MOZART'SREQUIEM

OFFICERSPresident Ellen C CummingsVice President Catherine A MarrionTreasurer Thomas R CastleSecretary Anne H WilkinsonImmediate Past President Robert P Reed

PAST PRESIDENTSWilifred A Park

Henkle ScottEdward AdamsAdam Perkins

John C AlbohmNelson WhiteG S Torrey

Seymour HendelRobert Weller

William MehlmanRobert F ShannonClarence B SharpThomas Althuis

William LockwoodRobert N RueJulie C MaischBarry Levinson

Peter F Stuart, Esq Richard A Bauerfeld

Marc E GinsbergDorothy A Askelson

Pamela A AkinsWanda E (Beth) Tillman

Alan R ProctorDuncan Stoddard

Lois AndrewsPaul McGlincheyThomas R CastleAna M Schneider

Robert P Reed

BOARD OF DIRECTORS

John AnthonyThomas Berl

Katherine BergeronLiane Crawford

Svetlana Kasem-BegJohnPaul MoralesEdward O’Donnell

Jerry OlsonNaomi OtternessAna Schneider

Anish ShahGary Upton

EXECUTIVEDIRECTOR

Caleb Bailey

EXECUTIVECOORDINATORDaniel Brandl

BOOKKEEPERRoanna Breen

EMERITUS EXECUTIVEDIRECTOR

Isabelle G Singer

FOUNDING MUSICDIRECTOR

Victor Norman

MUSIC DIRECTOR and CONDUCTOR

Toshiyuki Shimada

CHORUS DIRECTOR

Wendy Moy

CHORUSPRESIDENT

Kathy Walburn

YOUTH ORCHESTRAMUSIC DIRECTORKathleen Anderson

YOUTH STRING ENSEMBLEDIRECTOR

Shannon Stevenson

YOUTH ORCHESTRA AND STRING

ENSEMBLE PRESIDENT

Scott Westervelt

FRIENDS PRESIDENT

Gay Clarkson

OFFICE 289 State Street, New London, CT 06320

Phone: (860) 443-2876Website: www ectsymphony com

THE EASTERN CONNECTICUT SYMPHONY ORCHESTRA BOARD AND STAFF 2018-2019

THE EASTERN CONNECTICUT SYMPHONY ORCHESTRAORCHESTRA PERSONNEL 2018-2019

ConcertmasterStephan Tieszen

Violin IKen Hayashi (AP)

Nancy Allen Ziemski (NR)Marianne Vogel (NR)

Simon BilykKathryn Fausel

Lisa GrayGwyneth Haydock (LOA)

Jung Eun KangGregory Tompkins

Jessica StensrudHeather Yanovitch (S)Denise Chividian (S)

Violin IIJoan Winters (P)Nuri Lim (AP)

Nathaniel BrownEmily Franz

Gabriel KastelleLydia Lee Villarreal

Cynthia SmithKaren Stokke (LOA)Ariana StraznickyAnn Gerrietts (S)

Meghan O’Connor-Miller (S)

ViolaBarbara Wiggin (P)Hannah Ross (AP)

John BiatowasAmy Jones

Rebecca JohnsonAndrew KnebelCarol PearsonSteven Sergi

(P) Principal(P*) Acting Principal

(AP) Assistant Principal(NR) Non-Rotating

(S) Substitute(LOA) Leave of absence

CelloPrincipal position vacant

Corinne Cunha (AP)Jenna CalabroLaura Cetilia

Christine CoyleMatilda Petrela

Nara ShahbazyanLeah E Thomas

BassThomas Green (P)

Jordan Calixto (AP)Ryan Ford

Lou GolstonJames P Hunter, Jr

David Szych

FluteNancy Chaput (P)

Clare Iannotta NielsenCheryl Six (Piccolo)

OboeCarla Parodi(P)Marta Boratgis

Olav van Hezewijk(English Horn)

ClarinetKelli O’Connor (P)

Jonathan TowneAndrew Grenci(Bass Clarinet)

BassoonTracy McGinnis (P)

Cheryl BankerRebecca Noreen(Contrabassoon)

HornMatt Muehl-Miller (P)

Matt Melone (AP)Bryce NakaokaBrian NicholsJoshua Michal

TrumpetThomas Brown (P)

Stephen OwensGino Villarreal

Richard J Dumas

TromboneTerrence B Fay (P)

Mark WeaverVictor Johnson

TubaGary Sienkiewicz (P)

TimpaniKuljit Rehncy (P)

PercussionConnie Coghlan (P)John Frascarelli (AP)Christopher Smith

HarpColleen Thorburn (P)

PianoGary Chapman (P)

LibrarianJohn Biatowas

Personnel ManagerRichard Dumas

Recording EngineerKuljit Rehncy

THE EASTERN CONNECTICUT SYMPHONY CHORUSMOZART’S REQUIEM ROSTER

SopranosKatrusia Diachenko

Susy DianaJane Falivene

Jennifer FinlaysonLynn Getty

Rebecca Harris*Amy HolmbergBethany JensenSally Johnson

Enid M LebronJane Statchen

Sherburne StidfoleSharon Tyree

Kathy Walburn

AltosPeggy Ayer

Evelyn BamfordJoy Diamantini

Valerie FastWhitney Gillette*Maureen Gressler

Mary HarrisKay Harvey

Debbie KimballBetsy Lebel

Donna MartellJana Noyes

Monica ThakurJoyce Wallace

Nancy WilliamsClare Wurm

TenorsMichele Delmhorst

Bill HathawayAlec Leshy

Diantha McMorrowKevin RigdonDavid Rinzler*

BassesJohn Charland

Raymond GradyBenjamin Hayes*

Lee HowardPeter Jenkins

Robert KeltnerTodd Tuomi

AccompanistJeehyun Kim

Director Wendy Moy

THE EASTERN CONNECTICUT SYMPHONY ORCHESTRAMOZART’S REQUIEM ROSTER

ConcertmasterStephan Tieszen

Violin INancy Allen Ziemski

Simon BilykLisa Gray

Kathryn Fausel

Violin IINuri Lim

Ariana StraznickyNathaniel Brown

Lydia Lee

ViolaHannah RossJohn BiatowasCarol Pearson

Andrew Knebel

CelloChristine Coyle

Nara Shahbazyan

BassJordan Calixto (AP)

ClarinetKelli O’Connor (P)

Jonathan Towne

BassoonStevi Rehncy

Rebecca Noreen

TrumpetKenny Piatt

Stephen Owens

TromboneMark WeaverTopher Logan

Victor Johnson

TimpaniKuljit Rehncy

OrganAymeric Dupre la Tour

LibrarianJohn Biatowas

Personnel ManagerRichard Dumas

Recording EngineerKuljit Rehncy

*Denotes Section Leader

Toshiyuki Shimada Music Director & Conductor Wendy Moy ECSC DirectorCarley DeFranco, soprano Caroline Olsen, mezzo-sopranoEthan DePuy, tenorGregory Flower, baritone

Requiem, K 626 (48’) WOLFGANG AMADEUS MOZART(1756 - 1791)

I Introitus - Requiem II Kyrie III Sequenz Dies irae Tuba mirum Rex tremendae Recordare Confutatis Lacrimosa IV Offertorium Domine Jesu Hostias V Sanctus VI Benedictus VII Agnus Dei VIII Communio

Tonight’s concert is dedicated to the late Jerry Olson, longtime ECSO Board member

Concert sponsored by: The Edward & Mary Lord Foundation

with additional funding by the Knights of Columbusand The American Group

Special thanks to the Diocese of Norwichand Bishop Michael Cote

Goodwill donations collected will benefit the ECSO and the St. Vincent de Paul Place

MOZART’S REQUIEM- ST. PATRICK’S CATHEDRALSUNDAY, APRIL 14, 2019 - 7:30 PM

Carley DeFrancoSoprano

“Sunny” and “soaring” soprano Carley DeFranco is the 2018-19 Lorraine Hunt Lieberson Fellow with Emmanuel Music This season she is a frequent soloist in the Sunday Bach cantata series, is a soloist in Handel’s Ode for St Cecilia and in June she is Lucy Lockit in the Beggar’s Opera (arr Britten) Her other operatic roles include Alcina (Opera del

West), Susanna in Le nozze di Figaro (Greater Worcester Opera), Zuniga in The Tragedy of Carmen (Opera Theatre of Cape Cod) and four years of world premieres in Boston Opera Collaborative’s annual presentations of “Opera Bites” A champion of the baroque, Carley has appeared as a soloist with the North Carolina Master Chorale, Bach Sinfonia, Arlington Philharmonic and Polymnia Choral Society In demand for her performances of new music by American composers, Carley has given premieres at the Kennedy Center, Fog X FLO on the Emerald Necklace, New England Conservatory, Middle-sex Community College, Longy School of Music and American University This summer she will perform the role of The Rose in The Little Prince with NEMPAC Opera Studio at Faneuil Hall and will be featured at the American Bach Soloists Academy in San Francisco In the Fall of 2019 she will be a soloist with Emmanuel Music in Bach’s Mass in B-Minor

Caroline OlsenMezzo-Soprano

California born mezzo-soprano Caroline Olsen is sought after as a soloist and collabora-tor This season, Caroline appeared as a soloist with the Newburyport Choral Society (New-buryport, MA), singing Charpentier’s Messe de Minuit de Noël, and The Thirteen (Wash-ington, D C ), singing Duruflé’s Requiem Past

solo engagements include Handel’s Israel in Egypt with Musica Sacra in 2017 (Gloucester, MA) and Bach’s Christmas Oratorio with Harvard Pro Musica in 2015 (Cambridge, MA) In addition, she has sung with critically-acclaimed professional ensembles, including The Handel and Haydn Society (Boston, MA), the Oregon Bach Festival (OBF) Chorus (Eugene, OR), The Brookline Consort (Brookline, MA), Cappella Clausura (Newton, MA), and Source-work (Boston, MA) In Germany, Caroline has toured with the Weimar Bach Academy and the Stuttgart Youth Bach (JSB) Ensemble Caroline holds a Bachelor of Music from Boston University’s College of Fine Arts When offstage, she teaches voice and piano lessons privately and with Note-Worthy Experiences (Sudbury, MA)

Ethan DePuyTenor

Praised for his “masterful acting” and “fine singing,” American tenor Ethan DePuy brings his unique dramatic style to works ranging from the Baroque era to now DePuy trained as a young artist at the Chautauqua Opera Company, Charlottesville Opera, and the Brevard Music Center On the concert stage, highlights include performances of Bach’s St John Passion, St

Matthew Passion, Easter Oratorio, and Mass in B Minor, Handel’s Israel in Egypt and Messiah, Mozart’s Requiem, Solemn Vespers, and Coronation Mass, Schubert’s Mass in G, Haydn’s Seven Last Words, Rachmaninoff ’s All Night Vigil, Stravinsky’s Mass, Buxtehude’s Membra Jesu Nostri, Charpentier’s Messe de Minuit, the Evangelist in Bach’s Christmas Oratorio, and the title role in Handel’s Judas Maccabaeus A native of Rochester, NY, he earned degrees from SUNY Fredonia and Arizona State University

Gregory FlowerBaritone

Bass-Baritone Gregory Flower’s “rich and powerful voice” (Cape Cod Times) has been heard across New England, where he’s performed Opera, Oratorio, Song, Operetta, and Musical Theatre This season’s engagements have included: Mozart Requiem, Faure Requiem, Messiah, Durufle Requiem, Aeneas in Dido and Aeneas, and Jim Ferguson in the world premier

of Bessie and Ma In May, Greg will be singing a complete performance of Schubert’s Schwanengesang in Tolland Greg is active with several professional choirs including: Voce, Alchemy, and Novi Cantori He is the Director of Music at St Mark the Evangelist Church in West Hartford Greg holds degrees in Vocal Performance and Music Education from The University of Hartford, and is currently pursuing a masters degree in voice at the University of Connecticut He would like to thank the ECSO for their invitation to join them on this wonderful program

PROGRAM NOTES

Requiem in D minor, K 626 Wolfgang Amadeus Mozart (1756 - 1791)

Much has been written both fact and myth about the circumstances surrounding the Requiem, Mozart’s final commission, and one that he could not complete before his untimely death at the age of 35 Mozart was not known in Vienna as a composer of sacred music and had not been commissioned to do a work of this nature in the ten years that he was in residency in that city Count Franz von Walsegg, through an anonymous emissary dubbed the “man in gray,” commissioned the Requiem. The Count planned to have the Requiem performed annually in memory of his wife, who had died suddenly in February of that year (1791) Walsegg’s emissary was described in old biographies as a “mysterious, gaunt-looking stranger, tall, dark, and dressed all in gray ” But there was no mystery; it was Franz Anton Leitgeb, an employee of the count, who was tall, thin, and, because of his Turkish descent, dark-skinned Walsegg liked to pass off the music as his own compositions, paying them well and probably realizing that his little subterfuge was not quite a secret

In the hit play and later the movie Amadeus, much is made of Mozart’s obsession with death and the thought that the messenger and commission were from God and that the Requiem would be for his own death Mozart was exhausted from work and alcohol, financially embarrassed, and weak Before his death, Mozart was able to complete only the opening movement the Aeternam along with much of the Kryie and portions of the Sequence, the long poem beginning with Dies Irae and ending with the Lacrimosa For some of the remaining sections, he left drafts in varying states of completion; for the concluding movements, nothing Even though only a fraction of the Requiem was written by Mozart, it is numbered today among his most beloved and most frequently performed works Ultimately the completion was left to his friend and assistant, Franz Sussmayr, who took up the task after Mozart’s wife, Constanze, had petitioned three composers without success

The style of the Requiem is paralleled most noticeably in Mozart’s Magic Flute and not in his other church music written before he moved to Vienna Much of the writing is either richly contrapuntal or

PROGRAM NOTES

direct, simple, even hymn like Arias are conspicuously absent The four soloists are treated as a group, not as individuals, with one brief exception: the beginning of the Tuba mirum which Mozart sets as a dialogue between baritone and solo trombone Trombones are heard throughout much of the Requiem They were associated then with church music, not with the symphony, as they would be from Beethoven on For Mozart, they always pointed to the presence of the Divine

Early writers on Mozart were unanimous in their belief that this work marked a new direction, away from opera and the symphony towards a reform of church music The new style, as they saw it, would banish operatic display and blend ancient polyphony with modern symphonic ideas of form Had Mozart really started a fundamental rethinking of his style? The Requiem could, in fact, substantiate this claim At all events, we are mistaken to think of this as a late work To him, it was simply the next work, the next commission He could not have known that it would be his last, and that he would not live to finish it

Dining Passport - Friends Fundraiser

The Friends of the Symphony are embarking on a new fundraiser

to support the ECSO’s mission - the Dining Passport The Dining Pass-port provides buy-one get-one dining at 14 area restaurants throughout all of 2019

The Dining Passport is available at the table in the lobby tonight for $50, and there is a limited supply. After using the Dining Passport at three or four restaurants, it pays for itself!

TRANSLATION OF TEXTS

Requiem in D minor, K. 626 Wolfgang Amadeus Mozart (1756 - 1791)

IntroitRequiem aeternam dona eis, Domine,et lux perpetua luceat eis Te decet hymnus, Deus, in Sion,et tibi reddetur votum in Jerusalem Exaudi orationem meam,ad te omnis care veniet Requiem aeternam dona eis, Domine,et lux perpetua luceat eis

Grant them eternal rest, Lord,and let perpetual light shine on them You are praised, God, in Zion,and homage will be paid to You in Jerusalem Hear my prayer,to You all flesh will come Grant them eternal rest, Lord,and let per-petual light shine on them

KyrieKyrie eleison Christe eleison Kyrie eleison

Lord have mercy upon us Christ have mercy upon us Lord have mercy upon us

SequenzDies irae, dies illaSolvet saeclum in favilla,Teste David cum Sibylla

Quantus tremor est futurusQuando judex est venturusCuncta stricte discussurus

Tuba mirum spargens sonumPer sepulcra regionumCoget omnes ante thronum

Mors slopebit et natoraCum resurget creaturaJudicanti responsura

Liber scriptus profereturIn quo totum continetur,Unde mundus judicetur

Judex ergo cum sedebitQuidquid latet apparebit,Nil inultum remanebit

Quid sum miser tunc dicturus,Quem patronum togaturus,Cum vix justus sit securus?

Day of wrath, that dayWill dissolve the earth in ashes,As David and the Sibyl bear witness

What dread there will beWhen the Judge shall comeTo judge all things strictly

A trumpet, spreading a wondrous soundThrough the graves of all lands,Will drive mankind before the throne

Death and Nature shall be astonishedWhen all creation rises againTo answer to the Judge

A book, written in, will be brought forthIn which is contained everything that is, out of which the world shall be judged

When therefore the Judge takes His seat Whatever is hidden will reveal itself Nothing will remain unavenged

What then shall 1 say, wretch that I am,What advocate entreat to speak for me, When even the righteous may hardly be secure?

TRANSLATION OF TEXTSRex tremendae majestatis,Qui salvandos salvas gratis,Salve me, fons pietatis

Recordare, Jesu pie,Quod sum causa tuae viae,Ne me perdas ilia die

Quaerens me sedisti lassus,Redemisti crucem passus,Tamus labor non sit cassus

Juste judex ultionisDonum fac remissionisAnte diem rationis

lngemisco tamquam reus,Culpa rubet vultus meus,Supplicanti parce, Deus

Qui Mariam absolvistiEt latronem exaudisti,Mihi quoque spem dedisti

Preces meae non sum dignae,Sed tu bonus fac benigne,Ne perenni cremet igne

Inter oves locurn praesta,Et ab haedis me sequestra,Statuens in parle dextra.

Confutatis maledictisFlammis acribus addictis,Voca me cum benedictis.

Oro supplex et acclinis,Cor contritum quasi cinis,Gere curam mei finis.

Lacrimosa dies iliaQua resurget ex favillaJudicandus homo reus.Huic ergo parce, Deus,Pie Jesu Domine,Dona els requiem.

King of awful majesty,Who freely savest the redeemed,Save me, O fount of goodness

Remember, blessed Jesu,That I am the cause of Thy pilgrimage,Do not forsake me on that day

Seeking me Thou didst sit down weary,Thou didst redeem me, suffering death on the cross Let not such toil be in vain

Just and avenging Judge,Grant remissionBefore the day of reckoning

I groan like a guilty man Guilt reddens my face Spare a supplicant, O God

Thou who didst absolve Mary MagdaleneAnd didst hearken to the thief,To me also hast Thou given hope

My prayers are not worthy,But Thou in Thy merciful goodness grantThat I burn not in everlasting fire

Place me among Thy sheepAnd separate me from the goats,Setting me on Thy right hand

When the accursed have been confoundedAnd given over to the bitter flames,Call me with the blessed

I pray in supplication on my knees My heart contrite as the dust,Safeguard my fate

Mournful that dayWhen from the dust shall riseGuilty man to be judged Therefore spare him, O God Merciful Jesu,Lord Grant them rest

TRANSLATION OF TEXTSOffertoriumDomine, Jesu Christe, Rex gloriae,libera animas omniurn fidelium defunctorum de poenis inferni, et de prof undo lacu: libera cas de ore leonis, ne absorbeat eas tartarus, ne cadant in obscurum,

sed signifer sanctus Michaelrepraesentet eas in lucem sanctam,quam olim Abrahae promisistiet semini ejus

Hostias et preces, tibi, Domine,laudis offerimus: tu suscipe pro an-imabus illis, quarum hodie memo-riam facimus: fac eas, Domine, de morte Iransire ad vitam, quam olim Abrahae promisisti et semini ejus

Lord Jesus Christ, King of glory,deliver the souls of all the faithfuldeparted from the pains of hell and from the bottomless pit Deliver them from the lion’s mouth Neither let them fall into dark-ness nor the black abyss swallow them up

And let St Michael, Thy standard-bearer,lead them into the holy lightwhich once Thou didst promiseto Abraham and his seed

We offer unto Thee this sacrifice of prayer and praise Receive it for those souls whom today we commemorate Allow them, O Lord, to cross from death into the life which once Thou didst promise to Abraham and his seed

SanctusSanctus Sanctus, Sanctus,Dominus Deus Sabaoth!Pleni suni coeli et terra gloria tua Osanna in excelsis

Holy, holy, holy,Lord God of Sabaoth Heaven and earth are full of Thy glory Hosanna in the highest

BenedictusBenedictus qui venit in nomine Domini Osanna in excelsis

Blessed is He who cometh in the name of the Lord Hosanna in the highest

Agnus DeiAgnus Dei, qui tollis peccata mundi,dona eis requiem Agnus Dei, qui tollis peccata mundi,dona eis requiem sempiternam

Lamb of God, who takest away the sins of the world, grant them rest Lamb of God, who takest away the sins of the world, grant them everlasting rest

CommunioLux aeterna luceat eis, Domine,cum sanctis mis in aeternum,quia pius es Requiem aeternam dona eis, Domine,et lux perpetua luceat eis,cum sanetis tuis in aeternum,quia plus es

May eternal light shine on them, O Lord with Thy saints for ever, becauseThou art merciful Grant the dead eternal rest, O Lord,and may perpetual light shine on them,with Thy saints for ever,because Thou are merciful

Toshiyuki Shimada is Music Director and Conductor of the Eastern Con-

necticut Symphony Orchestra in New London; Music Director and Conductor of the Orchestra of the Southern Finger Lakes; and has been Music Director of the Yale Symphony Orchestra of Yale Univer-sity since 2005 He is also Music Director Laureate of the Portland Symphony Orchestra in Portland, Maine, for which he served as Music Director from 1986 to 2006 Prior to his Portland engagement

he was Associate Conductor of the Houston Symphony Orchestra for six years Since 1998, he has also served as Principal Conductor of the Vienna Modern Masters record label in Austria

This season Maestro Shimada will guest conduct the Istanbul State Symphony Orchestra and the Lindenbaum Festival Orchestra in the US and Europe Recently, Maestro Shimada guest conducted the Borusan Istanbul Philharmonic Orchestra in Istanbul, the Presidential Symphony Orchestra and Bilkent Symphony Orchestra in Ankara, Turkey, as well as The World Peace Day Concert at Korean DMZ He led a highly successful Russian tour of the Yale Symphony Orchestra, performing in the White Hall at Saint Petersburg, and the Great Hall of the Moscow Tchaikovsky State Conservatory with highly acclaimed reviews

He has collaborated with distinguished artists such as Itzhak Perlman, Emanuel Ax, Yefim Bronfman, Joshua Bell, and many others In the Pops field he has performed with Doc Severinsen, Willie Nelson, Johnny Cash, Marvin Hamlisch, and Toni Tennille Maestro Shimada has had the good fortune to study with many distinguished conductors of the past and the present, including Leonard Bernstein, Herbert von Karajan, Herbert Blomstedt, Hans Swarovsky, and Michael Tilson Thomas

Maestro Shimada holds a teaching position at Yale University, as Associ-ate Professor of Conducting with Yale School of Music and Department of Music He resides in Connecticut with his wife, concert pianist Eva Virsik

TOSHIYUKI SHIMADA - BIOGRAPHYECSO Music Director & Conductor

Wendy K Moy is the Director of Choral Activities and Music Education at

Connecticut College and the Co-Artistic Director of Chorosynthesis Singers She is frequently sought as a guest conductor and clinician and recently made her conducting debuts in Brazil and China Recent honors include placing 3rd in The American Prize in Choral Conducting (professional division) and being selected as a Fellow in the American Choral Directors Association (ACDA) International Conductors Exchange Program

She performs as a soprano soloist and currently sings in CONCORA as well as Chorosynthesis Singers when not conducting A violinist since the age of four, Wendy held the positions of violin coach, chamber music coordinator, and assistant conductor with the Cascade Youth Symphony Organization She has presented her ethnographic research on the culture of successful singing communities at conferences around the world She serves on the ACDA Standing Committee on International Activities and multiple grant selection panels Wendy holds a Masters of Music Education from Westminster Choir College and a Doctor of Musical Arts in Choral Conducting from the University of Washington For more information, please visit www wendymoy com

WENDY MOY - BIOGRAPHYEastern Connecticut Symphony Chorus Director

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Peter and the W lf

Featuring the Eastern Connecticut Ballet

TOSHIYUKI SHIMADA, MUSIC DIRECTOR & CONDUCTOR

Sunday, May 5 at 2PMPalmer AuditoriumConnecticut College

with narratorResurrección Espinosa-Frink

For tickets: onstage.conncoll.eduor call 860-439-ARTS (2787)

Join the ECSO for the continuation of its popular family concert, exploring the excitement of orchestral music!

Arrive at Palmer Auditorium at 1pm for pre-concert activities in the lobby, including a photobooth, musical petting zoo, and many other activities.

JUAN ARRIAGALos esclavos felices

JOHN PHILIPSSouth of the BorderMexican Medley

SERGEI PROKOFIEVPeter and the Wolf

with the Eastern Connecticut Ballet

This concert is generously sponsored by the Chelsea Groton Foundation

Eastern Connecticut Symphony Orchestra289 State St., New London, CT 06320www.ectsymphony.com | 860-443-2876

@ectsymphony

Peter and the Wolf English.indd 1 4/2/2019 1:52:21 PM

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2019-20 Dates10/26/19 2/29/2011/23/19 3/28/202/1/20 4/25/20

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