facing an uncertain
future, it had the good fortune of being adopted by
Trace St. Germain, perhaps the perfect person to rescue
a deserving but shabby Superbike from the 1980s.
LUCK OF THEDRAW
Story by Margie Siegal
Photos by Nick Cedar
14 MOTORCYCLE CLASSICS July/August 2014
restoring bikes,” Trace says. “It keeps me
busy and out of my wife’s hair.”
This Suzuki, however, Trace restored
for himself. “Brian and I were going to
use this bike as a parts bike. Brian went
and looked at it. The bike was rough, and
the guy wanted too much money for it,
but all the original parts, including about
90 percent of the original nuts and bolts,
were in a box. Not only that, there was
a good exhaust system that came with
it — a Bassani exhaust that would be
worth a lot of money on eBay. We finally
reached a deal.”
The GS comes of ageThe GS1100 was the top of the line of Suzuki’s extensive lineup
in 1980 and 1981. In the previous few
years, the company had achieved an
impressive comeback, pulling back from
the edge of the cliff it had almost ridden
over on the back of the failed RE5 rotary.
The GS line of 4-strokes Suzuki was
selling in the late Seventies and early
Eighties were the antithesis of the exper-
imental RE5. Using — and improving
— proven technology, Suzuki engineers
designed a series of powerful and reli-
able motorcycles, with understated styl-
ing, good handling and decent brakes.
The first two GS models off the line were the 4-cylinder
GS750 and the 2-cylinder GS400, introduced in late 1976 for the
1977 model year. Using a new double downtube cradle frame,
they were noted for their good handling at a time when most
Japanese-built motorcycles were not. When the range-topping
GS1000 was added for the 1978 model year, racers quickly found
out that it took very little work to get a whole lot of power out of
the engine. A racer based on the GS1000 and tuned by “Pops”
Yoshimura won Daytona and the Suzuka 8 hours race in 1978,
and the AMA Superbike championship in 1979 and 1980.
Technology moves onDevelopment never stands still, and in mid-1978 Suzuki engi-
neer Sadao Shirasagi was assigned the task of upgrading the GS
4-cylinder engine. His goal was to improve fuel economy and
lessen emissions, as well as improve performance across the
powerband. To that end, Shirasagi employed 4-valves per cylinder
to speed up the entry and exhaust of fuel mix in and out of the
cylinders. The aim was to squeeze as much energy as possible
out of each gasoline droplet.
The design Shirasagi developed was called Twin Swirl
Combustion Chamber, or TSCC. A ridge in the cylinder head
combustion chamber roof effectively divided the chamber in two,
with one intake and one exhaust valve on either side. This ridge
directed the intake charge into two controlled circular swirls, and
a squish band in the chamber helped accelerate the motion. The
centrally located spark plug allowed even burning of both swirls
of fuel/air. The result was not only complete combustion of the
fuel/air mix, but an engine that could tolerate high compression
on a lean mixture.
Shirasagi’s TSCC cylinder head was featured on the new for
1980 GS1100, which replaced the top of the line GS1000. Unlike
the previous big GS, Shirasagi’s new engine used dual overhead
camshafts operating on forked rocker arms instead of shimmed
buckets. This greatly improved ease of maintenance, as valves
could now be adjusted with a wrench and screwdriver instead
of the far more time-consuming shim replacement required
previously. The GS1100 also featured electronic ignition, an air-
charged front suspension and something rarely found on a per-
formance motorcycle — a comfortable seat. Cycle Guide called it
“one of the best riding, most comfortable motorcycles ever built.”
Contemporary testers praised the ease of keeping the GS on a
line through a corner — “It will corner with the best of its rivals
and outdo the rest,” Cycle said — and they had a lot of fun playing
with all the suspension settings. The air-assisted forks featured a
single, easily accessible air valve, plus adjustable damping and
adjustable preload. The rear shocks had five preload positions
and four positions for rebound damping. It was without question
the most tunable factory suspension ever offered.
Unfortunately, adjusting fork preload required removing the
handlebars, which induced more than a few gripes. Other mild
gripes involved an inability to aim the headlight beam, carbure-
tion problems under light throttle, the lack of a petcock and leaky
valve covers. The single biggest complaint centered on the bike’s
hyper-sensitive carburetion, which some riders found impossible
to ride around. “At every expansion joint the throttle snaps open
a millimeter, enough to make the bike rear up and accelerate,”
Cycle Guide complained.
But back on the plus side, the big GS1100’s brakes were con-
sidered among the best in the business. And while testers liked
the suspension, they loved the engine. “Any motorcycle that
has effortless power at 3,000rpm — which the Suzuki does — is
very likely to have eye bulging top-end as almost a casual and
incidental by-product,” Cycle said in its December 1980 road test.
Cycle Guide concurred, stating simply, “It flat does what you ask of
it.” And it did.
www.MotorcycleClassics.com 17
18 MOTORCYCLE CLASSICS July/August 2014
The fight for the topFor 1981, Suzuki had the demanding task of bettering the
obviously excellent 1980 model. Aside from a change in paint
colors, there was a slight change in valve seat angles (60
degrees instead of 75 degrees for the first cut, for better intake
charging), a fuel petcock was added along with a gas reserve,
alternator output was increased and the rather busy instru-
ment display received minor changes such as the addition of
a sidestand light.
Cycle Guide conducted a compari-
son test for its July 1981 issue,
pitting the Suzuki against a Honda
CB900F and a Kawasaki GPz1100.
The GS was the favorite for tour-
ing on freeways with its comfort-
able seat, adjustable suspension
and roll-on ability in high speed
passing, but got marked down in
around town riding for its low-
speed carburetion problems. On a
twisty mountain road, the GS led
the pack for its cornering prowess.
The one place the GS really fell
behind was at the race track. “The
GS wanders and feels vague when
pushed through fast turns,” Cycle
Guide’s editors stated. Yet despite
disappointing road racing perfor-
mance, the Suzuki came in first in
overall performance. “The Suzuki’s
rare blend of shattering perfor-
mance and elegant manners keeps
it at the top of the class for the second year running,” Cycle
Guide concluded.
Up to this time, Suzuki had concentrated on engineering to
the exclusion of style. In 1981, the company contracted former
BMW designer Hans Muth for a radical redesign of the GS. The
Katana version of the GS debuted in 1982, and while not uni-
versally loved, its space-aged, avant-garde styling turned heads
and sparked discussion. The GS range continued on for a few
more years before being replaced by
the brilliant GSX-R range.
Still lovedSmart owners hung onto their
GSs, and many are still running
today. The big GS Suzukis have
earned a reputation for bomb-
proof reliability, in large measure
because the engine was overbuilt.
The crankshaft of the GS engine ran
in roller bearings, a design that,
while expensive to build, lends
itself to long engine life thanks
to its resistance to uneven loads.
Helping things, the engine’s low-
pressure lubrication system worked
well, even when operating in less
than optimum conditions.
Trace builds bikes to Antique
Motorcycle Club of America stan-
dards, which means the markings
on the bolts have to be the same as
the factory bolts and the cable rout-
Tall, wide handlebars make the big GS easy to wrestle. The air-assisted front forks featured adjustable damping and preload.
Twin 11-inch front disc brakes were praised by magazine testers back in 1981.
Circle #9; see card pg 73
ing has to be the same as the factory.
In other words, it has to be factory
correct. “The hardest part was making
sure all the bolts were correct,” Trace
explains. “There are a lot of new-old-
stock parts for GS Suzukis out there, but bolts are hard to
get. Ninety percent of what I needed came with the bike, but
of course the other 10 percent were hard to find. Eventually,
I collected all the original bolts. I had to re-zinc plate a lot of
them, and the bolts for 1981 Suzukis came in an odd green/
black color. I had to reproduce that.”
If you are going to restore to factory specs, you first need
to know what those specs are, and Trace lucked out. “I had
enough resources to make sure I got the assembly right. Ray
Rains and Woody [Kahea Woods] helped with the correct bolts
and a lot of little things. Suzuki published excellent docu-
mentation, so I knew where the cables were routed and where
to put the clamps,” Trace says. Brian Jennings did the paint,
matched to a spot of the original paint on the bike. Trace’s
efforts paid off with the award for Japanese 2nd Place at this
year’s The Quail Motorcycle Gathering.
Despite careful attention as the bike went together, Trace’s
first ride out was somewhat disap-
pointing. “I didn’t like the factory bars.
It felt like I was driving a bread truck.
And the brakes felt mushy,” Trace says.
“I had to fix an oil leak from the cam
chain tensioner. There’s a little seal — which you can’t find any
more — that is leaking. I made a new seal, and we will see if it
works. I had to re-jet the carbs. I also haven’t been able to find
the right hot press seat cover and had to settle for a stitched
one.” Trace has recently found the correct seat cover, although
it wasn’t installed for our photo shoot.
After some suspension tuning, handlebar adjustment and a
brake line swap to improve performance, Trace was a lot hap-
pier. “The bike rides a lot better now that I had a chance to set
the handlebars, shocks and forks up more to my liking. The
bike is really nimble. It seems like it would be a nice cruiser. I
really want to take it out on the road, but not on a really tight
mountain road. That’s the problem with big bikes — on a tight
road, you never get out of second gear.” And while that may
be true, it doesn’t dampen Trace’s enthusiasm for the big GS.
“As soon as the weather warms up, I am going to put a lot of
miles on this Suzuki.” MC
“The big GS Suzukis have
earned a reputation for
bomb-proof reliability, in
large measure because
the engine was overbuilt.”
OE & Custom Parts
for Vintage Motorcycles
DIMECITYCYCLES.COM
USE COUPON CODE CLASSICS2761 for 10% off your next order
Circle #5; see card pg 73
22 MOTORCYCLE CLASSICS July/August 2014
Union Motorcycle Classics (unionmotorcycle.com) are special-
ized builders of road racing-style machines based on British
and Italian platforms, and for the past five years the company
has turned out some exquisitely detailed projects. But they
all have a certain style, and the bobber isn’t among their
repertoire.
Mike Watanabe is one of the partners behind Union
Motorcycle Classics, along with Luke Ransom. Together,
the pair collaborates on the builds, each working within
their area of expertise. Mike handles design, fiberglass
bodywork and metal fabrication. Luke takes care of the
mechanicals and also does metal fabrication.
Looking backThe roots of Union Motorcycle Classics go back to 1998,
when Mike and his friend Bret Edwards formed Glass From
The Past, or GFTP (caferacingparts.com). At the time, they
were a pair of young kids obsessed with British road race
bikes from the late 1950s to the early 1970s, machines often
outfitted with fiberglass fairings, seats and gas tanks. “The
trouble was,” Mike explains, “that bodywork was unobtanium,
and we couldn’t afford it if we found it.”
So instead of trying to find and buy what they wanted, Mike and
Bret decided to reproduce their own fairings and gas tanks. With a
background in fine arts and graphic design, Mike had a talent for
shaping plugs, which are the forms to make the molds that will
eventually yield fiberglass components. Bret, meanwhile, proved
adept at working with fiberglass, and GFTP was created.
A custom Triumph inspired by Gary Nixon
WWhen Todd Van Dorn dragged a 1972 Triumph T120RV
engine and several boxes of parts — including the
stock Triumph oil-bearing spine tube frame and
swingarm — to Union Motorcycle Classics in Nampa,
Idaho, he thought he wanted a bobber. What he got
was something entirely different.
Story by Greg Williams
Photos by Mike Watanabe
www.MotorcycleClassics.com 23
Forming the UnionSkip forward to seven years ago.
Mike created his own custom motor-
cycles using GFTP pieces, and while
displaying one of his creations at
a local motorcycle happening, Luke
approached him and asked where the
bike came from and who had supplied
the bodywork. “I gave him my card,
and he came around asking what fair-
ing would work on his Yamaha RD60,”
Mike recalls. “I sold him a Dunstall-
style fairing, and he later showed up
with the fairing neatly and cleanly
mounted on the bike. We started talk-
ing, and I learned Luke was not only
a talented fabricator, but he’s also a
factory-trained mechanic.”
Mike and Luke worked together
on several projects, and they began
helping local motorcyclists by making one-off components
for individual builds. That’s when Luke suggested they open
a shop, and Mike knew the ideal loca-
tion — one where there’d be little, if
any, overhead.
Mike grew up on a dairy farm, and
his father still owns the property. An
old barn on the property, once suit-
ably renovated, became the home of
Union Motorcycle Classics. It’s the
barn you see in the photos here.
The Nixon TributeA few years ago, Luke got a call
to look at an old Triumph. It was in
pieces, and Luke told the owner that
Union would be happy to help put it
back together. Instead, the owner list-
ed the project on Craigslist. Todd Van
Dorn had been looking for a vintage
Triumph, and he bought the basket
case machine — which he then took
to Union. Luke was surprised to see the Triumph not only in
new hands, but in his shop.
“We asked what Todd was looking to do with the bike,”
Mike explains. “And that’s when he said, ‘I’d like to build a
bobber.’ I told him that’s not what we do.” Todd picks up the
story: “I went down to Union and talked to Luke and Mike
about what I wanted to do, and that’s when I got captivated
by the old fairings and all of the old parts in the shop,” he
says. “They had several of their café-style bikes on display
and I instantly changed my mind
— I wanted to get involved with
them because of their sheer pas-
sion, so I said, ‘How about a café
racer?’”
That was more in line with
Union’s style, although machines
rolling out of the shop’s doors go
well beyond what is the café norm.
“I told Todd I’d been dreaming
of building a Gary Nixon tribute
bike, and I thought his Triumph
parts and pieces might work for
such a project,” Mike says.
Todd went home and researched
the late Gary Nixon, who was
famous for racing 500cc Triumphs.
He was 1967 and 1968 AMA Grand
National Champion, and won the
1967 Daytona 200 on a Triumph
500. “That clinched it for me,”
Todd says. “I was honored that
they suggested the Nixon-tribute
was the bike for me — actually,
I was flabbergasted, and said yes
immediately.”
A recreated tank
Mike draws up a design brief for every UMC project. “That
way we don’t drift; we don’t end up with modern upside
down forks on a 1952 Matchless — and I know people do
that, and that’s cool, but it’s not what we do,” Mike explains.
In his brief for Todd’s T120RV, Mike mused about what would
have happened had Triumph “done something dumb like
race their oil-in-frame Bonneville
without having changed any of
the recognizable bodywork from
the race bikes of the late 1960s.”
Key to Todd’s Triumph is the
gas tank. GFTP’s Bret Edwards
is something of a Gary Nixon
fanatic. He’s been documenting
Triumph race bikes for years, and
he’d always wanted to recreate
the distinctive, and very rare, gas
tank from one of Nixon’s original
mid-1960s race bikes. Although
Mike said he could likely get very
close to the correct proportions,
he really needed to see one in
person to get it right. That’s when
Bret found the correct tank on
eBay, incorrectly identified as a
Dunstall item. With the tank in
their possession, Bret and Mike
were able to recreate the vessel.
Instead of making a replica tank
to fit pre-oil-in-frame Triumphs
only, they modified the bottom of
the tank to fit the wider backbone
www.MotorcycleClassics.com 25
The Daytona-style exhaust is made from stainless tubing, bends and mufflers from Cone Engineering.
26 MOTORCYCLE CLASSICS July/August 2014
of the later oil-in-frame spine-tube chassis. It seems these
frames, and subsequently the motorcycles that use them,
have been saddled with something of a stigma because of
increased height and weight. Beginning in 1971, both BSA
and Triumph 650cc motorcycles shared
the oil-in-frame platform. Although
BSA was in production for just two
more years, Triumph 650cc and later
750cc twins continued to use the oil-
in-frame chassis, right up to the end of
production in 1983.
It was Mike who got started building
Todd’s bike, installing the fiberglass
tank and a highly modified GFTP seat.
The frame needed to be shortened, so
the old seat hoop was removed and
a new hoop was bent and welded in
place. The larger, longer tank covered
the oil filler neck in the spine tube, so
Luke blanked off the stock location. He
then fabricated a filler tube, welded to
the spine tube and running back and
up to a horseshoe opening at the front
of the seat pan. The oil is still carried
in the frame: What looks like an alumi-
num oil tank under the seat actually
carries the battery and other electrical
pieces.
Up front, a handcrafted upper triple
tree replaced the stock Triumph unit.
Although machined from billet alumi-
num, Luke massaged the new piece to
make it look like cast aluminum. The
new top tree allows the fork tubes to be
pulled through and clamped, giving a
lower ride height. Magura clip-ons fea-
ture early Amal controls, polished to a
fine luster. The keyed ignition switch was frenched into the
side of the flat Lucas headlight shell, accessible by reaching
in front of the left clip-on and under the dash. The fork lowers
are stock for 1972, while an earlier 1969 full-width Triumph/
BSA twin-leading-shoe brake and hub
were modified to suit.
The rear swingarm is stock and it’s
sprung by Red Wing shocks. The coni-
cal rear hub is stock, and cooling holes
and screens have been added to both it
and the front hub. The hubs are laced
to shouldered Excel rims (WM2 18-inch
front and WM3 18-inch rear) and are
shod with Heidenau tires. With wheels
under the bike, Mike modified a stock
GFTP lower belly pan to fit.
Luke fabricated the intricate rearset
foot controls, and even made his own
plug for the sandcast 6061 T6 alumi-
num brake lever. After casting, it was
heat treated, machined and polished
— there’s only one lever like it, and it’s
on Todd’s Triumph.
To create the signature Nixon
exhaust, with the low right side and
high left side for Daytona’s high-speed
left turns, Luke ordered stainless steel
exhaust tubing and bends from Cone
Engineering in Los Alamitos, California
(coneeng.com). He stitched together
the headers, even putting a kink in the
left side tube so the primary chaincase
inspection cap would still be acces-
sible for checking chain tension or
adding oil. The mufflers are also from
Cone Engineering, and Luke made his
own heat shields.
A Glass From The Past belly pan was modified to fit the bike.
Triumph powerAs purchased, Todd was told
the 649cc Triumph T120RV engine
— R indicates Bonneville, and V
a 5-speed gearbox — had been
rebuilt and was ready to run. Apart
from tidying up a few loose ends,
Luke hasn’t done any work to the powerplant.
With the project ready for paint, Mike sought Todd’s
input. He gave Todd two options — blue, or blue. “Todd
picked light blue, and it’s not where I would have gone
because the Nixon bikes were darker blue,” Mikes says. “But
the light blue turned out great, and it really sets the tone
for the bike.”
Anything black on the Triumph was spray painted; there’s
no powder coat on this bike. Luke laid down the base white,
and Mike spent an evening taping out the graphics. Mike
also subtly modified a Triumph “T” logo for the back of the
seat cowl, and Brandon Herzberg of Interior Revolution in
Nampa, Idaho, sewed the seat cover. The finishing touch is
Nixon’s famous No. 9 on the lower fairing.
“I was a believer from the begin-
ning,” Todd says, “and I was 100
percent confident I’d get some-
thing spectacular. They exceeded
my expectations by miles.” Todd
comes from a woodworking back-
ground, and he’s been riding since
he was a teenager. He’s a master craftsman, having won
several awards for his cabinetmaking skills. That means he
understands the creative process. “When someone hires
me, they hire me for my ingenuity and my vision. I felt akin
to that working with Union.”
At the time of writing, Todd had yet to take delivery of
his Nixon tribute machine, and he hasn’t even ridden it.
But he’s not worried, because he says it was important that
the project be a rideable motorcycle. That’s the only kind of
machine Union will build — a fully functioning piece of kit.
It might not be a bobber, but in Todd’s mind, it’s some-
thing far better. And when he does get a chance to ride the
Triumph, he plans to ride it hard and fast. That would do
Nixon proud. MC
“I was a believer from
the beginning — I was
confident I’d get something
spectacular. They exceeded
my expectations by miles.”
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30 MOTORCYCLE CLASSICS July/August 2014
1957 Mondial 250 Bialbero
FB Mondial was the creation of the Boselli fam-
ily, whose four titled brothers Carlo, Luigi, Ettore
and Giuseppe founded a motorcycle dealership
in Bologna in 1929 under the FB (Fratelli
Boselli — Brothers Boselli) brand. Their
entry into two-wheeled manufacturing
came about thanks to Giuseppe’s success
in Italian motorcycle competition between
1927 and 1935, culminating his career
with a gold medal in the International Six
Days Trials (ISDT) on a locally made CM.
Seeking a sound basis on which
to build their fledgling business, the
brothers initially focused on making
three-wheeled delivery vehicles, but
production was interrupted in 1944
when the Bologna factory was razed to
the ground by the departing German
armed forces. Giuseppe Boselli, who
had by now acceded to his late father’s
title of Count, moved the business to a
new factory in Milan and began again.
A love of racingRecognizing that FB needed some distinc-
tion to its name in order to stand out from its
many competitors, Boselli decided to create a
heritage for his product by exploiting Italy’s love
of racing. Two years before the first road bikes from
the factory appeared, Count Boselli’s machines made
their debut in Grand Prix road racing.
The name chosen for the new motorcycle marque was
Mondial (meaning “of the whole world,” or universal). No
expense was spared to produce an instantly successful machine,
and Alfonso Drusiani, brother of the CM designer whom Boselli
had known from his competition days, was recruited from
Bologna to design the bike.
TThe golden age of motorcycle road racing in
the 1950s brought many makes to prominence.
Newcomers such as MZ, Ducati and MV Agusta,
which would play pivotal roles in motorcycle
racing history, mixed in with older, more
established teams. And none achieved
world supremacy so quickly as the Italian
marque FB Mondial.
Story by Alan Cathcart
Photos by Kyoichi Nakamura
The class chosen was the 125cc cat-
egory, the capacity of road machines
the Bosellis planned to manufacture.
Though 2-strokes dominated the class
at the time, Drusiani pioneered a
small-scale version of the bevel-driven
double overhead cam single-cylinder
4-stroke format that came to be typi-
cal of Italian race engineering. The
plethora of similar designs that fol-
lowed over the next 20 years, especially
the Ducati singles created by former
Mondial engineer Fabio Taglioni, all
owed much to that first small Mondial.
Drusiani’s debut Mondial 125 GP racer had a bevel-drive double
overhead cam dry-sump engine with an outside flywheel, which
was the main reason for its high 11,500rpm safe engine speed for
the era. It eventually produced 15 horsepower at 10,000rpm, ini-
tially running on a 9.7:1 compression ratio, somewhat marginal
given the low octane fuel then available in postwar Italy.
The Mondial threatened a fairy-tale victory on its racing debut
in the 1948 Italian GP at Faenza with rider Franco Lama. Sadly,
he was forced into the pits with a split fuel tank while well in
the lead, but the die had been cast. Indeed, both MV Agusta
and Morini immediately developed twin-cam 4-strokes of their
own once the Mondial’s supremacy
had sunk in, but by then Boselli and
Drusiani had more than a head start.
The Mondial was unbeatable for the
first three years of the 125cc World
Series, winning all 11 GP races run in
1949-1951.
Production bikes
With competition success achieved,
it was now time to focus on launch-
ing the line of FB Mondial road bikes.
These debuted in 1950, and though
the first range of models, consisting
of 125cc overhead valve lightweights,
had little sporting flair, the lineup
soon included not only 160cc and
200cc overhead valve and 2-stroke road bikes, but also, from
1953 onward, single overhead cam 125cc and 175cc sports mod-
els based on the GP bike’s bottom end, but with chain drive to
the camshaft and clad in modern cycle parts. These production
racers proved highly popular with private entrants, especially in
open road marathons of the day like the Milano-Taranto, won
outright in 1954 by Remo Venturi’s 175 single overhead cam
Mondial in defeating all the 350cc and 500cc entries, and the
Moto Giro d’Italia. Count Boselli soon had his sights set on the
250 GP class, which had hitherto been considered the preserve
of scaled-down 350s or specially designed 250s built along the
The Mondial’s twin camshafts are driven by a train of five gears running
up the right side of the engine.
precepts of the larger classes.
Drusiani began work late in 1955 on a 250cc twin, essentially
two 125 cylinders mounted on a common crankcase. When the
completed bike appeared at the start of the 1956 season, its
bulkiness was exceeded only by its weight — around 300 pounds.
Drusiani quickly realized it could never be competitive, so the
twin was quickly dropped. The obvious move was to produce a
250 single, and accordingly the Mondial designer returned to the
drawing board to produce what many people consider to be one
of the greatest single-cylinder race bikes ever built.
Beginnings of the 250 singleDuring the winter of 1956-1957, Drusiani and his six-man team
of mechanics worked on producing a completely new 250 single,
and a spinoff 125cc version. The new Mondial 250 wet-sump
single featured a vertical cylinder with twin overhead camshafts
driven by a train of five gears up the right side of the engine. The
closely finned light-alloy cylinder carried a cast iron sleeve hous-
ing a high-silicone three-ring cast piston, mounted via a floating
wrist pin on a 115mm-long Hoeckle steel connecting rod. It used
a needle-roller big-end and full-circle flywheels with
a ball main bearing on either side of the crank.
A 32mm Dell’Orto SS1 carburetor with remote
float was fitted (a 30mm carb was used on tighter
tracks for enhanced acceleration). The 250cc race
engine was over-square at 75mm x 56.4mm (the
same stroke as the 125 singles), permitting a safe
engine speed of 11,400rpm, with peak power of 29
horsepower at 10,800rpm. The gear primary drive
mounted on the left of the engine drove either a 5- or
7-speed gearbox via an oil-bath clutch.
With a dry weight of only 220 pounds without
bodywork, and just 242 pounds complete with full
streamlining, this new single was a far more pur-
poseful contender than the heavy twin. It used a new
twin-loop tubular steel frame, with twin bolted-on
struts running from the steering head to the front
of the crankcase. Clothed in the most effective full
streamlining yet seen in the small-capacity classes,
developed for Mondial by the Aermacchi aviation
company (yes, the same firm which then also made
motorcycles) the fairing was made of elektron alloy,
with both front and rear wheels more than 50 percent enclosed.
Thanks to the long, low tank that enabled the rider to tuck himself
well away behind the front screen, the 250 Mondial was timed at
Monza at 137mph — truly staggering performance for a 250 of the
era and faster than most 500 singles.
Racing for another ChampionshipCount Boselli had assembled a very strong team of riders for
an all-out effort to win another World Championship — though
as he later admitted, he never really thought it might be possible
to win two. In addition to Provini, former 125 GP World champion
Cecil Sandford had joined the Mondial team during 1956, and at
the 1957 TT a young Ulsterman who’d been making quite a name
for himself in various branches of the sport, from road racing
to scrambles to trials, was drafted into the team: His name was
Sammy Miller.
“Artie Bell [former works Norton rider] was sort of managing
me then,” Sammy recalls, “and he wrote to Count Boselli asking
for a bike for me. They sent one over for the TT, but it was one of
the old 1956 125s that was almost worn out. Still, it was better
www.MotorcycleClassics.com 33
Sammy Miller aboard the Mondial at the 1957 Italian GP at Monza.
34 MOTORCYCLE CLASSICS July/August 2014
than nothing, so I went out
and did my best on it. After
two days of practice, I was
second fastest. The mechanics
were very excited and phoned
home to tell the Count, and
next thing we knew there was
a telegram to say that two of
the latest models, a 125 and
a 250, were being flown over
to the Island from Italy for me.
Mondial was like that. There
was no expense spared if they
thought it was worthwhile.”
A fairy-tale end to the story
almost happened when Miller
led the 10-lap 250cc Lightweight TT race held on the shorter 10.79
mile/17.36km Clypse circuit until the last corner of the last lap,
where he fell off and so handed victory to teammate Sandford,
pushing the damaged bike the final uphill half-mile in 15 minutes
to finish fifth. Exhausted, Sammy had only a couple of hours to
recover and have a badly grazed arm and knee bandaged before
riding in another 10-lapper that afternoon, the 125cc Ultra-
Lightweight TT won by his Mondial teammate Provini.
Eight days later in the Belgian GP at Spa, Miller went bet-
ter still, finishing second to John Hartle on the brand new MV
Agusta twin, beating teammate Sandford into third. Provini had
led until his ignition failed on the last lap, though not before
demonstrating that his bike was much faster than those of his
teammates, who were unable even to slipstream him on Spa’s
long straights. There was a good reason for that. “Our bikes were
all pretty much identical one to the other in terms of the cycle
parts and general engine characteristics,” Tarquinio Provini once
said. “But I had my own special cams which were switched from
one engine to another, whichever one I would be riding next,
and together with various other detail modifications these gave
that bike extra performance. Look, I was the only Italian rider in
an Italian team, with Italian mechanics who were all my friends.
What do you expect?!”
Still, to finish first you must first finish, and Provini’s engine
expired on him after five laps of the next round at the Ulster GP,
followed five laps later by Sammy’s, too. This left race-winner
Sandford as the new 250cc World champion, with Provini clinch-
ing the 125cc title. But Provini got his own back in the final race
of the season at Monza, winning his home Italian GP for Mondial
from MV Agusta and Moto Guzzi, with Sandford and Miller
limping home fourth and fifth, respectively, with sick
engines.
It was to be the final appearance of the factory
Mondial team in action, delivering a clean sweep for
the factory in the 250cc World Championship, with
Sandford the new champion, and Provini and Miller
second and third respectively. “It was the fulfillment of
all my dreams,” Count Boselli recalled to me 25 years
later at a 25th anniversary gathering of the Mondial
Owner’s Club. “I felt such personal satisfaction for all
our team at our double World Championship success,
that it’s impossible to describe. It seemed a perfect
moment, which I knew could never be repeated. Having
achieved such success, we could only lose it if we con-
tinued racing. So I decided to stop.”
So two weeks later, on Sept. 15, 1957, the road racing
world was dumbfounded by the announcement that, in
conjunction with fellow 1957 World champions Moto
Guzzi (350) and Gilera (500), double World title holder
FB Mondial was withdrawing from racing. MV Agusta
originally agreed to stop, too, but Count Agusta later
thought better of it and went back on his agreement.
Personal experienceI once owned one of the six 1957 Mondial 250cc fac-
tory racers — making the chance to ride the Miller bike
at Sammy’s local test track a very welcome personal trip
down memory lane, even if it was the first time I’d rid-
den a Mondial with the full dustbin streamlining.
Dustbin fairing helped the Mondial run the 1957
Lightweight TT at an average speed of 75.80mph.
Sammy Miller pushes his Mondial across the finish line after crashing in the 1957 Isle of Man Lightweight TT.
My Mondial was No. 0504. My mates
Ron Lewis and Dick Linton rebuilt the
engine, with Dick taking care of restor-
ing the chassis. I’d planned to ride
the Mondial in the 1982 Isle of Man
TT Cavalcade, but prior to the run we
noticed a hairline crack developing in
the fragile crankcases. No choice but
to abort the mission to enable Ron to
strip the engine down again, weld up the
cases, add a bit of strengthening and put
everything together again in time for the
1983 TT Parade.
So it was that I found myself on the
Glencrutchery Road on the Friday after-
noon of the 1983 TT races. Once under
way and into top gear, the little single
was thumping away happily beneath me.
With no less than 10 gear pinions in the drivetrain to the double
overhead camshafts, there’s a considerable degree of mechani-
cal noise, the whirring of the gears joined by the clatter of the
exposed hairpin valve springs, which in traditional fashion
were to perform a comprehensive lube job on my left boot. The
long, gently tapering exhaust, which ends just inside the back
wheel, gives out a sturdy bellow more reminiscent of an AJS 7R
than a tautly strung Italian single, even at the upper end of the
10,800rpm rev band. In deference to the engine’s age and fragil-
ity, I kept the revs down to 9,000rpm throughout the lap. There
was a spell of megaphonitis around 4,600rpm before power
came in quite strongly from 5,200rpm upward, giving a very
usable 4,000rpm rev band. In spite of its tiny 50-inch (1,270mm)
wheelbase, the Mondial’s riding position
is ideal for me thanks to the position of
the seat far back over the rear axle. It’s
actually quite tall and therefore spacious
for a 250, because of the vertical cylinder
and tall engine.
The Mondial handles like a dream.
Mike Hailwood told me as much when I asked him about the
bike, as he raced a pair of ex-works Bialberos after the factory
quit racing. But it wasn’t till I rode the bike on the Island, fitted
with modern-compound Dunlop triangulars, that I was able to
find out just how true that was. Flicking the little bike through
the twists and turns of the Glen Helen section was a delight, with
the exhaust note bouncing off the rock faces and stone walls. The
Mondial’s handling — and braking — passed every exam I set for
it on that lap of the Island with flying colors.
Mondial won five World titles in just nine years, reaped count-
less Italian championships, and introduced the dolphin fairing,
full streamlining and the disc brake to GP racing. Not a bad
record, is it? MC
Fifty years in the making, the museum
goes back to 1964, when Championship-
winning trials rider Sammy Miller
started displaying restored motorcycles
at his motorcycle shop in New Milton,
Hampshire, England. In 1992 Miller
purchased Bashley Manor Farm, convert-
ing the premises into the Sammy Miller
Motorcycle Museum. The current collec-
tion of more than 400 rare and collect-
ible vintage motorcycle is among the fin-
est anywhere. More at sammymiller.co.uk
Sammy Miller Museum
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1958 HARLEY-DAVIDSON
XLCHPutting the sport in Sportster
To answer that, we have to go back to the mid-1930s, when racer and
Motorcycle Hall of Famer Reggie Pink helped draw up the rules for production-
based track racing. As he was also a British bike dealer, Pink advocated for fair
competition between American brands and imports. The result was AMA’s
production-based Class C, which allowed overhead valve bikes of 500cc to
compete against sidevalve machines up to 750cc — or 45 cubic inches.
Harley-Davidson developed the famous WRTT specifically for this class.
The K
But it was post-World War II competition from lightweight British
parallel twins that motivated the Motor Company to develop a new
45-cubic-inch street bike, but still with one eye on Class C racing.
The result was the Model K of 1952, a unit-construction 750cc
45-degree V-twin in a lightweight (for Harley, anyway) chassis
with modern telescopic fork and swingarm rear suspension.
The engine retained sidevalves for Class C homologation pur-
CCompetition improves the breed, they say. And while the 1958
Harley-Davidson XLCH Sportster was born of competition
stock, its engine capacity eschewed the very type of racing its
direct ancestors were designed for. How come?
Story and photos by Robert Smith
-
poses, and the competition KRTT version
ruled Class C until Dick Mann’s Grand
National win on a BSA in 1963.
The Sportster XL But in spite of a capacity increase to
888cc for the KH and KHK, the flathead
K bikes couldn’t match the performance
of the new overhead valve British 650s.
Harley embraced the inevitable with the
883cc overhead valve Sportster, and in
doing so, the company acknowledged
two things: Overhead valves were the way
forward, and the Sportster was not going
Class C racing anytime soon. The KRTT
would soldier on until Class C rules were
changed for 1969, prompting the develop-
ment of the Sportster-based XR750.
The Sportster was launched for 1957
as the Model XL, essentially a new over-
head valve engine in slightly modified
Model K running gear. The iron cylinders
used a new 3-inch bore with the 3-9/16-
inch stroke from the Model K — a stroke
dimension that remains in all Sportsters
to the present. Iron heads with hemi-
spherical combustion chambers topped
the cylinders, with valves operated by
pushrods and rockers. Each pushrod
had its own single-lobe camshaft, the
Harley-Davidson seems to take an odd pride in its somewhat
confusing model code lettering system, one where the same
letter in a different position in the model designation can mean
different things. Fortunately, within the early Sportster lineup,
model codes are pretty consistent.
All OHV Sportsters from the beginning in 1957 carry the first
letter designation X. Interestingly, this code had been used earlier
for experimental models and also for the World War II shaft drive
flat twin model XA.
The first, most basic Sportster should have been the model
X. It’s speculated that the pre-production Sportsters had 6.8:1
compression and were in fact designated model X. But before
production commenced, compression
was raised to 7.5:1, so in line with Harley
tradition the X became XL, the L meaning
first level of tune (or, in the case of the Big
Twins, extra displacement). The third let-
ter was C for competition, or H for higher
compression/second stage of tune; XLH
meant the high compression/tuned engine
in the street chassis, XLC meant a standard
XL engine (maybe with magneto ignition)
but the bike stripped for competition,
and XLCH meant the high compression/
tuned engine in the XLC stripped running
gear. Well, for 1958, anyway. For 1959
the XLCH got its street uniform back, but
retained the magneto. R was always for
racing, and TT for that particular type
of enduro-style competition. Confused?
There’s a test later … — Robert Smith
H-D Alphabet Soup — What’s in a name?
40 MOTORCYCLE CLASSICS July/August 2014
The same, but different: Mike Quinn’s 1959 XLCH fronts the 1958 XLCH.
four arranged in an arc inside the timing
chest and driven by a half-time gear that
also turned the ignition timer.
A single Linkert carburetor fed the
engine, which drove a chain primary to
a multiplate clutch and 4-speed “trap-
door” gearbox (the geartrain could be
removed without splitting the cases).
Final drive was by chain on the right
side, and in a break with Harley tradi-
tion, the foot shifter was also on the
right with a one-up, three-down pattern
like British bikes at the time. Early mod-
els had a cast alloy outer primary cover
embossed with “Sportster,” but this was
later abandoned for a simpler pressed-
steel item.
The dual-downtube chassis connected
to 18-inch wheels by a telescopic front
fork and dual coil spring/damper units
attached to the seat subframe. Eight-
inch drum brakes provided stopping
power. The XL produced an estimated 40
horsepower, and as tested by Cycle maga-
zine, turned in a 15-second quarter with
a top speed of 101mph. This compared
well enough with the 42 horsepower
1957 Triumph Tiger 110 at 16 seconds
and similar top speed.
With deeply valanced fenders, a gener-
ous 4.4-gallon fuel tank, a large headlight
and a subdued exhaust, most reviewers
assumed the XL was intended just for
touring. All that would change in 1958.
The XLH and XLCH
A year before Triumph introduced the
Bonneville in 1959, Harley had a rocket
ship of its own. Although the Sportster’s
883cc capacity was too big for Class C, it
was fine for open Class TT racing.
U.S. TT was nothing like the Isle
of Man version and more of a cross-
country steeplechase. In the late 1950s,
Triumph Trophy Birds, BSA Catalina
Scramblers and Matchless G80s were
very competitive, challenging the KRTTs
and leading to the development of the
race oriented XLR.
With higher compression (around 9:1)
and larger valves, the XLR also used a
trick frame with thinner walls and lighter
weight. It also sported the now famous
“peanut” gas tank borrowed from the S
range. Ignition was by magneto. And as
the increased power could be produced
reliably, it made sense to produce a “cus-
tomer” version. This became the 1958
XLH. The XLH was essentially an XL with
the XLR’s cylinder heads, though the
castings were slightly different — long
reach spark plugs for the R, short reach
for the H. Everything else was as the XL.
The 1958 XLCH was a far more radical
departure. The “CH” designation, quite
logical in Harley-speak (C for stripped
bodywork, H for high performance), was
variously interpreted as “Competition
Hot” or “California Hot Rod.” Though
not an XLR, it could have almost passed
for one. The stock XLH was stripped of
its lights, mufflers and other extraneous
items (though lights and a license plate
bracket were available for an extra $60),
the fenders were bobbed and the peanut
tank fitted. The idea seemed plain: Here
was an over-the-counter hot rod you
could ride to the desert or track, com-
pete in a TT race and ride home again —
as long as you did it in daylight.
Sportsters weren’t big sellers in 1958,
with the Sportster range outsold four
times by the big twin FL range and
almost three times by the humble 165cc
2-stroke S range. According to Harley-
Davidson, of 12,676 Harley-Davidsons
sold that year, just 1,529 were XL vari-
ants: 579 XLs, 711 XLHs and 239 XLCHs.
The XLCH reappeared in the catalog
for 1959, but in a completely different
guise. Mufflers and lights were back,
although the performance modifica-
tions and magneto were retained. The
1959 XLCH also sported a new, smaller
headlight with the now-classic “eye-
brow” cowling and a high-level exhaust.
It proved to be the most popular XL
model with 1,059 sold, compared with
947 XLHs (coil ignition and low exhaust
but with the high compression engine)
and just 42 base-model XLs.
Performance numbers quoted at the
time are inconsistent, but it seems likely
a good 1959 XLCH was making around
55 horsepower at the crank and weighed
around 490 pounds wet, compared with
46 horsepower and 430-440 pounds for
the Triumph Bonneville T120 introduced
that same year. The XLCH would turn
14-second quarters at faster than 90mph;
the Bonnie’s performance was similar.
Mike Quinn’s SportstersMike Quinn lives in Coos Bay, Oregon,
and has a collection of more than 100
Harley-Davidson motorcycles, including
seven XLCHs. “I tried to get the whole line
up of CHs,” Quinn says. “I had the ’58, ’59,
‘60, ’61, ’62 — I do not have a ’63, a ’64 or
a ’65. The ’58 is basically a built-up bike.
It came as a ’58, but when I started look-
ing into it, almost everything was wrong,”
Mike Quinn’s love of Harley-Davidsons began a long time
ago. “Harley had that mystique while I grew up,” Quinn says,
“That was really the only bike I had any exposure to. I had
a couple of friends that bought them, so that’s how I got
interested. My first bike was a Harley 45, a civilianized WLA. I
bought that in 1961 from a friend of mine. Then I came across
another Harley military bike and bought that. Then I thought,
gee, it’d be cool to have one of those big Duo-Glides. It took
a number of years, but I finally came up
with one.”
And then another, and another, until
finally he had collected 112 Harley-
Davidsons, with an emphasis on every XL
and XLC made from the model’s 1957
introduction right up through the 1970s.
The Quinn collection also includes exam-
ples of most Harley models produced
between the mid-Fifties and the early
Seventies, with a 1970 XR750 and a very
original 1920 Model J — still shod with
its original tires — taking pride of place.
Remarkably, after all that effort, Quinn
has decided it’s time to move on. He’s
keeping his new Road King, but the rest
of his collection — including the 1958
XLCH featured here and its 1959 XLCH
stable mate — will go on the block at
the Mecum/MidAmerica Harrisburg
Motorcycle Auction in Harrisburg,
Pennsylvania, Sunday, July 27, 2014. More
info at mecum.com — Richard Backus
Heading to auction: The Mike Quinn Collection
42 MOTORCYCLE CLASSICS July/August 2014
On the block: Mike Quinn’s incredible collection will be sold by Mecum Auctions.
Bobbed fender was a nod to the XLCH’s sporting pretensions (far left), but small 8-inch single-leading-shoe brakes were only adequate.
44 MOTORCYCLE CLASSICS July/August 2014
Quinn says. “It had good numbers on the
cases, but I ended up taking everything
off it and getting all the right stuff, then
putting it back together.” The restoration
took two years.
“The preparation work, determining
what is correct — parkerized versus cad-
mium, paint versus chrome, etc. — takes
a lot of time,” Quinn says. “Often just
waiting for the motor or parts to get back
from chroming or painting seems to take
forever. The most difficult parts to find
were the rear fender, the 18-inch rear
Grasshopper tire and the correct peanut
gas tank. Most of the parts came from
swap meets.”
Quinn eventually found the correct rear
fender in Canada, while much of the hard-
ware came from now-defunct NOS Parts
and Old Dude Vintage Parts & Service
(olddude.com) in Atlanta, Georgia. Local
Harley dealers were particularly useful,
Quinn says. The engine was rebuilt by
Doyle’s Harley-Davidson, now in Eugene,
Oregon. Owner Mike Doyle and Gene
Walker of Salem Harley-Davidson both
helped with the project. Coos Bay painter
Greg Sweeney applied the glossy black
and white paint.
What makes the XLCH so special to
Quinn? “Well, more than anything I guess
I like the way they look. The first one
[1958] of course was an offroad competi-
tion bike. And the second one, all they
did was add the lights, horn and the high
pipe, basically kept the same thing. I like
the peanut tank, the Grasshopper-type
tires. I just think they’re cool looking
motorcycles,” Quinn says. “It’s a little dif-
ferent [from a big twin] since the shifter
and brake are on the opposite side. I’m
not used to that. I don’t like it, because in
a panic situation it’s difficult to remem-
ber. It’s not a smooth ride, it bounces, but
they’re fun bikes. They have reasonably
good power as long as you don’t compare
them to today’s bikes.” MC
No extras: The XLCH’s bare essentials approach gives it a lean,
almost athletic appearance.
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And in every British motorcycle manufacturer’s range, one for-
mat dominated all others: the sporting overhead valve, 4-stroke
single of 350cc or 500cc. BSA made the Empire Star, Velocette the
350cc MAC, and Norton’s Model 18 and ES2 500cc singles were
solid sellers. Triumph had yet to launch the Speed Twin but had
its 350 Tiger 80 and 500 Tiger 90, while AJS produced the Model
18 and sister company Matchless the G3. Rudge had the Ulster,
Sunbeam the Model 9, New Imperial the model 60 Grand Prix
and Royal Enfield the 350cc G2 Bullet.
Story and photos by Robert Smith
TThe decade before World War II was truly a golden
age for the British motorcycle industry. British
products outsold foreign brands many times over
at home, and by a comfortable margin in most
export markets, too.
46 MOTORCYCLE CLASSICS July/August 2014
www.MotorcycleClassics.com 47
1939 and 1947 Ariel Red Hunter
But perhaps most easily recognized — and to many eyes the
most handsome — was Ariel’s Red Hunter.
Starting gateAt the start of the 1930s, Ariel’s product range featured a
bewildering array of single-cylinder motorcycles, including
side and overhead valve engines of 250, 350, 500 and 557cc
capacities with both vertical and forward sloping cylinders,
single or twin exhaust ports, and 2- and 4-valve heads. Added
to the range in 1931 was the 500cc overhead cam Square Four,
penned by Ariel’s drawing-office newbie, Edward Turner. The
first Red Hunter was actually the 1932 VH32 500cc single, a
tuned version of the 4-valve VG32. Its specification included a
racing magneto and carburetor
The Ariel singles proliferated from a 1926 design by Valentine
Page, who had arrived at Ariel from J.A. Prestwich, the “JAP”
engine company. But the broad product range proved unwieldy
in the early 1930s depression, and when Ariel ran into financial
problems, Page left in 1932
for the then much smaller
Triumph company. Turner
replaced Page as design chief,
and set to rationalizing the
engine range: For 1933, the
overhead valve range was cut
to just three 2-port, 2-valve
singles available in three trim
levels. Top of the range was
the 500cc VH Red Hunter.
The Red Hunter
Page’s basic layout for the
500cc overhead valve engine
featured an iron cylinder and
head atop an alloy crankcase
containing a built-up crank-
shaft. Bore and stroke were
86.5mm x 85mm to 1935, then
81.8mm x 95mm from 1936-
on. Lubrication was automat-
ic with a plunger pump and
separate oil tank. The two overhead valves were operated by
pushrods inside external tubes, with fully enclosed valve gear
(beginning circa 1934). An oil-bath primary chain and wet clutch
drove the foot-shift, 4-speed gearbox, with final drive also by
chain. The Red Hunter could be ordered with either one or two
exhaust ports, and with high- or low-level exhaust.
The drivetrain was fitted into a tubular frame with rigid rear and
a girder fork at the front, finished with the Red Hunter’s distinc-
tive chrome-plated gas tank with red side panels and red center
stripes on the chrome wheel rims, both set off with gold pinstrip-
ing. Brakes were 7-inch single-leading-shoe drums front and
rear spoked to 19-inch rims with 3.25-inch rear and 3-inch front
tires. Every Red Hunter engine
was said to be bench-tested
for as long as two hours to
establish its reliability, and the
company claimed a potential
top speed of 100mph for the
500cc model with some light
tuning. By 1937, Red Hunter
editions of Ariel’s 250cc and
350cc overhead valve singles
were also on sale.
After the war
When the Red Hunter reap-
peared after World War II, it
looked much as it had before.
A new plunger suspension
frame had been introduced
as an option in 1939, with a
telescopic front fork arriving
around 1948. Ariel’s plunger
rear suspension featured an
Anstey link, an articulated arm
designed to keep the rear axle at a fixed distance to the final
drive sprocket as the suspension moved to maintain constant
chain tension. In practice, though, pretty much all the Anstey link
did was limit suspension movement and introduce more wear
points. The Red Hunter got a proper swingarm frame in 1954,
although the Square Four continued with the Anstey plunger
until that bike was discontinued in 1959.
Ariel became part of the BSA Group in 1944, and the postwar
models slowly lost their distinctiveness. By 1954, the red paint
and chrome had been replaced with Ariel’s mundane maroon
house finish and an ugly headlight cowl and fully enclosed chain
guard. It was like dressing a supermodel in coveralls.
Shawn Doan aboard his 1947 Ariel Red Hunter single port, which he rode to the annual Norton rally last summer, a 2,500-mile round trip.
But the times had moved on and twins were all the rage. A
500cc twin could produce more power more easily than a 500
single, and by the mid 1950s, the flagship sports models of most
British manufacturers were based on their parallel twins, like
Triumph’s Tiger 110, BSA’s Road Rocket, and Norton’s Dominator
88 and 99. With a few notable exceptions (BSA’s Gold Star and
Velocette’s Venom) the days of sporting
thumpers like the Red Hunter were over.
1947 single-port VH 500I meet the Doan Brothers, Shawn and
Brian, at the 2013 International Norton
Owners Rally in Buffalo, Wyoming. Brian
is outside my motel polishing his immaculate 1949 Norton
Model 7, while Shawn is running a cloth over his 1947 Red
Hunter. Both have ridden the 1,200-odd miles from Bellingham,
Washington, to be at the rally. (Brian later won Best in Show at
the rally concours.)
Shawn’s bike is nominally a 1947 model VH 500cc single-port
Red Hunter, but it has been tastefully
modified for serious long-distance rid-
ing, with alloy wheel rims and modern
tires. I arrange to meet Shawn back in
Bellingham so I can photograph his bike,
but when he pushes the Ariel out of the
garage, I can’t help but notice there’s
www.MotorcycleClassics.com 49
The 1947 Ariel VH Red Hunter has a standard single-port engine.
Everything you need to know is on the gas tank, from speed to time of day.
another Red Hunter parked behind it — a late-1930s twin-port
VH, perhaps the most purposeful-looking Ariel of them all. Of
course, I have to photograph both.
Shawn knows a lot about the history of his 1947 single-port.
“It was built in July of ’47, originally as a 350, and shipped
to Nicholson Brothers in Saskatoon, Saskatchewan, Canada,”
Shawn says. “I found it in Osoyoos, British Columbia. A guy
named Harold Land had it, and he had painted it all flat drab
green. I think he was trying to make a [military-specification]
W-NG out of it, but it doesn’t have the high ground clearance
frame or fork.”
The ’47 would have been shipped with a telescopic fork, but
Land had replaced it with a girder front end. “I got it as a girder-
rigid,” Shawn says, “which is what I was looking for. But it was
a 350 and I really wanted a 500 … ” An eBay search eventually
turned up a VH basket case, which allowed Shawn to complete
his project. “It was listed as a ’38, but it turned out it was a ’50
frame and at least one half of the engine case was a ’48 — the
other half didn’t match.
“Ariel was really good about making parts match year to year,
so subsequent modifications of the parts would fit the older
bikes — you could put the 500 crank in the 350 cases. I did that,
put the 500 head and barrel on it, and built it as a 500,” he says.
That was in 2003. Shawn estimates
he now has about 20,000 miles on
the ’47, including some 400-mile days
getting to motorcycle rallies. “I think it
handles wonderfully,” Shawn says. “It
handles great on a smooth road, the
country lane stuff, 40-60mph stuff — it
just seems like a lot of fun. I’m pretty
comfortable on it because I’ve ridden
it so much.”
Shawn’s only problem with the ’47 —
apart from intermittent issues with an
aftermarket ignition system, now replaced with a stock magneto
— has been a seizure and a burnt exhaust valve, both of which
Shawn attributes to a piston problem. “It turned out I had a high
compression piston in it,” he says. “I had it running on standard
carburetion, so the first time I held it wide open, I seized it. I also
burned a valve. I had trouble getting the mixture right. I realize
now that it was probably running too low a fuel level in the float
chamber.” To bring compression down, Shawn filed the high com-
pression piston’s crown down a bit and put a thicker spacer under
the barrel. “I think I’ve got it to about 8:1 now — the stock is 7.5:1.
It definitely makes more of a snap than my stock compression ’39.
I’m pretty happy with the way it runs,” he says.
Shawn also attributes smoother running to a new Amal carb.
“It runs nice. It seems quieter. It just doesn’t seem as ragged, and
it just seems like it’s running cooler.” Shawn has yet more plans
for the ’47. “I’d like to get an alloy tank made like the one on an
Ariel racer I have a picture of. I think that would be really cool. I’ll
probably just keep working on it to make it more reliable. But I’ve
been pretty pleased. It’s been a pretty reliable bike.”
The 1939 VH twin-port“I ended up with the two bikes: the ’47 from Osoyoos and I’d
bought this 500 from California. So I basically had the pieces for
The 1939’s twin-port engine looks almost identical to the 1947 except for tell-tale twin exhaust headers. Gas tanks are identical except for color.
52 MOTORCYCLE CLASSICS July/August 2014
two bikes,” Shawn says. He really liked the twin-port high-pipe
look he’d seen on a BSA Empire Star. “What I really wanted when
I went out to look for this Ariel was a ’30s bike. I liked the dual
pipes, because it just looked cool. It was a 1930s styling cue. I
liked the gauges in the tank. And then I found this bike, and it had
the bigger tank, the bigger engine and it had the big prewar head-
light.” So after building the ’47, Shawn had lots of pieces left over.
“When I bought the California bike, I could basically build the
bike I wanted,” Shawn says. “The ’47 was a two-port 350. But when
I started to build the ’39, I decided to find a single-port
head for the ’47. So then I was just able to build the bike
I wanted — the ’39 dual high pipe, the big headlight and
all that stuff. And the ’47 became my rider, because I like
riding it. I have all the 350 parts stashed away.”
Shawn originally had been looking for a BSA Empire
Star before he found his first Red Hunter. And he had a
chance to compare his ’39 VH with a BSA in the Deeley
Collection in Vancouver, British Columbia. “I was sur-
prised,” he says. “The Ariel looked like it had better brakes
and a better front fork. And I thought, ‘boy, I’m glad I got
the Ariel.’”
Shawn especially noted the more elaborate front fork
castings on the Ariel and its superior front brake with
its sliding block “servo” operation and cast-in cooling
ribs. However, Shawn still considers the ’39 to be a work
in progress, noting that the gas tank and headlight are
incorrect. The correct items remain on the shopping list.
Riding the Red HunterThough I’m a little apprehensive, Shawn encourages
me to take his ’47 Red Hunter for a quick spin. I’m expect-
ing quirky handling and no brakes, and a jarring, uncom-
fortable ride from the rigid rear and clunky-looking front
fork. What I hadn’t expected is how well everything works.
The engine starts easily with a good swing on the kick
pedal and thuds steadily with relatively little vibration.
Clutch take-up is smooth and shifting is relatively light.
And while the roads around Shawn’s Bellingham home are
mostly free of potholes, the ride is remarkably smooth, with the
girder fork and well-sprung seat soaking up the bumps. I’m sure
the modern tire rubber helps, too. Steering is steady and predict-
able — turning the bike at slow speeds is a breeze — and the
brakes are remarkably effective for a vintage machine.
Overall, the Red Hunter feels like a much more modern bike,
and must have seemed quite sophisticated in its day. I think I
understand why Shawn likes riding it so much! MC
The ‘39 twin-port’s chromed dual high-pipes really make the look.
54 MOTORCYCLE CLASSICS July/August 2014
SOMETHING
SPECIAL
At the same time many of these youngsters were coming of
age, a plethora of relatively inexpensive, high-quality, small-bore
Japanese motorcycles were flooding the scene. Although there
had been plenty of small bikes available before this, such as
BSA Bantams, NSU Quicklys and Triumph Cubs to name just a
few, leading Japanese manufacturer Honda pioneered the North
American market in 1959 with the introduction of its quaint little
step-through C100 Cub. Oil-tight and easy to run, Honda’s cheery
little 50cc 4-stroke singles became the transportation of choice
for many, and particularly for youngsters.
Quickly realizing the potential for small-bore bikes in America,
in 1960 Honda launched the C110 — a sportier version of the
Cub. Like its Cub sibling, the C110 featured a pressed steel
monocoque frame. But instead of a step-through the C110 frame
had a spine, which meant a gas tank where a proper motorcycle
had its gas tank, right between the rider’s knees.
In 1964, Honda followed the success of its C110 with the sport-
ing S90, followed by the S65 in 1965. While the larger S90 was the
more popular of the two motorcycles, the charms of the S65 are
hard to ignore.
Teenage transportationBorn and raised in Hales Corners, Wisconsin, Don
Schoonenberg found his S65 in August
of 1967. Back then he wasn’t much con-
cerned about its features; he was just
happy to have some transportation. “The
family cars always seemed to be at a
premium,” Don says. “With two older
brothers, everyone always seemed to be
using them.”
Having earned his driver’s license
a couple of months earlier, Don real-
ized he needed his own set of wheels.
When he learned a friend was selling a
1966 Honda S65 with 1,100 miles on the
odometer for $150, he didn’t hesitate.
“It looked like a real motorcycle, and it
was affordable,” says Don, who had been
working part-time jobs since he was 11.
Don would ride the S65 to his odd
jobs, plus back and forth to school and to
the beach. “I think what made that little
Honda fun for me is it gave me instant
freedom,” Don explains. “I could ride 15
miles across town to play volleyball. It
really opened up the world for me.”
Two years later, Don enrolled at the
University of Wisconsin – Madison, some
90 miles from home. On weekends dur-
ing the winter, he’d ride the bus or
hitchhike back home. In good weather,
he’d ride. Sticking to the back roads, and
avoiding the freeway, Don could main-
tain 55mph — as long as the pavement
stayed relatively flat. “Back then it was
pretty much a helmetless experience,
1966 Honda S65
AAmerica was changing in the early 1960s.
Music, film and literature all reflected a younger
demographic — a demographic of teenagers born
immediately following the end of World War II.
The baby boom was booming.
Story by Greg Williams
Photos by Jeff Barger
The S65’s high pipe suggests offroad as well as street potential for the little single.
and I’d wear a pair of sunglasses for goggles,” he says. “I’d strap
my book bag to the luggage rack and I’d carry an Army knapsack
on my back. At the university, the S65 was
the envy of the campus.”
Stored but not forgottenDon rode the S65 until 1971, when he
stored it away in his dad’s garage and
bought a 1950 Willys for general transpor-
tation. With just more than 5,000 miles on
the odometer, it was mothballed but not
forgotten. “There were a lot of memories
wrapped up in that little bike, and I didn’t
want to sell it,” Don says. “It took me to
places I otherwise wouldn’t have gone.”
The S65 didn’t lead to a lifetime of
motorcycling for Don, as it was almost 30
years before he bought another bike. In
1998, he bought a 1998 Harley-Davidson
95th Anniversary Edition Wide Glide. He
calls himself a fair-weather rider, and the
H-D has covered only 15,000 miles.
Don likes his toys — literally. He has
a collection of round-fender Tonka trucks
circa 1954 to 1957, and he has a fully
restored 1955 Chevy Bel-Air. While visiting
a car show, he stumbled across someone
displaying a Honda CB350. As the pair
began talking, Don allowed that he had an
old S65, and the CB350 rider suggested that
Don should get it running and show it off.
“Prior to that, I didn’t really know about
classic motorcycle magazines or that any-
one would be interested in my old motor-
cycle,” he says. At about the same time, a friend from a local
lawn and garden dealer also suggested Don should get the S65
running for short rides. “He recommended
I call up Brady Ingelse at Retrospeed, and
have him get it going. I thought it would
be wonderful to ride it again, so in the fall
of 2012, I put it in the back of my truck and
drove it to Retrospeed.”
Retrospeed in Belgium, Wisconsin (retro
speed.net), is a full-service repair shop
catering to both vintage and modern
machines. The company also specializes in
complete overhauls. Initially, Don was only
going to get the Honda running, but as he
and Retrospeed owner Brady Ingelse talk-
ed, Don decided to have the bike complete-
ly restored, even though the S65 wasn’t
a rusty, crusty mess. It had always been
stored properly indoors, so the little 62.9cc
overhead cam engine still turned freely.
Restoration beginsAt Retrospeed, the S65 was first made
to run, and run properly, with several test
miles added before being completely dis-
assembled. “We need to be 100 percent
happy with the mechanicals before we tear
it down,” Brady explains.
The pressed steel frame consists of the
headstock, spine and rear fender, with the
rear swingarm and front fork also pressed
steel. Front suspension is by Honda’s lead-
ing-link system, first seen on the Cub. Small
hydraulic shock absorbers are tucked inside
56 MOTORCYCLE CLASSICS July/August 2014
Circle #3; see card pg 73
the hollow steel legs of the fork, and
the lower links pivot on bushings.
None of the sheet metal on Don’s
bike required major surgery, and every-
thing red, including the plastic front
fender and headlight cover, was paint-
ed by Total Auto Body in Grafton,
Wisconsin. The Honda’s silver engine
side covers and chain guard enclosure
were powder-coated, and the cracked
rear luggage rack was welded up.
While the S65 wasn’t officially outfit-
ted from the factory with a rack, Don
says he’d never known his machine
without the accessory. After repairs,
the rack and the distinctive high-lev-
el exhaust and heat shield, gas tank
panels and handlebars were sent for
chrome at the Chrome Shop in Rock
Island, Illinois. New bearings went in
the polished hubs and the wheels
were reassembled with new aftermar-
ket rims, spokes and nipples.
The engine looks like it’s floating,
suspended in the frame by two long
through bolts — one at the top of the crankcase and one at the
back. Brady didn’t have to split the cases, but the bottom end
was cleaned and treated to new seals. The cylinder was bored first
oversize (0.25mm) and a new piston, rings, pin and circlips were
installed. Fresh contact breaker points
went in the timing chest, and the valve
seats were cut and new valves installed
in the cylinder head. Brady sourced
a new fuel petcock and gas cap, and
he replaced all the control cables and
rubber components such as kneepads,
handgrips and footpeg covers. “I was
worried about being able to find parts,”
Don says, “but Brady was able to track
everything down.”
Brady likes to make a few unobtrusive
but very functional modifications when
working on old iron. “On any restora-
tion of an older Japanese motorcycle
we’ll run a ground from the taillight and
another from the ignition switch, and we
install a solid-state rectifier,” Brady says.
An aftermarket seat cover was the fin-
ishing touch, installed by the Upholstery
Shoppe in Fredonia, Wisconsin — they
do all of Brady’s recovering work. Don’s
S65 was finished by mid-2013.
When it was finally time to collect his
Honda, Don got up at 5 a.m. and rode
his bicycle to Retrospeed. Brady went over the Honda with Don,
and with one kick the S65 fired to life. Don rode it the 15 miles
back home, parked it in his heated garage next to his Bel-Air and
then carried on to work. “I put a few miles on it last fall,” Don says,
Narrow and light, the S65 was in its day the perfect two-wheeler for students and riders on a budget.
“and I’m just waiting for some
really good weather now to get it
out and ride it again. I’ll be put-
ting some Sunday-ride miles on
it soon. It’s a really smooth rider,
and it’s quieter than I remember
because the old baffle in the
muffler didn’t last long the first
time around. It’s got a new one
in it now.”
Slow and steadyHonda built the S65 for just four short years, from 1965 to
1969. By the end of that decade, the small-bore market had, if
you’ll pardon the pun, shriveled, and 350cc bikes, once consid-
ered midsize machines, took over the lower-end of the spectrum.
It’s unlikely we’ll ever see
another decade like the 1960s,
when 50cc to 90cc motorcycles
flooded the market, but Don has
his small-bore memories. “Back
in the 1960s, the bike never let
me down mechanically. A pas-
senger would sure slow you down, but you’d always get where
you were going,” Don says. Don didn’t restore the S65 for show,
but he hoped to ride it to the 2014 Rockerbox Moto Fest June
6-8 at Road America, near Elkhart Lake, Wisconsin, just 25 miles
from his home. “I restored it for the memory, and to keep that
memory alive. With a complete restoration, it’s like a brand-new
old motorcycle, and it should be good for another 45 years.” MC
“I restored it for the
memory, and to keep
that memory alive ...
it should be good for
another 45 years.”
The S65’s little 62.9cc overhead cam single is incredibly robust, a fact that endeared the little bikes to owners everywhere.
10th Annual Barber Vintage Festival October 10-12, 2014
Questions? Email [email protected], or call 205.702.8709.
Swap Meet | Vintage Motorcycle Races | Auction | And More!
Motorcycles by Moonlight Dinner with Guest Speaker Erik Buell
A Fundraiser to Beneft the Barber Vintage Motorsports Museum
Circle #17; see card pg 73
Circle #27; see card pg 73
www.MotorcycleClassics.com 63
1949 75cc Tourismo Prototype
With the help of a friend and fellow worker, Francesco
designed and built Laverda’s first motorcycle at home in
his spare time. Then, like Britten and Buell, he used racing
success to establish the legend of Laverda.
Francesco Laverda was no ordinary man. He graduat-
ed from the University of Padova in 1937 with a degree
in pure physics. Soon he joined the agricultural tool
company founded by his grandfather Pietro Laverda
in 1873, but it quickly became obvious his mind was
thinking way beyond plows and tillers.
Italy emerged from World War II as a fragile
democracy bolstered by massive U.S. aid, as much
as $1.5 billion from 1948 to 1952. What followed
was an economic miracle. From a largely rural-based
economy, Italy was transformed into a manufac-
turing and design powerhouse. By the late 1950s,
industrial output was increasing at 10 percent a year
with almost full employment.
Francesco Laverda rode this tidal wave of opportu-
nity and he brought his physics background to bear
on the clever design of the first Laverda motorcycle.
Although it was planned as a low-cost commuter,
Francesco ensured it would also be a contender in the
developing road racing scene.
Long-distance events saw small-capacity racers
locked in a battle that swept through villages and cit-
ies. Chief among these events was the Moto Giro d’Italia,
which by 1954 had 50 different manufacturers entered and
was running more than 2,000 miles over eight stages. But
we’re getting ahead of ourselves.
Beginnings of the Laverda singleIn 1947, Francesco created his prototype by designing one
of Italy’s first 4-stroke motorcycle engines. His university
When we think of motorcycle inventors who built
bikes that bore their names, the likes of John
Britten and Erik Buell spring readily to mind.
In postwar Italy, Francesco Laverda achieved a
similar status in motorcycle development.
Story by Hamish Cooper
Photos by Phil Aynsley
studies of thermodynamics were used to ensure that the 75cc
pushrod, overhead valve, single-cylinder engine ran cooler
than its marketplace rivals and outlasted its race track oppo-
nents. The unit-construction engine had a gear-driven primary,
a multi-plate clutch in an oil bath and a 3-speed gearbox.
While the standard version of the engine produced a mod-
est 3 horsepower at 5,200rpm, racing versions pumped out 8
horsepower and revved to around 12,000rpm. Scale these fig-
ures up and you’re looking at an astonishing 107 horsepower
per liter. Francesco had turned pure physics into applied
physics (pure physics studies the basics of energy and motion
while applied physics uses these theories to solve technologi-
cal problems). Francesco worked with fellow Laverda employ-
ee Luciano Zen on the prototype, and Luciano, despite lacking
formal qualifications, eventually became Moto Laverda’s chief
design engineer.
Production beginsIt took Francesco three years to get his Laverda from design
through prototype, and finally into production in 1950. During
this time, cost considerations meant it lost the large alloy cas-
ing that enclosed the final drive and gears. The original goal
Based on Laverda’s standard 75
Tourismo that went into production in
1950, the 75 Sport was essentially a pro-
duction racer intended for the increasingly
popular road races then run across Italy.
Introduced in 1952, it proved very success-
ful, consistently winning the 75cc category,
including taking the top 14 positions in the
1953 Milano-Taranto race. Early bikes used
a pressed-steel frame, while later machines
had a dual downtube loop frame. The bike
shown here was ridden by factory rider
Genunzio Silvagni to win the 75cc class in
both the 1956 and 1957 Motogiro d’Italia
races. The bike was also used for short
circuit racing, with the lights and number
plate removed. In this configuration power
was upped to 12 horsepower compared
to 9 horsepower at 10,500rpm in long dis-
tance trim. Weighing only 143 pounds, it
had a top speed just shy of 75mph.
Giant Killer: Laverda 75 Sport
64 MOTORCYCLE CLASSICS July/August 2014
Laverda’s 75 Sport was a big winner in the highly competitive 75cc class in Italy.
was to offer a low-maintenance solution to the conventional
chain and sprockets, which tended to wear quickly from expo-
sure to dirt as many roads in Italy were unpaved back then.
Girder-style forks were at the front, while the rear swingarm
rode on a cantilever spring attached to the engine. Rugged
reliability was the hallmark of the production Laverda, and
fuel economy its crowning glory. In the right circumstances
it would sip fuel at a miserly rate of 200 miles to the gallon
(1.17 liters per 100km). Weighing just 143 pounds and with a
top speed of about 45mph, the Tourismo 75 was an instant
hit. Within five years Moto Laverda was a household name
in Italy.
Moto Laverda would produce nearly 40,000 small-capac-
ity motorcycles over the next decade. Its sales slogan was
L’utilitaria che vince le corse!, which translates as “the commuter
which wins races!”
Racing was key to sales publicity and Laverda soon pro-
duced a Sport model for road racing and a Regolarita (literally,
“regularity”) version for clubman’s reliability trials. In the 1952
Milano-Taranto race, which ran the length of Italy non-stop,
Sport 75s filled the first five places in their class, with 16
Laverda 75s in the top 20. The next year they filled the top 14
places, with class winner Guido Mariani averaging 50.5mph
over 1,895 miles.
The 75 was taken out to 100cc in 1954 and the wins contin-
ued. Laverda released the 4-stroke 49cc Laverdino moped in
1958 and a mini-scooter in 1960. For 1961, Laverda brought
out its first parallel twin, the 200cc Twin, which weighed 264
pounds and had a top speed of almost 70mph.
It’s not often an original prototype survives, so take a close
look at this one while reminding yourself that some of the
parts (including the piston) were actually cast in the family
kitchen. It’s obvious that some fittings, such as the oil tank,
carrier and pressed-steel frame, owe much to the agricultural
industry, but the little engine is a beauty, with deep finning
and an elegant simplicity that is timeless. MC
Laverda’s little 75cc overhead valve single proved to be unburstable (left) but the planned oil bath final drive proved too expensive to produce.
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70 MOTORCYCLE CLASSICS July/August 2014
In 1968, Honda introduced a new series of engines to replace
its earlier forward-canted overhead cam twins. First seen in
the U.S. in 174cc and 325cc versions, the new twins promised
efficient power and long-term durability. Yet as good as they were
— and still are — they did have a few problems, chief among
them a propensity for wearing out
camshaft bearing blocks. Some people
will tell you the fault lies in poor mate-
rials, but our experience suggests a
combination of factors, chief among
them owners failing to follow regular
oil change intervals.
The problem typically shows itself
as a ticking valve you can’t get quiet.
Adjust the valves and the noise will
quiet down, but then shortly reap-
pear. A subsequent check will show
the valve adjustment has changed yet
again. When it gets extreme, you can
see it in the ignition points cam not
being centered in the timing plate.
What happens is the camshaft bearings — or journals — wear
from insufficient lubrication, allowing the cam to move. The steel
cam runs directly in the aluminum cam journals, and if the oil
pressure fails, the steel will wear on the aluminum.
The top end of the 174cc and 325cc engines gets oil from a feed
in the right engine cover. Oil under pressure feeds into a channel
in the cover, where it’s directed to the
right side of the crankshaft and also to
the top end. The cover has two O-rings,
one sealing it to the case and another
sealing it internally. A failure in either
O-ring will result in a leak and pressure
loss, but when the internal seal fails
there’s no visual cue as the pressure loss is internal.
Compounding the issue, these engines don’t use an oil filter.
Instead, they use a sludge trap on the right side of the crankshaft
under the aforementioned cover: It’s basically an internal cen-
trifuge that separates and traps major particulates from the oil.
Further, a spring-loaded slip coupling
(Honda calls it an oil guide) in the
cover lines up with the sludge trap to
direct oil. If for any reason the cou-
pling sticks it can cause further loss
of oil pressure. If the oil isn’t changed
regularly there’s a risk of filling the trap
with sludge (rare), but the bigger risk
is dirty oil plugging the small internal
feed line to the cylinder head.
Technically, this isn’t a particularly
complicated job. You have to remove
the timing plate and the ignition
advance unit, so if those tasks are
beyond your ability, we’d suggest find-
ing a vintage bike mechanic to do the work.
An experienced Honda mechanic can replace a pair of cam
journals in a few hours, but if you’ve never done the job treat it
as a weekend project. New cam journals are unobtanium, but
used journals in good shape can be found. Expect to pay around
$30-$40 per journal, with sets slightly cheaper at $45-$50. You’ll
also want a new seal for the left journal, about $4-$6.50, and it’s a
good idea to have a new journal gasket
on hand, about $10. Run the engine to
full operating temperature when you’re
done, followed by a hot drain and a refill
with clean oil. As usual, have a good
shop manual on hand to aid in parts
identification and proper torque specs.
Replace Honda CB175 camshaft bearing blocks
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HOW-TO
Old, worn bearing journal is at left, used replacement at right. The old journal was shot, showing more than 0.040in (1mm) of wear.
www.MotorcycleClassics.com 71
1The first thing we did was remove and
inspect the sludge trap cover on the
right side of the engine. Although not
visible, the inner O-ring seal was shot,
allowing oil pressure to bleed off.
2 With the cover removed we
discovered that the internal slip
coupling, which is spring-loaded on a
fixed snout to ensure oil feeds to the
crankshaft, was stuck fast to its bore
in the cover. It’s shown here partially
removed, ready to clean.
3The slip coupling cleaned and
reinstalled: Note the O-ring to seal
the cover to the case. A second O-ring
goes inside the engine; the raised cover
extension seals against it. Note, too, the
two oil galleys at roughly 6:30 and 3
o’clock; one is the feed to the cover, the
other is the feed to the cylinder head.
4We only needed to replace the
left journal, which is typical as
it’s farthest from the oil feed and thus
receives the least amount of lubrication.
The right side is easier, as you don’t
have to disturb the ignition. Remove the
ignition cover and both spark plugs.
5Next, remove the two screws
securing the ignition points plate to
the cam cover. To aid reassembly, you
can scribe a line on the plate centered on
the cover. The replacement cover won’t
have the scribe, of course, but the line on
the plate gives you a ballpark orientation.
7Next, remove the ignition advance
assembly from the cover, followed by
the intake and exhaust valve inspection
covers. The exhaust inspection cover
is visible here just above the exhaust
header. The intake cover is identical, but
is located on the intake or carburetor side
of the engine.
9Remove the four screws securing the
journal block and replace it with the
“new” one, with the new seal installed.
The mounting gasket can often be
reused. If it’s bad, do not use silicone as it
can block oil passages. All that’s left now
is to put everything back the way you
found it, followed by adjusting the valves,
running the engine and changing the oil.
Check the valves after the first cool-down
and adjust if necessary. Happy riding!
8Remove the left engine cover. Using
a 14mm wrench, rotate the engine
and line up the timing mark on the
rotor with the mark on the stator for
TDC. Both valves should be loose. If not,
rotate the engine to confirm TDC on
compression. Next, fully loosen the valves
to release pressure on the cam.
6Move the points plate out of the
way and use a 10mm wrench to
remove the bolt securing the ignition
advance unit to the camshaft. It might
need a light shock to break free but
should release relatively easily.
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1. Baxter Cycle 89
2. Bevel Heaven 73
3. Competition Accessories 57
4. CounterAct 83
5. Dime City 21
6. EBC Brakes 68
7. Fox Creek Leather 77
8. Fuch’s Silkolene 7
9. Hagerty Insurance 19
10. Hagon Products 79
11. Harbor Freight Tools 65
12. Ikon Suspension 81
13. JDV Products 83
14. Jerry Greer’s Engineering 79
15. Legendary-Motorcycles 90
16. Marbles Motors 80
17. Pecard Chemical Co. 61
18. PowerSeal USA 84
19. Precision Motorcycle Painting 73
20. Race Tech 84
21. Randakk’s Cycle 89
22. Rick’s Motorsport 90
23. Sel-Motion 90
24. Speed Moto 85
25. Vee Rubber 75
26. Walridge Motors Limited 87
27. Z1 Enterprises 61
28. DS Sales 91
Check out our gallery and testimony page at:www.precisionmotorcyclepainting.com
Phone: (574) 298-2199
2013 Cycle World Rolling Concourse Best of Show Winner
Circle #2; see card pg 73 Circle #19; see card pg 73
74 MOTORCYCLE CLASSICS July/August 2014
K E I T H ’ S
GARAGE
“The instant you turn the key, the starter motor starts to turn.”
Suzuki misfire
Q: I have a problem with a 1979 Suzuki
1000E. It starts fine, but it sounds
like it misses a little just off idle. The main
problem is at 5,000rpm the engine mis-
fires or cuts out. I cleaned the carburetors,
installed new plugs, wires and coils. I am
having trouble setting the engine timing
using a timing light. I can’t retard the timing
to the correct specs because the plate bottoms
out on its screws, and you can tell it is worse
when I back that down. The idle is about
1,200. Any help would be appreciated.
Ken Erdman/via email
A: This sounds depressingly simi-
lar to a problem I had with a
customer’s Honda 750. It idled fine,
but it wouldn’t rev under load, and the
timing was hard to set. Sometimes these
problems can be caused by something as
simple as a bad connection in the ignition
or kill switch that only shows up at certain
RPMs due to vibration. It’s easy enough
to bypass the ignition switch and run a
wire directly from the battery to the coils.
You’ll still be using the ignition switch to
fire the starter, just augmenting the circuit
with a direct link and bypassing the kill
switch. If this improves matters, you’ll
have to determine whether it’s the igni-
tion switch or the kill switch. Another pos-
sibility is the points condensers. Look at
the points as the engine runs. Is one set
arcing more than the other? There should
be barely discernible sparks between the
points with the engine running. If one
or both sets of points are arcing exces-
sively, replace the condensers and see if
that improves things. Bad condensers will
definitely make it hard to time the engine
with a timing light, as the timing will be
erratic. Since you mention the points
plate being at the end of its adjustment,
it’s probably important that we establish
that the auto advance unit (AAU) is in
properly and working as it should. Before
that, though, make sure you have the
points gap set correctly. You can change
the timing by having the gap set too wide
or too narrow. Make sure you measure
the gap when the points are opened their
widest. The manual suggests 0.012in-
0.016in, I usually set it to 0.015in as that’s
the smallest wire on my wire feeler gauge.
Check your timing again to see if you can
now center the points plate. If not, the
next step will be to remove the points
plate and then the AAU. The points plate
will come off if you remove the three
screws holding it to the engine case.
You’ll need two wrenches to remove the
AAU: one to hold the crankshaft steady
and the other to loosen the bolt holding
the AAU in place. Once you have the AAU
loosened, check that the locating notch
and pin are in place in the AAU and the
crankshaft, respectively. Those are there
to make sure the AAU stays in time with
the engine, and if the pin is missing or the
notch is worn it could be why your tim-
ing plate is at the limit of its movement.
Check the AAU to make sure it operates
smoothly, lubricating it with a little light
oil if necessary. If everything on the AAU
checks out, reinstall it, making sure to
engage the pin on the crank with the
notch on the AAU. With any luck, you’ll
find the solution before you have to do
anything to the AAU.
Back-end weave
Q: I have a 1976 BMW R90/6 that weaves
to the left on acceleration and to the right
on deceleration. This is definitely not a front end
problem as the steering head has been checked and
greased and is adjusted properly. I have installed
new fork springs and a hydraulic dampener. The
front end, in my opinion, cannot be the cause.
When I ride I can see the frame snake underneath
me as I’ve described. The frame is not dam-
aged. I think it has to be the shocks or the
swingarm bushings. From what I can gather,
it is highly unlikely to be the swingarm
bushings. How can I check the health of the
shocks? They have been easy enough to dis-
mantle, and they feel equally resistive when I
test them by hand, but they appear to have
resistance in only one direction.
Ralph Parsons/via email
A: You may be too quick to dis-
miss the swingarm bearings.
They seldom give trouble on old
BMWs, but if the locknut on either
side is loose, the spindle that ten-
sions the bearing can come loose,
too. I would put the bike up on the
centerstand so that the rear wheel is free
to spin. Use a board under the stand
if you must to get clearance. Then try
pushing the swingarm left and right while
watching the pivot point where the swing-
arm joins the frame. If you see any play
there, the pivot bearings are misadjusted
or worn.
Sticking starter
Q: The starter won’t disengage on my Honda
CB550. The instant you turn on the key,
the starter motor starts to turn. What’s wrong? Is
it my starter button?
Kurt Limesand/via email
A: It may be the switch in the handle-
bars, but there is also a strong
possibility that you have a stuck starter
solenoid. I’d start by disconnecting the
thinner signal wires to the solenoid and
turning the key on again. If the problem
disappears, the starter button circuit is
shorted out. If the problem persists, your
starter solenoid is stuck and will need to
be replaced.
Oil-filled muffler
Q: While riding my 1971 Honda CL450
one day, a clattering noise came from the
engine. When I returned home I left the bike idling
in the driveway and soon discovered a pool of oil.
One muffler was filled with oil and oil was dripping
out through the bottom vent hole. What happened
inside the engine that would cause this?
Wes Martin/via email
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Circle #25; see card pg 73
A: Unfortunately, any number of things
could have gone wrong. Did the bike
run any differently after you heard the
clattering noise? Having one muffler fill
with oil makes me wonder if an exhaust
valve guide has come loose and is drain-
ing oil from the head directly into the
exhaust. I’m afraid you’ll have to pull the
top off the engine and do more research.
The great oil question
Q: What type and brand of oil should I use
in my 1992 Honda Nighthawk? It has
15,000 miles on it. Do I have to be concerned
about using a certain kind of oil for a wet clutch?
Vaughn Giddens/Northeast Texas
A: Here’s a question with no answer
that pleases everyone. Every brand
of oil has its cheerleaders. The only thing
I will say is that for a vintage bike with
a wet clutch you should stay away from
modern oils with friction modifiers. They
will usually be identified as those oils
with a very low winter (W) weight, i.e.,
0w-40. The friction modifiers will make
your clutch slip. Another topic for end-
less discussion is the amount of zinc
dialkyldithiophosphate (ZDDP) added to
the oil. This additive helps lubricate high
pressure contact zones like flat tappets
and camshafts. Unfortunately, phospho-
rus is poisonous to catalytic convert-
ers, so modern oil formulations contain
less than oils formulated before catalytic
converters came into widespread use. If
you’re stuck using an oil with low ZDDP
percentage you can always use an addi-
tive. Be careful though: Too much ZDDP
is almost as bad as too little.
Clutch issues
Q: I have a 1984 Honda Nighthawk 700
with a clutch problem. When I first started
it after it had been sitting for three or four weeks,
the clutch needed to be broken loose. Then it would
work fine, but when stopped it wanted to creep. I
rebuilt the master and slave cylinders. After this
the pull felt better, but it did not fix the problem.
With 30,000 miles on the clock I felt replacing the
clutch would fix it, so I installed EBC plates and
springs. I deburred the clutch basket and checked
for smooth movement of the plates and steels, and
all was fine. I still have to break it loose after the
bike has been sitting for a long time, but now after
riding for a while, if I stop to fill up, the clutch is
locked up hard. It works fine if I do not turn it off.
I spoke to EBC and they are sending me a new
set of plates under warranty, but I would like your
thoughts before I dive back into it.
Richard Porter/via email
A: Sticky clutch plates are a daily haz-
ard on my old Triumph 500, usually
cured by pulling in the clutch and kick-
starting the bike. You might try that, but
substitute electric start for the kickstart.
How does it shift normally? Is it quiet or is
there a clunk? I’m trying to figure out what
would glue your plates together when
the bike sits for a few minutes. I assume
you’re using a good motorcycle-rated oil.
Although failure to do so usually results
in clutch chatter, did you soak the clutch
plates in oil before you installed them?
I’d love to hear from readers who have
experienced this problem and how they
fixed it.
Got a question about your old bike? Email
us at [email protected]
76 MOTORCYCLE CLASSICS July/August 2014
K E I T H ’ S
GARAGE
Labor Day Weekend 2014August 28th - 31st
killingtonclassic.com
518-798-7888
Registration
NO
W O
pen
Circle #7; see card pg 73
Crisp, pine-scented mountain air. A light dusting of snow
with dry and mesmerizing twisty roads. Picture post card
vistas. The feel of the Alps. Quaint mountain enclaves
with names like Silverwood, Fawnskin, Twin Peaks, Crestline,
Running Springs, Big Bear Lake, Big Bear City, Arrowhead and
Arrowbear. It’s not a single destination, but a visually arrest-
ing and intoxicatingly beautiful region. A motorcycle ride in
California’s Big Bear region is as good as it gets on two wheels.
It’s one of my favorite rides.
Located approximately 100 miles northeast of Los Angeles
and a short 40 minutes north of San Bernardino, Big Bear is
an outstanding destination. The short ride north from San
Bernardino used to be a two-day horse-and-carriage trip, but
an early entrepreneur named Kirk Phillips introduced bus
service from the valley below using White trucks modified
with added rows of passenger seats. Phillips’ idea drove early
development of the region as a tourist destination.
Populated by California’s Serrano Indians for 2,000 years,
the Big Bear area grew rapidly during the Southern California
gold rush from the 1860s to 1912. The permanent population
is small (around 20,000), but that number swells to more
than 100,000 people during the winter season as skiers and
other tourists arrive. And, of course, there are the bears. The
grizzly population disappeared more than a century ago, but
they gave the region its name. The bears you might encoun-
ter today are the smaller black bear variety introduced to the
region in the 1930s.
Long a destination of the rich and famous, Big Bear has
been frequented by the likes of Shirley Temple, Cecil B.
DeMille, Ginger Rogers and other celebrities. Big Bear’s 7,000-
foot elevation attracts boxers like Oscar de la Hoya and mixed
martial arts experts who like to train at high altitudes. And
if you experience a sense of déjà vu as you ride through this
incredible area, it’s probably because Bonanza, Old Yeller, Paint
Your Wagon and a host of other shows were filmed right here.
There are four paths into this region roughly from the east,
the west, the north and the south. All are great, but here’s my
recommendation for the best scenery, the least traffic and
the best riding. Grab State Route 138 in the Cajon Pass (just
off of I-15) and ride in from the west though the Silverwood
region. SR 138 contains super-tight twisties as it meanders
past Silverwood Lake and climbs into the San Bernardino
Mountains. It brings you to the Rim of the World Highway (SR
18) to skirt the elevated southern edge of the San Bernardinos.
(Views of the Inland Empire below are absolutely stunning.)
Stay on SR 18 and it will bring you to the western tip of Big
Bear Lake (right at the dam that created the lake, originally
built in 1884 and expanded in 1910). Stay to the right and
you’ll roll through the towns of Big Bear Lake and Big Bear
City on the lake’s southern shore, or veer to the left to ride
around the lake’s less-populated northern edge. And for the
ride down out of the mountains, I recommend grabbing SR 38
at the eastern edge of the lake. SR 38 offers another great ride,
climbing across Onyx Summit (8,444 feet!) and back down to
the valley below. — Joe Berk
What: Big Bear, California. A glorious ride through Southern
California’s very own Swiss Alps!
How to Get There: There are five routes in: SR 18 from the
north, SR 138 from the west, SR 330 or SR 18 from the south,
and SR 38 from the east.
Best Kept Secret: For an amazing breakfast, try the Old Country
Coffee Shop in Running Springs (trust me on this one).
Avoid: Riding in during the winter months without checking road
conditions first (it snows up there) and speeding (the roads are
heavily patrolled by the CHP).
More Info: bigbearinfo.com
More Photos: motofoto.cc
THE SKINNY
The Rim of the World Highway offers great twisties and views.
BIG BEAR, CALIFORNIA
R I D E S A N DR I D E S A N D
DESTINATIONS
78 MOTORCYCLE CLASSICS July/August 2014
Circle #10; see card pg 73
Circle #14; see card pg 73
Circle #16; see card pg 73
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C A L E N D A R
JULY/AUGUST
Don’t miss these upcoming events!Don’t miss the 2nd Annual
Vintage Motorcycle Festival
at Thunderbolt Raceway at New Jersey
Motorsports Park. Running through the
13th, look for AHRMA road racing and the
Motorcycle Classics Vintage Bike Show, along
with a swap meet, live music and more.
On the web at ahrma.org, njmp.com
Visit Lexington, Ohio, for
AMA Vintage Motorcycle
Days at the Mid-Ohio Sports Car Course
July 11-13. Watch the AMA Racing
Vintage Grand Championships, which
include road racing, motocross, hare
scrambles, trials and dirt track. Check
out the world’s largest motorcycle swap
meet, demo rides, seminars, stunt shows and more. On the web
at amavintagemotorcycledays.com
Head to McKee’s Sky Ranch in Terra Alta, West
Virginia, July 24-27 for the All Brands Motorcycle
Event, featuring a dual sport ride, road rally, AHRMA offroad rac-
ing, plus a swap meet and vintage bike display all four days. On
the web at mckeeskyranch.com
Join Motorcycle Classics at The Meet Vintage
Motorcycle Festival at America’s Car Museum in
Tacoma, Washington. Expect 450-plus vin-
tage bikes on Saturday plus a Sunday ride.
More information on page 12 of this issue
or go to vintagemotorcyclefestival.com
Head to the 9th Annual
Bonneville Vintage GP at
the Miller Motorsports Park in Tooele,
Utah, just outside Salt Lake City. Saturday
will feature the Motorcycle Classics Vintage
Bike Show, with Vincent as the featured
marque, along with Rounds 15 and 16
of the AHRMA CPL Systems National
Historic Cup Road Race on Saturday and
Sunday. Sunday will also feature a Custom Bike show. Enjoy
the CB160 Races with LeMans starts both days. On the web at
bonnevillevintagegp.com
Visit the Owls Head Transportation Museum in
Owls Head, Maine, for the Vintage Motorcycle
Meet & Antique Aeroplane Show August 30-31. Owners of pre-
1994 motorcycles are encouraged to exhibit and will be admit-
ted free of charge. More than 300 bikes are expected, along
with antique planes, Model T rides and more. On the web at
ohtm.org/events
7/11
July 1-5 — GWRRA 36th Annual Wing Ding. Madison, WI. gwrra.org, wingding.org
July 10-13 — 43rd MGNOC National Rally. Elkader, IA. mgnoc.com/rally_calendar.html
July 11-13 — Highsmith Memorial Ride/Trinity Alps Campout. Phoenix, OR. oregonvintage.org
July 12 — OVM Bend Ride. Bend, OR. oregonvintage.org
July 13 — 3rd Annual All Japanese Motorcycle Show. Overland Park, KS. kcvjmc.org
July 13 — Jeff Williams MC Swap Meet. Tulsa, OK. jwswapmeet.com
July 13 — Woodstock Vintage Motorcycle Ride. Woodstock Lodge, Woodstock, [email protected]
July 15-18 — INOA Rally in The Cascades. Ashland, OR. nortonrally.com/inoa-rally-2014
July 18-20 — 34th Annual British Biker Cooperative Rally. Blue River, WI. britishbiker.net
July 19 — Goldendale Gathering. Goldendale, WA. oregonvintage.org
July 24-27 — 2014 BMW MOA International Rally. St. Paul, MN. bmwmoa.org
July 25-27 — New York Rally.Lake Clear, NY. mgnoc.com/rally_calendar.html
July 26-27 — CJMC Classic Japanese Auburn Show & Swap. Auburn, CA. cjmc.org
July 27 — Jeff Williams MC Swap Meet. Kansas City, MO. jwswapmeet.com
Aug. 1-3 — 30th Annual Wisconsin Moto Guzzi Riders Rally. Lake Joy Campground, Belmont, WI. wmgr.org
Aug. 2-3 — OVM Oaks Park Picnic. Portland, OR. oregonvintage.org
Aug. 8-10 — Ohio Valley BSA Owners Club 33rd Annual Rally. Toronto, OH. ohiovalleybsaownersclub.com
Aug. 8-10 — Indianapolis MotoGP. Indianapolis, IN. redbullindianapolisgp.com
Aug. 9 — Kansas City Vintage Japanese Motorcycle Club 2nd Annual Midwest Regional Rally & Show. New Century, KS.kcvjmc.org
Aug. 10 — Jeff Williams MC Swap Meet. Oklahoma City, OK. jwswapmeet.com
Aug. 10 — OVM Batwater Station Ride. Portland, OR. or egonvintage.org
Aug. 15-17 — Minnesota Moto Guzzi Rally. Houston, MN. mgnoc.com/rally_calendar.html
Aug. 17 — British Iron Association of Connecticut 29th Annual Brit-Jam. East Haddam, CT. ctbritiron.org
Aug. 22-23 — 19th Oregon Moto Guzzi Rally. Odell, OR.mgnoc.com/rally_calendar.html
Aug. 23-28 — BUB Motorcycle Speed Trials. Wendover, UT. bubspeedtrials.com
Aug. 24 — Jeff Williams MC Swap Meet. Kansas City, MO. jwswapmeet.com
82 MOTORCYCLE CLASSICS July/August 2014
8/23
7/11
8/30
8/29
Kristin Porter and her lovely Aermacchi cafŽ won Best European Ð Restored, at the 2012 Bonneville Vintage GP.
7/24
Circle #4; see card pg 73
Circle #13; see card pg 73
Circle #20; see card pg 73Circle #18; see card pg 73
Circle #24; see card pg 73
86 MOTORCYCLE CLASSICS August/September 2014
C O O L
FINDS
TDC with styleBritish and European vintage bike parts
supplier Steadfast Cycles in Santa Clarita, California, is the exclusive dealer for
these beautifully crafted top-dead-center gauges from European Spares. Made in the U.S.A. from the highest quality brass and stainless steel, the Steadfast
Cycles TDC Tool features a knurled body for easy hand-operated installation and removal and degree lines on the piston to make confirming top-dead-center a
snap. Threads into any 14mm spark plug hole. $36. More info: steadfastcycles.com
Motorcycle artInspired by the great racing motorcycles
of the Sixties, Seventies and Eighties, Singapore-based motorcycle enthusi-
ast Francis Ooi, creative director for an ad agency by day and digital master by night, has produced a series of six digitally crafted prints profiling some of the most iconic racing bikes ever
made, including Mike Hailwood’s 1967 Honda RC174, Cal Rayborn’s 1972 H-D
XR750 and Kenny Roberts’ 1980 Yamaha YZR500 OW48. Each illustration has more
than 800 components and layers and takes more than a month to complete.
$65. More info: uglymoto.bigcartel.com
M l
EMGO Norton gas tanksBritish parts specialist JRC Engineering
now has EMGO replacement steel gas tanks for Norton 750 and 850
Commandos. Made from heavy gauge steel, the tank features a single-piece
stamped bottom with an interior baffle just like the original. Made in Taiwan to EMGO’s exacting specifications,
these are high-quality tanks and not cheap knock-offs like some of the
crudely made items we’ve seen show-ing up recently on eBay. Mounting points are solidly welded. Supplied
bare, accepts original petcocks and gas cap. $490.47. More info: jrceng.com
New Stuff for Old BikesFrom new CDIs for old Yamahas to tool packs for ADV riders,
here are six cool products every classic bike fan should know about.
Tool travelerLong-distance and ADV riders should
check out the new USWE Sports TX Rider Tool Belt from LeoVince USA. A main pocket large enough to hold a spare inner tube as well as other necessary travel tools is augmented by two side
pockets plus a tool organizer pocket. The TX Rider Tool Belt stays secure around
the rider’s waist thanks to a compression strap belt system that keeps it in place
no matter how rough or bouncy the ter-rain. $56. More info: leovinceusa.com
Triumph valve toolMotorcycle and power sports tool special-ist Dennis Stubblefield Sales makes a two-
piece valve adjustment tool specifically for Triumph twins. Designed to work on
most 1950s-1970s Triumphs 500cc twins, 650cc twins and 750cc twins, the 100 percent made in the U.S.A. tool makes
valve adjustment easy. The handled part of the tool is sized to fit the valve adjuster locknut and the knurled inner shaft keys the adjuster. A three-piece metric set for Japanese and European bikes is also avail-able. $28.95. More info: dssalesusa.net
Yamaha Virago ignitionVintage electronics specialists Rick’s
Motorsport Electrics now have CDI igni-tion boxes for Eighties Yamaha Viragos. Discontinued by Yamaha and not avail-able anywhere else, the new igniter box from Rick’s is designed to fit the 1984-1986 XV700, 1983 XV750, 1988-90
VX750 and 1983 XV920. “There are so many of these Viragos still out there on
the road,” president Rick Shaw says, “we knew we had to come up with a solution to keep more classic bikes alive.” Comes complete with mounting plate. $180.
More info: ricksmotorsportelectrics.com
Circle #26; see card pg 73
50+ motorcycles including ‘68 Triumph, '57Triumph, '75 MZ, '73 Triumph, '57 Triumph,'72 Norton, '75 Norton 850 Commando, '72Triumph Bonneville, '75 MZ TS250, '58BSA, '57 Sears Puch, '67 Triumph, '60Harley Davidson Sportster, '66 BSA, '74Jawa/CZ, '48 Zundapp, '72 Honda XL250,'73 Jawa/CZ, '77 Triumph, '67 BSA Spitfire,'72 Triumph T120VD, '72 BSA Thunderbolt650, '71 Triumph, '74 Norton 850Commando, '72 Honda CL350, '67Triumph, '78 Triumph, '70 Harley DavidsonS&S Super XLH, '73 Triumph T100R, '63Triumph Bonneville, '78 Triumph BonnevilleT140VJX, '72 Triumph, '57 Triumph, '73Triumph Tiger 750, also selling numerousother motorcycles including various modelsof Jawa, Honda, Yamaha, Triumph, ZDirtbikes, Zundapp, etc. Details & specswill be available at sullivanauctioneers.com.Live internet bidding on all motorcycles,vintage signs and significant parts. Pleasenote: Huge quantity of motorcycle parts &related items.
"NO RESERVE"
SALE TO BE HELD AT SULLIVAN AUCTION SITE, HWY. 136 EAST, HAMILTON, IL
Sullivan Auctioneers, LLC • 217-847-2160 • Lic. #444000107
Info. @ www.sullivanauctioneers.com
Don’t be a stranger!Sign up for our Shop Talk newsletter to receive
the latest news from the classic motorcycle
scene and Motorcycle Classics.
Sign up today atwww.MotorcycleClassics.com/Newsletter
Check out these classic T-shirt designs featuring Norton Commando,
Triumph Bonneville, Honda CB750 and more!
All of our long-sleeve and short-sleeve charcoal T-shirts
are 100% preshrunk cotton with white graphics.
Call 800-880-7567 and mention
promo codeMMCPAE71, or order online
at www.MotorcycleClassics.com/Shopping
Limited quantity available
SHORT SLEEVE ........$7.99 (WAS $14.95)
LONG SLEEVE ........ $11.99 (WAS $19.95)
Circle #21; see card pg 73
Circle #15; see card pg 73
classifed cycles, parts & accessoriesGEA
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CYCLES, P
ARTS &
ACCESSO
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www.MotorcycleClassics.com 93
PARTS
100 psi liquid-filled oil pressure gauge1/8 NPT male inlet1-5/8 diameter bodyWith generic fittings and heavy nylon oil line $39 + shippingCustom brackets for Meriden Triumphs in stock.
www.triplesrule.com [email protected] 224-321-4912
View online the widest available selection of original classic Honda side covers, badges, and owner’s manuals. Visit your friendliest source for classic Japanese motorcycles and used original parts. Work with someone who will actually answer your emails! I have been riding since the 1960’s. I was District Sales Manager for US Suzuki in Ohio—I just love this stuff! www.classicjapanesemotorcycles.com
PERSONAL
AMERICA’S #1 LIVE CHAT DATELINES: Meet single men & women in your local area. 18+. Friendship, 1 -888-777-2235. Love, l-877-333-2863. 24/7.
ACCESSORIES
BYKAS SPOKE WRAPS
- Protect & Customize Your Spokes - Easy Installation
- Most Colors-$39.95www.bykas.com (503)631-3050
PARTS
Norton Commando Electric Start Kit. Some things are worth the wait. Over forty years after the first Commando appeared, theAlton EKit electric start conversion finally brings it to life at the touch of a button. Available in the US from The Classic Bike Experience www.classicbikeexperience.com or call 802-878-5383 www.alton-france.com
PARTS
\5thGearParts.com Used Honda and Yamaha parts. No Auctions, No guess work, No delays. Quality used parts
guaranteed. Lots of 80’s Honda stuff. Email: [email protected]
Web: 5thGearParts.com
Increase the performance and life of your vintage engine with the latest in performance beehive valve springs. Take advantage of the light weight of a single valve spring with the performance and control of a dual valve spring. This shape allows less reciprocating spring mass, smaller lighter top retainers, more clearance to the rocker arms and lower oil temps. Call for applications. Call (760)948-4698 or Web: www.rdvalvespring.com
CLA
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94 MOTORCYCLE CLASSICS July/August 2014
SERVICES
BARNYARD SCRAPS RESTORATION. Specializing in British motorcycles, original restorations, engine rebuilds, custom fabrication, service & repair. Thousands of NOS and used parts. We buy motorcycles, all makes and models.785-594-2109 (KS) www.barnyardscraps.com
OEM Style Hardware For HARLEY DAVIDSON Motorcycles
Nuts, Bolts, Screws & Washers Manufactured Like Harley Did it! Parkerized - CAD - Chrome
We Offer Hardware and Replacement Parts in Kits or Bulk 58 Page Catalog
Lists Parts from VL to Twin Cam We accept Visa and Mastercard
Visit our website at www.colonymachine.com
Toll Free: 800-321-3412, 330-225-3410 Fax: 330-225-9412
email: [email protected] 1300 Industrial PKWY. N.
Brunswick, OH 44212
SERVICES
36 Years of service We do Aluminum Polishing, Zinc Plating, Show Chrome finishes and much more, including motorcycle restoration parts! Call us now at 815-626-5223 or fax 815-626-5244. Visit: www.qualitychromeplating.com
80% of bikes are misaligned by using swing arm marks, sprocket aligners or string. Use ProAligner to align your wheels directly with CMM-certified accuracy for precise handling. $29.95 US plus S&H. ProAligner.com 620-221-0852
TOOLS
Fork Seal Drivers All Sizes $35.75ea.
Free Shipping H-D Specialty Tools Made
Check Them Out at Facebook.com/bandlmachinellc
E-Mail [email protected] for more Info.
Join Motorcycle Classics at the following vintage
bike shows this summer!
2nd Annual Vintage Motorcycle FestivalNew Jersey Motorsports Park, Millville, NJ
July 11-13, 2014
Five classes plus Editor’s Choice
www.njmp.com
3rd Annual Vintage Motorcycle FestivalAmerica’s Car Museum, Tacoma, WA
August 23-24, 2014
Seminars sponsored by Motorcycle Classics
www.vintagemotorcyclefestival.com
9th Annual Bonneville Vintage GPMiller Motorsports Park, Tooele, UT
August 29-31, 2014
Five classes plus People’s Choice
www.bonnevillevintagegp.com
Visit www.motorcycleclassics.com/vmc for show updates!
TRADEMARK REGISTERED 1915
Triumph Bonneville & TR6 Motorcycle Restoration GuideTriumph’s Bonneville and its single-carbed sibling, the TR6, are two of the most revered models in all of motorcycling. This book con-tains all the information needed to guarantee the correct restoration of your classic. More then 250 photos and extensive technical ap-pendices supplement Triumph expert David Gaylin’s thoroughly researched text. This is a must for anyone undertaking the resurrection of Triumph’s classic big twins.
#6385 $29.95
Travelling with Mr. TurnerTravelling with Mr. Turner throws wide open a portal into another world. As the author travels north you begin to feel the ghost of Mr. Turner, and his larger than life personality, peering out of the pages. As they ride towards John O’Groats, the author on his modern Tri-umph and Mr. Turner on his Triumph Terrier in 1953, we encounter the bizarre history of Triumph Motorcycles. This book draws the reader in to experience how life was lived in those post war decades of tumultuous change and Rock ‘n’ Roll and how the legend of Tri-umph encapsulates an entire generation in a world now nearly vanished into history, but still somehow wonderfully alive today.
#5807 $16.99
Classic Honda MotorcyclesHonda made its mark on the motorcycle world with small, affordable bikes, and grew well beyond that to create some of the most important performance machines ever built. This guide to the collectible Hondas gives prospective buy-ers a leg up on the current market for groundbreaking classics. Photographs of the models are accompanied by com-plete descriptions of specifications, com-ponents, paint codes and serial numbers. The author also highlights common repair and restoration needs, and looks ahead at future collectible models.
#6428 $40.00
Shop Class as SoulcraftShop Class as Soulcraft became an instant best-seller, attracting readers with its radi-cal (and timely) reappraisal of the merits of skilled manual labor. Using his own ex-perience as an electrician and mechanic, author Matthew Crawford presents a won-derfully articulated call for self-reliance and a moving reflection on how we can live concretely in an ever-more abstract world.
#4805 $16.00
Honda Motorcycles 1959-1985: Enthusiasts Guide MotorcyclesFor each of the Honda models covered, au-thor Doug Mitchel provides four to six para-graphs describing the bike in general terms, including differences and similarities be-tween the model being discussed and similar bikes. This book also includes the cost to ac-quire each project, the value when finished, which bikes and models to avoid, and where to find the frame and engine numbers.
#6973 $27.95
The Comprehensive VintageMotorcycle Price Guide 2013-2014Designed by enthusiasts, this guide opens with an overview of which bikes are hot and which are not, with com-mentary by vintage motorcycle experts on why prices are changing as they are. It also includes a guide to show how each price grade is defined and how to recognize which grade a particular bike belongs in.
#4499 $15.95
Classic Motorcycle Race EnginesElegantly written in a highly digestible style by the foremost expert on the subject, Classic Motorcycle Race Engines provides in-depth analysis of classic motorcycle race engines spanning eight decades, from the 1930s Guzzi 500 120-degree twin to the latest Yamaha YZR M1 in-line four. Au-thor Kevin Cameron packs this book with technical data and provides an absorbing insight into the technology employed in a wide variety of motorcycle engines.
#6770 $48.95
How to Build a Café RacerWritten by well-known motorcycle and automotive author Doug Mitchel, this book starts with planning and choosing an appropriate bike, and detailed modi-fications that will appeal to anyone. The center of the book focuses on a gallery of finished bikes, including nearly every brand imaginable from Japan, Italy, the UK and Germany. The final chapters in-clude two start-to-finish café builds.
#6684 $27.95
Hogslayer: The Unapproachable Legend DVDThe award-winning documentary Hogslayer: The Unapproachable Legend recounts the story of the legendary duel-engine Norton Hogslayer and its command of the motor-cycle drag racing world. The documentary features T.C. Christenson, who raced on the dragster, as well as John Gregory, who was the race team crew chief for Sunset Motors. Expe-rience the life and times of their remarkable accomplishments as the Hogslayer captures multiple world championships in the 1970s.
#6517 $18.00
Superbikes and the ’70sSuperbikes and the ’70s by Dave Sheehan captures the spirit of the times during the launch of the superbike: the popular culture, the engineers and designers, the racers, dealers, and industry titans. This book tells the story of a Britain emerging from the dull, gray years of postwar austerity into the colorful, gritty and psychedelic reality of the ’70s. It provides a behind-the-scene perspective that reveals the full story of bikes such as the Triumph and BSA triples, the Honda CB750 and much more.
#6902 $28.99
Café Racer’s: Speed, Style and Ton-Up CultureCafé Racers traces café racer motorcycles from their origins in the mid-20th century all the way into modern times, where the style has made a recent comeback in North America and Europe alike. The book travels through the numerous ever-morphing and unique eras of these nimble, lean, light, and head-turning machines. Café Racers visually celebrates a mo-torcycle riding culture as complex as the vast array of bikes within it.
#7254 $50.00
Hodaka: The Complete Story of America’s Favorite Trail BikeWritten by Ken Smith, this book is a captivating, colorful look back at one of the wildest machines of the 1960s and 1970s. The Combat Wombat, Road Toad, Dirt Squirt and the fantastic Super Rat are all covered in detail. More than 15 years in the making, this exhaustively researched tome contains all the details about the machines as well as a treasure trove of photographs, advertisements and graphics.
#7293 $60.00
What happens when you put together an upscale golf resort, 50 years of Bonneville Streamliners, the first Brough Superior SS100, a new all-electric racebike,
a three-star lunch, Eddie Lawson, Doug Polen and a horde of enthusiasts? You get The Quail Motorcycle Gathering.
An eclectic display of the exotic, the classic and the brand new were arrayed in the large green space, ringed with pavilions advertising the Why We Ride documentary and other vendors.
The Quail show always fea-tures something never seen before in public, and this year it was several somethings. The 218mph Lightning elec-tric Superbike was given its first outing. With a cruising range of 180 miles and piles of torque, it promises to be the first truly fast production electric bike. A 1925 Brough Superior SS100, the first one built, was last seen 50 years ago, and the Bonneville streamliners from the last 50 years on display had never
been in one place before. Not all of the bikes on display were one of a kind. Affordable
Japanese and single-cylinder Italian machines from the Sixties and Seventies parked near Triumph Bonnevilles and Norton Commandos, all scrubbed and sparkling. Best of Show went
to Gene Brown and his 1932 Vincent HRD Python Sport, while Trace St. Germain received the Japanese 2nd Place award for his 1981 Suzuki GS1100EX, featured on page 14 of this issue.
Most bikes on display do run, and a group of 100 riders toured the Monterey Peninsula the day before on many of the bikes in the show, starting with a lap around Laguna Seca.
Quail will return next year, and it’s definitely worth the $65 admission, which includes that three-star lunch, served on real plates with cloth napkins and silverware. More info at signatureevents.peninsula.com — Margie Siegal
P A R T I N GP A R T I N GP A R T I N G
SHOTS
Rarity isn’t everything: A lovely Honda CL77 fronts a CB750F Super Sport at the 2014 The Quail Motorcycle Gathering.
Built from 1909-1911, this is the sole surviving 1909 Winchester.
Classics on the green:The Quail Motorcycle Gathering 2014
96 MOTORCYCLE CLASSICS July/August 2014
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dark night and a smooth road all the way to your door.” –Irish Blessing
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