March 2010 Vol. 1 Issue 4New Delhi, India

www.ncdpd.comwww.hadicraftdesignbank.com

www.bcdi.in

Official NewsletterNational Centre for Design and Product Development

latest

Trends & Forecasts

11 pages resourceP8 - P18

From theEditor P7

The Govt. of Orissa organized 3 days International fair at Hotel Mayfair Lagoon,

t h t hBhubaneswar, O r i ssa f rom 24 –26 February'2010. More than 125 exhibitors participated in the show. NCDPD provided array of design & product development services to Govt. of Orissa for the successful organization of the event. The event is supported by Export Promotion Council for Handicrafts (EPCH) P4

In a rare achievement NCDPD made a presentation on setting up a Stone Museum at the Public Area of the newly set up State Assembly of Tamil Nadu in Chennai. The presentation was made first to Development Commissioner (Handicrafts) Ministry of Textiles, Govt. of India and then to Hon’ble Minister of Textiles, Govt. of India. P1

NCDPD unprecedented presentation to Hon’ble Chief Minister of Tamil Nadu

Tamil Nadu Assembly Public Plaza as designed by NCDPD

Hon’ble Minister of Textiles Thiru Dayanidhi Maran with dignitaries & officials at the launch.

The design bank was th

launched during the 16 export award function of EPCH on th

16 December 2009 by Thiru Dayanidhi Maran, Hon. Minister of Textiles, Govt. Of India. Tmt. Panabaaka Lakshmi, Hon'ble Minister of State for Textiles, Govt. of India, Smt. Rita Menon, Secretary (Textiles), Govt. of India, Sh. Sanjay Agarwal, Development Commissioner (Handicrafts) & Chairman- NCDPD, Sh. Rakesh Kumar, Executive Director -EPCH and Secretary-NCDPD, Sh. Alok Goel, Co-Chairman- NCDPD, Sh. Ravi K. Passi, President-Advisory Committee-NCDPD and Sh. R.K. Srivastava- Executive Director - NCDPD were also present during the launching function. More than 1000 designs have been uploaded in various product categories with an objective to fulfill the gap in the hard goods and soft goods sector in the areas of design, product development and technology.

(www.handicraftdesignbank.com)

1st Int’l Handicraft & HandloomFair Orissa -conceived, planned

& executed by NCDPD

Shri. Ravi. K. Passi - President Advisory Committee - NCDPD explaining Hon’ble Chief Minister Shri Naveen Patnaik about the exhibition. Also present Commissioner - cum - Secretary Mrs. Arti Ahuja, foreign buyers and guests.

Capacity/skilldevelopmentP4

Handicrafts design bankrecord hits-launchedby Hon’ble Minister of Textiles

HIGH-IMPACTWORLD PREMIER1st Indian Furniture& Accessories Show

Full photo editorial storyP5

b r i e f s

from P1 Tamil Nadu

A very elaborative presentation was made to Thiru Karunanidhi Chief Minister of Tamil Naidu in presence of Thiru Dayanidhi Maran Honble Minister if Textiles, Govt. of India and Development Commissioner (Handicrafts) & Chairman NCDPD.

The presentation was flashed in different electronic media and appreciated by Hon’ble CM of Tamil Nadu.

The design team is headed by NCDPD design head, international lifestyle consultant with local designers Shweta, Ram and international designer Christopher Samong.

NCDPD delivered key note address during Package Design Research & Test Lab in Delhi

NCDPD Direcrtor R.K. Srivastava delivers his speech

T h e m e - b a s e d c l u s t e r s f o r a r t i s a n sVarious measures are being undertaken by EPCH to address the downfall of the exports of handicrafts, being witnessed since the last two financial years.

EPCH in consultation with Development Commissioner (Handicrafts) has envisaged to provide an array of specialized Design & Product Services at the doorstep of exporters and artisans. A team of experts have been placed with the assistance of Ministry of Commerce & Industry to provide an overall support in the area of design & product development.

With an objective to cover maximum mediums & raw materials , 5 theme based clusters have been identified covering more than 90% of the handicrafts namely 1) Needle Work 2) Festive Decoration 3) Fashion Accessories 4) Natural Fiber & Eco Friendly Crafts 5) Tribal Crafts. The same has been planned & worked out in consultation with the O/o Development Commissioner (Handicrafts). Registered members may also avail the free design services placed at www.handicraftdesignbank.com and www.epch.com/design

Design clusters in session at Firozabad,Agra, Khurja and Delhi.

Some of the designs given to the artisans.

Panel of guests at the seminar Shri. L.M.Gupta-Director-Package Design Research & Test Lab, Shri. R.K. Srivastava ED-NCDPD, Shri. R.C.Rastogi, Chairman & Managing Director- Khatema Fibres Ltd, Shri. Chakraborty, Dy. Director- Indian Institute of Packaging.

01

With the leadership of its Executive

Director Sh. R.K. Srivastava, the whole

pack of NCDPD designers were at the

First Indian Furniture and Accessories th th

Show in Jodphur, 13 - 15 March.

The team did the visual merchandising

of the off-site settings of each company

at the furniture industrial area. It was a

showcase of the industry's full force of

exporters for buyers' appreciation. The

major commission from EPCH was

visual merchandising of the fair

grounds by the 20 designers under the

direction of PJ Aranador and Ener

Baloloy.

Theme settings complimented the

grand entry. A Rajasthani look dressed

up the reception area with iconic crafts

and the landscaped surroundings

created Indian gardens and peaceful

areas graced sumptuously with

Jodphur garden furniture and bigger-

than-life exquisite animal sculptures.

b r i e f s

HIGH-IMPACT WORLD PREMIER1st Indian Furniture& Accessories Show

02

Grand entry to the fair ground

Colonial India pieces unique to Jodhpur.

Beautifully green landscaped with large crafts for all Jodhpur.

Garden packets with outdoor furniture. Large Jodhpur boat from Bhandari Exports.

Outdoor lifestyle settings awed the buyers. American Southwest outdoor setting.

Royal Rajasthan inspired gateway.

Smt. Chandresh Kumari, member of parliament opens the fair with German ambassador H.E. Thomas Matussek, Oman ambassador H.E. Humaid Al

Manni & Mr. Raj Kumar Malhotra, EPCH Chairman.

Hon’ble

From the

Desig introduce new columns in this issue as we planned from the preceding e d i t i o n . D e s i g n Design Desig and Desig debuts within the pages here. We diversify the coverage of our newsletter towards a comprehensive resource of information, apart from the headlines.

Many reasons make the export business of crafts more difficult today. The rigors of vendor's compliance, the cost of money and doing business, the stiff c o m p e t i t i o n i n v i s u a l merchandis ing and, most importantly, the proliferation of m a g n a n i m o u s p r o d u c t redundancies are ever-pressing challenges. B u y e r s g o t o t h e m o s t s o p h i s t i c a t e d f a i r s a n d showrooms in the world. With the influx of designers and visual merchandisers who are trends-pacers, many companies are on a track and field for a race for buyers' attention. Either you got the dynamic wow-factor or none at all.

We dedicate more articles on trends and forecasts in this issue. But trends have to be analyzed, not copied. It is like a menu. The key is selection of a mood board which is appropriate to your needs. What do you have that can be resuscitated to update their look? What product adaptations or product re-engineering you can grab from the images you see?

From my keen observations, many of our exporters still need a lot of work in concepts of line p l a n n i n g a n d v i s u a l merchandising. How can we

news

T e c h ,Bench, next

network

expect buyers to do business from a showroom with products that do not tell a story? All sorts of colors and styles one on top of each other? Some 30 years-old products side by side with the 5 years-old? It sells confusion. It doesn't sell a look.

As we prepare for the next seasons, take a deep scrutiny at the ever-growing demands for up-to-the-minute product trends & preferences. The future of your

b r i e f s

EDITORIAL BOARD Rakesh Kumar Editorial ChairmanR.K. Srivastava Editorial AdviserPJ Aranador EditorEner Baloloy Co-Editor Gris Chandra Senior CorrespondentRudy Rivera Trends TrackerShweta Editorial AssistantChristopher Samong Lay-out DesignerKavita CirculationNCDPD Publisher

business is dependent to your design development clinic.

PJ AranadorEditor

the most saleable NCDPD stone design

fresh NCDPD home textile design

art wall & objects design

NCDPD Orissa team Roderick, Rahul, PJ, Arti & Rey

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Design and Product developmentServicesExhibition Design, Showroom/Store development andVisual MerchandisingGraphic DesignProduct & TechnologyDevelopment/ manufacturingexcellenceDesign Training, Mentoring,Apprenticeship and CareeropportunitiesDesign Training, Mentoring,Apprenticeship and CareeropportunitiesEnd to End Design Services toindustrial GroupsPackage DesignVendor ComplianceImage Building and BrandingOther Specialized Designservices viz. Setting up of theDesign Studio’s, Designpromotion, Design Research,Industry linkage, Tie-ups,Networking, Design library,Design Workshops andResources Centre etc.

SERVICES

Development Commissioner (Handicrafts)Ministry of Textiles, Government of India

&

NCDPD is a joint initiative of

National Centre for Design and Product Development43, Okhla Industrial Estate-III (Behind Modi Mill),New Delhi-110020Tel: +91-11-26821262 / 26821265 Fax: +91-11-26821260

Email: ncdpd@ncdpd.com Web: www.ncdpd.comwww.bcdi.in, www.handicraftdesignbank.com

More than 40 International buyers visited the show and the show concluded successfully. The entire event was conceived, planned and executed by NCDPD which also includes stand & layout designing, theme setting & product development of more than 100 manufacturers, artisans & exporters. The H o n ’ b l e C h i e f M i n i s t e r appreciated the efforts and announced the event to be annual.

from P1 1st Handicraft & Handloom Fair Orissa

the well - appointed fair venue

dramatic lighting

b l u e i k a t a n d bamboo furniture resort collection

new design pieces in 2010 summer colors

well - reviewed lifestyle setting by international buyers put togetherby NCDPD head designer PJ Aranador

theme

living spaces create modern look for Orissa traditional & contemporary crafts

colorful umbrella canopyAsian style setting area

modern ikat

“kotpad” & “bomkai” textiles

black & white corner

04(right & left below) Shri. Ravi. K. Passi - President Advisory Committee - NCDPD, Hon’ble Chief Minister Shri Naveen Patnaik with guests.

(below) Commissioner - cum - Secretary Mrs. Arti Ahuja, meets with buying agents and foreign buyers.

Capacity / Skill Development ProgramsGoing On Full Stream

Engineered bamboo is one of latest trends in flooring in the market. It consists of bamboo strips (usually 1/8'') on top of the plank, and is layered with other types of wood underneath. Engineered bamboo is thought to be stronger than solid bamboo because of the blending of woods. It can be nailed, glued, or floated to the sub floors. The same technique can be used in making other products such as furniture, window blinds etc.

The Bamboo & Cane Development Institute (BCDI) which is managed by NCDPD will soon offer the technology at the center in Agartala, Tripura.

the

Engineered Bamboo Products

05

NCDPD started the Skill/Capacity Development Program in the last week of September'09 and so far 152 programs have been completed out of 200 programs at 7 important craft clusters vis. New Delhi, Khurja, Jaipur, Jodhpur, Saharanpur, Agra and Firozabad. Independent evaluation has been made by third party.

Our designers had a big blast learning while enjoying. Through creative games and problem solving, a team building activity imparted to the designers the concepts of cohesiveness, roles and norms, communication, goal s p e c i f i c a t i o n a n d interdependence.

It was held at the historical and crafts - filled Khejarla Fort, in Jopdhur. The designers as well inter-act with the village folks some of whom showed their crafts in shoe making, pot tery and embroidery.

Designers Team

The 16th century venue.

Designers Ram, Dencio, Purva solving a problem.

Devika, Arvind, Deepak helps Purva constract a design structure.

Designers taking a break while learning.

Johann & team beats the challenges.

Amla, Rudy & team wins the design game.

Johann P. Kwong

networkfeaturing our designers

06

Shweta Bhardwaj

The National Institute of Fashion Technology, Hyderabad in 2009. She specialize in hard goods. Has had experience of working with export houses all over India, as well as hands-on experience visiting factories in Firozabad, Moradabad, Jodhpur, Jaipur, Agra, Chennai, etc. She is the editorial assistant of this magazine.

The NCDPD Design TeamThe powerful design team of diverse & inter-disciplinary talents.(R-L, clockwise) Amla, Mark, Purva, Neeti, Ener, PJ, Kalpana, Meenal, Samong, Dencio, Ram, Shweta, Arti, Rudy, Deepak, Noel, Dick, Arvind & Rey. Not in the picture: Johann & Devika.

events

management supervisor & assistant to Mr. PJ Aranador for 12 years. He specialize in cane, bamboo, wood, glass and metal. He will be the lead designer at BCDI as he was commissioned for the North East Region Cane & Bamboo Programme from 2005 -2007.

A n i n d u s t r i a l design graduate f r o m t h e Phillippines, has been the design

A fashion and l i f e s t y l e a c c e s s o r i e s designer who graduated from

The Jammu & Kashmir Theme Pavallion during the Indian Handicrafts & Gifts Fair (IHGF – Spring 2010) as designed & executed by NCDPD. The Pavilion was inaugurated by Tmt. Panabaaka Lakshmi, Hon'ble Minister of State for Textiles, Govt. of India.

07 J&K Theme Pavillion Visual Merchandising by NCDPD

Selected Stand Design & Visual Merchandising by National Centre for Design & Product Development

at IHGF Spring 2010

Old Village Overseas

Autumn People

NCDPD offers visual merchandising services, retail store & export showroom lay-out, stand design, hotel & office interiors. CONTACT US NOW FOR DETAILS.

new delhi, india

FRONTtrends and forecasts supplement of

colors style textures inspirations prints products collections home fashion market tendencies lifestyle consumerism

March 2010 Vol. 1 Issue 4

08

Design4Good Ode to Nature

Southern Folk

14-0434 TPX

18-13147 TPX

16-1340 TPX

18-3520 TPX

115-4421 TPX

13-1504 TPX

15-4101 TPX

18-1852 TPX

16-6392 TPX

18-0119 TPX

15-0732 TPX

19-4050 TPX

19-3536 TPX

19-3925 TPX

Nelly Rodi ParisS/S 2010-11 Color Trends

Exposure vis-a-vis exhibition is crucial in selling products. But exposure is either half-baked or full-baked, in worse cases, un-baked. When launching a product collection, make sure they are fully-baked. The ingredients of a good collection go beyond the products themselves but in many aspects as well. If your idea is very novel and fabulous but half baked, for example, the concept is not a full line and your competitor will copy you ahead of your production. Then, do not expose. Incubate the products and keep baking until they are fully baked.

Experience dictates that products are meant to be touched and handled by buyers. They simply blow the buyers' minds to grab and buy them before others do. Buyers experience the products before purchase. These are JIT ( “just-on-time”) products. These items have high commercial quotient. They can be too hot ( sells a lot like hot cakes from a scorching oven), lukewarm ( products need some more baking) or cold ( forget it, its too horrible to be consumed!). But do not despair. Start to evaluate. Why it isn't selling? It is the price? The color? The presentation? Indeed, half-baked? Full-baked?

Evaluate your experience around buyers' reaction ( or pro-creation) to your products. That experience can lead you to evaluate the product performance at the selling floor. Its strengths or weaknesses. Its opportunities or dooms days. Good merchandising is an exercise of well selected products that are in consequential manner. It is a chain of related processes from consumers preferences, trending, excitement and uniqueness.

Eliminate is the ultimate trick of the exercise above. Remove what can break you. Delete what is not needed since the buyers will not look for them anyway. By the end of the day, the whole package through editing comes more enticing & more commercial. Any products you display in a fair is guaranteed to be copied---by your buyers, your competitors, by anybody. That means, you have done your job well. While others are copying are you already producing.

In ever which point you start with your merchandise program---experience, exposure, eliminate, evaluate, doesn't matter. It is a viscious circle.The Editor

compiled by : Ener Baloloy

Last edition, we talked about the 4 C's of design: Clarity of Intent, Concept of a Line, Creative Matrix, Consistency and Continuity. Let's now talk about the E's.

The 4 E's of Design

exposure

evaluate

experienceeliminate

Light Tech

Popular Appeal

12-0317 TPX

15-0535 TPX

17-1113 TPX

14-2710 TPX

16-4530 TPX

16-4530 TPX

15-4101 TPX

15-5706 TPX

14-0837 TPX

19-1235 TPX

18-1852 TPX

16-3617 TPX

19-4035 TPX

16-1105 TPX

Southern FolkVibrant, joyous party tints in slashes of colour. Blazing red and deep violet blend with more neutral shades evoking dry, South American landscapes: ochres, clays, beiges, cactus greens.

Ode to NatureA soft, serene palette with kaolin accents. Chalky, light, faded, powder and ta l cum co lou rs a re accompanied by more intense shades of taupy beige and mauve. A range of dynamic, springtime pastels is added to this base: pink, greenish yellow, orange, vibrant green.

Popular AppealA cheerful, yet slightly faded range evoking 70's colours, which seem to have been softened in the w a s h i n g m a c h i n e . Muffled tones: pale blue, faded beige, soft khaki. A range completed by more intense hues of yellow or v io le t wi th s t ronger accents of red or sky blue.

Light TechFresh, acidic tints that evoke chemical elixirs a n d e x p e r i m e n t a l emulsions. The flashy, slightly pop colours of v i t a m i n - c h a r g e d smoothies: green, pink, turquoise, yellow and acidic orange. They are accompanied by a second range of more faded and somewhat veiled, grayed tints.

09

cameo rose excalibur high rise russet orange

cinder green eyes weeping willow rugby tan

flowers are giant to better devour us.

The beaks of multicolored macaws pinch the cheeks of lost Janes.

ColorsThe range is solar, incandescent, spicy and suffocating. Yellow singing at the top of its voice, uninhibited parrot green, the orange of Tibetan monks, the entire spectrum of reds from purple to salmon pink. Bushy brown, deep blue.

banana orange ochre celestial blue ribbon

marron byzantium bossa nova nectarine

Tropical DramaturgyWild nature plays all its cards, calling on Rousseau to lure us into a game of paradise lost with all its misleading tricks.

Pretty green vines encircle

names: Kumquat, oponce, p a p y r u s , t u b e r o s e , rosewood.

Nestled in shadowy niches, worn mosaics hide behind twisted and dried branches of ivy. Collapsed columns and arches form a mound of worn stones, hiding fossils.

ColorsThe range is whitened, stony, mineral or delicately fruity. the softness of faded, evenescent, l ight and serious colors.

A r c h a i c GardenSo we cultivate an archaic garden where primitive joins forces with antique. Where archaeologists decipher hieroglyphics that speak of Gods, of man and plants unknown.

Forbidden fruits and

10Spring/Summer 2010-11 by Le Cuir Paris, France

compiled by Purva, NCDPD

aegean blue deep wisteria seaport burgundy

myrtle slate black palace blue almost mauve

Underwater VariationEbbing and flowing with the tide, we swim "under-current".

D ive in to abysses , e x p l o r e t h e o c e a n depths. We discover marine flora and fauna, submerged cities, buried amphora and pots.

A mysterious world, an aquat ic and amniot ic bubble. A stormy summer's day, bright with magnetic lightening, the horizon plunging into the ocean.

ColorsThe range delves into the blue, and extends to an aqua green. Sea anemone pink is enhanced by inky blues and purples. Navy and brown darken the l a n d s c a p e .White soap bubbles refresh the saturated atmosphere.

Shadowy ShoresA static place, metaphor o f e l s e w h e r e . A n undefined place between Cyrene and Cartagena, between Libya and Syria. Desert of sand, desert of sea, wreckers, pirates, w a r r i o r s f r o m another era. Alternation of ambiguous shade and d u l l e d l i g h t . T h e y illuminate, or dissimulate, the decks of ships run ashore, rusty anchors, ragged sails, driftwood, soft-shell crabs and tortoise shells.

cloud burst friar brown cathay spice

chestnutpatriot bluebarn red

rosin

ColorsThe range is tinged with vegetal colors. Bathed in red, boat hull; dark navy, hut; strong green, canvas. Or l i gh tened co lo rs , bleached by the salt , faded by the sun and the sea.

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Enchanted PicnicFolies in Versailles, rave party in Schönbrunn, Murder in an English garden.

Jacques Tati on vacation in a g o l d e n c a r r i a g e .

Pretty DIY by Lewis Carroll, Fragonard gate-crashes the camp site.

thrush blue turquiose stone wash geranium

meadow greenradiant orchidorchid bloom

Hansel and Gretel sample m o l e c u l a r c u i s i n e . Technical research and reasoned ecology show their impertinent sides.

A festival of glamorous and fun materials. The dawn of artificial preciousness.

ColorsThe range sets your teeth on edge. The neon colors are whitened. Jelly pink is transparent, the pastels are o v e r - b r i g h t . The brights are on fire, tempered by reasonable grey and a measured beige.

Archaic Garden

cameo rose15-0525 TPX

excalibur18-3905

high rise15-4101 TPX

russet orange18-1547 TPX

cinder15-1213 TPX

green eyes16-0224 TPX

weeping willow15-0525 TPX

rugby tan14-1118 TPX

aegean blue18-4320 TPX

deep wisteria19-3842 TPX

seaport19-4324 TPX

burgundy19-1617 TPX

myrtle18-6114 TPX

slate black19-0814 TPX

palace blue18-4043 TPX

almost mauve12-2103 TPX

Underwater Variation

banana13-0947 TPX

orange ochre16-1253 TPX

celestial18-4530 TPX

blue ribbon19-3839 TPX

marron18-1415 TPX

byzantium19-3138 TPX

bossa nova18-1547 TPX

nectarine16-1360 TPX

Tropical Dramaturgy

thrush18-1031 TPX

blue turquiose15-5217 TPX

stone wash17-3917 TPX

geranium17-1753 TPX

meadow green16-0233 TPX

radiant orchid18-3224 TPX

orchid bloom14-3612 TPX

Enchanted Picnic

cloud burst17-1502 TPX

friar brown19-1230 TPX

cathay spice17-1143 TPX

chestnut19-1118 TPX

patriot blue19-3925 TPX

barn red18-1531 TPX

rosin19-0509 TPX

Shadowy Shores

Spring - Summer 2010 - 11 Forecasts

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Pantone Color Codes

Ikat TrendsIkat is a style of weaving that uses a resist dyeing process similar to tie-dye on either the warp or weft before the threads are woven to create a pattern or design.

Ikats have been woven in cultures all over the world. Ikat is still common in India, Philippines, Indonesia, Argentina, Bolivia, Ecuador, Guatemala and Mexico.

Like any craft or art form, Ikat vary widely from country to country and region to region. Designs may have symbolic ritual meaning or have been developed to suit the trends. Ikat is often symbols

of status, wealth, power and prestige. Perhaps because of the difficulty and time required to make Ikatn, some cultures believe the cloth is imbued with magical powers.

Ikat has resurrected in the global demand for 100 percent handloom textiles. The look of ikat today is marrying the otherwise exotic material with western forms. For example, ikat upholstery on French period furniture. The style is fresh and alluring.

Contents collected by NCDPD designers Shweta, Kalpana and Amla.

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Ribbed urban seating

Tree vases

Delicate wood

Interactive nature

Undulating wood shelf

Sleeved bench

Child’s tree shelf Sillhouete vase

Forma wood office space

Delicate finial

Re-claiming

Bended glass Sealife crochet

Vertebral

Wall painting

Plant leather

Top trends find 2011

bench 14

A range of IKAT patterns from around the world. IKAT in home lifestyle trends today is highly in demand among foreign buyers for its handloom and exquisite quality. It answers the need for the supply of “cultural consumerism” products which are very popular in international markets. In India, one of the best sources is from Orissa.

Hurricane terrarium

Sculptured bowls & cups

CERAMICS

Vertical garden

Farm animals themewhimsical dice

Stylized peacock feather

Teacup taper

Enamel inspired ceramics

Fret work egg shapes

Modern idioms

Red coral motif

H O T T R E N D S 15

avian lavatory

compiled by: Rudy & Kalpana

G R E YPALLETEr e m a i n s

pointillism

colonialmodern fusion

WOOD FURNITURE

Baluster legs table

Stenciled furniture

Flat slat bench

Baluster glass lamps

colored rims

Retro glasses GLASS

opaque glass vases

cocktail glasschandelier

Goose neckGel filled

Monogrammes

Towering martini

Wicker & glass au naturelle

Bauble vase

Inverted bird feeders

Minimal combed etchings

Mono-block stool Hanging chaise

Industrial warehouse

Fat & slim leggings

Casual planks colonial legs

Veneer light weight

Fluid chunks

Low grounded

Repetitive blocks

Cut outs

Lego inspired

Skate board fittings

16

1

knock-down

silhouettes

humor

avant Garde

no

ma

dic

functionality

packaging

assymetry

Design Innovations

bee hive holders

cleverness

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Trends in Jewellery

Chunky pieces are the perfect accessories for the retro fashion trend that is coming back with a blast

Big statement necklaces will be the latest fashion trend in jewelry for spring-summer 2010.

Necklaces are getting bolder and brighter as well. Worn over a dress or a T-shirt, a bold necklace will glam up your whole look. as well as a bold necklace can make you look slimmer

Chandelier earrings are still in.

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a

nd

p

ost fo

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ur re

min

de

r...

specialized training schedule