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MUSEUM NOTES

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MUSEUM NOTES Source: Bulletin of the Detroit Museum of Art, Vol. 4, No. 4 (OCTOBER, 1910), p. 55 Published by: Detroit Institute of Arts Stable URL: http://www.jstor.org/stable/41934985 . Accessed: 14/05/2014 19:56 Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp . JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. . Detroit Institute of Arts is collaborating with JSTOR to digitize, preserve and extend access to Bulletin of the Detroit Museum of Art. http://www.jstor.org This content downloaded from 195.78.108.169 on Wed, 14 May 2014 19:56:23 PM All use subject to JSTOR Terms and Conditions
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Page 1: MUSEUM NOTES

MUSEUM NOTESSource: Bulletin of the Detroit Museum of Art, Vol. 4, No. 4 (OCTOBER, 1910), p. 55Published by: Detroit Institute of ArtsStable URL: http://www.jstor.org/stable/41934985 .

Accessed: 14/05/2014 19:56

Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at .http://www.jstor.org/page/info/about/policies/terms.jsp

.JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range ofcontent in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new formsof scholarship. For more information about JSTOR, please contact [email protected].

.

Detroit Institute of Arts is collaborating with JSTOR to digitize, preserve and extend access to Bulletin of theDetroit Museum of Art.

http://www.jstor.org

This content downloaded from 195.78.108.169 on Wed, 14 May 2014 19:56:23 PMAll use subject to JSTOR Terms and Conditions

Page 2: MUSEUM NOTES

BULLETIN OF THE DETROIT MUSEUM OF ART 55

GRAND CANAL ET SAN GIORGIO-Venice Pastel by M. J. Iwill

MUSEUM NOTES.

The Bulletin is to be had for the ask- ing. Any of the attendants will sup- ply it to those wishing to keep in touch with the work of the museum. Visitors specially interested in one de-

partment or object may save themselves time by asking for information of the attendants in any of the various gal- leries or rooms. These young mén have most of them been at the museum for a number of years, and are thoroughly posted on the collections under their charge.

The eighteenth annual series of Sun- day afternoon talks at the museum which have been so popular in years past, will begin Sunday, October 30th, at 2:30 o'clock. Emphasis must again

be placed on the fact that children under fifteen cannot be admitted owing to the limited capacity of the auditorium.

Director Griffith will use as his sub- ject for the first lecture, "Know Your Own Country." A new edition of the "Handbook of

Paintings by the Old Masters" has just been issued, in which are catalogued the paintings presented to the museum by the late James E. Scripps, and those more recently added by Mrs. Harriet J. Scripps. A number of fine halftone plates of the paintings are included, to- gether with a portrait of Mr. Scripps and much valuable information. The stock in the catalogue is of the best quality, and the press work, most com- mendable. The catalog will sell at the small sum of ten cents.

This content downloaded from 195.78.108.169 on Wed, 14 May 2014 19:56:23 PMAll use subject to JSTOR Terms and Conditions


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