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non linear narrative - University of Cincinnati · bŒbla bambia grossiga hab/a horem hoghaka...

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Page 1: non linear narrative - University of Cincinnati · bŒbla bambia grossiga hab/a horem hoghaka cnlogo bung bÈago bung fataka hej tattä gôrem eschige zilnbnda tužnba kusagaumc ba
Page 2: non linear narrative - University of Cincinnati · bŒbla bambia grossiga hab/a horem hoghaka cnlogo bung bÈago bung fataka hej tattä gôrem eschige zilnbnda tužnba kusagaumc ba
Page 3: non linear narrative - University of Cincinnati · bŒbla bambia grossiga hab/a horem hoghaka cnlogo bung bÈago bung fataka hej tattä gôrem eschige zilnbnda tužnba kusagaumc ba
Page 4: non linear narrative - University of Cincinnati · bŒbla bambia grossiga hab/a horem hoghaka cnlogo bung bÈago bung fataka hej tattä gôrem eschige zilnbnda tužnba kusagaumc ba

Olafur Eliasson, Your House, 2006

Page 5: non linear narrative - University of Cincinnati · bŒbla bambia grossiga hab/a horem hoghaka cnlogo bung bÈago bung fataka hej tattä gôrem eschige zilnbnda tužnba kusagaumc ba
Page 6: non linear narrative - University of Cincinnati · bŒbla bambia grossiga hab/a horem hoghaka cnlogo bung bÈago bung fataka hej tattä gôrem eschige zilnbnda tužnba kusagaumc ba

Carl Andre, Untitled, 1963

Page 7: non linear narrative - University of Cincinnati · bŒbla bambia grossiga hab/a horem hoghaka cnlogo bung bÈago bung fataka hej tattä gôrem eschige zilnbnda tužnba kusagaumc ba

Marie Stockhill, I Once Was White, 2007

Page 8: non linear narrative - University of Cincinnati · bŒbla bambia grossiga hab/a horem hoghaka cnlogo bung bÈago bung fataka hej tattä gôrem eschige zilnbnda tužnba kusagaumc ba

John Cage, Visual Scores, 1950s

Page 9: non linear narrative - University of Cincinnati · bŒbla bambia grossiga hab/a horem hoghaka cnlogo bung bÈago bung fataka hej tattä gôrem eschige zilnbnda tužnba kusagaumc ba

Roman Opalka, The Finite Defined by the Nonfinite, 1965- Roman Ondak, Measuring the Universe, 2007

Page 10: non linear narrative - University of Cincinnati · bŒbla bambia grossiga hab/a horem hoghaka cnlogo bung bÈago bung fataka hej tattä gôrem eschige zilnbnda tužnba kusagaumc ba

Stelarc, Third Hand, 1993

Page 11: non linear narrative - University of Cincinnati · bŒbla bambia grossiga hab/a horem hoghaka cnlogo bung bÈago bung fataka hej tattä gôrem eschige zilnbnda tužnba kusagaumc ba

Hugo Ball, Reading of the Karawane, 1916

Page 12: non linear narrative - University of Cincinnati · bŒbla bambia grossiga hab/a horem hoghaka cnlogo bung bÈago bung fataka hej tattä gôrem eschige zilnbnda tužnba kusagaumc ba

Jenny Holzer, Truisms, LED - Times Square and Theater Marquee,1980

Page 13: non linear narrative - University of Cincinnati · bŒbla bambia grossiga hab/a horem hoghaka cnlogo bung bÈago bung fataka hej tattä gôrem eschige zilnbnda tužnba kusagaumc ba

Shimon Attie, Almadstrasse 43 (former Jewish bookstore, 1930) and (former Jewish Cafe and Patrons, 1933), both 1991

Page 14: non linear narrative - University of Cincinnati · bŒbla bambia grossiga hab/a horem hoghaka cnlogo bung bÈago bung fataka hej tattä gôrem eschige zilnbnda tužnba kusagaumc ba

NOTA BENE, In Order to Control, 2014

Page 15: non linear narrative - University of Cincinnati · bŒbla bambia grossiga hab/a horem hoghaka cnlogo bung bÈago bung fataka hej tattä gôrem eschige zilnbnda tužnba kusagaumc ba

what is writing? what is reading?

what is the role of the writer? what is the role of the reader?

what constitutes the act of writing? what constitutes the act of reading?

what is a text? what is a book?

how does a text relate to a body?

what forms do texts take?

how does the form of a book change how it is read?

what are the spaces of writing? what are the spaces of reading?

what histories and theories sit alongside these questions?

how does technology change how we read and write?

can a word be an image? can an image be a word?

what does it mean to read an image? what does it mean to read a space?

how does technology change the content of the text?

what is the order of reading?

how does technology change how texts are made?

what is a page?

what is a letter?

what is the value of nonsense?

Page 16: non linear narrative - University of Cincinnati · bŒbla bambia grossiga hab/a horem hoghaka cnlogo bung bÈago bung fataka hej tattä gôrem eschige zilnbnda tužnba kusagaumc ba

Radical Writing Practices | Spring 2017 | Samantha Krukowski (DAAP) | [email protected]


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