Robert Blocker, Dean

sprague hallDecember 9, 2010

new music new havenChristopher Theofanidis,artistic director

yale philharmoniaShinik Hahm, conductor

martin bresnick Featured composer

music ofBresnickAkihoEsmailKnightSurillo

NEW MUSIC FOR

ORCHESTRA

AriaYang Jiao, conductorMeena Shivaram, vocal soloist

combléAdrian Slywotzky, conductor

Concerto for Steel Pans and OrchestraAndy Akiho, steel pans

Intermission

partner in crime

Pan PenserosoRansom Wilson, fluteDariya Nikolenko, flute

Philharmonia Orchestra of YaleShinik Hahm, conductor

REENA ESMAIL

ADRIAN KNIGHT

ANDY AKIHO

OMAR SURILLO

MARTIN BRESNICK

December 9, 2010 · Thursday at 8 pm · Sprague Hall

As a courtesy to others, please silence all cell phones and devices. Photography of any kind is strictly prohibited. Please do not leave the hall during musical selections. Thank you.

Violin 1Domenic Salerni, concertmasterJiwon KwarkLiesl SchoenbergerXi ChenIgor PikayzenTao ZhangPiotr Filochowski

Violin 2Alexander Read, principalSung Mao LiangNaria KimHyerin KimJu Hyung Shin

ViolaColin Meinecke, principalMin Jung ChunEren TuncerTimothy Lacrosse

CelloYing Zhang, principalYoon Hee KoJinhee ParkWeipeng Liu

Double BassAleksey Klyushnik, principalMark Wallace

Flute & Piccolo Cho-Long Kang*, piccoloAnouvong Liensavanh, piccolo

OboeRebecca Kim, English hornJeffrey Reinhardt*

Clarinet & Bass ClarinetWai Lau*Sara Wollmacher, bass clarinet

BassoonJennifer Hostler*SaMona Bryant, contrabassoon

HornJessica Lascoe*Andrew MeeJamin MordenIan Petruzzi*

TrumpetKyle ShermanAndreas Stoltzfus*

TromboneBenjamin FirerBrittany Lasch*Matthew Russo*

Bass TromboneBenjamin FirerCraig Watson

TimpaniYun-Chu Candy Chiu

PercussionMichael CompitelloJohn CorkillLeonardo Gorosito

HarpKristan Toczko

PianoLarry WengWayne Weng

* Principal player

Winds, brass, and percussion are listed in alphabetical order.

AssistantsJoseph Peters

Music LibrariansHolly Piccoli Liesl SchoenbergerElizabeth UptonSara Wollmacher

Stage CrewLandres BryantPaul FuterBrian ReeseRuben RodriguezAndreas StoltzfusCraig Watson David Wharton

KRISTA JOHNSONManaging Director

ROBERTA SENATORE Production Assistant

SHINIK HAHM Conductor

RENATA STEVELibrarian

YANG JIAOAssistant Conductor

ADRIAN SLYWOTZKYAssistant Conductor

PHILHARMONIA ORCHESTRA OF YALE

REENA ESMAILcomposer

Reena Esmail’s compositions have been heard in performances and festivals in the United States, Canada and Europe. She holds a bache-lor’s degree from Juilliard and has studied composition with Susan Botti, Christopher Rouse, and Samuel Adler. She has won two ASCAP Morton Gould Young Composer Awards and was the inaugural recipient of the Milton and Sylvia Babbitt Scholarship for Women Composers at Juilliard. Esmail is cur- rently pursuing a master’s degree in compo-sition at the Yale School of Music, where she is a student of Christopher Theofanidis. As a pianist, Esmail was a winner in the mtac-wla Chamber Music Competition. She collaborates with Indian Carnatic singer Shobana Raghavan. Esmail is currently on the composition faculty at Manhattan School of Music.

ARIAnotes

Even though my heritage is Indian, my musical training has been solely in Western classical music. It is only recently that I have begun to learn about Hindustani (North Indian) classical music and incorporate its elements into my work. Though the combination of the unique sounds of these two types of music are inter- esting to explore, it is the differences between the cultures and traditions from which these sounds emerge that interest me the most. My aim is not to create music that sounds “fused” as much as music that builds on the values and principles from both cultures and musical traditions, and that can function in both.

PROFILES + NOTES

Aria is my third and largest piece in this style (preceded by a piano quintet and a bassoon solo) and is my first attempt to incorporate a Hindustani classical musician. An aria is a form in Western classical opera, in which a solo singer, accompanied by an orchestra, expresses a sentiment while demonstrating vocal virtuosity. Here, I use the setting of an aria to create a window into the world of Hindustani vocal music. The orchestra fol-lows the singer through the beginning of a Hindustani aalap (vocalise) section in Raag Todi, which falls away to an orchestral tutti on the themes of her phrases. She returns for a series of taans (fast virtuosic passages using sargam, or solfège) in Raag Yaman, and eventually begins to sing the antara (B section) of the traditional Hindustani bandish (composition) “Sakhi Eri Aali Piya Bina.” She then has a Western-style cadenza, and returns to sing the sthaayi (A section) of the same composition. As she sings in Yaman, bits of Todi seep through in a duet between the oboe and english horn. I would like to thank Meena Shivaram for her collaboration on Aria from its very beginning. Without her musical input, this piece could never have been written.

MEENA SHIVARAMsoloist

Meenakshi Shivaram has been trained in classical Indian vocal music from a young age. She received her Carnatic vocal training from C.S. Lakshmi and M.S. Sheela in India. Recently, she began studying Hindustani vocal under Pt. Nagaraj Rao Havaldar. She is from Milwaukee, Wisconsin, and is currently a senior at Yale College, majoring in the Neuroscience track in Psychology.

ADRIAN KNIGHTcomposer

Adrian Knight is a composer of electronic, orchestral, vocal and chamber music currently living and working in New Haven. He was born and raised in Uppsala, Sweden. His music draws inspiration from a wide variety of sources, including free improvisation, electroacoustic music, early music, and experimental electronic musics such as drone, microsound, and noise. In 2009 he collaborated with artist Laura Grey to create the audiovisual installation/perfor-mance piece The Dividing Line for four large video screens and four-channel soundtrack;

in 2010 he worked with architect Seoyoung Shin on The Interiors of Me, an installation in- volving textiles, prints, and a live soundtrack. Recent performances include The Dividing Line at the Norberg Festival and Yale University Art Gallery, concerts of electronic music in New York City (Robert Goff Gallery), New Haven, and Hartford, and the hour-long string quartet Livet Innanför Väggarna at Fylkingen in Stockholm. His works have been commissioned and performed in Europe and the US by Stefan Lindgren, the Swedish Wind Ensemble, the Wind-Up Bird Cabaret, harmonica virtuoso Filip Jers, Jan Risberg, Loadbang, Alexander Zethson, Red Light New Music, and KMH Symphony Orchestra.

He has received grants from the Royal Academy of Music in Stockholm and a 2010 Morton Gould Young Composer Award from ASCAP for his orchestral work Manchester (2008). Manchester was also selected by the Swedish section of ISCM for the World New Music Days 2011 in Zagreb.

Adrian received his undergraduate degree in composition in 2009 from the Royal College of Music in Stockholm, where he studied with Pär Lindgren and Jesper Nordin. He is current-

Award, and a 2008 Brian M. Israel Prize. Akiho’s works have been featured on PBS’s News Hour with Jim Lehrer and by organiza-tions such as Meet the Composer, Bang on a Can, American Composers Forum, and the Syracuse Society for New Music. He has com-posed for the Bang on a Can Marathon, Red Line Saxophone Quartet, and the Playground Ensemble. Akiho’s compositions have been heard in venues such as John Zorn’s The Stone, Jazz at Lincoln Center, Merkin Hall, Mass MOCA, the Tank (NYC), and the St. James Theater (Port of Spain, Trinidad). A graduate of the University of South Carolina (BM, performance) and the Manhattan School of Music (MM, contemporary performance), Akiho is currently a master’s degree student in composition at the Yale School of Music. He has recently studied composition with Julia Wolfe and percussion with John Ferrari and Jeffrey Milarsky. At Yale, he has studied com- position with Christopher Theofanidis and Ezra Laderman, and is currently studying with Martin Bresnick.

As a percussionist Akiho has performed with numerous professional ensembles, and his immersion in various genres has given him a unique approach to his primary instrument,

PROFILES + NOTES

ly pursuing a master’s degree in composition at Yale School of Music, studying with David Lang, Ezra Laderman, and Martin Bresnick. He also teaches electronic music at Yale College. Since 2008, he operates “the smallest record label in the world,” Pink Pamphlet, and has released six albums so far, with, in addition to his own works, music by Magnus Bunnskog, Christopher Cerrone, Sebastian Lakatos, and Victor Lisinski. His works are published by the Swedish Music Information Center (SMIC). He is a member of Fylkingen in Stockholm.

» adrian-knight.com» pinkpamphlet.net

COMBLÉ notes “…de la plaisible nuit, nous rompons le silence…”– Jean Racine

comblé was written July through October, 2010 in Stockholm, New Haven, and New York. It was written for the Yale Philharmonia. It is dedicated to the memory of Arman Esmailzadeh Anari.

ANDY AKIHOcomposer // steel pans

Andy Akiho is an eclectic composer whose interests run from steel pan to traditional classical music. His compositions have wonprestigious awards including a 2010 Horatio Parker Award at the Yale School of Music, a 2009 ASCAP Morton Gould Young Composers

the steel pan. Recent engagements include the South Carolina Philharmonic Orchestra, Ethos Percussion Group, Djoliba Don West African Drum and Dance Ensemble, Gamelan Lila Muni, and Island Close By Steel Band. He has participated in the world’s premier steel pan event, Panorama, and won Second Prize in the 2002 World Steelband Music Festival solo competition, where he premiered his own composition, Macqueripe. Since 2003, he has performed and taught steel pan exten- sively in New York City. As an educator, he serves as a lead teaching artist for ArtsConnection in New York. Akiho plans to continue his career as a performer while placing an emphasis on his chamber and orchestral compositions.

» www.andyakiho.com

STEEL PAN CONCERTOnotes

The steel pan was the catalyst that led me to become a composer. I was first introduced to the instrument at the University of South Carolina in 1997, where I studied percussion under Jim Hall. After I finished my studies, I made four extensive visits to Trinidad to immerse myself in the culture of the music. I returned several times in subsequent years to study and perform with two of the greatest pioneers of the instrument—Len “Boogsie” Sharpe and

OMAR SURILLOcomposer

Omar Surillo (b. 1979, San Juan, PR) is a composer and multi-instrumentalist from the Orlando area. His talents made it possible to participate in various ensembles, both national- ly and internationally, ranging from classical and jazz to rock music.

Omar began taking piano lessons at the age of five. Soon after, he learned to play the guitar, followed by alto/baritone saxophone and drumset. He went on to pursue his under- graduate degree from Stetson University (2006), where he studied composition with Sydney Hodkinson and Manuel DeMurga. While at Stetson, Omar was awarded the title of Stetson Piano Scholar (2006), selected as an associate artist for the Atlantic Center for the Arts (2007), and inducted into the music honor society, Pi Kappa Lambda (2007).

After graduating magna cum laude in December, 2008, Omar went on to teach music theory fundamentals at Stetson University, along with a composition and songwriting course at Valencia College. Currently, he is a student at the Yale School of Music, where he studies

Ray Holman. Encouraged by my experiences in Trinidad, I moved to the Caribbean commu-nity in Brooklyn, NY, in 2003. While in New York City, I had the opportunity to perform and learn from some of the greatest pan innovators including Scipio Sargeant, Eddie Quarless, Clive Bradley, and Freddy Harris III. Their positive influences ultimately led me to the Manhattan School of Music, where I began to compose new art music that often integrated the steel pan in combination with traditional classical instruments.

My goal with this piece, and with my other pieces involving the steel pan in combination with traditional classical instruments, is to create sonorous textures that explore the frontiers of the instrument. I often find that compositions incorporating the steel pan outside of the pure Calypso and Soca genres use the instrument as a novelty gimmick with- out realizing the instrument’s full potential. I believe that the steel pan is an extremely versatile instrument capable of producing both an extraordinarily unique timbre and contri- buting to a homogenous orchestral texture.

The configuration of the steel pans in this concerto consists of a “tenor pan” (soprano range: one instrument = one pan) centered between a set of “double seconds” (alto range: one instrument = two pans). These three pans are combined to create an extended range of three fully chromatic octaves from the E below middle C to the E above the treble staff; please see the diagram for a visual representation of this particular setup. There is also an optional fourth pan that is used only for percussive effects: rim clicks and “skirt” (side of the pan) hits.

PROFILES + NOTES

with Ingram Marshall, Aaron Jay Kernis, and Christopher Theofnidis.

PARTNER IN CRIMEnotes

“Enjoy the simple things in life,” we are told. Indeed, “guilty pleasures” are one of the simple things in life I enjoy from time to time. partner in crime, in a way, encapsulates some of my very own self-indulgent moments in music.

Throughout its course, this single-movement work channels different aspects, or “guilty pleasures,” I have wanted to expose for a while now. The work fabricates itself as a narrative of two entities living together, who despite their habitual differences are able to survive.

A fascination with the macabre drives the first section of the work, followed by a contrasting adulatory segment. Finalizing the piece are blocks of pulsations intertwined with sustained melodic blankets of sound, in short: Dark – Serene – Industrious.

MARTIN BRESNICKcomposer

Composer Martin Bresnick was born in New York City in 1946 and he is presently Professor of Composition and Coordinator of the Composition Department at the Yale School of Music. He was educated at the High School of Music and Art, the University of Hartford (ba ’67), Stanford University (ma ’68, dma ’72), and the Akademie für Musik, Vienna (’69-’70). His principal teachers of composition

include György Ligeti, John Chowning, and Gottfried von Einem. Mr. Bresnick has taught at the San Francisco Conservatory of Music (1971-72), Eastman School of Music (2002- 2003), New College in Oxford (2004), and the Royal Academy of Music in London (2005), among others. In 2006, Mr. Bresnick was elec- ted to membership of the American Academy of Arts and Letters.

Mr. Bresnick’s orchestral music has been per- formed around the world by the San Francisco Symphony, St. Paul Chamber Orchestra, Münster Philharmonic, Orquestra Sinfonica do Estado de Sao Paulo, and Izumi Sinfonietta Osaka. His chamber music has been performed by the Chamber Music Society of Lincoln Center, Da Capo Chamber Players, Bang on A Can All Stars, and MusicWorks!, among others. His music has been heard at festivals including Prague Spring, Tanglewood, Banff, New Music America, and New Horizons. He has also received commissions from the National Endowment for the Arts, Fromm Foundation, Lincoln Center Chamber Players, Meet-the-Composer, and Chamber Music America. His many prizes include the Elise L. Stoeger Prize for Chamber Music, Charles Ives Living Award, the Aaron Copland Prize

Juilliard School, and continued his postgraduate studies as an Atlantique Scholar with Jean- Pierre Rampal. As flute soloist he has appeared with the Chicago Symphony, Philadelphia Orchestra, Israel Philharmonic, English Chamber Orchestra, London Symphony Orchestra, I Solisti Veneti, Prague Chamber Orchestra, Orpheus Chamber Orchestra, and the chamber orchestras of Nice, Stuttgart, Cologne, and the Netherlands. He is an artist member of the Chamber Music Society of Lincoln Center. As a conductor, Mr. Wilson currently serves on the music staff of the Metropolitan Opera. He is the director of orchestras at the University of North Carolina School of the Arts, and is the music director and principal conductor of Solisti New York, which he founded in 1981. He is former music director of Opera Omaha, the San Francisco Chamber Symphony, and the OK Mozart Festival. He was honored by the Austrian government with the Award of Merit in Gold in recognition of his efforts on behalf of Mozart’s music in America. A strong supporter of contemporary music, Mr. Wilson has had works composed for him by Steve Reich, Aaron Jay Kernis, Joseph Schwantner, John Harbison, Peter Schickele, Jean Francaix, Jean-Michel Damase, George Tsontakis, Tania

PROFILES + NOTES

for teaching, and a Guggenheim Fellowship.

Mr. Bresnick has written music for films, two of which, Arthur & Lillie and The Day After Trinity, were nominated for Academy Awards in the documentary category. Mr. Bresnick’s music has been recorded by Cantaloupe Records, CRI, Centaur, New World Records, Artifact Music, and Albany Records and is published by Carl Fischer Music, New York; Bote and Bock, Berlin; and CommonMuse Music Publishers, New Haven.

PAN PENSEROSOnotes

Pan Penseroso and the titles of its three move- ments are taken from John Milton’s great poem Il Peneseroso (The Contemplative Man). The music aligns itself with this response to the poet’s earlier L’Allegro (the Cheerful Man). In my concerto the flutist Pan, like the mature Milton, casts a reflective musical eye on the world, renouncing all “vain deluding joyes,” so as to better hear the “Sweet Bird that shunn’st the noise of folly…”

Written for the master flutist Robert Dick, Pan Penseroso includes a number of procedures explored in his pioneering book The Other Flute: A performance Manual of Contemporary Techniques.

RANSOM WILSONflute

Ransom Wilson, flute, was educated at the North Carolina School of the Arts and the

Léon, and Randall Woolf. He joined the Yale faculty in 1991.

DARIYA NIKOLENKO flute

A native of Russia, Dariya Nikolenko began her musical studies at age seven and made her first concerto appearance at nine. Dariya has won First prize and the Grand Prize in the USA International Music Competition in Boston in 2010, and first prizes in the Baltimore Music Club Winds and Brass Competition in 2008 and 2010, New Names International Competition (Moscow), and International Competition for Flutists (Yalgava, Latvia). She has won additional prizes at the Beethoven Competition in Moscow and the International Competition of Novosibirsk, and was a semifinalist of the Frank Bowen Young Artist Competition in New Mexico. Dariya has taken part in the Internationale Meisterkurse with Marina Piccinini in Zürich and the Moritzburg Festival Academy in Germany, and appeared at the Kennedy Center’s Millennium Stage and at Weill Recital Hall in Carnegie Hall. She graduated with honors from the Moscow Academic College of the Moscow Conservatory, where

she studied with Uriy N. Dolzhikov, and graduated from the Peabody Conservatory, where she studied with Marina Piccinini. Dariya is currently a student at the Yale School of Music under the guidance of Ransom Wilson.

PHILHARMONIA ORCHESTRA OF YALE

The Philharmonia Orchestra of Yale is one of America’s foremost music school ensembles. The largest performing group at the Yale School of Music, the Philharmonia offers superb training in orchestral playing and repertoire. Performances include an annual series of concerts in Woolsey Hall, as well as Yale Opera productions in the Schubert Performing Arts Center. In addition to its New Haven appearances, the Philharmonia Orchestra of Yale has performed on numerous occasions in Carnegie Hall and Alice Tully Hall in New York City and at the Kennedy Center in Washington, D.C. The Philharmonia recently undertook its first tour of Asia, with acclaimed performances in the Seoul Arts Center, the Forbidden City Concert Hall and National Center for the Performing Arts (Beijing), and the Shanghai Grand Theatre.

The beginnings of the Yale Philharmonia can be traced to 1894, when an orchestra was organized under the leadership of the School’s first dean, Horatio Parker. The orchestra became known as the Philharmonia Orchestra of Yale in 1973, with the appointment of Otto- Werner Mueller as resident conductor and William Steinberg, then music director of the Pittsburgh Symphony, as Sanford Professor of Music. Brazilian conductor Eleazar di Carvalho became music director in 1987, and Gunther Herbig joined the conducting staff as guest conductor and director of the Affiliate Artists Conductors program in 1990. Lawrence Leighton Smith, music director of The Louisville Symphony Orchestra, conducted the Philharmonia for a decade, and upon his retirement in 2004, Shinik Hahm was appointed music director.

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(Rice University). In 1995 he was decorated by the Korean government with the Arts and Culture Medal.

ADRIAN SLYWOTZKYassistant conductor

Conductor Adrian Slywotzky has been active as a musician in the New Haven area since 1998. For the last three years he has been the director of the New Haven Chamber Orchestra, and he is the founding conductor of the Yale Medical Symphony Orchestra. Following his passion for teaching, Adrian has worked as an educator throughout New England. Since 2005 he has been on the conducting staff of the Boston Youth Symphony Orchestras, and he is serving as interim conductor of the Greater New Haven Youth Orchestra for the 2008-2010 seasons. For five years he was the director of instrumental music at Hopkins School in New Haven, and he has taught at Neighborhood Music School, Elm City ChamberFest, and the Southern Maine String Camp. As a violinist, Adrian has participated in festivals including Tanglewood Music Center, California Summer Music, and the Norfolk Contemporary Music Festival. Adrian

SHINIK HAHMconductor

Shinik Hahm, resident conductor of the Philharmonia Orchestra of Yale, has been professor of conducting at the Yale School of Music since 2004. He served as artistic direc- tor and principal conductor of the Daejeon Philharmonic Orchestra in Korea until 2006 and was music director of the Abilene Philharmonic Orchestra (1993–2003) and the Green Bay Symphony Orchestra (1995–2000). Previous to his appointment at the School of Music, Professor Hahm served as music director of the Yale Symphony Orchestra from 1995 to 2004.

As a guest conductor, he has led the orchestras of Atlanta, Los Angeles, Warsaw, Prague, Bilbao, New York, Bangkok, Fort Worth, Louisville, Toronto, Omaha, Hartford, Alabama, Boulder, and Colorado Springs and other orchestras in the United States, Europe, and Asia. The Korean National Radio and Television Symphony Orchestra has engaged him every year since 1992, and he directed its 1995 North American tour. An active opera conductor, he has led numerous productions with the Silesian National Opera in Poland.

He has collaborated with prominent music- ians including Salvatore Accardo, Emanuel Ax, Joshua Bell, Yefim Bronfman, and Sarah Chang, and has recorded with the Polish National Radio Symphony Orchestra for Vision and Britstar. Hahm studied conducting at Rice University and the Eastman School of Music. His honors include the Fourth Gregor Fitelberg International Competition, the Walter Hagen Conducting Prize (Eastman School of Music), and the Shepherd Society Award

Tail Symphony Orchestra of Beijing’s No. 22 Middle School toured France successfully under Jiao’s conducting.

Since 2006,Yang Jiao has been invited annually to perform in the Beijing Modern Music Festival. He won third prize at the Shenzhen National Conducting Competition of China at the age of 21. In 2007, he took part in the London Symphony Orchestra 2007 Asia Tour, attending its master class organized by Maestro Daniel Harding.

Yang Jiao has conducted many orchestras, including the China Youth Symphony Orchestra, Chorus of China Youth Symphony Orchestra, Chorus of China Broadcasting Symphony Orchestra, China Opera and Dance Symphony Orchestra, China Central Opera Symphony Orchestra, China Youth Chinese Orchestra, China Central Chinese Orchestra, Chorus of Shanghai Opera, Shenzhen Symphony Orchestra, London Symphony Orchestra, Jiangsu Symphony Orchestra, Zhejiang Symphony Orchestra, Kunming Symphony orchestra, Lanzhou Symphony Orchestra, and Macau Youth Symphony Orchestra.

holds a BA in architecture from Yale College, where he studied violin with Kyung Yu, and an MM in violin performance from the Yale School of Music, where he studied with Wendy Sharp. He is currently pursuing a Master of Music degree in orchestral conducting at the Yale School of Music, where he studies with Shinik Hahm.

YANG JIAOassistant conductor

Yang Jiao graduated from the Central Conservatory of Music (Beijing) department of conducting, studying with Xin Xu and Yi Zhang and working as an assistant conductor to Maestro Yongyan Hu. He is currently a Master of Music degree student at the Yale School of Music, where he studies orchestral conducting with Shinik Hahm.

Since 2008, Jiao has been the resident guest conductor of Lanzhou Symphony Orchestra, the resident conductor of Beijing Institute of Technology University Symphony Orchestra, and conductor of Beijing’s No. 22 Middle School Symphony Orchestra and the EOS Orchestra Academy. In early 2010, The Golden

PHILHARMONIA ORCHESTRA OF YALE

COMING UP

Yale Percussion GroupDec 10 | 8 pm | Fri | FreeMusic by Thierry de Mey, Steve Reich, James Wood, and more. Robert van Sice, director.

Yale Opera: LiberabendDec 13 | 8 pm | Mon | FreeAn evening of Russian art songs by Tchaikovsky and many others, featuring the rising stars of Yale Opera. With Emily Olin, piano. Doris Yarick Cross, artistic director.

Lunchtime Chamber MusicDec 15 | 12:30 pm | Wed| FreeA selection of music for a colorful variety of ensembles. Wendy Sharp, director.

Guitar Chamber MusicDec 15 | 8 pm | Wed | FreeBenjamin Verdery, director. Music by Kathryn Alexander, David Lang, Astor Piazzolla, and Juan Brouwer.

concerts & mediaDana AstmannMonica Ong ReedDanielle HellerRichard Henebry

operationsTara DemingChristopher Melillo

piano curatorsBrian DaleyWilliam Harold

recording studioEugene KimballJason Robins

New Music New Haven

artistic directorChristopher Theofanidis

managing directorKrista Johnson

production assistantRoberta Senatore

librarian Renata Steve

Yale School of Music203 432-4158concerts@yale.edumusic.yale.edu/media