Back Matter Source: Leonardo Music Journal, Vol. 11, Not Necessarily "English Music": Britain's Second Golden Age (2001) Published by: The MIT Press Stable URL: http://www.jstor.org/stable/1513437 . Accessed: 15/06/2014 02:09 Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp . JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. . The MIT Press is collaborating with JSTOR to digitize, preserve and extend access to Leonardo Music Journal. http://www.jstor.org This content downloaded from 188.72.126.25 on Sun, 15 Jun 2014 02:09:11 AM All use subject to JSTOR Terms and Conditions
Transcript
Back MatterSource: Leonardo Music Journal, Vol. 11, Not Necessarily "English Music": Britain's SecondGolden Age (2001)Published by: The MIT PressStable URL: http://www.jstor.org/stable/1513437 .
Accessed: 15/06/2014 02:09
Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at .http://www.jstor.org/page/info/about/policies/terms.jsp
.JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range ofcontent in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new formsof scholarship. For more information about JSTOR, please contact [email protected].
.
The MIT Press is collaborating with JSTOR to digitize, preserve and extend access to Leonardo Music Journal.
http://www.jstor.org
This content downloaded from 188.72.126.25 on Sun, 15 Jun 2014 02:09:11 AMAll use subject to JSTOR Terms and Conditions
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THE CENTER FOR DESIGN VISUALIZATION (http:// www.cdv.berkeley.edu/) is an Industry/University Research Partnership at the University of California at Berkeley. Cre- ated with the support of the Vice Chancellor for Research and the Dean of the College of Environmental Design, the CDV is charged with fostering industry/university collabora- tion in architecture/engineering/planning, art/new media, and archaeology/heritage. A cross-campus research facility involving faculty, students, and others interested in the chal- lenges of applying emerging visualization media in design, the Center's affiliated faculty range from architecture to com- puter science, and from art to mechanical engineering.
ABOVESTREAM.COM. We have developed a valuable and unique resource for art-related web sites. Our site offers any art-related web site access to over 500 full-length streaming videos relating to art, architecture and literature. Any web site may add these videos to its pages by merely copying a short piece of code and pasting it into a web page. This is an excellent and free way for museums, libraries and galler- ies to offer their visitors intelligent video content. Further info: ThomasChase, Director, AboveStream.com, 520 Hudson St. #144, New York, NY 10014, U.S.A. Tel: (212) 352-1979; E-mail: <[email protected]>; Web: <www.abovestream.com>.
PENROSE PRESS announces publication of the International Directory ofDesign, 6th Ed. This comprehensive 12-volume set now contains over 2,000 pages, with contacts for over 20,000 design professionals at more than 6,000 educational pro- grams, 2,000 professional organizations, 4,000 periodical publications, and 1,000 events, for every design discipline and country in the world. Search our database at: <http:// www.penrose-press.com/IDD/search.html>. For more infor-
CLIFFORD PICKOVER has recently published a new book, Dreaming the Future: The Fantastic Story of Prediction. More info at: <http://sprott.physics.wisc.edu/pickover/divinead.html>.
TOUT-FAIT: THE MARCEL DUCHAMP ON LINEJOURNAL solicits content The Art Science Research Lab, directed by Rhonda Roland Shearer and StephenJay Gould, invites you to explore Tout- Fait: The Marcel Duchamp Studies Online Journal <www.toutfait.com>. Tout-Fait focuses on the work and impact of French-American artist Marcel Duchamp and his circle, with articles and interviews from renowned international scholars, artists and art historians. The journal is accepting submissions for future issues. URLs: <www.toutfait.com>, <www.marcelduchamp.net>, <www.artscienceresearchlab.org>. E-mail: <[email protected]>.
LABORATOIRE MUSIQUE ET INFORMATIQUE DE MARSEI.LE. Visit the website of Le MIM, one of the most ac- tive experimental and computer music organizations in France, at <http://www.cosa-mentale.fr/MIM.html>. Le MIM hosted the Intersenses Conference in December 2000. For more informa- tion, contact Marcel Fr6miot <[email protected]>.
AES'IHETICS--MATHEMATICAL AND COMPUTATIONAL. Those interested in mathematical and computational research on aesthetics should look at the web site of the International Society for Mathematical and Computational Aesthetics: <http: //www. rci.rutgers.edu/~mleyton/ISMA.htm>.
THE CONCEPTUAL INFORMATION ARTS (CIA) PRO- GRAM AT SAN FRANCISCO STATE UNIVERSITY'S ART DEPARTMENT stresses experimental art at the juncture of science, technology and culture, offering both BA and MFA degrees. Contact Steve Wilson or Paula Levine. Web site: <http://userwww.sfsu.edu/-infoarts/>. Tel.: (415) 338-2291.
THE LEONARDO SPACE ARTS WORKING GROUP an- nounces the opening of its French-language World Wide Web site, featuring documentation of the Artist as Space Explorer and the SpaceArt-EarthArt workshops. If you are interested in participating in the work of the group, send e-mail to <[email protected]>.
INFORMATION ARTS: INTERSECTIONS OF ART, SCI- ENCE, AND TECHNOLOGY New book by Stephen Wilson, published by MIT Press, Fall, 2001 (part of the Leonardo Book Series). Survey of artists, theorists, and researchers working with emerging technologies and frontier areas of scientific inquiry. Covers areas such as biology, physics, artifi- cial intelligence, touch and motion sensors, surveillance, and information visualization. More information available at Steve Wilson's web site: <http://userwww.sfsu.edu/~swilson/>.
ART & SCIENCE COLLABORATIONS, INC. (ASCI) raises public awareness about artists and scientists using science and technology to explore new forms of creative expression, and to increase communication and collaborations between these fields. Programs include a bi-weekly e-mail publication, the ASCI Bulletin; public symposia and panels on timely topics; exhibitions; on-line and hard-copy Membership Directory for curators; monthly ASCI meetings in SoHo, NYC; and public art-science projects. Contact Cynthia Pannucci, director, ASCI, P.O. Box 358, Staten Island, NY 10301, U.S.A. Tel: 718-816- 9796. E-mail: <[email protected]>. Web site: <http://www.asci.org>.
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METAL AND FLESH: THE DIGITAL ANAMORPHOSIS OF THE UNIVERSE. Metal and Flesh is a new electronic and interactive journal that examines the human condition in the digital age. Through essays, interactive works of art and virtual reality, Metal and Flesh aims at defining human-ma- chine society. Subscribe to Metal and Flesh (it's free): <http:/ /www.chairetmetal.com/abonne3.htm>.
FROG PEAK MUSIC (a composers' collective) is an artist- run organization devoted to the publication and production of unusual and experimental works. Frog Peak distributes recordings, scores, books, periodicals and other artist-pro- duced materials, especially in the areas of experimental and electronic music. Free print catalogs are available by mail. Frog Peak Music, Box 1052, Lebanon, NH 03766, U.S.A. Tel/ fax: (603) 448-8837. E-mail: <[email protected]>. Web site: <www.frogpeak.org>.
EXPERIMENTAL ART WITH NEW MEDIA TECHNOLO- GIES. The Department of Art and Technology at the School of the Art Institute of Chicago offers an interdisciplinary intermedia program in which students explore the applica- tion of both standard and emerging technologies to artmaking in the widest possible context. Students gain sig- nificant hands-on production experience. Additionally, the Art and Technology Studies Program offers master-level stu- dents a solid theoretical background in contemporary topics such as art and biology, the history of art and technology, and electronic ritual and ceremony. For more information, contact <[email protected]> or visit <http://wwwl.artic.edu/saic/ programs/depts/graduate/ats.html>.
THE AMERICAN GAMELAN INSTITUTE (AGI) is dedicated to all forms of gamelan, the performing arts of Indonesia and their international counterparts. AGI publishes the journal Balungan, coordinates gamelan programs in schools, maintains an international gamelan directory and distributes Indonesian writings. A research archive is available to visiting scholars. A free print catalog is available by mail. American Gamelan Insti- tute, Box 1052, Lebanon, NH 03766, U.S.A. Tel/fax: (603) 448- 8837. E-mail: <[email protected]>. Web site: <www.gamelan.org>.
TOWARDS A SCIENCE OF CONSCIOUSNESS: The Cen- ter for Consciousness Studies at the University of Arizona has a number of projects including the bi-annual "Towards a Sci- ence of Consciousness" conference. The center also presents awards for research, including artist-based research. For more information see <http://www.consciousness.arizona.edu>.
SPECIAL OFFER: LEONARDO MUSIC JOURNAL AND COMPUTER MUSIC JOURNAL. Get two publications with one subscription! The MIT Press is now offering the annual Leonardo Music Journal along with the quarterly publication Computer Music Journal at a special subscription price: indi- vidual: $68; institution: $188. For more information on Com- puter Music Journal, please visit <http://mitpress.mit.edu/ CMJ>. For more information on Leonardo MusicJournal, please visit <http://mitpress.mit.edu/LMJ>. To order a combined subscription to Leonardo MusicJournal/Computer MusicJournal, contact <[email protected]>.
CAiiA-STAR is a research platform that integrates two cen- tres of doctoral research: CAiiA, the Centre for Advanced Inquiry in the Interactive Arts, at the University of Wales Col- lege, Newport, and STAR, the centre for Science, Technol- ogy and Art Research, in the School of Computing, University of Plymouth. E-mail Carole Watson <[email protected]> to enroll through STAR at the University of Plymouth; E-mail Richard Jeans <[email protected]> to enroll through CAiiA at the University of Wales, Newport.
CALL FOR BIBLIOGRAPHIES TO BE POSTED ON LEONARDO ON-LINE (http://mitpress.mit.edu/ Leonardo/). We are seeking bibliographies and reading lists of interest to our art/science/technology audience. Types of lists might include detailed bibliographies on a special- ized topic (e.g. on Art and the Internet); or a bibliography of a single author of interest to our readership. Contact <[email protected]> with proposals.
LEONARDO CALL FOR PAPERS: ARTIST-RUN BUSI- NESSES. With the rapid development of technologies and new media of communication and presentation, artists are finding themselves at the center of new businesses and pro- fessions. Artists are often the "early adopters" of new tools, stretching the use of technologies for new artist-driven ap- plications. Leonardo is seeking articles by artists document- ing their experiences and lessons learned in setting up artist-run businesses. For further information about this call for papers, contact <[email protected]>.
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Microsound Curtis Roads "The 'final frontier' of computer music is undoubtedly microsound-the quantum level of acoustics-and Curtis Roads boldly leads us into this new domain, which will become increasingly important in the 21st century. The book is destined to become the standard reference in the field for years to come." - Barry Truax, Professor, Simon Fraser University 392 pp., 68 illus. $47.95 with CD
Experimental Sound and Radio edited by Allen S. Weiss This book explores the myriad aesthetic, cultural, and experimental possibilities of radiophony and sound art. 160 pp., 59 illus. $19.95 paper
The Cognition of Basic Musical
Structures David Temperley "This book makes substantial progress in the computer modeling of basic aspects of musical cognition. The author's presentation of complex subject matter is as direct and straightforward as one could wish. His writing is natural, clear, and unfailingly logical. And unlike most writers who have attempted computer implementations of musical cognition, Temperley is a sophisticated musician." - Fred Lerdahl, Fritz Reiner Professor of Music, Columbia University 360 pp., 211 illus. $45
now in paperback
Music, Cognition, and Computerized Sound An Introduction to Psychoacoustics edited by Perry R. Cook "Highly recommended for instructors who are teaching a course on musical acoustics or music perception." -William M. Hartmann, Music Perception 384 pp., 174 illus. $34.95 paper with CD-ROM
Virtual Music Computer Synthesis of Musical Style David Cope "When Cope's program writes a delightful turn of musical phrase, who is the artist: the composer being emu- lated, Cope's software, or David Cope himself? Cope offers keen philosophi- cal insights into this question, one that will become increasingly compelling over time." - Raymond Kurzweil, inventor and author of The Age of Intelligent Machines and The Age of Spiritual Machines 292 pp., 158 illus. $45
Machine
Musicianship Robert Rowe "Cutting across the boundaries of psychology, music theory, and artificial intelligence, this book captures the state of the art of music listening and performance by computer. This very practical and readable guide is an essential reference." - Roger B. Dannenberg, Carnegie Mellon University 416 pp., 169 illus. $47.95 with CD-ROM
now in paperback
Composing Interactive Music Techniques and Ideas Using Max Todd Winkler "For users of the programming environ- ment Max wishing to explore its full potential as an interactive music and multimedia tool, Todd Winkler's Composing Interactive Music is an indispensable guide." - Cort Lippe, State University of New York at Buffalo 364 pp., 198 illus. $34.95 paper with CD-ROM
now in paperback
Noise, Water, Meat A History of Sound in the Arts Douglas Kahn "Kahn's research is impressive, and his presentation is thorough and precise." -Carol J. Binkowski, Library Journal 472 pp., 5 illus, 1 color $21.95 paper
http://mitpress.mit.edu I
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teiri rrmru nmu. Mills College offers three graduate programs that are internationally recognized for their tradition of excellence and innovation.
M.A. IN COMPOSITION This unique program has trained generations of composers in the American Experimentalist tradition.
Pauline Oliveros, Alvin Curran, and Fred Frith teach composi- tion at Mills. Maryanne Amacher and Bun-Ching Lam are composers-in-residence for 2001-2002.
M.F.A. IN ELECTRONIC MUSIC AND RECORDING MEDIA
This innovative interdisciplinary program in electronic and computer music, the recording arts, and experimental media is based in Mills's internationally renowned Center for Contempo- rary Music (CCM), an institution which for more than 30 years has been a leader in experimen- tal music and its allied arts and sciences.
The CCM is co-directed by Chris Brown and Maggi Payne; the staff includes John Bischoff and Les Stuck.
M.F.A. IN PERFORi'fCE AND LITERATURE ~i?' This program integrates performance with history and theory and offers individual instruction in modern and historical instruments and voice. Areas of emphasis include 20th century performance tech- niques, improvisation, and interactive electro-acoustic music.
Our outstanding performance faculty includes the Abel- Steinberg-Winant Trio, Geraldine Walther, Donna Petersen, Goodwin Sammel, Sara Ganz, and David Tanenbaum; Michelle Fillion and David Bernstein teach music literature and theory.
To learn more: Graduate Office Mills College 5000 MacArthur Blvd. Oakland, CA 94613 USA 1-510-430-3309 www.mills.edu
AMM
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This Publication is available in Microform.
University *Microfilms
I International
Please send additional information for I name of publication)
Name
Institution
Street
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300 North Zeeb Road Dept. P.R. Ann Arbor, Mi. 48106
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MILLSi
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Aims and Scope Leonardo Music Journal (LMJ) is an international
journal for contemporary composers and sound and multimedia artists. It features articles written by composers and artists about their own work. LMJ has three main editorial areas. First, it is particularly concerned with the interplay between new tech-
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years. Adherence to these Guidelines minimizes revisions and shortens the overall editorial processing time
Preparation of Manuscripts Texts may fall into either of two classifications: (1) Articles of between 2500 and 5000 words, and (2) Notes of fewer than 2500 words. Manuscripts should be type- written, at least double-spaced, and submitted in
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copynghted material is routinely given to the authors of articles for use in their own publica- tions. Use by third parties generally is not permit- ted without concurrence of the artist.
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Not Necessarily "English Music" Britain's Second Golden Age I.eo ardo Alus c io /J urnl lolitnme 11
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After thie first installment 1( C(oo1l Britannia
beguiled the 1960()s with its peculiar conflation of Po)p, Art, Fashion and Politics, lmusical experilmlltation flourishcd in the
U.K. Styles o f i mprovisationi, m ini nlmalis in,
electronlic music, elerlfrlllace art, political music and "anlatelurl mnusic grew outt of British art schools, universities and urban
villages; styles neither as self-important as
those of Europe iinor as blithelly techoll(cratic as those of North America-a plectlliarly
"Englislh Music" (and Scottish and $XWelsh). Some practitiolers became well-knoilwn and
influiitial artists outside tof the U.K.
(Cornelius Cardew, Mich-ael Nvman, l)erek
Bailey), whil e o()t hers have re lained ti ar too
unllrecognllzed al)r)ad.
Th is vo lume of ILeono u ; rd ico /J1 j rn al
highlighlts observers and participants who
have conltributed their accounts of this latest
"(Golden Age" of' British MuIsic.
LMJ 11 illnludes tle t.wro-C(D set Not
Ncessarily "ETnglish M us'ic " curate(l by musician, co(mposer, writer and sound
curator David Toop. The (CDs feat.l-re
pieces re c crded f-roll 1960 thlro uglh 1977
by a selection of piolneering U.K.
cotnposers andl performiers: AMM; Max
Eastley; Inter(nodulati(on; Frank Perry; Michael Parsons 8& I (oward Skemptcon;
l)aphne Oranm; abAna; Hugh l)avies; Robert Worby; Lol Coxhill & Steve Miller;
Sp)ontaneeotus Music Orchestra; The People
Band; Evan Parker & Paul Lytlon; John Stevens; St.eve( BeresfiOrd; C(.ornelilus
Cardew & Jane Mannlinlg; Ron G(eesin; (;entle Fire; Rain in the Face; Ranlulph (Glanville; Derek Bailey; The Campiello Band; Mike C(ooper; A Touch ofl the Stln; The Scratcll Oi-chlestra; :l.nd Frank Pe-rry,
Mongezi Feza & Chris McGregor.
li7 o-(.l sel , el tstled bf David
7boop, included inside thi/s. i.s.t It'
/' E.tonardo IMusic Jouinlal.
Leonardo Music Journal ISSN 0961-1215 Volume 11 ISBN 0-262-75390-1
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