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TAYLOR’S UNIVERSITY SCHOOL OF ARCHITECTURE, BUILDING & DESIGN Coursework Evaluation MPU 3123: TAMADUN ISLAM & TAMADUN ASIA Degree in Bachelor of Quantity Surveying (Hons) Topic: Islamic Architecture Presentation Marks (10 marks) No Name ID No Marks Remarks 1 Lillian Tan Ai Jun 0320087 2 Ling Sue Er 0321683 3 Goh Jiayi 0326048 4 Tan Hwee Min 0326057 5 Liew Li Wen 0324297 6 Esther Chuah Ning Sie 0321422 7 Rivarthini A/P Cheliyen 0325880 Assignment Marks (20 marks) No Name ID No Marks Remarks 1 Lillian Tan Ai Jun 0320087 2 Ling Sue Er 0321683 3 Goh Jiayi 0326048 4 Tan Hwee Min 0326057
Transcript
Page 1: Mpuassignment

TAYLOR’S UNIVERSITYSCHOOL OF ARCHITECTURE, BUILDING & DESIGN

Coursework Evaluation

MPU 3123: TAMADUN ISLAM & TAMADUN ASIA Degree in Bachelor of Quantity Surveying (Hons)

Topic: Islamic Architecture

Presentation Marks (10 marks)

No Name ID No Marks Remarks

1 Lillian Tan Ai Jun 0320087

2 Ling Sue Er 0321683

3 Goh Jiayi 0326048

4 Tan Hwee Min 0326057

5 Liew Li Wen 0324297

6 Esther Chuah Ning Sie 0321422

7 Rivarthini A/P Cheliyen 0325880

Assignment Marks (20 marks)

No Name ID No Marks Remarks

1 Lillian Tan Ai Jun 0320087

2 Ling Sue Er 0321683

3 Goh Jiayi 0326048

4 Tan Hwee Min 0326057

5 Liew Li Wen 0324297

6 Esther Chuah Ning Sie 0321422

7 Rivarthini A/P Cheliyen 0325880

Lecturer : Pn. Puteh NoraihanDate : 21st October 2015

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CONTENT

NO. CONTENT PAGE NUMBER

1. INTRODUCTION 2 - 3

2. BRIEF HISTORY OF TAJ MAHAL 4 - 5

3. ARCHITECT’S BACKGROUND 6 - 7

4.4.14.2

ANALYSISCOMPONENTS AND PARTSBUILDING MATERIALS

8 - 1213 - 15

5. CONCLUSION 16 - 17

6. REFERENCES 18 - 19

1. INTRODUCTION

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Location of Taj Mahal

This is an analysis report on the Islamic architecture in support with a hand-

drawn sketch on the selected subject of study. The chosen subject for the case study is

a widely-recognized building, Taj Mahal, which is also known as the “crown of palaces”,

a white marble mausoleum located on the southern bank of the Yamuna River in the

vast Mughal Garden in Agra, India. Personal research and group study have been

conducted before the final selection of subject has been carried out. The obtained

information is collected and discussed while the followings are the reasons for the

selection made.

Firstly, Taj Mahal was said to be the greatest architectural achievement in Indo-Islamic architecture. It represents the finest architectural and artistic

achievement through perfect harmony and excellent craftsmanship in a whole range of

Indo-Islamic architecture. It is a masterpiece of architectural style in conception,

treatment and execution and has unique aesthetic qualities in balance, symmetry and

harmonious blending of various elements.

Besides, there was an English poet who once said that Taj Mahal is not just any

ordinary piece of architecture, but the proud passion of an Emperor’s love carved in

living stones with an irreplaceable memory for the love of his life that symbolized the

Emperor’s great loyalty. This remarkable and universally admired masterpiece had

signified a man’s truthfulness in keeping his words along with his great perseverance

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and determination in overcoming all the adversities that come his way. Perhaps without

all these qualities that Emperor Shah Jahan had possessed, we would not have the

chance to witness this brilliant and awe-inspiring work that we have in the world today.

Moreover, the famed mausoleum complex had also shown a perfect and

harmony blend of different influences from the Indian, Persian and Islamic artistic tradition. The grand structure had reflected the uniqueness from each cultural

influences. An interesting aside, it is built of white shimmering marble inlaid with

different types of semi-precious stones including jades, crystals, amethyst, turquoise

and more. It was said that the colour of the mausoleum varies depending on the light

rays that hits upon the surface during different time of the day.

In a nutshell, Taj Mahal is no doubt a stunning symbol of India’s rich history and an invaluable world historical heritage that amazed billions of people with not

only its exclusive aesthetic values but also its captivating love story that brings soul and

meaning to the place.

Taj Mahal at day time (left), sunset (middle) and night time (right)

2. BRIEF HISTORY OF TAJ MAHAL

Taj Mahal, the magnificent and breathtaking mausoleum that stands at the heart

of India today had seemed to capture over a million hearts with not only its bewitching

beauty but also its touching history of love of the royalties. An English poet, Sir Edwin

Arnold best described it as "Not a piece of architecture, as other buildings are, but the

proud passion of an emperor's love wrought in living stones."

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The Mughal Emperor, Shah Jahan, was initially named as Prince Khurram and

was born in the year 1592. He was the son of the fourth Mughal emperor of India,

Jehangir, and the grandson of Akbar the Great. In 1607, while sauntering down the

Meena Bazaar, accompanied by a string of fawning courtiers, Shah Jahan caught the

sight of a girl peddling some silk and glass beads. It was love at first sight and the girl

was found to be Mumtaz Mahal, who was known as Arjumand Banu Begum at that time.

At that time, he was 14 years old and she, a Muslim Persian princess, was 15. The two

got married after five years in 1612.

It was in 1628 that Shah Jahan had became the Emperor and entrusted

Arjumand Banu with the royal seal. He also conferred upon her the title “Mumtaz

Mahal”, meaning the “Jewel of the Palace". Shah Jahan was said to have many wives,

however, Mumtaz Mahal was his favourite and the unquestioned love of his life.

In 1631, Mumtaz Mahal died while giving birth to their 14th child. While she was

on her deathbed, Shah Jahan promised her that he would never remarry and will build

the world’s richest mausoleum in dedication to her. It is said that Shah Jahan was so

heartbroken after Mumtaz’s death that he ordered the court into mourning for two years.

Despite the overwhelming sadness, Shah Jahan fulfilled his promise by

undertaking the task of erecting the world's most beautiful monument for his beloved

wife, Mumtaz. It took 22 years, over 20,000 laborers and 1,000 elephants to construct

this amazing piece of architecture. When Shah Jahan died in 1666, his body was placed

in a tomb next to the tomb of Mumtaz Mahal. This extravagant and glorious monument

came to be known as "Taj Mahal" which has been listed as the Seven Wonders of the

World.

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Paintings of Mumtaz Mahal (left) and Shah Jalan (right)

The tomb of Shah Jahan (left) and Mumtaz Mahal (right)

3. ARCHITECT’S BACKGROUND

Taj Mahal was built by the Mughal Emperor, Shah Jahan for his wife, as a tomb

house. This building remains an architectural miracle until now. In 1632, it had been

consigned by Emperor Shah Jahan to find a place for the remains of his cherished wife

to rest in peace.

As mentioned earlier, Shah Jahan was a Mughal Emperor. He was known as

Prince Shihab-ub-din Muhammad Khurram who was the son of Emperor Jahangir. He

was a military leader who’s very talented in architectural decorations and design

whereby he had been crowned with the title of “The Builder Of the Marvels”.

On the other hand, Shah Jahan’s wife, Mumtaz Mahal was said to be an

inseparable soulmate of Shah Jahan as she’s always by his side everywhere he goes,

even on military ventures. The relationship between the both of them is trustworthy,

intense and strong. Unfortunately, Mumtaz Mahal passed away in 1631. Shah Jahan

then promised to construct the most beautiful monument dedicated to Mumtaz after her

death. And so one of the world’s most marvelous building ever, is built, given the name

of “Taj Mahal”.

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According to a gruesome story, after the construction of the grand mausoleum

had been completed, Shah Jahan ordered his minions to perform a cruel task in which

the hands of all of the Taj Mahal’s architects were to be cut off to ensure that there is no

one who could build another of its kind.

Last but not least, the design and structural decorations of the Taj Mahal was

said to have involved approximately 37 men, which includes the designers and

architects whereby their names were mentioned in the official Mughal histories.

Followings are the names in which were found recorded in the history of Mughal.

● Ismail Afandi, a designer and builder of domes for the great Ottomans in Turkey

● Qazim Khan, a goldsmith from Lahore, who casted the gold finial that crowns the

dome

● Chiranji Lal, a lapidary from Delhi who was chosen as the chief mosaicist

● Amanat Khan, the master calligrapher from Shiraz whose signature was

inscribed on the Taj gateway

● Mohammed Hanif, Multan and Quandhar from Delhi as master masons

● Mukrimat Khan and Mir Abdul Karim from Shiraz, who were the chief

supervisors and administrators.

4. ANALYSIS 4.1 COMPONENTS AND PARTS

The grant mausoleum complex, Taj Mahal, is no doubt the most notable piece of

architecture in the Mughal’s top 10 list of historic buildings. It had not only symbolized

the momentous years back in the ancient India and was also recognized as the “Jewel

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of Muslim art in India”. The design and decorations of the complex were inspired from

the structure of Timurids and Mughals which includes the Gur-e Amir, Humayun’s

Tomb, Itmad-Ud-Daulah’s Tomb and Shah Jahan’s own Jama Masjid in Delhi. Taj

Mahal was considered to be the zenith in the reign of Shah Jahan, whereby many

historians and poets had expressed their amazement upon the Taj Mahal complex

which was conceived as an earthly replica of the house of Mumtaz Mahal. The 42-acres

Taj Mahal has a topography which gradually inclines from south to north, towards the

Yamuna river. The entire Taj Mahal complex consists of five major components which

are the main gateway, mosque, jawab, garden and the main mausoleum.

Main gateway of Taj Mahal complex

Firstly, the main gateway was completed in the year 1648 and situated at the

end of the long watercourse. The main gate stands are bordered with the verses from

Holy Quran in Arabic calligraphy. On the top of the gate, there are four separated high

columns which come in pairs. Each pairs of the separated columns were situated on

each corner of the structure top, making up the front and back row, each with eleven

domes placed in between. Hence, that sums up to a total number of 22 domes.

Besides, there are small cupolas which topped the upper part of the main gate’s arches.

The design provides a great visual illusion to the visitors as it placed the main

mausoleum out of sight as one is entering the compound via the main gate. Its purpose

is to prevent people from catching any glimpse of the main mausoleum until they are

right at the doorway itself.

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The Taj Mahal garden (left) and the splashing fountain (right)

Secondly, the Taj Mahal garden covers the area starting from the end of the

main gateway up til the plinth of mausoleum. It is an integral part of the structure which

made up the widest part of the Taj Mahal by covering up a total area of 300m x 300m

out of 580m x 300m. According to the Islamic beliefs, the garden portrays a strong

iconic and conceptual values regarding a mythical state, which is the

paradise.Moreover, the garden also consists of the elevated pathways, splashing

fountain, flower beds, trees and pools that form the mirror image of Taj Mahal. The

aesthetically maintained laid out garden is also known to be the best spot for photo

taking within the frame of the mausoleum view.

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Taj Mahal with the mosque on the left and the Jawab on the right

Thirdly, the mausoleum is flanked by two almost similar buildings on the either

sides of the platform. The mosque is located at the west wing of the main mausoleum

while Jawab is situated at the east wing. Both structures are made up of red

sandstones which serves to give an aesthetic colour contrast. They are constructed

based on the Ottoman,Turkish,and Indian architectural style. It is 64 meters long and 24

meters wide, and is built on a slightly-raised platform. There are 4 octagonal towers and

3 elegant domes that were placed on top of the roof of each structure. The Jawab

balanced up the symmetrical arrangement of the compound and was initially utilized as

a spot for the entertainment and accommodation for important visitors. On the other

hand, the mosque functions mainly as a place of worship. The significant differences

between the two structures are that the floor design of the mosque was laid out with

outlines of 569 prayer rugs in black marbles. Besides, the mosque consists of a mihrab

which is not found in the Jawab. These two identical structures serve to provide a mirror

image of each other which brings a symmetrical balance to the entire architectural

design of the Taj Mahal complex.

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Front view of Taj Mahal

Lastly, the mausoleum is the chief building of the entire Taj Mahal complex. It is

the only structure that is completely cladded in white marbles and is decorated with

semi-precious and precious stones. As looking down from the top, the plan view of the

mausoleum portrays an ideal cross-axial symmetry which brings the focus of the

structure to the central tomb chamber. The mausoleum consists of 4 floors, namely, the

lower storey, entrance storey, ambulatory storey and a roof terrace. The lower storey

houses the tombs of Jahan and Mumtaz while the entrance storey encloses the similar

cenotaphs of the tombs. Meanwhile, the 35 metres high central dome of the complex is

located on a 7 metres high cylindrical base which stands on a square platform that was

raised 50 metres above the riverbank. At the apex of the main dome and the smaller domes is a lotus motif surmounted by a plated finial, which shows a blend of the

traditional Islamic and Hindu decorative component. Interesting asides, the dome is

commonly called an onion dome due to its extraordinary shape and design. The base of

the dome forms openings into the main hall of the tomb which allow the entrance of light

from each corners. The main dome was surrounded by four minarets and another four

domes which are smaller. The smaller domes replicate the onion shape of the main

dome which represents one of the highlights of the mausoleum. The base of the column

has an opening which allow light ray to pass through via the top of the tomb to brighten

up the interior spaces. Besides, the four minarets which are of height of more than 40

metres on each of the corner had further displayed the designer’s passion for the

symmetrical concept. Each minarets has three balconies, two at the minaret body while

one at the top. They were used as working minarets, a conventional component of the

mosques, utilized by the muezzin to call out to the Muslims to be faithful while having

their prayers.

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Main dome and smaller dome (left), minarets (right)

4.2 BUILDING MATERIALS

There are three types of stones that have been used in the construction of Taj

Mahal which include semi-precious stones, common stones and rare and scarce stones. Firstly, semi-precious stones are used for the inlaying work. Some examples for

the semi-precious stones are Aqiq (agate), Yemeni, Firoza (turquoise), moonga (coral),

Sulaimani (onyx), Lahsunia (cat's eye), Yasheb (jade) and Pitunia (blood stone).

Aqiq (Agate) Yemeni

Fizora (Turquoise) Mooga (Coral)

Sulaimani (Onyx)

Lahsunia (Cats eyes) Yasheb (Jade) Pitunia

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(Bloodstone)

Common stones such as sang-i-Gwaliari (grey and yellow sandstone), sang-i-

Surkh (red sandstone), sang-i-moosa (black slate) and sang-i-Rukhan (white marble)

are not only used for the foundation and masonry but also for the finishing touch of the

outer surface of the structure. Rare and scarce stones which were bought from the

Upper Tibet, Kumaon, Jaisalmer and Ceylon were mainly used for mosaic work or bold

inlay on turrets, floors and exterior dados. Tilai (goldstone), Zahar-mohra and Maknatis

(magnet stone) are some examples of the rare and scarce stones.

sang-i-Gwaliari sang-i-Surkh sang-i-moosa sang-i-Rukhan(grey and yellow (red sandstone) (black slate) (white marble) sandstone)

Tilai (goldstone) Zahar-mohra Maknatis (magnet stone)

Besides the structure also uses different kind of bricks as part of the building

materials such as Gaj-i-Shirin (sweet limestone), Khaprel (tiles), Gul-i-Surkh (red clay)

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and glass. Moreover, extra strong brick masonry was used to build the center and

skeleton of the main complex of the Taj Mahal. The massive white marble slabs were

used in the headers and stretchers system to provide a clean, white, pure marble

surface. Different types of materials were also blended together such as molasses,

batashe (sugar-bubbles), belgiri-water, urd-pulse, curd, jute and Kankar (pieces of

fossilized soil) were mixed with the lime mortar to produce an ideal cementing material.

Gaj-i-Shirin (sweet limestone) Khaprel (tiles) Gul-i-Surkh (red clay)

Furthermore, there are beliefs whereby the precious and semiprecious stones

laid a different impact upon the luck of a person as well as a particular location. This has

actually been examined and was claimed to have close relation to the ornamented

structure. Hence, the predominance of the stones used were characterized as one of

the uniqueness that the Taj Mahal had possessed.

Last but not least, it was found that a number of marks were carved on red stone

slabs, the pathways, stairs, plinths and pavements of the Taj Mahal. Some of them are

designed with geometrical motifs (triangle, square, rectangle), symbolic motifs

(hexagon, pentagon, conch-shell), animate motifs (fish, bird) and also, floral motifs

(leaves and petals of the flowers chiefly lotus).

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Marbles with animate motifs (left), floral motifs (middle) and geometrical motifs (right)

5. CONCLUSION

First and foremost, we have learnt that it is important that we should always

appreciate and be respectful to all the lives and people who had contributed unconditionally to the ancient art and architecture along with their remarkable achievements that could be witnessed by many even until today. It is truly admirable to

those who had dedicated their lifetime to work selflessly with their sweat and blood

during the times where means of transportation and construction technology had seem

to be lacking. It can be observed that they were very detail-oriented in which they paid

attention to even the finest structural element of the Taj Mahal complex. Their

professional spirits and determination are what ought to be leant by the young blood

these days. The masterpieces had reflected not only the hard work and great perseverance of the ancient architects and builders, but also the valuable knowledge and wisdom that they had possessed.

Besides, we have also come to learn that violence and cruelty are not the right way

of neither solving a problem nor obtaining a fulfilled desire in this civilised world. It’s

been rumoured that Shah Jahan had his minions to cut off the hands of all the architects

and designers just to prevent a replica of the grant mausoleum. Whether it could be true

or not, it is crucial that we shall always stick to our reasonable self, stood firmly by our principles and to never lose our humanity no matter to what circumstances that

we’ve been put in.

Last but not least, we’ve come to realize that personal research and teamwork are pretty important as we are able to learn in a more effective way via the sharing of

individual findings and group study. Personal research allowed us to equip ourselves

with the sufficient information and knowledge so as to prepare ourselves to whatever

task that we were given, while for teamwork, it’s no doubt a key that helps to enhance a

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group performance through the sharing of group responsibilities while working towards

achieving the same ultimate goal.

In a nutshell, it is important to always reflect ourselves on what had been learnt as life is a delicate process of shaping ourselves towards becoming a better

being through personal developments and constant improvement. We shall use our

reflections as an opportunity to make profound and a constructive or positive change in

our lives because sometimes this entails healing pieces of ourselves for betterment to

unfold. Other times, it means stretching ourselves into new levels by shining light and

bringing forth our good qualities.

6. REFERENCES

1. Agraindia.org.uk,. (2015). Architecture of Taj Mahal - Taj Mahal Architecture -

Architecture of Taj India. Retrieved 21 October 2015, from

http://www.agraindia.org.uk/taj-mahal/architecture/

2. Centre, U. (2015). Taj Mahal - UNESCO World Heritage Centre.

Whc.unesco.org. Retrieved 21 October 2015, from

http://whc.unesco.org/en/list/252

3. Indiavirtualtour.com,. (2015). Taj Mahal Architecture,Taj Mahal

Design,Architecture Taj Mahal,Taj Mahal Layout,Tajmahal in India. Retrieved 21

October 2015, from http://www.indiavirtualtour.com/tajmahal/Architecture.asp

4. Mahal, D. (2015). The Taj Mahal - Facts & Summary - HISTORY.com.

HISTORY.com. Retrieved 21 October 2015, from

http://www.history.com/topics/taj-mahal

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5. Mapsofindia.com,. (2015). Taj Mahal, Agra, India - History, Map, Timings, Entry

Fee, Location. Retrieved 21 October 2015, from

http://www.mapsofindia.com/agra/taj-mahal.html

6. Pbs.org,. (2015). building the Taj - who designed the Taj Mahal. Retrieved 21

October 2015, from

http://www.pbs.org/treasuresoftheworld/taj_mahal/tlevel_2/t3build_design.html

7. Tajmahal-india.net,. (2015). Taj Mahal India - Garden of Taj Mahal. Retrieved 21

October 2015, from http://www.tajmahal-india.net/taj-mahal-garden.html

8. Tajmahal.org.uk,. (2015). Taj Mahal - Taj Mahal India - Taj Mahal Agra - Taj

Mahal Travel- Taj Mahal Information - Tajmahal India. Retrieved 21 October

2015, from http://www.tajmahal.org.uk

9. Thousandwonders.net,. (2015). Taj Mahal Mosque - Mosque in India - Thousand

Wonders. Retrieved 21 October 2015, from

http://www.thousandwonders.net/Taj+Mahal+Mosque

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