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NORTHANGER ABBEY & THE GOTHIC
The Gothic
Old building in antique style/ gothic windows Innocent heroine Villain Hero whose identity/integrity is doubted Ruins Ghost/ monk-like figure Mystery
The Gothic
Storm Strange noises Sliding panel Dark atmosphere Missing document Servant, preferably with a secret Staircase, preferably winding
Romance
Story of adventure and love 16th & 17th centuries = representation of life a
cynical one. Witty and critical with an ornate classical & rhetorical style
2nd ½ 18thC – rejection of this and looking for a more natural approach
Northanger Abbey
Burlesque = intention of humour – treats lofty material humorously or pretends something ordinary is significant & dignified
Parody of the gothic novel – especially, Ann Radcliffe’s – The Mysteries of Udolpho
Also Burney and Richardson
How does she do it?
Ridicules romantic fiction by offering models of what is expected of a heroine, and denying Catherine these qualities
Wit – paradox, antithesis, epigram & pun Irony – dramatic, verbal & socratic Satire Dialogue Voice & viewpoint Mood Sentence contstuction
Irony
Dramatic irony = situation is apparent to the reader, but not to the character (laundry list)
Verbal irony = words used in an opposite manner to their literal meaning (‘the delicacy, discretion, originality of thought, and literary taste which marked the reasonableness of that attachment’). Use of negatives: ‘without’ ‘never’ ‘instead of’
Socratic irony = adopts a character’s viewpoint to ridicule them – shows us her characters foibles (dialogue of Isabella, Thorpe & Mrs Allen reported second hand as so tedious)
Dialogue
Direct speech Indirect speech Interior dialogue
Satire
Ridiculing of faults of human nature - Result of irony
Primary focus here is Gothic and romance literature – the misuse of it
Sharpest satire is at the expense of the Thorpes
Voice and Viewpoint
Omniscient Interior dialogue – Catherine’s point of view Austen’s own voice
Sentence Construction
Length & construction is important Action & events = short sentences Elaborate construction of the period, with
many dependent and linked clauses
Purpose?
Reading novels causes foolish imagination in the reader and leads to all sorts of dangers
Reading novels is alright as long as the reader doesn’t mistake them for real life
Its not necessary to find danger in novels, there’s plenty in real life
Purpose?
Is she ridiculing society in Bath and elsewhere
Is she preaching about the dangers of society?
Is she having fun with her readers to entertain them?
Romanticism ?
How does her purpose relate to the concerns of the module? Valuing the imagination, the individual & idealism Search for meaning through relationship with the
natural world & wider social/political contexts Examine or affirm the power of the imagination to
inform, illuminate and transform human experience
Experimentation with ideas & forms may reflect or challenge ways of thinking