Notes 1. Centres of Levity

The early reviews by Ronald Bryden and Harold Hobson are quoted by Kenneth Tynan in Show People (New York: Simon and Schuster, 1979), pp. 73-4. Stoppard's remarks to Mel Gussow appear in 'Stoppard Refutes Himself, Endlessly,' New York Times(Apri126, 1972), p. 54, and 'Stoppard's Intellectual Cartwheels Now with Music,' New York Times (July 29, 1979), Section D, p. 22.

2. Anxious Stylists

The quoted reviews of Enter a Free Man are: Mary Holland, 'Cards of Identity,' Plays and Players (June, 1968), 23; J. W. Lambert, 'Plays in Performance,' Drama: The Quarterly Theatre Review, No. 89 (Summer, 1968), 25. Stoppard's remark to Janet Watts appears in 'Tom Stoppard,' The Guardian (May 21, 1973), p. 12.

3. Playing Our Absence

Martin Esslin's remark about Rosencrantz and Guildenstern Mee_t King Lear is quoted by Ruby Cohn in Modern Shakespeare Offshoots

165

Tom Stoppard

(Princeton: Princeton University Press, 1976), p. 211. The quoted reviews of Rosencrantz and Guildenstern Are Dead are: John Chapman in the New York Daily News (October 17, 1967), reprinted in New York Theatre Critics' Reviews, 1967, p. 255; Martin Gottfried in Women's Wear Daily (October 17, 1967), reprinted in New York Theatre Critics' Reviews, 1967, p. 256; John Russell Taylor, 'The Road to Dusty Death,' Plays and Players (June, 1967), 13, 15; Walter Kerr, 'The Comedy that Kills,' Thirty Plays Hath November (New York: Simon and Schuster, 1969), pp. 51-3.

4. Logics of the Absurd

Robert Benchley's remark is reported by Kenneth Tynan, Show People, p. 87. Ed Berman's and Tom Stoppard's comments on Dogg's Our Pet appear in Berman, ed., Ten of the Best British Short Plays (London: Inter-Action Imprint, 1979), pp. xi, 80. Berman's account of the misplacement of The (15 Minute) Dogg's Troupe Hamlet is in the same volume, p. x.

5. Ethics and the Moon

The quoted reviews of Jumpers are: Martin Gottfried in Women's Wear Daily (April 24, 1974), reprinted in New York Theatre Critics' Reviews, 1974, p. 300; Howard Clurman in Nation (May 18, 1974), p. 637; Clive Barnes in New York Times (April 23, 1974), reprinted in New York Theatre Critics' Reviews, 1974, p. 299; Jack Kroll in Newsweek (May 4, 1974), reprinted in New York Theatre Critics' Reviews, 1974, p. 303.

6. The Prism of Travesty

W. H. Auden's comments on The Importance of Being Earnest are contained in 'An Improbable Life,' New Yorker, 39 (March 9, 1%3), 155-77, reprinted in Richard EHmann, ed., Oscar Wilde: A Collection of Critical Essays (Englewood, N.J.: Prentice-Hall, 1969), pp. 111-115. Peter Wood's remarks about Travesties appeared in the London Times (June 8, 1974), and are quoted by Ronald Hayman, Tom Stoppard 3rd edn.; London: Heinemann, 1979), p. 117. The quoted reviews of Travesties are: Clive Barnes in the New York Times (October 31, 1975), reprinted in New York Theatre Critics' Reviews, 1975, p. 170; Howard Kissel in

166

Notes

Women's Wear Daily (November 3, 1975), reprinted in New York Theatre Critics' Reviews, 1975, p. 168; Jack Kroll in Newsweek (November 10, 1975), reprinted in New York Theatre Critics' Reviews, 1975, p. 171.

7. Language, Lunacy and Light

Stoppard's remark to Janet Watts appears in 'Tom Stoppard,' The Guardian (May 21, 1973), p. 12. The reviews of Dirty Linen are: Martin Gottfried in New York Post (January 12, 1977) and Walter Kerr in New York Times (January 23, 1977), as quoted by Felicia Londre, Tom Stoppard (New York: Frederick Unger, 1981) p. 127. Stoppard's remark to Robert Semple appeared in New York Times (June 21, 1976), also quoted by Londre, Tom Stoppard, p. 128. Stoppard's note to Every Good Boy Deserves Favour appears in the Faber and Faber edition of that play and also on the jacket of the RCA recording. Mel Gussow's review of Every Good Boy Deserves Favour appeared in New York Times (August 1, 1979), reprinted in New York Theatre Critics' Reviews, 1979, p. 195. The quoted reviews of Night and Day are: Harold Hobson, 'Hobson's Choice,' Drama (N.S.) No 131 (Winter, 1979), 44-5; Douglas Watt in the New York Daily News (November 28, 1979), reprinted in New York Theatre Critics' Reviews, 1979, p. 83; Howard Kissel in Women's Wear Daily (November 28, 1979), reprinted in New York Theatre Critics' Reviews, 1979, p. 85; Walter Kerr in New York Times (November 28, 1979), reprinted in New York Theatre Critics' Reviews, 1979, p. 82; Jack Kroll in Newsweek (December 10, 1979), reprinted in New York Theatre Critics' Reviews, 1979, p. 87. Stoppard's remarks to Robert Berkvist appeared in 'This Time, Stoppard Plays It (Almost) Straight,' New York Times (November 25, 1979), Section D, p. 5. The quoted reviews of Dogg's Hamlet, Cahoot's Macbeth are: Mel Gussow in New York Times (October 4, 1979), reprinted in New York Theatre Critics' Reviews, 1979, p. 146; Douglas Watt in the New York Daily News (October 4, 1979), reprinted in New York Theatre Critics' Reviews, 1979, p. 144; Clive Barnes in New York Post (October 4, 1979), reprinted in New York Theatre Critics' Reviews, 1979, p. 145; Christopher Sharp in Women's Wear Daily (October 5, 1979), reprinted in New York Theatre Critics' Reviews, 1979, p. 145; Jack Kroll in Newsweek (September 24, 1979), reprinted in New York Theatre Critics' Reviews, 1979, p. 148. Ed Berman's remark to Robert Berkvist appeared in 'In Cahoots with Tom Stoppard,' New York Times (September 30, 1979), Section D, pp. 3, 9. The quoted reviews of On the Razzle are: Michael Billington in The Guardian, reprinted in London Theatre Record, I (1981), 492; Peter Hepple in The Stage and Television Today (October 1, 1981), p. 13;

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Tom Stoppard

Robert Cushman in The Observer, reprinted in London Theatre Record, I (1981), 490; Kenneth Hurren in What's On In London, reprinted in London Theatre Record, I (1981), 494; Sheridan Morley in Punch, reprinted in London Theatre Record, I (1981), 491; Benedict Nightingale in New Statesman, reprinted in London Theatre Record, I (1981), 494.

168

Select Bibliography (i) Works by Stoppard

'Reunion', 'Life, Time: Fragments', and 'Story', in Introductions 2: Stories by New Writers (London: Faber and Faber, 1964).

Lord Malquist and Mr Moon (London: Faber and Faber, 1980; New York: Grove Press, 1975).

Rosencrantz and Guildenstern Are Dead (London: Faber and Faber, I %8; New York: Grove Press, I %7).

Enter A Free Man (London: Faber and Faber, 1969; New York: Grove Press, 1972).

The Rea/Inspector Hound (London: Faber and Faber, 1968). Albert's Bridge and If You're Glad I'll Be Frank (London: Faber and

Faber, 1%9). A Separate Peace (London: French, 1977). After Magritte(London: Faber and Faber, 1971). The Real Inspector Hound and After Magritte (New York: Grove Press,

1975). Jumpers (London: Faber and Faber, 1972; New York: Grove Press,

1972). Artist Descending a Staircase and Where Are They Now? (London: Faber

and Faber, 1973). Albert's Bridge and Other Plays (New York: Grove Press, 1977). Travesties (London: Faber and Faber, 1975; New York: Grove Press,

1975). Dogg's Our Pet and The (15 Minute) Dogg's Troupe Hamlet, in Ten of

169

Tom Stoppard

the Best British Short Plays, ed. Ed Berman (London: Inter-Action Imprint, 1979).

Dirty Linen and New-Found-Land (London: Faber and Faber, 1976; New York: Grove Press, 1976).

Every Good Boy Deserves Favour and Professional Foul (London: Faber and Faber, 1978; New York: Grove Press, 1978).

Night and Day (London: Faber and Faber, 1978; New York: Grove Press, 1979).

Dogg's Hamlet, Cahoot's Macbeth (London: Faber and Faber, 1980).

(ii) Recording

Stoppard, Tom, and Andre Previn, Every Good Boy Deserves Favour (with Royal Shakespeare Company and London Symphony Orchestra), RCA Records (ABL 1-2855 Stereo, Red Seal) 1978.

(iii) Adaptations by Stoppard

Schnitzler, Arthur, Undiscovered Country (London: Faber and Faber, 1980).

Nestroy, Johann, On the Razzle (London: Faber and Faber, 1981).

(iv) Articles and Interviews by Stoppard

'Something to Declare', The Sunday Times(February 25 1968) p. 47. 'Ambushes for the Audience: Towards a High Comedy of Ideas', Theatre

Quarterly, IV, No. 14 (May-June 1974) 3-17. 'But for the Middle Classes', review of Enemies of Society by Paul

Johnson, Times Literary Supplement (3 June 1977) p. 677. 'Prague: The Story of the Chartists', New York Review of Books, XXIV

(4 August 1977) 11-15. Gordon, Giles, 'Tom Stoppard', in Joseph F. McCrindle, ed., Behind the

Scenes: Theater and Film Interviews from the 'Transatlantic Review' (New York: Holt, Rinehart and Winston, 1971), pp. 76-87.

Hardin, Nancy Shields, 'An Interview with Tom Stoppard', Contemporary Literature, XXII (1981) 153-166.

(v) Checklists

Ryan, Randolph, 'Theatre Checklist No. 2: Tom Stoppard', Theatrefacts 2 (May-July 1974) 2-9.

Carpenter, Charles A., 'Bond, Shaffer, Stoppard, Storey: An International Checklist of Commentary', Modern Drama, XXIV (1981) 546-556.

170

Select Bibliography

(vi) Criticism: Books

Bigsby, C. W. E., Tom Stoppard (London: Longman Group for British Council, 1976).

Cahn, Victor L., Beyond Absurdity: The Plays of Tom Stoppard (Rutherford, N.J.: Fairleigh Dickinson University Press, 1979).

Dean, Joan Fitzpatrick, Tom Stoppard: Comedy as a Moral Matrix (Columbia, Mo.: University of Missouri Press, 1981).

Hayman, Ronald, Tom Stoppard (3rd edn. London: Heinemann, 1979). Londre, Felicia Hardison, Tom Stoppard (New York: Frederick Ungar,

1981 ).

(vii) Criticism: Articles and Portions of Books

Ayer, A. J., 'Love Among the Logical Positivists,' The Sunday Times (9 Aprill972) 16.

Cohn, Ruby, Modern Shakespeare Offshoots (Princeton: Princeton University Press; 1976, pp. 211-217.

Cooke, John William, 'The Optical Allusion: Perception and Form in Stoppard's Travesties', Modern Drama, XXIV (1981) 525-39.

Crossley, Brian M., 'An Investigation of Stoppard's "Hound" and "Foot" ',Modern Drama, XX (1977) 77-86.

Crump, G. B., 'The Universe as Murder Mystery: Tom Stoppard's Jumpers', Contemporary Literature, XX (1979) 354-68.

Davidson, Mary R., 'Historical Homonyms: A New Way of Naming in Tom Stoppard's Jumpers', Modern Drama, XXII (1979) 305-13.

Ellmann, Richard, 'The Zealots of Zurich', Times Literary Supplement (12 July 1974) p. 744.

Gabbard, Lucina P., 'Stoppard's Jumpers: A Mystery Play', Modern Drama, XX (1977) 87-95.

Gold, Margaret, 'Who are the Dadas of Travesties?' Modern Drama, XXI (1978) 59-66.

James, Clive, 'Count Zero Splits the Infinitive: Tom Stoppard's Plays', Encounter, XLV (November 1975) 68-76.

Kennedy, Andrew, 'Natural, Mannered, and Parodic Dialogue', in Yearbook in English Studies, IX (1979) 28-54.

Keyssar-Franke, Helene, 'The Strategy of Re>sencrantz and Guildenstern Are Dead', Educational Theatre Journal, XXVII (1975) 85-97.

M<>rowitz, Charles, Confessions of a Counterfeit Critic: A London Theatre Notebook, 1958-1971 (London: Eyre and Methuen, 1973) pp. 123-126.

171

Tom Stoppard

Tynan, Kenneth, Show People (New York: Simon and Schuster, 1979) pp. 44-123.

Zeifman, Hersh, 'Tomfoolery: Stoppard's Theatrical Puns', in Yearbook of English Studies, IX (1979) 204-20.

172

Index Aesop 91 Aitken, Maria 108 Albee, Edward: The Zoo

Story 55-56 Arnin, Idi 146 Arden, John I Auden, W. H. 107, 113 Ayer, A. J. 95; Language,

Truth and Logic 89, 101

Banbury, Frith 11 Barker, Clive 76 Barker, Ronnie 69 Barnes, Clive 103, 126, 128, 153 Beatles, the: Help! 149 Becket, Thomas a 98 Beckett, Samuel I, 2, 7, 18-21,

106; Endgame 39, 41, 43, 54, 68; Waiting for Godot 39, 41-43, 51, 52, 56, 60, 98

Bedford, Brian 103 Beethoven, Ludwig van 117, 125 Bell, Torn 108 Benjamin, Walter 59 Berkvist, Robert 148, 153, 160

Berman, Ed 75-76, 81, 84, 130, 132, 136, 153, 154, 160

Bethell, Nicholas 28 Billington, Michael 162 Bohr, Niels 39 Bolt, Robert 19, 131; Flowering

Cherry II, 12 Boswell, James 27, 28 Brecht, Bertolt 123 Briers, Richard 69 Bryden, Ronald I Bukovsky, Vladimir 138

Carlyle, Thomas: Sartor Resartus III

Carroll, Lewis 68, 154, 160 Cervantes, Miguel de: Don

Quixote of La Mancha 27 Chapman, John 61 Chekhov, Anton 15, 18,

106-107; Uncle Vanyo 54, 125 Chetwyn, Robert 69 Christie, Agatha: The

Mousetrap 73; Towards Zero 74

Churchill, Winston 27, 29

173

Index

Clayburgh, Jill 103 Clurman, Harold 102-103 Cocteau, Jean: The Infernal

Machine 47 Codron, Michael 130, 132 Cohn, Ruby 58 Conrad, Joseph 3-4; The Secret

Agent 28 Coward, Noel 2, 7, 105;

Cavalcade 85-86, 88; Private Lives 148

Craig, Noel 61 Crowden, Graham 40, 85, 103 Cushman, Robert 162

Dhery, Robert: La Plume de ma Tante 90

Dickens, Charles 135 Doyle, A. Conan: 'The Hound of

the Baskervilles' 74 Duchamp, Marcel 112

Eliot, T. S. 2; Four Quartets 23; 'Journey of the Magi' 53; 'The Love Song of J. Alfred Prufrock' 23, 35, 48

Esslin, Martin 48 Euclid 139

Fainberg, Victor 131, 138-139 Fassbinder, Rainer 130 Faulkner, William 32 Foucault, Michel: Madness and

Civilization 140 Fowles, John: The Magus 27 Fugard, Athol 107

Gay, John: The Beggar's Opera 142

Genet, Jean: The Balcony 20, 55, 74; Deathwatch 20

Gilbert, David 137

Gilbert, W. S. 2, 7, 8, 68; The Mikado 28; Rosencrantz and Guildenstern 48-50

Goffman, Erving: Asylums 139 Goldby, Derek 38, 61, 65, 66 Gordon, Giles 54 Gorki, Maxim: The Lower

Depths 12, 125 Gottfried, Martin 61, 102, 134 Greene, Graham: The Human

Factor 160 Gussow, Mel 4-6, 143, 153

Hampton, Christopher: The Philanthropist 4

Hart, Lorenz 152 Havel, Vaclav 131; The

Difficulty of Concentration 90; The Memorandum 159

Hawkes, John: Second Skin 27 Hayman, Ronald 4, 20, 123,

130 Hecht, Paul 66 Heeley, Dennis 38, 65 Hemingway, Ernest 21, 33; 'A

Clean Well-Lighted Place' 23; A Farewell to Arms 120; In Our Time 24; 'Indian Camp' 53

Henry II 98 Hepple, Peter 162 Herman, Jerry 162 Hobson, Harold 1, 147 Holland, Mary 19 Homer 127; The

Odyssey 121-122 Hordern, Michael 11, 19, 86,

103 Hurren, Kenneth 162-163 Hurt, John 108

Ibsen, Henrik 41; The Wild Duck 12

Ingle, Jose 3

174

Index

Ionesco, Eugene 22; The Bald Soprano 78; The Chairs 68

Jerome, Jerome K.: Three Men in a Boat 160-161

Johnson, Samuel 28 Joyce, James 2, 22, 108,

111-116, 118-124, 126-128; Finnegans Wake 120; A Portrait of the Artist as a Young Man 27, 54, 121; Ulysses 29, 34, 98, 109, 110, 113, 116, 118, 120, 121, 127

Kagan, Jerome: The Second Year 144

Kalem, T. E. 128 Kennedy, Andrew 163 Kerr, Walter 65-66, 134,

147-148 Kissel, Howard 128, 147 Kohout, Pavel 131, 154, 160;

Poor Murderer 157 Kroll, Jack 103, 128, 148, 153,

159

Lambert, J. W. 19 Landovsky, Pavel 154, 158 Lardner, Ring 21 Leigh-Hunt, Barbara 109 Lenin (V.I. Ulyanov) 108-119,

122-128 Lenin, Nadya 109, 113, 117,

123-126 Lloyd George, David 136 Lorca, Federico Garcia: The

House of Bernardo Alba 160

McKellen, Ian 137-138 Magritte, Rene 75-76, 78, 79 Mailer, Norman: The Naked and

the Dead 104, 105 Marowitz, Charles 43, 48, 58 Marx, Karl 116, 123, 124, 145

Maugham, Somerset 151; The Moon and Sixpence 94, 104

Mayakovsky, Vladimir 125 Medvedev, Zhores: A Question of

Madness 139 Miller, Arthur 19, 131; Death of

a Salesmim 11, 12 Moliere: The Misanthrope 106 Moore, George E. 89 Moore-Robinson, Miriam 3 Morley, Sheridan 163 Morris, Beth 109 Mrozek, Slawomir: Tango 28,

160 Murray, Brian 65-66

Nabokov, Vladimir 3-4, 22; Despair 130, 160

Nestroy, Johann 6; Einen Jux will er sich machen 161-163

Nietzsche, Friedrich 41 Nunn, Trevor 137, 142

Oates, L. E. G. 96 Olivier, Laurence 40 O'Neill, Eugene: The Iceman

Cometh 12 Orton, Joe: What the Butler

Saw 95, 140 Osborne, John I; The

Entertainer 40, 86, 88 Oxenford, John: A Day Well

Spent 161

Pepys, Samuel 35 Petherbridge, Edward 38 Pilbrow, Richard 38, 66 Pinter, Harold I; The Birthday

Party 140 Pirandello, Luigi 72, 140; Each

in His Own Way 10; Enrico IV 54; Six Characters in Search of an Author 54, 56, 70; Tonight We Improvise 70-71

175

Index

Piscator, Erwin 113, 123 Porter, Cole 149 Previn, Andre 130, 132, 137,

140 Priestley, J. B.: The Linden

Tree 130, 131 Prokoviev, Sergei 141 Pushkin, Alexander 125 Pynchon, Thomas: The Crying of

Lot 49 27

Ramsey, Remak 103 Rattigan, Terence 147; The

Browning Version 131 Reeves, Geoffrey 76, 103 Rigg, Diana 85, 103, 146, 147 Rodgers, Richard 152

Sartre, Jean Paul: Being and Nothingness 44; Nausea 44; No Exit 44-45, 55, 56

Saunders, James: Next Time I'll Sing to You 45-46, 56-58

Schnitzler, Arthur 6; Das Weite Land 161

Scott, Robert Falcon 96 Scribe, Eugene 118 Semple, Robert 135 Shakespeare, William 116, 127;

As You Like It 116; Hamlet 1, 38, 39, 41, 42, 46-51,54,55,59-64,66,72-73, 84, 116, 154-155, 160, 161; Henry IV (Part One) 116; Julius Caesar 116; King Lear 139; Macbeth 88, 90, 154-159, 162; The Merry Wives of Windsor 116; Much Ado About Nothing 116; Othello 116; Richard Ill 98; Twelfth Night 106

Sharp, Christopher 153 Shaw, Bernard 2, 7, 120, 147,

152; Heartbreak House 113, 127, 148; Major Barbara 127;

Man and Superman 113, 121, 127; Misalliance 139, 148; Saint Joan 127

Shostakovitch, Dmitri 141 Simenon, Georges 79 Simpson, N. F. 2; One Way

Pendulum 140 Sophocles: Oedipus Rex 15 Stewart, Michael 162 Stoppard, Kenneth 2 Stoppard, Tom:

EARLY LIFE 2-3 ADAPTATIONS: The House of Bernardo Alba 160; On the Razzle 161-164; Tango 28, 160; Three Men in a Boat 160-161; Undiscovered Country 161; SCREENPLAYS: Despair 130, 160; The Human Factor 160; The Romantic Englishwoman 160; ORIGINAL

WORKS: After Magritte 1-2, 69, 75-81, 83, 97, 105; Albert's Bridge 10, 24-26; Another Moon Called Earth 81, 92-93; Artist Descending a Staircase 7, 112, 164; Cahoot's Macbeth (see Dogg's Hamlet, Cahoot's Macbeth); Dirty Linen and New-Found­Land 132-136; The Dissolution of Dominic Boot 21, 81; Dogg's Hamlet, Cahoot's Macbeth 5, 6, 84, 152-160, 163; Dogg's Our Pet 81-84, 119, 153-154; The Engagement 81; Enter a Free Man 1, 8, 10, 11-19, 36, 86; Every Good Boy Deserves Favour 5, 10, 20, 107, 137-143, 153; The Gamblers 3, 20; If You're Glad I'll Be Frank 10, 22-23; Jumpers 2, 4, 8, 10, 35, 80-81, 85-108, 130, 143-144, 163;

176

Index

Stoppard, Tom - continued 'Life, Times: Fragments' 21; Lord Malquist and Mr Moon 3, 9, 10, 22, 24, 26-36, 40, 44, 54, 55, 58, 68, 92, 107; 'M' Is for Moon among Other Things 21; Night and Day 2, 5, 10, 107, 146-152, 154; Neutral Ground 81; New­Found-Land (see Dirty Linen and New-Found-Land); Professional Foul 5, 107, 143-146, 153-154; The Real Inspector Hound I, 8, 69-75, 97, 159; 'Reunion' 20-21; Rosencrantz and Guildenstern Are Dead I-3, 5, 6, 8, 11, 19, 20, 22, 26, 35, 37-69, 75, 84, 85, !59; Rosencrantz and Guildenstern Meet King Lear 3, 21-22, 45, 48, 50; A Separate Peace !0, 23-24; 'The Story' 21; Teeth 81; Travesties 2, 4, 8, 20, 35, 83, 108-131, 149, 163; A Walk on the Water !0, II; Where Are They Now 112; The (15 Minute) Dogg's Troupe Hamlet 84

Straussler, Eugene 2 Straussler, Martha 2 Straussler, Tomas 2 Stride, John 38 Sullivan, Arthur: The

Mikado 28 Svoboda, Josef 102 Szasz, Thomas: The Myth of

Mental Illness 139-140

Taylor, John Russell 65 Tolstoy, Leo 125; War and

Peace 141

Tschaikovsky, P. I. 141 Tutin, Dorothy 161 Tynan, Kenneth 51, 102, 103,

149 Tzara, Tristan 108, 109,

111-124, 126-128

Verdi, Giuseppe: Macbeth 162 Voltaire 102

Wallach, Eli 138 Watt, Douglas 147, 153 Watts, Janet 26, 131 Waugh, Evelyn 2; Scoop 3,

146-148 Wilde, Oscar 2, 4, 7, 8, 27, 52,

121; De Profundis 51; The Importance of Being Earnest 51, 54-55, 110-120, 122-124

Wilder, Thornton: Hello, Dolly! 162; The Matchmaker 162; The Merchant of Yonkers 162

Windsor, Frank 108 Wiseman, Thomas: The

Romantic Englishwoman 160 Wittgenstein, Ludwig 160;

Philosophical Investigations 81; Tractatus Logico-Philosophicus 146

Wolfe, Thomas 136 Wood, John 66,108,111,

128-129, 137, 161 Wood, Peter 85, 102, 108,

113-114, 121, 126, 146, 149, 160, 162

Wordsworth, William: 'Ode: Intimations of Immortality' 53

Zeno 91

177