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'Oct03' Tunebook Concert Pitch Bass Clef 2007

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'Oct 03' tunebook written on the bass clef
212
1 HEDLAND SCRATCH BAND SETS 1. MEDLEY: Another Fall of Rain, The Old Palmer’s Song, Roddy McCorley. Another Fall of Rain 4 4 G C G D7 G .4 ^4 .5 .5 .5 ^5 .5 .4 .3 ^3 .3 .3 [^3] [3 .3 .3] .3 .3 .3 .4 .5 .5 ^4 .4 ^3 - .4 ^4 .5 .5 .5 ^5 .5 .4 .3 C G D7 G Chorus C G ^3 .3 .3 [^3] .2 .3 ^3 .4 .5 .4 .3 ^3 ^4 .4 ^3 .3 - .3 .3 ^4 ^4 ^4 ^4 ^4 ^5 ^5 ^5 ^5 .5 .5 .4 .5 .2 .3 .3 .3 .4 D7 G C G D7 G .5 .5 ^4 .4 ^3 - .5 .5 .5 .5 .5 ^5 .5 .4 .3 ^3 .3 .3 [^3] .2 .3 ^3 .4 .5 .4 .3 ^3 ^4 .4 ^3 .3 - The Old Palmer’s Song. 4 2 D G D G A7 D .5 .3 .3 .4 .5 .6 .6 .6 .6 ^7 .7 .6 .6 .5 ^5 ^6 .6 .6 ^6 .6 ^5 .5 .4 .5 .5 ^5 .5 ^4 .4 ^3 .5 .5 .3 .3 .4 .5 G D A D .6 .6 .6 .6 ^7 .7 .6 .6 .5 ^5 ^6 .6 .6 ^6 .6 ^5 .5 .4 .3 ^3 .4 .3 .3 .3 .5 Roddy McCorley (Celts to Cobbers) 4 2 G C D G C G Em C G .3 ^3 .4 ^3 .4 .2 .3 ^3 .4 ^3 .3 [3 .3] [^3] .3 .3 ^3 .3 - .4 ^4 .5 .5 .5 .4 .5 ^5 .5 .4 ^3 .3 .4 ^4 .4 Am D7 G C Bm Em Am D7 G G G C D7 ^3 - .4 ^4 .5 .5 .5 .4 .5 ^5 .5 .4 ^3 .3 .4 ^4 .4 ^3 - .3 ^3 .4 ^3 .4 .2 .3 ^3 .4 ^3 .3 [3 .3] [^3] .3 .3 ^3 G 1 2 .3 .3 .3 ^3 .3 Maggie May 4 4 D G D A7 D .4 ^4 .5 .5 .5 .5 .4 .3 .3 ^4 ^4 ^4 ^4 ^4 ^5 ^5 .5 .5 .5 .5 ^5 .5 .4 .5 ^3 .5 .5 .4 .3 .4 .5 .3 .3 C A7 D G D A7 ^4 ^4 ^4 ^4 ^5 ^5 .5 ^6 ^5 .5 ^4 .4 ^3 .3 .6 .6 ^5 ^5 ^5 ^5 .6 .6 .6 .5 .5 .4 .5 .5 .5 .5 .5 ^5 .5 .4 .5 ^3 .5 D G A7 D 1 2 .5 .4 .3 .4 .5 ^5 ^5 ^4 ^4 ^4 ^4 ^5 ^5 ^5 .5 .5 ^6 ^5 .5 ^4 .4 ^3 .3 .6 .3
Transcript
Page 1: 'Oct03' Tunebook Concert Pitch Bass Clef 2007

1HEDLAND SCRATCH BAND SETS

1. MEDLEY: Another Fall of Rain, The Old Palmer’s Song, Roddy McCorley.Another Fall of Rain

44

G C G D7 G

.4 ^4 .5 .5 .5 ^5 .5 .4 .3 ^3 .3 .3 [^3] [3 .3 .3] .3 .3 .3 .4 .5 .5 ^4 .4 ^3 − .4 ^4 .5 .5 .5 ^5 .5 .4 .3

C G D7 G Chorus C G

^3 .3 .3 [^3] .2 .3 ^3 .4 .5 .4 .3 ^3 ^4 .4 ^3 .3 − .3 .3 ^4 ^4 ^4 ^4 ^4 ^5 ^5 ^5 ^5 .5 .5 .4 .5 .2 .3 .3 .3 .4

D7 G C G D7 G

.5 .5 ^4 .4 ^3 − .5 .5 .5 .5 .5 ^5 .5 .4 .3 ^3 .3 .3 [^3] .2 .3 ^3 .4 .5 .4 .3 ^3 ^4 .4 ^3 .3 −

The Old Palmer’s Song.

42

D G D G A7 D

.5 .3 .3 .4 .5 .6 .6 .6 .6 ^7 .7 .6 .6 .5 ^5 ^6 .6 .6 ^6 .6 ^5 .5 .4 .5 .5 ^5 .5 ^4 .4 ^3 .5 .5 .3 .3 .4 .5

G D A D

.6 .6 .6 .6 ^7 .7 .6 .6 .5 ^5 ^6 .6 .6 ^6 .6 ^5 .5 .4 .3 ^3 .4 .3 .3 .3 .5

Roddy McCorley (Celts to Cobbers)

42

G C D G C G Em C G

.3 ^3 .4 ^3 .4 .2 .3 ^3 .4 ^3 .3 [3 .3] [^3] .3 .3 ^3 .3 − .4 ^4 .5 .5 .5 .4 .5 ^5 .5 .4 ^3 .3 .4 ^4 .4

Am D7 G C Bm Em Am D7 G G G C D7

^3 − .4 ^4 .5 .5 .5 .4 .5 ^5 .5 .4 ^3 .3 .4 ^4 .4 ^3 − .3 ^3 .4 ^3 .4 .2 .3 ^3 .4 ^3 .3 [3 .3] [^3] .3 .3 ^3

G 1 2

.3 .3 .3 ^3 .3

Maggie May

44

D G D A7 D

.4 ^4 .5 .5 .5 .5 .4 .3 .3 ^4 ^4 ^4 ^4 ^4 ^5 ^5 .5 .5 .5 .5 ^5 .5 .4 .5 ^3 .5 .5 .4 .3 .4 .5 .3 .3

C A7 D G D A7

^4 ^4 ^4 ^4 ^5 ^5 .5 ^6 ^5 .5 ^4 .4 ^3 .3 .6 .6 ^5 ^5 ^5 ^5 .6 .6 .6 .5 .5 .4 .5 .5 .5 .5 .5 ^5 .5 .4 .5 ^3 .5

D G A7 D1 2

.5 .4 .3 .4 .5 ^5 ^5 ^4 ^4 ^4 ^4 ^5 ^5 ^5 .5 .5 ^6 ^5 .5 ^4 .4 ^3 .3 .6 .3

Page 2: 'Oct03' Tunebook Concert Pitch Bass Clef 2007

22. Lazy Harry’s

= 270

D G D E7 A7 G

.3 .4 .5 .5 .5 ^5 .5 .4 .3 .4 .5 ^5 .5 .4 .5 ^5 ^6 .6 .6 .6 ^6 ^5 .5 .4 .4 ^3 ^3 .4 ^3 ^3 .4 ^4 ^4 ^4 ^4

D G D A7 D A7 D

.4 .5 .5 .3 ^4 .5 ^5 .5 .6 .6 ^7 .7 .6 ^7 ^6 .6 .5 .5 ^4 .4 .3 ^3 ^2 .3 .3 .4 .5 .5 .5 ^5 .5 .4 .3 .4 .5 ^5 .5 .4

E7 A7 D G A7 D D

.5 .4 .5 ^5 .5 .4 .5 .4 .4 .4 ^3 ^3 .4 ^3 ^3 .4 ^3 .3 .3 .6 ^6 ^5 .6 .5 ^4 .4 .3 ^3 ^2 .3

3. MEDLEY: Forty Pound Float, Rakes of Mallow, Waves of ToryForty Pound Float (John Ryan’s)

44

D G D D G D A D G D D A7

.6 .6 ^5 ^6 .6 ^5 .5 .4 .5 .4 .6 .6 ^5 ^6 .6 ^5 .5 .4 ^3 .3 .6 .6 ^5 ^6 .6 ^5 .5 .4 .5 .6 ^7 .7 .6 ^7 .6 ^6

D D G D D A D G D A

.6 .6 .6 ^7 .7 .6 .6 ^7 .7 ^8 .7 ^7 .6 ^7 .7 .6 .5 .6 .7 .6 .7 .8 ^8 .7 .6 .6 ^7 .7 ^8 .7 ^7 .6 ^7 .7 .6 ^7 .6 ^6

D D1 2

.6 .6 .6 .6

Rakes of Mallow (Walls of Limerick)

44

G D G C D

.3 .4 .3 .4 .3 .4 ^4 .4 ^3 .3 ^2 ^3 ^2 ^3 ^2 ^3 .5 ^4 .4 ^3 .3 .4 .3 .4 .3 .4 .5 ^4 .4 ^3 .3 ^2 .3 ^3 ^4

G G D G C D

.4 .3 .3 .6 ^6 ^5 .5 ^4 .4 ^4 .5 .6 ^6 ^5 .5 ^4 .4 ^4 ^3 .6 ^6 ^5 .5 ^4 .4 ^4 .5 ^4 .4 ^3 .3 ^2 .3 ^3 ^4

G

.4 .3 .3

Waves of Tory (Grand Old Dame Britannia)

42

D A D A D F#m G A7 D

^5 ^6 .6 .5 .4 .5 .6 .6 .6 .7 ^7 .6 ^6 .6 ^7 .7 ^8 .7 ^8 .8 .7 ^8 ^7 .6 ^6 .5 .4 ^4 ^5 .5 ^5 .5 ^4 .4 .3 .3

D G D Em A D A D F#m G A D

.7 .7 .7 .7 .7 ^8 ^8 ^8 .7 .7 .7 .7 .8 ^8 .7 ^7 .7 ^8 .8 .7 ^8 ^7 .6 ^6 .5 .4 ^4 ^5 .5 ^5 .5 ^4 .4 .3 .3

Page 3: 'Oct03' Tunebook Concert Pitch Bass Clef 2007

34. MEDLEY: Waves Of Tory, Spanish Lady, Rose Tree

Waves of Tory

42

D A D A D F#m G A7 D

^5 ^6 .6 .5 .4 .5 .6 .6 .6 .7 ^7 .6 ^6 .6 ^7 .7 ^8 .7 ^8 .8 .7 ^8 ^7 .6 ^6 .5 .4 ^4 ^5 .5 ^5 .5 ^4 .4 .3 .3

D G D Em A D A D F#m G A D

.7 .7 .7 .7 .7 ^8 ^8 ^8 .7 .7 .7 .7 .8 ^8 .7 ^7 .7 ^8 .8 .7 ^8 ^7 .6 ^6 .5 .4 ^4 ^5 .5 ^5 .5 ^4 .4 .3 .3

Spanish Lady

42

D G D A D G D

.5 ^4 .4 .5 .5 ^5 ^6 .6 ^6 .6 ^7 .7 ^8 ^7 .7 .6 ^5 .5 .5 ^5 .5 ^4 .4 .5 .5 ^5 ^6 .6 ^6 .6 ^7 .7 ^8 ^7 .7 .6

A D A D G D A

^5 .5 .5 .7 .8 .8 ^9 .8 .7 ^7 .6 .6 ^7 .7 .8 .8 .7 ^7 .6 ^7 .7 .8 .8 ^9 .8 .7 ^7 .6 .6 ^7 .7 ^8 ^7 .7 .6 ^5 .5 .5

Rose Tree

44

3D D A7 D Bm Em A7 D D F#m

.7 ^7 .6 ^5 .5 .4 .5 ^5 .5 .4 .5 .4 .5 .6 .6 .7 ^7 .6 ^7 .7 ^7 ^7 ^8 .7 ^7 .6 ^5 .6 ^5 .5 .4 .5 ^5 .5 .4 .5 .4 .5

3Bm A7 D D D Em A7 D

.6 ^6 .6 ^7 .6 ^7 .7 .6 .6 .6 ^7 .7 ^7 .7 ^8 .8 ^9 .8 ^8 .7 ^7 ^9 ^9 .8 ^9 ^7 ^7 .7 ^7 .6 ^5 .6 ^5 .5 .4

D F#m Bm A7 D

.5 ^5 .5 .4 .5 .4 .5 .6 ^6 .6 ^7 .6 ^7 .7 .6 .6

Page 4: 'Oct03' Tunebook Concert Pitch Bass Clef 2007

45. MEDLEY: The Tempest, Girl With the Blue Dress on

Tempest, The (Wiltshire Tempest)

42

D D A7 D A7 D A Bm a Em A7

.5 .6 .5 .5 ^5 .5 .7 .6 .6 ^7 .6 ^7 .5 ^5 ^6 .6 ^6 .6 ^7 .7 .8 .6 .5 .5 ^5 .5 .7 .6 .6 ^7 .6 ^7 .5 ^5 ^6

D A7 D G A7 D E7 A7 D A Bm a

.6 .6 .7 ^8 .8 .7 .7 .6 ^7 .6 ^6 ^5 .5 .7 ^8 .8 .7 .7 .6 ^7 .6 ^6 ^5 .5 ^5 ^6 .5 .6 .5 .5 ^5 .5 .7 .6 .6 ^7 .6

Em A7 D A7 D G D Em E7 A7 D Em E7 A7

^7 .5 ^5 ^6 .6 .6 .5 .6 .7 .8 .7 ^9 ^8 .8 .7 ^8 .7 ^7 .6 ^6 .6 ^7 ^6 .5 ^5 ^6 .6 .7 .8 .7 ^8 .7 ^7 .6 ^8 ^7 ^6 .5

D A7 D A7 D A7 D A7 A7 D

.6 .6 ^7 .7 ^8 ^7 ^6 .5 .6 .7 .8 .7 ^8 ^7 ^6 .5 .6 ^7 .7 ^8 .8 .7 .6 .7 .8 .7 ^8 ^7 ^6 .5 ^8 ^7 ^6 .5 .6 .6

The Girl With the Blue Dress on

44

G D7 G D7 G D7 G D7 G

.4 ^4 .5 .4 .5 ^4 ^3 ^4 .4 .3 .3 ^2 .3 .4 ^3 ^2 ^2 [^3] ^2 .3 ^3 .3 .3 .4 ^4 .5 .4 .5 ^4 ^3 ^4 .4 .3 .3 ^2 .3 .4

D7 G G C D7 G D G C

^3 ^2 ^2 [^3] ^2 .3 ^3 .3 .3 .5 .3 .4 .5 .6 ^6 ^6 ^5 ^5 .2 ^2 ^3 ^6 ^5 ^5 .5 .5 .3 .4 .5 .6 ^6 ^6 ^5 ^5 .6

D7 G

^6 ^7 ^5 ^6 .6

Page 5: 'Oct03' Tunebook Concert Pitch Bass Clef 2007

56. MEDLEY: St Mary’s, Church St, Girl With The Blue Dress On.

Saint Mary’s

42

G D G

.3 .4 ^3 .4 ^3 .3 .6 ^5 ^6 .6 ^5 .5 .4 ^3 .3 ^3 .4 .4 ^3 .3 ^2 [^3 .3] .3 .4 ^3 .4 ^3 .3 .6 ^5 ^6 .6 ^5

3

D G G G D1 2

.5 .4 ^3 .4 ^3 .3 .3 [3 ^3] ^2 .3 .3 ^3 .4 .5 .6 .5 .4 .5 .6 .5 .4 .5 .6 ^5 ^6 ^6 .6 ^7 .6 ^5 ^6 .6 ^5

3

G D G G1 2

.5 .4 ^3 .3 ^3 .4 ^5 .5 .4 ^3 .4 .3 .3 ^3 .3 .3 [3 ^3] ^2

Church Street

42

G C D G G C

.5 ^4 .4 .3 [3 .3] [^3] ^4 ^4 ^3 .4 ^4 [^3] ^2 [^3] .2 .5 .5 ^5 .5 ^4 .4 .3 [3 .3] [^3] ^4 ^4 ^3 .4

D D G C G1 2

^4 .4 ^3 .3 ^2 [3 ^3] ^2 .3 .4 .3 .5 ^4 .3 .4 .3 .4 .5 .6 .6 ^6 ^6 ^4 ^5 ^5 ^5 .5 .5 .4 .4 ^4 .5 ^5 .5 .4

D G G D G1 2

^3 ^3 .4 ^3 .3 ^3 .4 ^4 .5 .5 ^5 ^6 .3 .6 ^6 ^7 .6 .6

Page 6: 'Oct03' Tunebook Concert Pitch Bass Clef 2007

67. MEDLEY: Dennis Murphys, St Anthony, Rattlin’ Bog, Davy Nicknack, Grandfathers Clock, Loch Lomond

Dennis Murphy’s polka

42

D G A D G A

.7 ^8 .7 ^7 .6 ^7 .6 ^5 .5 .3 .4 .5 ^4 ^3 ^7 .6 ^6 ^5 ^5 .5 .7 ^8 .7 ^7 .6 ^7 .6 ^5 .5 .3 .4 .5 ^4 ^3 ^7 .7

D G D A D G

^7 .6 .6 ^6 ^5 .5 .7 .7 ^7 .7 .5 ^8 ^8 .7 ^8 .5 .7 .7 ^7 .7 ^7 .7 ^7 .6 ^5 .5 .5 .7 .7 ^7 .7 .5 ^8 ^8 .7 ^8 .8

D A D

^9 .8 ^8 ^7 ^6 .6 ^7 .6 .6

Pat Horgan’s #1 (St Anthony’s)

44

D G A7 D G A D Em

.3 .4 .5 .6 ^6 ^5 .5 ^5 ^3 ^3 .4 ^4 .5 ^4 .4 ^3 .3 .4 .5 .6 ^6 ^5 .5 ^5 ^7 ^5 ^6 .6 .6 ^7 ^5 ^7 ^5

D Em G D Em

^7 ^5 ^5 ^6 .6 .5 .6 .5 .6 .5 .5 ^5 ^7 ^5 ^7 ^5 ^7 ^5 ^5 ^6 .6 ^5 .5 .4 ^3 ^3

Rattlin’ Bog

44

G C G A7 D7 G C G A7 G1 2

^3 .4 .4 ^3 .3 [^3 ^3] .3 .2 .3 .3 ^2 .3 ^3 .4 ^3 ^3 .4 .4 ^3 .3 [^3 ^3] .3 .2 .5 .5 .4 ^3 .3 .3 ^3 .3

G D7 G D7 G A7 D7 G D7 G D7 G

.4 .3 ^3 .3 .4 .3 ^3 .3 .4 .5 .5 .4 ^3 .3 ^3 .4 .3 ^3 .3 .4 .3 ^3 .3 .4 .5 .5 ^4 .4 ^3 .3

Davey davey nick−nack

44

G D7 G

.3 ^2 .3 ^3 .4 .4 .3 ^2 .3 ^3 .4 .4 .5 ^4 .4 ^4 ^3 ^3 .5 ^4 .4 ^4 ^3 ^3 .3 ^2 .3 ^3 .4 .4 .3 ^2 .3 ^3 .4 .4

D7 G G D7 G

.5 ^4 .4 ^4 ^3 ^4 .4 ^3 .3 .4 .3 .4 ^4 .5 .5 ^4 .4 .5 .6 .6 .5 .5 ^4 .4 ^4 ^3 ^3 .5 ^4 .4 ^4 ^3 ^3 .5 .5 ^4 .4 .5

D7 G

.6 .6 .5 .5 ^4 .4 ^4 ^3 ^4 .4 ^3 .3 .4 .3

Grandfather Clock

G D G C G D G1 2

.2 .3 ^2 .3 ^3 .3 ^3 .4 ^5 .4 [^3] ^3 ^3 .3 ^2 [^3] ^2 .3 .2 .3 .4 ^4 .5 .4 ^3 .3 ^2 .3

C G D7 G D7 G

^3 .3 ^2 [^3] .3 [^3] .3 .5 .4 ^3 .3 [^3] .3 ^3 .2 .3 ^3 .4 .4 .4 ^5 .4 [^3] ^3 ^3 .3 ^2 [^3] ^2 .3 .5

Page 7: 'Oct03' Tunebook Concert Pitch Bass Clef 2007

7D7 G C G D7

.6 .5 .5 .4 .4 .5 .4 .5 .4 .5 .6 .5 .5 .4 .4 .5 .4 .5 .4 .5 .6 ^7 .7 ^8 .7 ^5 ^7 ^7 .6 ^6 .6

Loch Lomond

44

G C D7 G C D7 Em G Am D7

.2 .3 .3 ^3 .4 .4 ^3 .3 .3 [^3 .3 ^3 ^3] .3 .3 .3 .3 .4 .5 ^5 ^5 .5 .5 ^5 ^5 .5 .4 .4 .5 ^4 .4 ^3 .3 [^3 .3 .3]

G D7

.3 .4 .5 ^5 .5 .4 ^3 .3

8. Scotland the Brave

44

G G C G A7 D7 G

.2 .3 .3 ^3 .4 .3 .4 .5 .6 .6 ^6 .6 .5 .4 .3 ^4 ^5 ^4 .4 .5 .4 .3 ^3 .5 ^5 .5 ^4 .4 ^3 .3 .3 ^3 .4 .3 .4 .5

C G C G D7 G D7 G A7

.6 .6 ^6 .6 .5 .4 .3 ^4 ^5 ^4 .4 .5 .4 .3 ^3 .3 ^2 .3 ^6 .6 ^7 ^7 ^7 ^7 ^6 .5 .6 .7 ^7 .6 .5 .4 .3 .6 .6 .6

D7 A7 D7 G C G C G D7 G

^6 .6 ^6 ^5 .6 ^6 ^5 .5 ^4 .4 ^3 .3 .3 ^3 .4 .3 .4 .5 .6 .6 ^6 .6 .5 .4 .3 ^4 ^5 ^4 .4 .5 .4 .3 ^3 .3 ^2 .3 .3

9. MEDLEY: Fiery Clock Fyece, Perfect Cure, CatalpaFiery Clock Fyece

= 1000

86

.5 .6 .6 .3 ^3 .4 ^4 .5 ^5 (^4) ^6 ^3 .4 ^4 .5 ^5 ^6 .6 .6 .3 ^3 .4 ^4 .5 .5 ^5 ^6 .6 ^7 ^6 .6 .6 .6 ^7

.7 .7 .6 ^7 .7 ^8 .7 ^7 .6 ^6 ^5 .5 ^5 ^6 .6 ^7 .1 .7 .7 .6 ^7 .7 ^8 .7 ^7 .6 ^6 ^5 .5 ^5 ^6 .6 .6

The Perfect Cure

86

.5 ^4 .4 ^4 .5 .3 .6 ^6 ^5 .5 ^4 .4 ^4 .5 .3 .4 ^3 ^3 .5 ^4 .4 ^4 .5 .3 .6 ^6 ^5 .5 ^4 .4 ^4 .5 .5 ^5 ^6 .6 .6

.6 ^7 .7 ^7 .6 ^7 .6 ^6 .6 ^5 .5 .5 ^7 .7 ^7 .6 ^6 .6 ^7 ^7 .7 ^7 .6 ^7 .6 ^6 .6 ^5 .5 .5 ^5 .5 ^5 .5 ^5 ^6 .6

Rosin the Beau, Catalpa)

86

G G C Em D G G C G D7 G

.3 ^2 .3 .4 ^3 .3 .5 ^5 ^6 .6 .5 .4 .3 .3 ^3 .4 [^3 ^3 .3] .3 ^2 .3 .4 ^3 .3 .5 ^5 ^6 .6 .5 .4 .3 ^3 .4 ^3 .3

G D7 C G Em D G G C G D7 G

.5 .4 .5 .5 ^5 ^6 .6 ^5 .6 ^5 .5 .4 .3 .3 ^3 .4 [^3 ^3 .3] .3 ^2 .3 .4 ^3 .3 .5 ^5 ^6 .6 .5 .4 .3 ^3 .4 ^3 .3

Page 8: 'Oct03' Tunebook Concert Pitch Bass Clef 2007

810. MEDLEY: Dingle Regatta, Blaydon Races, Clare Jig, Old Legacy, Bobby Shaftoe

Dingle Regatta

86

G D G

.4 ^4 .5 [^6] .5 ^5 .5 .4 [^1] .4 .5 .4 ^3 ^3 ^3 .3 ^3 .4 ^3 .3 .4 ^4 .5 [^6] .5 ^5 .5 .4 [^1] .4 .5 .4

D G D D G D G D G D

^3 .4 ^4 .4 ^3 .3 − .5 .5 .5 ^5 ^6 .6 .6 ^6 .6 ^7 ^7 .6 ^7 .7 ^7 .6 ^6 ^5 .5 .5 ^5 ^6 ^7 ^7 .6 ^7 ^7 .6 ^6 ^5

D7 G G D G D G

.5 ^5 ^6 .6 .5 .6 .7 .6 .5 .6 .5 .4 .5 .4 .3 .4 .3 ^2 .3 ^3 [3 ^3] ^2 .3 .4 .5 ^5 ^6 .6 .7 .6 .5 .6 .5

D G

^2 .3 ^3 [3 ^3] ^2 .6 .7 .6 .5 .6 .5 .3 −

Blaydon Races

86

G D7 G C G D A7 D D7 G

.2 .3 ^2 .3 ^2 .3 .3 .3 ^3 ^3 ^3 ^3 .4 .3 ^4 ^4 ^4 ^4 .4 .4 .4 ^3 .4 ^3 .3 ^2 − .3 .2 .3 .3 .3 .3 .3 .3 .3

D7 G C G D D7 G D7 G

^3 ^3 ^3 ^3 .4 .3 .3 ^4 ^4 ^4 ^4 .4 .4 .4 .5 .5 .5 ^4 .4 ^3 .3 .3 .4 ^4 .5 − .4 .3 − .3 ^3 ^3 ^3 ^3 .4 .3 −

C G D A7 D G D7 G C

^4 ^4 ^4 ^4 ^4 .4 .4 .4 ^3 .4 ^3 .3 ^2 .2 − [3 .3] .3 .3 .3 .3 .3 .3 .3 ^3 ^3 ^3 ^3 .4 .3 ^4 ^4 ^4 ^4 ^4

G D D7 G

.4 .4 .5 .5 .5 ^4 .4 ^3 .3 .3

Clare Jig

86

G D D

^3 .4 .4 .4 ^3 .4 .5 .4 ^3 .3 .4 .5 ^5 .5 .5 ^5 .5 .5 ^5 .5 .4 .3 .4 .4 .4 ^3 .4 .5 .4 ^3 .3 .4 .5 ^5 .5 .4 ^3

G G D C G G D C G G D

.3 .3 .6 ^6 .6 ^6 ^5 ^6 ^5 .5 .4 .5 ^5 .5 .5 ^5 .5 .5 ^5 .5 .4 ^4 .6 ^6 .6 ^6 ^5 ^6 ^5 .5 .4 .5 ^5 .5 .4 ^3

G

.3 .3

Old Legacy

86

G C G

.2 .3 ^3 .3 .3 ^3 .4 .5 ^5 .5 .5 .4 ^3 .3 ^2 .3 .4 ^3 .3 [^3] ^2 .3 .2 .3 ^3 .3 .3 ^3 .4 .5 ^5 .5 .5 .4 ^3

Page 9: 'Oct03' Tunebook Concert Pitch Bass Clef 2007

9C G C G C

.3 ^2 .3 .4 ^3 .3 [^3] ^2 .3 .3 .4 .5 .6 ^6 ^5 .5 ^5 .5 .4 .3 .4 .5 .6 ^6 ^5 .5 ^5 ^6 .6 ^6 .6 .5 .4 ^5 .5 ^5 .5 .4

G C G

.3 ^3 .4 ^3 .4 [^3] ^2 .3

Bobby Shaftoe

44

G C G D7 G C G D7 G G

.2 .3 .3 .3 ^4 .4 .5 .4 .3 [3 .3 .3] .3 ^2 ^3 ^2 .2 .3 .3 .3 ^4 .4 .5 .4 .3 ^3 ^4 ^3 ^2 .3 .3 .4 .5 .4 .3

D7 G D7 G

.4 .5 .4 ^3 ^4 ^3 ^2 ^3 ^4 ^3 .4 .5 .4 .3 .4 .5 .4 ^3 ^4 ^3 ^2 .3 .3

11. MEDLEY: The Tempest, Girl With the Blue Dress onTempest, The (Wiltshire Tempest)

42

D D A7 D A7 D A Bm a Em A7

.5 .6 .5 .5 ^5 .5 .7 .6 .6 ^7 .6 ^7 .5 ^5 ^6 .6 ^6 .6 ^7 .7 .8 .6 .5 .5 ^5 .5 .7 .6 .6 ^7 .6 ^7 .5 ^5 ^6

D A7 D G A7 D E7 A7 D A Bm a

.6 .6 .7 ^8 .8 .7 .7 .6 ^7 .6 ^6 ^5 .5 .7 ^8 .8 .7 .7 .6 ^7 .6 ^6 ^5 .5 ^5 ^6 .5 .6 .5 .5 ^5 .5 .7 .6 .6 ^7 .6

Em A7 D A7 D G D Em E7 A7 D Em E7 A7

^7 .5 ^5 ^6 .6 .6 .5 .6 .7 .8 .7 ^9 ^8 .8 .7 ^8 .7 ^7 .6 ^6 .6 ^7 ^6 .5 ^5 ^6 .6 .7 .8 .7 ^8 .7 ^7 .6 ^8 ^7 ^6 .5

D A7 D A7 D A7 D A7 A7 D

.6 .6 ^7 .7 ^8 ^7 ^6 .5 .6 .7 .8 .7 ^8 ^7 ^6 .5 .6 ^7 .7 ^8 .8 .7 .6 .7 .8 .7 ^8 ^7 ^6 .5 ^8 ^7 ^6 .5 .6 .6

The Girl With the Blue Dress on

44

G D7 G D7 G D7 G D7 G

.4 ^4 .5 .4 .5 ^4 ^3 ^4 .4 .3 .3 ^2 .3 .4 ^3 ^2 ^2 [^3] ^2 .3 ^3 .3 .3 .4 ^4 .5 .4 .5 ^4 ^3 ^4 .4 .3 .3 ^2 .3 .4

D7 G G C D7 G D G C

^3 ^2 ^2 [^3] ^2 .3 ^3 .3 .3 .5 .3 .4 .5 .6 ^6 ^6 ^5 ^5 .2 ^2 ^3 ^6 ^5 ^5 .5 .5 .3 .4 .5 .6 ^6 ^6 ^5 ^5 .6

D7 G

^6 ^7 ^5 ^6 .6

Page 10: 'Oct03' Tunebook Concert Pitch Bass Clef 2007

1012. MEDLEY: Lincolnshire Poacher, Colleen

The Lincolnshire Poacher

= 100

86

D Bm D D D A D D D D D D D D A A D D

.5 .6 .6 .6 ^6 ^5 .5 ^4 .4 .5 .6 .6 ^7 ^6 .6 − .5 .6 ^7 .7 ^8 .8 .7 .6 ^7 .7 .7 .7 ^7 .6 ^7 − .5 .6 ^7 .7 ^8

D D D D A D D Bm D D D A D D

.8 .7 .6 ^7 .7 .7 .7 ^7 .6 ^7 .7 ^7 .6 .6 .6 ^6 ^5 .5 ^4 .4 .5 .5 .6 .6 ^7 .6 ^6 .6 −

Colleen

86

G G D C D Am D G G

.2 .4 ^4 .4 ^3 .3 .4 .2 ^3 .3 ^3 .4 ^4 − .2 ^3 .3 ^3 .4 ^4 .4 ^3 ^3 .4 ^3 ^2 [^3] .2 − .2 .4 ^4 .4 ^3

G D C G G G G G G G1 2

.3 .4 .2 ^3 .3 ^3 .4 ^4 − .2 .5 .5 .5 .5 .5 .5 .5 .5 .5 ^4 [^3] ^2 .3 .2 .3 .4 ^4 .5 − ^5 .5 − ^5

Am G D G D G G G Am G

.5 ^5 .5 ^4 ^3 .3 .2 ^3 ^3 .4 ^4 .5 .4 .3 ^3 .4 ^3 ^2 .2 .4 ^4 .5 − ^5 .5 − ^5 .5 ^5 .5 ^4 ^3 .3 .2

Am Bm G G G1 2

[^3 ^3] ^3 .3 ^2 .5 .5 .5 .5 ^4 [^3] ^2 .3 .4 ^4 .3 −

Page 11: 'Oct03' Tunebook Concert Pitch Bass Clef 2007

1113. MEDLEY: Louisburg, Muckin’, Haymaker’s, Oyster Girl(D Then G), M’moiselle

Louisburg (Uncle’s Jig)

86

.4 ^4 .5 .5 .5 .4 ^4 .5 .5 .5 .4 .5 .6 .6 ^6 ^5 .5 .4 ^4 ^5 ^5 .5 ^4 .4 .5 .5 .4 ^3 .4 ^4 .4 ^3 .4 ^4

1 2

.5 .5 .5 .4 ^4 .5 .5 .5 .4 .5 .6 .6 ^6 ^5 .5 .4 ^4 ^5 ^5 .5 ^4 .4 .5 .3 .4 ^3 ^4 ^2 ^3 .3 .4 ^4 .4 ^2 .3

1 2

.5 .6 ^6 ^7 .6 .7 .8 ^8 .7 ^7 .8 ^8 .7 ^7 .6 .7 .8 .5 .6 ^6 ^7 .6 .7 .8 ^8 .7 ^7 .8 ^8 .7 ^7 .6 .4 ^4 .6 .6

Mucking of Geordie’s Byre

86

D G A D G A D

.5 .5 ^5 .5 .5 .4 .5 .6 ^7 .7 .8 ^8 ^7 .7 .6 ^7 .6 ^5 ^6 .6 .5 ^5 .5 .5 .4 .5 .6 ^7 .7 ^8 .8 .7 .6 ^7 .7 ^7 .6 .6

G D A D G A

^7 .7 ^8 ^8 ^8 .8 ^9 .7 .7 .7 ^8 .8 ^7 ^7 ^7 .6 ^7 .7 ^7 .6 ^5 ^6 .6 .5 ^5 .5 .5 .4 .5 .6 ^7 .7 ^8 .8 .7 .6 ^7 .7 ^7

D

.6 .6

Haymaker’s Jig

86

G C D C G G D7

.4 ^4 .5 .5 .5 .4 .5 .6 ^6 .6 .4 ^4 .4 ^4 ^3 .4 ^4 ^5 .5 .4 ^4 .5 .5 .5 .4 .5 .6 ^6 .6 .4 .6 ^6 ^5 .5 ^5 ^4 ^3

G G C D G G

.3 .3 .4 .5 .6 .6 .6 ^6 ^5 .5 .6 .5 .4 ^4 .4 ^4 ^3 .4 ^4 ^5 .5 .4 .5 .6 .6 .6 ^6 ^5 .5 .6 .5 .4 .6

D7 G

^6 ^5 .5 ^5 ^4 ^3 .3 −

Oyster Girl (in D)

86

D A D A D G D A D1

.4 .5 ^5 .5 .4 .3 ^3 ^2 .2 ^2 .3 ^2 .3 .4 ^3 .4 .5 ^4 ^3 .5 ^5 .5 .4 .6 ^6 ^5 ^4 ^5 .5 .4 ^4 .4 ^3 .3 .3 .4

D G A D A2

.3 .4 .5 .6 .5 .4 ^4 .5 .4 ^4 .5 ^5 ^4 ^5 ^4 ^3 .4 ^4 ^3 .4 ^4 .5 .4 .5 .4 .5 ^5 .5 .4 .6 ^6 ^5 ^4 ^5

D A D1 2

.5 .4 ^4 .4 ^3 .3 .4 .5 .6 .5 .3 .3 .4

Page 12: 'Oct03' Tunebook Concert Pitch Bass Clef 2007

12Oyster Girl (in G)

86

G D7 G D7 G C G D7 G

.4 ^4 .5 ^5 .5 .4 .3 ^3 ^2 [3 ^3] ^2 .3 .3 .4 .3 .4 .5 ^4 ^3 .5 ^5 .5 .4 .5 .6 ^6 ^5 ^4 ^5 .5 .4 ^4 .4 ^3 .3 .3

G C D7 G C G D7

.5 ^4 .4 ^4 .5 .4 ^4 .5 ^5 ^4 ^5 .5 ^4 ^3 .4 ^4 ^3 .4 ^4 .5 .4 .5 .4 .5 ^5 .5 .4 .5 .6 ^6 ^5 ^4 ^5 .5 .4 ^4 .4 ^3

G

.3 .3

Mademoiselle from Armentiers

86

G D7 G C

.2 .3 .3 .3 .3 .3 .3 .3 ^2 ^2 .3 ^3 .2 ^3 ^3 ^3 ^3 ^3 ^3 ^3 .3 .3 ^3 .4 .4 .5 .5 .5 .4 ^4 ^4 ^4 ^3

G D G D G

.4 .4 .4 .3 ^3 ^2 .2 .5 ^5 .5 ^4 .4 ^4 .3

14. Woodcutter’s Jig

86

G D G D G D G D G D G

.7 .6 .6 ^6 .6 ^6 ^5 .5 ^4 .4 ^4 .4 ^3 ^2 .3 ^3 .4 ^3 .7 .6 .6 ^6 .6 ^6 ^5 .5 ^4 .4 ^4 .4 ^3 ^2 .3 .3

C G D G D G C G D G

.4 .5 .5 ^4 .4 ^4 ^5 ^6 ^5 .5 ^4 .4 ^4 .4 ^3 .4 .5 .5 ^4 .4 ^4 ^5 .6 ^5 .5 ^5 .5 ^4 .4 ^3 .3 .3

Page 13: 'Oct03' Tunebook Concert Pitch Bass Clef 2007

1315. MEDLEY BARN DANCE: Click Go the Shears, Waltzing Matilda Cowra, Waltzing Matilda Buderim, Drover’s Dream

Click go the Shears

44

G C G D7 G C D7

.4 .4 ^3 .3 .4 .5 .6 .6 ^6 ^5 .5 .5 ^5 .5 .4 .3 ^3 ^3 .4 ^3 .4 .4 ^3 .3 .4 .5 .6 .6 ^6 ^5 ^5 ^7 .6 ^6 ^5 .5 ^4 .4 ^3

G D7 G C G D7 G C

.3 .6 .6 .6 ^7 ^7 ^7 ^6 ^7 .6 .7 .6 ^5 ^5 ^6 .6 ^6 .6 ^5 .5 ^5 .5 .4 ^3 ^4 .4 ^3 .4 .4 ^3 .3 .4 .5 .6 .6 ^6 ^5 ^5

D7 G

^7 .6 ^6 ^5 .5 ^4 .4 ^3 .3 .6 .6 .6

Waltzing Matilda (Cowra, normal)

44

G D G C G D7 G D G C

.3 ^3 .4 .4 ^3 ^3 .3 ^3 .4 .3 [^3] ^2 .3 .2 .3 .4 .5 .5 .5 .5 .5 .5 .5 .3 ^3 .4 .4 ^3 ^3 .3 ^3 .4 .3 [^3] ^2 .3

G D7 G C G D7 G D

.2 .3 .4 .5 ^4 .4 ^3 ^3 ^3 .3 .5 .5 .5 .5 .4 .6 .6 .6 ^6 ^5 .5 .5 .5 ^5 .5 .5 .5 ^4 .4 ^3 .3 ^3 .4 .4 ^3 ^3

G C G D G

.3 ^3 .4 .3 [^3] ^2 .3 .2 .3 .4 .5 ^4 .4 ^3 ^3 ^3 .3

Waltzing Matilda (Buderim)

86

G C G C D Em D C C

.3 .3 .3 .6 .6 ^5 .5 ^5 ^6 ^5 .5 .4 ^3 .3 .3 .3 .6 .6 ^5 ^5 .5 ^5 ^6 .6 ^7 .6 ^6 .5 ^5 .5 ^5 ^6 ^5 .5 .4 ^3

G G D G

.3 .3 .3 .6 .6 ^3 .4 ^3 .3

Drover’s Dream, The (The Flash Stockman)

86

D G C G D7 G

.2 .3 ^3 .4 ^3 .3 [3 .3] [^3] ^2 .3 [^3] [3 .3] .3 .3 .3 .3 ^3 .4 .4 ^3 .3 ^3 − [3 .3] .3 ^3 .4 ^3 .3 [3 .3]

C G D7 G C G

[^3] ^2 .3 [^3] .2 .3 ^3 .4 .4 .4 .3 ^3 ^3 ^3 ^2 .3 − ^3 .4 ^4 ^4 ^4 ^4 ^4 .5 ^4 .4 .4 .4 ^3 .3 .2

D7 G C G D7 G

.3 .3 .3 ^3 .4 .4 ^3 .3 ^3 [3 .3] .3 ^3 .4 ^3 .3 [3 .3] [^3] ^2 .3 [^3] .2 .3 .4 .4 .4 .3 ^3 ^3 ^3 ^2 .3

.3 .2

Page 14: 'Oct03' Tunebook Concert Pitch Bass Clef 2007

1416. MEDLEY: Harper’s Frolick, Bonnie Kate

Harper’s Frolick

42

D A D A D

.5 .5 .4 .3 .5 .4 .5 .3 .6 ^6 .6 ^7 ^6 .6 ^6 .6 ^7 .6 .5 .4 .5 .3 .5 .4 .5 .3 .6 ^6 .6 ^7 .6 ^6 .6 ^8

A7 D A7 D A D

.7 .6 ^7 .7 ^8 ^7 ^8 .7 .6 .7 ^7 .6 ^6 ^5 .5 ^8 .7 .6 ^7 .7 .7 .6 .7 .7 .6 ^7 .6 ^6 .6

Bonnie Kate

44

G D G C G

.5 ^5 ^6 .6 ^6 .6 ^6 .6 .5 .5 .4 ^4 .5 ^5 .5 ^4 .4 .3 .3 ^3 .4 .3 .3 ^3 .4 ^4 .3 .3 ^4 .4 ^4 .5 ^4 .4

D G C G C D G C G D1 2

^3 .5 ^5 ^6 ^3 .4 .3 .3 ^3 .4 ^4 ^3 .5 .4 ^5 ^4 ^4 ^5 ^6 ^5 ^6 .6 ^6 .6 ^5 .5 ^5 ^6 .6 .4 ^4 .5 ^5 ^4 .4

G

^3 .3 .3

Page 15: 'Oct03' Tunebook Concert Pitch Bass Clef 2007

1517. MEDLEY: Dashing White Sergeant, Donkey Riding, Rakes Mallow

Dashing White Sergeant

44

D G A D G

.4 ^3 .3 .3 .3 ^3 .4 ^4 .5 .5 .5 .7 ^7 .6 ^5 .5 .4 ^5 ^3 ^3 ^4 .4 ^3 .3 .3 .3 ^3 .4 ^4 .5 .5 .5 .7 ^7 .6 ^6 ^5

A D A D A D G

.5 ^3 .5 .5 ^5 ^6 ^6 .6 ^7 ^7 ^6 .5 .5 ^5 ^5 ^6 .6 .6 ^7 .7 .7 .6 ^5 ^5 ^6 .5 .6 .5 ^7 .5 .7 ^7 .7 ^8 .7 ^7 .6

A D G D G A7

^6 ^5 .5 ^4 .4 .6 .6 ^6 .6 ^7 .6 .5 .5 .5 ^5 ^7 ^7 .6 ^7 .7 ^7 ^5 ^5 ^5 .5 .6 .6 ^6 .6 ^7 .7 .6 .6 ^6 .6 ^7 .7 .8

1 2

.6 ^6 ^5 .5 ^4 .6

Donkey Riding

44

G G Am Am G G G G Em G

.3 ^3 .4 .4 ^4 ^3 .4 .4 ^3 ^3 .3 ^3 .4 ^3 ^3 .3 ^3 .4 .4 ^4 ^3 .4 .4 ^3 .5 .5 .3 .3 ^5 .5 ^4 ^4 .5 .4

Am Am Em G G G

.4 ^3 ^3 .3 ^3 .4 ^3 ^3 ^5 .5 ^4 ^4 .5 .4 .4 ^3 .5 .5 .3 .3

Rakes of Mallow (Walls of Limerick)

44

G D G C D

.3 .4 .3 .4 .3 .4 ^4 .4 ^3 .3 ^2 ^3 ^2 ^3 ^2 ^3 .5 ^4 .4 ^3 .3 .4 .3 .4 .3 .4 .5 ^4 .4 ^3 .3 ^2 .3 ^3 ^4

G G G D G C D

.4 .3 .3 .6 ^6 ^5 .5 ^4 .4 ^4 .5 .6 ^6 ^5 .5 ^4 .4 ^4 ^3 .6 ^6 ^5 .5 ^4 .4 ^4 .5 ^4 .4 ^3 .3 ^2 .3 ^3 ^4

G

.4 .3 .3

Page 16: 'Oct03' Tunebook Concert Pitch Bass Clef 2007

1618. MEDLEY HEEL & TOE: Heel and Toe Polka, I’ll Tell My Ma)

Little Brown JugHeel & Toe Polka

42

D G A7 D D D G A7 D1 2 1

.4 .5 .5 ^4 ^5 ^5 ^6 ^6 ^6 ^5 ^6 .6 ^7 .7 ^7 .6 .7 .7 ^7 .6 ^6 ^5 ^5 ^6 ^6 ^6 ^5 ^6 .6 ^7 .7

D dc2

^7 .6 .6

I’ll Tell My Ma

42

G D G D G G/Bm

.3 .2 .3 .4 .4 ^4 .4 .4 ^4 .4 ^3 ^3 .4 ^3 .3 .3 .4 .2 .3 .4 .4 ^4 .4 .4 ^4 .4 ^3 ^3 .4 ^3 .3 .3 .5 .5 .5 .4

C/Am G D G C G D G

^4 ^4 ^4 ^3 .4 .4 .4 .4 .3 ^3 ^2 [^3 .3] .5 .5 .5 .4 ^4 ^4 ^4 .4 .3 .3 ^3 ^2 .3 .3 .3

19. The Irish Washerwoman

86

G Am G

.4 .3 .3 .2 .3 .3 .4 .3 .4 .5 ^4 .4 ^4 ^3 ^3 ^2 ^3 ^3 ^4 ^3 ^4 ^5 .5 ^4 .4 .3 .3 .2 .3 .3 .4 .3 .4 .5 ^4 .4

Am D7 G G D1 2

^4 .4 ^4 ^3 .5 ^4 .4 .3 .3 .3 ^3 .4 .3 .3 .3 ^5 ^6 .6 ^6 .6 .5 .6 .5 .6 .7 ^7 .6 ^6 ^5 ^6 .5 ^6 .5 ^6 ^7 .6 ^6

C G C G C D7 G1 2

^5 .6 .6 .5 .6 .6 ^4 .6 .6 .4 .6 .6 ^4 .4 ^4 ^3 .5 ^4 .4 .3 .3 .3 ^5 ^6 .4 .3 .3 .3 ^3

Page 17: 'Oct03' Tunebook Concert Pitch Bass Clef 2007

1720. Father O’FlynnThe Top of Cork Road

86

D G A D

.6 .5 .4 .3 .4 .5 .6 ^7 .6 ^6 ^5 .5 .6 ^6 .6 ^7 .7 ^8 .7 .6 .7 ^7 ^6 .5 .6 .5 .4 .3 .4 .5 .6 ^7 .6 ^6 ^5 .5

G A D D A D A1 2

.6 ^6 .6 ^7 .7 ^8 .7 .6 ^6 .6 .5 .7 .6 ^6 .6 ^7 .7 .7 ^8 .8 ^7 ^6 .5 .5 ^5 ^6 .6 ^6 .6 ^5 ^7 .6 ^6 .5 .5 .5 (^4)

G D G A D1 2

^5 ^5 .5 ^4 .5 .4 .3 .3 .4 .5 .6 ^6 .6 ^7 .7 ^8 .7 .6 ^6 .6 ^7 .6 ^6 .6 ^7 .6 ^7 .7 .6 .7 ^8 .7 ^7

Variations

.6 .5 .4 .3 .4 .5 ^5 ^7 .6 ^6 ^5 .5 ^5 ^6 .6 ^7 .6 ^7 .7 ^7 .6 ^7 ^6 .5 .6 .5 .4 .3 .4 .5 ^5 ^7 .6 ^6 ^5 .5

1 2

^5 ^6 .6 ^7 .6 ^7 .7 .6 ^6 .6 .5 .7 .6 ^6 .6 ^7 .7 .6 .7 .7 ^8 .8 ^7 ^6 .5 .5 ^5 ^6 .6 ^6 .6 ^5 ^7 .6

1 2

^6 .5 .5 .5 (^4) ^5 ^4 ^5 ^5 ^6 .6 .5 .4 .3 .3 .4 .5 .6 ^6 .6 ^7 .6 ^7 .7 .6 ^6 .6 ^7 .6 ^6 .6 ^7 .7 ^8

.7 .6 .7 ^8 .7 ^7

22. The Leaving of Liverpoolvia PR

42

F F7 Bb F Dm Gm C7 F F7 Bb

^4 .5 ^5 − .6 ^6 ^5 .5 ^4 ^8 − ^7 .6 ^4 .5 ^5 .6 .6 ^7 .6 ^5 .5 − ^4 .5 ^5 − .6 ^6 ^5 .5 ^4 ^8 − ^7

F C7 F Dm Gm C7 F C7 Bb F C7 F D7 G7

.6 ^4 .5 ^5 .6 .6 ^5 .5 ^6 ^5 .5 ^4 − .7 ^8 .8 − .7 .6 .7 .8 ^8 − ^7 .6 ^4 .5 ^5 .6 .6 .6 ^6 .6 ^7 .6 .5

C7 F F7 Bb F C7 F Dm Gm C7 F

− .6 .6 ^6 ^5 − .6 ^6 ^5 .5 ^4 ^8 − ^7 .6 ^4 .5 ^5 .6 .6 ^5 .5 ^6 ^5 .5 ^4 −

Leaving of Liverpool in D

42

D D7 G DA7 D Bm Em A7 D D7 G DA7 D Bm Em A7 D

A7 G DA7 D B7 E7 A7 D D7 G D A7 D Bm Em A7 D

Page 18: 'Oct03' Tunebook Concert Pitch Bass Clef 2007

1823. Bodmin Riding March

44

D G

.5 .6 .6 .6 .6 .6 ^6 .6 ^7 .6 ^6 .6 ^7 .7 .7 .7 .7 .7 ^7 .7 ^8 .7 ^7 .7 ^8 .8 .8 .8 ^9 .8 ^8 ^8 ^8 .8 ^8

D A A D

.7 ^7 .6 ^8 .7 ^7 ^7 .7 ^7 .7 ^7 .6 ^6 ^5 .5 .8 ^9 .8 ^9 .8 ^8 .7 ^7 ^6 .8 ^8 .7 ^7 .6 .8 ^8 .7 ^7 .6 .8 ^8

A7 D

.7 ^7 .6 ^7 .7 ^7 .6

Page 19: 'Oct03' Tunebook Concert Pitch Bass Clef 2007

19GYPSEY TAPS

24. MEDLEY GYPSEY TAP: There’s a Tavern in the Town, It’s a Long Way to Tipparary, Pack up your Troubles, My Old ManThere’s a Tavern in the Town

42

G D7 G C

.5 .5 .5 ^5 .5 [^6] .5 .4 .5 .5 .5 .5 .5 .5 ^5 .5 [^6] .5 ^3 .5 .5 .5 ^4 .4 ^3 .3 .4 .5 .6 ^7 .6 ^6 .6 ^5 ^5

D7 G D7 G D7 G C

^6 ^6 ^6 .5 ^5 ^6 .6 − .5 .5 ^4 ^6 ^6 ^6 ^6 .5 ^4 ^3 .3 .6 .6 .6 .6 .5 .4 .4 ^4 ^6 ^6 ^6 ^6 .5 ^5 ^6 .6 ^5

G D7 G C

.5 .5 .5 .5 ^5 .5 [^6] .5 .4 .5 .5 .5 .5 .5 .5 .5 ^5 .5 [^6] .5 ^3 .5 .5 .5 ^4 .4 ^3 .3 .4 .5 .6 .6 ^7 .6 ^6 .6

D G

^5 .6 ^6 ^6 ^6 .5 ^5 ^6 .6 .6

It’s a Long Way to Tipperary

44

D D7 G D A7 D

.4 ^4 .5 .5 − .5 ^5 ^6 .6 .7 − .7 ^7 .6 ^5 − .6 .5 − ^4 .4 ^4 .5 .5 − .5 ^5 ^6 .6 .7 − ^6 .6

E7 A7 D G F#7 A7 D G

^7 ^5 ^6 .6 ^7 − .4 ^4 .5 .5 − .5 ^5 ^6 .6 .7 − .7 ^8 ^5 .6 ^7 .7 − .6 ^7 .7 .7 .7 .6 ^7 .6 ^5

D E7 A7 D

.5 .6 ^7 .7 .6 − ^7 .6 −

Pack Up Your Troubles

44

D D7 G D A7 D E7

.4 ^4 .5 .5 ^5 .5 ^4 .4 ^4 .5 .7 .7 ^7 .6 ^5 .5 − .4 ^4 .5 .5 ^5 .5 ^4 .4 ^4 .5 .7 .6 .6 ^7 ^5

A7 D A G D Em A7 D G D

^6 .6 ^7 − .6 ^7 .7 .6 ^6 .6 ^7 − ^7 .7 ^8 ^7 .7 .6 ^7 .8 .5 .5 ^5 .5 ^4 .4 ^4 .5 .8 .8 ^8 .7

A7 D

^7 .6 −

Don’t Dilly Dally on the Way

42

G A7 D7 G B7 Em A7

.5 ^5 .4 .3 ^3 .4 ^3 [^3] ^2 .5 ^5 .5 ^4 ^3 [^1] .4 .4 .4 .4 ^4 .4 ^3 ^2 ^3 .4 ^3 .3 ^3 ^3 .4

D7 G D7 G D7 G D7 G

^3 .3 [^3] ^2 .3 ^3 .5 − .4 .5 .5 .4 ^4 .5 .5 .5 .4 ^4 .5 .5 .5 ^5 .5 .4 ^3 .3 [^3] .3 ^3 ^3 .5 .3 .3 ^3

C Am D7 G

.4 ^3 .3 ^3 .4 ^4 ^3 .4 ^4 .5 ^5 .4 ^3 .3 .3

Page 20: 'Oct03' Tunebook Concert Pitch Bass Clef 2007

2025. MEDLEY GYPSEY TAP: If You’re Irish Come into the Parlour, With a Shillelagh Under My Arm, McNamara’s Band

If You’re Irish, come into the Parlour

86

G A7 D D7 G C G

.5 ^4 .4 .2 − [3 .3 ^3 .3] [^2] ^3 ^3 .4 ^4 .5 .4 ^3 .3 − ^3 .4 ^4 [^3] [3 ^2 .3] .3 .4 .4 .4

A7 D7 G A7 D7 G

^3 ^3 ^3 ^3 ^3 ^3 .4 ^3 .3 ^2 .2 ^2 ^3 .5 .5 ^4 .4 .2 − [3 .3 ^3 .3] [^2] ^3 ^3 .4 ^4 .5 .4 [^1] .4

D7 G D7 G D7 G

− − .4 .5 .5 .5 .5 .4 .5 ^4 .4 ^3 .4 .5 .5 .5 .5 .4 .5 ^4 .4 ^3 .4 ^4 .5 .4 ^4 .5 ^4 .4 ^3 .3 − −

If you’re Irish medley tune

86

1 2

.4 ^4 .5 .5 .5 .4 .5 .7 .6 .6 ^6 .6 ^7 .6 ^6 ^5 .5 ^7 (^1) ^7 .7 ^8 ^7 ^6 ^5 .5 .5 ^5 .5 .4 .5 .5 ^5 ^6

.6

With a Shillelagh Under my Arm (G)

86

.5 ^5 ^6 .6 .3 ^3 .3 ^2 .3 .6 ^6 ^5 ^6 .6 ^5 .5 .5 ^5 ^6 .6 ^6 .6 ^5 .5 .4 ^3 .3 .4 ^3 .5 ^5 ^6

.6 .3 ^3 ^3 ^2 .3 .6 ^6 ^5 ^6 .6 ^5 .5 .5 ^5 ^6 .6 ^6 .6 ^5 .5 .6 ^7 .7 ^7 .6 .3 ^3 [1] ^3 .4 ^4 .4 ^4 ^3

.4 [^1] .4 ^4 .5 − [^6] .4 ^4 .5 ^5 ^6 .6 [[^10]] ^7 .6 ^6 ^5 .5 .5 ^5 ^6 .6 .3 .3 ^2 [^3] .3 .6 ^6 ^5 ^6 .6 ^5

.5 .5 ^5 ^6 .6 ^6 .6 ^5 .5 ^5 .6 .7 ^7 .6

McNamara’s Band

86

.5 ^4 .4 .4 .4 ^3 .4 .4 .4 .4 ^3 .4 .4 .4 ^3 .3 .2 .4 ^4 ^4 .4 ^4 .5 .4 .3 ^3 .4 ^3 .4 ^3 .3 ^3 .5 ^4

.4 ^3 .4 .4 ^3 .4 .4 ^3 .4 .4 ^3 .4 .4 .4 ^3 .3 .2 .4 ^4 ^4 .4 ^4 .5 .4 .3 [^3] .2 ^4 .4 ^3 .3 [3 ^3] ^2 .3

− ^5 .5 .4 ^3 [^3] − [^3] ^2 − .5 ^4 ^3 .4 − [3 ^3] ^2 .3 − ^5 .5 .4 ^3 ^5 ^6 ^5 .5 ^4 .5 .5 ^4 .5

Page 21: 'Oct03' Tunebook Concert Pitch Bass Clef 2007

21

.5 ^4 .4 ^3 .3 .5 ^5 ^6 .3

26. MEDLEY GYPSEY TAP: I’ve Got A Lovely Bunch of Cocoanuts, Ship AhoyI’ve Got A Lovely Bunch of Cocoanuts

86

C G7

.4 [^1] .4 .6 .6 .6 ^6 ^5 .4 .4 .4 − .4 .4 .4 [^1] .4 .6 .6 ^6 ^5 ^4 ^4 − ^6 ^6 ^6 ^6 ^6 ^6 ^6 ^6 ^6

D7 G C

^6 ^5 ^5 ^5 ^5 ^5 ^5 ^5 ^5 ^5 ^5 ^7 .6 ^6 ^5 .5 .4 [^1] .4 .6 .6 .6 ^6 ^5 .4 .4 .4 − .4 .4 .4 [^1] .4

G7 C

.6 .6 ^6 ^5 ^4 ^4 − ^6 ^6 (^4) ^6 − ^6 (^4) ^6 ^6 ^6 (^4) ^6 ^6 ^5 .5 ^5 ^6 ^5 .5 ^4 .4 .4 ^3 .3 .3 .5 ^5

G7

.6 .6 .6 .6 .6 .6 .6 ^6 ^5 .6 .5 ^5 .6 .6 .6 .6 .6 .6 .6 ^6 ^5 ^6 − ^6 ^6 ^6 ^6 ^6 ^6 ^6 ^6 ^6 ^6 ^6 ^5

C

.5 ^5 ^6 ^5 .5 ^4 .4 .4 ^3 .3 −

Ship Ahoy (All the nice Girls love A Sailor)

86

C7 F D7 Gm

[3 ^3] ^2 ^4 − .4 ^3 [^3] ^2 − [^3] ^2 .3 .5 [^6] ^5 .5 − .5 ^1 ^5 .4 − .4 ^4 .4 .4 [^3] − ^2 .3

C7 C7 F D7

.4 ^3 ^5 .4 ^3 − [3 ^3] ^2 ^4 − .4 ^3 [^3] ^2 − [^3] ^2 .3 .5 [^6] ^5 .5 − .5 ^1 ^5 .5 ^5 .5

Gm C7 F

.4 ^4 .4 .4 ^3 .4 ^3 [^3] .3 .4 .5 − .5 .4 .3 −

28. The Quartermaster’s Stores

44

D Bm D A D D Bm D Em D D

.5 .6 .7 .7 .7 ^7 .6 ^5 .5 .6 .7 ^7 .6 ^7 .7 .5 .6 .7 .7 .7 ^7 .6 ^5 .5 .6 .7 ^7 ^8 .7 ^7 .6 .5

D Bm Em A A D D Bm Em D F#m

.6 .7 ^7 .6 ^6 ^5 ^5 ^5 ^5 ^7 ^8 .7 ^7 .6 ^6 ^7 .8 .5 .7 .6 ^6 ^5 ^8 ^7 .8 ^6 .6

Page 22: 'Oct03' Tunebook Concert Pitch Bass Clef 2007

2229. You Are My Sunshine

44

G G7 C G C G

.2 .3 ^3 .4 .4 − .4 [^1] .4 .3 .3 − .3 ^3 .4 ^4 ^5 − ^5 .5 ^4 .4 − .3 ^3 .4 ^4 ^5 − ^5 .5 ^4 .4 .3

Em G D7

− .3 ^3 .4 ^4 ^3 ^3 .4 .3 −

30. If You Knew Susie

D B7 Em A7 A D

.5 .6 ^7 ^7 .6 ^5 ^6 .6 .6 ^6 ^5 ^5 ^5 .5 ^6 ^5 .5 ^6 .6 .6 ^6 .5 ^5 ^6 ^6 ^5 .5 .5 .5 .4 .4

3A7 D7 D G E7 A7 D E7

^4 .5 .5 ^5 ^6 .6 ^7 ^7 .6 ^7 .6 ^7 .6 .6 ^7 .7 .7 ^7 .7 ^7 .7 ^7 .7 ^7 ^6 .5 .6 ^7 ^7 .6 ^5 ^7 .7 .7 ^7

Em A7 D

^8 .7 ^7 .7 .6 −

30. If You Knew Susie

C A7 Dm G7 G C

.5 .6 ^7 ^7 .6 ^5 ^6 .6 .6 ^6 ^5 ^5 ^5 .5 ^6 ^5 .5 ^6 .6 .6 ^6 .5 ^5 ^6 ^6 ^5 .5 .5 .5 .4 .4

3G7 C7 C F D7 G7 C D7

^4 .5 .5 ^5 ^6 .6 ^7 ^7 .6 ^7 .6 ^7 .6 .6 ^7 .7 .7 ^7 .7 ^7 .7 ^7 .7 ^7 ^6 .5 .6 ^7 ^7 .6 ^5 ^7 .7 .7 ^7

Dm G7 C

^8 .7 ^7 .7 .6 −

Page 23: 'Oct03' Tunebook Concert Pitch Bass Clef 2007

2331. Beer Barrel Polka, Roll out the Barrel

PartA Bb F Bb

.3 ^2 .3 [^3] .3 ^2 .3 [^3] .3 .3 ^4 .5 ^4 ^4 .4 .4 .4 .4 ^4 .5 ^4 ^4 .4 .4 .4 .4 ^3 [1] ^3 .4 ^3 .3 .3 ^2

F Bb PartBEb

.3 [^3] .3 ^2 .3 [^3] .3 .3 ^4 .5 ^4 ^4 .4 .5 .5 .4 .4 .4 .4 .3 [1] ^3 .4 ^4 .3 [1] ^3 [1] ^3 [[^1] ^3 .3]

Bb F Bb1

^3 − [[^1]] ^2 .3 ^2 .3 − [^3 .3] − .3 − ^4 .5 ^4 .4 .5 ^3 .3 .4 .4 .4 ^4 .5 ^4 .4 .5 ^3 [1] .3 .3 [1]

3Link PartC F C72

^3 .4 ^4 − ^4 .5 ^5 .1 .5 ^4 ^3 [[^1] .3] − − − .5 .5 [^6] .5 ^5 − .5 ^5 .5 ^5 .5 [^6] ^4 ^4 ^5

F F7 Bb D7 Gm C7

^5 ^1 ^5 ^6 − ^5 ^6 ^5 ^6 ^5 ^1 .5 − .5 .5 [^6] .5 ^5 − .5 ^5 .5 ^5 .5 .3 ^5 − ^3 .4 ^4 .5 ^6 ^5

F Dm G7 C7 FC7 F

^5 .5 − ^4 .5 ^5 ^6 .6 −

Page 24: 'Oct03' Tunebook Concert Pitch Bass Clef 2007

24WALTZESSCRATCH BAND WALTZ MEDLEYS

32. MEDLEY: Billy of Tea, Tom Blackman’sBilly of Tea

= 160

43

D G D E7 A7 D G

.4 ^4 .5 .5 .5 .5 .4 .5 .6 ^6 ^5 .5 ^4 .4 .4 .4 .5 ^4 .4 ^3 .4 ^3 ^3 .4 .5 .5 .5 .5 .4 .5 .6 ^6 ^5

D G A7 D

.5 .5 ^4 .4 .5 .3 ^4 ^4 .4 .4 ^3 .3 ^2 .3

Tom Blackman’s Waltz

43

D A7 Em A7 D A7 D G Em

.7 ^7 .6 .5 .6 ^6 ^5 ^3 ^6 ^5 .5 ^4 .4 ^3 .4 ^4 ^5 .5 .7 ^7 .6 .5 .6 ^6 ^5 ^3

3 3 3 3 3 3 3

A7 D D G E7

^6 .6 ^6 ^5 ^6 ^5 .5 ^5 .5 ^4 .5 ^4 .4 ^4 .4 ^3 .4 ^3 .3 ^3 .3 .3 ^3 .4 .5 .6 .4 ^4 .5 .3 ^3 .4 ^4 .5 ^5 ^3

A7 D A D G E7 A7 D

^6 ^5 .5 ^4 .4 ^3 .4 ^4 .5 .4 ^4 .5 .3 ^3 .4 ^4 .5 ^5 ^3 ^6 ^5 .5 ^4 .4 ^3 .3 .4 .5 .6

Page 25: 'Oct03' Tunebook Concert Pitch Bass Clef 2007

2535. MEDLEY: Planxty Irwin, South Wind, Endearing Young Charms.

Planxty Irwin

43

G C G Em C G D7 G C G D7

.5 .6 ^6 ^5 ^6 .6 .5 ^4 .4 ^3 .3 ^4 ^3 .4 ^4 .5 ^2 .3 ^3 .5 .6 ^6 ^5 ^6 .6 .5 ^4 .4 ^3 .3 ^4 ^3

G D7 G D7 G Em A7 D7 G C

.4 ^4 .5 .3 ^2 .3 .5 .6 .6 .6 ^6 .6 ^7 .7 ^7 ^7 ^6 .5 .7 .7 ^7 .7 .6 ^6 .6 ^5 .5 ^5 ^6 .6 ^6 ^5 ^6 .6

G Em C G D7 G

.5 ^4 .4 ^3 .3 ^4 ^3 .4 ^4 .5 .3 ^2 .3

The South Wind

43

G D7 G C G C G

^4 .4 ^3 .3 .4 ^4 .5 ^3 ^3 ^3 ^4 .4 ^3 .3 [^3 .3 ^3] .3 .3 .3 .5 .6 .6 .6 ^6 ^5 .5 .5 .5 ^4 .4 ^3 .3

Em Am D7 Am D7 G1 2

.4 ^4 .5 ^3 ^3 ^3 ^3 ^4 ^2 .3 .3

All Those Endearing Young Charms

43

G C G D7 G D7 G C

.4 ^3 .3 ^3 .3 .3 .4 .5 ^4 ^5 .6 .6 ^6 ^5 .5 ^4 .4 ^3 .3 ^3 .4 .5 .4 ^3 .4 ^3 .3 ^3 .3 .3 .4 .5 ^4 ^5 .6

G D7 G C G D7 G D7

.6 ^6 ^5 .5 .6 .4 ^3 .3 ^3 .3 − .5 ^4 .4 .5 .6 .6 .5 ^5 ^4 .6 .6 ^6 ^5 .5 ^4 .4 ^3 .3 ^3 .4 .5 .4 ^3 .4 ^3

G C G D7 G

.3 ^3 .3 .3 .4 .5 ^4 ^5 .6 .6 ^6 ^5 .5 .6 .4 ^3 .3 ^3 .3 −

Page 26: 'Oct03' Tunebook Concert Pitch Bass Clef 2007

2636. Ashokan Farewell

43

D Bm D G D Bm D A F#m D Bm

.5 ^6 .6 ^6 ^5 .5 .4 ^3 .4 ^4 .4 ^3 .3 [^3] .3 [^3] .2 .3 .4 .5 .6 .7 .7 ^8 .7 ^7 .5 ^6 .6 ^6 ^5 .5

43

.4 .5 ^5 ^3 .4 .3 .3 .5 .6 ^7 .6 ^6 .5 .3

43

.3 .4 ^4 .3 .3 .4 ^5 .5 ^4 .4

43

.2 .3 .3 − .2 [^3 ^3] − .5 .5 .2

D G D Bm D F#m A D Bm D A

.4 ^3 .4 ^4 .4 ^3 .3 [^3] .3 [^3] .2 .3 .4 .5 .6 .7 .5 ^6 ^7 .6 .4 ^4 .5 .4 .3 .6 .5 ^5 ^6 .6 .5 .4 ^3

.4 ^5 ^3 .3 .2 .3 .4 ^4 ^3 .3 ^3 .4 .3 .2 − [^3] .2

− ^4 [^3] .2 .3 .6 .5 ^4 .4 .4 .5 ^4 .5 ^5 .5 .3

.5 .3 − .3 .2 [^3] .2 .3 .4 .3 .3 ^2

D Bm G D Am Bm D A F#m

.4 ^3 .3 [^3] − .2 .5 .4 ^3 .3 .4 .5 (^4) ^5 ^6 .6 .5 .4 .3 .2 .3 .4 .5 .6 .4 ^3 .3 ^2

.3 .5 .3 [^3] .2 ^2 ^3 .5 .4 .4 ^3 .3 .2 .4 ^4 .4

.2 .4 ^3 .3 ^2 ^3 .2 − ^3 .4 ^4 ^5 .5 .4 .3 [^3]

.3 ^2 [^3] .4 .3 ^2 .2 ^2 ^3 .3 .5 .3 ^4 .4 .3 .2 .3 [^3] ^3

Page 27: 'Oct03' Tunebook Concert Pitch Bass Clef 2007

27D Bm D G D Bm D A F#m D Bm

.3 .5 ^6 .6 ^6 ^5 .5 .4 ^3 .4 ^4 .4 ^3 .3 [^3] .3 [^3] .2 .3 .4 .5 .6 .7 .7 ^8 .7 ^7 .5 ^6 .6 ^6 ^5 .5

− .6 ^7 .7 ^7 .6 .5 ^4 .3 ^5 ^3 ^4 .4 .3 .4 ^3 .3 .4 .5 .6 .7 .8 .8 ^9 .8 .8 .4 ^4 .5 ^4 .4 ^3

.2 .4 ^4 .5 ^4 .4 ^3 .3 .3 ^3 .3 ^3 .4 .4 [^3] ^4 .4 .2 .3 .4 .5 ^5 .6 ^7 .6 ^6 .6 ^7 .7 ^7 .6

.3 .3 .3 ^3 .2 .4 .3 [^3] − ^3 .3 .3 ^2 [^3] .3 .3 .3 .2 .5 .3 .2

D G D Bm D F#m A D Bm D

.4 ^3 .4 ^4 .4 ^3 .3 [^3] .3 [^3] .2 .3 .4 .5 .6 .7 .5 ^6 ^7 .6 .4 ^4 .5 .4 .3 .6 .5 ^5 ^6 .6

.3 .3 ^3 .3 ^3 .4 .3 .4 ^3 .3 .2 .3 .4 .5 ^5 ^4 ^3 .3 ^3 .4 .3 .5 .7 .6 .6 ^7 .7

.5 ^4 .5 ^5 .5 ^4 .4 .4 [^3] ^4 .2 .3 .5 .5 ^4 .4 .2 .5 .4 .3 ^3 .4 .4 ^4 .5 ^5

− ^2 [^3 ^3] − ^3 .3 .4 .5 .2 .3 ^2 [^3 ^3 .3] .2 .3 − [^3]

A D Bm G D Am Bm D

.5 .4 ^3 .4 ^3 .3 [^3] − .2 .5 .4 ^3 .3 .4 .5 (^4) ^5 ^6 .6 .5 .4 .3 .2 .3 .4

.6 .5 ^5 .5 ^4 .4 .3 [^3] .2 ^2 ^5 .5 .5 .5 ^4 .4 .5 ^6 .6 ^7 ^7 .6 .6 ^5 .5 .3 .4 .5 .6 .5

.5 .3 ^4 .4 .3 .2 .4 ^3 .3 ^2 .3 ^3 ^4 .4 ^3 .5 .2 .3 ^3 − ^3 .4 ^4 .5 .6 .5 .4 .3 .4 .5

[3 ^3] .3 ^2 [^3 .3] − [^3] ^2 .2 ^2 ^3 .2 .3 .5 .3 ^3 .4 .4 .3 .2 .3 .3 ^2

Page 28: 'Oct03' Tunebook Concert Pitch Bass Clef 2007

28A F#m

.5 .6 .4 ^3 .3 ^2 .3

.3 .4 .5 ^4 .4 ^3 .4

.6 .6 ^6 ^5 .5 ^4 .5

[^3 ^3 .3 .3 ^3] ^2 .3 ^3 .3

Page 29: 'Oct03' Tunebook Concert Pitch Bass Clef 2007

2920th CENTURY WALTZES

37. MEDLEY: After the Ball, When I Grow Too Old To dream, Let Me Call You SweetheartAfter the Ball

43

G C G D7 G

.4 .5 .4 .3 [^3] .3 .2 .4 .5 .4 .3 [^3] ^2 − ^4 ^5 ^4 .4 ^3 [1] ^3 ^3 .4 ^3 ^2 .2 .5 −

C G E7 Am D7 G C D7 G

.4 .5 .4 .3 [^3] .3 .2 [^3 .1] .4 ^5 .5 ^4 − .5 ^3 ^3 ^3 .4 ^4 .4 .2 [^3] ^2 .2 .3 −

When I Grow Too Old To dream

43

D A7 D G D A7 D F#m

.3 ^3 .4 ^4 .5 .4 .3 ^3 ^3 ^3 .3 ^3 .4 .3 ^4 .5 ^5 ^6 .6 .5 .4 .3 .4 .2 ^3 .3 ^3 .3 − .2 .5

Em D F#7 Bm D7 G D Bm D A7 D

^4 .5 .4 − .2 .4 ^3 .4 .3 − .3 ^4 .5 ^5 ^6 .6 .5 .4 .3 .4 .2 ^3 .3 ^3 .3 −

Let Me call You Sweetheart

43

D G E7 A7 D A7 D

.4 .5 .6 ^7 .7 .5 [^6] .5 ^5 ^5 ^5 − ^6 − ^6 .6 ^7 ^6 ^5 ^6 .5 .5 .5 − .4 .5 .6 ^7 .7 .5

G E7 G A7 D B7 Ém A7 D

[^6] .5 ^5 ^5 ^7 − ^7 .6 ^6 .6 .7 .5 ^8 .7 ^5 ^6 .6 −

Page 30: 'Oct03' Tunebook Concert Pitch Bass Clef 2007

3038. MEDLEY: Cuckoo Waltz, Plaisir d’Amour

Cuckoo Waltz

43

G D7 C

.4 .3 .4 .3 .4 .5 .5 .4 .3 .4 ^3 ^4 ^3 ^5 ^2 ^3 ^4 ^4 ^3 ^2 ^3 .3 ^5 ^5 ^5 ^1 ^5

G D7 G C

.6 ^6 ^5 .5 .5 .5 [^6] .5 ^6 ^5 .5 ^4 ^4 ^4 .4 ^4 ^5 .5 .4 ^4 [^6 ^6 ^6 ^6] .5 ^5 ^5 ^5 ^1 ^5

G D7 G

.6 ^6 ^5 .5 ^5 .5 .5 ^5 .5 .5 [^6] .5 ^6 ^5 .5 ^4 ^4 ^4 .4 ^4 ^5 ^2 .3 .4 .3 .4 .3 .4 .3

.4 .3

Plaisir d’Amour

86

G D7 G Am G D7 C D7 G Am G D7 G G C G C

.2 .3 ^3 .4 .4 .4 ^4 ^4 .4 ^3 .4 ^3 ^3 .2 [^3] ^2 .3 ^3 .4 [^3] ^3 ^4 .4 ^3 .3 .3 .3 .5 ^5 .5 ^5 ^6 .6 ^6 ^5

G D7 G A D Em D A7 D7 Finish on an A

.5 ^4 .4 .4 [^6] .5 ^1 ^5 ^6 .6 ^6 ^5 .5 [^6] .5 .5 .2

Plaisir D’amour (Baez)

43

.2 .3 ^3 .4 − .4 ^4 ^4 .4 .3 .4 ^3 − [3 ^3] ^2 .3 ^3 .4 [^3] ^3 ^4 .4 ^3Plai − sir d’a − mour Ne du − re qu’on mo− ment, Cha − grin d’a − mour du− re tou − te la vie.

.3 −

Page 31: 'Oct03' Tunebook Concert Pitch Bass Clef 2007

3139. MEDLEY: Margaret’s waltz, Charles Lynch

Margaret’s waltz

43

G D G D G

.3 [^3] [3 ^3] .3 ^3 .4 .3 .4 ^3 .3 [^3] .3 ^3 .3 [^3] [3 ^3] .3 ^3 .4 .5 .3 .4 ^3 .3 .4 ^4 .5 ^5 ^6

3C G C D G

.6 ^6 .6 ^5 .5 ^4 ^5 .5 .3 .4 ^3 .3 .3 ^3 .4 ^4 .5 .4 .3 ^5 .5 ^4 .4 .4 .5 ^3 .4 ^4 .5 .3 ^5 .3 ^6 .3

D G D G

.6 .3 ^6 .3 ^5 .3 .5 .3 ^4 .3 .4 .3 ^3 .3 [^3] [3 ^3] .3 ^3 .4 .5 .3 .4 ^3 .3

Charles Lynch’s Waltz

43

.3 ^3 .4 ^3 .4 ^4 ^5 .5 ^4 .4 .5 .6 .4 .5 ^5 .5 ^4 .4 ^4 ^3 [^3] ^2 .3 ^3 .3 [^3] .2 .3 ^3 .4 ^3 .4

^4 ^5 .5 ^4 .4 .5 .6 .4 .5 ^5 .5 ^4 .4 ^4 ^3 [^3] ^2 .3 ^3 .4 ^3 .3 ^5 ^6 .6 .4 .4 ^6 ^4 ^4 ^5 .5 ^5 .5 .5 ^5

.5 ^4 .4 ^4 ^3 [^3] ^2 .3 ^3 .3 [^3] .2 ^5 ^6 .6 .4 .4 ^6 ^4 ^4 ^5 .5 ^5 .5 .5 ^5 .5 ^4 .4 ^4 ^3 [^3] ^2

.3 ^3 .4 ^3 .3

41. Tennessee waltz

43

C C7 F C Am Dm G7 C

.3 ^3 .4 .5 .3 ^3 .4 .5 .6 ^7 .7 .8 .7 ^7 .6 ^5 ^6 .6 .5 .4 ^5 .5 .4 ^3 − .3 ^3 .4 .5 .3 ^3 .4 .5 .6 ^7

C7 F C G7 C C E7 F C C Am Dm

.7 .8 .7 ^7 .6 ^5 ^6 .6 .5 .4 ^4 .4 ^3 .3 − .6 ^7 .7 .8 .7 ^7 .7 ^7 .6 ^5 .6 .5 ^5 ^6 .6 .5 .4 ^5 .5 .4 ^3

G7 C C7 F C G7 C C

− .3 ^3 .4 .5 .3 ^3 .4 .5 .6 ^7 .7 .8 .7 ^7 .6 ^5 ^6 .6 .5 .4 ^4 .4 ^3 .3 −

42. Sweet Rosie O’ Grady in D

43

D A7 D G A7 D Bm E7 A7 D A7 D

.7 ^7 .7 ^7 .6 .5 .6 ^7 .6 ^6 .6 − .6 .6 ^7 .7 .7 ^5 .7 ^7 .6 ^6 ^7 − .7 ^7 .7 ^7 .6 .5

G F#7 G D Bm E7 A7 D

.6 ^7 .6 ^7 .7 − .6 ^6 .6 ^7 .6 ^5 .5 .7 .6 ^7 (^1) ^7 ^5 ^6 .5 .6 −

Page 32: 'Oct03' Tunebook Concert Pitch Bass Clef 2007

3243. Daisy Daisy in G

43

G C G D7 G A7 D D7

.4 ^4 .5 .4 .3 .2 [^3] ^2 .3 [^3] .3 .2 − .3 ^3 .5 .4 .3 [^3] ^2 .3 ^3 .4 ^3 − ^3 .4 ^4 .4 ^3

G Em C G D7 G D7 G D7 G D7 G

.5 .4 ^3 .3 − .3 ^3 .4 .3 [^3] .3 [^3 .3] − ^2 .3 .4 ^3 .2 .3 .4 ^3 .4 ^4 .5 .4 .3 ^3 .4 .3 −

44. Cruising Down the River in G

Play this on D row

43

^5 ^1 ^5 ^1 ^5 6 ^4^5 5 ^5 5 ^4 ^3 [^1 ^5 ^1 ^5] ^4 [6 ^6 6] ^4 ^5 ^7 ^5 6 3 6 ^6 6 ^6

^7 6 ^5 5 ^5 5 4 ^3 3 ^3 ^4 5 ^5 6 ^5 6 ^5 5 ^3 4 ^4 ^4 ^4 [^6 6 ^6] ^4 [^6 6 ^6]

^4 [^6 6] ^5 5 5 5 ^1 ^5 ^1 5 ^1 ^5 ^1 5 ^1 ^5 ^4 5 6 6 ^6 6 ^6 ^7 6 ^5 5 ^5 5 41

^3 3 ^3 ^4 5 ^5 6 ^5 6 ^5 5 ^3 4 ^4

42. Sweet Rosie O’ Grady

43

C G7 C F G7 C Am D7 G7 C G7 C

.7 ^7 .7 ^7 .6 .5 .6 ^7 .6 ^6 .6 − .6 .6 ^7 .7 .7 ^5 .7 ^7 .6 ^6 ^7 − .7 ^7 .7 ^7 .6 .5

F E7 F C Am D7 G7 C

.6 ^7 .6 ^7 .7 − .6 ^6 .6 ^7 .6 ^5 .5 .7 .6 ^7 (^1) ^7 ^5 ^6 .5 .6 −

43. Daisy Daisy in F)

43

F Bb F C7 F G7 C C7

.4 ^4 .5 .4 .3 .2 [^3] ^2 .3 [^3] .3 .2 − .3 ^3 .5 .4 .3 [^3] ^2 .3 ^3 .4 ^3 − ^3 .4 ^4 .4 ^3

F Dm Bb F C7 F C7 F C7 F C7 F

.5 .4 ^3 .3 − .3 ^3 .4 .3 [^3] .3 [^3 .3] − ^2 .3 .4 ^3 .2 .3 .4 ^3 .4 ^4 .5 .4 .3 ^3 .4 .3 −

Page 33: 'Oct03' Tunebook Concert Pitch Bass Clef 2007

3344. Cruising Down the River

Play this on C row

43

^5 ^1 ^5 ^1 ^5 6 ^4^5 5 ^5 5 ^4 ^3 [^1 ^5 ^1 ^5] ^4 [6 ^6 6] ^4 ^5 ^7 ^5 6 3 6 ^6 6 ^6

^7 6 ^5 5 ^5 5 4 ^3 3 ^3 ^4 5 ^5 6 ^5 6 ^5 5 ^3 4 ^4 ^4 ^4 [^6 6 ^6] ^4 [^6 6 ^6]

^4 [^6 6] ^5 5 5 5 ^1 ^5 ^1 5 ^1 ^5 ^1 5 ^1 ^5 ^4 5 6 6 ^6 6 ^6 ^7 6 ^5 5 ^5 5 41

^3 3 ^3 ^4 5 ^5 6 ^5 6 ^5 5 ^3 4 ^4

45. Loveliest Night of the Year, the

43

.4 [^1] .4 .5 .6 − ^6 .6 ^7 .6 ^6 .6 .4 .5 ^6 − ^4 .4 ^4 .5 ^6 − (^4) ^6 .6 ^6 (^4) ^6 ^4 ^6 .4 −

.4 [^1] .4 .5 .6 − ^6 .6 ^7 .6 ^6 .6 .4 .5 ^5 − ^5 ^5 ^6 .6 .5 − [^6] .5 ^5 ^6 .6 ^7 .6 ^6 .6 −

^5 ^1 ^5 ^8 .7 ^7 ^8 − .7 ^7 ^5 ^1 ^5 ^7 .6 ^4 .4 − .4 [^1] .4 ^7 .6 ^6 ^7 − .6 (^4) .4 [^1] .4 (^4) ^5 .5

^4 .5 .4 [^1] .4 .5 .6 .6 ^6 .6 ^7 .6 ^6 .6 .4 .5 ^5 − ^5 ^5 ^6 .6 .7 − ^8 .7 ^7 .6 ^6 ^5 ^6 ^7 .6

Page 34: 'Oct03' Tunebook Concert Pitch Bass Clef 2007

3446. Love is a Beautiful Song

43

.6 ^6 ^5 ^6 .6 .5 .4 ^6 .6 ^5 ^6 .6 ^5 ^4 − ^6 ^5 .5 ^5 ^6 .5 ^3 ^5 ^6 .5 ^5 ^6 .5 .4 − .7

^7 .6 ^7 .7 .6 ^7 .7 − .6 ^7 .7 − .6 ^7 .7 .8 ^8 − ^8 ^8 ^8 ^8 .7 ^7 .7 .7 .7 .7 ^7 .6 ^7 ^7 ^7 ^7 .6 ^6

^7 .6 − .5 ^5 ^5 ^6 ^5 .3 .4 .5 ^5 ^6 .5 ^5 ^6 ^5 ^2 − .5 ^5 ^5 ^6 ^5 ^2 ^3 .5 ^5 ^6 .5 ^5 ^6

^5 .4 − .5 ^5 ^5 ^6 ^6 .6 .6 .5 .5 .6 .5 .5 .6 .5 ^5 − .6 .6 .6 − .6 .6 ^6 − ^5 .5 .4 .3 .4 ^4 ^4 − ^4

^4 .4 .4 ^3 .3 .5 ^5 ^6

47. Are You Lonesome Tonight?

43

.4 .5 .6 ^6 .6 ^6 .4 .5 ^6 ^5 ^6 ^5 .4 .5 ^5 .5 ^5 .5 ^4 .4 ^5 − ^4 ^5 .6 ^6 .6 ^6 ^4 .5 ^6 ^5 ^6

^5 ^3 .4 ^4 .5 ^5 .6 ^6 .5 .4 − .5 ^5 (^4) ^5 .5 .6 ^5 .6 .5 ^4 .4 ^4 ^5 ^6 .6 ^6 ^5 ^7 ^6 ^7 ^5 .5 [^6]

.5 .4 .5 .6 ^6 .6 ^6 .6 (^1) .7 ^7 .7 ^7 ^1 ^5 .6 ^6 ^5 ^6 .6 ^7 .6 −

48. I Belong to Glasgow

43

C F C Am D D7 G7

.3 ^3 .4 ^4 .5 .6 − .6 ^7 .6 ^5 .5 − .5 .3 .3 .3 .4 ^4 .5 ^5 ^6 .6 ^7 (^1) ^7 .7 ^7 − .5

C G7 F C D7 G7 C F C A7 D7 G7

.6 .6 ^7 .7 ^7 .6 ^7 ^6 ^5 .5 ^5 ^6 .6 .5 .4 ^3 − .5 .5 .6 .6 .6 .6 ^6 ^5 .5 ^5 .5 .4 ^4 .5 ^5 ^6 .6 ^7 ^6

C

.6 −

Page 35: 'Oct03' Tunebook Concert Pitch Bass Clef 2007

3549. Down at the Old Bull and Bush

43

C G7 F

.6 .6 .6 ^6 ^5 .5 ^5 .6 ^6 ^6 ^6 ^6 ^6 ^6 ^6 ^3 .4 ^4 .4 ^3 ^6 ^6 ^6 ^5 .5 ^4 .5 ^6 ^5 ^5 ^5 .6 .6 .6

C G C F C

.5 − .6 .6 ^7 .7 ^7 .6 ^5 .5 ^5 .5 ^4 .4 .3 .3 .6 ^7 .7 ^7 .6 ^5 .6 − .4 .4 .5 ^5 .5 ^4 .4 .5 .6

G7 C G7 C

^3 .4 ^4 .5 ^5 ^6 .6 .5 .6

AUSTRALIAN WALTZES

50. Moreton Bay, Boulavogue) = 100

43

3 3G C G Em G C G

.2 .3 .2 .3 .4 .5 .6 ^6 ^5 .6 ^5 .5 .4 .3 .3 ^3 .4 ^3 .3 [^3 .3] .3 .2 .3 .4 .5 .6 ^6 ^5 .6 ^5 .5 .4 .3 .3 ^3 .4

3D G C G Em G C G

^3 ^3 .3 .5 .5 .4 .5 ^5 ^6 .6 ^6 ^5 .6 ^5 .5 .4 .3 ^3 .4 ^3 .3 [^3] ^2 .3 .2 .3 .4 .5 .6 ^6 ^5 .6 ^5 .5 .4 .3 .3 ^3 .4

D G

^3 ^3 .3

51. Euabalong Ball = 160

43

D Em D Em D Em

.4 .5 .5 .5 .5 ^5 .5 ^4 .4 ^3 .3 .5 .5 .6 .5 .5 .5 ^4 .4 ^3 ^4 ^5 .5 .5 .6 .6 .6 .6 .5 .4 ^3 ^4 ^5

D Em D

.5 .5 .5 .5 .5 .5 ^5 .5 ^4 .4 ^3 .3

52. Botany Bay = 180

43

D A7 D G A7 D G D

.3 ^3 .4 .5 .5 ^3 ^4 ^4 .4 ^3 .3 − .5 .4 .5 .6 ^4 ^5 .6 .5 − ^5 ^6 .6 ^6 .6 ^7 .6 ^5 .5 .4 .3 − ^3 .4

A7 D

.4 .5 .5 ^3 ^4 .4 .3 −

Page 36: 'Oct03' Tunebook Concert Pitch Bass Clef 2007

3653. Wild Colonial Boy

42

D G A D A G A D

.5 .3 .4 .5 .5 ^5 ^4 ^3 .3 ^2 .2 .4 ^3 .3 − .4 ^4 .5 .5 .6 ^6 ^6 ^5 ^3 ^3 .4 ^4 .5 ^6 ^5 .5 − .5

A D A D G A D

.5 .6 .6 ^6 ^6 ^5 ^3 .4 ^4 .5 ^6 ^5 .5 − .5 .3 .4 .5 .5 ^5 ^4 ^3 .3 ^2 .2 .4 ^3 .3 .3

54. Orotaba Waltz = 180

43

.5 ^4 .4 [3 .3] .3 .4 ^3 [^3 ^3] ^3 .3 ^2 ^3 ^4 ^6 ^5 ^6 ^5 .5 .5 .5 .5 ^4 .4 [3 .3] .3 .4 ^3 [^3 ^3]

^3 .5 ^5 ^6 ^5 .5 ^4 ^2 .3 .3 ^3 .3 .3 .4 ^3 .3 .4 ^4 .5 .6 .6 ^6 ^3 .4 ^4 ^6 .6 ^6 ^3 .4 ^4 ^5 ^6 ^5 .5 .5

.5 .4 ^3 .3 .4 ^4 .5 .6 .6 ^6 ^3 .4 ^4 .5 ^5 ^6 ^5 .5 ^4 ^2 .3 .3 ^3 .3 .3

Page 37: 'Oct03' Tunebook Concert Pitch Bass Clef 2007

37OTHER WALTZES

62. Alnwick CastleKevin Briggs

= 140

43

G D7 G C D7 G D7 Em Am D7 G D7 C

.2 .3 .4 ^3 ^2 .3 ^3 .4 ^4 .5 ^5 .5 ^4 .4 ^3 .3 .4 ^3 ^2 .3 .4 .5 ^4 .4 ^3 .2 .3 ^2 .3 ^3 .4 ^4 .5 ^5

3

D C G D7 D7 G D D7 G D7 D D7 G D7

.5 .5 ^5 ^6 .6 ^6 ^5 .5 .4 .5 ^4 .4 ^3 .3 .2 ^2 [^3] ^2 .3 ^3 ^2 .2 .3 ^3 .4 .4 ^3 .3 ^3 .4 ^4 .4 ^3 .4 ^4

3

G G C D C G D7/Am D7 G

.5 .6 .5 .6 .5 ^4 .4 ^4 .5 ^5 ^3 .5 ^5 ^6 .6 ^6 ^5 .5 .4 .5 ^4 .4 ^3 .3

63. Spanish Waltz = 116

43

.5 .6 ^6 .6 ^7 .7 .6 ^5 .5 ^5 .4 .5 ^4 ^7 (^1) ^7 .7 ^8 ^7 ^6 .5 ^5 ^4 .4 .5 .6 ^6 .6 ^7 .7 .6 ^5 .5 ^5 .4

.5 ^4 ^7 (^1) ^7 .7 ^8 ^7 ^6 .5 ^5 ^6 .6 .5 .7 .7 .7 ^8 .8 ^9 .8 .7 ^7 ^7 ^7 .7 ^8 ^9 .8 ^8 .7 .7

.7 ^8 .8 ^9 .8 .7 ^7 (^1) ^7 .7 ^8 .7 ^7 .6 ^6 ^5 .5 ^5 ^6 .6

64. Springtime in Battersea = 1200

44

.2 .4 .5 .4 .5 .4 − ^3 .4 ^4 .5 ^4 .5 ^4 − ^4 .6 ^6 ^8 ^6 ^8 ^6 − ^5 ^6 .6 .7 .6 ^5 .5 − .2 ^3

.4 .5 .4 .5 .4 − ^3 .4 ^4 .5 ^4 .5 ^4 − ^5 .6 ^6 ^8 ^6 ^8 ^6 − ^5 ^5 .5 [^6] .5 .7 ^7 .6 − .5 .6

^6 ^7 .6 ^5 .6 ^5 .6 ^5 − ^5 (^4) ^6 ^5 ^4 − .4 ^4 ^5 .5 .4 − .5 .6 ^6 ^7 .6 ^5 .6 ^5 .6 ^5

− ^1 ^5 ^6 ^5 .5 ^6 ^5 .5 [^6] .5 .7 ^7 .6 (^1) ^7

Page 38: 'Oct03' Tunebook Concert Pitch Bass Clef 2007

3865. Wangaratta waltz

= 170

43

G G Em G C Am G Bm C G

.2 .4 ^3 .4 ^3 .4 .3 [^3] [3 .3] ^4 .4 ^4 .4 ^4 ^3 ^2 .2 .5 .5 [^6] ^4 .4 ^3 .3 ^2 [^3] ^4 .4 ^3 .3

D G G Bm G Bm D G Bm

^3 [^3] ^2 .3 .4 .5 .6 .2 .4 ^3 .4 [3 ^3] ^2 .3 ^2 .3 .2 ^3 .3 ^2 ^5 .5 .5 ^3 ^4 .4 .3 .2 .4 ^3 .4 [3 ^3] ^2

G Bm D G C G D G C

.3 ^2 .3 .2 ^3 .3 ^2 ^5 .5 .5 ^3 ^4 .3 .3 .2 [^3] ^4 ^4 [^3] .2 .4 .4 .2 .2 ^3 ^3 .4 .3 [3 .3] [^3] ^4

G D G

^4 [^3] .2 .4 .4 .3 ^3 .3 ^3 .4 .3 −

66. D’Oro Waltz = 200

43

1 2

.3 .5 .3 ^5 .5 .3 ^2 − ^3 ^5 ^3 ^6 ^5 .4 .3 − .3 .5 .3 ^5 .5 .3 ^2 − .5 ^4 .4 − .4 .5

^5 ^5 .5 ^5 ^6 .6 .6 ^6 .6 ^7 .7 ^9 .7 .7 ^8 ^6 ^6 ^5 ^6 .6 ^5 .4 ^5 ^5 .5 ^5 ^6 .6 .6 ^6 .6 ^7

1

.7 .7 ^8 ^9 .7 .7 ^7 .7 ^8 ^6 ^6 ^5 ^6 .6 ^5 .4 ^5

Page 39: 'Oct03' Tunebook Concert Pitch Bass Clef 2007

3967. Waltz for Mr & Mrs Lysons

Barber−Riley

A

43

3 3.3 ^3 .4 .5 .5 ^5 .5 .5 ^5 .5 .4 ^3 .3 .5 ^5 ^6 .6 .6 .6 ^6 ^5 [^6] .5 .5 .5 ^5 ^6 .6 .6 .6 ^6 ^5 .5

3^5 .5 .4 ^3 .3 .3 ^3 .4 .4 .4 ^4 ^3 ^2 .3 .3 .3 ^3 .4 .5 .5 ^5 .5 .5 ^5 .5 .4 ^3 .3 .5 ^5 ^6 .6 .6 .6

3^6 ^5 [^6] .5 .5 .5 ^5 ^6 .6 .6 .6 ^6 ^5 .5 ^5 .5 .4 ^3 .3 .3 ^3 .4 .5 .6 .5 .4 .3 ^3 ^4 ^5 ^4 ^2 ^3 .3 .3 ^3

.4 ^3 .3 .3 ^3

B

3 3.4 .4 ^4 ^3 ^5 [^6] .5 .5 .5 ^5 ^6 .6 .6 .6 ^6 ^5 [^6] .5 .5 .5 ^5 ^6 .6 .6 .6 ^6 ^5 .5 ^5 .5 .4 ^3 .3 .3 ^3

3 3.4 .4 .4 ^4 ^3 ^2 .3 .3 .3 ^3 .4 .4 ^4 ^3 ^5 [^6] .5 .5 .5 ^5 ^6 .6 .6 .6 ^6 ^5 [^6] .5 .5 .5 ^5 ^6 .6 .6 .6

^6 ^5 .5 ^5 .5 .4 ^3 .3 .3 ^3 .4 .5 .6 .5 .4 .3 ^3 ^4 ^5 ^4 ^2 ^3 .3 .3 ^3 .4 ^3 .3 .3 ^3

69. Edelweiss

43

G D G C G Em C D G D7 G C G D G D7

.4 .5 ^7 .6 .5 ^4 .4 .4 .4 ^4 .5 ^5 .5 .4 .5 ^7 .6 .5 ^4 .4 .5 .5 ^5 ^6 .6 .6 ^7 .5 .5 ^6 ^5 .5

G A7 D D7 G D7 G C G D7 G

.4 .5 .6 ^5 .6 ^7 .6 ^6 .5 .4 .5 ^7 .6 .5 ^4 .4 .5 .5 ^5 ^6 .6 .6

70. When Irish Eyes are Smiling

43

C G C C F Am C Am C C Am C G C G Am C F C Am G G C G1

.5 .4 .4 ^3 .3 .4 .5 ^5 .4 .3 ^4 ^5 .6 ^5 .5 − ^5 ^6 .6 ^6 .6 ^6 ^5 .5 ^4 .4 ^5 ^3 ^3 .4 ^3

C C D7 G7 C2

^3 ^6 .4 .5 [^6] .5 ^5 ^10 .6 ^7 .6 .6 −

Page 40: 'Oct03' Tunebook Concert Pitch Bass Clef 2007

4071. Today

Randy Sparks = 100

43

G

.7 ^8 .8 .6 ^7 .7 ^7 .7 ^8 .6 ^6 .6 ^7 .7 .6 ^5 ^6 .6 ^5 ^4 .5 ^5 ^6 .6 ^5 ^6 .2 .3 ^3 .4

43

Em Am D7 G Em Am D7 G C# C#m G

.3 ^3 .4 ^4 ^3 .3 ^2 .2 .3 ^3 .4 ^3 .3 ^3 .4 ^4 ^3 .3 ^2 .4 .5 .5 .5 .5 ^6 ^6 ^6 ^5 ^5 ^5 ^5 .4 ^4 .5

Em Am D7 G Em Am D7 D7 G1 2

.3 ^3 .4 ^3 .4 ^4 ^2 ^2 ^2 .3 .3 ^3 .4 ^4 .4 ^3 .3 ^3 .2 ^4 ^3

Page 41: 'Oct03' Tunebook Concert Pitch Bass Clef 2007

4172. MEDLEY: Homecoming, Flossy O’Toole, Scottish Wood

HomecomingMerlina arr. King

= 180

A

44

D A Bm G D A D A D A Bm G

.5 .6 ^7 .7 ^7 .7 ^8 .7 ^7 .6 ^5 .5 .6 ^7 .7 ^7 .7 ^8 .7 ^7 .6 .8 .5 .6 ^7 .7 ^7 .7 ^8 .7 ^7 .6 ^5 .5

D A D D D1 2

^5 ^6 .6 ^6 .6 ^7 .8 .7 ^7 .6 .5 .6 .8

BD A Bm G D A Bm E A D G

.8 ^8 .7 ^7 .7 ^8 .7 ^7 .6 ^5 .5 .8 ^8 .7 ^7 .7 ^8 .7 ^9 [^10] .8 .8 .8 ^8 .7 ^7 .7 ^8 .7 ^8 .7 ^7 .6 ^5 .5

Bm A D A D D1 2

^5 ^6 .6 ^6 .6 ^7 .8 .7 ^7 .6 .8 .6 .5

Flossy O’Toole

43

G Am D G

.4 .4 ^4 .5 .4 .4 ^4 .5 .6 .5 .5 .6 .5 .5 .4 .4 ^4 .5 .4 .4 ^4 .5 ^5 ^4 .4 ^3 .4 .4 ^4 .5 .4 .4 ^4 .5

D Em G D7 G D7 G D7 G

.6 ^6 .6 ^7 .6 ^6 ^5 .5 .4 .4 ^4 .5 ^4 .4 ^3 .3 − ^6 ^6 .6 ^7 .6 .6 ^7 .7 ^6 ^6 .6 ^7 .7 ^7 .6

C G D7 G

^5 .5 .5 ^5 ^5 .5 ^4 ^4 .5 .5 ^4 ^2 .3 ^3 ^2 .3

Scottish Wood

43

D G A D Em A G A D D1 2

.3 .6 .6 .3 .6 .6 ^6 ^5 ^6 .6 ^6 ^5 .6 ^7 .7 ^7 .6 ^6 ^5 .5 ^5 (^4) ^6 ^5 .5 ^5 ^6 .6 .5

D C D

^5 .5 ^4 .4 ^3 ^4 .4 .3 − ^4 [^3] .2 − .5 ^5 .5 ^4 .4 ^3 ^4 .4 ^4 .4 .3 .6 (^4) ^5 .3 .3 − .3

75. The Munster CloakBB&S

43

.3 .3 ^3 .4 .3 ^3 ^3 .4 ^4 ^3 .3 .3 ^3 .4 .5 ^4 ^3 ^2 .3 .3 ^3 .4 .3 ^3 ^3 .4 ^4 ^3 .5 .5 ^5 ^6 .5 ^4 ^3 ^2

.6 .6 ^7 .6 ^6 .5 .6 ^7 .7 ^7 .6 ^6 .6 ^7 .7 ^7 .6 ^6 .5 ^5 ^6 .5 .5 ^4 ^3 .5 ^4 ^3 ^3 .3 .3

Page 42: 'Oct03' Tunebook Concert Pitch Bass Clef 2007

4276. MEDLEY PARMA WALTZ, Bell Table, Under the Bridges of Paris)

Bell Table = 160

43

D G D F#m G A G A D G D

.3 ^7 .6 .6 ^6 ^5 .5 ^5 .5 .5 ^4 .4 ^4 .5 ^5 ^4 .5 ^5 ^6 .5 ^4 .5 ^5 ^4 .5 ^5 ^6 .6 ^7 .6 .6 ^6 ^5 .5 ^5 .5

F#m G A G A D D F#m Bm D G Em A

.5 ^4 .4 ^4 .5 ^5 ^4 .5 ^5 ^6 .5 ^4 .4 ^3 .3 .5 ^9 .8 .8 ^8 .7 ^8 .7 .7 ^7 .7 ^8 .8 ^8 ^8 .7 ^8 .8 ^9 .8

D F#m Bm D G D A D

.8 .7 ^8 .8 ^9 .8 .8 ^8 .7 ^8 .7 .7 ^7 .6 ^5 ^8 .7 .8 − ^6 ^7 .6 − ^6 .6 .5 .6 .7

Under the Bridges of Paris (Que Sera, Sera)

43

G D7 G A

.2 .3 .4 .5 .3 .4 − .2 .3 ^3 .4 ^4 ^3 ^3 ^3 .4 ^4 .5 ^4 .4 ^3 .3 ^3 .4 [^3] ^2 .3 ^3 .3 ^2 [^3 .[1] ^3]

D7 G D7 Am B7 Am D7 G Dm7G7

^3 .2 .3 .4 .5 .3 .4 .4 .2 .3 ^3 .4 ^4 ^3 ^3 ^3 .4 ^4 .5 ^4 .4 ^3 .3 ^3 .4 ^3 .4 ^4 .4 ^3 .3 .3 − .2

C Fine G7 C G7 DmA7 Dm G7 D Fm G7 C

.4 [^1] .4 [^1] .4 .3 .3 ^3 .4 .3 ^3 .3 ^2 ^2 ^3 .4 ^4 .4 ^4 .4 ^4 ^3 ^3 .4 ^4 ^4 .4 ^3 .3 .3 .4 ^4

A7 Dm Fm C Am D7 Dm G7 C D7 D.C. al Fine

.5 .4 .5 .4 .5 .4 .5 .4 .6 .5 .5 ^4 .4 ^4 ^4 ^3 .4 ^4 ^4 .5 ^4 .4 .3 .3 .4 ^3 ^3 .3 ^2 .3 − ^5

77. Que Sera Sera

43

.3 ^3 .4 .5 .4 .5 .4 .5 .4 .5 .4 ^5 .5 ^5 .5 .4 ^4 ^4 ^6 .6 ^7 .6 ^6 ^5 ^6 .6 ^6 ^4 .5 ^5 .5 ^2

.3 .6 [^6] ^3 .4 ^4 ^2 .3 .3 .3 ^3 ^4 ^5 ^6 .6 .6 .6 .5 .6 ^5 ^4 ^5 ^5 ^6 ^7 .6 ^5 .5 .6 .4

.4 [^6] ^5 .5 .4 .5 ^3 .5

Page 43: 'Oct03' Tunebook Concert Pitch Bass Clef 2007

4383. Rothbury Hills

Air − unknown, Harmony − Laurie Griffiths

43

G G D7 D7 G G A7 D C G Am

.5 .6 ^6 .6 .5 .4 .3 ^3 .4 ^3 ^2 .2 .3 .4 ^4 .5 .6 ^6 ^7 ^6 .5 .4 ^4 ^5 ^4 .4 ^3 .3 [^3] ^4 .4

43

.3 .4 ^3 .4 .4 .3 .4 ^4 .5 ^4 ^3 ^4 .4 .3 .3 .3 ^3 .4 ^3 ^2 .2 [^3] .3 ^2 .2 [^3] ^2 .3

D G D7 G C C G G D7 D7

^3 .4 ^4 .5 .4 .3 ^3 .5 ^2 .3 − .5 ^5 ^4 ^5 .6 ^6 ^5 .5 .2 .3 .4 .5 [^6] ^4 .4 ^4 [3 ^3] ^2

^2 .3 ^3 .4 .3 [^3] [3 ^3] ^2 .3 .5 ^4 .4 .4 ^4 .3 ^4 ^5 .5 ^4 .4 .5 .4 .3 .3 [1] ^3 .3 ^3 ^4 .4 ^3

G D G G Am D Am D7 G

.3 .4 ^4 .5 .5 .6 ^6 .6 .5 .4 .3 ^3 .4 ^3 ^2 [3 ^3] ^4 ^3 .5 ^4 ^3 .3 −

.4 .3 ^2 .3 ^3 .4 ^3 .4 .4 .3 .4 ^4 .5 ^4 ^3 ^4 ^4 ^3 [^3] [3 ^3] ^2 .3 .5 ^4 .4 ^3

86. Will Ye Go Lassie?BB&S

43

.3 [^3] [3 ^3] .3 ^3 .3 − .4 .5 ^5 ^6 ^5 .5 .4 .5 − .4 .5 ^5 .5 .4 ^3 .3 − ^3 .4 ^4 .4 ^3 .3 [^3] .3

− .3 [^3] .2 [^3] .3 .3 − .4 .5 ^5 ^5 .5 .4 .5 − .4 .5 ^5 .5 .4 ^3 .3 − ^3 .4 ^4 .4 ^3 .3 [^3] .3

− .3 [^3] .2 [^3] .3 .3 −

87. Amazing Grace

43

G G7 C G A7 D7 G G7 C G

.2 .3 ^3 .4 .3 .4 ^3 .3 [^3] [3 .3] .3 .4 ^3 .3 .4 ^3 .4 .5 − .4 .5 .4 ^3 .3 .4 ^3 .3 [^3] [3 .3]

Em D7 G

.3 .4 ^3 .3 .4 ^3 .3 −

Page 44: 'Oct03' Tunebook Concert Pitch Bass Clef 2007

4488. Mull of Kintyre

43

G C G

.2 .3 [^3] [3 .2 .3] .3 .4 ^3 .3 [^3] .3 ^2 [^3 .3 .2 .3] .3 [^3] .2 .2 .3 [^3] [3 .2 .3] .3 .4 ^3 .3 ^3 .4

3

C D7 G G C G C

^4 .4 ^3 .3 [^3 ^3] ^2 [^3] [3 ^3] ^3 .3 [3 ^3] .3 .4 .4 .4 ^3 .3 ^3 .3 [^3] [3 ^3] .3 .4 .4 .4 ^3 .3

G

^3 .3 [^3] [3 ^3] ^3 .3 − −

89. German waltz 2 = 200

43 3

.2 .3 .2 .3 .4 .3 .4 .5 .5 .5 .5 .5 [3 ^3] ^2 .3 .3 .4 .4 .5 .5 ^4 .4 .5 .5 ^4 ^3

3 3

− [3 ^3] − ^2 ^2 ^3 ^3 ^4 ^4 ^3 .5 .5 .4 .3 − [3 ^3] ^2 .3 .3 .4 .4 .5 .5 ^4 .4

3

.5 .5 ^4 ^3 − ^3 ^4 ^5 .6 ^6 ^5 .5 .4 .3 ^5 .5 ^4 ^2 ^5 .5 .4 .3 .3 ^3 .4 ^4 ^5

1 2

.6 ^6 ^5 .5 .4 .3 .6 ^6 ^5 .5 ^4 .4 ^3 .3 ^2 − [^3 .3 ^3]

Page 45: 'Oct03' Tunebook Concert Pitch Bass Clef 2007

4590. Starry Night for a Ramble (as jig)

EFAABA

A

86

Segno D G D E7 A7 D G D A7 D

^8 .7 .6 .5 .4 ^4 ^5 ^5 .5 .6 ^6 .6 ^7 ^7 .7 ^8 .7 ^7 .6 .5 .4 ^4 .5 ^5 ^6 ^5 .5 .6 ^6 ^7 .6 .6

BG D Em A G D Em

^7 .7 ^8 ^8 ^8 .7 ^7 .7 .7 .7 ^7 .6 ^7 ^7 ^7 .7 ^8 .8 .8 .7 ^8 .8 ^8 ^8 .7 ^7 .7 ^8 .7 .7 ^7 .6 ^7 .7 ^7 ^7 .7 ^8

A7

.8 ^8

Starry Night for a Ramble (another version in two parts)

86

D G D A7 D G D A7 D A7

.5 .7 .6 .5 .4 ^4 ^5 .5 .6 ^6 .6 ^7 − .5 .7 .6 .5 .4 ^4 ^5 .5 .6 ^6 .6 ^7 .6 − .7 ^8 ^8 ^8 .7 ^7

86

.6 .7 .7 .7 ^7 .7 ^8 ^8 .7 .7 .7 ^7 .6 ^7 .8 ^8 .7 .7 .7 ^7 .7 ^8 ^8 .8 .8 ^8 .8 ^8 .7 − .8 ^7 ^7 ^7 .7 ^8

D A7 D A7 D E7 A A7 D G

.7 .7 .7 ^7 .6 ^7 ^7 ^7 .7 ^8 .8 − .7 ^8 ^8 ^8 .7 ^7 .7 .7 .7 ^7 .6 ^7 ^7 ^7 .7 [^10] .8 ^8 .7 .6 .5 .4 ^4 ^5

.8 .8 .8 ^8 .7 ^8 ^8 ^8 .7 ^7 .7 .6 ^7 ^7 ^7 .7 ^8 .8 .8 .8 ^8 .7 ^8 ^8 ^7 .6 ^6 .5 .7 .7 .7 ^7 .7 ^8 ^8

D A7 D G D A7 D

.5 .6 ^6 .6 ^7 − .5 .7 .6 .5 .4 ^4 ^5 .5 .6 ^6 .6 ^7 .6 −

.7 .7 .7 ^7 .6 ^7 .8 ^8 .7 .7 .7 ^7 .7 ^8 ^8 .8 .8 ^8 .8 ^8 .7 −

Page 46: 'Oct03' Tunebook Concert Pitch Bass Clef 2007

4694. The Flower of Scotland

= 80

86

^6 ^6 ^5 .5 ^3 − .5 .5 ^6 ^5 − .5 .5 ^5 ^6 − − .5 .6 ^7 ^7 .5 − ^3 ^5 ^5 ^5 .5 ^5 ^6 .6 ^6 ^5 .5 ^3

− ^6 .6 ^7 ^7 .5 − ^6 .6 ^5 ^6 .5 − .5 ^4 ^5 .5 − .7 .7 ^7 .6 .5 − .5 .6 .7 ^7 − .6 .6 ^7 .7 − − .6

^8 .8 .8 .6 − .5 ^7 ^7 ^7 .6 ^7 .7 ^8 .7 ^7 .6 .5 − .7 ^8 .8 .8 .6 − .7 ^8 ^7 .7 .6 − .6 (^4) ^7 .6 −

95. Skye Boat Song, the

43

G Am D7 G C G Am D7 G C

[3 ^3 .3] .3 .3 .3 ^3 .4 ^3 .5 .4 ^3 .4 [^3 ^3] .2 − [3 ^3 .3] .3 .3 .3 ^3 .4 ^3 .5 .4 ^3 .4 [^3 ^3]

G Em Am Em Am

.2 − .4 .3 .4 .4 ^3 [^3] ^3 ^3 .3 [^3] .3 .3 ^2 [^3] − .4 .3 .4 .4 ^3 [^3] ^3 ^3 .3 [^3] .3 .3 ^2

Em

[^3] −

97. Les Bicyclettes de Belsize

43

Fm Fm7 Bbm C7 Fm Fm7 Bbm Gm7 G7 C7

.5 .5 .5 .5 .5 .5 .1 ^1 .3 ^1 .5 .2 ^3 ^1 .5 − .5 .5 .5 .5 .5 .5 .6 .1 ^1 .5 ^4 [^1] ^3 .3 ^2

Gm7C7 F Cm7F7 Bb6 C7 F C7 Dm Gm7 Bb6 C7 F Em1

[^3] ^2 .3 .4 ^4 .5 ^5 ^4 .4 ^3 ^3 .4 ^4 .5 − ^4 .4 .3 ^3 .4 ^4 ^3 .3 ^2 ^2 .3 ^3 .4 .6 .6

Am F7Cm7F7 Bb F2

^6 .5 .4 .4 ^4 .5 .3 − .3 .3 .3 −

98. The Flower of ScotlandRoy Williamson of Corries

43

.7 .7 ^7 .6 .5 .5 .5 .6 .7 ^7 ^7 ^7 .6 ^7 .7 .7 .7 .7 ^8 .7 ^8 .8 .6 .6 .7 ^7 ^7 ^7 .6 ^7

.7 ^8 .7 ^7 .6 .5 .5 .7 ^8 .7 ^8 .8 .6 .6 .7 ^8 .7 ^7 .7 ^7 .6 .6 .6 (^4) ^7 .6 .6 .6

Page 47: 'Oct03' Tunebook Concert Pitch Bass Clef 2007

4799. Tulips from Amsterdam

43

.5 ^5 .5 ^5 .5 ^5 .5 .8 .8 .5 ^5 .5 ^5 .5 ^5 .5 .8 .8 .5 ^5 .5 ^5 .5 ^5 .5 ^4 ^3 .5 .7 .7 .7 ^7 ^7 .6 .6 ^6

^6 ^5 ^5 ^5 ^5 ^7 ^5 ^7 ^7 ^7 .6 .6 ^6 ^6 ^5 ^5 .5 .5 .5 .5 .6 .5 .7 .7 .7 ^7 ^7 .6 .6 (^4) (^4)

.6 .6 .6 .6 ^8 .6 ^5 ^6 .6 ^5 ^5 ^6 .6 .5 .6 (^1) ^7 .5 ^7 .1 .7 .6 ^6 .6 .8 .8 ^8 .8 ^8 .7

.1 .7 .8 .8 ^8 .7 ^7 .6 .5 ^5 .5 ^5 .5 ^5 .5 .5 ^5 .5 ^5 .5 ^5 .5 .5 .5 .5 ^5 .5 ^5 ^6 ^5 .5 .6 .7 .8 .7 ^8

^7 − .5 .5 .5 ^5 .5 ^5 ^6 ^5 .5 ^6 ^7 ^8 ^7 .7 .6 − .7 .7 .7 ^6 .6 ^7 .6 ^5 .7 .7 .7 ^6 .6 ^7 .6

− .6 ^5 .6 .6 .6 ^5 .5 .6 .6 .6 ^7 .7 ^7 .6 ^5 ^6 .6 ^7 .7 .7

100. Song of the Moulin Rouge = 140

43

D A D Em D Em D

.2 .3 .4 .3 .5 .2 .3 ^3 ^2 [^3 .3 .3] ^3 .4 ^3 .5 ^3 .4 ^4 .4 ^3 .3 ^3 .4 ^4 .4 ^3 ^4 .4 .3

A D A Bm A D

^3 ^4 .4 ^3 .3 ^2 .3 [^3] ^2 .3 ^2 [^3] .3 ^2 ^2 .3 ^2 [^3] ^2 .3 [^3] ^3 .2 .3 .4 .3 .5 .2 .3 ^3 ^2 [^3 .3 .3]

A D Em D

^3 .4 ^3 .5 ^3 .4 ^4 .4 ^3 .3

Page 48: 'Oct03' Tunebook Concert Pitch Bass Clef 2007

48101. Last Waltz, the

43

1 2

^3 .4 ^3 .4 ^3 .4 .6 ^5 .4 ^3 − [^3] .3 [^3] .3 [^3] ^5 .5 .4 ^3 .4 − ^5 .5 ^2 .3 .5 ^5 ^6 .6

^6 .5 ^5 − ^6 ^6 ^6 ^6 ^5 .5 [^6] ^5 .5 − .7 ^7 .6 ^7 .6 ^3 ^4 ^5 ^5 ^5 .5 ^2 ^2 .3 − ^6 .6

^7 .6 ^5 ^6 .6 ^7 .6 ^1 (^4) ^1 .5 .5 .5 ^5 ^6 .6 .7 ^7 .4 ^3 .4 ^3 .4 .6 ^5 .4 ^3 − .3 [^3] .3 [^3] .3

1 2

^5 .5 ^2 .3 .5 ^5 ^6 .3

102. Raemona’s WaltzBrian Hebert

43

3G B7 Em G7 C D7 G G1

.5 ^4 .4 ^4 .4 .3 [^3 .3] .4 .2 [[1]] .4 [[1]] [^3] .4 .5 ^4 .4 ^3 .3 [^3] .3 ^2 .3 ^3 .2 [3 .2] − .2 .4 .2

3

B7 Em G7 C D7 G G B7 Em2

[[1]] .4 [[1]] [^3] .4 .5 ^4 .4 ^3 .3 [^3] .3 ^2 .3 ^3 .3 .3 [3 ^3] ^2 [^3] .2 .4 .5 ^1 .4 [^3] [^3] .4 .5

3 3

G7 C D7 G G Bm C G C

^5 .5 .4 .5 .4 ^3 .3 [^3] .3 ^2 .3 ^3 .3 .3 .5 ^5 ^6 .6 ^6 .5 .4 ^4 .5 ^5 ^6 .6 .5 ^5 ^6 .6 ^6 ^5

3 3

G A7 D7 G Bm C G Am D7 G1

.5 ^5 .5 ^4 .4 ^3 [^6] ^5 ^6 ^5 .5 .5 ^5 ^6 .6 ^6 .5 .4 ^4 .5 ^5 ^6 .6 .5 .5 .4 ^4 ^4 ^4 ^4 .4 ^2 .3

G2

.3 .5 ^5 ^6 .6 .3 [2] − [^2]

105. Midnight on the WaterLuke Thomasson

43

1

.2 .3 ^3 .4 .4 .4 .4 ^3 .4 .5 ^5 .5 .4 .3 .3 ^3 .4 .6 ^5 .5 .3 ^3 .3 .4 ^5 .5 .4 ^3 .3 .3 .2 .3 ^3

2

.3 .5 ^5 ^6 .6 − .6 .6 ^6 ^5 .5 ^5 ^6 .6 ^5 .5 .4 .3 .6 ^7 ^7 .7 ^7 .6 ^7 .7 .8 .7 ^7 .6 ^6 ^5 .5 ^5 ^6

1 2

.6 .6 ^7 .6 ^6 ^5 .5 ^5 .5 ^4 .4 ^3 .3 .2 .3 ^3 .4 .6 ^5 .5 .3 ^3 .3 .4 ^5 .5 .4 ^3 .3 .3 .5 ^5 ^6 .3 −

Page 49: 'Oct03' Tunebook Concert Pitch Bass Clef 2007

49BARN DANCE TUNES

106. MEDLEY REELS BARN DANCE: Click Go the Shears, Waltzing Matilda, Drovers Dream)Click go the Shears

= 180

44

.3 .4 .4 ^3 .3 .4 .5 .6 .6 ^6 ^5 .5 .5 ^5 .5 .4 .3 ^3 ^3 .4 ^3 .4 .4 ^3 .3 .4 .5 .6 .6 ^6 ^5

^7 .6 ^6 ^5 .5 ^4 .4 ^3 .3 .6 .6 .6 .6 ^7 ^7 .6 ^6 ^7 .6 .7 .6 ^5 ^5 ^2 .6 ^6 ^5 .5 .6 .4 ^3 ^3

.4 .4 .4 ^3 .3 .4 .5 .6 .6 .6 ^6 ^5 ^5 ^7 .6 ^6 ^5 .5 ^4 .4 ^3 .3 .6 .6 .6

Waltzing Matilda Buderim

44

3.3 .3 .3 .6 .6 .6 ^5 ^5 ^6 ^5 .5 .4 ^3 .3 .3 .3 .6 .6 .6 ^5 ^5 ^6 ^5 .5 ^5 ^6 .6 ^7 .6 ^6 .5 ^5 .5 ^5 ^6 ^5 .5 .4 ^3

.3 .3 .3 .6 .6 .6 ^3 .4 ^3 .3

Drover’s Dream

44

3^3 .5 ^5 ^6 ^5 .5 ^3 ^3 .4 ^4 .5 .4 ^3 ^3 ^3 .5 .5 .5 ^5 ^6 ^6 ^6 ^5 .5 ^5 ^4 .4 ^3 .5 ^5 ^6 ^5 .5 ^3 ^3

3 3.4 ^4 .5 .4 ^3 .5 ^5 ^6 ^6 ^6 ^5 .5 ^5 ^5 ^5 .5 ^4 .5 ^5 ^6 .6 .6 .6 .6 .6 ^6 .6 ^7 ^7 ^7 ^6 .5 ^3

3 3 3.5 .5 .5 ^5 ^6 ^6 ^6 ^5 .5 ^5 ^4 .4 ^3 .5 ^5 ^6 ^5 .5 ^3 ^3 .4 ^4 .5 .4 ^3 .5 ^5 ^6 ^6 ^6 ^5 .5 ^5 ^5 ^5 .5 ^4 .5

Page 50: 'Oct03' Tunebook Concert Pitch Bass Clef 2007

50107. MEDLEY REELS FOUR SISTER’S BARNDANCE: Four Sister’s. Mudgee Schottiche)

Four Sister’s Barndance = 140

44

3 3C G7 F C G C F C D G7 C

.5 ^5 ^6 .6 .6 ^6 .6 ^5 ^5 .5 ^4 ^5 ^6 .6 .6 ^7 ^7 .7 − .7 ^8 ^8 ^8 .7 ^7 ^8 .7 .7 .7 ^7 .6 .7 ^7 ^5 ^6 .5 .6

Mudgee Schottische

44

Em C G Em Em C G Am Em C G Em

.3 ^3 .4 .4 ^4 .4 ^4 ^5 .5 .3 .3 .3 ^3 .4 .4 ^4 .4 ^4 ^5 .5 ^5 .5 .4 ^3 .3 ^3 .4 .4 ^4 .4 ^4 ^5 .5 .3 .3 .3 ^3

3

3

3

Em Am G Em Em Em Em G Am G G Em Em

.4 .4 .3 ^3 .4 ^2 .3 .5 ^5 ^6 .6 .3 ^5 .3 ^5 ^6 ^5 .5 .4 .3 .4 .5 .5 .4 ^3 .4 ^4 .5 ^4 .4 ^3 .3 .5 ^5 ^6 .6 .3 ^5 .3

3Em Em G G Em

^5 ^6 ^5 .5 .4 .3 .4 .5 .5 .4 ^4 .5 ^4 .4 ^3 .3 .3 ^3

110. Wish Me Luck as you Wave Me Goodbye

G G G G G D7 G D7 G G7 G Em

[3 .3] .3 .2 .3 .4 .3 ^5 .5 − .3 ^4 .4 .2 .4 ^3 .2 ^3 .3 − [3 .3] .3 .2 .3 .4 .3 ^5 .5 − .3 ^4

G D7 G B7 Em D A7 D7 G

.4 .2 .4 ^3 .2 ^3 .3 − .4 ^2 .3 ^3 .4 ^4 .4 [^3] ^2 .3 ^3 .4 ^3 .5 [^3] .4 ^3 − [3 .3] .3 .2 .3

G Em G D7 G

.4 .3 ^5 .5 − .3 ^4 .4 .2 .4 ^3 ^5 .5 .3 −

111. Goodnight Sweetheart = 100

D Dm G D Bm D Bm Em A

.4 .4 − .4 − .4 − .4 ^4 .4 .5 .5 [^6] .5 [^6] .5 [^6] .5 ^5 .5 .6 .6 ^6 .6 .6 .6 ^5 ^4 ^3 −

F#m D Bm G D A E D Dm G D Bm D

^6 .5 .4 .3 − ^5 ^5 ^4 .4 ^3 − .5 [^6] ^4 .4 .4 − .4 − .4 − .4 ^4 .4 .5 .5 [^6] .5 [^6] .5 [^6] .5 ^5 .5

F#m D Bm

.6 .6 ^6 .6 .7 .6 ^6 .6 ^6 .6 .5 .5 [^6] .5 .7 .6 −

Page 51: 'Oct03' Tunebook Concert Pitch Bass Clef 2007

51112. White Cliffs of Dover

31 2

.4 .5 .6 .6 ^6 .5 .3 ^5 ^5 ^5 .5 .4 .3 ^4 ^4 .4 ^3 .3 ^3 .4 − .4 .5 .3 − .3 ^5 ^4 .5 ^5 ^5 ^5 ^6

3 3

^5 ^4 .5 ^5 ^5 .6 ^5 ^6 ^5 ^4 .5 ^5 ^5 .6 ^5 ^6 .6 ^6 .6 ^6 ^5 ^3 .4 .5

Page 52: 'Oct03' Tunebook Concert Pitch Bass Clef 2007

52POLKAS

113. Bluebell Polka = 210

44

3 3

G D G

.4 .5 .6 .7 .7 .6 ^6 .6 ^5 .5 .5 .4 .3 ^2 .3 ^3 .4 ^4 ^5 ^5 .5 [^6] .5 .4 .4 .5 .6 .7 .7 .6 ^6 .6 ^5 .5 .5 .4 .3

D G D A7 D

^2 .3 ^3 .4 ^4 .5 ^5 ^6 .6 .6 .6 ^5 .5 .5 .4 .5 .6 .7 .8 .8 .7 .8 [^10] ^8 ^7 ^9 .8 [^10] .8 .5 .5 .4 .5 .6 .7

A7 G D G G Am

.8 .8 .7 .7 .8 [^10] ^8 ^7 .6 .7 .6 ^3 .4 .4 .4 ^4 .5 .4 .4 .4 ^4 .5 ^4 ^4 .5 ^4 .4 ^3 ^4 ^4 .5 ^4 .4 ^3

G Am G

.4 .4 .4 ^4 .5 .4 .4 .4 ^4 .5 ^4 ^4 .5 ^4 .4 ^3 .3 .4 .3

114. MEDLEY: Walter Bulwer’s PolkasWalter Bulwer #1

42

.2 .3 .3 ^2 .3 ^3 [^3 ^3] ^2 .3 ^3 ^2 .3 ^3 .4 .3 .3 [^3] .2 .3 .3 ^2 .3 ^3 [^3 ^3] ^2 .3 ^3 ^2 .2 ^2 .3 .3

.5 .5 ^5 ^5 .5 ^4 .4 ^4 .5 ^4 .4 ^3 .4 ^4 ^4 .4 ^3 .3 ^3 .4 ^4 .5 .5 ^5 ^5 .5 ^4 .4 ^4 .5 ^4 .4 ^3 .4 ^4 .5 ^5 ^6

.6 .6

Walter Bulwer (Bulliver) #2

44

.4 ^4 .5 ^4 .4 .5 .6 ^6 ^5 ^3 ^3 ^3 .4 ^4 .4 ^3 ^4 ^6 ^5 .5 .4 .4 .4 ^4 .5 ^4 .4 .5 .6 ^6 ^5 ^3 ^3 .3

^2 .3 ^3 .4 ^4 .5 ^5 ^6 .6 .6 .6 .7 ^8 .8 .7 ^8 .8 .7 ^8 .8 ^8 .7 ^7 ^7 ^8 .7 ^7 .6 ^6 .6 ^7 .7 .7 ^8

1 2

.8 .7 ^8 .8 .7 ^8 .8 ^8 .7 ^7 ^7 ^8 .7 ^7 .6 .7 .6 .7 ^8 .6 .7 .6 ^5 (^4)

Page 53: 'Oct03' Tunebook Concert Pitch Bass Clef 2007

53115. MEDLEY: Robbie Hobkirk’s, Father’s Polka

Robbie Hobkirk’s Polka

44

.5 .4 .5 .6 .5 .6 .7 ^7 .6 .7 .8 .7 .8 ^8 ^7 .8 ^8 .7 ^7 .6 .7 ^7 .6 ^6 .5 ^4 .4 ^4 .5 .4 .5 .6 .5 .6

.7 ^7 .6 .7 .8 .7 .8 ^8 ^7 .8 ^8 .7 ^7 .6 .7 ^7 ^6 .6 .5 .4 .7 ^7 ^7 .6 .6 ^6 ^5 ^8 .7 .7 ^7 ^7 .6 ^6 ^5

.5 .4 .7 ^7 ^7 .6 .6 ^6 ^5 ^8 ^7 .7 .6 ^7 ^6 .6

Father’s Polka

44

.3 ^3 .4 .4 .4 ^3 .4 ^4 ^5 .5 .5 .4 .3 .4 .5 ^4 ^4 ^3 ^2 ^3 ^4 .4 .4 .3 .2 ^3 .4 .4 .4 ^3 .4 ^4 ^5 .5 .5 .4 .3 .4

.5 ^4 ^4 ^3 ^2 ^3 .3 ^3 .3 .4 ^3 .3 .4 .6 ^6 ^6 ^3 ^3 .3 ^2 ^3 ^6 ^5 .5 .4 .4 ^4 .4 ^3 .3 .4 .6 ^6 ^6 ^3 ^3 .3

1 2

^2 .3 ^3 .4 ^4 .5 ^5 ^6 .6 ^6 .6 .4 ^3 .6 ^6 .6

Page 54: 'Oct03' Tunebook Concert Pitch Bass Clef 2007

54116. MEDLEY POLKAS BROWN JUG POLKA: Little Brown Jug, Andrew’s Polka, Jenny Lind polkas)

Little Brown JugHeel & Toe Polka

= 140

42

D G A D D D G A D1 2 1

.4 .5 .5 ^4 ^5 ^5 ^6 ^6 ^6 ^5 ^6 .6 ^7 .7 ^7 .6 .6 .7 .7 ^7 .6 ^6 ^5 ^5 ^6 ^6 ^6 ^5 ^6 .6 ^7 .7

D2

^7 .6 .6

Andrew’s Polka

42

G D7 G D7 G G D G

.3 ^3 .4 ^4 .5 .4 .4 ^4 ^3 ^3 .4 .3 .3 .3 ^3 .4 ^4 .5 .4 .4 ^3 .4 ^4 ^3 .3 ^2 .3 .6 .6 ^6 ^5 .5 .4 .3 ^3 .4

D7 G D G D7 G

^4 ^3 ^2 .3 ^3 .4 .3 .3 .6 .6 ^6 ^5 .5 .4 .3 ^3 .4 ^4 ^3 ^2 .3 ^3 .3

Jenny Lind Polka

42

D G D A7 D D G D A7 D

.5 .4 .5 ^4 ^5 .5 .7 .7 ^8 .7 ^7 ^7 .7 ^7 .6 .6 ^6 .4 .5 ^4 ^5 .5 .7 .7 ^8 .7 ^7 ^5 ^6 .6 .6 .5

D A7 D A7 D

.8 .8 .7 .6 .7 .8 .8 .7 .6 .7 ^8 ^8 ^7 ^6 ^7 ^8 ^8 ^7 ^6 ^7 ^9 ^9 .7 .6 .7 .8 .8 .7 .6 .7 ^8 ^7 ^6 ^7 .6 .6 −

138. The Girl I Left Behind Me, Brighton Camp)Brighton Camp

= 180

42

.6 ^6 ^5 .5 .4 .3 ^3 .3 [^3] ^2 .3 .3 .3 .4 .5 .4 .6 ^6 ^5 .5 .4 .3 ^3 .3 [^3] .3 ^2 ^3 [3 ^3] ^2 .3 .3 .5

1 2

.4 .5 ^5 ^6 .6 .5 .4 .3 .3 .4 .5 ^5 ^6 .6 ^6 .6 ^6 ^5 .5 .4 ^3 .4 ^3 .3 [^3] .3 ^2 ^3 [3 ^3] ^2 .3 .3 .3 .3

Page 55: 'Oct03' Tunebook Concert Pitch Bass Clef 2007

55DOUBLE JIGS

180. MEDLEY JIGS COUNTRY BUMPKIN: Irish Stew, Saddle the Pony, Shandon Bells, Life is All ChequeredIrish stew

86

.2 .3 ^3 .4 ^3 .3 .6 .3 ^3 .4 .3 ^3 .6 ^6 .6 .5 .4 .3 ^3 ^5 .5 ^4 .4 ^3 .2 .3 ^3 .4 ^3 .3 .6 .3 ^3 .4 .3 ^3

.6 ^6 .6 .5 .4 .3 ^3 .4 ^3 .3 .6 ^6 .6 .5 .4 .3 .6 ^6 .6 .5 .4 .3 .6 ^6 .6 ^7 .6 ^6 .6 ^6 ^5 .5 .7 ^7 .6 ^7 .6 ^6

.6 ^6 ^5 .5 .4 .3 ^3 ^5 .5 ^4 .4 ^3 .3 .4 .5 .6

Saddle The Pony

86

G D7 G D7 G D7 Em C D7

.3 .4 ^3 .3 .4 .5 ^5 ^6 .6 .5 .4 .3 .4 ^3 .3 .4 ^3 ^2 .2 ^3 ^2 .2 .3 .4 ^3 .3 .4 .5 ^5 ^6 .6 ^6 .6 ^5 .6 ^5 .5 .4 ^3

G Em D G Em Bm Em

.4 .3 .3 .3 ^5 ^6 ^5 ^5 .5 .4 .5 ^5 ^6 .6 ^6 .6 ^5 ^6 ^5 ^5 .5 .4 .5 .4 ^3 ^3 .4 .5 ^5 ^6 ^5 ^5 .5 .4

Em C D7 G

^5 ^6 ^5 ^5 .5 .4 ^5 .6 ^5 .5 .4 ^3 .4 .3 .3 .3

Shandon Bells (Cluig Sean−duin)

86

D Em A7 D

^5 .5 .4 .3 .3 .4 .5 .6 ^7 .6 ^6 ^5 .5 ^5 ^4 ^3 ^3 .4 .5 ^5 .5 ^5 ^6 .6 .5 .4 .3 .3 .4 .5 .6 ^7 .6 ^6 ^5 .5

G A7 D D A7 D

^5 ^6 .6 ^7 ^6 .5 .6 − ^8 .7 .6 − ^7 .6 .7 .8 .8 .8 .7 .6 ^6 .5 .5 ^7 .5 .5 ^6 ^5 ^6 ^7 .7 ^8 .7 .6 − ^7 .6

G A7 D

.7 .8 .8 .8 .7 .6 ^5 ^6 .6 ^7 ^6 .5 .6 −

Life is All Chequered

86

.3 .5 .4 .4 .4 ^3 .4 .5 .4 .4 .4 .6 .5 .4 .4 .4 ^3 .4 .3 [^3 ^3 ^3] .6 .5 .4 .4 .4 ^3 .4 .5 .4 .4 .4 ^3 .4

.3 ^3 .4 ^3 .4 .3 [^3 ^3 ^3] .7 ^7 .6 ^7 .6 ^6 .6 ^6 ^5 .5 .4 .3 ^3 .7 ^4 .4 ^3 .4 .3 [^3 ^3 ^3]

Page 56: 'Oct03' Tunebook Concert Pitch Bass Clef 2007

56181. MEDLEY JIGS FLYING PIEMAN: Flying Pieman, Herb’s Jig, Rum Rebellion, Garryowen)

Flying Pieman

86

D Bm D D D D Bm A D Bm D D D D Bm D

.6 ^7 .7 .6 ^5 .5 .5 .4 ^3 .3 .5 .5 .5 ^5 ^6 .6 ^7 .6 ^7 .7 .6 ^5 .5 .5 .4 ^3 .3 .5 .5 .5 ^5 ^6 .6 .6

D D G G D D G A D D G G D A

.7 .8 .8 ^8 .7 ^8 ^9 ^9 .8 ^8 .7 .8 .8 ^8 .7 ^8 .7 ^8 ^7 .7 .8 .8 ^8 .7 ^8 ^9 ^9 .8 ^8 .7 ^8 .7 ^7 .6 ^6

D D

.6 .6

Herb’s Jig

86

.2 .2 .3 .3 .4 ^3 .3 .3 ^5 .5 .4 .4 ^3 .3 .4 ^3 ^3 .3 [^3] .2 .3 .3 .4 ^3 .3 .3 ^5 .5 .4 .3 ^3 .4 ^3 .3 .4 ^3

.3 .3 .4 .5 .6 .6 ^6 ^5 .5 .4 .3 .4 ^3 .4 ^3 .3 .3 .4 .5 .6 ^5 .5 ^5 .5 ^4 .4 ^3 .3

Rum Rebellion

86

.5 .3 ^3 .4 .5 ^5 .5 ^5 .5 .4 .3 .3 ^3 .4 .5 ^5 .5 .4 .3 ^3 .4 .3 ^3 .4 .5 ^5 .5 ^5 .5 .4 .3 .3 ^3 .4 .4 ^4 .5

.4 ^3 .3 .5 .6 .6 ^6 ^5 .5 ^5 .5 .4 .5 .6 .6 .6 ^6 .6 ^7 ^7 .6 ^6 .6 .6 ^6 ^5 .5 ^5 .5 .4 .5 ^5 .5 ^5 .7 ^7

.6 ^7 .6 .6

Garryowen

86

.6 ^6 ^5 .5 ^4 .4 ^3 .3 .4 ^4 .4 .4 .6 ^6 ^5 .5 ^4 .4 ^3 .3 ^3 .4 ^3 ^3 .6 ^6 ^5 .5 ^4 .4 ^3 .3 .4 ^4 .4 .4 ^4

.5 ^5 ^6 .6 .5 .4 ^3 .4 ^3 ^3 .4 ^4 .5 .4 .5 .4 .5 .4 .5 .6 ^6 ^5 ^4 ^5 ^4 ^5 ^4 ^5 ^6 .3 ^7 .7 ^7 .6 ^6 ^5 .5 .4

.5 ^5 ^6 .6 .5 .4 .4 ^3 .4 ^3

Page 57: 'Oct03' Tunebook Concert Pitch Bass Clef 2007

57182. MEDLEY JIGS FLYING PIEMAN:Flying Pieman, Kesh Jig, Tripping Upstairs)

Flying Pieman (see above)The Kesh Jig

86

G G D D G G Em G G G D D

.3 .3 ^3 .4 ^3 .4 ^3 ^3 .4 .5 ^5 .5 .5 .6 .5 .5 ^5 .5 .4 .5 .4 ^3 .3 ^3 .3 .3 ^3 .4 ^3 .4 ^3 ^3 .4 .5

G G D G D G G G Em G G G D D1 2

^5 .5 .5 .6 .5 .4 ^3 .3 ^2 .3 .2 ^3 .3 ^2 .3 ^3 .4 .5 .4 .5 ^5 .6 ^5 .5 .4 .3 .4 .5 .4 .3 ^3 .4 ^3 ^3 .3 ^3

G G Em G G D G G

.4 .5 .4 .5 ^5 .6 ^5 .5 .4 .5 .6 ^6 .6 ^7 .6 ^7 .7 .6 .6 .6

Tripping Upstairs

86

D G D A7 D G D G D

.5 .4 .5 .5 ^4 ^5 ^5 .4 .5 .6 .7 ^7 .6 ^6 ^5 ^6 .5 ^5 ^6 .6 .7 ^7 .6 ^6 ^5 .4 .5 .5 ^4 ^5 ^5 .4 .5 .6 .7 ^7 .6

A7 D Bm A

^6 ^5 ^6 .5 ^5 ^6 .6 .7 ^7 .6 .6 ^5 ^5 .7 ^5 ^5 .6 ^5 .6 .7 ^7 .6 ^6 .5 .5 ^7 .5 .5 ^6 ^5 ^6 ^7 .6 ^6

Bm A A7 D

.6 ^5 ^5 .7 ^5 ^5 ^6 .5 .5 ^7 .5 .5 ^6 ^5 ^6 .5 ^5 ^6 .6 .7 ^7 .6

Page 58: 'Oct03' Tunebook Concert Pitch Bass Clef 2007

58184. THADY THOU GANDER, Swallow’s Nest, Saddle the Pony, Kesh, Haste to the Wedding, Smash Windows

Swallow’s Nest = 134

86

Em D Em

^3 .4 ^4 ^3 ^3 .6 ^3 ^3 ^4 .4 ^3 ^5 .5 ^4 .4 .3 .3 .5 .5 .6 ^6 .6 .5 ^4 .4 ^4 ^3 ^3 ^5 ^3 ^3 ^4 .4 ^3 ^5 ^6

D Em

.6 ^6 .6 .5 ^4 ^3 ^4 ^3 ^3 ^3

Saddle The Pony

86 3

G D7 G D7 G D7 Em

[3 ^3] ^2 .3 .4 ^3 .3 .4 .5 ^5 ^6 .6 .5 .4 .3 .4 ^3 .3 .4 ^3 ^2 .2 ^3 ^2 .2 .3 .4 ^3 .3 .4 .5 ^5 ^6 .6 ^6 .6

C D7 G Em D G Em Bm

^5 .6 ^5 .5 .4 ^3 .4 .3 .3 .3 ^5 ^6 ^5 ^5 .5 .4 .5 ^5 ^6 .6 ^6 .6 ^5 ^6 ^5 ^5 .5 .4 .5 .4 ^3 ^3 .4 .5

Em Em C D7 G

^5 ^6 ^5 ^5 .5 .4 ^5 ^6 ^5 ^5 .5 .4 ^5 .6 ^5 .5 .4 ^3 .4 .3 .3 .3

Swallow’s Nest (above)

The Kesh Jig

86

G D C G C D G D

.2 .3 .3 .3 ^3 .4 ^3 ^3 ^3 .4 .5 ^5 .5 .5 .6 .5 .5 ^5 .5 .4 .5 .4 ^3 .3 ^3 .3 .3 ^3 .4 ^3 .4 ^3 ^3 .4 .5

C G D G D G G C D Em D1 2

^5 .5 .5 .6 .5 .4 ^3 .3 ^2 .3 .2 ^3 .3 ^2 .3 ^3 .4 .5 .4 .5 ^5 .6 ^5 .5 .4 .3 .4 .5 .4 .3 ^3 .4 ^3 ^3 .3 ^3

G D C D G D7 Em G

.4 .5 .4 .5 ^5 .6 ^5 .5 .4 .5 .6 ^6 .6 ^7 .6 ^7 .7 .6 .6 .6

Swallow’s Nest again

Haste to the Wedding

86

D G D G A7 D G D

.5 .5 ^5 .5 .5 .8 .7 ^7 .6 ^7 .7 .6 ^5 .5 .4 .5 .5 .4 ^4 .4 ^4 ^3 .4 ^4 .5 .4 .5 .5 .8 .7 ^7 .6 ^7 .7 .6 ^5

D A7 G D G D D G D1 2

.5 ^8 .7 .8 .7 .6 ^7 .6 .6 ^5 .6 ^7 .6 .6 .8 .8 .8 .7 .8 .8 .7 .8 ^9 ^8 ^9 ^9 ^8 ^9 .8 .7 .8 .8 .7 .8

G A7 D G D A G D1 2

^8 .7 ^8 ^7 .7 ^8 .8 .7 ^7 .6 ^7 .7 .6 ^5 .5 ^8 .7 .8 .7 .6 ^7 .6 .6 .8 .6 ^7 .6 .6 .5

Page 59: 'Oct03' Tunebook Concert Pitch Bass Clef 2007

59Swallow’s Nest again

Smash the Windows

86

D G D A D G A

.6 .3 ^3 .3 .4 .5 .6 .7 ^7 ^6 .5 ^4 ^5 .4 .5 ^3 .4 ^4 .4 ^3 .3 ^3 .3 .4 .5 .6 .7 ^7 ^6 .5 ^5 ^8 .7 ^7 .6 ^6

D D A D G D G D A

.6 − .8 .8 ^8 .6 .7 .5 .8 .8 ^8 .7 ^8 ^7 ^6 ^7 .5 ^8 ^8 .7 ^7 .7 .6 ^8 ^7 .8 ^8 .7 ^9 .8 ^8 .7 ^7 .6 .5 ^5 ^6

D A D G

.6 .5 .4 .3 .8 .8 ^8 .7 .7 ^7 .6 .5 .6 .7 .8 ^8 .7 ^8 .7 ^7 ^7 ^6 .5 .5 ^6 ^7 ^8 .7 ^7 .7 ^7 .6 ^8 .7 ^7

D G D A7 D

.8 ^8 .7 ^9 .8 ^8 .7 ^7 .6 .5 ^5 ^6 .6 −

Page 60: 'Oct03' Tunebook Concert Pitch Bass Clef 2007

60186. WILLOW TREE, Blarney Pilgrim, Merrily Kiss the Quaker’s Wife)

Merrily Kiss the Quaker’s WifeBB&S

A

86

G C G D G C G D G

.2 .3 ^3 .4 .2 .4 ^4 ^3 .4 ^3 .3 .3 ^3 .4 [3 ^3] .3 ^3 ^3 .2 .3 ^3 .4 .2 .4 ^4 ^3 .4 ^3 .3 .3 ^3 .4 [3 ^3] .3 −

BG C G C G D G C G C G D

^3 .4 .3 .3 ^3 .3 .3 .4 .3 .3 ^3 .3 .3 .3 ^3 .4 [3 ^3] .3 ^3 ^3 ^3 .4 .3 .3 ^3 .3 .3 .4 .3 .3 ^3 .3 .3 .3 ^3 .4 [3 ^3]

G

.3 −

CG D G D G D G D C G G D

.5 .6 ^6 .6 ^7 .6 ^7 .7 .6 ^5 .5 .4 .3 .6 .6 .6 ^7 .7 ^7 ^7 ^6 .6 ^7 .6 ^6 .6 ^6 ^5 ^6 ^5 .5 .4 ^3 .3 ^3 .4 [3 ^3]

G

.3 −

Blarney Pilgrim

86

G D G D Em D G D

[3 ^3 .3 .3 ^3] .3 ^3 .3 ^3 .7 ^4 .4 ^3 .3 ^3 .3 [^3] .3 [^3] ^3 .3 [^3 .3] [3 ^3 .3 .3 ^3] .3 ^3 .3 ^3 .7 ^4

G D Em D G Em D Em G D G G

.4 ^3 .3 ^3 .3 [^3] .3 [^3 .3 .3] .5 ^5 .5 .5 .4 .3 ^3 .3 ^3 .4 .3 [^3] .5 ^5 .5 .5 .4 .3 ^3 .3 ^3 .3 .6 ^5 .5 .4 .4

D G G Em D G D G D G D Em G

^3 .3 ^3 .4 .4 [^3] .4 .3 ^3 .3 [^3] .3 ^3 .3 .3 ^7 .2 .4 .2 ^3 .2 ^3 .7 ^4 .4 ^3 .3 ^3 .3 [^3] .3 [^3] ^3 .3 [^3 .3]

D G D Em D G D

^3 .2 .4 .2 ^3 .2 ^3 .7 ^4 .4 ^3 .3 ^3 .3 [^3] .3 [^3 .3 .3]

Page 61: 'Oct03' Tunebook Concert Pitch Bass Clef 2007

61194. MEDLEY JIGS: Mrs Grace Bowie, The Hogmanay

Mrs Grace BowieAir:Unknown, Harmony and bass Laurie Griffiths

= 120

86

D D D A7 A7 Em A7 Em A7 Em

.5 ^4 .4 .5 .5 .5 ^4 .4 .5 .6 .6 ^6 .6 ^7 .6 ^6 .6 ^5 ^6 .6 ^7 ^5 ^5 ^6 .6 ^7 ^5 .6

86

.7 .7 ^7 .6 .7 .7 ^7 .6 .7 ^8 .8 ^8 ^8 .7 ^7 ^8 ^8 .7 ^7 ^8 ^8 .7 ^7

86

− − − − − − − − − − − −

A7 D A7 D D D A7 A7 Em A7 Em

^6 ^7 .6 ^6 ^5 .5 .4 ^4 .5 ^5 ^6 .6 ^5 .5 .7 .6 ^5 .5 .7 .6 ^6 .6 ^7 .6 ^6 .6 ^5 ^6 .6 ^7 ^5

.5 ^5 .5 .5 ^5 ^6 .6 .6 .7 .7 ^7 .6 .7 .7 ^7 .6 .7 ^8 .7 ^7 ^8 .7 ^7 ^8 ^8 .7 ^7

− − − − − − − − − − − − − −

A7 Em A7 D D D D Em Em

^6 .6 ^7 ^5 .6 ^6 ^5 .5 .7 ^7 .6 .6 ^5 .5 ^5 .5 .6 ^7 .7 .7 .7 .7 ^7 .7 ^8 .7 ^7 ^5

^8 ^8 .7 ^7 .5 ^5 .5 .5 ^5 ^6 .6 .7 .6 .6 .6 .5 .6 .7 .7 .7 .6 .7 .8 ^8 .7 ^7 .6 ^5 ^6 .6 ^7

− − − − − − − − − − − − − −

A7 A7 A7 D D D D Em

^6 ^6 ^5 .5 ^6 ^6 ^6 ^6 ^6 ^5 .5 .7 ^7 .6 ^6 ^5 .5 ^5 .5 ^5 .5 .6 ^7 .7 .7 .7 .7 ^7 .7 ^8 .7

^7 ^7 ^7 ^7 .7 ^8 ^8 ^8 ^8 ^7 ^8 .7 ^7 .5 ^5 ^6 .6 .6 .6 .6 .6 .5 .6 .7 .7 .7 .6 .7 .8 ^8 .7 ^7 .6

− − − − − − − − − − − − − −

Page 62: 'Oct03' Tunebook Concert Pitch Bass Clef 2007

62Em A7 A7 A7 D

^7 ^5 ^6 ^6 ^5 .5 ^6 ^7 ^6 ^5 .5 ^6 ^5 .5 .7 ^7 .6 −

^5 ^6 .6 ^7 ^7 ^7 ^7 ^7 .7 ^8 ^8 ^8 ^8 ^7 ^8 .7 ^7 .5 ^5 ^6 .6 −

− − − − − − − − − −

The Hogmanay

86

G D7 G G Bm Em D7 Em D D

.3 ^3 .4 ^4 .4 .4 ^4 .4 ^3 .3 .3 ^3 .4 ^4 .4 .4 ^3 .3 ^2 [^3 ^3] ^2 .3 ^2 ^2 .3 ^3 [^3 .3 .3] .2 ^2 ^3 .5 [^6] .5

86

− − − − − − − − − − − − − − −

D7 G G D7 G G Bm Em D7 Em D D7

^4 .4 .4 ^3 .3 .4 ^4 .4 .4 ^4 .4 ^3 .3 .3 ^3 .4 ^4 .4 .4 ^3 .3 ^2 [^3 ^3] ^2 ^2 ^2 .3 ^3 [^3 .3 .3] .2 ^2 ^3 ^4 ^3

− − − − − − − − − − − − − − − −

G G D7 Em Bm Em D Am Em D G D7 Em D

.3 .2 .3 ^3 .4 ^3 .3 ^2 [^3] − [3 ^3] ^2 [3 .3] ^2 ^3 ^4 ^4 .4 .4 ^3 ^3 .3 .3 ^2 .3 ^2 [^3] ^2 [^3] .2 − .3 ^3

− − − − − − − − − − − − − − − − − −

G D7 Em Bm Em D Am Em D7 G D D7 G

.4 ^3 .3 ^2 [^3] − [3 ^3] ^2 [3 .3] ^2 ^3 ^4 ^4 .4 .4 ^3 ^3 .3 .3 [3 ^3 .3 .3 ^3] ^2 .3

− − − − − − − − − − − − − − −

Page 63: 'Oct03' Tunebook Concert Pitch Bass Clef 2007

63208. MEDLEY JIGS: CUMBERLAND REEL, Cumberland Reel, Winster Galop)

Cumberland ReelKing of the Cannibal Islands

= 140

86

D G D Em A D G D Bm A A7 D

.7 ^7 .6 ^6 .6 ^5 .5 .4 ^4 .4 ^4 ^3 .4 ^4 .4 ^4 .5 .5 ^5 ^4 .6 ^5 .5 .4 .6 .6 ^6 .6 ^7 .5 ^5 ^6 .6 .6 ^7

D Em Bm E7 A7

.7 .7 .7 .6 ^7 .7 .7 .7 .6 ^7 .7 .6 ^8 .7 ^7 ^7 ^7 ^5 ^6 .6 .6 .6 ^5 ^6 .6 .6 .6 ^7 .6 ^5 ^7 .6 ^6 ^5 .5 ^5 ^6

D A G D A G D Em A A7 D

.6 .6 ^6 ^5 ^1 ^5 ^6 .6 .5 .6 ^7 .6 ^6 ^5 .5 ^5 ^6 .6 ^7 ^7 ^7 ^7 ^7 ^7 ^7 .7 ^8 .8 .8 .5 ^5 ^6 .6 .6 .5

Winster Galop[

42

G D G C G D7 G G

.3 .4 .4 .3 .4 .3 .4 .5 ^3 ^4 ^4 .4 ^3 .3 .4 .5 ^4 ^5 ^6 ^5 .5 .4 .5 ^3 ^4 .4 ^3 .3 .3 .6 ^6 ^5 .5

C D D D7 G

.6 ^6 ^5 .5 .6 ^6 ^6 ^5 .5 ^4 .4 ^3 ^6 ^5 .5 ^6 ^5 .5 .5 ^3 ^4 .4 .3 .3

Page 64: 'Oct03' Tunebook Concert Pitch Bass Clef 2007

64211. STRIP THE WILLOW, Athol Highlanders)

Athol Highlanders = 134

86

A E7 A Bm E7 A E7 A D

.4 ^8 .8 .8 .7 .6 .8 .7 .6 ^7 .7 ^8 .8 .8 .7 .6 ^7 .7 ^8 .7 ^7 .6 .8 .8 .7 .6 .8 .7 .6 ^7 .7 ^8 .8 .9 .8 ^9 .8 ^8

E7 A A D A Bm E7 A

.7 ^8 .7 .6 .8 .6 .7 .8 .6 .7 .8 .6 ^8 ^9 .6 ^8 ^9 .6 .7 .8 .6 .7 .8 ^7 .7 ^8 .7 ^7 .6 .7 .8 .6 .7 .8

D A D E7 A A

.6 ^8 ^9 .6 ^8 ^9 .8 .9 .8 ^9 .8 ^8 .7 ^8 .7 .6 .8 .6 .8 .8 .8 ^8 .7 .9 .8 .8 .8 ^8 .7 .9 .8 .8 .8 ^8 .7

Bm E7 A D E7 A A

^7 .7 ^8 .7 ^7 .6 .6 .8 .8 .8 ^8 .7 .9 .8 .8 .8 ^8 .7 .9 .8 .8 ^9 .8 ^8 .7 ^8 ^7 .6 ^7 .4 .6 .7 .7 .6 .7

D A G A D A D

^8 ^7 ^8 ^8 ^7 ^8 .7 .6 .7 .7 .6 .7 ^7 (^4) ^7 ^7 ^6 ^7 .4 .6 .7 .7 .6 .7 ^8 .7 ^8 ^7 .7 ^8 .8 .9 .8 ^9 .8 ^8

E7 A

.7 ^8 ^7 ^6 .5 .5 .4 .3 .5 .4 .3 ^3 .4 ^4 .5 .5 .4 .3 ^3 .4 ^4 .4 ^3 .3 .5 .5 .4 .3 .5 .4 .3 ^3 .4 ^4

.5 .6 .5 ^5 .5 ^4 .4 ^4 ^3 .3 .3 .3 .4 .5 .3 .4 .5 .3 ^4 ^5 .3 ^4 ^5 .3 .4 .5 .3 .4 .5 ^3 .4 ^4 .4 ^3 .3

.3 .4 .5 .3 .4 .5 .3 ^4 ^5 .3 ^4 ^5 .5 .6 .5 ^5 .5 ^4 .4 ^4 ^3 .3 .3 .6 .5 .5 ^4 .4 .6 .5 .5 ^4 .4 .6 .5 .5 ^4 .4

^3 .4 ^4 .4 ^3 .3 .6 .5 .5 ^4 .4 .6 .5 .5 ^4 .4 .5 .6 .5 ^5 ^4 .4 ^4 ^3 .3 .3 .4 .3 .4 .4 .3 .4 ^4

^3 ^4 ^4 ^3 ^4 .4 .3 .4 .4 .3 .4 ^3 ^2 ^3 ^3 ^2 ^3 .4 .3 .4 .4 .3 .4 ^4 ^3 ^4 ^4 ^3 ^4 .5 .6 .5 ^5 .5 ^4 .4

^4 ^3 .3

Page 65: 'Oct03' Tunebook Concert Pitch Bass Clef 2007

65215. SET DANCE: EVENING THREE STEP, WASHINGTON POST, Liberty Bell

Liberty Bell = 120

86

G C Am D D7 G D

.4 .4 .4 [^1] .4 .6 .5 .5 .4 ^4 ^4 ^4 .5 ^5 − ^4 ^3 ^3 ^3 [1] ^3 ^2 ^5 ^5 ^4 .4 .4 .4 ^4 .5 − .5

G A7 D7 A7 D D7 D

.4 .4 .4 [^1] .4 .7 .6 .6 .5 [^6] ^7 ^7 ^7 ^7 − .6 ^6 ^7 ^7 [[^10]] ^7 ^5 ^7 ^7 [[^10]] ^7 .5 [^6] .5 [^6] .5 .5

G C D7 G D7 G A7 D7 C B7 C

.4 [^1] .4 .4 .3 [^3] ^3 .3 − .3 ^3 .4 ^4 ^6 ^5 .5 .6 ^6 ^5 .5 − .5 ^5 ^5 ^5 ^1 ^5 ^6 ^6 .6 .6 ^7 .6 ^7

B C G D7 G G7 C G7

.7 − .7 ^7 .6 ^5 ^4 .4 .3 ^3 ^2 .3 .4 ^4 [^6] .5 .7 .7 .7 .1 .7 .7 .5 .4 ^4 [^6] .5 ^4 ^8 ^8 .7 ^8 ^8 .7

G C G D7 G7 C

^8 ^8 .7 ^7 (^1) ^7 .5 [^6] .5 .7 .1 .7 .5 [^6] .5 ^6 ^7 .6 ^7 ^5 .6 ^6 .6 ^5 ^6 .5 ^5 ^4 .5 .4 ^4 [^6] .5

G7 G C F

.7 .7 .7 .1 .7 .7 .5 .4 ^4 [^6] .5 ^8 ^8 ^8 .7 ^8 ^8 .7 ^7 (^1) ^7 .5 [^6] .5 .7 .1 .7 .5 [^6] .5 ^5 ^8

G7 C

.7 .6 ^7 ^6 .6 .6 −

225. Roaring Jelly

86

.5 .3 ^3 .3 .4 .5 .6 .7 ^7 ^6 .5 ^4 ^5 .4 .5 ^3 .4 ^4 .4 ^3 .3 ^3 .3 .4 .5 .6 .7 ^7 ^6 .5 ^5 ^8 .7 ^7 .6 ^6

.6 − .8 .5 .7 .7 .6 .5 .7 .7 .6 .5 .6 .7 .8 ^8 .7 ^4 ^7 ^7 ^6 .5 ^6 ^7 ^8 .7 ^7 .4 ^7 .6 ^8 .7 ^7

.8 ^8 .7 ^9 .8 ^8 .7 ^7 .6 ^7 .6 ^6 .6 −

230. Barrett’s Half Century

86

.3 ^3 .5 .6 .5 ^5 ^6 .6 .5 .5 ^5 ^6 .6 .5 ^4 .4 ^3 .4 ^3 ^2 [^3 .3] .3 ^3 .5 .6 .5 ^5 ^6 .6 .5 .5 ^5 ^6 .6 .5 ^4 .4

^3 .4 ^3 .3 .6 .6 .7 .6 ^7 .7 ^7 ^6 ^5 .5 .6 .6 .7 .8 .7 ^7 ^6 ^5 .5 ^4 ^3 .3 .4 .5 .6 .5 ^5 ^6 .6 .5 .5

^5 ^6 .6 .5 ^4 .4 ^3 .4 ^3 .3

Page 66: 'Oct03' Tunebook Concert Pitch Bass Clef 2007

66231. Tobin’s Favourite

Trad, arr Phil Rowe

86

D A7 D G A A7 D A7

.4 ^3 .3 .4 .5 .6 ^6 .6 ^7 ^6 .5 ^6 .6 ^7 .7 ^7 .7 ^8 .7 ^8 ^7 ^6 .5 ^4 .4 ^3 .3 .4 .5 .6 ^6 .6 ^7 ^6 .5 ^6 .6 ^7

D A7 A7 D D A A7 D G A A7

.7 ^8 .8 .7 ^8 ^7 ^6 ^7 .6 ^6 .6 .7 ^7 .6 .7 .8 .8 ^8 .7 ^7 .7 ^8 ^7 ^7 .7 ^8 .7 ^7 .7 ^8 .7 ^8 ^7 ^6 .5 ^4 .4 ^3

D A7 D A7 A7 D

.3 .4 .5 .6 ^6 .6 ^7 ^6 .5 ^6 .6 ^7 .7 ^8 .8 .7 ^8 ^7 ^6 ^7 .6 ^6 .6

233. The Belfast AlmanacCumberland Reel Jig

86

G D7 G G D7 D7 G Em Am D7 C D7

.2 .3 .3 ^2 [^3 .3] [^3] ^2 .3 ^3 .4 .3 ^4 ^3 .4 .3 ^4 ^3 .4 ^4 .5 [^3 ^3] ^3 .4 .3 ^2 [^3 .3] [^3] ^2 .3 ^3 ^2 .2

G G D7 G G7 C G C G

.3 − .5 ^4 .4 ^4 .5 .5 ^5 ^6 .6 .6 .6 .4 .4 .4 ^4 .5 ^5 ^5 ^5 ^5 .5 ^4 .4 ^4 .5 ^5 .5 ^4 .5 [3 .3]

C D7 G

[^3] ^2 .3 ^3 ^2 .2 .3 −

235. Cunnamulla Stocking Jig

86

.6 ^6 ^5 .5 .4 ^4 .4 ^3 .4 ^4 .5 .6 ^6 ^5 .5 .4 ^4 .4 ^3 .3 ^3 ^3 ^3 ^3 .4 ^4 .4 ^3 .4 ^4 .5 ^3 ^3 ^3 ^3 .4

^4 .4 ^3 .3

Page 67: 'Oct03' Tunebook Concert Pitch Bass Clef 2007

67244. The Devil Among the Taylors

Trad, arr Phil Rowe

86

A D A Bm A

.4 ^3 .3 .4 .3 .4 .3 .4 .5 .4 .5 .6 .5 .6 ^5 .6 ^5 ^4 ^5 ^4 .5 .6 .5 .4 .5 .4 ^4 ^5 ^4 ^3 ^4 ^3 .4 .5 .4 .3 .4 .3

Bm E7 A A E7 A E7

^3 ^4 ^3 − ^3 − .3 .3 .3 .4 ^4 .5 ^5 .5 .5 ^5 .5 ^4 .5 ^4 ^4 .5 ^4 .4 ^4 .4 .4 ^4 .4 ^3 .4 ^3 ^3 .4 ^4

A A A E E7 A D

.5 ^5 .5 .5 ^5 .5 .4 ^4 .4 .4 ^4 .4 .5 ^5 .5 .5 ^5 .5 ^3 − .5 .3 .4 .3 .4 .3 .4 .5 .4 .5 .6 .5 .6 ^5 .6 ^5 ^4 ^5 ^4

A Bm A Bm E7 A

.5 .6 .5 .4 .5 .4 ^4 ^5 ^4 ^3 ^4 ^3 .4 .5 .4 .3 .4 .3 ^3 ^4 ^3 − ^3 − .3 .3

245. Go to the Devil and Shake YourselfEF

86

D G D D A/c+ Bm A7 D G D

.5 .5 .6 .6 .6 ^6 ^5 .5 ^5 .5 .5 .4 .5 .5 .6 .6 .6 ^7 .7 .6 ^5 ^5 .5 .5 .6 .6 .6 ^6 ^5 .5 ^5 .5 .5 .4 .5

D A7 D A7 D G Em E7 A7

.6 .7 .6 ^7 ^8 ^7 .7 .6 .6 .6 .7 ^8 .8 .7 .6 .6 ^6 .6 ^5 ^4 ^4 ^4 ^8 .8 ^9 ^8 ^7 ^7 .7 ^7 ^6 .5 .5 .5 .5

D G D D A7 D

.5 .6 .6 .6 ^6 ^5 .5 ^5 .5 .5 .4 .5 .6 .7 .6 ^7 ^8 ^7 .7 .6 .6 .6

247. Bride’s Favorite, O’Brien’s Jig)

86

G G D Am G G G D Am

.2 .3 .4 ^3 .4 .3 .4 .5 .6 .5 .4 ^3 ^2 .5 ^4 ^3 ^2 .3 .4 .5 .6 .5 .4 .3 .4 ^3 .4 .3 .4 .5 .6 .5 .4 ^3 ^2 .5 ^4 ^3 ^2

4

D G G D G G Bm Em G D G

^3 .3 ^2 .3 .5 .6 ^6 ^7 .6 .5 .4 .3 .4 .5 .6 ^6 ^5 .5 ^5 ^6 .6 ^6 ^5 ^6 .6 ^6 .6 ^7 .6 .5 .4 .3 .4 .5

Am D G G C G G D G G D

^4 ^3 .5 ^4 ^3 ^2 ^3 .3 ^2 .3 .2 .3 .4 .5 .6 ^5 .5 ^4 .4 ^4 ^3 .3 .4 .5 .6 ^6 ^7 ^6 .6 ^7 .7 .6 .7 ^7 ^6 ^7

Em Bm A Bm G

.6 ^5 .6 ^6 ^5 .5 ^5 .5 [^6] .5 ^5 ^6 .6 ^7 ^6 .6

Page 68: 'Oct03' Tunebook Concert Pitch Bass Clef 2007

68ENGLISH (SINGLE) JIGS

259. John of Paris (Ninety−Five)Trad

= 110

86

G C Em G Am D G D

.5 ^4 .4 .4 .4 ^3 .4 .5 .4 .4 ^3 .4 ^4 ^5 .6 ^5 .5 .4 .4 ^3 .4 ^4 ^3 ^3 .3 ^3 .4 .3 .3 .4 ^3 .4 ^3 .4

G C Em G Am D G

^3 .5 .5 [^6] ^4 .4 .4 .4 ^3 .4 .5 .4 .4 ^3 .4 ^4 ^5 .6 ^5 .5 .4 .4 ^3 .4 ^4 ^3 ^3 .3 ^3 .4 .3 .3 .3

Am G Em G Em G Em C G

.2 ^5 .5 ^4 .4 ^3 .4 .3 .3 .5 ^4 .4 ^4 .5 ^5 ^6 .6 ^7 .7 ^7 .6 ^6 ^5 .5 .4 .4 ^4 .5 ^5 ^5 ^5 ^4 .3 .5 .5 .5 .4 .3

Am G D G C Em G Am D G

^4 ^3 .4 .3 ^3 ^2 .2 ^5 .4 .4 .4 ^3 .4 .5 .4 .4 ^3 .4 ^4 ^5 .6 ^5 .5 .4 .4 ^3 .4 ^4 ^3 ^3 .3 ^3 .4 .3 .3 ^2

Am G

.2 ^5 .5 ^4 .4 ^3 .4 .3 .3

260. Jockey to the FairMcCuskers

86

G G G Am D A7 D

.2 .3 ^3 .4 ^4 .5 .6 ^5 .5 ^4 .4 .5 .4 .3 ^2 .3 ^4 .4 ^4 ^3 .4 ^4 .5 [^6] .5 ^5 ^6 .6 ^6 .6 ^7 ^6 .5 .6

Em A7 D7 D C G G C G

^6 ^5 .5 ^3 .4 [^6] .5 .5 ^5 ^6 .6 ^7 ^6 .5 ^7 ^6 .5 ^4 .4 ^4 .4 ^4 .5 .6 .5 .5 .6 .5 ^4 .4 ^4 .4 ^4 .5

C G C D Em D7/f+ G C G

^5 ^6 .6 ^6 ^5 .5 ^4 .4 ^4 .5 ^5 .5 ^4 .4 ^4 ^3 .4 .3 [^3 .3] .3 ^3 .3 .3 .4 .5 ^5 ^6 .6 ^6 ^5 .5 .4 .3 ^3 .4

CEm D G D G

[^3] ^2 .3 ^3 .4 .6 .4 ^3 .3 .3

261. Ride a Cock horse to Banbury CrossTrad

= 200

86

.5 ^5 ^6 .6 ^6 .6 .6 ^6 ^5 .5 ^5 .5 .4 .5 .6 ^6 .6 .5 ^5 .5 ^4 ^3 ^3 .5 .6 ^6 .6 .6 ^6 ^5 .5 ^5 .5 .4 .5

.6 ^6 .6 ^7 ^6 .6 .6 .4 .4 − ^3 .4 ^4 ^5 .5 − ^4 .4 ^3 − ^3 .4 .4 ^3 .4 ^4 ^5 .5 ^5 .5 ^4 .4 ^3 .3 .3

Page 69: 'Oct03' Tunebook Concert Pitch Bass Clef 2007

69262. Oh Dear What Can the Matter Be?

Bacon (the common song tune) (English)A.(AB)2n

= 300

86

.5 .4 ^4 .5 .4 ^4 .5 .4 .6 .5 .4 .3 ^4 ^3 .4 ^4 ^3 .4 ^4 ^3 .4 ^4 .4 ^3 .5 .4 ^4 .5 .4 ^4 .5 .4 .6 .5 .4 .3

[^3] ^4 .4 ^3 .3 ^2 .3 .3 .5 .5 .5 .4 .6 .5 .4 .3 ^4 ^4 ^4 ^3 .4 ^4 .4 ^3 .5 .5 .5 .4 .6 .5 .4 .3

[^3] ^4 .4 ^3 .3 ^2 .3 .3

263. Life on the Ocean Wave, ATrad

= 200

86

.2 .3 ^2 .3 .3 ^3 .4 − ^3 .4 ^3 .4 ^4 .4 ^3 − .2 ^3 .3 ^3 .4 ^4 − .5 ^5 .5 ^4 ^3 .4 − .2 .3 ^2 .3 .3 ^3

.4 .4 .3 .4 ^3 .4 ^4 .4 ^3 ^3 .5 ^3 ^3 ^3 .4 ^4 ^4 .5 ^5 .5 ^4 ^3 .3 .3 ^2 [^3] ^2 .3 ^3 .4 − .3 [^3] ^2 .3 ^3

.4 − ^3 .4 ^3 .4 .4 ^3 .4 ^3 .4 .4 ^3 .4 ^3 .4 ^3 .4 ^4 ^4 .2 .3 ^2 .3 .3 ^3 .4 − ^3 .4 ^3 .4 ^4 .4 ^3 − .2

^3 .3 ^3 ^3 .2 ^3 .3 ^3 ^3 .4 .5 ^4 .4 ^3 .3 .3

264. Cock o’ the NorthTrad.

86

Bm Bm D Bm Bm Bm Em Em Bm Bm D Bm Bm Em Bm Bm

^3 .4 .4 .4 ^3 .3 .4 .5 ^5 .5 .4 .4 .4 ^3 .3 ^3 ^3 .3 ^3 .4 .4 .4 ^3 .3 .4 .5 ^5 .5 .4 ^4 .4 ^3 .4 ^3 .3 .3

Bm Bm Em Em D Bm D Bm Bm Em Bm Bm

.6 .5 ^5 .5 .6 .5 ^5 .5 .4 ^4 .4 .4 ^3 .3 ^3 ^3 .3 ^3 .6 .5 ^5 .5 .6 .5 ^5 .5 .4 ^4 .4 ^3 .4 ^3 .3 .3

265. Lilliburlero

86

.3 ^3 .3 .4 .4 ^3 .4 ^3 ^4 .4 .5 .3 ^4 .4 ^3 .3 ^2 .3 .6 ^6 .6 .5 .5 ^5 ^6 ^5 .5 .5 ^5 ^6 .6 .5 ^5

.5 ^4 .4 ^3 .5 ^5 .5 ^4 .4 ^4 .5 ^5 .5 ^4 .4 ^4 .5 .6 .3 ^4 .4 ^3 .3 ^2 .3

Page 70: 'Oct03' Tunebook Concert Pitch Bass Clef 2007

70266. Colleen

Barber−Riley = 140

86

G G D C D Am D G G

.2 .4 ^4 .4 ^3 .3 .4 .2 ^3 .3 ^3 .4 ^4 − .2 ^3 .3 ^3 .4 ^4 .4 ^3 ^3 .4 ^3 ^2 [^3] .2 − .2 .4 ^4 .4 ^3

G D C G G G G G G G1 2

.3 .4 .2 ^3 .3 ^3 .4 ^4 − .2 .5 .5 .5 .5 .5 .5 .5 .5 .5 ^4 [^3] ^2 .3 .2 .3 .4 ^4 .5 − ^5 .5 − ^5

Am G D G D G G G Am G

.5 ^5 .5 ^4 ^3 .3 .2 ^3 ^3 .4 ^4 .5 .4 .3 ^3 .4 ^3 ^2 .2 .4 ^4 .5 − ^5 .5 − ^5 .5 ^5 .5 ^4 ^3 .3 .2

Am Bm G G G1 2

[^3 ^3] ^3 .3 ^2 .5 .5 .5 .5 ^4 [^3] ^2 .3 .4 ^4 .3 −

Page 71: 'Oct03' Tunebook Concert Pitch Bass Clef 2007

71SLIP JIGS

279. Drops of Brandy (in D)

89

.5 ^4 .4 .3 .4 .4 .3 .4 .5 ^4 .4 .3 .4 ^4 .4 ^3 .5 ^4 .4 .3 .4 .4 .3 .4 ^4 .4 ^4 ^3 .4 ^4 .4 ^3

.3 .4 .5 .6 .5 .4 .6 .5 .4 .3 .4 .5 .6 .5 .4 ^4 .4 ^3 .3 .4 .5 .6 .5 .4 .6 .5 .4 ^4 .4 ^4 ^3 .4 ^4 .4 ^3

280. Drops of Brandy (in G)

89

.5 ^4 .4 .3 .4 .4 .3 .4 .5 ^4 .4 .3 .4 ^4 .4 ^3 .5 ^4 .4 .3 .4 .4 .3 .4 ^4 .4 ^4 ^3 .4 ^4 .4 ^3

.3 .4 .5 .6 .5 .4 .6 .5 .4 .3 .4 .5 .6 .5 .4 ^4 .4 ^3 .3 .4 .5 .6 .5 .4 .6 .5 .4 ^4 .4 ^4 ^3 .4 ^4 .4 ^3

281. Foxhunter, the

89

.4 ^4 .4 .4 .3 ^4 ^3 .4 ^4 .4 .4 .3 ^3 .4 .4 ^4 .4 .4 .3 ^4 ^5 ^5 .4 .3 .3 ^3 .4 ^3 .3

^5 ^6 ^5 ^5 .5 ^4 .4 ^4 .5 ^5 ^3 ^3 .4 ^4 ^5 .5 ^5 ^6 .6 ^6 ^5 .5 ^5 ^6 .6 .3 .3 ^3 .4 ^3 .3

.7 ^8 .7 .7 .6 ^8 ^7 .7 ^8 .7 .7 .6 ^7 .6 .7 ^8 .7 .7 .6 ^8 ^9 .8 .7 .6 .6 ^7 .7 ^7 .6 ^8 .7 ^7 .6 ^6 ^5 .5 ^4 .5

^5 ^3 ^3 .4 ^4 ^5 .5 ^5 ^6 .6 ^6 ^5 .5 ^5 ^6 .6 .3 .3 .4 ^3 .3

Page 72: 'Oct03' Tunebook Concert Pitch Bass Clef 2007

72284. Rocky Road To Dublin, the

Toby Bennett

89

Am G Am G Am G Am G Am G Am

^3 ^5 ^6 ^5 .5 ^4 .4 ^3 [^3] ^3 ^3 ^3 .4 ^4 .5 ^5 ^6 ^5 .5 ^4 .4 ^3 ^4 .4 ^3 .3 ^3 .4 ^4 .5 ^5 ^6 ^5 .5 ^4 .4 ^3

Am G Em Bm Em G Am G Am G

[^3] ^3 ^3 ^3 .4 ^4 .5 ^5 ^6 .6 ^6 .6 ^7 .6 ^5 .5 .4 .3 ^3 .4 ^4 .5 ^5 ^7 ^7 ^6 .6 .7 ^5 ^7 ^7 ^3 .4 ^4 .5

Am G G Am G Am G Em Bm Em

^5 ^7 ^7 ^6 .6 ^5 .5 .4 .3 ^3 .4 ^4 .5 ^5 ^7 ^7 ^6 .6 .7 ^5 ^7 ^7 ^6 .6 ^5 ^5 ^6 .6 ^6 .6 ^7 .6 ^5

G

.5 .4 .3 ^3 .4 ^4 .5

287. Merrily Kiss the Quaker

812

.2 .3 ^3 .4 .2 .4 ^3 ^3 .4 ^3 .4 .3 [^3] .3 ^3 .4 [3 ^3] .3 ^3 .4 ^3 ^3 .3 [^3] .3 ^3 .4 .2 .4 ^4 ^3 ^3 .3 [^3]

.3 ^3 .4 [3 ^3] .3 .3 ^3 .4 .3 .3 ^3 .3 .3 .4 .3 .3 ^3 .3 [^3] .3 ^3 .4 [3 ^3] .3 ^3 .4 ^3 ^3 .3 ^3

.4 .3 .3 ^3 .3 .3 .4 .3 .3 ^3 .3 [^3] .3 ^3 .4 [3 ^3] .3 .3 .4 .5 .6 ^6 .6 ^7 .6 ^7 .7 .6 ^5 .5 .4 .5

.6 ^6 .6 .6 ^7 .7 ^7 ^7 .6 ^6 .6 ^7 .6 ^6 .6 ^6 ^5 .6 ^5 .5 .4 ^3 .3 ^3 .4 [3 ^3] .3 .3

Page 73: 'Oct03' Tunebook Concert Pitch Bass Clef 2007

73REELS

Page 74: 'Oct03' Tunebook Concert Pitch Bass Clef 2007

74288. MEDLEY REELS: Turkey in the Straw, St Anne’s Reel, Pinch of Snuff

Turkey in the Straw = 220

44

G D7 G

.4 ^3 .3 ^2 .3 ^3 .3 [2] − [3 ^3 .3 .2 .3] .3 ^3 .4 .4 .4 ^3 .3 ^3 .4 ^3 ^3 .4 ^3 .3 ^2 .3 ^3 .3 [2] −

D7 G C

[3 ^3 .3 .2 .3] .3 ^3 .4 .5 ^5 .5 .4 .3 ^3 .4 ^3 .3 .5 .4 .5 .4 .5 .5 .4 .5 .4 .5 .5 ^4 ^5 ^4 ^5 ^5 ^4 ^5 ^4 ^5 ^5

G D G D G D7 G

.6 .6 .5 .5 .4 .4 ^3 .3 ^3 .4 .5 ^5 .5 .4 .3 ^3 .4 ^3 .3

St Anne’s Reel

44

.7 ^7 .6 .7 ^7 .6 ^6 ^5 .5 .4 .5 .3 .5 .4 .5 ^5 ^4 ^5 ^3 ^5 ^4 ^5 .5 .4 .5 .3 .5 .4 .5 .7 ^7 .6 .7 ^7 .6 ^6 ^5

.5 .4 .5 .3 .5 .4 .5 ^5 ^7 .6 ^6 .5 ^5 ^6 .6 ^7 .6 ^6 .6 .6 ^7 .7 .7 ^7 .7 .6 ^7 .7 ^8 .8 ^8 .7 ^8 ^8 .7

^7 .6 ^6 ^5 .5 ^5 ^6 ^7 ^9 .8 .8 ^9 .8 .8 ^8 .7 .7 ^7 .7 .6 ^7 .7 ^8 .8 ^8 .7 ^8 ^8 .7 ^7 .6 ^6 ^5 .5 ^5 ^6 .6

^7 .6 .6 ^6 .6

A Pinch of Snuff

44

.4 .3 .4 ^3 .3 ^3 .4 .3 .4 ^3 .4 ^4 ^3 .4 .3 .4 ^3 .3 ^4 .5 ^5 ^4 ^3 .4 ^4 ^3 .3 .4 .5 .4 ^5 .4 .5 .4

.3 .4 .5 .4 ^3 .4 ^4 ^3 .3 .4 .5 .4 ^5 .4 .5 .4 ^4 .5 ^5 ^4 ^3 .4 ^4 ^3 .4 .3 .4 ^3 .3 ^3 .4 .3 .4 ^3 .4 ^4 ^3

.4 .3 .4 ^3 .3 ^4 .5 ^5 ^4 ^3 .4 ^4 ^3 .3 .4 .5 .4 ^5 .4 .5 .4 .3 .4 .5 .4 ^3 .4 ^4 ^3 .3 .4 .5 .4 ^5 .4 .5 .4

^4 .5 ^5 ^4 ^3 .4 ^4 ^3 .7 .6 .7 ^7 .6 ^7 .7 .6 .7 ^7 .7 ^8 ^7 .7 .6 .7 ^7 .6 ^8 .8 ^9 ^8 ^7 .7 ^8 ^7

.6 .7 .8 .7 ^9 .7 .8 .7 .6 .7 .8 .7 ^7 .7 ^8 ^7 .6 .7 .8 .7 ^9 .7 .8 .7 ^8 .8 ^9 ^8 ^7 .7 ^8 ^7 .7 .6 .7 ^7 .6 ^7

.7 .6 .7 ^7 .7 ^8 ^7 .7 .6 .7 ^7 .6 ^8 .8 ^9 ^8 ^7 .7 ^8 ^7 .6 .7 .8 .7 ^9 .7 .8 .7 .6 .7 .8 .7 ^7 .7 ^8 ^7

Page 75: 'Oct03' Tunebook Concert Pitch Bass Clef 2007

75

.6 .7 .8 .7 ^9 .7 .8 .7 ^8 .8 ^9 ^8 ^7 .7 ^8 ^7 .7 .7 ^7 .6 .6 ^5 .5 .4 .3 .4 .5 .4 .3 .4 .5 ^5 (^4) .5

^4 ^3 ^3 (^4) ^3 ^4 ^3

289. WillafjordTrad Shetland (Shetland)

= 200

44

D G D Em A7 D

^5 .5 .3 .5 − .3 .4 .5 ^5 ^4 ^5 − .3 ^4 ^5 .5 .3 .5 − .3 .4 .5 ^3 .4 ^4 .5 ^4 .4 ^3 .3 .5 .3 .5 − .3 .4 .5

G A7 D D Em G

^5 ^4 ^5 − .3 ^4 ^5 .5 ^5 ^6 .6 ^7 .7 ^8 ^7 .7 .6 .6 ^7 .7 .6 .7 − .5 .6 .7 ^8 ^7 .8 .7 ^8 .7 ^7 .6

D Em A7 D Em G A7

.7 .6 .7 − .5 .6 .7 ^7 .6 ^6 ^5 .5 ^5 ^6 ^7 .7 .6 .7 − .5 .6 .7 ^8 ^7 .8 .7 ^8 .7 ^7 .6 .5 ^5 ^6 .6 ^7 .7 ^8 ^7

D

.7 .6 .6

290. Drowsy Maggie

Em Em D Em Em D1

^3 ^5 ^3 .6 ^3 ^5 ^3 ^3 ^5 ^3 .5 .4 .3 .4 ^3 ^5 ^3 .6 ^3 ^5 ^3 ^5 .5 ^5 ^6 .6 .5 .4 .3

Em D D A D G2

^5 .5 ^5 ^6 .6 .5 .4 .5 .6 .7 .6 ^6 ^7 ^6 .6 ^7 .7 ^8 .8 .7 ^8 ^7 .6 .7 .6 ^6 ^7 ^6 ^5 .5 ^5 ^6 .6 .5 .4 .5

D A D D G A G

.6 .7 .6 ^6 ^7 ^6 .6 ^7 .7 ^8 .8 .7 ^8 .8 .7 ^8 ^7 .7 .6 ^7 ^6 ^5 .5 ^5 ^6 .6 .5 .4 .3

291. The Merry BlacksmithTrad.

44

D G A D

.5 .6 .5 ^5 .5 .4 .5 .5 ^5 .6 .5 ^5 .5 .4 .5 .5 ^5 .6 ^7 .7 ^7 .6 ^5 ^7 ^7 ^8 .7 ^7 .6 .6 .5 ^5 .5 .4 .5

G A D D

.5 ^5 .6 .5 ^5 .5 .4 .5 .5 ^5 .6 ^7 .7 ^7 .6 .6 ^5 .5 .4 .3 .7 ^8 .8 .8 ^8 .7 .7 ^7 .6 .6 .5 ^5 .5 .4 .5

G A D G A D

.5 ^5 .6 ^7 .7 ^7 .6 ^5 ^7 ^7 ^8 .7 ^7 .8 ^9 .8 ^8 .7 ^8 .7 ^7 .6 .5 ^5 .5 .4 .5 .5 ^5 .6 ^7 .7 ^7 .6 .6 ^5 .5 .4 .3

Page 76: 'Oct03' Tunebook Concert Pitch Bass Clef 2007

7616. Sally Gardens

= 120

1

3

G D

.2 .3 .2 .3 .4 .5 .3 .4 .5 .4 ^5 .4 .5 .4 ^3 .4 .5 ^5 .5 .4 .5 ^5 .4 .5 .4 ^3 ^4 .4 ^3 .3 [^3 .3 ^3]

.3 ^3 .4 ^4 .5 ^5 .5 ^4 .4 ^3 .3 ^2

3

G D G G

.3 .2 .3 .4 .5 .3 .4 .5 .4 ^5 .4 .5 .4 ^3 .4 .5 ^5 .5 .4 .5 ^5 ^6 .6 ^5 .5 .4 ^3 .4 .3 .2 .4 .6 .6 ^6 .6 .5 ^5

.3 ^3 .4 ^4 .5 ^5 .5 ^4 .4 ^2 .3 .3 .5 ^4 .4

Am G

.6 ^7 .6 ^7 .6 ^6 .6 ^5 ^7 ^7 .6 ^7 ^5 .6 ^7 .7 .6 ^7 .6 ^5 .6 .5 .6 .6 ^6 .6 .5 ^5 .6 ^7 .6 ^7 .6 ^5 .6

.3 .5 ^4 .4 ^3 ^5 .5 ^4 ^3 ^5 .5 ^4 .3 .5 ^4 .4 .3 .5 ^4 .4

3

D G

.5 ^5 .5 .4 .5 ^5 ^6 .6 ^5 .5 .4 ^3 .4 .3

.5 ^4 .4 ^3 .3 ^2 .3

Variations

3

.3 .4 .2 .3 .4 .2 .3 .4 .5 .6 ^5 .4 .5 .4 ^3 .4 .5 .3 .4 ^4 .5 ^5 .5 .6 ^5 .5 .4 ^3 .4 .3 [^3 .3 ^3] .3 .4 .4 ^3 .3 .4

3

.5 .4 ^5 .4 .5 .4 ^3 .4 .5 .3 .4 ^4 .5 ^5 .6 ^5 .5 .4 ^3 .4 .3 .5 .6 .6 ^6 .6 ^5 .5 ^5 .6 .7 ^7 ^6 .6 ^5 .5 .6

3

^5 ^7 ^7 .6 ^7 .6 ^5 .6 ^7 .6 .7 .6 ^7 .6 ^5 .6 .5 .6 .6 ^6 .6 ^5 .5 ^5 .6 ^7 .7 .6 ^7 .6 ^5 .6 .5 .4 ^4 .5 ^5 ^6 .6 ^5

.5 .4 ^3 .4 .3 .3 .5 ^4 .4 .3 .5 ^4 .4 .5 ^4 .4 ^3 .3 ^2 .3

Page 77: 'Oct03' Tunebook Concert Pitch Bass Clef 2007

77293. Corn Rigs

Trad

.5 .6 .6 ^7 .7 ^7 .6 ^6 ^5 ^6 .6 ^7 .5 .6 .6 ^7 .7 ^8 .7 ^7 .6 .8 .8 .5 .6 .6 ^7 ^8 .7 ^7 .6 ^6 ^5 ^6 .6 ^7 .5

^5 ^6 .6 ^5 ^7 .6 ^6 ^5 .5 .6 .6 .5 .6 .8 .7 .8 ^6 ^5 ^6 .6 ^7 .5 .6 .8 .7 ^8 ^7 .7 .6 .8 .8 .5 .6 .8 ^9 .8 ^8 .7

^8 .7 ^7 .6 ^6 .5 ^5 ^6 .6 ^5 ^7 .6 ^6 ^5 .5 .6 .6

294. Jack Broke Da Prison DoorTrad Shetland

= 240

44

G (Em) (Am) D G (Em) D(Am) D1 2

.3 .4 .3 .4 .5 .4 .3 ^4 .4 ^3 .4 .5 .4 ^3 .4 .3 .4 .3 .4 .5 .4 .3 ^3 .4 ^3 .3 [^3 .3 ^3] ^2 ^3 .4 ^3 .3 [^3 .3] .3

G G D G (Em) (Am) (D) (Am) (D)1 2

.6 .6 .5 ^5 .5 .4 .3 .6 .6 .5 ^5 ^7 ^7 ^6 .6 .6 .5 ^5 .5 .4 .3 ^3 .4 ^3 .3 [^3 .3] .3 ^3 .4 ^3 .3 [^3 .3]

295. Jack Broke Da Prison Door (Malarkey)Trad Shetland

= 240

44

G (Em) (Am) D G (Em) D(Am)1

[3 ^3] ^2 .3 .4 .3 .4 .5 .4 .3 ^4 .4 ^3 .4 .5 .4 ^3 .4 .3 .4 .3 .4 .5 .4 .3 ^3 .4 ^3 .3 [^3] − [3 ^3] ^2

D G G D G (Em) (Am) (D)2 1

^3 .4 ^3 .3 [^3 .3] .3 .6 .6 .5 ^5 .5 .4 .3 .6 .6 .5 ^5 ^7 ^7 ^6 .6 .6 .5 ^5 .5 .4 .3 ^3 .4 ^3 .3 [^3 .3] .3

(Am) (D)2

^3 .4 ^3 .3 [^3]

296. The Traveller

3

.3 .4 .3 .5 .3 .4 .3 ^3 .4 ^4 .5 ^4 .4 ^3 .3 .4 ^4 .5 .6 .5 ^5 .6 .5 .4 ^4 .4 ^3 .3 ^2 ^3 .2 ^2 .3 .4 .3 .5 .3 .4 .3

31 2

^3 .4 ^4 .5 ^4 .4 ^3 .3 .4 ^4 .5 .6 .5 ^5 .6 .5 .4 ^4 ^3 ^2 ^3 .3 .2 ^4 ^3 ^2 ^3 .3 .5 .6 .5 .6 ^5 .6 .5 .6

.6 .7 .6 ^7 .6 ^5 ^6 .6 .5 .6 ^5 .6 .5 .4 ^4 .4 ^3 .3 ^2 ^3 .2 .6 .5 .6 ^5 .6 .5 .6 .6 .7 .6 ^7 .6 ^5 ^6

3 3

1 2

.6 ^7 .6 ^6 ^5 .5 ^5 ^6 .6 ^6 ^7 .6 ^5 ^6 ^5 ^6 .6 ^6 ^7 .6 ^5 .5 .4

Page 78: 'Oct03' Tunebook Concert Pitch Bass Clef 2007

78297. Spey in Spate, the

J. Scott Skinner (Scotland) = 140

44

G Am G

.3 .4 .3 .2 .3 .4 .5 .6 ^6 ^5 .5 [^6] .5 .4 .3 ^3 .4 ^4 ^3 [^3] ^3 ^4 ^5 ^8 ^7 ^6 .5 ^4 ^3 ^2 ^3 .3 .4 .3 .2 .3 .4 .5Em Am G G1 2

.6 .3 ^6 .3 ^5 .3 .5 .7 ^8 ^7 .7 .6 ^7 ^6 .6 ^5 .5 .4 ^4 ^3 .3 [3 ^3] ^2 .5 .4 ^4 ^3 .3 ^3 .4 .5

Bm G Am D

^6 ^6 ^7 ^6 .5 .6 .4 .5 .3 .4 .5 .6 .7 .8 ^8 .7 ^7 ^7 ^8 ^7 ^5 ^7 ^4 ^5 ^2 ^3 .5 ^6 ^7 ^8 .7 ^7

G Am G

.6 .6 .7 .6 .5 .6 .4 .5 .3 .4 .5 .6 .7 .8 ^8 .7 ^8 ^7 .7 .6 ^7 ^6 .6 ^5 .5 .4 ^4 ^3 .3

298. Speed the plough (Scotland)

44

G G G G Am G Am Bm1

.2 .3 .3 .4 .5 ^5 .5 .4 .5 ^5 .5 .4 .5 ^5 .5 .4 ^4 ^5 ^4 ^3 .4 .5 .4 .3 ^3 ^4 ^3 .3 ^2 [3 ^3] ^2

3

D G G G G Em Am G Am D2 1

^3 ^4 ^3 ^2 .3 .5 ^5 ^6 .6 .6 ^6 .6 .5 .4 .5 .6 .3 ^6 .3 ^5 .3 .5 .3 ^4 ^5 ^4 ^3 .4 .5 .4 .3 ^3 ^4 ^3 .3 ^2 .5 ^5 ^6

D G2

^3 ^4 ^3 ^2 .3

299. The Wind That Shakes the Barley

44

D Bm D G A7 D

.5 .5 ^5 .5 .4 ^3 .3 ^5 ^5 .5 ^5 ^6 .6 ^5 .5 .5 ^5 .5 .4 ^3 .3 ^8 .7 ^7 .6 ^5 ^6 .6 ^5 .5 .5 ^5 .5 .4 ^3 .4

Bm D G A7 D G D A7

.3 ^5 ^5 .5 ^5 ^6 .6 ^5 .5 .5 ^5 .5 .3 .4 .5 ^8 .7 ^7 .6 ^5 ^6 .6 ^7 .7 .7 .6 ^8 ^8 ^7 .7 .7 .6 ^5 ^6 .6 ^7

D G D A7 D G D A7 D

.7 .6 .7 ^8 ^7 .7 ^8 .8 .7 ^7 .6 ^5 ^6 .6 ^7 .7 .7 .6 ^8 ^8 ^7 .7 .7 .6 ^5 ^6 .6 .6 ^7 .7 ^8 .8 .7 ^9 .7

G A7

^8 .7 ^7 .6 ^5 ^6 .6 ^5

Page 79: 'Oct03' Tunebook Concert Pitch Bass Clef 2007

79300. African Swallow

44

D D Bm D G D G A D Em D G

.6 ^6 .6 .5 ^5 .6 ^6 ^5 .5 .4 ^4 ^5 .5 .4 .3 .4 ^4 .5 ^4 .4 ^3 .3 .4 ^3 .4 ^4 ^3 .4 .5 .4 .3 ^4 .4 ^3 .3

G Em F#m D D D G D G D G A

^4 .5 ^5 ^4 ^3 ^5 .5 ^6 .6 .3 .4 .5 .4 .5 .4 ^5 ^4 .6 ^5 .5 .4 ^5 ^4 .6 ^5 .5 .4 .3 .4 ^4 .5 ^4 .4 ^3

D D G D G D D D

.3 .4 .5 .4 .5 .4 ^5 ^4 .6 ^5 .5 .4 ^5 ^4 .6 ^5 .5 .4 .6 .5 .4 ^3 .3

303. MEDLEY REELS: CHAIN DOUBLE QUADRILLE,Scarterglen, Yarmouth Reel)Scarterglen

Trad. = 250

42

G Em D G D G1

.2 .3 .3 ^3 .4 .5 .5 ^5 ^6 .6 .4 .4 ^3 .3 ^3 .4 ^3 ^3 .4 ^3 .3 .3 ^3 .4 .5 .5 ^5 ^6 .6 .4 ^3 .4 ^3 .3 .2

G G C G D G C G D2

.3 ^3 .4 .5 .6 ^6 ^6 ^5 ^5 ^6 .6 ^5 .5 .4 .4 ^3 .3 ^3 .4 ^3 ^3 .4 .5 .6 ^6 ^6 ^5 ^5 ^6 .6 ^5 .5 .4 ^3 .4 ^3

G G D Em G D Em C G D G

.3 .5 .6 ^7 .7 ^7 .6 .6 ^7 ^7 .7 .7 ^7 .6 ^5 ^5 ^6 .6 ^5 .5 .4 .6 ^5 .5 .4 ^3 .4 ^3 .3

Yarmouth Reel

42

.5 ^4 .4 .4 ^4 ^3 ^3 .4 .3 .3 .3 ^3 .4 ^4 .4 ^4 .5 ^5 .5 ^4 .4 ^3 ^3 ^3 .5 ^4 .4 .4 ^4 ^3 ^3 .4 .3 .3 .3 ^3 .4

^4 .4 ^3 .3 ^2 .3 ^3 ^2 .3 .3 .3 .5 ^4 .4 .6 ^6 ^5 ^5 .5 .5 ^4 .4 ^4 ^3 .5 ^4 .4 .6 ^6 ^5 .5 ^4 .4 ^3 ^3 ^3 .5 ^4

.4 .6 ^6 ^5 ^5 .5 .5 ^4 .4 ^4 ^3 .5 ^4 .4 .5 ^4 .4 ^3 ^4 .4 ^3 .3 .3 .3 .4 ^4 .5 .5 .5 .6 .5 .5 .5 .6 .5 .5 ^5 .5 ^4 .4

^3 ^3 ^3 .4 ^4 .5 .5 .5 .6 .5 .5 .5 .6 ^5 .5 ^4 .4 .5 ^4 .4 ^3 .3 .3 .3

Page 80: 'Oct03' Tunebook Concert Pitch Bass Clef 2007

80304. MEDLEY REELS: COLONIALS QUADRILLE,Can Can, Red Wing)

Can Can = 134

42

A D G D A7 D E7 A7

.5 ^3 ^3 .4 ^3 .3 .3 .4 ^4 ^5 .6 ^5 ^5 .5 .5 ^5 ^2 ^2 ^5 .5 .3 .3 .4 .4 .4 ^3 .4 ^3 .4 ^3 .4 ^3 .5 ^3 ^3 .4

D G D A7 D A7 D D G D A7 D

^3 .3 .3 .4 ^4 ^5 .6 ^5 ^5 .5 .5 ^5 ^2 ^2 ^5 .5 .3 .3 .4 .4 ^3 .4 ^3 ^3 .3 ^3 .7 .6 ^5 .5 .5 ^3 .4 ^4 .4 ^3 .3

D D D A D D G D A7 D D G D A7 D D7

.7 .6 ^5 .5 [^6] .5 ^5 ^6 ^7 .6 .6 .7 .6 ^5 .5 .5 ^3 .4 ^4 .4 ^3 .3 .7 .6 ^5 .5 [^6] .5 ^5 ^6 .6 (^4) ^5 .5

G D7 G D7 G D7 G D7 G

.3 ^3 ^4 .4 ^3 .5 .5 .5 ^5 .4 ^4 ^3 ^3 ^3 ^4 .4 ^3 .3 .6 ^6 ^5 .5 ^4 .4 ^3 .3 ^3 ^4 .4 ^3 .5 .5 .5 ^5 .4 ^4

D7 G D G D7 G D7 G G

^3 ^3 ^3 ^4 .4 ^3 .3 .6 ^6 ^5 .5 ^4 .4 ^3 .3 ^3 ^4 .4 ^3 .5 .5 .5 ^5 .4 ^4 ^3 ^3 ^3 ^4 .4 ^3 .3 .5 ^3 .4 .3

Red Wing

42

G G G G C Em G C Am G G Am Bm D Em

.2 .3 ^2 .3 .4 .5 .5 .4 ^4 ^5 .6 ^5 .5 .4 ^4 ^4 .4 ^3 ^4 .4 .4 ^3 .3 .4 ^3 [^3] ^2 .3 ^3 .4 ^3 ^2 [^3 .3]

G G G G C Em G G C Am G G Am Bm G G Em Em

.3 .3 ^2 .3 .4 .5 .5 .4 ^4 ^5 .6 ^5 .5 .5 .4 ^4 ^4 .4 ^3 ^4 .4 .4 ^3 .3 .4 ^3 [^3] ^2 .2 .3 .6 .6 ^6 ^5 ^5 ^5

Em Bm G G G Em G D D Em G G G G EmEm Em Bm G G G Em G D

^5 .6 ^6 ^5 .5 .4 .4 .5 ^5 .5 .5 ^3 ^3 .5 ^5 .5 .5 .4 .3 .6 .6 ^6 ^5 ^5 ^5 ^5 .6 ^6 ^5 .5 .4 .4 .5 ^5 .5 .5 ^3

Am G G Em

^3 ^4 .4 ^3 .3 .3

Page 81: 'Oct03' Tunebook Concert Pitch Bass Clef 2007

81305. Can Can (parts)

Celebrated Galop from "Orpheus in the Underworld"Offenbach Arr Lynn Palmer

= 140

42

.5 ^7 ^7 .7 ^7 .6 .6 .7 ^8 ^9 .9 ^9 ^9 .8 .8 ^9 ^6 ^6 ^9 .8 .6 .6 .7 .7 ^7 .7 ^7 .7 ^7 .7 ^7 .5 ^7 ^7 .7

^7 .6 .6 .7 ^8 ^9 .9 ^9 ^9 .8 .8 ^9 ^6 ^6 ^9 .8 .6 .6 .7 .7 ^7 .7 ^7 ^7 .6 ^7 .7 .6 ^5 .5 .8 ^7 .7 ^8 .7 ^7 .6

.7 .6 ^5 .5 [^6] .5 ^5 ^6 ^7 .6 .6 .7 .6 ^5 .5 .8 ^7 .7 ^8 .7 ^7 .6 .7 .6 ^5 .5 [^6] .5 ^5 ^6 .3 ^4

.5 ^6 ^5 .5 .6 .6 .6 ^7 ^5 ^6 .5 .5 .5 ^6 ^5 .5 ^4 ^8 .7 ^7 .6 ^6 ^5 .5 ^4 .5 ^6 ^5 .5 .6 .6 .6 ^7 ^5 ^6 .5 .5

.5 ^6 ^5 .5 ^4 .6 .5 ^5 ^4 ^4 .5 ^6 ^5 .5 .6 .6 .6 ^7 ^5 ^6 .5 .5 .5 ^6 ^5 .5 ^4 ^8 .7 ^7 .6 ^6 ^5 .5 ^4

.5 ^6 ^5 .5 .6 .6 .6 ^7 ^5 ^6 .5 .5 .5 ^6 ^5 .5 ^4 .6 .5 ^5 ^4 ^8 ^3 ^5 ^5 ^6 ^5 .5 .5 ^6 .6 .7 .8 .7

.7 ^7 ^7 .7 ^4 ^4 .7 ^7 .5 .5 ^6 ^6 ^5 ^6 ^5 ^6 ^5 ^6 ^5 ^3 ^5 ^5 ^6 ^5 .5 .5 ^6 .6 .7 .8 .7 .7 ^7 ^7 .7 ^4 ^4 .7

^7 .5 .5 ^6 ^6 ^5 ^6 ^5 .5 ^7 ^5 ^6 .5 ^7 ^5 ^6 .5

Page 82: 'Oct03' Tunebook Concert Pitch Bass Clef 2007

82305.

Bass line for Can Can

44

− − − − − − − − − − −

− − − − − − − − − − − − − − − − − − − − −

− − − − − − − − − − − − − − − − − − − − − −

− − − − − − − − − − − − − − − − − − − − − − −

− − − − − − − − − − − − − − − − − − − − − − − −

− − − − − − − − − −

− − − − −

Page 83: 'Oct03' Tunebook Concert Pitch Bass Clef 2007

83307. MEDLEY REELS: DORSET FOUR HAND REEL,Dorset Four Hand Reel, Winster Galop, Walter Bulwer#2)

Dorset Four Hand Reel = 120

42

G G C C G G G Am G G C C G G

.4 ^3 .3 .4 .5 ^4 .4 ^4 ^5 ^4 ^5 .3 .4 .5 ^4 .4 ^3 ^3 .4 ^3 .3 .4 .5 ^4 .4 ^4 ^5 ^4 ^5 .3 .4 .5 ^4

G G G G G Em G G Am G Em Bm G Em1 2

.4 ^3 .3 .4 ^3 .4 ^3 .3 .6 .6 .6 ^6 ^5 .5 .5 ^5 .5 ^4 .4 ^3 .4 ^4 .5 ^5 .5 .5 ^5 ^6 .6 .6 .6 ^6 ^5

G G Am Bm G G

.5 .5 ^5 .5 ^4 .4 ^3 .4 ^4 ^2 ^3 .3 .3

Winster Galop[

42

G D G C G D7 G G

.3 .4 .4 .3 .4 .3 .4 .5 ^3 ^4 ^4 .4 ^3 .3 .4 .5 ^4 ^5 ^6 ^5 .5 .4 .5 ^3 ^4 .4 ^3 .3 .3 .6 ^6 ^5 .5

C D D D7 G

.6 ^6 ^5 .5 .6 ^6 ^6 ^5 .5 ^4 .4 ^3 ^6 ^5 .5 ^6 ^5 .5 .5 ^3 ^4 .4 .3 .3

Walter Bulwer’s Polka #2

42

G C D7 G C D7

^2 .3 ^2 .3 .3 ^2 .3 ^3 [^3 ^3] ^2 .3 ^3 ^2 .3 ^3 .4 .3 .3 ^2 [^3 .3] .3 .3 ^2 .3 ^3 [^3 ^3] ^2 .3 ^3 [3 ^3] ^2

G D G D A7 D D G D A7 D

.3 .3 .3 ^3 ^3 .4 ^3 ^3 ^2 .3 .3 [^3] ^2 .3 ^3 ^3 ^2 .3 ^3 ^3 ^3 .4 ^3 ^3 ^2 .3 .3 [^3] .3 ^2 [^3 .3]

Page 84: 'Oct03' Tunebook Concert Pitch Bass Clef 2007

84308. MEDLEY REELS: Wiltshire Six Hand Reel, Dorset Four Hand Reels,

Wiltshire Six Hand ReelTrad

= 130

44

D D D A7 D A7 A A A D A7 D D

.7 .5 .6 ^7 .7 .5 .6 ^7 .7 ^8 .7 .7 ^7 ^7 ^7 .5 ^6 .6 ^7 .5 ^6 .6 ^7 .7 ^7 ^7 .6 .6 .8 .6 .6 .6 .6 .6

A7 G A7 G D D A7 G G A7 D

^6 ^5 ^5 ^8 ^6 ^6 ^6 ^6 ^6 ^5 .5 .5 .8 .6 .6 .6 .6 .6 ^6 ^5 ^5 ^5 ^5 ^7 ^5 ^6 .6 .6

Dorset Four Hand Reel #1

42

G C G D G C G D7 G

.4 ^3 .3 .4 .5 ^4 .4 ^4 ^5 ^4 ^5 .3 .4 .5 ^4 .4 ^3 ^3 .4 ^3 .3 .4 .5 ^4 .4 ^4 ^5 ^4 ^5 .3 .4 .5 ^4 .4 .3 .3

G G Am D7 G G D7 G

.5 .6 .6 .6 ^6 ^5 .5 .5 .5 ^4 .4 ^3 ^3 .4 ^4 .5 ^5 .5 .5 ^5 ^6 .6 .6 .6 ^6 ^5 .5 .5 .5 ^4 .4 ^3 ^3 .4 ^4 ^3 .3 .3

Dorset Four Hand Reel #2

42

A D A E7 A D

.5 .6 .7 .8 .9 .8 .7 .6 ^8 ^9 ^8 ^9 .6 .7 .8 .9 .8 .7 .6 ^7 .8 ^7 .8 .6 .7 .8 .9 .8 .7 .6 ^8 ^9 ^8 ^9

E7 A A D A E7 A D

.8 ^10 ^9 .8 ^8 .7 ^7 .6 .9 .9 .7 ^8 .8 .7 .8 .7 ^9 ^8 ^9 ^8 .8 .7 .8 .7 ^7 .8 .8 .8 .8 .7 .8 .7 ^9 ^8 ^9 ^8

E7 A

.8 ^10 ^9 .8 ^8 .7 ^7 .6 .9 .9

Page 85: 'Oct03' Tunebook Concert Pitch Bass Clef 2007

85313. MEDLEY REELS:TRIP TO BAVARIA, Trip to Bavaria, Caddam Wood, Columbus’s Sword)

Trip to BavariaHamish’s Tune

= 240

44

A E E7 A

.5 .5 .6 .6 .7 .7 .8 .8 .8 .7 .8 ^9 .7 .8 ^8 .8 ^7 .5 ^6 ^6 ^7 ^7 ^8 ^8 ^10 ^9 ^10 ^9 ^9 .8 ^9 .8 .5 .6 .6 .7

A7 D E D D#8 E7 A A#8

.7 .8 .8 .8 .9 ^10 ^10 ^9 ^9 ^10 ^9 ^10 ^9 ^9 .8 ^9 .8 .8 .7 ^8 ^7 .6 .6 .5 .5 .6 .7 .6 .5 .6 .7 .7 ^8 .7

Bm E E7 A A7 D

.7 ^7 ^7 .5 ^6 ^7 ^6 .5 ^6 ^7 ^6 ^10 ^9 ^10 ^9 ^9 .8 ^9 .8 .5 .6 .7 .6 .5 .6 .7 .6 .8 .9 ^10 ^10 ^9 ^9

E D D#8 E7 A

^10 ^9 ^10 ^9 ^9 .8 ^9 .8 .8 ^8 .7 ^7 .6 .6

Caddam Wood

44

G D7 1

[^6] .5 .5 .5 .5 [^6] .5 ^5 .5 .4 [3 .3 .3 .3] .3 .4 ^5 .5 ^4 ^4 ^4 ^4 ^4 .4 ^4 ^6 ^5 ^4 ^6 ^5 ^4 ^3

G D7 G G D72

^5 .5 [^6] .5 ^6 ^5 .5 ^4 .4 ^3 .3 − .5 .5 .5 .5 .4 .4 .5 .5 .5 .5 .4 .4 .5 ^5 .5 .5 [^6] ^4 ^4 ^4 ^4 ^4 ^3 ^3

G D7

^4 ^4 ^4 ^4 ^3 ^3 ^6 ^5 ^6 ^5 ^5 .5 ^5 .5 .5 .5 .5 ^5 .5 ^4 .4 .4 .4 .5 ^5 .5 .5 [^6] ^4 ^4 ^4 ^4 .5 ^4 .4

^3 ^3 ^3 .5 .5 .5 .5 ^5 ^6 .6

Columbus’s Sword

44

D A D A

.3 .4 .5 ^5 ^6 .6 .6 ^6 ^5 .5 .2 ^2 ^3 .4 ^4 ^4 ^4 .4 ^3 .4 .3 .4 .5 ^5 ^6 .6 .6 ^6 ^5 .5 .2 ^2 ^3 .4

D D A D

^3 .3 .3 .7 .6 .7 .6 .7 .7 ^8 .7 ^7 .6 ^7 ^6 ^7 ^6 ^7 ^7 ^8 .7 ^7 .6 ^7 .7 .6 .7 .6 .7 .7 ^8 .7 ^7 .6 .7

A D

^7 .6 ^6 ^5 .5 ^4 .4 ^3 .3 .3

Page 86: 'Oct03' Tunebook Concert Pitch Bass Clef 2007

86314. MEDLEY: VIRGINIA REEL, Mama Don’t Allow, Didn’t He Ramble, Coming in on a Wing, We Shall Not Be Moved, Careless Love

Mama Don’t AllowTrad

42

G G G G G G F D7 G G C

.2 .3 .3 .3 .4 ^3 .3 [^3 .3] .3 − .3 [^3 .3] .3 .3 .4 .4 .5 .5 ^5 .5 ^3 − ^3 .4 .3 .3 .3 .4 .3 .3 .3 .2 .3 ^3 .3

C G D7 G

.4 ^3 .3 [^3] .3 .3 .3 .4 ^3 .3 [^3 .3 ^3] .3 −

Didn’t He Ramble

42

D A D D

^5 .5 .5 .5 ^5 .6 .6 ^7 .7 .7 ^7 .6 .6 ^7 .7 .7 .6 ^7 .6 ^7 .7 .7 .6 ^7 .6 ^5 .5 .5 .5 ^5 .6 .6 ^7 .7 .7 ^7

A D

.6 .6 ^7 .7 .7 .6 ^7 .7 ^7 .6 −

Coming in on a Wing

42

D A7 D G A7 D G D

.5 ^5 .6 .7 .7 ^7 .6 ^5 .6 − .7 ^8 .8 .8 .8 ^9 .8 .7 ^7 − .7 ^8 .8 ^9 .8 .7 ^7 .6 ^7 .6 ^5 .6 .5 ^5 .6 .7 .7

A7 D

^7 .6 ^5 .6 −

We Shall Not Be Moved

42

G D7 D7 D7 G C G D7

.4 .4 .4 ^4 .4 .4 ^3 ^3 [1] ^3 ^3 ^3 ^3 ^3 .4 ^3 ^3 .3 .3 ^2 .3 .3 [[^1]] [^3] ^2 .3 ^3 .3 [^3] .2 .3 .4 .3

G C G

.4 ^3 .3 − −

Careless Love

42

G D7 G D7 G G

.4 .4 .3 ^2 .2 ^2 ^3 .3 − .3 ^3 .4 ^4 .5 .5 ^4 .4 ^3 − .3 ^3 .4 ^4 .5 ^1 ^5 ^4 .3 .4 ^4 .4 .3

D7 G C G C

^2 .2 ^2 ^3 .3 − − −

Page 87: 'Oct03' Tunebook Concert Pitch Bass Clef 2007

87315. SET DANCE: VIRGINIA REEL,Bobby Shaftoe, Clare Jig, Marie’s Wedding)

Bobby Shaftoe = 160

42

D A7 D A7 D

.6 .6 .6 ^8 .7 .8 .7 .6 .5 .5 .5 .6 ^6 ^7 ^6 .8 .6 .6 .6 ^8 .7 .8 .7 .6 ^7 ^8 ^7 ^6 .6 .6 .7 .8 .7 .6

A7 D A7 D

.7 .8 .8 ^7 ^8 ^7 ^6 ^7 ^8 ^8 .7 .8 .7 .6 .7 .8 .8 ^7 ^8 ^7 ^6 .6 .6

Clare Jig

86

G D G C D G

^3 .4 .4 ^3 .4 .5 .4 ^3 .3 .4 .5 ^5 .5 .5 ^5 .5 .5 ^5 .5 .4 .3 .4 .4 ^3 .4 .5 .4 ^3 .3 .4 .5 ^5 .5 .4 ^3 .3 −

G D C G G D C G D G

.5 .6 ^6 .6 ^6 ^5 ^6 ^5 .5 .4 .5 ^5 .5 .5 ^5 .5 .5 ^5 .5 .4 .5 .6 ^6 .6 ^6 ^5 ^6 ^5 .5 .4 .5 ^5 .5 .4 ^3 .3 ^2

Marie’s Wedding

42

D G A D G A D

.5 ^5 .5 ^5 .6 ^7 .7 ^7 .6 ^5 .6 .7 ^7 .7 .8 .5 ^5 .5 ^5 .6 ^7 .7 ^7 .6 ^5 ^4 .5 .5 .8 .8 .8 ^9 .8 ^8 .7

G D A D G A

^7 .6 ^5 .6 .7 ^7 .7 .8 .8 .8 .8 ^9 .8 ^8 .7 ^7 .6 ^5 ^4 .5 .5

Page 88: 'Oct03' Tunebook Concert Pitch Bass Clef 2007

88317. MEDLEY REELS: Glory Shines, John Brown’s Body

Glory ShinesLaurie Griffiths

44

G G G G G G D7 D7 G Em

.3 ^3 .4 .4 ^3 .3 .3 [^3] [3 ^3 .3] − [2 .3] .3 ^3 .4 .4 .5 .5 ^4 .4 ^3 − .5 ^4 .4 .4 ^3 .3 .3 ^3

B Em Am D7 G G

.4 .4 .4 ^4 .4 .4 .3 ^3 ^3 .3 ^2 .3 ^3 ^2 .3 −

John Brown’s Body

86

G G G G C C G G G

.5 .5 .4 .5 .6 ^7 .7 .7 .7 ^7 .6 − ^5 ^5 .6 ^6 .6 ^5 .5 ^5 .5 ^4 .4 − .5 .5

44

.6 .6 .6 .6 .6 .6 ^6 ^5 .5 .6 ^6 .6 ^7 .7 − ^8 ^8 ^8 ^8 ^8 .7 .6 .6 .6 .7 .7 .7 ^7 .6 − .6 .6 .6 .6 .6

G B Em Am D7 G G D7 G1 2

.4 .5 .6 ^7 .7 .7 .7 ^7 .6 .6 .6 ^7 ^7 .6 ^6 .6 − − − .6 ^6 .6 −

.6 ^6 ^5 .5 ^1 ^6 .7 .7 .7 ^8 ^8 .8 ^8 .7 ^7 .6 ^6 .6 ^6 ^5 .5 ^4 .4 ^3 .4 ^4 .5 ^5 ^6 .8 ^8 .7 −

G

− −

− −

Page 89: 'Oct03' Tunebook Concert Pitch Bass Clef 2007

89323. MEDLEY REELS: Flowers of Edinburgh, Soldier’s Joy, Staten Island

Flowers of Edinburgh = 180

44

.3 [^3 .3 .3 ^3] .3 .3 ^3 .4 .3 .4 .5 ^4 .4 ^3 .3 ^2 .3 [^3] ^2 [3 ^3] ^2 .3 ^3 ^2 ^4 ^2 [^3] .3 [^3]

[3 .3 ^3] .3 .3 ^3 .4 .3 .4 .5 ^5 ^6 .6 ^5 .5 ^4 .4 ^3 .3 ^2 .3 ^3 .4 .3 .3 ^5 ^6 .6 .6 .6 .7 ^7 .6 ^6 ^6 ^6 ^7 .6 ^6

^5 .5 ^5 ^6 .6 ^6 ^5 .5 .4 ^5 ^5 .5 ^5 .5 .4 .3 .4 .5 ^5 .5 ^5 ^6 .6 ^6 ^5 .5 ^4 .4 ^3 .3 ^2 .3 ^3 .4 .3 .3

Soldier’s Joy

44

.4 ^4 .5 .4 .3 .4 .5 .4 .3 .4 .5 .6 .6 .4 ^4 .5 .4 .3 .4 .5 .4 .3 .4 ^4 ^3 ^3 .4 ^4 .5 .4 .3 .4 .5 .4 .3 .4 .5 .6 .6 ^7

.7 .8 ^8 .7 ^7 ^8 .7 ^7 .6 .6 .6 ^7 .7 .7 .7 .8 ^8 .7 ^7 ^7 ^7 ^8 .7 ^7 .7 .7 .7 .8 ^8 .7 ^7 .6 ^6 ^5 .5

.7 .7 .7 .8 ^8 .7 ^7 ^7 ^7 ^8 .7 ^7 .7 .8 ^8 .7 ^7 ^8 .7 ^7 .6 .6 .6

Staten Island

44

.5 ^4 .4 .3 .4 ^4 .5 .5 .6 .7 ^7 .6 .6 ^6 ^5 .5 ^5 ^4 ^5 .5 .4 .5 ^4 ^3 ^3 .5 ^4 .4 .3 .4 ^4 .5 .5

.6 .7 ^7 .6 .6 ^6 ^5 .5 .6 .6 ^7 .7 ^8 ^7 .7 .6 .6 .7 ^8 .8 .7 .8 ^8 ^7 ^8 .7 .6 .7 ^7 ^6 .5 (^4) ^6 ^7 .7 ^8 ^7

(^4) ^6 ^7 .7 ^8 ^7 .8 .7 .8 ^8 ^7 ^8 .7 .6 .7 ^7 ^6 .5 .6 .6 ^7 .7 ^8 ^7 .7 .6 .6

Page 90: 'Oct03' Tunebook Concert Pitch Bass Clef 2007

90OTHER REElS

324. La RusseKevin Briggs, via EF

44

G C D G

.4 ^3 .3 .4 .4 .4 .5 .5 .5 .6 .6 ^6 .6 ^7 .6 ^5 ^4 ^5 .5 ^5 .5 ^4 .4 ^3 .3 .4 .4 .4 .5 .5 .5 .6 .6 ^6 .6

D D7 G D G D A7 D G

^5 .5 .5 ^2 .3 ^3 .3 .3 .5 .5 .6 .6 ^6 ^5 .5 .8 .8 ^8 .7 ^8 .7 ^8 ^7 .7 ^8 .8 ^8 .7 .6 .5 .6 .6 ^6 ^5

D A7 D

.5 .8 .8 ^8 .7 ^8 .7 ^8 ^7 .6

325. Keel Rowvia PR

44

3G Am G D7 G D7 G D7 G1

.5 ^4 .4 .3 .4 ^4 ^3 ^4 .4 .3 .4 ^3 ^2 .2 ^4 .4 .3 .4 ^4 ^3 ^4 .4 .3 ^3 ^2 ^2 ^2 .3 ^5 .5 ^4

G D7 G G C G D7 G C G D7 G

.4 .3 ^3 ^2 .3 .5 ^4 .4 .5 .5 .6 ^5 .5 ^4 .4 .3 .4 ^3 ^2 .2 ^4 .4 .5 .5 .6 ^5 .5 ^4 .4 .3 ^3 ^2 .3 ^5 .5 ^4

G C G C G C G D7 G

.4 .5 .5 .6 ^5 .5 ^4 .4 .5 .5 .6 ^5 .5 ^4 .4 .5 .5 .6 ^6 ^5 .5 ^4 .4 .3 ^3 ^2 .3

326. Toss the Feathers = 240

.2 ^2 .2 ^3 .2 ^2 .2 ^3 .4 ^4 ^3 .3 [^3 ^3] .2 ^2 .2 ^3 .2 ^2 ^3 .5 ^5 ^6 .5 ^4 ^3 .3 [^3] .2 ^2 .2 ^3 .2 ^2 .2

^3 .4 ^4 ^3 .3 [^3 ^3] ^4 ^3 .4 .3 ^3 [^6] .5 ^5 .5 ^4 ^3 .3 [^3] ^3 .5 .5 ^3 .5 .5 ^3 .5 .5 ^5 .5 [^6] .5

^5 ^7 ^7 .6 ^7 .6 ^5 ^7 ^7 .6 ^5 .5 [^6] .5 ^5 ^6 .6 ^5 ^7 .6 ^5 ^6 ^5 .5 ^4 ^3 ^3 ^4 ^3 .4 .3 ^3 ^4

.5 ^5 .5 ^4 ^3 .3 [^3]

Page 91: 'Oct03' Tunebook Concert Pitch Bass Clef 2007

91327. Silver Spear

44

.5 ^4 .4 .5 − ^5 .5 .4 .5 .6 .7 ^7 .6 ^5 ^6 .6 .5 .4 .5 − ^5 .5 .4 .5 .6 .7 ^7 .6 ^5 .5 .4 .5 − ^5 .5 .4 .5

1 2

.6 .7 ^7 .6 ^5 .6 ^7 .7 ^8 ^7 .7 ^7 .6 .7 ^7 .6 ^5 .5 .6 .7 ^7 .6 ^5 ^6 .6 ^7 .4 .8 .7 ^9 .7 .8 .7

^8 .7 ^7 .6 ^5 ^6 .6 ^7 .7 .8 .7 ^9 .7 .8 .7 ^4 .7 ^7 .6 ^5 .5 .7 .8 .7 ^9 .7 .8 .7 ^8 .7 ^7 .6 ^5 ^6 .6 ^7 .7

^8 ^7 .7 ^7 .3 .7 ^7 .7 ^5 .5

Ceili Band version

.4 .5 .5 .5 ^5 .5 .4 .5 .6 .7 ^7 .6 ^5 .5 .4 .5 .5 .5 ^5 .5 .4 .5 .6 .7 ^7 .6 ^5 .5 .4 .5 .5 .5 ^5 .5 .4 .5

3.6 .7 ^7 .6 ^5 .6 ^7 .7 ^8 ^8 ^7 .7 .7 ^7 .6 .7 ^7 .6 ^5 .5 .7 .8 .8 .8 ^9 .8 .8 .7 ^8 .7 ^7 .6 ^5 .5

3.7 .8 .8 .8 ^9 .8 .8 .7 ^8 .7 ^7 .6 ^5 .5 .7 .8 .8 .8 ^9 .8 .8 .7 ^8 .7 ^7 .6 ^5 .6 ^7 .7 ^8 ^8 ^7 .7 .7 ^7

.6 .7 ^7 .6 ^5 .5

349. Hull’s Victoryvia PR

44

F Bb F C F F C

.5 .6 .6 ^6 .6 .6 ^7 .7 ^7 .6 ^6 .6 .4 ^4 .5 .5 ^5 .5 ^4 .4 ^4 ^3 .4 .3 .5 .6 .6 ^6 .6 .6 .7 ^7 ^7 ^7 .7 ^7

Dm G7 C F Bb Gm C

.6 ^6 ^5 .5 [^6] .5 ^5 ^4 .5 .5 .5 .6 .6 ^7 .7 ^7 .6 ^6 ^5 ^4 ^4 ^6 .6 ^7 ^7 .7 ^8 .7 ^7 .6 ^6 .5 .5 ^5 ^6

F C F C7 F

.6 .6 ^6 .6 .6 .7 ^7 ^7 ^6 ^7 ^7 ^8 .7 ^7 .6 .7 ^7 .6 ^6 ^7 .6 .7 .6

Page 92: 'Oct03' Tunebook Concert Pitch Bass Clef 2007

92355. Reel De Montreal

via PR

44

G G D G G

.5 .6 ^6 ^5 .5 ^4 .4 ^3 .3 .4 .2 .3 .4 ^3 .3 ^2 ^3 .2 ^2 ^3 ^4 .4 ^3 .3 .4 .2 .3 .4 .4 .5 .6 ^6 ^5 .5 ^4 .4 ^3

G D G D D Am D

.3 .4 .2 .3 .4 ^3 .3 ^2 .3 ^3 .4 ^4 .5 ^5 ^6 .6 .6 .6 .5 .4 .5 .6 .5 .6 .7 .6 .7 .8 .8 ^9 .8 ^8 ^7 ^8 ^9 .8 .7 .5

D Am A D

.5 .4 .5 .6 .5 .6 .8 ^8 ^7 ^8 .8 ^8 ^7 ^6 .6 −

358. Princess RoyalAbingdon

AABCBCB

A

44

G D G G D G C G Am g f# e D7 c# b a G D7

.5 ^4 .4 ^3 .3 .5 ^4 .4 ^3 .3 .6 ^5 .5 ^4 ^5 .5 ^4 .4 .5 ^4 .4 ^3 .3 ^2 .3 ^3 ^2 .2 .5 ^4 .4 ^3 .4 .3 ^3 ^2

G C C d e C/e d c b G/d D7 G D7 G G C G C Am g f# e

.3 .3 ^5 ^5 ^5 .5 ^5 ^6 .6 .6 ^6 ^5 .5 .4 ^3 .3 .4 ^3 .3 .3 ^3 ^3 .4 ^3 .3 .6 ^6 .6 .5 ^5 .5 .4 ^4 ^4 .4 ^3 .3

42

D7 c# b a G D7 G G D Em D7 G D Em C C G G

^2 .3 ^3 ^2 .2 .5 ^4 .4 ^3 .4 .3 ^3 ^2 .3 .3 .5 ^4 .4 ^3 .3 .5 ^4 .4 ^3 .3 .6 ^5 .5 ^4 ^5 .5 ^4 .4 .5

44

Am g f# e D7 c# b a G D7 G

^4 .4 ^3 .3 ^2 .3 ^3 ^2 .2 .5 ^4 .4 ^3 .4 .3 ^3 ^2 .3 .3

359. Girl I Left Behind Me, theBrighton Camp

44

C Em Em Em Em Em G Em C Em Em Em

.6 ^6 ^5 .5 ^4 .4 ^3 .4 .3 [^3] ^2 .3 .3 .3 ^3 .4 ^4 .5 .5 .4 .6 ^6 ^5 .5 ^4 .4 ^3 .4 .3 [^3] .3

D Bm Em Em G Em G Em G Em Em Bm C Em Em Em

^2 .3 ^3 ^2 [3 .3 ^3] ^2 .3 .3 .4 .5 ^5 ^6 .6 .5 .4 ^3 .3 ^3 .4 .5 ^5 ^6 .6 ^6 .6 ^6 ^5 .5 ^4 .4 ^3 .4 .3 [^3] .3

D Bm EmEm

^2 .3 ^3 .3 [3 .3 ^3] ^2 .3 .3

Page 93: 'Oct03' Tunebook Concert Pitch Bass Clef 2007

93368. Winster Gallop

44

G D G C G D7 G G

.3 .4 .4 .3 .4 .3 .4 .5 ^3 ^4 ^4 .4 ^3 .3 .4 .5 ^4 ^5 ^6 ^5 .5 .4 .5 ^3 ^4 .4 ^3 .3 .3 .6 ^6 ^5 .5

C D D D7 G

.6 ^6 ^5 .5 .6 ^6 ^6 ^5 .5 ^4 .4 ^3 ^6 ^5 .5 ^6 ^5 .5 .5 ^3 ^4 .4 .3 .3

369. Manchester Galop

44

3 3

G D C G C G D G Em Bm C Bm

.5 ^5 ^6 .6 .6 ^6 ^6 ^5 ^5 .5 ^4 ^5 .5 ^4 .4 .5 ^4 .4 ^3 ^4 .4 ^3 .3 .5 ^5 ^6 .6 .6 ^6 ^6 ^5 ^5 .5

3 3 3 3 3Am G D G G C G G

^4 ^5 .5 ^4 .4 .5 ^4 .4 ^3 .5 ^5 ^6 .6 .4 .5 .4 .3 .5 .4 .5 .4 .3 .4 .5 .6 ^6 ^5 .5 .5 .4 .5 .4 .3 .5 .4 .5 .4 .3 .4

3 3 3

3

Am A7 A7 G C G C G Am D7 G D7

^3 ^3 .4 ^3 .5 .4 .5 .4 .3 .5 .4 .5 .4 .3 .4 .5 .6 ^6 ^5 .5 .5 ^4 ^5 .5 ^4 .4 .5 ^4 .4 ^3 .5 ^5 ^6 .6 .5 ^5 ^6

Page 94: 'Oct03' Tunebook Concert Pitch Bass Clef 2007

94SLIDES

370. Cock of the North in G, or Chase me Charlie in G

86

1

.4 .4 .4 ^3 .3 .4 .5 ^5 .5 .4 .4 .4 ^3 .3 ^3 .4 ^3 ^3 .3 ^3 .4 .4 .4 ^3 .3 .4 .5 ^5 .5 .4 .4 ^3 .4 ^3 .3 .3 ^3

2

.3 .3 .4 .5 .6 .5 ^5 .5 .6 .5 ^5 .5 .4 .4 .4 ^3 .3 ^3 ^3 ^3 .4 .5 .6 .5 ^5 .5 .6 .5 ^5 .5 .4 .4 ^3 .4 ^3

1 2

.3 .3 .4 .5 .3 .3 ^3

371. Cock O’ the North in DBB&S

812

^3 .4 .4 .4 ^3 .3 .4 .5 ^5 .5 .4 .4 .4 ^3 .3 ^3 ^3 .3 ^3 .4 .4 .4 ^3 .3 .4 .5 ^5 .5 .4 ^4 .4 ^3 .4 ^3 .3 −

.6 .5 ^5 .5 .6 .5 ^5 .5 .4 ^4 .4 .4 ^3 .3 ^3 ^3 .3 ^3 .6 .5 ^5 .5 .6 .5 ^5 .5 .4 ^4 .4 ^3 .4 ^3 ^3 −

373. The Hundred PipersTrad, arr Phil Rowe

86

G C G Am D7 G C G D7

.3 ^3 .4 [3 .3 .2 .3] [^3] .3 .3 ^5 .5 .4 .4 ^3 .3 .4 ^3 ^3 .3 ^3 .4 [3 .3 ^3 .3] [^3] .3 .3 ^5 .5 .4 ^3 .3 ^3

G G C G Am D7 G C G D

.3 − .4 ^4 .5 .5 .5 .4 .5 ^5 .6 .6 ^5 .5 .4 .4 ^3 .3 .4 ^3 ^3 .4 ^4 .5 .5 .5 ^5 ^6 .6 .6 .6 ^6 ^5 .5 .4 ^3 .3 ^3

G

.3 −

Page 95: 'Oct03' Tunebook Concert Pitch Bass Clef 2007

95MARCHES

379. British Grenadiers

42

.2 .3 .2 .3 ^3 .4 ^4 .4 ^3 .4 ^4 .5 .3 .4 ^3 .3 ^2 .3 .4 ^4 .5 ^5 .5 ^4 .4 ^4 .5 .5 ^5 ^5 .5 ^4 .4 ^3 .3 ^2 .2

.3 ^2 .3 ^3 .3 ^3 .4 ^3 .4 ^4 .4 ^4 .5 .3 .4 ^3 .3 ^2 .3

380. MEDLEY MARCHES: BONNY BREAST KNOT,Barren Rocks of Aden, Portsmouth)Barren Rocks of Aden

= 130

44

D A7 D D A7 D

.6 ^7 .7 ^8 .7 ^7 .6 .7 .5 .6 ^6 ^7 .5 .6 ^7 .7 .5 .6 .6 ^7 .7 ^8 .7 ^7 .6 .7 .5 .6 ^6 ^7 .5 ^5 ^6 .6 .7 ^8

D A7 Em D D A Em D

.8 .7 .6 .7 ^7 .7 .5 ^7 .7 ^8 ^7 ^6 ^7 .6 .7 .5 .7 ^8 .8 .7 .6 .7 ^7 .7 .5 ^7 .7 ^8 ^7 ^6 ^7 .6 .6

Omit for danceD D F#m D D Em D

.8 .8 ^8 .7 .6 .6 ^7 .7 ^8 .7 ^7 .6 ^6 .5 .5 .8 .8 ^8 .7 .6 .6 ^7 .7 ^8 ^5 ^6 ^7 .6 −

Portsmouth

42

G C G G G C G D G1

.2 .3 ^3 .4 ^3 .3 ^2 [^3] ^5 .5 .4 ^4 .4 ^3 .3 ^3 .2 .3 ^3 .4 ^3 .3 ^2 [^3] ^5 .5 .4 ^4 .4 ^3 .4 .3 .2

G G C D G C G D G2 1

.3 .5 .6 ^7 .7 ^7 .6 ^6 .6 .5 .4 .5 .6 .4 ^4 .4 ^3 .3 ^3 .2 .3 ^3 .4 ^3 .3 ^2 [^3] ^5 .5 .4 ^4 .4 ^3 .4 .3 .5

G2

.3

381. Men of Harlech

44

.3 ^2 [^3] ^2 .3 ^3 .4 .3 ^4 .4 ^3 .3 ^2 [^3] ^2 .2 .3 ^2 [^3] ^2 .3 ^3 .4 ^5 .5 .4 ^3 .3 .3 ^3 .3 ^2 .3

^3 ^3 − .5 ^4 .4 ^4 .5 .5 − .5 .5 ^4 .4 ^4 .5 ^4 .4 ^4 .5 ^5 .5 ^4 .4 ^3 .4 ^4 .5 .5 − ^5 ^5 .5 .5 ^4 ^4 .4 .4

^3 .4 ^4 .4 ^3 .3 ^2 [^3] ^2 .2 .3 ^2 [^3] ^2 .3 ^3 .4 ^5 .5 .4 ^3 .3 .3

Page 96: 'Oct03' Tunebook Concert Pitch Bass Clef 2007

96382. Cornish Floral Dance

42

D D D F#m D D D D G G D D Em Em D D

.4 .5 ^4 .5 .5 .5 ^5 ^6 .6 .5 .5 ^5 .5 ^4 .4 .3 .3 ^4 ^5 ^5 .5 ^4 .4 .5 .5 ^3 ^4 ^4 .4 ^3 .4 .5 .5

G G D F#m D D D D

^4 ^5 ^5 .5 ^4 .4 .5 .5 ^5 ^6 .6 .5 .5 ^5 .5 ^4 .4 .3 .3

Page 97: 'Oct03' Tunebook Concert Pitch Bass Clef 2007

97383. MEDLEY: Kelly the Boy From Killanne, Raglan Road, Roddy McCorley.

Kelly the Boy From Killanne = 350

44

.3 .4 .5 .5 .5 .6 .6 ^5 .5 .4 .3 [^3] .3 ^3 .4 ^4 .4 .5 ^4 ^3 ^2 .3What’s the news?what’s the news?Oh my bold Shel− ma − lier, with your long bar− relled gun, of the sea?

− .3 .4 .5 .5 .5 .6 .6 ^5 .5 .4 .3 [^3] .3 ^3 .4 ^4 ^3 .5 ^4 ^3 ^2 .3 − .5 .5Say what wind from the sun blows his mes− sen− ger here, With a hymn of the dawn for the free? Good− ly

^5 ^5 ^5 .6 .6 ^5 .5 .6 .6 .5 .5 .5 ^5 ^5 ^5 .6 .6 ^5 .5 − .3 .4 .5 .5 .5news, good − ly news, do I bring, youth of Forth, good− ly news do I bring, Bar − gy man! For the boys march at

.6 .6 ^5 .5 .4 .3 [^3] .3 ^3 .4 ^4 ^3 .5 ^4 ^3 ^2 .3 −dawn from the south to the north, led by Kel − ly the bo − y from Kil − lane!

Raglan Road

44

.3 ^3 .4 .4 .4 ^3 .4 .5 .5 ^5 .5 .4 .3 .4 ^3 .3 .3 .3 − .5 ^5 .5 ^5 ^6 .6On Rag− lan Road of an Au − tumn day, I saw her first and knew That her da − rk hair would

.4 ^3 .3 .4 ^4 .5 ^4 .4 .6 .4 ^3 − .5 ^5 .5 ^5 .6 .4 ^3 .3 .5 .5 ^4 .4 .6 .4weave a snare that I mi − ght one day rue. I saw the dan− ger and I passed, a − long the en − chan− ted

^3 − .3 ^3 .4 .4 .4 ^3 .4 .5 .5 ^5 .5 .4 .3 .4 ^3 .3 .3 .3way, And I said, Let grief be a fal − len leaf at the daw − ning of the day.

Roddy McCorley

44

.3 ^3 .4 ^3 .4 .2 .3 ^3 .4 ^3 .3 − [3 ^3] .3 .3 ^3 .3 − .4 ^4 .5 .5 .5 .4 .5Oh see the fleet fo − ot hosts of men. who speed with fa − ces wan. Fro − m farm − stead and fro − m

^5 ^5 .5 .4 .3 [^3] ^4 .4 ^3 − .4 ^4 .5 .5 .5 .4 .5 ^5 ^5 .5 .4 .3 [^3] ^4 .4thresh− ers cot. A − long the banks of Ban. The − y come with ven− ge− nce in their eyes, too late, too late are

^3 − .3 ^3 .4 ^3 .4 .2 .3 ^3 .4 ^3 .3 [3 .3 ^3] .3 .3 ^3 .3 −they. For young Rod − dy M’ Cor − le − y goes to die on the Bridge of Toombe to − day.

Page 98: 'Oct03' Tunebook Concert Pitch Bass Clef 2007

98384. Mr Hitler

Dad’s Army Theme

44

.4 [3 ^3] ^2 .3 .4 ^3 .4 ^3 .4 ^3 .4 ^3 [1] ^3 .4 ^3 .2 .2 ^3 .3 ^2 ^3 .3 [^3] .3 ^2 ^2 [^3] ^2 .4 ^3 [1]

.4 ^3 [1] ^3 ^3 ^3 ^3 ^3 .4 [3 ^3] ^2 .3 .4 ^3 .4 ^3 .4 ^3 ^6 ^5 .5 [^6] ^4 ^2 .3 .3 ^3 .3 .3 ^2 ^3 .3 .3 ^2

^3 .3 .3 ^2 .3 .4 ^3 ^3 [1] .4 ^3 ^3 [1] .4 ^3 .4 [^6] .5 .4 [3 ^3] ^2 .3 .4 ^3 .4 ^3 .4 ^3 ^6 ^5 .5 [^6] ^4 ^2

.3 .3

Page 99: 'Oct03' Tunebook Concert Pitch Bass Clef 2007

99385. Seventy Ninth Highlander’s farewell to Gibraltar

A

44

.5 ^5 .5 .4 ^3 .3 ^3 .3 .6 ^5 .5 .4 .5 ^5 .6 .4 .4 ^3 ^3 .4 ^4 .5 ^5 .5 .4 ^3 .3 ^3 .3 .6 ^5 .5 .4 .5 ^5 .6 .4

.4 .3 .3 .4 ^4 .5 ^5 .5 .4 ^3 .3 ^3 .3 .6 ^5 .5 .4 .5 ^5 .6 .4 .4 ^3 ^3 .4 ^4 .5 ^5 .5 .4 ^3 .3 ^3 .3 .6

^5 .5 .4 .5 ^5 .6 .4 .4 .3 .3 .6

B

^5 .5 .4 .5 ^5 .6 .5 ^5 .6 ^5 .5 .4 .6 ^5 .5 .4 .5 ^5 .6 .4 .4 ^3 ^3 .6 ^5 .5 .4 .5 ^5 .6 .5 ^5 .6 ^5 .5 .4 .6

^5 .5 .4 .5 ^5 .6 .4 .4 .3 .3 .4 ^4 ^5 .5 .4 .5 ^5 .6 .5 ^5 .6 ^5 .5 .4 .6 ^5 .5 .4 .5 ^5 .6 .4 .4 ^3 ^3 .6

^5 .5 .4 .5 ^5 .6 .5 ^5 .6 ^5 .5 .4 .6 ^5 .5 .4 .5 ^5 .6 .4 .4 .3 .3 .4 ^3

C

.3 ^3 .4 .6 ^5 .5 .4 ^3 .4 ^3 .3 ^2 .3 ^3 .4 ^3 .4 .5 ^5 ^3 ^3 .4 ^3 .3 ^3 .4 .6 ^5 .5 .4 ^3 .4 .5 ^5 .5 .4 .5 ^5 .6 .4

.4 .3 .3 .4 ^3 .3 ^3 .4 .6 ^5 .5 .4 ^3 .4 ^3 .3 ^2 .3 ^3 .4 ^3 .4 .5 ^5 ^3 ^3 .4 ^3 .3 ^3 .4 .6 ^5 .5 .4 ^3 .4 .5

^5 .5 .4 .5 ^5 .6 .4 .4 .3 .3 .4 ^4

D

.5 ^5 .5 .4 .5 ^5 .5 .6 ^5 .5 ^5 .6 ^5 .5 .4 ^3 .6 ^5 .5 .4 .5 ^5 .6 .5 ^5 .6 ^5 .5 .4 .6 ^5 .5 .4 .5 ^5 .6 .4

.4 .3 .3 .4 ^4

Page 100: 'Oct03' Tunebook Concert Pitch Bass Clef 2007

100386. Winster Processional

= 100

42

D D G D D D G D G D

.6 .5 .5 ^5 ^6 .6 .5 .5 ^5 ^6 .6 .5 .5 ^5 .5 ^4 .4 .3 .3 .6 .5 .5 ^5 ^6 .6 .5 .5 ^5 ^6 .6 .5 .5 ^5 .5 ^4

D G D D A G D D G D G D D G D

.4 .3 .3 ^4 ^5 ^5 .5 ^4 .4 .5 .5 ^3 ^4 ^4 .4 ^3 .4 ^4 .5 ^4 ^5 ^5 .5 ^4 .4 .5 .5 ^5 ^6 .6 .5 .5 ^5 .5 ^4

D

.4 .3 .3

387. The Hundred PipersTrad, arr Phil Rowe

86

A D A Bm E7 A D A E7 A

.6 ^7 .7 .5 .5 ^5 .5 ^5 .6 .6 ^9 .8 .7 .7 ^7 .6 .7 ^7 ^7 .6 ^7 .7 .5 .5 ^5 .5 ^5 .6 .6 ^9 .8 .7 ^7 .6 ^7 .6 −

A D A Bm E7 A D A E

.7 ^8 .8 .8 .8 .7 .8 ^9 .9 .9 ^9 .8 .7 .7 ^7 .6 .7 ^7 ^7 .7 ^8 .8 .8 .8 ^9 ^10 .9 .9 .9 ^10 ^9 .8 .7 ^7 .6 ^7

A

.6 −

388. Seventy Six Trombones

86

Intro Part A

^6 .6 ^7 .7 ^8 .7 ^7 .6 ^6 .8 .5 ^5 ^6 .6 .5 .4 ^3 .3 ^2 ^5 .5 − .5 .5 ^5 ^6 .6 ^7 ^6 .5 ^4 ^3 .3

1 2

− .5 ^5 ^6 ^7 .7 .6 .5 .4 .6 ^4 .5 ^5 ^6 .6 ^6 ^5 .5 ^6 ^7 ^7 .6 ^5 ^7 ^7 .5 ^5 ^6 .6 − .3 .3

Part B

.4 .4 [^1] .4 ^5 ^5 .5 .4 ^4 .4 ^4 − ^4 .4 ^4 ^4 ^4 ^4 .5 .5 .4 .3 .2 .5 .4 .4 [^1] .4 ^5 ^5 .5 .4 ^3 ^3 .5

− ^3 ^3 ^5 − ^4 .4 ^3 .5 ^5 ^6 [3 .3] .4 .4 [^1] .4 ^5 ^5 .5 .4 ^4 .4 ^4 − ^4 .4 ^4 ^4 ^4 ^4 .5 .5 .4 .3

Link to A

.2 .4 .4 [^1] .4 ^5 ^5 .5 .4 ^4 ^4 .4 ^4 ^6 ^6 ^5 ^4 .5 .4 .5 ^4 .5 ^5 ^6 .6 .6 .6 .6 .6 .6 .6 .6

[[^10]] .6 .6 .6 ^7 ^3 .4 ^4

Page 101: 'Oct03' Tunebook Concert Pitch Bass Clef 2007

101389. Alexander’s Ragtime Band

= 100

86

.4 [^1] .4 .5 .4 [^1] .4 .5 ^5 ^1 ^5 .6 ^5 .5 ^4 .4 ^3 .4 [^1] .4 .5 .4 [^1] .4 .5 ^3 .4 [^6] .4 ^3

.5 ^5 ^6 ^5 .5 .4 [^1] .4 .5 .4 [^1] .4 .5 ^5 ^1 ^5 .6 ^5 .5 ^4 .4 ^3 .3 .5 ^4 ^5 .5 ^5 ^6 ^5 .5

.6 .6 [^1] .4 [^1] .4 .4 [^1] .4 [^1] .4 .4 .4 [^1] .4 ^3 ^2 .2 .3 .3 ^1 ^5 .5 ^5 ^5 ^1 ^5 ^1 ^5 ^5 ^5 ^1

^5 ^4 .3 ^4 ^5 .4 ^4 .5 .5 ^5 .4 .5 ^5 .5 .5 .5 ^5 .4 .5 .3 .4 .2 .3 .4 .2 .3 .3 .4 .2 .3 ^3 ^3 .4 [^6] ^3 .4 ^4

.5 ^4 .4 ^3 [^1] .4 [^1] .4 .4 [^1] .4 [^1] .4 .4 .4 [^1] .4 ^3 ^2 .2 .3 .3 ^1 ^5 ^1 ^5 ^5 ^1 ^5 .5

^5 ^5 ^5 ^1 ^5 ^4 .3 ^4 ^5 ^5 .4 ^4 [^6] .5 .5 .5 .4 ^3 .3 .4 ^3 .3 .6 ^5 .6 .6 [^6] .5 ^4 .5 .5 [^6] .5 ^4

.5 .5 ^5 ^1 ^5 .5 .4 ^3 .3 .3

Page 102: 'Oct03' Tunebook Concert Pitch Bass Clef 2007

102390. Repasz

Irish Guards, the = 60

86

.5 .5 [^6] .5 ^5 .5 .4 .3 ^2 .3 .4 .3 [^3] ^2 .4 .4 .4 .4 .4 .5 .5 [^6] .5 ^5 .5 .4 .3 ^2 .3 .4 .3 [^3]

^2 .4 .4 .4 ^4 ^4 ^5 ^5 ^1 ^5 ^6 ^5 .5 ^4 ^4 ^4 .5 .5 [^6] .5 ^5 .5 .4 .3 .4 .4 .4 ^3 [1] ^3 [^6] .4

1 2

^3 [1] ^3 [^6] .4 ^3 [1] ^3 [^1] .4 [^6] .5 .8 .5 .5 .8 .5 [^6] ^4 .4 ^3 .3 ^2 [^3] [3 ^3] ^2 .3 ^3 [^1]

.4 .4 .5 .5 [^6] .5 ^5 .5 ^4 ^2 .5 .5 [^6] .5 ^5 .5 .4 .3 .5 .5 [^6] ^4 .4 ^3 .3 ^2 [^3] [3 ^3] ^2 .3 ^3 [^1]

.4 .4 ^3 .3 ^2 .3 ^3 .3 [^3] ^2 .3 .4 .5 .5 ^6 ^5 .5 ^4 .4 ^3 .3 .6 .7 .1 .7 ^8 .6 ^7 .7 .6 ^7 .6

1 2 1 2

.6 .6 .6 ^6 ^5 .5 .6 .7 .7 ^7 ^5 .7 ^7 ^7 ^5 ^6 .6 .6 .6 ^5 .7 ^7 ^7 ^5 ^6 .6 .6 .6

.5 [^6] .5 ^5 .5 .4 .3 ^2 .3 .4 .3 [^3] ^2 .4 .4 .4 .4 .4 .5 .5 [^6] .5 ^5 .5 .4 .3 ^2 .3 .4 .3 [^3] ^2 .4 .4 .4

^4 ^4 ^5 ^5 ^1 ^5 ^6 ^5 .5 ^4 ^4 ^4 .5 .5 [^6] .5 ^5 .5 .4 .3 .4 .4 .4 ^3 [1] ^3 [^6] .4 ^3 [1] ^3 [^6] .4

1 2

^3 [1] ^3 [^1] .4 [^6] .5 .8 .5 .5 .8 .5 [^6] ^4 .4 ^3 .3 ^2 [^3] [3 ^3] ^2 .3 ^3 [^1] .4 .4 .5

.5 [^6] .5 ^5 .5 ^4 ^2 .5 .5 [^6] .5 ^5 .5 .4 .3 .5 .5 [^6] ^4 .4 ^3 .3 ^2 [^3] [3 ^3] ^2 .3 ^3 [^1] .4 .4 ^3

.3 ^2 .3 ^3 .3 [^3] ^2 .3 .4 .5 .5 ^6 ^5 .5 ^4 .4 ^3 .3 .6

392. Grand Old Duke of YorkTrad

= 116

42

.4 .6 .6 .5 .4 .5 .6 .6 ^7 ^7 ^7 ^7 ^7 ^7 ^7 .7 .7 .7 .7 .7 ^8 ^8 ^8 ^8 ^8 .7 .7 ^7 .6 .6 .5 .6 .6 .6 .6 .6 .6

^7 ^7 ^7 ^7 ^7 ^7 .7 .7 .7 .7 ^8 ^8 ^8 ^8 .7 .7 ^7 ^7 .6

Page 103: 'Oct03' Tunebook Concert Pitch Bass Clef 2007

103395. March of the King of Laoise

BB&S

23

^3 ^2 ^3 .2 ^3 ^2 ^3 .2 .4 .3 ^3 ^2 .3 ^2 [^3 .3] ^3 ^2 ^3 .2 ^3 ^2 ^3 .5 .4 .5 ^3 .3 ^2 .3 ^2

[^3 .3] ^2 .2 .3 ^3 .4 ^3 ^3 .3 ^2 [^3] ^4 .3 [^3] − [^3] .3 ^4 .3 [^3] − [^3] [3 ^3 .3] [3 ^3 .3] [3 ^3 .3

1 2

.3 ^3 .3 .3] ^4 .4 .3 .5 .3 .4 .3 .5 [^6] .4 ^3 .5 ^3 .3 ^2 ^3 .5 ^3 .4 ^4 .4 ^5 .5 ^3 .3 [^3] ^2 .3 ^2 .2

1 2

.3 ^3 .4 ^3 ^3 .3 ^2 [^3] ^4 .3 [^3] − [^3] .3 .6 .3 [^3] − [^3] [3 ^3 .3] [3 ^3 .3] [3 ^3 .3 .3] ^4 .2

396. Lord of the DanceSydney Carter, arr Eric

segno

44

D7 G Em Bm Em Am Am D7 G Em Bm Em

.2 .3 .3 .3 .4 ^3 .4 ^4 .5 .5 .5 .4 .4 .4 ^3 ^3 ^3 ^3 .4 ^4 .4 ^3 .3 ^2 [3 .3] .3 .3 .3 .4 ^3 .4 ^4 .5 .5 .5 .4 .4 .4

Am D7 C G G Em G Em G Am D7 G C G D7 G

^3 ^3 .4 .4 ^3 .3 .3 .3 .5 .4 ^3 .4 ^4 .4 ^3 .3 .4 .4 ^4 .5 ^4 .4 ^3 ^3 ^3 [3 .3] .3 .3 .3 ^3 .4 ^3 .4 ^4 .5 ^4 .4

Am D7 G C

^3 ^3 .4 .4 ^3 .3

FineG Am D7 G C D.S. G

.3 .4 .4 ^3 ^3 .4 .4 ^3 .3 .3 .3

397. John Peel

44

.4 ^4 .5 .5 .4 .4 ^3 .5 .5 .4 ^3 .4 ^4 ^4 ^3 ^3 .4 ^4 ^4 ^3 .4 ^3 .3 .3 .6 .6 ^6 ^5 .5 ^4 .4 ^5 ^4 ^3 .3 ^2 .3

^3 .3

Page 104: 'Oct03' Tunebook Concert Pitch Bass Clef 2007

104398. Monk’s March

= 100

44

D Em D D Em D D Em

.2 .3 .3 .4 ^3 ^3 ^4 .4 .5 .6 ^5 .5 .5 ^4 .4 .5 .4 .3 ^3 ^4 ^3 [^3] .3 .3 .3 .3 .2 .3 .3 .4 ^3 ^3 ^4

D D A D D G A D

.4 .5 .6 ^5 .5 .5 ^4 .4 .5 .4 .3 ^3 ^4 ^3 ^2 .3 .3 .3 .3 .4 ^4 .5 ^5 .5 ^4 .4 .4 ^4 .5 ^4 .4 ^3 ^3 .5 ^5 .5 ^4 .4 .4

G A D Em D D A D

^4 .5 ^5 ^4 ^3 .2 .3 .3 .4 ^3 ^3 ^4 .4 .5 .6 ^5 .5 .5 ^4 .4 .5 .4 .3 ^3 ^4 ^3 ^2 .3 .3 .3 .3

399. Boy’s Lament for His DraganSeventy Second Highlander’s Farewell, the

= 200

44

.5 .5 .6 .6 ^7 .7 ^8 .7 ^7 .6 .7 ^8 ^5 ^5 ^6 .6 ^7 .7 ^7 ^6 .5 .5 .6 .6 ^7 .7 ^8 .7 ^7 .6 ^7 ^8 ^5 .7 ^7 .6 ^6

.6 .6 .7 ^8 .8 .5 .5 (^4) ^5 ^4 .5 .5 .6 .5 .6 ^7 .6 ^6 ^5 .5 .7 ^8 .8 .5 .5 (^4) ^5 ^4 .5 .5 .6 .7 ^7 .6 ^6

.6 .6

402. Wearing of the GreenTrad

1 2

.3 ^3 .4 .4 .4 .4 .4 .5 .5 .4 .4 ^3 ^3 .4 ^3 .4 .5 ^5 ^4 .6 ^5 ^5 .5 .4 .3 ^3 .3 .3 ^3 .3 .3 ^3 .3 .6 ^6

^5 .5 .5 .4 .5 .3 ^3 .4 ^3 .4 ^4 .4 .6 ^6 ^5 .5 .5 .4 .5 .3 ^3 .4 − − [1] ^3 .3 ^3 .4 .4 .4 .4 .4 .5 .5 .4

.4 ^3 ^3 .4 ^3 .4 .5 ^5 ^4 .6 ^5 ^5 .5 .4 .3 ^3 .3 .3 ^3 .3 .6

408. Early in the MorningThey Called the Bastard Stephen

42

.3 ^3 .4 .5 .3 .4 .4 ^3 ^3 ^3 ^4 ^2 .3 ^3 .3 .3 .3 ^3 .4 .4 ^3 .3 ^2 ^3 ^3 .4 ^4 ^4 .4 ^3 .3 .4 .4 ^4

.5 .5 .6 .6 ^6 ^5 ^5 ^6 ^5 .5 .5 ^4 ^3 .3

Page 105: 'Oct03' Tunebook Concert Pitch Bass Clef 2007

105410. Do You Hear the People Sing?

Music:Claude−Michel SchOnberg Lyrics Alain Boublil & Jean−Marc Natel, English: Herbert Kretzemer = 120

44

33

Bb F

.4 ^3 .3 ^3 .4 ^4 .5 .4 ^3 .3 ^2 [^3 .3 ^3 .3] −Do you hear the peo − ple sing? Sing− ing the song of an − gry men? It is the

3Dm G Csus C F

[2 .3] .3 .4 ^3 [1] ^3 [^3] .3 ^2 .4 ^3 .3 ^3 .4 ^4 .5 .4 ^3 .3mu − sic of a peo − ple who will not be slaves a − gain! When the bea − ting of your heart Ech − oes the

33

Bb F Dm Gm C7 F E7

^2 [^3 .3 ^3 .3] − [2 .3] .3 .4 ^3 [1] ^3 ^2 .3 ^2 ^2bea − ting of the drums There is a life a − bout to start When to − mor − row comes! Will you

3 3 3 3 3Dm Am Am/G F Dm7

^7 .6 ^6 .6 ^7 .6 ^6 ^7 .6 ^6 − ^5 ^6 .6 ^5 .6 ^6 ^5 .6 ^6 ^5 .6 ^6 ^5 .6 ^6 .6yond the bar− ri − cade Is there a world you long to see? Then join in the fight That will give you the right to be

3

3G C G7/C C Am D7

^7 .7 ^7 .6 ^7 ^8 .7 ^7 .6 ^6 ^5 ^6 .6 .5 ^5 .5 ^4 .4 .5 .6 .7 ^7 (^1) ^7 ^5free! Do you hear the peo− ple sing? Sing− ing the song of ang− ry men? It is the mu − sic of a peo− ple who will

3

3G7sus G7 C F C

.6 ^6 ^6 ^7 .6 ^7 ^8 .7 ^7 .6 ^6 ^5 ^6 .6 .5 ^5 .5 ^4not be slaves a − gain! When the bea − ting of your heart Ech − oes the bea− ting of the drums, There is a

3

45

44

Am Dm7 G7 C C Cm Ab/C Cm1 2

.4 .5 .6 .7 ^7 (^1) ^7 ^4 ^6 .6 .4 .4 .6life a− bout to start When to − mor − row comes! Will you come?

rit...........

.3 .3 .3

410. Do You Hear the People Sing? Bass line

44

45

1 2

44

Page 106: 'Oct03' Tunebook Concert Pitch Bass Clef 2007

106411. Pirate Chorus (from the Pirates of Penzance)

Come, Friends, We’ll Always BeGilbert and Sullivan

= 120

44

.7 .7 ^7 ^7 .6 .5 .5 ^5 ^6 ^5 ^5 .5Come, Friends, who plough the sea, Truce to Na − vi − ga − tion,

44

.5 ^5 ^5

44

.5 ^5 ^6 ^5 ^5 .5 .7 .7 ^7 ^7 .6 .5 .5 ^5 ^6 .6 ^6 ^6 .4take an− oth − er sta − tion, Let’s va − ry pi − ra − cee, with a lit − tle bur − gla − ree

3

^5 ^5 .5 ^5 .6

.7 .7 ^7 ^7 .6 .5 .5 ^5 ^6 ^5 ^5 .5 .5 ^5 ^6 ^5 ^5 .5 .7 .7 ^7Come, Friends, who plough the sea, Truce to Na − vi − ga − tion, take an− oth − er sta− tion, Let’s va − ry

^7 .6 ^6 ^5 .5 .5 .6 .7 .8 ^6 .6pi − ra − cee, with a lit − tle bur − gla − ree

.5 .6 ^5

− − − −

Page 107: 'Oct03' Tunebook Concert Pitch Bass Clef 2007

107413. MEDLEY HORNPIPES,Harvest Home, Boys of Bluehill, Belfast)

Harvest HomeTrad

= 150

44

D A7

.5 .4 .3 .5 .4 .5 .3 .5 .4 .5 .6 ^7 .7 ^7 .6 ^6 ^5 .5 ^7 .5 .7 .5 ^8 .5 .7 .5 ^7 .6 ^6 ^5 .5 ^4 .4 ^3

3 3D A7 D A D

.3 .5 .4 .5 .3 .5 .4 .5 .6 ^7 .7 ^7 .6 ^6 ^5 .5 ^7 .5 .7 .5 ^8 ^7 ^6 ^7 .6 .7 .6 ^6 .6 ^7 .5 .5 .5 .5 .7 .5 .5 .5 .5

3 3

3

3 33

A7 D A7 E7 A7 D

^8 .5 .5 .5 .5 .7 .5 .5 .5 .5 ^7 .5 .7 .5 ^8 .5 .7 .5 ^7 .7 ^7 .6 ^6 ^5 .5 ^5 .5 ^4 .4 ^3 .3 .5 .4 .5 .3 .5 .4 .5

A7 D

.6 ^7 .7 ^7 .6 ^6 ^5 .5 ^7 .5 .7 .5 ^8 ^7 ^6 ^7 .6 .7 .6

Boys of Bluehill

44

3 3D D G Em D Em D Bm

.6 ^5 .5 ^5 .5 .4 .5 .3 .4 .5 ^5 ^4 ^5 ^6 .6 ^7 .6 ^7 .7 ^8 .8 ^8 ^7 ^8 .7 ^7 .6 .7 ^7 .6 ^5 .6 ^5

44

3

.7 ^8 .8 ^8 .7 .3 .5 ^5 ^6 .6 .5 ^4 .5 ^4 .4 ^4 .5 ^5 ^6 .6 ^5 .5 .6 ^6 ^7 .5 ^6 .6 ^6 .5 .4 ^4 ^8 .7 ^8

3 3D D Bm Em D Em D Bm

.5 ^5 .5 .4 .5 .3 .5 .4 .5 ^5 .5 ^5 ^6 .6 ^7 .6 ^7 .7 .8 .8 .7 ^7 ^8 .7 ^7 .6 ^7 .6 .7 ^8

3.7 ^8 .8 .6 .5 ^5 ^6 .6 .5 ^4 .5 ^4 .4 ^4 .5 ^5 ^6 .6 ^5 .5 .6 ^6 ^7 .5 ^6 .5 .5 ^4

D D Em G D Em D Bm

.8 .7 .6 .7 .8 ^8 .7 ^7 .7 ^8 .8 ^9 .8 ^8 .7 ^8 .8 .7 ^7 ^8 .7 ^7 .6 .7 ^7 .6 ^5 .6 ^5

3

.4 .5 .6 .5 .4 .5 ^5 ^6 .6 ^7 .6 ^5 .5 ^4 ^8 .7 ^7 .6 ^5 .5 .6 ^6 ^7 ^5 ^6 .6 ^6 .5 .4 ^4 ^8 .7 ^8

3

3

D D Bm Em D Em D D

^5 .5 .4 .5 .3 .4 .5 ^5 .5 ^5 ^6 .6 ^7 .6 ^7 .7 .8 .8 .7 ^7 .7 ^8 .7 ^7 .6 .7 .6

3.8 ^8 .7 .6 .5 ^5 ^6 .6 .5 ^4 .5 ^4 .4 ^4 .5 ^5 ^6 .6 ^5 .5 .6 ^6 ^7 ^5 ^6 .5

Page 108: 'Oct03' Tunebook Concert Pitch Bass Clef 2007

108Millicent’s Favourite (Belfast Hornpipe)

44

Part A

.8 ^8 .7 .8 .6 .7 .5 .6 .4 .5 .3 .4 .5 .6 .7 ^7 .7 ^8 .8 ^9 ^8 ^7 .7 ^8 ^7 ^6 .6 ^7 ^6 .5 .8 ^8

Part B

.7 .8 .6 .7 .5 .6 .4 .5 .3 .4 .5 .6 .7 ^7 .7 ^8 .8 ^9 ^8 ^7 .5 ^5 ^6 .6 .7 ^7 ^6 .6 .5 ^4 .4 ^4 .5 ^5 ^6 .6 ^7

.7 ^8 .7 ^7 .6 ^6 ^5 .5 ^4 .7 .7 ^7 ^4 ^7 ^7 .6 .5 ^4 .4 ^4 .5 ^5 ^6 .6 ^7 .7 ^8 .7 ^7 .6 ^6 ^5 .5

3 3 3

3 3 3Part C

^4 .7 ^7 .6 ^6 .5 ^5 ^6 .6 .7 ^7 ^6 .6 .8 ^8 .7 ^8 .7 ^7 .7 ^7 .6 ^7 .6 ^6 .6 ^6 ^5 ^6 ^5 .5 ^5 .5 ^4 ^9 .8

3 3 3 3

3 3

3 3 3

3

^8 .8 ^8 .7 ^8 .7 ^7 .7 ^7 .6 ^7 .6 ^6 .6 ^6 ^5 ^6 ^5 .5 .8 ^8 .7 ^8 .7 ^7 .7 ^7 .6 ^7 .6 ^6 .6 ^6

3 3 3 3

^5 ^6 ^5 .5 ^5 .5 ^4 .5 ^4 .4 ^4 .4 ^3 .3 ^3 .4 ^4 .5 ^5 ^6 .6 .7 .6

415. Off to California

44 3

3

3

G G G C

[3 ^3] ^2 .3 ^2 .3 .4 ^3 .3 [^3 .3] .3 .4 .5 .6 ^5 .5 ^5 ^6 .6 ^6 .6 .5 ^5 .5 .4 .3 ^3 .4 ^3 .3 [^3 .3 ^3] ^2

3

3G G D G C

.3 ^2 .3 .4 ^3 .3 [^3 .3] .3 .4 .5 .6 ^5 .5 ^5 ^6 .6 ^6 .6 .5 ^5 .5 .4 .3 ^3 .4 ^3 .3 ^2 .3 .5

3

3

G C Em G Em C D

.6 ^6 ^5 .6 ^6 ^5 .5 ^6 ^5 .5 ^5 ^6 ^5 .5 .4 .5 ^5 ^6 .6 .5 ^5 .5 .4 .3 ^3 .4 ^3 .3 [^3 .3 ^3] ^2

3

3G D G C G Em C D G

.3 ^2 .3 .4 ^3 .3 [^3 .3] .3 .4 .5 .6 ^5 .5 ^5 ^6 .6 ^6 .6 .5 ^5 .5 .4 .3 ^3 .4 ^3 .3 ^2 .3

Page 109: 'Oct03' Tunebook Concert Pitch Bass Clef 2007

109416. Londonderry Hornpipe

= 180

A

44

3

.5 ^4 .4 .5 .6 .7 .6 .5 .4 ^4 ^5 .6 ^8 .6 ^5 ^4 .4 .5 .6 .7 .6 .5 .4 ^3 ^4 ^5 ^7 .6 ^6 .5 ^4 .4 .5 .6 .7 .6 .5 .4

^4 ^5 .6 ^8 .8 ^8 .7 .8 .7 .6 ^5 ^8 ^7 ^6 .6 .7 .6

B

3

3

.7 ^8 .8 .7 .6 .5 .6 .7 .8 ^8 ^7 ^6 .5 ^6 ^7 ^8 .8 .7 .6 .5 .6 ^8 .7 ^7 .7 .6 ^6 .6 ^5 .5 .7 ^8 .8 .7 .6 .5 .6 .7 .8

^8 ^7 ^6 ^7 ^8 .8 ^8 .7 .8 .7 .6 ^5 ^8 ^7 ^6 .6 .7 .6

C

3 3

.5 ^4 .4 ^3 .3 .5 .3 ^5 .3 .5 .3 .6 ^6 .6 .7 ^7 ^6 .5 ^4 .4 ^3 .3 .5 .3 ^5 .3 .5 .3 ^3 ^4 .4 .5 ^4 ^5 .5 ^4

3

33

.4 ^3 .3 .5 .3 ^5 .3 .5 .3 .6 ^6 .6 .7 ^7 .6 ^7 ^8 .7 .8 .7 .6 .7 ^8 ^7 ^6 ^7 .6 .7 ^7 .6 ^6 .6

D

3 33 3

.4 ^4 [^6] .5 [^6] .5 ^5 .5 .4 .3 .4 ^4 .4 ^4 .5 ^4 ^3 ^2 ^3 .5 [^6] .5 ^5 .5 .4 .3 .4 ^3 .4 .3 ^2 .3 [^3 .3] .4 ^4 [^6]

.5 [^6] .5 ^5 .5 .4 .3 .4 ^4 .4 ^3 .4 ^4 ^5 .5 ^4 .4 .5 .4 .3 [^3] ^4 ^3 ^2 .3 .4 .3

E

3 3.7 ^8 .8 .8 .8 .7 .6 .5 .6 .7 .6 ^8 ^8 ^8 ^7 ^6 .5 ^6 ^7 ^6 .7 .6 ^8 ^7 .8 .7 ^9 ^8 ^7 ^6 .6 ^5 .5 .7 ^8

3 3.8 .8 .8 .7 .6 .5 .6 .7 .6 ^8 ^8 ^8 ^7 ^6 .5 .8 ^8 .7 .6 .5 .4 ^3 ^8 ^7 ^6 .6 .7 .6

F

.4 ^4 ^5 ^4 ^5 ^7 ^8 .7 ^7 .6 ^6 .5 ^6 ^7 .8 ^8 .7 ^7 .7 ^6 .6 ^5 .5 .4 ^4 .5 .4 .5 .6 .7 ^7 .6 ^6

^5 ^4 ^5 ^7 ^8 .8 ^8 .7 .8 .7 .6 ^5 ^8 ^7 ^6 .6 .7 .6

Page 110: 'Oct03' Tunebook Concert Pitch Bass Clef 2007

110419. MEDLEY HORNPIPES: THE STEAM BOAT,The Steam Boat, Roxburgh Castle

Steam Boat, the = 174

44

3

G C Am D D7 G

.5 ^5 ^6 .6 ^7 .6 .5 .6 .5 .4 ^4 .5 .4 .3 ^3 .4 ^4 ^5 ^4 ^3 ^4 ^3 ^2 .3 ^3 .4 ^4 .5 ^5 ^6 .6 ^7 .6 .5 .6 .5

C D D7 G G C Am

.4 ^4 .5 .4 .3 ^3 .4 ^4 ^5 .5 ^4 .4 ^3 .3 ^2 ^3 .3 .3 .4 ^4 .5 .4 .5 .4 .6 .6 .5 ^5 ^4 ^5 ^4 ^7 ^7 ^5

D G D D7 G C D D7 G

^6 ^5 ^6 .5 .6 ^6 .6 .7 ^7 .6 ^6 ^5 .5 ^5 ^6 .5 .6 ^7 .6 .5 .6 .5 .4 ^4 .5 .4 .3 ^3 .4 ^4 ^5 .5 ^4 .4 ^3 .3 ^2 ^3 .3 .3

Roxburgh Castle

44

A D A D A Bm E7 A

.7 ^7 .6 .6 .7 .8 .7 .6 .7 ^8 ^8 ^9 .8 .7 .6 .7 ^8 ^9 ^8 .7 .8 .7 ^7 .6 ^7 .7 ^7 ^8 .7 ^7 .6 ^6 .6 .7 .8 .7 .6 .7

3

D A D E7 A A

^8 .7 ^8 ^9 .8 .7 .6 .7 .9 ^10 .9 ^9 .8 ^8 .7 ^7 .7 .6 .6 .8 ^9 ^10 .9 .8 .7 .8 ^9 .8 .7 .8 .9 .8 .7 .8 ^9 .8 .7 .8

D A Bm E7 A D A D E7

^8 ^11 ^8 .7 .9 .7 ^7 .6 ^7 .7 ^7 ^8 .7 ^7 .6 ^6 .6 .7 .8 .7 .6 .7 ^8 .7 ^8 ^9 .8 .7 .6 .7 .9 ^10 .9 ^9 .8 ^8 .7 ^7

A

.7 .6 .6

420. Dorsetshire Hornpipe = 100

Intro

44

.7 ^7 .6 ^5 .6 ^6 ^7 .6 .6 .6 .8 ^8 .7 ^7 .7 ^8 .8 ^8 .7 ^7 .6 ^6 .6 .7 .5 .5 ^4 .4 .5 .6 .7 ^8 .7 ^7 .6

1

^6 .6 ^7 .7 ^7 .8 ^8 .7 ^7 .7 ^8 .8 ^8 .7 ^7 .6 ^6 .6 .7 .5 .5 ^4 .4 .5 .6 .7 ^7 ^8 ^6 ^7 .6 .6 .6 .8 ^8

2

.6 .6 .6 ^6 .6 ^7 .6 ^6 ^5 .5 ^5 ^6 .6 ^7 .6 ^7 .7 ^7 .6 ^7 .7 ^7 .6 ^6 ^5 ^6 .6 ^7 .7 ^7 .7 ^8 .7 .5 ^4

1 2

.4 .5 .6 ^4 ^5 ^7 .5 .6 .7 ^5 .6 ^8 .7 ^7 .6 ^5 .6 ^6 ^7 .6 .6 .6 ^6 .6 .6 .6 .6

Page 111: 'Oct03' Tunebook Concert Pitch Bass Clef 2007

111421. The Rights of Man

BB&S = 1 = 150

44

3 3 3 3

3.3 ^3 .4 ^4 .5 ^3 .4 ^3 .3 ^3 .3 ^2 .3 ^2 [^3] ^2 .3 ^3 .4 ^5 ^6 .6 ^6 ^5 .5 .4 .5 ^5 ^6 .6 ^6 ^5 .5 .4 ^3 .3 ^3

3 3 3

.4 ^4 .5 ^3 .4 ^3 .3 ^3 .3 ^2 .3 ^2 [^3] ^2 .3 ^3 .4 ^5 ^6 .6 ^6 ^5 .5 .4 .6 ^6 .6 ^5 [^3 ^3] .6 ^7

.7 ^7 .7 .6 ^5 ^6 .6 ^7 .7 ^7 .7 .6 ^5 ^6 ^5 .5 [^6] .5 ^5 ^6 ^5 ^6 .6 ^7 ^6 .5 ^6 ^7 .6 ^6 ^5 .5 ^5 ^6 .6 ^6 .6 ^7

.7 .6 ^5 ^6 .6 ^5 ^6 .6 ^6 ^5 .5 .4 .6 ^6 .6 ^5 [^3 ^3]

422. Manchester hornpipe, or Rickett’s hornpipe (Ireland)

44

3 3

.5 ^5 ^6 .6 ^6 .6 .5 .4 .5 .6 .7 ^7 .6 ^6 ^5 .5 ^8 .7 ^8 .8 .7 ^8 .7 ^7 .6 ^6 .6 ^7 ^6 .5 .5 ^5 ^6

.6 ^6 .6 .5 .4 .5 .6 .7 ^7 .6 ^6 ^5 .5 ^8 .7 ^8 .8 .7 ^9 ^8 ^7 ^6 .6 .7 .6 .7 ^8 .8 .7 .8 .7 .6 ^8 .8

3

^9 ^8 ^9 ^8 ^7 .7 ^8 .8 .7 .8 .7 ^9 .8 ^8 .7 ^7 .6 ^6 ^5 .5 .5 ^5 ^6 .6 ^6 .6 .5 .4 .5 .6 .7 ^7 .6 ^6 ^5 .5 ^8

.7 ^8 .8 .7 ^9 ^8 ^7 ^6 .6 .7 .6

Page 112: 'Oct03' Tunebook Concert Pitch Bass Clef 2007

112VARSOVIENNAS

428. MEDLEY: VARSOVIENNA, Sally Sloane’s. Put your Little Foot, La VaSally Sloane’s Varsovienna

= 160

43

3

G Em G C D D7 G D7

.4 ^4 .5 ^4 ^3 .3 .4 ^4 .5 .6 ^6 ^5 ^6 .6 ^7 .6 ^5 ^6 ^5 .5 ^4 .4 ^4 ^3 ^2 .3 .6 ^6 ^5 .4 ^5

G D7 G D7 G D7 G

.5 .4 .3 ^3 .4 .3 ^4 ^3 ^2 ^5 .5 .6 ^6 ^5 .4 ^5 .5 .4 .3 ^3 .4 .3 ^4 ^3 ^2 ^5 .3

Put Your Little Foot

43

G D D7 G D D7 G G

.4 ^4 .5 .3 .4 ^3 ^3 .4 ^4 ^2 ^5 .5 .4 ^4 .5 .4 .3 .4 ^3 ^3 .4 ^4 ^2 ^3 .3 .2 .3 .4 .3 .4 .2 .3

D7 G

.4 .3 .4 .2 .3 .4 .3 .4 ^4 ^3 ^3 ^2 ^3 ^2 ^3 .2 ^2 ^3 ^2 ^3 .2 ^2 ^3 ^2 ^3 .4 .3

La Va

43

D A7 A7 D1 2

.5 .6 .7 .7 .7 .6 .6 ^5 .5 .5 .3 .4 ^3 .3 ^2 ^3 .5 ^6 ^5 .5 .5 ^5 .5 ^4 .4 .5 ^5 ^6 .6 .7 ^7

D A7 D

.7 .6 .5 .7 ^7 .7 .6 .5 .7 ^7 .7 ^8 .7 ^7 ^7 ^6 ^7 ^6 .5 ^7 ^6 ^7 ^6 .5 ^7 ^6 .5 ^5 ^6 .6

Page 113: 'Oct03' Tunebook Concert Pitch Bass Clef 2007

113SCHOTTICHES

441. Mudgee Schottische

44

Em G Em G Em G

.3 ^3 .4 .4 ^4 .4 ^4 ^5 .5 .3 .3 .3 ^3 .4 .4 ^4 .4 ^4 ^5 .5 ^5 .5 .4 ^3 .3 ^3 .4 .4 ^4 .4 ^4 ^5 .5 .3 .3 .3 ^3

3

3

3

Em Em D G Em

.4 .4 .6 ^3 .4 ^6 .3 .5 ^5 ^6 .6 .3 ^5 .3 ^5 ^6 ^5 .5 .4 .3 .4 .5 .5 .4 ^3 .4 ^4 .5 ^4 .4 ^3 .3 .5 ^5 ^6 .6 .3 ^5 .3

3G Em

^5 ^6 ^5 .5 .4 .6 .4 .5 .5 .4 ^4 .5 ^4 .4 ^3 .3 .3 ^3

442. Harvest Moon SchottischeTrad Australian, playing of Jamie carlin

= 60

3 4 3C C G F F G Am C C C G F

.5 ^5 ^6 .6 .5 .4 .3 ^2 .3 ^3 .4 ^4 ^4 .5 ^5 ^4 ^3 ^2 .3 ^3 .4 ^5 .5 .5 ^5 ^6 .6 .5 .4 .3 ^2 .3 ^3 .4 ^4 ^4 .5

3 3 3Dm G C C C C F G Am C

^5 ^4 ^3 .3 ^2 .3 ^3 ^4 .4 .3 .3 .4 ^4 .5 ^5 .5 .4 .5 .6 ^6 ^5 ^6 ^5 ^4 ^5 ^7 .6 ^6 .6 ^6 ^5 .5 .7 ^7

3

3 3 3 3Am C C C F G Am Am

.6 .7 ^7 .6 ^6 ^5 .5 .4 ^4 .5 ^5 .5 .4 .5 .6 ^6 ^5 ^6 ^5 ^4 ^5 ^7 .6 ^6 .6 ^6 ^5 .5 .7 ^7 ^5 ^6 .6 .7 .6

446. Click go the Shears

44

.4 .4 ^3 .3 .4 .5 .6 .6 ^6 ^5 .5 .5 ^5 .5 .4 .3 ^3 ^3 .4 ^3 .4 .4 ^3 .3 .4 .5 .6 .6 ^6 ^5 ^5 ^7 .6 ^6 ^5 .5 ^4 .4 ^3

.3 .6 .6 .6 ^7 ^7 ^7 ^6 ^7 .6 .7 .6 ^5 ^5 ^6 .6 ^6 .6 ^5 .5 ^5 .5 .4 ^3 ^4 .4 ^3 .4 .4 ^3 .3 .4 .5 .6 .6 ^6 ^5 ^5

^7 .6 ^6 ^5 .5 ^4 .4 ^3 .3 .6 .6 .6

Page 114: 'Oct03' Tunebook Concert Pitch Bass Clef 2007

114448. Cosgrove’s Schottiche

44

3 3 3Bm D D Bm A Em D D

.5 ^5 .5 .4 .5 .4 .3 .4 .5 .5 .6 .6 ^7 .6 ^5 − ^6 ^5 .5 ^6 ^7 .7 ^8 ^7 .5 ^5 ^6 .6 ^7 .7 .6 .5 − .5

3 3 3

3

Bm D D Bm A Em D D D D

^5 .5 .4 .5 .4 .3 .4 .5 .5 .6 .6 ^7 .6 ^5 − ^6 ^5 .5 ^6 ^7 .7 ^8 ^7 .5 ^5 ^6 .6 .7 ^7 ^6 .6 ^7 .7 .7 ^7 .7 .8 .7 .6 ^6

3

3

3

3 3 3

D Bm A A D D D D

.6 .7 ^7 .6 ^5 − ^6 ^5 .5 ^6 ^7 .7 ^8 ^7 ^6 .5 ^5 ^6 .6 ^7 .7 .6 .5 − ^7 .7 ^7 .7 .7 ^7 .7 .7 .8 .7 .6 ^6

3 3

3

D Bm A Em A D

.6 .7 ^7 .6 ^5 − ^6 ^5 .5 ^6 ^7 .7 ^8 ^7 .5 ^5 ^6 .6 ^7 .7 ^7 ^6 .6 .5

449. Pine Tree Flat Barn Dance, Basil Cosgrove’sHackett’s Schottiche

44 3

3 33

C G D C D Am G G

[3 ^3] ^2 .3 .3 ^2 .3 − .4 ^3 .3 ^3 .4 ^4 − .4 ^4 .5 .6 ^6 .6 ^5 ^4 ^3 ^2 .3 ^3 .4 ^3 .3 [3 .3 ^3] ^2

3C G D C D Am C G G G

.3 .3 ^2 .3 − .4 ^3 .3 ^3 .4 ^4 − .4 ^4 .5 .6 ^6 .6 ^5 ^4 ^3 ^2 .3 .3 ^2 .3 ^3 .4 ^4 .5 .5 .4 .5 .4 .6 ^6

3

3 3Am C D Am G G G G Am C

^5 ^4 ^3 ^4 ^5 − ^6 .6 ^6 .6 ^6 .6 ^5 ^4 ^3 ^2 .3 ^3 .4 ^3 .3 .2 − .4 ^4 .5 .4 .3 .4 .5 .4 .6 ^6 ^5 ^4 ^3 ^4 ^5 − ^6

3

D Am C C

.6 ^6 .6 ^6 .6 ^5 ^4 ^3 ^2 .3 .3 ^2 .3

450. Hackett’s SchotticheBasil Cosgrove’s Pine Tree Flat Barn Dance

= 180

44 3

3 33

[3 ^3] ^2 .3 .3 ^2 .3 − .4 ^3 .3 ^3 .4 ^4 − .4 ^4 .5 .6 ^6 .6 ^5 ^4 ^3 ^2 .3 ^3 .4 ^3 .3 [3 .3 ^3] ^2

3

.3 .3 ^2 .3 − .4 ^3 .3 ^3 .4 ^4 − .4 ^4 .5 .6 ^6 .6 ^5 ^4 ^3 ^2 .3 .3 ^2 .3 ^3 .4 ^4 .5 .5 .4 .5 .4 .6 ^6

3

3 3

^5 ^4 ^3 ^4 ^5 − ^6 .6 ^6 .6 ^6 .6 ^5 ^4 ^3 ^2 .3 ^3 .4 ^3 .3 .2 − .4 ^4 .5 .4 .3 .4 .5 .4 .6 ^6 ^5 ^4 ^3 ^4 ^5 − ^6

3.6 ^6 .6 ^6 .6 ^5 ^4 ^3 ^2 .3 .3 ^2 .3

Page 115: 'Oct03' Tunebook Concert Pitch Bass Clef 2007

115AMERICAN

462. Yankee DoodleToo Young to Marry

Trad = 116

42

.6 .6 ^7 .7 .6 .6 ^6 .5 .6 .6 ^7 .7 .6 ^6 .5 .6 .6 ^7 .7 ^8 .7 ^7 .6 ^6 .5 ^5 ^6 .6 .6 ^5 ^6 ^5 .5 ^5 ^6 .6

.5 ^5 .5 ^4 .4 ^4 .5 ^5 ^6 ^5 .5 ^5 ^6 .6 ^5 .5 .6 ^6 ^7 .6 .6 .7 ^8 .8 .7 ^8 ^7 .7 .6 .6 .7 ^8 .8 .7 ^8 .8

^9 ^7 ^7 .7 ^8 .8 .7 ^8 ^7 .7 .6 ^6 ^5 .5 .6 ^6 ^7 .7 .6 .6 ^5 ^6 .6 .5 .5 ^5 ^6 .6 .5 .5 ^5 ^6 .6 .7 ^7 .6

^6 ^7 ^7 ^5 ^6 .6 .5 .5 ^5 ^6 .6 .5 .5 ^5 ^6 .6 .7 ^7 ^6 .6 .6 .7 ^8 .8 .7 ^8 ^7 .7 .6 .6 .7 ^8 .8 .7 ^8 .8

1 2

^9 ^7 ^7 .7 ^8 .8 .7 ^8 ^7 .7 .6 ^6 ^5 .5 .6 ^6 ^7 .6 .6 .5 .6 .6

463. O Suzannah, or Susanna Suzanna) = 120

42

G C G7 A7 D7 G D7 G C

.3 ^3 .4 .5 .5 ^5 .5 .4 .3 ^3 .4 .4 ^3 .3 ^3 .3 ^3 .4 .5 .5 ^5 .5 .4 .3 ^3 .4 .4 ^3 ^3 .3 ^4 ^4 ^5 ^5 ^5

G A7 D7 G D7 G

.5 .5 .4 .3 ^3 .3 ^3 .4 .5 .5 ^5 .5 .4 .3 ^3 .4 .4 ^3 ^3 .3

464. Old Joe Clark

42

^3 ^3 .4 ^4 .4 .4 ^3 .3 ^2 ^3 .4 ^4 .4 ^3 ^3 ^3 .4 ^4 .4 ^3 .3 ^2 .2 ^2 [^3 ^3I used to live on the moun− tain top, Now I live in town; I’m stay− ing at the big ho − tel, Cour − tin’ Bet− sy

.3] [3 .3 .3] ^3 .3 ^2 [3 .3 .3] ^2 [^3 .3 .3 .3] ^3 .3 ^2 .2 ^2 [^3] −Brown Fare thee well, Old Joe Clark Fare− the well I’m bound, Fare theewell, Old Joe Clark, Good− bye Bet − sy

.2Brown.

Page 116: 'Oct03' Tunebook Concert Pitch Bass Clef 2007

116465. The Battle Hymn of the Republic

= 80

86

A

B

466. JambalayaHank Williams

= 100

44

.4 .5 ^5 .4 .5 .5 ^5 .5 .4 .5 ^3 − .5 .5 ^6 ^6 − ^5 .5 .5 ^5 .5 .4 .4 .5Good− bye Joe, me got − ta go, me oh my oh, Got − ta go, pole the pi − rogue down the ba − you. My

3

^5 ^5 .5 .4 ^5 .5 .4 .5 ^3 − .5 .5 .5 ^6 ^6 ^6 ^5 .5 ^3 .4 ^3 .3 − .7 .7Y − vonne, the swee − test one, me oh my oh, Son of a gun, we’ll have big fun on the ba− you. Jam − ba− lay’

.6 .6 .6 ^5 .5 .6 .5 .4 .5 ^3 − .5 − .5 .5 .5 .5 ^5 .5 .5 .4 − .6 .6 .6 ^5 .5’n a craw− fish pie’n’ fi − let gum − bo, ’Cause to − night I’m gon − n a see my ma cher− ie mi − o Pick

3

.6 ^5 .5 ^3 .5 .5 .5 ^6 ^6 ^5 .5 ^5 .5 .4 ^3 .3 −gui − tar, fill gay, o. Son of a gun, we’ll have big fun on the ba − you.

467. When the SaintsKevin Briggs, via EF

44

G A7 D7 G G7 C Cm G A7 D7 G

.3 .4 ^4 .5 − .3 .4 ^4 .5 − .3 .4 ^4 .5 .4 .3 .4 ^3 − .4 ^3 .3 .3 .4 .5 .5 ^4 − .4 ^4 .5 .4 .3 ^3 .3

468. House of ther Rising Sun = 100

43

[2] [^3] − ^2 .3 − ^3 .4 ^3 .3 .3 [^3] − ^5 ^5 ^5 .5 − ^5 .4 − ^5 ^5There is a house in New Or − leans, They call the Ri − sing Sun; And it’s beenthe

^5 − [^3] .3 .3 − − ^3 .4 .4 − ^3 ^3 .3 .3 [^3] − .4 .4 ^3 − .3 [^3] [2] − [3] [^3] −ru − in of ma− ny a poor girl, And me Oh God, for one.

Page 117: 'Oct03' Tunebook Concert Pitch Bass Clef 2007

117468. Where Have All the Flowers Gone?

Pete Seeger = 100

44

.5 ^5 .5 ^4 .4 ^3 .3 .6 ^7 ^6 ^5 .5 .5 ^5 .5 ^4 .4 ^3 .3 ^4 .4 .3 ^3Where have all the flow − ers gone? Long time pas− sing, Where have all the flow − ers gone? Long time a − go,

.5 ^5 .5 ^4 .4 ^3 .3 .5 .6 .7 ^7 .6 ^6 ^5 .5 ^5 ^4 .4 ^3 .3 .4 .5 ^5Where have all the flow − ers gone? The girls havepicked them ev− ’ry one, Oh when will they e − ver learn? Oh

^4 .4 ^3 .3 ^2 .3when will they e − ver learn?

469. Red River Valley (American)

= 126

44

.2 .3 .4 .4 .4 ^3 .4 ^3 .3 .2 .3 .4 .3 .4 .5 ^4 .4 ^3 .5 ^4 .4 .4 ^3 .3 ^3 .4 .5 ^4 [^3 ^3 .3] ^2 .3 ^3 .4 ^3 .3

470. Yellow Rose Of Texas (American)

= 126

43

1 2

.4 ^4 .5 .5 ^5 ^5 .5 .4 .5 ^5 .6 .6 .6 ^7 .7 ^7 .7 ^8 .7 ^7 ^8 .7 .6 .6 ^6 ^7 ^7 .7 ^7 ^6 ^5 .5 ^8

.7 ^7 .6

471. Darling Clementine (American)

= 150

43

.3 .3 .3 .2 .4 .4 .4 .3 .3 .4 .5 .5 ^4 .4 ^3 ^3 .4 ^4 ^4 .4 ^3 .4 .3 .3 .4 ^3 .2 ^2 ^3 .3

Page 118: 'Oct03' Tunebook Concert Pitch Bass Clef 2007

118472. Worried Man Blues

44

G D7 G D7 C

.2 .3 .3 .3 ^3 .4 .4 .4 .4 .4 ^3 .3 .3 [^3] .3 .3 .3 .3 .3It takes a wor − ried man to sing a wor − ried song, takes a wor − ried man to

44

.4 ^3 .3 [^3] .3 − .2 .3 .3 .3 ^3 [^3] .3 .3 .3 .2

G D7 G D7 G C

.3 .3 .3 [^3 .3 .3] .3 .3 .3 ^3 .4 .4 .4 .4 .4 ^3 .3 .3 ^2 .3 ^3 ^3 ^3sing a wor − ried song, It takes a wor − ried man to sing a wor − ried song, I’m wor − ried now but I

.3 .3 .3 ^3 ^3 ^3 ^3

C6 D7 G G C G1 2

.4 ^3 .3 [^3] .3 − .2 .3 − .4 .3 .4 −won’t be wor − ried long long wor − ried long

.4 ^3 .3 − .2 .3 .3 .4 .3 .4 −

473. Home On The Range = 126

43

1 2

[3 .3] .3 ^3 .4 .3 ^2 [^3] ^4 ^4 ^4 .4 ^4 .5 .3 .3 .3 ^2 .3 ^3 ^4 ^4 .4 ^3 .3 ^2 .3 ^3 .3

Page 119: 'Oct03' Tunebook Concert Pitch Bass Clef 2007

119474. That Big Rock Candy Mountain

= 90

.4 ^4 .5 .5 ^4 .4 ^4 .5 .5 ^4 .4 ^4 .5 .5 ^3 ^4 .4 .3 .4 ^4 .5 .5 ^4 .4 ^4 .5 .5 ^4 .4 ^4 .5 .5 ^3 ^4 .4 .3 .4 .4

^3 .4 ^4 ^3 .4 .4 ^4 .5 ^3 ^3 ^3 .4 ^4 ^3 .4 .5 .5 .4 ^4 .5 .5 ^4 .4 ^4 .5 .5 .5 ^4 .4 ^4 .5 .5 ^4 .4 ^4

.4 .3 .3 .5 ^4 .4 .4 .4 .4 .4 .5 .5 .3 .3 .3 .3 .5 .5 ^5 ^5 .6 ^5 ^5 .5 .5 .5 ^4 ^4 ^4 ^4 .5 ^4 .4 .4 .4 ^4 ^4

.5 .5 ^3 ^4 .4 .3

474. Tom Dooley (2 parts)Trad American

44

G G7 G D7

[3 .3 .3 .3 ^3] .3 .4 .4 .4 [3 .3 .3 ^3] .3 ^3 [3 .3 .3] .3

44

− − − − − − − − − − − − − − − − − − − − − − − − − −

Am D7 G1 2

^3 ^3 .4 .4 ^3 .3 [^3 .3 ^3] .3 .3

[2 .2 .2 .2] − − − − − − − − −

Page 120: 'Oct03' Tunebook Concert Pitch Bass Clef 2007

120475. Levi Jackson

Folk Camps, via EF

44

G G D7 G G Bb Bb Am D7 G

.5 ^5 ^6 .6 .5 ^5 .5 .4 .5 − .4 ^3 .3 .2 [[^1] ^1] .5 .1 .6 ^6 − .5 ^4 .5 − .5 ^5 ^6 .6 .5

G D7 G C Cm G E7 A7 D7 G G C

^5 .5 .4 .5 − .4 ^3 .3 [^3 .[1]] .2 .5 .4 .3 ^3 [^1] .4 .3 ^3 .3 − .3 ^2 [[^1]] [^3] .3 ^3 − [^3] .3 [^3] .3

C Am Am E E

^3 − [^3] .3 [^3] .3 ^3 ^4 ^5 ^5 ^5 − .5 ^4 ^3 [1] .4 [^6 ^3] .3 .4 .3 .4 [^6 ^3 .1] .4 .3 .4 ^4 ^5

C#m F#m E A7 D D7

[[^10]] .6 .6 − ^6 ^5 ^6 [[^10]] .6 .6 − ^6 ^5 .6 .6 .6 − ^6 ^5 ^6 ^6 ^6 − ^5 .5 ^5 ^6 ^7 ^6 ^5 .5 ^5 ^6 ^7

G C D7 G

.7 ^7 ^6 ^5 − .5 .4 ^5 .5 .4 ^3 − .3 [^3] .3 ^3 .3

Page 121: 'Oct03' Tunebook Concert Pitch Bass Clef 2007

121ITALIAN

476. That’s Amore

43

.7 ^7 .6 .7 ^7 .6 .7 ^7 .6 .7 ^7 .6 ^6 ^5 ^4 ^3 − − ^7 .6 ^6 ^7 .6 ^6 ^7 .6 ^6 ^7 .6 ^6 .6 ^5 ^6 .4

− − .4 .5 .6 .4 .5 .4 .5 .6 .4 .5 .4 .5 .6 .4 .5 .6 ^7 .6 ^6 .5 − − ^3 ^4 ^6 ^3 ^4 ^3 ^4

^6 ^3 ^4 ^3 ^4 ^6 ^3 ^4 ^6 .6 ^6 ^5 .4 − − .7 ^7 .6 .7 ^7 .6 .7 ^7 .6 .7 ^7 .6 ^6 ^5 .5 ^3 − −

^7 .6 ^6 ^7 .6 ^6 ^7 .6 ^6 ^7 .6 ^6 ^5 ^4 .4 − − .4 ^4 .5 ^5 ^4 .5 ^5 ^5 ^6 .6 ^5 ^6 .6 ^7 .6 .7 .5

− ^7 .6 ^6 ^7 .6 ^6 ^7 .6 ^6 .5 ^5 ^6 .6 ^7 .7 ^7 .6 −

477. Arrivaderci Roma

44

.2 .4 − .5 .4 ^4 .4 ^3 − .3 .3 .2 .4 ^2 ^3 .3 [^3] − ^2 ^2 ^2 ^2 ^2 ^3 ^2 [^3 ^3 ^3]

.2 ^2 ^2 ^2 ^2 ^2 ^2 ^3 ^2 − [^3 ^3] [^3 .3] ^2 ^2 ^2 ^2 ^2 ^3 ^2 [^3] [^3 .3] ^4 .4 .5 −

Page 122: 'Oct03' Tunebook Concert Pitch Bass Clef 2007

122478. La Cucaracha

= 150

F C7 C Gm Gm7 C7

[3 .3] .3 .3 .4 .4 .5 .4 .5 ^5 .5 ^4 .4 .5 ^4 ^3 [3 .3] ^2 ^2 ^3 ^3 ^4 ^3 .5 ^5 .5 ^4 .4 ^3

F F Dm7 F Dm7 F C7

.4 .3 − [3 .3 .3] .3 .4 − [3 .3 .3] .3 .4 − .3 .3 ^2 ^2 [^3 ^3] .2 − [3 .3 .3] ^2 ^4 − [3 .3 .3] ^2 ^3 −

Gm7 C7 F

.5 ^5 .5 ^4 .4 ^3 .3

La Cucharacha in F

22

[3 .3 .3] .3 .4 [3 .3 .3] .3 .4 − .3 .3 ^2 ^2 [^3 ^3] [3 .3 .3 .3] [^3] ^3 [3 .3 .3] [^3] ^3 ^3

.5 ^5 .5 ^4 .4 ^3 .3 − .3 .2 .3 .2 .3 .4 .5 .4 − .5 ^5 .5 ^4 .4 .5 ^4 ^3 − ^2 .2 ^2 .2 ^2 ^3 ^4 ^3 −

1

.5 ^5 .5 ^4 .4 ^3 ^3 .4 .3 − ^2 .2 ^2 .2 ^2 ^3 ^4 ^3 − .5 ^5 .5 ^4 .4 ^3 .4 .3 .3 [3 .3 .3]

2

.4 .3 .3 [3 .3 .3] .3 .4 [3 .3 .3] .3 .4 − .3 .3 ^2 ^2 [^3 ^3] [3 .3 .3 .3] [^3 .3 .3 .3] ^2 ^3 −

.5 ^5 .5 ^4 .4 ^3 .3 .6 .6 .6

Page 123: 'Oct03' Tunebook Concert Pitch Bass Clef 2007

123479. Santa Lucia

= 120

43

C G G C G7

.6 .5 .4 .5 ^4 ^4 ^3 .4 ^3 .3 .5 .5 .6 .6 ^6 ^6 ^4 ^4 ^5 ^5 .5 .5 .4 ^5 .5 .5 [^6] ^4Sul ma − re luc − ci − a, L’as − tro d’ar − gen− to, Plac− ci dae l’on − da,

C

^4 .5 .4 ^3 ^5 .5 .5 .5 .6 .6 ^6 ^6 ^4 ^4 ^5 ^5 .5 .5 .4 ^5 .5 .5 [^6] ^4 ^4 .5 .4 ^3Pro spe− roeil ven− to. Sul ma− re luc − ci − a, L’as − tro d’ar − gen to, Plac− ci dae l’on da, Pro spe− roeil

F C G7 C

^5 .5 .7 ^7 .6 ^6 ^5 ^7 ^7 .6 ^5 [^6] .5 .6 .7 .6 .6 .5 .5 .4 ^4 ^4 ^7 ^7 ^5 ^6 ^7 .6ven − to. Ve − ni − teal − l’a − gi − le Bar− chet − ta mi a San ta Lu ci a San− ta Lu − ci − a

F C G7 C

.7 ^7 .6 ^6 ^5 ^7 ^7 .6 [^6] .5 .6 .7 .6 .6 .5 .5 .4 ^4 ^7 ^7 .7 ^7 ^7 .6Ve − ni − teal − l’a − gi − le Bar − chet − ta mi San ta Lu ci − a San − ta Lu − ci − a

480. Carneval di Venezia = 240

43

G D G D G

.5 ^5 .5 ^4 .4 ^4 ^2 ^3 ^3 .4 ^4 .5 ^5 .5 .4 − .5 ^5 .5 ^4 .4 ^4 ^3 − ^3 .4 ^4 .5 ^5 .5 .3

D G D

.5 .5 ^4 .4 .4 ^3 .3 .3 ^2 − ^3 .4 ^4 .5 ^5 .5 .4 − .5 .6 ^6 ^5 .5 ^4 .4 ^4 ^3 − ^3 .4 ^4 .5 ^5 ^6

G

.6 −

Page 124: 'Oct03' Tunebook Concert Pitch Bass Clef 2007

124481. O Sole Mio

44

.8 ^8 .7 ^7 .6 .6 ^7 .7 .6 ^6 ^5 − ^6 .6 ^7 ^6 ^5 ^5 ^6 .6 ^7 ^5 .5 .8 ^8 .7 ^7 .6 .6 ^7 .7 .6

^6 ^5 ^8 .7 ^7 .8 .7 ^7 .6 ^7 .7 .6 .6 .6 − ^6 − .5 − − ^6 ^6 ^5 ^4 − ^6 ^6 ^5 ^4 − ^6

^6 ^5 ^4 − ^3 .4 ^4 .5 − − .5 ^1 ^1 ^4 .6 ^1 .5 .5 .4 ^3 .3 .5 − .4 ^3 .3 .3 − .8 ^8 .7 ^7

.6 .6 ^7 .7 .6 ^6 ^5 ^6 .6 ^7 ^6 ^5 ^5 ^6 .6 ^7 ^5 .5 .8 ^8 .7 ^7 .6 .6 ^7 .7 .6 ^6 ^5 ^8 .7 ^7 .8 .7

^7 .6 ^7 − .7 .6 − .6 .6 ^6 .5 − ^6 ^6 ^5 ^4 ^6 ^6 ^5 ^4 − ^3 .4 ^4 .5 − .5 ^1 .5

^1 ^4 .6 .5 .5 .5 − .4 ^3 .3 ^7 .7 .6 .6 .6 − ^6 − .5 .5 − ^6 ^6 ^5 ^4 − ^6 ^5 ^4 − ^3

.4 ^4 .5 − − .5 ^1 ^1 ^4 .6 ^1 .5 .5 .4 ^3 .3 .5 − .4 ^3 .3 .3 − .8 ^8 .7 ^7 .6 .6 ^7 .7 .6 ^6

^5 ^6 .6 ^7 ^6 ^5 ^5 ^6 .6 ^7 ^5 .5 .8 .8 ^8 .7 ^7 .6 .6 ^7 .7 .6 ^6 ^5 ^8 .7 ^7 .8 .7 ^7 .6 ^7 − .7 .6

− .6

Page 125: 'Oct03' Tunebook Concert Pitch Bass Clef 2007

125LATIN AMERICAN

482. Banana boat Song, the

F Bb F Gm F Bb F

.5 .5 .3 .3 .4 .4 .5 .5 .4 .4 ^4 ^5 .5 .5 .4 .4 .4 .4 .4 ^3 ^3 ^3 .3 .3 .5 .3 .3 .4 .5 .5 .4 ^4 ^5 ^5 ^5

Gm F F6 Am Bb F Gm F F6 Am Bb F

.4 .4 .4 .4 .4 ^3 ^3 ^3 .3 .3 .6 ^6 ^5 .5 .4 .4 .4 .4 .4 ^3 ^3 ^3 .3 .3 .6 ^6 ^5 .5 .4 .4 .4 .4 .4

Gm F

^3 ^3 ^3 .3 .3 .5 .5

483. Island in the Sun

3 3D G A D A

.5 .5 .5 .6 .6 ^5 ^5 .6 .6 .6 ^6 ^6 ^6 ^5 ^5 ^5 .5 .5 .5 .4 .4 .4 ^5 .5 .5 .5 .5 ^4 ^4 ^4 .4 ^4 ^4 ^4 .4 .3

D D G A D G

^3 .3 .3 .3 .4 .4 .4 ^4 ^4 ^4 ^4 ^3 ^3 ^3 ^3 .3 ^3 ^4 .4 .4 .4 .3 .3 .3 .3 ^3 .4 ^4 ^4 [^3 ^3] ^3 .3

A D

^2 ^2 ^2 ^2 [^3] ^2 ^3 .3 .3 .3

484. Jamaica Farewell

G C G D G D G C

.5 .5 .5 .5 .5 ^5 ^6 .6 .6 ^6 ^5 .5 .5 ^4 ^4 ^4 ^4 .4 ^4 .5 .5 .5 .5 .5 .5 .5 .5 ^5 ^6 .6 .6 .6 ^6 ^5

G D G G C D G

.5 .5 ^4 ^4 ^4 ^4 .4 ^3 .3 .3 .4 .5 .3 .3 .4 .4 ^3 ^3 ^4 ^4 ^2 .3 ^3 ^3 .3 .3 .3 .4 .4 .5 .3 .3 .4 .4 .4 .4 .4

C G D G

^3 ^3 ^3 ^4 ^4 ^4 ^4 ^4 .4 .4 .4 .4 ^3 ^3 ^3 .3 .3 .3

Page 126: 'Oct03' Tunebook Concert Pitch Bass Clef 2007

126485. Coconut woman

= 60

44

.4 .5 .6 ^6 ^6 ^5 ^5 ^6 ^5 .5 .4 ^5 ^5 .5 .5 ^3 .5 ^4 .4 .4 .5 .6 ^6 ^6 ^5 ^5 ^6 ^5 .5 .4 ^5 ^5

.5 .5 ^3 .5 ^4 .4 .5 .5 .5 .5 .5 [^6] .5 ^6 ^6 .6 .5 .5 .5 .5 .5 [^6] .5 ^6 ^6 .6 ^4 ^4 ^4 ^4 ^4 ^4 [^6] .5 ^6 ^6 .6

Coda1

.5 .5 .5 .5 .5 [^6] .5 ^6 ^6 .6 ^6 ^6 .6 ^5 ^5 ^5 .5 ^6 ^6 .6 .6 .6 .5 ^6 ^6 ^5 ^5 ^5 .5 ^6

^6 .6 .6 .6 ^5 ^6 .6 .6 .6

Page 127: 'Oct03' Tunebook Concert Pitch Bass Clef 2007

127SLOW DANCE TUNES

486. Blue Moon = 150

C Am Dm G7 C Am D G7 C Am Dm G7 C F C1

.5 .5 − ^4 .5 ^5 .5 .5 ^4 .5 − − ^3 .4 ^4 .4 .4 ^3 .4 .4 − .3 ^3 .4 .3 .3 .3 .3 − − .5

Dm G7 C Am Dm G7 C Bb2

.3 .3 .3 .3 ^7 ^7 ^7 ^7 .7 .7 .6 .6 .6 .6 .6 .6 ^7 ^7 ^7 .7 .7 .6 .6 .6 .6 .6 .6 .6 .6 .6 ^7 ^7 ^4 ^4 − ^4 ^4 ^4

G D G7 C Am D G7 C Am Dm G7 C Am Dm G7 C

^6 ^6 ^6 ^6 ^7 ^7 .8 .5 .5 − ^4 .5 ^5 .5 .5 ^4 .5 − − ^3 .4 ^4 .4 .4 ^3 .4 .4 − .3 ^3 .4 .3 .3 .3 .3 −

487. Sailor = 160

D D7 G D D A7 A7 D D7 G D A7 D

.5 .4 − .3 .3 ^4 ^5 − .5 .4 − .3 .4 ^3 − .5 .4 − .6 .6 ^4 ^5 − .5 .4 .4 .4 .2 ^3 .3

D7 G D A7 D

− .6 .6 .6 .6 .6 .6 .6 ^5 ^4 .3 ^4 ^5 .6 ^5 .5 − .4 ^4 .5 ^4 .4 .5 ^4 ^4 ^4 .5 ^5 .5 ^4 ^5 .5

D7 G D A7 D

− .6 .6 .6 .6 .6 .6 .6 ^5 ^4 .3 ^4 ^5 .6 ^5 .5 − .4 ^4 .5 ^4 .4 .5 ^4 .5 ^5 ^2 .3 −

488. You! You! You!

G C G D7 G C G D7 G

.5 .4 .3 [^3] .3 ^4 ^5 .5 .4 .3 .2 .3 .4 ^4 .4 ^3 ^2 .2 ^2 ^3 .4 .3 [^3] .3 ^3 ^3 ^3 .3 ^3 .4 .4

D7 G A7 D A7 (Finish with one A) D7

^3 ^3 ^3 .3 ^3 .4 [^6] ^4 ^4 .4 ^4 .5 .5 ^5 ^5 ^5 .5 ^5 ^6

Page 128: 'Oct03' Tunebook Concert Pitch Bass Clef 2007

128489. Too Young

.5 .6 ^7 .7 ^6 .5 .4 ^5 − .5 .6 ^7 .7 ^6 .5 .4 ^5 − ^5 ^7 .7 ^8 .6 ^6 ^5 ^6 .6 ^7 ^5 .5 ^5

^6 .6 ^7 ^5 .5 ^5 ^6 .5 .4 − .5 .6 ^7 .7 ^6 .5 .4 ^5 − .5 .6 ^7 .7 .6 ^7 .7 ^7 − ^5 ^8 .7 .7 ^7 ^7 .6

.5 − [^6] .5 ^5 ^4 ^6 .5 .6 −

490. Over The Rainbow = 130

C Em F C F C Am Dm C1 2

.3 .6 ^6 .5 ^5 ^6 .6 .3 ^5 .5 [^3] ^4 .4 .3 ^3 .4 ^4 ^3 ^2 .3 ^3 .4 .3 .3 .5 .4 .5 .4 .5 .4 .5 .4 .5

G7 C G7 C D7 G G7

^4 .5 ^4 .5 ^4 .5 ^4 .5 ^5 ^5 − .5 .4 .5 .4 .5 .4 .5 .4 .5 [^6] ^5 ^4 ^5 ^4 ^5 ^4 ^5 ^6 ^6 ^7 ^5

491. Silver Threads Among the Gold = 160

44

G D7 G D7 G G D7 G

.4 ^4 .4 .2 ^2 ^3 .3 .2 [3 ^3] ^2 ^4 [^3] ^4 .4 − .4 ^4 .4 .2 ^2 ^3 .3 .2 [3 ^3] ^2 ^4 .4 ^3

G D7 G A7 D7 G D7 G D7

.3 − ^2 .3 ^3 [3 ^3] ^2 .3 .4 ^3 ^3 .4 ^3 .4 [^6] .5 − .4 ^4 .4 .2 ^2 ^3 .3 .2 [3 ^3]

G G D7 G D7 G D7 G

^2 ^4 .4 ^3 .3 − .4 ^4 .4 .2 ^2 ^3 .3 .2 [3 ^3] ^2 ^4 [^3] ^4 .4 − .4 ^4 .4 .2 ^2 ^3 .3 .2

D7 G

[3 ^3] ^2 ^4 .4 ^3 .3 −

Page 129: 'Oct03' Tunebook Concert Pitch Bass Clef 2007

129492. Strangers in the Night

Bert Kampfert

22

.3 ^3 ^3 .3 ^3 ^3 .3 ^3 .4 ^3 .3 ^2 ^3 ^3 ^2 .3 .3 ^2 .3 ^3 .3 ^2 [^3] ^2 ^2 [^3] ^2 ^2 [^3] ^2 .3 ^2 [^3] ^4

^4 ^3 .4 .4 ^3 .4 .4 ^3 .4 ^4 .4 ^3 .3 ^3 ^3 .3 ^3 ^3 .3 ^3 .4 ^3 .3 ^2 .3 .3 ^2 .3 .3 ^2 .3 ^3 .3 ^2 .5 .5

.5 ^4 ^4 .4 .4 .4 ^4 ^4 .5 .5 ^4 ^4 .4 .5 ^4 ^4 .4 .4 .4 ^4 ^4 .5 .5 ^4 ^4 .4 ^4 .4 .4 ^3 ^3 ^4 .4 .4 ^3 ^3

rit. a tempo

^4 .4 .4 ^3 ^3 .3 ^2 .3 .4 ^3 ^3 .3 .3 ^2 [^3] ^2 .3 ^3 ^3 .3 ^3 ^3 .3 ^3 .4 ^3 .3 ^2 .3 .3 ^2 .3 − ^2 .3 ^3 .3 ^2

[^3] ^2 ^2 [^3] ^2 ^2 ^2 .3 ^3 .3 ^2 .3 .3

493. Marble Halls

44

.5 .5 .6 ^6 .5 ^6 ^5 .5 ^5 .5 .4 .4 .5 ^4 [1] ^3 ^4 .4 − .5 .5 .6 ^6 .5 ^6 ^5 .5 ^5 .5 .4 .4

.5 ^4 [1] ^3 ^4 .4 − ^4 .5 ^5 ^7 .6 ^1 ^7 .6 .5 ^7 .6 .5 .5 [^6] .5 ^5 ^6 ^6 ^6 − .5 .5 .6 ^6

.5 ^6 ^5 .5 ^5 .5 .4 .4 .5 ^4 [1] ^3 ^4 .4 ^4 .5 ^5 ^6 .6 .6 ^7 ^6 .6 ^7 ^5 ^6 .6 ^4 .5 ^5 ^6 .6

^7 ^6 .6 .7 ^7 ^5 ^6 .6 .5

Page 130: 'Oct03' Tunebook Concert Pitch Bass Clef 2007

130496. MODERN DANCE

BEATLES: Hey Jude, Let it Be, Michelle, Penny Lane, Ob La DiHey Jude

Beatles, abc file by Bernard Loffet = 70

44

3

^segno F C C7 F Bb F

.5 .4 − .4 .5 ^5 ^3 ^3 .4 ^4 .6 − .6 ^6 .5 ^5 .5 .4 .5 ^5 ^5 ^5 ^7 .6 ^6 .6 ^6 .5 .3 ^3 .4

C7 F F fine F F7 Bb Gm7 C71 2

^5 .5 .5 ^4 .4 ^2 ^2 .3 .5 ^2 .3 ^2 .3 .3 .6 .1 ^5 .5 .5 ^4 ^5 .6 ^5 − .6 ^4 .6 ^5 − .5 ^4 .5 ^5 .5 − ^4

F F7 Bb Gm7 C7 F

.4 ^3 .3 .3 .6 ^5 ^5 .5 .5 ^4 ^5 .6 ^5 − .6 ^4 .6 ^5 − .5 ^4 .5 ^5 .5 − ^4 .4 ^3 .3 .3 .5 ^5

F7 ^D.S. al fine C7

.1 ^5 .1 ^6 .6 ^7 ^7 .5

Let it Be

44

C G Am F C G F C

.5 .5 .5 .5 .5 − .4 .5 .5 .6 ^7 .7 .7 .7 − ^7 ^7 .6 .6 .7 .7 ^7 .7 .7 − ^7 .7 ^7 ^7 .6 − .5

G Am F C G F C Am G

.5 .5 ^5 .6 .5 − .5 .6 ^7 ^7 .7 .7 ^7 ^7 − .6 .6 − .7 .7 ^8 .7 .7 − ^7 .7 ^7 ^7 .6 − .7 ^7 .6 .6 .7 .8 ^9 − .8 .8 .8 .7

F C G F C

.7 ^7 .6 ^5 .5 .7 − .6 .7 .7 ^8 − .7 .7 − ^7 .7 ^7 ^7 ^7 .6 − .4 .5

Michelle

D Gm7 C Bb A Bb ^Segno A D Gm7 C Bb

.4 .4 ^4 .3 ^2 .4 ^2 [[^1]] [^3] .3 [^1] .3 ^2 [^3] .3 ^2 .4 .4 ^4 .3 ^2 .4 ^2 [[^1]] [^3] .3 [^1] .3

3 3 3A ^to coda Bb A Dm Cm F7 Bb A Dm Gm Dm C#+

^2 [^3] ^2 .3 ^2 .4 ^5 .5 .4 ^5 .5 .4 ^6 ^5 .4 ^4 .4 ^4 .3 .3 .4 .4 .4 ^5 .4 ^3 .3 ^2 − ^2 ^3 .4 .4 .4 .4

Dm7 Dm6 Gm7 ^segno A A Bb Dm Gm A D Gm D

.4 .4 .4 .4 .4 ^3 .3 ^2 ^2 [^3] ^2 .3 [^3] ^3 ^2 .3 [^3] ^3 ^2 .3 ^2 [^3] [[1] ^3] ^2 [^3] [^3]

Penny Lane

G Em Am7 D7 G Em Gm7 Gm6

.3 ^3 .4 ^3 .3 ^2 .3 ^2 [^3 .3] [^3 .3] − .2 .3 ^3 .4 ^3 .3 ^2 .3 [3 ^3] .3 .3 − .2 .3 ^3 ^3 .3 .3 .3 .3 ^3

Eb D7 C F Am7 Bb F Am7

[^1] .3 ^3 [^1] .3 ^3 ^3 [^3] .3 [1 ^1] ^4 [^1] ^3 [^1] ^4 [^1] ^3 .3 [[^1]] ^2 ^4 [^1] ^3 .4 ^4 [^1] ^3 .3

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131Bb D7 D7 G C1 2

[[^1]] .3 ^3 [^1] ^3 ^2 [3 .3] .3 ^3 ^3 ^2 .2 .4 ^4 .5 ^4 .4 ^4 .5 ^4 .4 ^3 .3 .3

Ob−La−Di

G D7 G G7 C

.4 .4 .4 .4 .4 .4 ^3 .3 ^2 ^3 ^3 ^3 ^4 ^4 ^4 ^4 ^4 ^4 .4 ^3 .3 .3 .5 .5 .5 .5 .5 .5 ^4 .4 ^4 .5 ^5

G D7 G

^5 ^5 .5 ^4 .4 .4 ^4 .4 ^3 ^4 .4 ^3 .3 .3 .3 .4 .5 .3 .4 .5 .3 .4 .5 .6 .5 ^4 .4 ^4 .4 ^3 .3

DC 2nd versefine C G C G1 2

− .3 .4 .3 .3 .3 .3 ^4 ^4 .5 ^5 .5 ^5 .6 ^4 ^5 .3 .4 .3 .3 .5 ^5 .5 ^5 .6 ^4 ^5 .3 .4 .4 .4

D7 ^DC al fine

^4 .4 ^3 ^3

497. Down By The Riverside

F C7 F

.4 .4 [3 ^3] .3 .3 .3 .4 .4 .4 .4 [^1] .4 ^3 .3 .3 ^3 ^3 [1] ^3 .3 ^2 ^2 .4 .4 [^1] .4 ^3 .3 .3 .4

C7 Bb1 2

.4 [3 ^3] .3 .3 .3 .4 .4 .4 .4 [^1] .4 ^3 .3 .3 .4 ^3 ^4 .4 ^3 .3 − .5 .3 .3 ^3 .4 ^4 ^4 ^4 ^4 ^4 − ^4

F C7 F Bb F G7

.4 .4 .4 .4 .3 − .4 ^3 ^3 .3 ^3 .4 − .3 ^3 .4 ^4 ^4 ^4 ^4 ^4 − .4 .4 .4 .4 .3 − ^3 ^3 .4 [^6] ^3 .4 ^4

.5 − .5

498. Baby Face

C G7 C

.5 .4 .5 − − .6 .6 ^6 ^6 ^5 ^5 .5 ^4 ^3 ^4 − − ^6 ^6 ^5 ^5 .5 .5 [^6] ^4 ^3 ^4 ^4 .5 .4 .5 −

D7 G7 C E7 Am

^5 ^6 .6 − ^6 .6 ^5 ^6 .6 (^1) ^7 − ^6 ^5 ^1 .5 .4 .5 − − .6 .6 ^6 ^6 ^5 ^5 .5 ^1 .5 ^5 ^6 .6

F C Am Dm G7 C

− ^6 .6 (^1) ^7 .6 ^6 − ^5 ^1 ^5 .6 ^6 ^5 − .5 ^1 ^5 (^4) ^6 .7 .6 −

Page 132: 'Oct03' Tunebook Concert Pitch Bass Clef 2007

132499. Bye Bye Blackbird

G D7 G D7

.4 .4 .4 .4 ^4 .4 .4 .4 ^3 ^3 ^3 .3 .3 .3 ^3 .3 ^2 − ^4 ^4 ^4 ^4 .5 ^4 ^4 ^4 .4 .4 .4 ^3 ^3

G Dm E7 Am C D7 G

^3 .4 ^3 .3 − .3 .5 .5 .5 .5 ^4 .4 ^3 ^3 [1] [^3] ^4 ^4 ^4 ^4 .4 ^3 .3 .3 ^2 .4 .4 .4 .4 ^4 .4 .4

Dm E7 Am D7 G

.4 ^3 ^3 ^3 [1] .3 ^3 ^4 − ^2 .3 −

500. Oh Johnny Oh Johnny Oh!

C G G7 C Dm

.5 ^4 .4 .5 ^4 .4 ^4 .4 ^4 ^3 − ^5 .5 ^4 ^5 .5 [^6] .5 [^6] .5 .4 − .5 ^5 ^6 .6 .6 .6 ^5 ^4

G7 C G F E7

− .5 ^5 (^4) ^6 ^6 ^6 ^5 ^5 ^5 ^6 ^5 .5 [^6] ^4 .5 ^4 .4 .5 ^4 .4 ^4 .4 ^4 ^3 − .5 ^5 ^5 − ^1 ^5 ^6

C D7 G7

− ^5 ^6 .6 ^6 .6 .5 − ^6 .6 ^7 (^1) ^7 ^5 − ^5 (^4) ^6 ^5 .5 ^6 ^5 .5 .6 −

501. When the Red Red Robin Comes Bob Bob Bobbing Along

G G G G7

.3 ^3 .4 .4 .4 ^3 .3 ^3 ^3 ^3 .3 ^2 .3 .2 .4 .3 ^3 .4 .4 .4 ^3 .3 ^3 ^3 ^3 .3 ^2 .3 .2 .5 ^5 ^4 ^5

G Em Am D7 G

^4 ^5 ^4 ^4 .4 ^3 .5 .4 .5 .4 .5 .4 .4 ^3 .3 .4 .3 .4 .3 .4 .3 .3 ^2 [^3] ^3 .4 ^4 .5 ^5 .4 ^3 .4 .4 .4 ^3 .3

D7 G D C Cm

^3 ^3 ^3 .3 ^2 .3 .2 .4 .5 .5 .5 ^4 .4 ^4 ^4 ^4 .4 ^3 .5 .3 ^1 ^5 ^5 ^1 ^5 .5 ^4 ^1 ^1 ^1 .1 ^1 ^4 .4

G Em G D7

.5 .4 .3 [^3] .3 ^3 .4 .4 .4 ^3 .3 ^3 ^3 ^3 .3 ^2 .3 −

Page 133: 'Oct03' Tunebook Concert Pitch Bass Clef 2007

133502. Oh You Beautiful Doll

.5 ^5 .6 ^7 .7 .8 − .7 ^7 ^7 ^7 .6 ^5 ^7 − ^6 − ^5 ^6 .6 ^7 ^6 ^1 .5 .6 − ^6 .6 ^7 .7 .6 ^5 ^1 .5 ^1

.6 ^7 .7 .8 − .7 ^7 ^7 ^7 .6 ^5 ^7 − .6 ^7 .7 ^7 .7 − (^1) .6 ^7 .7 ^7 .7 − .6 ^7 (^1) ^7 − .6 ^6 .6 ^7 (^1) ^7 −

.7 .7 .7 .7 .7 .7 .8 − .7 ^7 .6

503. Walkin’ My Baby Back Home

.5 .5 .5 ^5 .5 ^5 ^6 .6 ^6 ^5 − ^6 .6 ^6 ^5 − .5 ^5 .4 ^3 ^3 .4 − ^3 .4 ^4 .5 .4 ^3 ^3 ^4 .5 .4 ^3 − .3 ^3

1 2

.3 .3 .6 ^6 .5 ^5 ^6 − ^5 .5 .4 [^6] .5 − ^4 .4 .3 ^3 .4 − ^3 .3 ^2 .6 ^6 .5 ^5 ^6 − ^5 .5 .4 [^6] .5 −

^5 ^5 − ^6 .6 ^7 ^6 ^5 .5 −

Page 134: 'Oct03' Tunebook Concert Pitch Bass Clef 2007

134PARTY

506. Rock around the Clock

C G7

[3 .3 .3 .3 .3] [3 .3 .3] − ^2 ^2 ^2 ^2 ^2 ^2 ^2 ^2 − ^3 ^3 ^3 ^3 ^3 ^3 ^3 ^3 − ^2 .3 ^3 ^3

C G7 F7 C

^3 ^3 ^3 − ^3 .2 ^2 ^3 ^2 .2 ^2 ^3 ^3 ^2 .2 ^2 ^3 .4 ^4 .4 ^3 .3 ^3 .3 [[^1] .3] ^3 .3 [[^1]] ^3 .3 ^2 .2

G7 C 1 2

^3 .3 ^2 ^2 .3 .3 .3 .3 − ^3 .3 ^2 [^3] [3 .3 .3 .3 .3 .3 .3 .3 .3] ^3 ^2 [3 .3 .3]

507. Twist, the

tacit

.3 .4 .4 .4 − .3 .4 .3 ^3 .3 − .3 ^3 .3 ^4 ^4 .3 .4 ^3 .3 .4 .4 .4 .3 .4 .3 ^3 − .3 .3 .3 .2 .3

.3 .4 .3 .3 ^3 .3 ^3 .3 .3 .3 .3 .3 .3 .3 .3 .3 .3 .3 [^1] .3 − ^3 .4 .3 .3 .3 .3 .3 .2 .3 − ^3 .4 ^3

tacit

− .3 .3 .3 .2 .3 .3 .3 .3 .3 .3

508. Chicken dance (D) = 90

44

.5 .5 ^5 ^5 .4 .4 .5 .5 .5 ^5 ^5 .4 .4 .5 .5 ^5 .6 ^6 ^6 ^5 .5 ^4 ^4 ^4 .5 .5 ^3 ^3 ^4 ^4 ^4 .5 .5 ^3 ^3 ^4 ^4

1 2

.5 ^6 .6 .6 .5 .4 .3 .5 .5 .5 .4 .3 .5 [^6] ^4 .4 .5 .7 ^7 ^7 .6 − .5 [^6] ^4 .4 .5 ^7 .6 ^6 − .5 .5 [^6]

^4 .5 ^7 .6 .6 ^6 − ^7 ^7 .6 .6 ^6 − ^6 .6 ^7 .6 − .5 [^6] ^4

Page 135: 'Oct03' Tunebook Concert Pitch Bass Clef 2007

135509. Mexican Hat dance

86

C G7 C1

.5 .6 .5 .6 .5 .6 .6 .5 .6 ^7 .6 ^6 .6 ^7 ^7 .5 ^6 .5 ^6 .5 ^6 ^6 .5 ^6 .6 ^6 ^5 ^6 .6 .5

C C G72

.6 .8 [^10] .8 [^10] .8 .7 .1 .7 .6 ^6 .6 .5 .4 ^4 .5 ^5 ^6 .6 ^7 .7 ^8 ^7 ^8 .7 ^8 ^7 (^1) ^7 ^6 (^4)

C C1 2

^6 .5 .8 [^10] .8 ^9 .8 ^8 .7 ^7 .6 .8 [^10] .6

510. Hokey Pokey, the

44

C G7

.5 .5 .5 .6 .6 .7 .5 .5 .5 .6 .6 .7 .5 .5 .5 .6 .6 .7 .6 .6 ^6 ^5 ^6 .6 ^7 ^6 ^5 .5 ^5 .5 ^5 .6 ^7 .8 .8 ^8 .7 ^7

C G7 C G7 C C1 2

.6 .7 ^7 .6 ^5 .5 ^5 .6 .7 ^7 .6 ^5 .5 .7 ^7 .7 ^7 .6 ^5 .5 ^5 .6 .5 .5 .5 ^5 ^6 .6 .6 − .5 .5 .5 .6

Page 136: 'Oct03' Tunebook Concert Pitch Bass Clef 2007

136SPECIAL OCCASIONS

511. For He’s a Jolly Good Fellow = 100

86

For he’s a jol − ly good fel − low, For he’s a jol − ly good fel − low, For he’s a jol − ly good fel − low Which

no − bo− dy can de − ny. Which no − bo − dy can de − ny, Which no − bo − dy can de − ny, For

he’s a jol − ly good fel − low, For he’s a jol − ly good fel − low For he’s a jol − ly good fel − low, Which

no − bo− dy can de − ny.

512. Anniversary Waltz

43

C C# G7 Dm G7 Dm7 G7 G+ C6 Co

.3 ^3 .4 .5 ^5 ^6 ^5 .5 ^5 .6 ^5 .5 ^5 ^5 .4 .5 .5 ^3 .4 ^4 ^5 ^6 .6 ^6 .5 ^5 .6 ^5 .5 ^5 ^5 ^6 ^5

G7 G7m C7 F A+ D7 G+ C Em7 A7

^5 .5 ^7 ^7 .6 ^7 ^7 .6 (^4) ^5 .4 .5 ^4 ^5 ^5 .5 ^5 ^5 .5 .4 ^6 ^5 [^1] .3 ^3 .4 .5 ^5 ^6 ^5 ^5

D7 G7 C F C

.6 ^6 ^5 ^6 .6 ^6 .5 .6 .6

513. Auld Lang Syne

F Gm C7 F Bb F Gm C Bb C7 F Bb F Dm

.2 .3 .3 .3 .4 ^3 .3 ^3 .4 .3 .3 .4 .5 ^5 ^5 .5 .4 .4 .3 ^3 .3 ^3 .4 .3 [^3 ^3 .3] .3 ^5 .5 .4 .4 .3

Gm C7 F Bb F Dm Gm C7 Bb C C7 F

^3 .3 ^3 ^5 .5 .4 .4 .5 ^5 ^5 .5 .4 .4 .3 ^3 .3 ^3 .4 ^3 .3 [^3 ^3 .3] .3

Should auld acquaintance be forgot, And never brought to mind?Should auld acquaintance be forgot, And days of auld lang syne?And days of auld lang syne, my dear, And days of auld lang syne.Should auld acquaintance be forgot, And days of auld lang syne?

We twa hae run aboot the braes And pu’d the gowans fine.We’ve wandered mony a weary foot, Sin’ auld lang syne.Sin’ auld lang syne, my dear, Sin’ auld lang syne,We’ve wandered mony a weary foot, Sin’ auld ang syne.

We twa hae sported i’ the burn, From morning sun till dine,But seas between us braid hae roared Sin’ auld lang syne.Sin’ auld lang syne, my dear, Sin’ auld lang syne.But seas between us braid hae roared bSin’ auld lang syne.

And ther’s a hand, my trusty friend, And gie’s a hand o’ thine;We’ll tak’ a cup o’ kindness yet, For auld lang syne.For auld lang syne, my dear, For auld lang syne,We’ll tak’ a cup o’ kindness yet, For auld lang syne.

Page 137: 'Oct03' Tunebook Concert Pitch Bass Clef 2007

137514. Happy Birthday

86

Em D Am G G D C G G

[3 .3] [^3 .3] .3 ^2 [3 .3] [^3 .3] ^3 .3 [3 .3] .5 .4 .3 ^2 [^3] ^4 ^4 .4 .3 ^3 .3

515. Last Night I Had the Strangest Dream = 100

43

.5 .5 .4 ^3 .3 .5 .5 .4 ^3 .3 .6 .6 ^5 .5 ^4 .5 ^5 .5 − .5 .5 ^4 ^3 .5 .5 .4 ^3 .3 .4 ^3 .4 ^4

^4 .4 ^3 .3 − .3 .6 ^5 .5 ^4 .6 .6 .5 ^4 .4 .5 .5 .5 .5 ^5 ^5 .5 − .6 .6 .6 ^5 .5 ^4 .6 .6 .5 ^4 .4 .5

.5 .5 − ^4 .4 ^3 .3 −

516. Our God our help in Ages PastIsaac Watts 1674−1748 Tune William Croft 1678−1727

= 1 = 140

3 verses

.5 .4 ^5 .5 .6 .6 ^6 .6 .5 .6 .5 ^5 [^6] .5 ^6 .6 ^5 ^7 ^6 .6 ^5 ^6 .5 ^5 .6 ^7 ^6 .6

.3 .3 .3 ^3 .4 .4 ^3 ^3 .4 .4 .4 .4 .4 ^3 ^3 ^3 .4 .3 ^4 ^3 .4 ^3 ^2 .3 ^4 .4 ^3 ^3 .4

517. Lest We ForgetFor Those In Peril on the Sea

Wm Whiting. Tune John Bacchus Dykes 1823−76

= 140

(Recessional) 3 verses

.3 .4 .4 .5 .5 ^5 ^5 .5 .5 .6 ^7 ^6 .5 .5 [^6] .5 ^3 ^4 ^4 .4 .4 .5 .5 [^6] ^6 .5 [^6] .4 ^5 .5 [^6] .4 .4

.4 .4 ^4 ^4 [^6] ^4 .5 .5 .5 ^5 .5 .4 ^3 .3 .3

Page 138: 'Oct03' Tunebook Concert Pitch Bass Clef 2007

138518. Onward Christian Soldiers

44

.3 .3 .3 .3 .3 ^2 [^3] ^2 ^3 ^3 ^3 .3 ^3 .4 .3 .4 .5 .6 .6 ^6 ^5 ^5 .4 [^6] .5 ^3 ^3 .5 ^3 .4 ^4 .4

.5 .5 .6 .5 ^5 ^5 .5 ^4 .5 ^5 .5 ^4 .5 ^5 .5 ^4 .4 ^3 .3 .3 .3 .3 .3 ^2 [^3] ^2 ^3 ^3 ^3 .3 ^3 .4 .3 .4 .5 .6

.6 .5 ^4 .4 ^3 .3 .3

519. And the Band Played Waltzing Matilda

43

D G A7 G

.3 .4 .4 .3 .6 .6 ^5 .5 .5 ^4 .4 .3 ^3 .4 .5 .5 .5 ^4 ^3 ^3 .3 − .3 .4 .5 .5 .4 .6 .6 ^5 .5 .5 ^4

A7 G D A G D

.4 .3 .4 .5 .5 .5 ^4 ^3 ^3 .3 − .6 .6 ^6 ^6 .6 ^7 ^6 .6 .6 ^5 .5 .6 ^6 ^6 .6 ^7 .6 ^6 .6 .6 ^5 .5 .5 ^4

G D A7 D G D

.4 ^3 .3 .6 .6 ^5 .5 .5 ^4 .4 .3 ^3 .4 .5 .5 .5 ^4 ^3 .3 − .3 ^3 .4 .3 ^4 ^4 .4 ^3 .3 − .3 .4 .5 .5 .5

.5 ^4 .4 ^3 − .3 .4 .5 .5 .4 .6 .6 ^5 .5 .5 ^5 .4 .3 .4 .5 .5 .5 ^4 ^3 .3

Page 139: 'Oct03' Tunebook Concert Pitch Bass Clef 2007

139520. I Still Call Australia Home

Peter Allen = 120

43

F A7 Dm F Fsus4F Bb Dm7 G7 Gm7 F A7 Dm

.4 .4 .4 ^3 .4 ^3 ^3 .3 .3 .3 .3 ^4 ^4 ^4 .4 ^4 .4 .4 ^3 .3 ^3 .3 ^3 .4 .4 .4 ^3 .4 ^3 .3 .3

G7 F Gm7 F Am Am7 Am6 Dm7 G7 C E

^5 .3 .5 .5 .4 ^4 ^3 .3 − .6 .6 ^6 ^5 ^6 .6 .6 .6 .6 ^6 .6 ^6 .6 .6 .6 ^5 .5 ^4 .4 .4

Am Am7 Am6 Dm7 Gm7 C7 F A7 Dm F Fsus4F

.6 .6 ^6 ^5 ^6 .6 .4 ^6 .6 ^5 ^5 ^6 .6 .6 .6 ^4 .4 ^3 .2 .4 .4 .4 ^3 .4 ^3 ^3 .3 .3 .3 .3

Bb Dm7 G7 Gm7 F A7 Dm G7 F Gm7 F F

^4 ^4 ^4 .4 ^4 .4 .4 ^3 .3 ^3 .3 ^3 .4 .4 .4 ^3 .4 ^3 .3 .3 ^5 .3 .5 .5 .4 ^4 ^3 .3 − .4 .4 .4

A7 Dm F Fsus4F Bb Dm7 G7 Gm7 F A7 Dm G7 F

^3 .4 ^3 ^3 .3 .3 .3 .3 ^4 ^4 ^4 .4 ^4 .4 .4 ^3 .3 ^3 .3 ^3 .4 − .4 ^3 .4 ^3 .3 .3 ^5 ^3 .5 .5 .4

F F

^4 ^3 ^3 .5 .5 .4 ^4 ^3 ^3 .5 .5 .4 ^4 .5 .6 −

521. Advance Australia FairAmicus

= 160

44

G Am A7 D A7 D G C G A7 D G D A7 D C

.2 .3 [3 .2 .3] .3 .3 .3 .4 ^3 .3 ^2 .3 ^3 .2 .3 [3 .2] − [3 .3 .3] .4 ^3 .3 ^2 [^3] [3 .3] [^3] ^2 .3 [^3]

G D C D C G Em G D7 G D G D7 A7 D7 G C G D7

[3 .2 .2 .3] [^3] .3 ^4 .4 ^3 .2 [^3] ^2 .3 [^3] .2 .3 .3 ^3 .4 .3 ^3 ^2 .3 .4 ^4 .4 ^3 .3 ^2 [^3 .3] .3 .4 .3 ^3 ^2

G

.3

522. Advance Australia Fair (upper octave)

44

.5 .6 .5 .4 .5 .6 .6 .6 .7 ^7 .6 ^6 .6 ^7 .5 .6 .5 .4 .3 .5 .5 .5 .7 ^7 .6 ^6 ^5 .5 .5 ^5 ^6 .6 ^5 .5 .4 .4 .5

^5 .6 ^8 .7 ^7 .5 ^5 ^6 .6 ^5 .5 .6 .6 ^7 .7 .6 ^7 ^6 .6 .7 ^8 .7 ^7 .6 ^6 ^5 .5 .6 .7 .6 ^7 ^6 .6

Page 140: 'Oct03' Tunebook Concert Pitch Bass Clef 2007

140523. God Defend New Zealand

New Zealand National AnthemThomas Bracken, Tune John Woods

= 140

.6 ^6 .6 .5 .7 .7 ^7 .6 ^5 ^8 .5 .7 ^7 .6 ^6 ^5 .5 .6 .5 ^5 ^6 .6 ^7 .7 .7 .6 ^5 ^7

.6 ^6 .6 .8 .8 .6 .7 .8 .8 ^9 .8 ^7 .7 ^8 .7 ^7 .6 ^6 .6 ^6 ^5 .5 .6 .5 ^5 ^6 .6 ^7 .8 .8 ^8 .7 ^8 .7 ^7 .6

524. God Save the King

43

G D7 G C G D7 G D G D7 G G D7 G Am D7 G G D7 G

.3 .3 ^3 ^2 .3 ^3 .4 .4 ^4 .4 ^3 .3 ^3 .3 ^2 .3 .5 .5 .5 .5 ^4 .4 ^4 ^4 ^4 ^4 .4 ^3 .4 ^4 .4 ^3 .3 .4 ^4 .5

3

C G D7 G

^5 .5 ^4 .4 ^3 .3

Page 141: 'Oct03' Tunebook Concert Pitch Bass Clef 2007

141O’CAROLAN

525. Carolan’s draughtTurlough O’Carolan (Ireland)

.2 .3 ^3 .4 ^4 .5 ^5 ^6 .5 .6 ^6 ^5 .5 .5 ^5 [^3] .5 .2 ^4 .4 ^4 ^3 .4 ^4 ^3 .3 ^3 .4 ^4 .5 ^5 ^6 .5

.6 ^6 ^5 .5 [^6] .7 ^7 .6 .6 ^6 ^5 .5 ^3 [^6] .5 ^6 .6 ^7 ^6 .6 ^7 .7 ^7 .6 ^6 ^5 .6 ^6 ^5 ^5 ^1 ^4 .4

^5 ^1 ^5 ^6 .6 ^6 .6 ^7 .7 ^7 .6 ^6 ^5 ^6 .6 ^7 .7 .4 .7 .4 ^7 .4 ^7 .4 .6 .4 .6 .4 ^6 .4 ^6 .4

^5 ^1 ^5 ^6 .6 ^6 ^5 .5 ^5 ^6 .6 ^6 ^5 .5 ^4 .4 ^3 .3 ^5 .5 .5 .2 ^4 .4 ^3 .3 ^2 .3 ^3 ^2 .2

[^3] ^2 .3 [^3] ^2 .3 ^3 ^2 .3 ^3 .4 .3 ^3 .4 ^4 ^3 .5 .6 .7 ^7 .6 ^6 .6

526. Planxty HewlettTurlough O’Carolan (Ireland)

= 140

43

D D D F#m D D D Bm D G D D D D

.5 .4 .3 .3 ^3 .4 ^4 .5 ^5 ^6 .5 .6 .7 .7 ^8 .7 ^7 .6 .6 ^5 .5 .4 .4 ^4 ^4 ^5 .5 ^4 .5 .4 .3 .3 .3 .3

D D D D Bm G G A G G A G G D D

.5 .4 .5 ^5 .5 .4 .5 ^5 .5 .6 .6 .6 ^6 ^5 .5 ^4 .4 ^4 ^3 ^4 .5 ^4 ^3 ^4 .5 ^4 .4 ^4 ^5 .5 ^4 .5 .4 .3 .3 ^3

D G D F#m D D D Bm D G D D

.4 ^3 .4 ^4 .5 ^5 ^6 .5 .7 ^7 .7 ^8 .8 ^8 .7 ^7 .6 .6 ^5 .5 .4 .4 ^4 ^4 .5 ^5 ^4 .5 .4 .3 .3 .3

527. Planxty George BrabazonO’Carolan

.6 ^5 .5 .3 ^4 .4 ^3 .3 .5 .3 ^4 .4 ^3 .3 ^5 ^3 ^3 .4 ^4 .5 ^5 ^3 ^3 .4 ^4 .5 ^5 .5 ^4 .4 .6 ^6 ^5

^5 .5 ^4 .4 ^4 .4 ^3 .3 .4 ^3 .3 [^3 .3 ^3] .3 ^3 .4 .3 .3 .6 ^7 .7 .6 .7 ^7 ^6 ^7 .6 ^5 .6 ^5 .5 ^4 .4

^5 ^3 ^3 .4 ^4 .5 ^5 ^3 ^3 .6 ^7 .7 .6 .7 ^7 ^6 ^7 .6 ^5 .6 ^5 .5 ^4 .4 ^4 .4 ^3 .3 [3 ^3] .3 ^3 .4 .3 .3

Page 142: 'Oct03' Tunebook Concert Pitch Bass Clef 2007

142528. Carolan’s Concerto

BB&S = 60

42

3Bm D Bm D

.5 ^5 ^6 .6 .6 .6 .6 ^6 ^5 .5 ^5 ^4 .5 .4 .5 ^3 .5 .3 .5 ^5 ^6 .6 ^7 .6 ^6 ^5 .5 .6 .8 .7 ^8 .8 .7

G D

^7 .7 ^8 ^7 .7 ^8 .8 .7 ^8 .8 ^9 ^8 .7 .6 .7 .8 ^8 .7 ^7 .6 .6 ^6 ^5 .5 ^5 .6 ^5 .6 ^8 ^5 ^8 ^5 .5 .6 .5 .6 .7 .5 .7 .5

Em F#m D

^4 ^5 ^4 ^5 ^7 .7 ^7 .6 ^6 ^5 ^6 .5 ^4 .4 ^4 .5 .4 ^3 .4 ^4 ^3 .4 ^4 .5 .4 ^4 .5 ^5 ^4 .5 .6 .7 ^7 .6 ^6

3A D G D1 2

.6 .5 ^5 ^6 .6 .5 ^5 ^6 .6 ^9 .8 ^8 .7 ^7 .6 .8 ^6 .8 ^5 ^8 ^5 .5 ^5 ^6 .6 ^7 ^6 ^5 .5 .6 .6 .7

A Bm A G

^7 .6 ^6 ^5 ^6 .8 .8 .8 ^5 ^8 ^8 ^8 .5 .7 .7 .7 ^7 .6 ^6 ^5 ^6 .8 .8 .8 ^5 ^8 ^8 ^8 ^9 ^8 ^9 ^8

D F#m D Em D

.8 .7 .8 .7 ^7 .6 ^6 ^5 ^6 .5 ^5 ^4 .5 .4 ^4 ^3 .3 .5 .4 .5 .3 .5 .4 .5 ^4 ^3 ^5 ^3 ^4 ^3 ^5 ^3 .4 .5 .6 ^6 ^5 .5 ^4 .4

3Em D finish on one A part1 2

^3 .4 ^4 .5 ^5 ^6 .6 ^7 .5 .6 .7 ^7 .6 ^6 .6 .5 ^5 ^6 .6 .5 ^5 ^6

Page 143: 'Oct03' Tunebook Concert Pitch Bass Clef 2007

143529. Blind Mary

= 45

44

^3 .5 − [^6 ^6] .4 ^3 ^2 .3 ^3 .4 ^3 ^2 [^3] ^2 .3 ^3 ^6 ^6 ^5 .5 .4 ^3 [3 ^3] ^2 .3 [^3] ^2 .2 ^3 .5 − [^6 ^6]

44

.4 ^3 ^2 .3 ^3 .4 ^3 ^2 [^3] ^2 .3 ^3 ^6 ^6 ^5 .5 .4 ^3 [3 ^3] ^2 .3 [^3 .3] .2 .5 ^5 ^6 .6 ^6 .5

^5 [^6] ^3 .4 [^6] .5 [^3 ^3] ^2 .3 ^2 .4 .3 ^2 .3 ^3 .5 ^6 ^5 .5 [3 ^3] ^2 .3 [^3 .3] .2 .5 ^5 ^6 .6 ^6 .5

^5 [^6] ^3 .4 [^6] .5 [^3 ^3] ^2 .3 ^2 .4 .3 ^2 .3 ^3 .5 ^6 ^5 .5 [3 ^3] ^2 .3 [^3 .3] .2 ^3 .5 − [^6 ^6]

.4 ^3 ^2 .3 ^3 .4 ^3 ^2 [^3] ^2 .3 ^3 ^6 ^6 ^5 .5 .4 ^3 [3 ^3] ^2 .3 [^3] ^2 .2 ^3 .5 − [^6 ^6]

.4 ^3 ^2 .3 ^3 .4 ^3 ^2 [^3] ^2 .3 ^3 ^6 ^6 ^5 .5 .4 ^3 [3 ^3] ^2 .3 [^3 .3] .2 .5 ^5 ^6 .6 ^6 .5

^5 [^6] ^3 .4 [^6] .5 [^3 ^3] ^2 .3 ^2 .4 .3 ^2 .3 ^3 .5 ^6 ^5 .5 [3 ^3] ^2 .3 [^3 .3] .2 .5 ^5 ^6 .6 ^6 .5

Page 144: 'Oct03' Tunebook Concert Pitch Bass Clef 2007

144

^5 [^6] ^3 .4 [^6] .5 [^3 ^3] ^2 .3 ^2 .4 .3 ^2 .3 ^3 .5 ^6 ^5 .5 [3 ^3] ^2 .3 [^3 .3] .2

Page 145: 'Oct03' Tunebook Concert Pitch Bass Clef 2007

145AIRS

530. For Ireland I’d not tell her Name

43

.4 [3 .3] [^3] .3 ^3 .4 − .3 ^3 .4 [3 .3] [^3] .3 .4 .3 ^3 − .3 ^3 .4 [3 .3] [^3] ^4 ^3 .4 − .3 ^3

.4 ^3 .3 [^3] [3 ^3] .3 .3 − .4 ^4 .5 .4 ^3 .3 .4 .5 ^5 − .6 ^5 .5 .4 ^3 .3 ^3 .4 .3 ^3 − .3 ^3 .4 [3 .3]

[^3] ^4 ^3 .4 − .3 ^3 .4 ^3 .3 [^3] [3 ^3] .3 .3 −

531. Lament on the Death of Rev. Archie BeatonJ. Mason 1971

= 58

Slow and pathetic

.4 ^4 .5 .5 .5 ^4 .4 ^3 .3 .4 .2 .3 [^3] .3 [^3 .3 .2] − .4 ^4 .5 .5 .5 ^4 .4 ^3 .3 .4 .2 .3

[^3] ^4 ^3 ^2 .2 .3 [2] − − [2 .3 .3] .4 ^3 .3 [^3] .2 .3 [^3 .3 .2] − [2] − − [2 .3 .3]

.4 ^3 .3 [^3] .2 .3 [2] − [2] − [2] − − [2 .3] .3 .4 .5 .6 ^7 .7 ^7 .6 ^5 .5 .6 ^5 .5 .4

^3 .4 ^4 .5 .5 .5 ^4 .4 ^3 .3 .4 .2 .3 [^3] ^4 ^3 ^2 .2 − − −

532. The Minstrel BoyThomas Moore (1779−1852) Air "the Moreen", an Ancient Irish Air, recorded by the Clancy Bros on songs of Rebellion.

= 240

44

G Am G Em G D G G G Em Bm G1 2

.2 .3 ^3 ^4 .4 ^3 .3 .4 .5 .6 ^6 .6 ^5 .5 .4 ^4 .5 .4 ^3 .3 .2 .3 .5 .6 ^6 ^5 ^6 .6 ^6 ^5 .5 .5

Em G Em G G Am G Em G D

^5 .4 .4 .5 ^5 ^6 .6 .6 .3 ^3 ^4 .4 ^3 .3 .4 .5 .6 ^6 .6 ^5 .5 .4 ^4 .5 .4 ^3 .3

Page 146: 'Oct03' Tunebook Concert Pitch Bass Clef 2007

146533. Welsh Rabbit

= 100

42

G Am G D G

.6 .5 .5 ^4 .4 ^4 .5 .5 ^4 .4 .5 ^4 .4 ^3 ^4 .4 ^3 .3 .4 ^3 .5 ^5 ^6 .6 .5 .5 ^4 .4 ^4 .5 .6

Am G D G Am D G D G D G

^4 .4 ^3 ^4 .4 ^3 .3 .4 ^3 ^3 ^3 ^3 ^3 .5 ^4 .4 ^3 .3 ^2 [^3 .3] .3 ^3 .4 ^3 .6 ^7 .7 ^7 .6 .5

C G Am G

^5 .5 ^4 ^5 .5 ^4 .4 .5 ^4 .4 ^3 ^4 .4 ^3 .3 ^2 .3 .3 .3 .3

534. Reedy River(C) Chris Kempster

= 125

44

v1,2,4,5,7

.2 .3 .3 .3 .4 .3 [3 .3] [^3 .3 ^3] ^2 .3 .3 ^4 ^4 ^4 ^4 .4 .3 .3 ^3 .3 ^3 .4 .4 .2 .3 .3 .3 .4 .3 [3 .3]

v3,6,8

[^3 .3 ^3] ^2 .3 .3 ^4 ^4 ^4 ^4 .4 ^4 .5 .4 ^3 ^4 .2 ^2 .3 .3 ^4 ^4 ^4 ^4 .4 .3 .3 ^4 ^4 ^5 ^4 .4 .4 ^3

.3 .3 .5 ^4 .4 .4 .4 ^3 ^4 .4 ^3 .4 ^3 .3 .3 .3 .3 ^3 ^3 ^3 .4 .4 ^4 ^3 .4 ^3 .3 .3 .5 ^4 .4 − .4 ^3 ^4 .4 ^3

.3

535. Kelvin Grove (Air) = 100

42

G D/a G/b G C A7/c+ D7 D7 G D/a G/b G C Cm G G g#

.3 ^3 .4 .5 ^3 .4 .3 ^2 [^3 .3] [^3] ^3 .4 ^3 − .3 ^3 .4 .5 ^3 .4 .3 ^2 [^3 .3] [^3] .3 ^3 .3 − ^3 .4

Am Am7/g D7/f+ D7 G b A7/c+ D7 D7 G D/f+ Em Em d C Cm G G

^4 .4 ^4 .5 ^5 − .4 ^4 .5 .4 ^3 .3 ^3 − .3 ^3 .4 .5 ^3 .4 .3 ^2 [^3 .3] [^3] .3 ^3 .3 −

536. The Stars up above

44

.2 .4 .5 .5 .4 ^4 .4 ^3 − .2 .4 .5 ^5 .5 .5 ^5 .5 ^3 − .3 ^5 .5 ^4 .5 .5 ^4 .4 ^3 .3 ^3 .4 ^4 .4

^3 ^3 .3 ^2 .3 −

Page 147: 'Oct03' Tunebook Concert Pitch Bass Clef 2007

147537. Ballade Irlandaise

Traditionnel abc file by Bernard Loffet = 300

44

.3 .3 .3 .3 ^4 ^5 .3 .3 .3 .3 ^5 ^5 ^5 ^5 .7 ^3 .7 .5 .5 .5 .5 .4 .4 .4

.4 .7 ^5 ^5 ^5 ^5 ^4 ^5 .3 .3 ^4 ^4 .3 .3 .3 .3

538. Marino Waltz = 70

A

44

.6 .5 .4 ^2 .4 [^3] − ^4 .2 − − [3 ^3] ^2 .2 ^3 .3 .2 .4 ^3 − .6 .5 .4 ^2 ^6 ^5 .5 ^4

[^3] ^5 .5 ^4 ^3 ^2 .4 .3 .5 [^6] .5 ^5 ^6 .6 .5 .4 ^2 .4 [^3] − ^4 .2 − − [3 ^3] ^2 .2 ^3 .3 .2 .4

^3 − .6 .5 .4 ^2 ^6 ^5 .5 ^4 [^3] ^5 .5 ^4 ^3 ^2 .4 .3 [3 .3] [^3] ^2 .3 ^3 − .4 .4 ^2 − [^3]

− ^4 [^3] .3 − ^3 .3 ^2 ^2 [^3 .3] − [3 ^3] ^2 .2 ^3 .3 .2 .5 ^5 .5 ^4 ^3 ^2 .2 .4 .3

B

[3 .3] [^3] ^2 .3 ^3 − .4 .4 − ^2 − [^3] − ^4 [^3] .3 − ^3 .3 ^2 ^2 [^3 .3] − [3 ^3] ^2 .2 ^3 .3 .2 .5

^5 .5 ^4 ^3 ^2 .2 .4 .3 ^5 ^1 ^5 ^6 [[^10]] ^7

Page 148: 'Oct03' Tunebook Concert Pitch Bass Clef 2007

148539. King of the Fairies

= 40

42

[2] [^3 .3 ^3] ^2 .3 ^2 .3 ^3 .4 .4 .3 ^3 .4 [^3 ^3] ^2 .3 [^3] ^2 .3 ^2 [^3 .3 .2] [^3 .3 ^3] ^2 .3 ^2 .3 ^3

.4 ^3 .3 .4 .5 ^4 .4 [^3] .3 ^2 [^3 .3] [^3 ^3] ^5 ^5 .4 .5 ^5 ^6 .6 ^7 .6 ^6 ^5 ^6 ^5 .4 .4 ^3 .4 ^4

.5 ^5 .5 ^4 .4 ^4 .5 .4 ^5 .4 .4 .5 ^5 ^6 .6 ^7 .6 ^6 ^5 ^6 ^5 .5 .4 .5 ^5 .6 ^6 ^5 .5 ^6 ^5 ^5 ^6 .6 ^5 ^6 .5

^5 .5 .4 ^4 .5 ^5 .5 .4 ^3 ^2 .3 ^3 .4 ^4 .5 .4 ^3 ^2 .3 ^2 [^3 ^3] [2 ^3 ^3] ^2 .3 ^3 .4 ^5 ^5 .5 ^5 ^6

^5 .4 .4 ^3 .3 ^2 [^3]

540. Si Beg Si MorCarolan

43

.6 ^7 .7 ^7 .6 .6 ^7 .6 ^5 .5 .4 .5 ^5 .5 ^5 ^6 .6 ^7 .6 ^7 .7 ^7 .6 .7 ^5 ^7 .5 .6 .4 ^3 .3 .7 ^5 ^7

.5 .6 ^6 .6 .6 .6 ^7 .7 ^7 .6 ^7 .6 ^7 .7 .8 ^9 .8 .7 ^7 .6 ^7 ^7 .8 .7 ^7 .6 ^5 ^5 .5 .4 ^3 .3 .7

^5 ^7 .5 .8 ^9 .8 ^8 .7 ^7 .6 ^7 .6 ^6 .6 .6

541. Rachel Rae (Scotland)

= 70

44

.3 .4 .5 .6 .5 ^6 .6 .7 .6 ^7 ^6 .5 .6 .5 .4 ^5 .5 ^4 .4 ^3 .4 ^4 .5 .4 .3 .3 .6 ^7 .7 ^8 .8 .7 .6 ^8 ^9 ^8 ^7 ^6 .5

.6 ^7 .7 ^8 .8 ^8 .7 ^7 ^8 .7 ^7 .7 .6 .6 .5 .6 ^7 .7 ^8 .8 .7 .6 ^8 ^9 ^8 ^7 ^6 .5 .6 .5 .4 ^5 .5 ^4 .4

^3 .4 ^4 .5 .4 .3 .3

Page 149: 'Oct03' Tunebook Concert Pitch Bass Clef 2007

149542. Fairy dance

Nathaniel Gow ? (England) = 80

44

.7 .7 .6 .7 .7 .6 .7 .7 .6 ^6 ^7 ^6 .5 .7 .7 .6 ^8 .7 ^7 .6 ^6 .5 ^5 ^6 .6 ^7 .7 ^8 .8 .8 .7 ^9 ^9 .8

1 2

^8 .7 ^8 ^7 .8 .8 ^8 .7 .7 .6 ^8 .7 ^7 .6 ^6 .5 ^5 ^6 .6 ^7 .7 ^8 ^6 .5 ^5 ^6 .6

543. The Resting ChairTrad

44

.7 ^8 ^7 .7 .6 .5 .4 .3 ^4 ^7 .4 .6 .5 [^6] ^5 ^7 .6 ^6 .5 .7 ^8 ^7 .7 .6 .5 .4 .3 ^4 ^7 .5 ^6 .6 .5

44

.7 ^8 ^7 .7 .6 .5 .4 .3 ^4 ^7 .4 .6 .5 [^6] ^5 ^7 .6 ^6 .5 .7 ^8 ^7 .7 .6 .5 .4 .3 ^4 ^7 .5 ^6 .6 .8

^8 .7 ^7 .6 .9 .8 ^9 .9 .8 .7 ^8 .8 .7 .6 ^5 ^7 .6 ^6 .5 ^8 .7 ^7 .6 .9 .8 ^9 .9 .8 .7 ^8 ^9 .8 ^6 .6 .8

^8 .7 ^7 .6 .9 .8 ^9 .9 .8 .7 ^8 .8 .7 .6 .5 [^6] ^5 ^7 .6 ^6 .5 .7 ^8 ^7 .7 .6 .5 .4 .3 ^4 ^3 .5 ^6 .6

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150544. MacPherson’s Lament

= 50

44

Verse

.2 .3 ^3 .4 ^3 .3 ^3 .3 ^3 .4 ^3 .2 .3 ^3 .4 ^3 .3 [^3 .3] .3 ^3 .4 ^3 .3Fare − well, ye dunge− ons dark and strong. Fare− well, fare− well to thee. Mc Pher− son’s life will not

Chorus

^3 .3 ^3 .4 ^3 .2 .3 .4 ^3 .3 [^3] .2 .4 ^4 .5 .4 ^4 .4 ^3 .3 .4 ^3 ^3 .4 ^4be long, on yon − der gal − lows tree. Sae rant − ing − ly, sae want− ing− ly, And sae daunt− ing − ly

.5 .4 ^4 .4 ^3 .3 [^3] ^5 .5 .4 ^4 .4 ^3 .3 .4 ^3 ^3 .2 .3 .4 ^3 .3 [^3 .3]gaed he. He played a tune and he danced a − round be − low tree.

545. Miss Kate RusbyJohn McCusker (Battlefield Band) Pub Kinmor Music arr.PBR

= 80

43

3 3G D Em D G D Am D G

.2 .4 .2 ^3 .3 ^2 [^3] ^2 .3 ^3 .5 .2 ^3 .4 ^4 .4 .2 ^3 .3 ^2 [^3] ^4 .4 ^3 ^3 .3 [^3] ^2 ^3 ^2 .3 ^4 .4

3 3Am G Am D G D Em D G

.5 .3 ^2 [^3] ^3 .4 ^4 .4 .2 ^4 .4 ^3 .3 ^3 − .2 .4 .2 ^3 .3 ^2 [^3] ^2 .3 ^3 .5 .2 ^3 .4 ^4 .4 .5 .2

3D Am D Bm G D G Em Am Em D1

^3 .3 ^2 [^3] ^4 .4 ^3 ^6 .6 ^7 .7 ^6 ^7 .6 .3 ^6 ^5 .5 ^4 .4 .5 .3 ^2 [^3] .3 ^3 .4 ^4 .4 .5 .3 [^3] ^3

Am D G2

^4 .4 ^2 ^3 .3

546. Roisin DubhRoisin Bheag DubhMy Little Dark Rose

Traditional Celtic = 60

43

D D D Em D D Em Bm D Em D D Em D D D Em D Em D D D D Em D D Em D D

D D G D D D D D Em D D Em D Bm D D D D D Em D D Em Bm D Em D D Em D D1

D D2

Page 151: 'Oct03' Tunebook Concert Pitch Bass Clef 2007

151547. Roisin Dubh with ornamentation

= 60

44

D Bm A D A D

3

A D Bm A D A

3

D A D Bm D A D

A Bm A D

Page 152: 'Oct03' Tunebook Concert Pitch Bass Clef 2007

152SONGS

600. Shoals of Herring = 76

42

.3 ^3 .5 .5 .5 ^5 .5 ^4 .4 .5 .3 .4 .5 .5 .6 ^7 .7 .6 ^7 ^6 .5 .6 ^7 .7 .6 ^7 .6 ^6 .5 ^4 .4 .3 .3 .4 .5 .5

.4 .3 ^4 .4 ^3 .3

601. Scarborough FairTrad. North England

= 150

43

[^3 ^3] .4 .4 − .4 ^2 .3 ^2 [^3] [^3] .4 .5 ^5 .5 .4 [^6] ^3 .4 − −

43

[^3 ^3] [3 ^3 .3] .3 ^2 [^3] [^3 ^3 ^3] [2] .5 ^5 .5 ^5 ^5 ^5 ^2 ^6 ^6

− ^5 ^5 ^5 .2 .4 .4 ^3 .3 ^2 − [^3] .4 ^3 .3 ^2 [^3 − ]

^5 .5 .5 .5 .4 .5 ^3 .2 [3 ^3] ^2 .3 [^3 ^3] .3 ^2 .3 ^3 .3 ^2 .3 ^2 .2 [^3]

602. I Never Will Marry = 100

43

One mor − ning I ram− bled, Down by the sea shore. The wind it did whis − tle And the

wa − ters did roar.

603. Shady Grove = 400

42

Cheeks as red as the bloo − ming rose, Eyes of the dee− pest brown You are the dar − ling of my heart,

Stay til the sun goes down.

Page 153: 'Oct03' Tunebook Concert Pitch Bass Clef 2007

153606. Ash Grove, the (2 parts)

Old Welsh tuneWords Thomas Olipham

43

G Am D G C G D7 G D7 G Em

.2 .3 .4 .5 .4 .3 .3 ^3 ^4 .4 ^3 .3 ^2 [3 .3] .3 .4 ^3 .3 ^2 [^3] − [^3 .3] .3 ^2 .3 .2 .3 .4 .5 .4 .3 .3

43

[3 .3 .3] ^3 .3 [3 .2 ^3] − [^3 .3 .3 .3 .3 .3 .3] − [3 .2 .2] − ^2 [2] − [2 .3] ^3 .3 [^3 ^3

Am A7 D G C G D7 G Dm E Am

^3 ^4 .4 ^3 .3 ^2 [3 .3] .3 .4 ^3 .3 ^2 [^3] − [^3 .3] .3 ^2 .3 .4 ^4 .5 .4 ^4 .5 ^5 .5 ^4 .4 − ^3 .4 ^4 .5

^3] ^3 [^3 .3 .3 .3] [3 .2 .3] − − − [2 .3] − [2] .3 .4 .3 .3 [1] ^3 [1] ^3 [^3] ^3

D7 G D A7 D D7 G Am A7 D G

^4 .4 ^3 .4 ^3 ^3 ^3 ^4 .4 ^3 .3 ^3 .5 [^6] .5 .5 .3 .4 .5 .4 .3 .3 ^3 ^4 .4 ^3 .3 ^2 [3 .3] .3 .4 ^3 .3 ^2

^3 .3 ^2 .3 .3 .3 .3 [2] ^2 ^3 .3 ^2 .2 − ^2 ^2 ^3 .3 [3 .2 ^3] − [^3 ^3] − [^3 .3 .3 .3]

C G D7 G

[^3] − [^3 .3] .3 ^2 .3

− − − [2 .2] − [2]

607. Berkshire Tragedy, the (Trad)

86

.5 .5 .5 ^4 ^3 .4 ^4 .5 ^3 .3 .3 .3 ^3 .2 ^3 .2 .5 .5 .5 ^4 ^3 .4 ^4A far − mer he lived in the West Count− ry with a hey down, low down A far − mer he lived in the

.5 ^3 .3 .3 ^4 [^1] ^3 .3 ^2 ^2 [^3 .3 .3] .3 .3 .4 .4 ^5 .5 .4 .4 .4 .4 ^3 .3 ^3 .3West Count− ry and he had daugh− ters one two and three, and I’ll be true to my love if my love will be true to me.

Page 154: 'Oct03' Tunebook Concert Pitch Bass Clef 2007

154608. Jacob’s Ladder

= 400

C G7 C F C G7 C

609. Fathom The Bowl = 100

43

From France we get bran− dy, from Ja − mai − ca comes rum. Sweet oran− ges and lem − ons from

Port− u − gal come. Bu − t stout and strong ci − der are Eng− land’s con − trol. Bring me the punch

la − dle, I’ll fath− om the bowl. I’ll fath − om the bowl. I’ll fath − om the bowl. Give me the punch lad − le I’ll

fath− om the bowl.

610. Kumbaya

42

C F C C Dm G7 C F C Dm

C G7 C

611. Pokare Kare Ana

43

F Bb C7 F

.2 .4 .4 ^3 ^3 .3 .4 − .2 .3 .3 ^2 ^2 [^3] ^3 − [^3 ^3] ^3 ^3 .3 .3 ^2 ^3 − [3 ^3 ^3 .3 .3] .3

Bb F C7 F

.3 ^3 .4 ^4 [^3] .3 ^4 .4 .3 .3 ^3 .4 ^3 ^3 ^2 ^2 [^3 .3] .3

Page 155: 'Oct03' Tunebook Concert Pitch Bass Clef 2007

155612. Long Long Trail

Kevin Briggs, via EF

86

G G C G D7 D7 G A7

.2 .3 .4 .4 .4 − ^4 .4 .4 − ^4 .4 ^3 .3 .3 − ^3 .4 − ^3 .4 ^4 .5 − ^4 .5 − ^4 ^4 .4 ^2 .3 .4 ^3

D7 G G C G D7 D7 G

^3 .4 ^3 − .2 .3 .4 .4 .4 − ^4 .4 .4 − ^4 .4 ^3 .3 .3 − ^3 .4 − ^3 .4 ^4 .5 − ^4 .5 − ^4 ^4 .4 ^2 .3

G D7 G Em Am Em Em B7 Em Em Am

.4 .4 − .3 ^3 .3 − ^2 [^3] − ^2 [^3] ^2 .3 [^3] ^4 .4 [^3 ^3] ^2 .3 ^2 [^3] − [^3] − ^2 [^3] ^2 .3 [^3] ^4

Em Em B7 Em Am Em Em B7 Em C

.4 [^3 ^3] ^2 .3 [^1] .4 − [^3] − ^2 [^3] ^2 .3 [^3] ^4 .4 [^3 ^3] ^2 .3 ^2 [^3] − [^3 .3 ^3] ^2 .3

C C B7

[^3 .3 ^3] ^2 .3 [^3] ^2 .3 .3 ^3 [^1] .4 −

613. Long Black VeilMarijon Wilkins and Danny Dill

= 128

44

[^3] − .3 .3 .3 .3 [3] .3 ^3 .4 .4 ^3 .3 − ^3 ^3 .4 ^3 [3] [3] .3 .3 ^3 .3 .3Oh Ten years a − go on a cold dark night, Some− one was killed ’neath the Town Hall light. The

.3 .3 .3 .3 [3] .3 ^3 .4 .4 ^3 .3 − ^2 .3 ^3 ^3 .4 ^3 [3] [3] .3 .3 ^3 .3 [3] [^3]peo − ple who saw they all a − greed That the slay − er who ran looked a lot like me. She

cho:

.3 .3 [^3] [3] − [3] [^3] .3 .3 .4 − ^3 .4 ^3 .3 [^3] .3 − .3 [^3] [3] − [3] [^3] .3 ^3 .3walks these hills in a long black veil, Vi − sits my grave when the night winds

.4 − ^3 .4 ^3 .3 .4 .5 .5 ^5 .5 .4 .3 .3 .3 .4 ^3 .3 − [^3] .3 − .3 .3 ^3 .4 .4 ^3 .3wail, No − bo − dy knows, No − bo − dy sees, No bo− dy knows but me.

.3

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156614. Sweet Jenny Jones

Adderbury

43

.5 .6 .5 .4 .3 ^3 .4 ^4 ^5 ^7 ^6 .5 ^6 .6 .5 .4 ^4 .5 ^5 .5 .6 ^6 .6 .6 ^7 .7 .6 .7 ^7 ^6 .5 .6 ^5 .6

^6 .5 .6 ^7 .7 .6 .7 ^7 ^6 .5 .6 ^6 ^5 .5 ^5 .5 .6 .5 .4 .3 ^3 .4 ^4 ^5 ^7 ^6 .5 ^6 .6 .5 .4 ^4 .5 ^5 .5 .6 ^6

.6

615. The Foggy Dew = 100

44

’Twas down the glen one Eas− ter morn, To a ci − ty fair rode I. When Ire − land’s line of

march− ing men In squad− rons passedme by. No pipe did hum, and no bat− tle drum Did

soundit’s dread tat − too, But the An − ge− lus bell o’er the Lif − fey’s swell Rang out in the fog − gy

dew.

Page 157: 'Oct03' Tunebook Concert Pitch Bass Clef 2007

157616. Foggy Foggy Dew, the (2 parts)

Trad = 170

44

G C A D7 G

.2 .3 .3 .3 .4 .4 .4 .4 [^3 ^3 ^3] ^3 ^3 .2 ^2 ^2 ^3 ^4 .4 .3 [3 .3] .3 .3 .3 .3 .4 .4 .4

44

[3 .3 .3] − − − − − [3 .3] [3 .3 .3 .3 .3 .3]

C A D7 G D7 G D7 G

.4 [^3 ^3 ^3] ^3 .3 .3 ^2 ^2 [^3] ^2 .3 [3 .3] ^2 ^3 ^4 .4 .3 [3 .3 .3 .3 .3] ^4 ^4 .4 [3 .3]

− − [^3] − − − [2]

C A D7 G

.3 .3 .3 .3 .4 .4 .4 [^3 ^3 ^3] ^3 .3 .3 ^2 ^2 ^2 [3 ^3 ^3] ^2 .2 .3

− − [^3 .3]

617. Drunken SailorTrad sea shanty

= 240

44

Em D Em G D Em

.4 .4 .4 .4 .4 .4 .4 [^3] .3 .4 ^3 ^3 ^3 ^3 ^3 ^3 ^3 .2 ^2 ^3 .4 .4 .4 .4 .4 .4 .4 − .5 ^5 .5 .4 ^3 ^2 ^5 [^3]

Cho D Em G D Em

.4 .4 .4 .4 [^3] .3 .4 ^3 ^3 ^3 ^3 .2 ^2 ^3 .4 .4 .4 .4 − .5 ^5 .5 .4 ^3 ^2 [^3 ^3]

Page 158: 'Oct03' Tunebook Concert Pitch Bass Clef 2007

158618. Early One Morning (2 parts)

42

G# C# G# C# F#m D#7 G# C# D#7 G#

.3 .3 .3 .3 .4 .5 .5 ^5 ^4 ^3 .3 ^2 ^3 [3 .3] .3 .3 .3 .3 .4 .5 .5 ^5 ^4 ^3 ^2 .3Ear − ly one mor − ning, just as the sun was ri − sing, I heard a maid − en sing in the val − ley be − low.

42

D#7 D#7 G# D#7 G#

Oh, don’t de − ceive me. Pray, ne− ver leave me How could you use a poor maid− en so!^3 .4 ^4 .5 .4 .3 ^3 .4 ^4 .5 .4 .3 .3 .4 .5 .6 ^6 ^5 .5 ^4 .4 ^3 .3 ^2 .3

620. Mary Hamilton = 130

43

.3 .4 ^3 .3 .4 .5 ^5 .5 .4 .4 .5 .5 ^4 .4 ^3 ^3 .5 − .6 .6Last night there were four Ma − ries, this night there’ll be but three There’were Ma − ry

^6 ^6 ^5 .5 .4 .3 .3 ^3 .4 .5 ^4 .4 ^3 .4 ^3 .3 .3Sea − ton and Ma − ry Bea − ton and Ma − ry Car − mi − chael and me.

621. Donna Donna = 100

44

Verse

.4 [^3] ^2 .3 ^3 .4 [^3] ^2 .3 ^3 .4 [^3] ^4 .4 ^3 .3 ^3 .4 .4 [^3] ^2 .3 ^3 .4 [^3] ^2 .3 ^3High a − bove him, there’s a swal − low

.4 [^3] ^4 .4 ^3 .3 ^2 [^3] .5 .5 .5 ^4 .4 ^3 .3 .3 ^3 ^3 .5 ^4 .4wing − ing swift − ly thru the sky. How the winds are laugh − ing, they laugh with all their might.

Chorus

.5 .5 .5 ^4 .4 ^3 .3 ^3 .4 ^3 .3 ^2 [^3] ^2 ^2 ^2 ^2 ^3 ^3 .3 ^3 .4Laugh and laugh the whole day thru and half the sum− mer’s night. Don− na, don − na don − na, don − na.

^3 ^3 ^3 ^3 .5 .5 ^4 .4 ^2 ^2 ^2 ^2 ^3 ^3 .3 ^3 .4 .4 ^2 .3 ^3 .3 ^2 [^3]Don − na, don− na, don − na, don. Don− na, don− na, don − na, don − na. Don − na, don− na, don − na, don.

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159622. Cuckoo is a Pretty Bird

= 100

43

[^3] [^3] [^3] ^5 .5 .4 ^3 ^2 [3] [^3] ^2 .3 .4 ^3 .3 [^3] [^3] [3] [^3] ^5 .5 .4Oh the cuc − koo, she’s a pret − ty bird. She sing − eth as she flies. She bring− eth glad

^3 ^2 [3] [^3] ^2 .3 .4 ^3 .3 [^3] [^3] ^2 .3 ^3 .4 .3 ^3 .3 ^3 ^3 .4 ^4 .5 ^5 .4 ^3tid − ings, she tell − eth no lies. She suck − eth white flow − ers for to keep her voice

.4 .4 ^4 .5 ^5 ^5 ^6 ^5 .5 .4 ^3 .3 ^3 .4 ^3 [^3] .3 .5 [^3]clear. And she nev − er cry − eth cuc − koo ’til sum − mer draw − eth near.

623. There But For FortunePhil Ochs

= 100

44

.4 .4 ^3 ^3 .3 − .4 .4 ^3 .3 .4 .4 .4 ^4 .4 ^3 .3 ^3 [^3] [^3] .3 ^2 [3]Show me a pris − on Show me a jail Show me a pris on man whose face is grow − ing pale And

.4 .4 .4 ^3 ^3 .3 − .4 ^4 ^4 ^4 .4 ^3 .5 .5 .5 .5 .5 .3 ^2 ^3 ^3 [^3] .3 ^2I’ll show you a young man with so many reas− ons why And there but for for − tune may go you or I

624. Copper Kettle = 100

86

Verse:

.3 .3 .3 ^3 ^3 .4 .5 − .3 .3 .3 ^3 .3 .4 .4 .4 .4 .4 ^3 .3 ^2 [^3] − [^3]Get you a cop − per ket − tle. Get you a cop − per coil. Co − ver with new made corn mash and

Chorus

^3 ^3 ^3 − .4 ^3 − .5 .5 ^5 ^5 − ^5 ^6 ^5 .5 .4 − ^5 .5 .5 .4 .4ne− ver more you’ll toil. You’ll just lay there by the ju − ni − per while the moon is bright.

^5 ^5 ^5 .5 .4 ^3 − .3 .3 ^2 .3 ^2 [^3]Watch the jugs a − fil − ling in the pale moon light.

Get you a copper kettleGet you a copper coilFill it with new made cornmashAnd never more you’ll toil

You’ll just lay there by the juniper While the moon is bright Watch the jugs a filling In the pale moon light

Build your fire with hickoryHickory, ash, and oakDon’t use no green or rotten woodThey’ll catch you by the smoke

My daddy, he made whiskeyAnd my granddaddy did tooWe ain’t paid no whiskey taxSince seventeen ninety two

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160625. Great Storm is Over

Bob Franke = 100

22

.5 .5 .5 .5 .4 .4 ^3 .3 .3 [^3 .3] .3 .3 .3 ^3 .4 .4 ^3 .3 .3 [^3 .3]The thun − der and light − ning gave voice to the night. The lit − tle lame child cried a − loud in her fright.

Chorus:

.5 .5 .5 .4 .4 [^3] .3 .3 [^3 .3] .3 .3 .3 [^3] .4 .4 .4 ^3 .3 .3 [^3 .3 .3] .3Hush, lit − tle ba − by, a sto− ry I’ll tell of a love that has van− quished the pow − ers of hell. A − le −

.3 .3 ^3 ^3 ^3 .3 ^3 .4 .5 .5 .4 ^3 .3 [^3 .3]lu − ia, the great storm is o − ver, lift up your wings and fly.

1. The thunder and lightning gave voice to the night, The little lame child cried aloud in her fright, Hush little baby, a story I’ll tell, Of a love that has conquered the powers of hell.

Chorus: Alleluia, the great storm is over, Lift up your wings and fly! Alleluia, the great storm is over, Lift up your wings and fly!

2. Sweetness in the air and justice on the wind Laughter in the house where the mourners have been The deaf shall have music, the blind have new eyes The standards of death taken down by surprise.

3. Release for the captives, an end to the wars New streams in the desert, new hope for the poor, The little lame children will dance as they sing, And play with the bears and the lions in spring.

4. Hush little baby, let go of your fear, The lord loves his own and your mother is here, The child fell asleep as the lantern did burn, The mother sang on ’til her bridegroom’s return.

Page 161: 'Oct03' Tunebook Concert Pitch Bass Clef 2007

161626. All my trials

= 132

44

D F D F#m Em F#m

.5 .5 .3 .3 ^3 ^3 .4 ^4 .5 .5 ^5 (^4) − ^6 .6 .5 .5 .5 .5 .5 .5 .5 ^5 ^4 .4If re − li − gion was a thing that mo− ney could buy, The rich would live, and the poor would die, All

Em A7 D

− .4 .4 ^3 ^3 − − ^3 − .4 ^3 .3 −my tri − als Lord, Soon be ov − er.

Chorus

F#mD D7 Gm Em A7

.6 .6 .5 .6 .6 − .5 .5 ^5 .5 .3 ^4 − − .4 − .4 .4 ^3 ^3 − ^3 ^3 − .4Too late my bro− thers. Too late but ne− ver mind, All my tri − als Lord, Soon be

D

^3 .3 − −ov − er.

Hush little baby, don’t you cryYou know your mama was born to dieAll my trials, Lord, soon be over

Too late, my brothersToo late, but never mindAll my trials, Lord, soon be over

If religion were a thing that money could buyThe rich would live and the poor would dieAll my trials, Lord, soon be over

I’ve got a little book that was given to meAnd every page spells libertyAll my trials, Lord, soon be over

There is a tree in ParadiseAnd the pilgrims call it the Tree of LifeAll my trials, Lord, soon be over

627. Pick a Bale of Cotton = 250

42

G C G D7 G

Gon − na Jump down, turn a− round pick a bale of cot− ton, Gon− na Jump down, turn a − round pick a bale a day.

chorus:G C G D7 G

Oh Lor − dy pick a bale of cot − ton, Oh Lor − dy pick a bale a day.

628. The Boll Weevil = 100

42

The farm − er took de Boll Wee− vil an’ put him in de sand; An’ de Boll Wee− vil said to the farm − er, I’ll

stand it like a man, It − ’ll be my home, It − ’ll be my home. It − ’ll be my home, It − ’ll be my home.

Page 162: 'Oct03' Tunebook Concert Pitch Bass Clef 2007

162629. The Happy Wanderer

= 100

44

.5 .5 .5 .5 ^4 ^4 .4 .4 .4 .4 .5 .5 .4 ^4 .5 ^4 .5 ^6 ^6 ^6 .6 .5 .5 .5 ^5 ^4 .4I love to go a − wan− de− ring, A − long the moun− tain track, And as I go I love to sing, my knap− sack on my

^3 .3 .5 ^6 .5 .5 .6 .5 .5 ^7 .5 .5 .7 ^7 .6 ^6 .6 ^6 ^5 .5 ^6 .5 .5 .6 .5 ^5 ^4 .4 ^3back. Val de ree, Val de rah, Val de ree, Val de rah− ha − ha− ha− ha− ha Val de ree Val de rah My knap− sack on my

.3back.

630. Red River Valley = 100

44

From this val − ley they say you are go − ing, We will miss your bright face and sweet smile, For you

know you are ta − king the sun − shine THat has bright − ened our path − way a − while.

631. On Top of Old Smoky = 100

43

On top of old Smo − ky All co− vered with snow, I lost my true lo − ver, From cour− tin’ too slow.

632. Coming ’Round the Mountain = 100

44

She’ll be com − ing ’round the moun− tain when she comes. She’ll be com − ing ’round the moun− tain when she

comes, She’ll be com − ing ’round the mountain,she’ll be com − ing ’round the mountain, she’ll be com − ing

’round the mountain when she comes.

Page 163: 'Oct03' Tunebook Concert Pitch Bass Clef 2007

163633. Clementine

= 100

43

In a cav − ern, in a can− yon, ex − ca − vat − ing for a mine. Dwelt a mi − ner, for − ty nin − er and his

daugh− ter Clem− in − tine.

634. John Brown’s Body = 128

86

. − . − John Brown’s bo − dy lies a − mould− rin’ in his grave; . − . − John Brown’s bo − dy lies a −

mould − rin’ in his grave. . − . − John Brown’s bo − dy lies a − mould− rin’ in his grave, His soul goes march− ing

chorus:

on. Glo − ry glo − ry hal − e − lu − jah! Glo − ry glo − ry hal − e − lu − jah! Glo − ry glo − ry hal− e − lu −

jah! His soul goes march− ing on.

636. Michael Row the Boat Ashore = 100

44

Mi − chael row the boat a − shore, Al − le − lu − ya, Mi − chael row the boat a − shore, Al − le − lu − ya, Mi −

Page 164: 'Oct03' Tunebook Concert Pitch Bass Clef 2007

164643. Battle of Jerico

= 132

80

Jo − shua fought the bat − tle of Je − ri − cho, Je − ri − cho, Je − ri − cho Jo − shua fought the

bat − tle of Je − ri − cho An’ the walls came tum − blin’ down You can talk a − bout the kings of

Gi − de − on, You can talk a − bout the men of Saul, But there’s none like good old Josh − u − a

at the bat − tle of Je − ri − cho.

637. Down in the Valley = 100

43

Down in the val − ley, Val − ley so low, Hang your head o − ver, Hear the wind blow.

638. Sail Away Ladies = 100

42

refrain:

Ain’t no use to set an’ cry, Sail a− way, la− dies, sail a− way. You’ll be an an− gel bye and bye. Sail a− way la − dies

chorus:

sail a − way. Don’t she rock em di − dy O, Don’t she rock em di − dy O, Don’t she rock em di − dy O,

Don’t she rock em di − dy O.

639. No Hiding Place Down There

GG C D7 EmA7 D7 G G7 C C7 G A7 D7 G

Page 165: 'Oct03' Tunebook Concert Pitch Bass Clef 2007

165640. Cindy

= 154

44

You ought to see my Cin − dy, She’s li − vin’ way down south; She’s so sweet that ho − ney− bees,

chorus:

Swarm a− round her mouth. Get a − long home, Cin − dy, Cin − dy, Get a− long home. Get a − long home, Cin − dy,

Cin − dy, I’ll mar− ry you some day.

Cindy

642. Midnight SpecialSouthern Prison Folk song

= 180

44

G C G D7 G C G

3

42

D7 G Chorus C G D7 G

644. Puttin’ On the Style = 140

44

Young man in a car− riage, dri − ving like he’s mad, With a pair of hor − ses he bor − rowed from his dad; He

cracks his whip so smart− ly just to see his la − dy smile, But she knows he’s on − ly put − ting on the style.

chorus:

Put− ting on the a − go − ny, Put− ting on the style, That’s what all the young folks are do− ing all the while, And

as I look a − round me, I’m ve − ry apt to smile, To see so ma − ny peo − ple, Put− ting on the style.

Page 166: 'Oct03' Tunebook Concert Pitch Bass Clef 2007

166645. Tie a Yellow Ribbon

Round the Old Oak Tree

44

^2 .4 .5 ^5 .5 ^5 .5 .4 [^3] ^3 ^4 .5 ^4 .5 ^4 ^3 .2 ^2 ^3 .5 .5 ^4 .4 ^3 .3 .3 .3 .4 .5 .5 .5 .3 ^2

− .5 .5 ^5 .5 .5 ^4 .4 .4 ^4 .5 ^4 − ^4 .5 ^4 .5 ^4 .5 ^4 − .3 ^3 .4 .4 ^5 ^5 .6 .6

.6 ^5 ^5 .4 .4 ^5 ^1 ^1 .1 .5 .5 .5 ^1 − .5 .1 ^1 .5 .5 .6 .6 − .5 ^5 .4 .5 .3 ^3 .3 ^2

− ^5 .5 ^5 .5 [[^1]] − ^5 ^5 .5 ^5 .5 [^3] − .5 ^4 ^4 .5 ^4 − .5 ^4 .5 ^4 − .3 ^3 .4 − .4 ^3 .3

− ^3 .4 .4 .4 .4 .3 .4 .4 .4 .4 .4 .4 .5 ^5 ^6 − ^5 .5 ^4 − .5 ^4 .5 ^4 − .3 ^3 .4 − [^1] .4

.5 .3

647. The Streets of London

44

.7 .7 .7 .7 .8 .8 .7 ^7 .6 .6 ^7 .7 .7 ^5 .6 .6 ^7 .6 .6 .6 .6 ^7 ^7 .7 .7 .7 .7 .8 .8 .8 .8 − .6 .6 .6 .7

.7 ^8 .7 ^5 .6 .6 .6 .6 − .5 .5 .5 .5 ^6 − .6 − ^4 ^8 ^8 ^8 .7 .7 .8 .8 − ^8 .7 ^7 ^7 ^7 ^7

− ^5 ^5 .6 ^6 − .5 − .7 .7 .7 .8 .8 .8 .7 − ^7 .6 .6 .6 − ^7 .7 ^8 .7 − .5 ^5 .6 .6 .6 − .6 .5 .5 ^5 ^6 .6

646. Day Trip to Bangor

Play this on low G (outer row)

86

4^4 1 5 7 ^7 6 ^6^5^5 5 7 ^4^7 6 5 ^5 ^1^5 6 ^5 5^5^6 6 6 ^7 6 ^6^5 5 ^4 4 ^3 4^4 1 5 7 ^7 6^6^5^5

5 7 ^4 ^7 6 5 ^5 ^1 ^5 |][5 ^5 [^4] ^6 [^4 4] ^1 4 4 5 ^5 5 ]|]

Page 167: 'Oct03' Tunebook Concert Pitch Bass Clef 2007

167648. Milord

Intr 4 [^1] 4 [^1] 4 3 4 [^1] 4 ^3 3 [^3] 3 ^3 [^1] 4 2 3 4 4^3 ^3 [1] ^3 4 ^4 [^6] 5 3 3 4 ^4 [^6]

5 3 3 4 ^4 [^6] 5 3 3 4 4 ^3^3 [1] ^3 4 [^1] 4 [^1] 4 3 4 [^1] 4 ^3 3 [^3] 3 ^3 [^1] 4 2 3 4

3 ^2[^3] ^2 3 3

Verse [middle row] (outer row)3 2 2^2 ^2 3 3 2 2 ^2 ^2 3 ^3 3 ^3 3 ^3 [(^1) ^4 (^1)^4 (^1) ^4 ^4 ^4 33] ^2 ^2 3 3 2 2[^3 (^1 1 1) − − 3 3 (1

1 1 1 ^1 1 1)] 4 [^1] 4

Chorus[^1] 4 3 4 [^1] 4 3 [^3] 3 ^3 [^1] 4 2 3 4 4 ^3^3 [1] ^3 4 ^4 [^6] 5 3 3 4 ^4 [^6] 5 3 3 4 ^4 [^6]

5 3 3 4 4^3^3 [1] ^3 4 [^1] 4 [^1] 4 3 4 [^1] 4 3[^3] 3^3 [^1] 4 2 3 4 3 ^2[^3] ^2 3 4 [^1] 41

32

Page 168: 'Oct03' Tunebook Concert Pitch Bass Clef 2007

168OTHER

1000. Minuet from BereniceHandel

43

.4 ^3 ^4 .4 ^3 .3 ^2 .3 ^3 ^2 .5 ^5 ^6 .6 .5 ^4 .4 .3 .3 .4 ^3 .3 ^2 .3 ^3 ^2 ^3 .5 ^3 .5 .3

rit.

^2 [^3 ^3 .3] .2 .7 ^7 ^8 .7 ^7 .6 ^6 .6 ^7 ^6 .8 .9 .8 .8 ^8 .7 ^7 .6 .6 .5 .6 .5 .6 ^8 .7 ^7 .6 .6

Page 169: 'Oct03' Tunebook Concert Pitch Bass Clef 2007

169− IRISH SONGS −Appear in alphabetical order

2000. All For My Grog

44

G G G D

.4 ^3 .4 .4 ^3 .3 ^2 [^3] ^2 .3 [^3 .3] .5 .5 .5 .5 ^4 .4 .4 ^3 − .4 ^4It − ’s all for me grog, me nog− gy nog − gy grog. All gone for beer and ter − bac− co, For I’ve

G D

.5 ^5 .5 .4 .3 .3 ^2 [^3] ^3 .3 [^3 .3] .3 ^3 .4 .5 ^4 .4 .4 ^3 .3 ^2 ^3 .3 −spent all me tin With the las− ses drin − kin’ gin, And a − crossthe wes− tern o − cean I must tra − vel.

2001. Black Velvet Band

43

C F Bb F C7 F

.5 .5 .5 .4 ^4 .5 ^4 .4 − ^3 .3 ^3 .4 .3 ^2 [^3 .3] − .5 ^4 .4 .4Her eyes, they shonelike the dia− monds. You’d think she was queenof the land; And her hair hung

F Dm Gm C7 F

[3 ^3] ^2 .3 ^3 .4 .3 ^3 .4 ^4 ^2 .3 ^3 .3 −o − ver her shoul der, Tied up in a black vel − vet band.

In a neat little town they call Belfast, Apprenticed in trade I was boundAnd many an hour of sweet happiness, I spent in that neat little townTill bad misfortune befell me, And caused me to stray from the landFar away from my friends and relations, To follow the black velvet band

Her eyes they shone like the diamond, You’d think she was queen of the land And her hair hung over her shoulder, Tied up in a black velvet band

Well, I was out strolling one evening, Not meaning to go very farWhen I met with a pretty young damsel, She was selling her trade in a barWhen I watched, she took from a customer, And slipped it right into my handThen the Watch came and put me in prison, Bad luck to the black velvet band

Next morning before judge and jury, For our trial I had to appearThe judge, he said, "Young fellow, The case against you is quite clearAnd seven years is your sentence, You’re going to Van Dieman’s LandFar away from your friends and relations, To follow the black velvet band"

So come all you jolly young fellows, I’d have you take warning by meAnd whenever you’re out on the liquor, Beware of the pretty colleenThey’ll fill your with whiskey and porter, Until You’re not able to standAnd the very next thing that you know, You’re landed in Van Dieman’s Land

Page 170: 'Oct03' Tunebook Concert Pitch Bass Clef 2007

1702003. Dicey Reilly

44

G D

.3 .3 .3 .3 .3 .3 ^3 .4 ^4 ^3 ^2 .2 ^2 .3 ^3 ^3 ^3 ^3 .2 ^3 .4 ^4 .5Ah poor oul Di − cey Reil − ly she has tak− en to the sup, And poor old Di − cey Reil − ly she will

G D

.4 ^3 .3 ^3 .4 ^3 .3 [3 .2 .3] .3 ^3 .4 .4 ^3 ^2 .2 ^2 ^2 ^3 ^3 .4 .4 ^4 .4 ^3ne− ver give it up, It’s off each morn − ing to the pop that she goes in for a − noth− er lit − tle drop, But the

D

.3 .4 ^4 .5 .4 .3 .4 ^3 .3heart of the rowl is Di − cey Reil − ly.

She will walk along Fitzgibbon Street with an independent air, And then its down by Summerhill, and as the people stareShe’ll say, "It’s nearly half passed one, Time I went in for another little oneBut the heart of the rowl is Dicey Reilly, Now at two, pubs close and out she goes as happy as a larkShe’ll find a bench to sleep it off at St. Patrick’s Park, She’ll wake at five feeling in the pinkAnd say, "Tis time for another drink, But the heart of the rowl is Dicey Reilly

Now she’ll travel far to a dockside bar to have another round, And after one or two or three she doesn’t feel quite so soundAfter four she’s a bit unstable, After five underneath the tableBut the heart of the rowl is Dicey Reilly

Oh they carry her home at twelve o’clock as they do every night, Bring her inside, put her on the bed and then turn out the lightNext morning she’ll get out of bed, And look for a cure for her headBut the heart of the rowl is Dicey Reilly

2002. Danny Boy, or Londonderry Air

44

C Dm Am C G

^2 .3 ^3 .4 ^3 .4 ^5 .5 .4 ^3 .3 [^3] − .3 .4 ^4 .5 ^5 .5 .4 .3 .4 ^3 −Oh Dan− ny Boy, The pipes, the pipes are cal ling, From glen to glen, and down the moun− tain side,

C C Dm G C G C

^2 .3 ^3 .4 ^3 .4 ^5 .5 .4 ^3 .3 [^3] − ^2 .3 ^3 .4 ^4 .4 ^3 .3 ^3 .3 −The sum− mer’s gone, and all the flow’rs are dy ing, ’Tis you, ’tis you must go and I must bide.

G C F C G C Em G

.5 ^5 ^6 .6 ^6 ^6 ^5 .5 ^5 .5 .4 .3 − .5 ^5 ^6 .6 ^6 ^6 ^5 .5 .4 ^3 −But come you back when sum− mer’s in the mea dow Or when the val − ley’s hushedand white with snow,

C Am C G C Dm C

.5 .5 .5 .7 ^7 ^7 .6 ^5 .6 .5 .4 .3 − ^2 .3 ^3 .4 ^5 .5 .4 ^3 .3 [^3] ^2 .3 −’Tis I’ll be there, in sun− shine or in sha dow,

And if you come, when all the flowers are dying, And I am dead, as dead I well may beYou’ll come and find the place where I am lying, And kneel and say an "Ave" there for me.

And I shall hear, tho’ soft you tread above me, And all my dreams will warm and sweeter beIf you’ll not fail to tell me that you love me, I simply sleep in peace until you come to me.

Page 171: 'Oct03' Tunebook Concert Pitch Bass Clef 2007

1712004. Dirty Old Town

44

D Bm D D

[3 ^3] .3 .4 − ^3 .3 .4 .3 .2 − .4 .5 ^5 − .5 .4 ^3 .3 .4 − ^5 .5 .4I found my love by the gas− works cry, Dreameda dream by the old ca − nal; Kissed my girl

Bm A Bm Bm

− ^3 .3 .4 .3 .2 − [^3] .3 .4 ^3 − ^3 .3 [^3 ^3] −by the fact − ’ry wall, Dir − ty old town, dir − ty old town.

Clouds are drifting across the moon, Cats are prowling on their beatSprings a girl in the streets at night, Dirty old town, dirty old town

Heard a siren from the dock, Saw a train set the night on fireSmelled the spring on the smoky wind, Dirty old town, dirty old town

I’m going to take a good sharp ax, Shining steel tempered in the fireWe’ll chop you down like an old dead tree, Dirty old town, dirty old town

2005. Down by the Sally Gardens

22

C G F C F G C C G

.3 ^3 .4 ^3 .3 ^3 .4 .5 ^5 .5 .6 .5 ^5 .5 .4 ^3 .3 .3 .3 ^3 .4 ^3 .3 ^3 .4 .5Down by the Sal − ly gar − dens My love and I did meet. She passedthe Sal − ly

F C F G C F G Am

^5 .5 .6 .5 ^5 .5 .4 ^3 .3 .3 .5 .6 ^6 .5 ^5 .6 ^6 .5 .4 .5 ^5 .5 .4 .5 ^5 .6 ^7gar − dens with lit − tle snow white feet. She bid me take love ea − sy, As the leavesgrow on the

C G F C F G C

.6 .3 ^3 .4 ^3 .3 ^3 .4 .5 ^5 .5 .6 .5 ^5 .5 .4 ^3 .3 .3tree. But I, be− ing young and fool − ish, With her did not a − gree.

In a field down by the river, my love and I did stand, And on my leaning shoulder, she laid her snow−white hand.She bid me take life easy , as the grass grows on the weirs, But I was young and foolish, and now am full of tears.

Down by the Sally Gardens, my love and I did meet. She crossed the Sally Gardens with little snow−white feet.She bid me take love easy, as the leaves grow on the tree, But I was young and foolish, and with her did not agree.

Page 172: 'Oct03' Tunebook Concert Pitch Bass Clef 2007

1722006. Fiddler’s Green

43

F Bb F Dm F Bb F C7

.2 .3 ^3 .4 ^4 .4 ^3 .3 ^3 .4 [^3 .3] .3 ^3 .4 ^4 .5 ^5 .5 .4 .3 ^3 .4 .4Oh Fidd lers Green is a place I’ve heard tell. Where fish − er − men go if they don’t go to Hell. Where the

Bb F Am F Bb F C7 F

^4 .5 ^5 ^5 .5 ^4 .4 ^4 .5 .5 ^4 ^4 .4 ^3 .4 ^4 .4 ^3 .3 ^2 .3 ^3 .5 ^4 .4 .4 .4weath− er is fair and the dol − phins do play. And the cold coast of Green− land is far far a − way. Wrap me up in my

C7 F Bb F C7 Bb F

^4 ^3 ^2 ^3 .3 − .5 ^5 ^4 ^5 .5 .4 .3 ^3 − .4 ^4 .5 ^5 ^5 .5 ^4 .4 ^4 .5oil − skins and jum − per. No more on the docks I’ll be seen. Just tell me old ship− mates I’m ta − king a

Am Gm F C7 F

.5 ^4 .4 ^3 .4 ^4 .5 ^4 .4 ^3 .4 ^3 .3trip, mates,and I’ll see you some− day on Fidd lers Green.

Now Fiddler’s Green is a place I’ve heard tell, Where fishermen go when they don’t go to HellWhere the weather is fair and the dolphins do play, And the cold coast of Greenland is far, far away

The sky’s always clear and there’s never a gale, And the fish jump on board with a flip of their tailYou can lie at your leisure, there’s no work to do, And the skipper’s below making tea for the crew

And when you’re in dock and the long trip is thru, There’s pubs and there’s clubs, and there’s lassies there tooNow the girls are all pretty and the beer is all free, And there’s bottles of rum hanging from every tree

I don’t want a harp or a halo, not me, Just give me a breeze and a good rolling seaAnd I’ll play me old squeeze box as we sail along, When the wind’s in the rigging to sing me this song

Page 173: 'Oct03' Tunebook Concert Pitch Bass Clef 2007

1732007. The Fields of Athenry

44

D G D A D

[3 .3 .3 .3] .3 ^3 .4 − .4 ^4 ^4 ^4 .5 .4 − ^4 .4 .3 ^3 .5 .5 .5 .4By the lone − ly pri − son wall, I heard a young girl cal ling, "Mi − chael they are

G A D G D A D

^4 .5 ^4 .4 ^3 − .4 ^4 .5 .5 .5 .4 ^4 .5 ^4 .4 ^3 .3 ^3 .4 ^3 [3 .3]ta − king you a − way, For you stole Trev − el − yn’s corn, So the young might see the morn, Now a

Em D Bm D

^3 ^3 .4 ^4 .4 ^3 .3 ^2 .3 − .5 ^5 .5 .3 − .2 .3 ^3 .4 ^3 .3 .2 .3 ^3pri − son ship lies wai − ting in the bay, Low, lie the fields of A − then − ry, where once we watchedthe

A D G D A

.4 ^4 .5 ^3 − .4 ^4 .5 .5 .5 .4 ^4 .5 ^4 .4 ^3 .3 ^3 .4 ^3 [3 .3]small free birds fly; Our love wason the wing, We had dreams and songs to sing; It’s so

Em D

^3 ^3 .4 ^4 .4 ^3 .3 ^2 .3 −lone − ly ’round the fields of Ath − en − ry.

By a lonely prison wall, I heard a young man calling"Nothing matters, Mary, when you’re free, Against the famine and the crown,I rebelled, they cut me down, Now you must raise our child with dignity."By a lonely harbour wall, she watched the last star fall, As the prison ship sailed out against the skyFor she lived to hope and pray, for her love in Botany Bay, It’s so lonely round the fields of Athenry

Page 174: 'Oct03' Tunebook Concert Pitch Bass Clef 2007

1742008. Finnegan’s Wake

44

Am G Am

.5 .4 .4 .4 .4 ^3 .4 ^5 ^5 ^6 .6 .6 ^6 ^5 .5 .4 ^3 ^3 .4 .4 .4 .4 ^3Tim Fin − ne− gan lived in Walk − in’ Street, A gent− le− man I − rish, might − y odd, He had a brogue both

F G C Am

.4 ^5 ^5 ^5 ^6 .6 ^6 ^6 ^5 .5 ^5 ^5 ^6 .6 .6 .6 .6 .6 .6 ^7 ^7 .6 ^6 ^5 .5 .5rich and sweet, and to rise in the world he car− ried a hod. Now Tim had a sort of a tip − pl’n way, with a

C Am C Am F

.6 .6 .6 .6 ^7 .6 ^6 ^5 .5 .6 .6 .6 ^7 ^7 .6 ^6 ^5 .5 .5 ^5 ^5 .5 ^5 .5love of the whis − key he was born, To help him on with his work each day, He’d a "drop of the cray − thur"

G C Am G Am

^5 ^6 .6 .4 .4 .4 .4 ^3 .4 ^5 ^5 ^5 ^6 .6 ^6 ^5 .5 .4 ^3 ^3 .4 .4 .4 ^3ev− ’ry morn. Whack fol the darn O, Dance to your part − ner, Whirl the floor, your trot − ters shake, Was− n’t it the

F G C

.4 ^5 ^5 ^6 .6 ^6 ^5 .5 ^5 ^5 ^6 .6truth I told you, Lot’s of fun at Fin − ne− gan’s wake

cho: Whack fol the darn O, dance to your partner, Whirl the floor, your trotters shake; Wasn’t it the truth I told you, Lots of fun at Finnegan’s wake!

One mornin’ Tim was feelin’ full, His head was heavy which made him shake;He fell from the ladder and broke his skull, And they carried him home his corpse to wake. They rolled him up in a nice clean sheet, And laid him out upon the bed, A gallon of whiskey at his feet, And a barrel of porter at his head. (Chorus)

His friends assembled at the wake, And Mrs. Finnegan called for lunch,First they brought in tay and cake, Then pipes, tobacco and whiskey punch. Biddy O’Brien began to bawl, "Such a nice clean corpse, did you ever see? "O Tim, mavourneen, why did you die?", Arragh, hold your gob said Paddy McGhee! (Chorus)

Then Maggie O’Connor took up the job, "O Biddy," says she, "You’re wrong, I’m sure"Biddy she gave her a belt in the gob, And left her sprawlin’ on the floor. And then the war did soon engage, ’Twas woman to woman and man to man, Shillelagh law was all the rage, And a row and a ruction soon began. (Chorus)

Then Mickey Maloney ducked his head, When a noggin of whiskey flew at him,It missed, and falling on the bed, The liquor scattered over Tim! The corpse revives! See how he raises!, Timothy rising from the bed, Says,"Whirl your whiskey around like blazes, Thanum an Dhul! Do you thunk I’m dead?" (Chorus)

Page 175: 'Oct03' Tunebook Concert Pitch Bass Clef 2007

1752009. Galway Bay

44

G D G

.2 .3 .4 .4 .4 .4 .4 .4 ^3 .3 .3 ^2 .5 .5 ^3 ^3 .4 ^4 ^4 .4 [^1] .4 .2 .3If you e − ver go a− cross the sea to Ire − land, Then may− be at the clo − sing of the day; You will

D C

.4 .4 .4 .4 .4 .5 ^4 .4 ^3 ^2 [1] ^3 [1] ^3 .4 ^4 ^2 .4 ^3 .3sit and watch the moon rise o − ver Cla − dagh, And see the sun go down on Gal− way bay.

Just to hear again the ripple of the trout stream, The women in the meadows making hay;And to sit beside a turf fire in the cabin, And watch the barefoot gossoons at their play

For the breezes blowing o’er the sea to Ireland, Are perfumed by the heather as they blow;And the women in the uplands digging praties, Speak a language that the strangers do not know

For the strangers tried top come and teach us their way, They scorned us just for being what we are;But they might as well go chasing after moonbeams, Or light a penny candle from a star

And if there is going to be a life hereafter, And somehow I am sure there’s going to be,I shall ask my God to let me make my heaven, In that dear land across the Irish Sea

If you ever go across the sea to Ireland, Then maybe at the closing of your day,You will sit and watch the moon rise over Cladagh, And see the sun go down on Galway Bay

2010. Gypsy RoverWhistling Gypsy

44

G D7 G D7 G D7 G D7 G D7

.2 .3 ^3 .4 ^3 .3 [3 .3 .3 .3] .3 .3 ^3 .4 ^4 .4 ^3 .2 .3 .3 .3 .3 ^3 .4 ^4Gyp − sy ro − ver come o − ver the hill. Down thru the val − ley so sha − dy. He whis − tled and he sang till the

G Em G C G C D

.5 .4 .3 .3 ^3 .4 .4 ^3 .3 [^3 .3] .3 [^3 .3]greenwoods rang And he charmed the heart of a la dy.

Chorus: Ah−de−do, ah−de−do−da−day, Ah−de−do, ah−de−da−ay He whistled and he sang ’til the greenwoods rang, And he won the heart of a lady

. She left her father’s castle gates, She left her own fine lover She left her servants and her state, To follow the gypsy rover

. Her father saddled up his fastest steed, And roamed the valleys all over Sought his daughter at great speed, And the whistling gypsy rover

. He came at last to a mansion fine, Down by the river Claydee And there was music and there was wine, For the gypsy and his lady

. "He is no gypsy, my father" she said, "But lord of these lands all over, And I shall stay ’til my dying day, With my whistling gypsy rover."

Page 176: 'Oct03' Tunebook Concert Pitch Bass Clef 2007

1762011. The Holy Ground

44

C F#m

.3 ^3 .4 .5 .5 ^4 ^3 ^2 .3 ^3 .3 ^3 .4 .5 .5 ^4 ^3 ^2 .3 .4 ^4 .5 .5 ^5 ^6 ^6Fare thee well, my love ly Di nah, A thou− sand ti − mes a dieu. We are bound a− way from the

Am C G C Am

.6 .6 ^6 ^5 ^5 .5 .4 .3 ^3 .4 ^3 .3 ^3 .4 .5 .5 ^4 ^3 ^2 .3 ^3 .3 ^3 .4 .5 ^5 ^6Ho − ly Ground and the girls we love so true, We’ − ll sail the salt seas o ver, and we’ll re − turn once

C Am C SHOUTED Cho

.6 .5 .6 ^6 ^5 .5 ^5 .5 .4 .3 ^3 .4 .5 .5 ^4 ^3 ^2 .3 .3 .3 .3 .3 .3 ^3more, And still I live in hope to see the Ho − ly gro− und on− ce more. FINE GIRL YOU ARE! You’re the

Am C Am C

.4 .5 ^5 ^6 .6 .5 .6 ^6 ^5 .5 ^5 .5 .4 .3 ^3 .4 .5 .5 ^4 ^3 ^2 .3girl I do a − dore, And still I live in hope to see the Ho − ly gro − und on − ce more.

Now when we’re out a−sailing and you are far behindFine letters will I write to you with the secrets of my mind,The secrets of my mind, my girl, you’re the girl that I adore,

And still I live in hope to see the Holy Ground once moreOh now the storm is raging and we are far from shore;The poor old ship she’s sinking fast and the riggings they are toreThe night is dark and dreary, we can scarcely see the moon,

But still I live in hope to see the Holy Ground once moreIt’s now the storm is over and we are safe on shoreWe’ll drink a toast to the Holy Ground and the girls that we adoreWe’ll drink strong ale and porter and we’ll make the taproom roar,

And when our money is all spent we’ll go to sea once more

Page 177: 'Oct03' Tunebook Concert Pitch Bass Clef 2007

1772012. I’ll Take You Home Again Kathleen

44

F Gm Fdim7 F C7 F Gm Fdim7

.2 .4 .4 ^4 ^3 ^5 [^6] .5 .4 .4 ^3 [1] ^3 .4 ^3 .3 .2 .4 .4 ^4 ^3 ^5 [^6]I’ll take you home a − gain Kath − leen, A − cross the o − cean wild and wide. To where your heart has e − ver

F C G7 C C7 F C7 F

.5 .4 ^3 .5 ^5 [^6] .4 ^3 .5 .5 ^5 .5 ^4 .4 ^4 [^6] .5 .5 ^6 ^5 .5 ^4 ^3 ^4 .4been Since first you were my bon − ny bride; The ro − ses all have left your cheek, I watchedthem fade a− way and die,

Dm G7 C7 Cho F Gm Fdim7 F

.4 .4 ^5 .4 .4 ^4 ^4 .4 .4 ^3 ^3 .4 ^3 .4 [^6] .5 .5 .4 .4 ^4 ^3 ^5 [^6] .5 .4Your voice is sad when e’er you speak And tears be− dim your lo − ving eye. I’ll take you home a− gain, Kath − leen To

C7 F F7 Bb F C7 F

.4 ^3 [1] ^3 .4 ^3 .3 .5 .5 .4 ^3 .3 [^3] .3 ^5 ^6 ^5 .5 .4 ^3 .4 ^4 ^2 .3where your heart will feel no pain And when the fields are fresh and green. I’ − ll take you to your home a − gain.

I know you love me, Kathleen, dear, Your heart was ever fond and true.I always feel when you are near, That life holds nothing, dear, but you.The smiles that once you gave to me, I scarcely ever see them now,Though many, many times I see, A dark’ning shadow on your brow. [Chorus.]

To that dear home beyond the sea, My Kathleen shall again return.And when thy old friends welcome thee, Thy loving heart will cease to yearn.Where laughs the little silver stream, Beside your mother’s humble cot,And brightest rays of sunshine gleam, There all your grief will be forgot.

2013. I’ll Tell My Ma

42

G D7 G

.3 .2 .3 .4 ^4 ^4 ^4 .4 ^4 .4 ^3 ^3 .4 ^3 .3 .3 .4 .2 .3 .4 ^4I’ll tell my ma when I get home. The boys won’t leave the girls a − lone. They pulled my hair and

D7 G Bm Am G D

^4 ^4 .4 ^4 ^3 .3 .3 .5 .5 .5 .4 ^4 ^4 ^4 ^3 .4 .4 .4 .4 .3 ^3 ^2 [^3 .3]stole my comb, but I get home. She is hand − some, she is pret − ty, she is the belle of Bel − fast cit − y.

G C G

.5 .5 .5 .4 ^4 ^4 ^4 .4 .3 .3 .3 .3 .3She is cour − ting one two three Ples won’t you who is he

Here she comes as white as snow, Rings on her fingers and bells on her toesOh Johnny Murray he says she’ll die, If she doesn’t get the fellow with the roving eye

Let the wind and rain and the hail blow high, And the snow come tumbling from the skyShe’s as nice as apple pie, She’ll get her own boy by and by

When she gets a lad of her own, She won’t tell her ma ’til she comes homeLet the boys stay as they will, For it’s Albert Mooney she loves still.

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1782014. I Know Where I’m Going

42

D A D

.3 .3 ^3 .4 .3 .3 .2 .4 .4 .4 ^4 .4 ^3 .5 .5 .5 .5 .5 .3 .3 .3I know where I’m go − ing. I know who’se go − ing with me. I know who I love and the Lord

Em A

^3 .4 ^4 .4 ^3 ^3knows who I’ll mar − ry.

2015. I’m a Rover Seldom Sober

89

A D Bm D A D

.3 .3 .3 [3 .3 ^3 ^3 ^3 .3] .3 .3 .3 .4 .4 .4 .4 ^3 .5 .5 ^4 .4 .5 .5 ^3 ^2I’m a rov − er, and sel− dom so− ber, I’m a rov − er of high de − gree; It’s when I’m drink − ing I’m al − ways

.3 .2 .3 ^3 .4 .4 .4 ^3 ^3 .3think − ing, How to gain my love’s com− pa − ny.

Though the nicht be dark as dungeon, No’ a star to be seen above,I will be guided without a stumble, Into the airms o’ my ain true love.

He steppit up to her bedroom window, Kneelin’ gently upon a stone;He rappit at her bedroom−window, "Darlin’ dear, do you lie alone?"

She raised her heid on her snaw−white pillow, Wi’ her arms aboot her breast,"Wha’ is that at my bedroom window, Disturbin’ me at my lang night’s rest?"

"It’s only me, your ain true lover, Open the door and let me in.For I hae come on a lang journey, And I’m near drenched to the skin."

She opened the door wi’ the greatest pleasure, She opened the door and let him in,They baith shook hands and embraced each other, Until the mornin’ they lay as one.

The cocks were crawin’, the birds were whistlin’, The burns they ran free abune the brae;"Remember, lass, I’m a ploughman laddie, And the fairmer I must obey."

"Noo, my lass, I must gang and leave thee, And though the hills they are high above,I will climb thrm wi’ greater pleasure, Since I been in the airms o’ my love.

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1792016. The Irish Rover

44

G C#m G D G

.5 .4 .3 .4 ^4 .5 .6 ^7 .7 ^7 .6 ^5 ^6 ^5 .5 ^5 .5 .4 ^4 .4 ^3 .5 .4In the year of our Lord, eigh− teen hun − dredand six, we set out from the Coal Quay of Cork, We were

C#m G

.3 .4 ^4 .5 .6 ^7 .7 ^7 .6 ^6 ^6 ^5 .5 ^5 ^4 .4 ^4 ^3 .3 .5 .5 .6 .6 ^7 .7 ^7 .6sai− ling a− way with a car − go of bricks for the grand Ci − ty Hall in New York. We’d an e − le − gant craft, she was

D G D G

^7 ^7 ^6 .5 .5 .6 ^7 .7 .6 ^7 .7 ^7 ^6 .5 .5 .4 .3 .4 ^4 .5 .6 ^7rigged ’fore and aft, and how the trade winds drove her, She had twen − ty three masts,and she

F#m G

.7 ^7 .6 ^5 .4 ^3 .3 .4 .5 .6 .7 ^7 .6stood sev− ’ral blasts, and they called her the I − rish Ro − ver.

There was Barney McGee from the banks of the Lee, There was Hogan from County TyroneAnd a chap called McGurk who was scared stiff of work, And a chap from West Meade called Mellone

There was Slugger O’Toole who was drunk as a rule, And fighting Bill Casey from Dover There was Dooley from Claire who was strong as a bear, And was skipper of the Irish Rover

We had one million bales of old billy goats’ tails, We had two million buckets of stonesWe had three million sides of old blind horses hides, We had four million packets of bones

We had five million hogs, we had six million dogs, And seven million barrels of porter We had eight million bags of the best Sligo rags, In the hold of the Irish Rover

We had sailed seven years when the measles broke out, And the ship lost her way in a fogAnd the whole of the crew was reduced unto two, ’Twas myself and the captain’s old dog

Then the ship struck a rock with a terrible shock, And then she heeled right over, Turned nine times around, and the poor dog was drowned− I’m the last of the Irish Rover

2017. It’s a Long Way to Tipperary = 90

44

G G7 C G D7 G

.4 ^4 .5 .5 − .5 ^5 ^6 .6 .7 − .7 ^7 .6 ^5 − .6 .5 − .4 ^4 .5 .5 − .5 ^5 ^6 .6 .7It’s a long way to Tip − pe − ra− ray, It’s a long way to go; It’s a long way to Tip − pe − ra− ry,

A7 D7 G C F#7

− ^6 .6 ^7 ^5 ^6 .6 ^7 − .4 ^4 .5 .5 − ^5 ^6 .6 .7 − ^8 ^5 .6 ^7 .7To the sweet− est girl I know! Good− bye, Pic− ca − dil − ly! Fare− well Lei − cester Square!

D7 G C G A7 D7 G

− .6 ^7 .7 .7 .7 .6 ^7 .6 ^5 .5 .6 ^7 .7 .6 − ^7 .6 −It’s a long, long way to Tip − pe − ra − ry. But my hea − rt’s right there!

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1802018. The Jug of Punch

43

F C F Bb

.5 .5 ^4 .4 .4 ^3 .3 .3 .3 ^2 .3 ^3 ^3 ^3 .3 ^3 .4 .4 .4 ^4 .5 .5 .5 ^4 .4As I was sit − tin’ with jug and spoon, on one fine morn in the month of June, A bir − die sat on an

Gm F Cho Am

^5 ^4 ^3 .4 ^4 .5 .5 ^5 ^5 .5 .4 ^3 .3 .5 ^4 .4 .4 .4 .4 ^3 .3 .3 .3 ^2 .3i − vy bunch, and the songhe sang Was the Jug of Punch. Too − ra Loo − ra− loo, too − ra loo − ra− loo, Too − ra −

C F Gm F Bb

^3 ^3 ^3 .3 ^3 .4 .4 .4 ^4 .5 .5 .5 ^4 .4 ^5 ^4 ^3 .4 ^4 .5 .5 ^5 ^5 ^4 .4 ^3 .3loo − ra − loo, too − ra − loo − ra− loo, A bir − die sat on an i − vy bunch, And the songhe sang was the Jug of Punch.

If I were sick, and very badAnd were not able to go or stand,I would not think it at all amissTo pledge my shoes for a jug of punch (CHO & last two lines of verse)

What more diversion can a man desireThan to sit him down by a snug turf fire,Upon his knee a pretty wenchAnd upon his table a jug of punch (CHO & last two lines of verse)

And when I’m dead and in my graveNo costly tombstone will I have,I’ll dig a grave both wide and deepWith a jug of punch at my head and feet (CHO & last two lines of verse)

2019. Leaving of Liverpool

22

C F C G C

.3 ^3 .4 .5 ^4 .4 ^3 .3 .6 .6 ^5 .5 .3 ^3 .4 .5 ^5 .5 .4 ^3 − .3 ^3 .4 .5 .4 ^3 .3Fare well to you, my own true love. I am go − ing far a − way. I am bound for Cal i −

F C G C G F C

.6 .6 ^5 .5 .3 ^3 .4 .5 .5 .4 ^3 .3 .3 − ^6 .6 ^7 .5 .5 ^6 ^7 .6 ^5 .5 .3 ^3for − ni − a but I know that I’ll re − turn some day. So, fare thee well my own true love, and when

G C F C

.4 .5 .5 .5 .5 .5 ^5 .5 ^3 − .5 .5 ^4 .4 − .4 .4 ^4 .4 ^3 .3 .6 ^5 .5 .3 ^3I re − turn u − ni − ted we will be. It’s not the leav − ing of Li − ver − pool that grieves me, but my

G C

.4 .5 .5 .4 ^3 .3 .3 −dar− ling when I think of thee.

I’m bound off for California, By the way of stormy Cape HornAnd I’m bound to write you a letter, love, When I am homeward bound [CHORUS]

I have signed on a Yankee Clipper ship, Davy Crockett is her nameAnd Burgess is the Captain of her, And they say she’s a floating Hell [CHORUS]

I have shipped with Burgess once before, And I think I know him wellIf a man’s a seaman, he can get along, If not, then he’s sure in Hell [CHORUS]

Farewell to lower Frederick Street, Ensign Terrace and Park LaneFor I think it will be a long, long time, Before I see you again [CHORUS]

Oh the sun is on the harbor, love, And I wish I could remainFor I know it will be a long, long time, Till I see you again [CHORUS]

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1812020. Love is Teasin’

43

C Em G7 G F C

.5 .6 ^6 .6 .3 .4 .5 ^6 ^5 .5 ^4 ^3 − .5 .5 [^6] .5 ^6 ^5 .5 .5 ^5 .5 .4 .4 .5 .5 .6 ^6 .6 .3 .4 .5

Em G7 G7 C 1 2

^6 ^5 .5 ^4 ^3 − .5 .5 .5 [^6] .5 ^6 ^5 .5 ^4 ^2 ^3 .3 − .5 .3

Cho: Love is a teasing and love is pleasing, And love is a treasure when first it’s new But as it grows older then love grows colder, And fades away like the morning dew

I left my Father, I left my Mother, I left my sisters & brothers too I left my friends and my kind relations, I left them all for to go with you. [Cho]

Oh turn around love, your wheel of fortune, Oh turn around love and smile on me For surely there must be a place of torment, for that young girl who deceiv−ed me [Cho]

Oh lads beware of your false true lovers, and never mind what the young girls say They’re like the stars on a summer’s morning, you think they’re near but they’re far away. [Cho]

2021. Maggie May

44

D G D A

.4 ^4 .5 .5 .5 .5 .4 .3 .3 ^4 ^4 ^4 ^4 − ^5 ^5 .5 .5 .5 .5 ^5 .5 .4 .5 ^3 .5Now you jol − ly sail − ors, come lis − ten to my tale, I’m sure you will have causeto pi − ty me, I

D G D

.5 .4 .3 .4 .5 .3 .3 ^4 ^4 ^4 ^4 ^5 ^5 ^5 .5 .5 ^6 ^5 .5 ^4 .4 ^3 .3 .6was a damned young fool in the Port of Li − ver − pool, When I called there on my first port homefrom sea. Oh,

G D A

.6 ^5 ^5 ^5 ^5 .6 .6 .6 .5 .5 .4 .5 .5 .5 .5 .5 ^5 .5 .4 .5 ^3 .5 .5Mag − gie Mag − gie May, They have ta − ken you a− way, To slave up − on Van Die − man’s cruel shore, For you’ve

D G F#m D1

.5 .4 .3 .4 .5 .5 ^5 ^4 ^4 ^4 ^4 ^5 ^5 ^5 ^5 .5 .5 ^6 ^5 .5 ^4 .4 ^3 .3 .6robbed so ma− ny sai − lors, And dosedso ma− ny wha− lers, But you’ll ne− ver cruise ’round Pe− ter streetno more.

D2

.3

I was staying at the Home, from a voyage to Sierre Leone, And two−pound−ten a month was all my pay,As I jingled with my tin, I was easy taken in, By a little girl up there called Maggie May. [Cho]

Oh. I’ll never forget the day when I first met Maggie May, She was standing on a corner at Canning Place,In a full−sized crin−o−line, like a frigate of the line, And as she saw I was a sailor I gave chase. [Cho]

She gave me a saucy nod, and I, like a farmer’s clod, Let her take me line abreast in tow,And under all plain sail, we ran before the gale, And to the Crow’s Nest Tavern we did go. [Cho]

Next morning when I woke, I found that I was broke, No shoes or shirt or trousers could I find,When I asked her where they were, she answers "My dear sir, They’re down in Lewis’ pawnshop number nine." [Cho]

So to Lewis’ I did go, but no clothing could I find, And the policeman took that wicked girl away,And the judge he guilty found her, of robbing a homeward−bounder, And now she’s doing time in Botany Bay. [Cho]

She was chained and sent away from Liverpool one day, The lads all cheered as she sailed down the bay,And every sailor lad, he only was too glad, They’d sent that old whore out to Botany Bay. [Cho]

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1822022. Maids When You’re Young

86

G Bm G

.2 .3 .3 .3 [^3 .3 .3] .4 .4 .4 ^3 ^2 .2 − − .2 .3 .3 .3 [^3 .3 .3] .4 ^3 .3 .5 .5An old man came court− ing me, Hey do a dor − it − y, An old man came court− ing me, he be− ing young, An

Em

.5 ^4 .4 ^4 .4 ^3 .4 ^3 .3 ^3 ^2 .2 .3 .3 .3 [^3] ^4 ^3 ^2 .2 ^2 .3old man came court− ing me, All for to mar − ry me, Maids when you’re young ne− ver wed an old man.

For he’s got no faloodorum, fadidledo doorum, For he’s got no faloodoorum, fadidleday He’s got no faloorum, he’s lost his ding doorum, So maids when you’re young, never wed an old man

Now when we went to the church, hey do a dority, When we went to the church, me being youngWhen we went to the church, he left me in the lurch, Maids when you’re young, never wed an old man

Now when we went to our bed, hey do a dority, Now when we went to our bed, me being youngWhen we went to our bed, he neither done nor said, Maids when you’re young never wed an old man

Now when he went to sleep, hey do a dority, Now when we went to sleep, me being youngWhen we went to sleep, out of bed I did creep, Into the arms of a handsome young man

And I found his falodoorum, fa didle dodoorum, I found his faloodoorum, fa didle all day I found his falodoorum and he got my dingdoorum, So maids when you’re young never wed an old man

2023. Mairi’s Wedding

42

Cho F Dm F Gm F

[3 ^3 .3 ^3] .3 ^3 .4 ^3 .3 [^3] .3 .4 ^3 .4 .5 [3 ^3 .3 ^3] .3 ^3 .4 ^3 .3 [^3] − [3 .3]Step we gai − ly on we go, Heel for heel and toe for toe; Arm in arm and on we go, All for Mair − i’s wed− ding

verse Dm F

.5 .5 .5 ^5 .5 ^4 .4 ^3 .3 [^3] .3 .4 ^3 .4 .5 .5 .5 ^5 .5 ^4 .4O − ver hill − ways up and down, Myr − tle green and brack− en brown, Past the sheil − ing through the town,

Gm F

^3 .3 [^3] − [3 .3]All for sake of Mair − i.

Plenty herring, plenty meal, Plenty peat to fill her creel,Plenty bonny bairns as weel, That’s the toast for Mairi. [cho]

Cheeks as bright as rowans are, Brighter far than any star,Fairest o’ them all by far, Is my darlin’ Mairi. [cho]

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1832024. The Minstrel Boy

44

G Em D G

.2 .3 ^3 ^4 .4 ^3 .3 .4 .5 .6 ^6 .6 ^5 .5 .4 ^4 .5 .4 ^3 .3 .2 .3 ^3 ^4 .4 ^3 .3The min − strel boy to the war is gone, In the rank of de− ath you will find him, His fa − ther’s swo− rd he ha

Em D Em D

.4 .5 .6 ^6 .6 ^5 .5 .4 ^4 .5 .4 ^3 .3 .6 ^6 ^5 ^6 .6 ^6 ^5 .5 ^1gir − ded on, And his wild harp slu − ng b − e − hind him. "Land of song!" said the war − rior bard, "Tho’

Em D G Em

^5 .4 .4 ^1 ^5 ^6 .6 .6 .3 ^3 ^4 .4 ^3 .3 .4 .5 .6 ^6 .6 ^5 .5 .4 ^4 .5 .4all the world be − tra − ys thee, One sword, at lea− st, thy rights shall guard, One faith − ful hea− rt sha− ll

^3 .3praise thee.

The Minstrel fell! But the foeman’s steel, Could not bring that proud soul under; The harp he lov’d ne’er spoke again, For he tore its chords asunder;

And said "No chains shall sully thee, Thou soul of love and brav’ry! Thy songs were made for the pure and free, They shall never sound in slavery!

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1842025. Molly Malone

43

.5 .6 .6 .6 .6 .7 ^7 .6 ^7 ^7 ^7 ^7 ^8 .7 ^7 .8 .7 .6 .8 .7 .6 ^5 ^7 .6 ^6 .5In Dub − lin’s fair ci − ty, where the girls are so pret− ty, It was there that I met my sweet Mol − ly Ma − lone, She

.6 .6 .6 .6 .7 ^7 .6 ^7 ^7 ^7 ^7 ^8 .7 ^7 .8 .7 .6 .8 .7 .6 ^7 .6 ^7wheeledher wheel − bar− row through the streetswide and nar − row, Cry − ing "Coc − kles! and Mus − sels! A − live, a− live

.6 .5 .6 .6 .6 .6 .7 ^7 .6 ^7 ^7 ^7 ^7 ^8 .7 ^7 .8 .7 .6 .8 .7 .6 ^7 .6 ^7 .6Oh! A − live, a − live Oh! A live, a − live Oh! Cry − ing Cock− les! and Mus − sels a − live, a− live Oh.

Version 2 in G

D7 G D7 G

.2 .3 .3 .3 .4 .3 .3 .3 ^3 ^3 ^3 ^3 ^4 ^3 .4 ^3 .3 .5 ^4 .4 .4 ^3 ^3 ^3 [3 .3] .3 .3 .3 .3 .4 .3

.2 [2 .2 .2] .2 .3 [3 .3] .3 ^2 [^3] ^2 ^3 .2 .3 ^2 .3 .4 ^3 .3 .3 [3 ^3] ^3 [3 .3] [2 .2 .2] .2 .3 .3

Am D7 G D7 G D7 G D7 G Am D7 G D7 G D7

^3 ^3 ^3 ^3 ^4 ^3 .4 .5 ^4 .4 .5 ^4 .4 .3 ^3 .3 .2 .4 .4 .4 .4 .5 .4 ^4 ^4 ^4 ^4 ^5 ^3 .4 .5 ^4 .4 .5 ^4

^3 .3 ^2 ^2 [^3] ^2 .3 .4 ^3 .3 .4 ^3 .3 [3 .3] [2 .3] .3 .3 .3 .3 .4 .3 ^3 ^3 ^3 ^3 ^4 .2 .3 .4 ^3 .3 .3 ^2

G D7 G

.4 .3 ^3 .3

.3 [3 .3] [2]

Now she was a fishmonger and sure twas no wonder, For so were her mother and father beforeAnd they each wheeled their barrows, Through streets broad and narrowCrying, "Cockles and mussels, alive, alive oh"

She died of a faver and no one could save her, And that was the end of sweet Molly MaloneNow her ghost wheels her barrow, Through streets broad and narrowCrying, "Cockles and mussels, alive, alive oh"

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1852026. The Mountains of Mourne

86

F Dm C F

[3 .3] .4 .4 .4 ^3 .3 ^3 .3 .3 .3 [^3 ^3] [^3 .3 .3 .3] ^2 ^3 ^3 .3 .3 .3 [3Oh, Ma − ry, this Lon− don’s a won − der− ful sight, with the peo− ple there work − in’ from morn − in’ to night. They

Dm C F

.3] .4 .4 .4 ^3 .3 ^3 .3 .3 .3 [^3 ^3 ^3 .3 .3 .3] ^2 ^3 ^3 .3 .3 .3 [3don’t plant po − ta − toes nor bar − ley nor wheat, But there’s gangs of them dig − ging for gold in the street. At

Bb F C

.3] ^4 ^4 ^4 .5 ^4 ^4 .4 ^3 .4 .4 .3 .2 .3 .4 .5 ^4 .4 .4 ^3 [1] ^3 [3 .3]least when I asked them that’s what I was told. So I just took a hand at this dig − ging for gold. But for

F Am

.2 .4 .4 .4 ^3 .3 ^3 .3 ^2 .3 .3 [^3 ^3 .3 .3 .3 ^3] ^2 ^3 .3 .3 .3all that I found there I might as well be, Where the moun − tains of Mou − rne sweep down to the sea.

I believe that when writin’ a wish you expressed, As to how the fine lAdies of London are dressedWell if you believe me, when asked to a ball, They don’t wear no tops to their dresses at all

Oh, I’ve seen them myself and you could not, in thrath, Say if they were bound for a ball, or a bath, Don’t be startin’ them fashions now, Mary Machree, Where the etc

I’ve seen England’s king from the top of a bus, And I’ve never known him, but he means to know usAnd tho’ by the Saxon we once were oppressed, Still I cheered, God forgive me, I cheered with the rest

And now that he’s visited Erin’s green shore, We’ll be much better friends than we’ve been heretofore When we’ve got all we want, we’re as quiet as can be, Where the etc

You remember young Peter O’Loughlin of course, Well now he is here at the head of the ForceI met him today, I was crossing the Strand, And he stopped the whole street with a wave of his hand

And there we stood talking of days that are gone, While the whole population of London looked on; But for all these great powers, he’s wishful, like me, To be back where the dark Mourne sweeps down to the sea

There’s beautiful girls here −−− Oh, never you mind −−−, With beautiful shapes nature never designedAnd lovely complexions all roses and cream, But O’Loughlin remarked with regard to the same

That if at those roses you venture to sip, The colors might all come away on your lipSo I’ll wait for the wild rose that’s waitin’ for me, Where the etc

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1862027. The Old Orange Flute (tune is Villikins and his Dinah)

86

D F#m

.3 .3 .3 .4 .5 .5 ^4 .4 ^3 .3 ^3 .4 .3 .3 .3 .4 .5 .6 .6 .6 ^6 .5 ^5 ^6 .5 .5In the coun− ty Ty − rone in the town of Dun− gan− non Where ma− ny a ruc− kus me − self had a hand in Bob

D

.6 .6 .6 .6 .5 .4 ^4 .5 ^5 .5 ^4 .4 .4 .4 .5 ^4 .4 ^3 .3 .3 .3Will − iam − son lived there, a wea − ver by trade, And all of us though him a stout hear− ted blade.

In the county Tyrone, in the town of Dungannon, Where many a ruckus meself had a hand inBob Williamson lived there, a weaver by trade, And all of us thought him a stout−hearted blade.

On the twelfth of July as it yearly did come, Bob played on the flute to the sound of the drumYou can talk of your fiddles, your harp or your lute, But there’s nothing could sound like the Old Orange Flute.

But the treacherous scoundrel, he took us all in, For he married a Papish named Bridget McGinnTurned Papish himself and forsook the Old Cause, That gave us our freedom, religion and laws.

And the boys in the county made such a stir on it, They forced Bob to flee to the province of Connaught;Took with him his wife and his fixins, to boot, And along with the rest went the Old Orange Flute.

Each Sunday at mass, to atone for past deeds, Bob said Paters and Aves and counted his beadsTill one Sunday morn, at the priest’s own require, Bob went for to play with the flutes in the choir.

He went for to play with the flutes in the mass, But the instrument quivered and cried."O Alas!"And blow as he would, though he made a great noise, The flute would play only "The Protestant Boys".

Bob jumped up and huffed, and was all in a flutter, He pitched the old flute in the best holy water;He thought that this charm would bring some other sound, When he tried it again, it played "Croppies Lie Down!"

And for all he would finger and twiddle and blow, For to play Papish music, the flute would not go;"Kick the Pope" to "Boyne Water" was all it would sound, Not one Papish bleat in it could e’er be found.

At a council of priests that was held the next day, They decided to banish the Old Flute away;They couldn’t knock heresy out of its head, So they bought Bob another to play in its stead.

And the Old Flute was doomed, and its fate was pathetic, ’Twas fastened and burnt at the stake as heretic.As the flames rose around it, you could hear a strange noise, ’Twas the Old Flute still a−whistlin’ "The Protestant Boys".

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1872028. The Rare Oul’ Times

44

A F#m A F#m A D

.3 .4 .5 .5 ^5 .5 .6 ^7 .7 .6 ^5 − .6 ^7 .6 .5 .5 .4 ^4 .5 .5Raised on songs and sto − ries, he − roesof re − know − n, Are the pas− sing tales and glo − ries that

A F#m A F#m

.5 .5 ^5 ^6 .5 .5 .6 ^7 .7 .6 ^5 .5 .5 .6 ^7 .7 .6 ^9 .6once was Dub − lin town. The hal − lowed halls and hou − ses, the haun − ting chil − dren’s rhymes, That

A D E A Cho F#m A F#m

.6 .5 .5 .4 ^4 ^4 .5 .4 ^3 .4 ^3 .3 .3 .4 .5 .5 ^5 .5 .6 ^7 .7 .6 ^5 .6 .6once was part of Dub− lin in the rare ou − l’ times. Ring − a− round − a Ro− sie, as the light de − clines, I re −

A D E A

.6 .5 .5 .4 ^4 ^4 .5 .4 ^3 .4 ^3 .3mem− ber Dub − lin Ci − ty in the rare ou − l’ times.

My name it is Sean Dempsey, As Dublin as could beBorn hard & late in Pimlico, In a house that ceased to beMy trade I was a cooper, Lost out to redundancyLike my house that fell to progress, My trades a memory

I courted Peggy Digman, As pretty as you please.A rage and child of Mary, from the rebel libertiesI lost her to a student chap, With skin as back as coalWhen he took her off to Birmingham, She took away my soul.

The years have made me bitter, The gargle dims me brainCause Dublin keeps on changing, and Nothing seems the same.The Pillar and the Met have gone, The Royal long since pulled downAs the grey unyielding concrete, Makes a city of my Town.

Fare thee well sweet Anna Liffey, I can no longer stayAnd watch me new glass cages that, Spring up along me OuayMy mind’s too full of memories, Too old to hear new chimesl’m a part of what was Dublin, In the rare ould times.

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1882029. Reilly’s Daughter

42

verse Bb F F Dm F

[3 ^3 ^3 .3] − .3 ^3 .4 .5 .5 .5 .4 .5 ^5 .5 .4 .3 [^3 ^3 ^3 ^3 .3 .3]As I was sit − ting by the fire, tal − king to ol − d Reil − ly’s daugh− ter Sud− den− ly a thought came

Dm Chorus F

.3 .3 ^3 .4 .2 .5 .5 .5 .4 .5 ^5 .5 .4 .3 [^3 ^3 ^3 .3] .3 .3 ^3 .4 .5 .5 .5 .5 .4 .5in − to my head; I’d like to mar− ry old Rei− ly’s daugh− ter, Gid − dy − I − Ay, Gid − dy − I − Ay, Gid − dy − I − Ay for the

Dm F Dm

^5 .5 .4 .3 [^3 ^3 ^3 .3] .3 .3 .3 [3 .3 .3 .3] [^3] ^2 .3one− eyed Reil − ly, Gid − dy − I Ay, (bang, bang, bang) Play it on your big bass drum

Reilly played on the big bass drum, Reilly had a mind for murder and slaughterReilly had a bright red glittering eye, And he kept that eye on his lovely daughter. [cho]

Her hair was black and her eyes were blue, The colonel and the major and the captain sought herThe sergeant and the private and the drummer boy too, But they never had a chance with Reilly’s daughter. [cho]

I got me a ring and a parson too, Got me a scratch in a married quarterSettled me down to a peaceful life, Happy as a king with Reilly’s daughter. [cho]

Suddenly a footstep on the stairs, Who should it be but Reilly out for slaughterWith two pistols in his hands, Looking for the man who had married his daughter. [cho]

I caught old Reilly by the hair, Rammed his head in a pail of waterFired his pistols into the air, A damned sight quicker than I married his daughter. [cho]

2030. The Rising of the Moon

42

Am G Am G

[^3] ^2 .3 ^3 .4 ^5 .5 .4 ^3 ^2 .4 ^3 ^2 [^3 ^3] [^3 ^3] ^2 .3 ^3 .4 ^5 .5 .4 ^3 ^2Tell me, tell me SeanO’ Far− rel, tell me why yo − u hur − ry so, Hush a − bu− chall, hush and lis − ten, And his

Am Am Em Am

.4 ^3 ^2 [^3 ^3] [^3] .4 ^5 ^5 .5 ^6 ^5 .5 .4 ^3 .4 .5 .4 .5 ^6 ^5 .4 ^5eyes we − re all a − glow. I bear or − ders from the cap − tain, Make ye rea− dy quick and soon, For the

Em G Am

^5 .5 ^6 ^5 .5 .4 ^3 ^2 .4 ^3 .3 [^3 ^3 ^3]pikes must be to − ge− ther At the ri − si − ng of the moon.

Out from many a mud−walled cabin, eyes were lookin’ through the nightMany a manly heart was throbin’ for the blessed morning lightA cry arose along the river, like some banshee’s mournful croonAnd a thousand pikes were flashing by the rising of the moon

All along the shining river one black mass of men was seenAnd above them in the night wind floated our immortal greenDeath to every foe and traitor. Onward, strike the marching tuneAnd hurrah me boys for freedom, it’s the rising of the moon

Well they fought for dear old Ireland, and full bitter was their fate,Oh what glorious pride and sorrow fills the name of ninety−eight.But thank God e’en now are beating hearts in mankind’s burning noon,Who will follow in their footsteps, at the rising of the moon.

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1892031. The Rose of Tralee

43

D Bb Bm D

.5 .5 ^5 .5 .7 ^7 .6 .6 ^4 ^5 ^5 .5 ^5 .5 ^5 .5 .5 .6 .6 .6 ^6 .6The soft moon was ri − sing a − bove the green moun− tain, The sun was de − cli − ning be − neath the blue

A D Bb Bm D Bm D

^7 .5 .5 .5 ^5 .5 .7 ^7 .6 .6 ^4 ^5 ^5 .5 ^5 .5 ^8 ^8 .7 .6 ^5 .5 .7 ^7sea, When I strayedwith my love to the pale crys− tal foun − tain, That stands in the beau− ti − ful vale of Tra −

Bm F# D Bm

.6 .6 ^7 .7 .7 ^8 .7 .7 ^7 .6 ^6 ^5 ^1 .4 .7 .7 .6 ^8 .7 .7 ^7 .6 ^7 ^6 ^5 .5lee. She was love − ly and fair as the rose of the sum− mer, But ’twas not her beau− ty a − lone that won me. Ah,

D Bb Bm D Bm D

.5 ^5 .5 .7 ^7 .6 .6 ^4 ^5 ^5 .5 ^5 .5 ^8 ^8 .7 .6 ^5 .5 .7 ^7 .6no, ’twas the truth in her eyes e − ver shi − ning, That made me love Ma − ry, the Rose of Tra − lee.

The cool shades of evening their mantles were spreading,And Mary, all smiling, stood listn’ng to me,When all through the valley her pale rays were shedding,When I won the heart of the Rose of Tralee. [cho]

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1902032. The Sash My Father Wore

44

D A A

.5 ^4 .4 .2 .3 ^3 .4 ^3 .3 .4 ^4 .5 .5 ^4 .4 ^4 ^3 ^3 ^3 ^2 .2 ^2 ^3 .4 ^4 .4 ^3Su− re I’m an Ul − ster O − range− man Fro − m E − rin’s is − le I came, To see my Bri − tish bre− the− ren, All of

D A

.3 .2 .3 ^3 .4 .5 ^4 .4 .2 .3 ^3 .4 .4 .3 .4 ^4 .5 .5 ^4 .4 ^4 ^3 ^3ho − nour and of fame. And to tell them of my fore − fa − thers, wh − o fought in da− ys of yore, That

D chorus D

^3 ^2 .2 ^2 ^3 .4 ^4 .4 ^3 .5 .5 ^4 .4 ^3 .3 .5 ^4 .4 .2 .3 ^3 .4 ^3 .3 .4 ^4I might have the right to wear th − e sash my f − a− ther wore. It is old, but it is beau − ti − ful, And its

A D

.5 .5 ^4 .4 ^4 ^3 ^3 ^3 ^3 ^2 .2 ^2 ^3 .4 ^4 .4 ^3 .3 .2 .3 ^3 .4 .5 ^4co − lours the− y are fine, It was worn at Der − ry, Au − ghe− rim, En− nis − kil − len and the Boyne; M − y

A

.4 .2 .3 ^3 .4 .4 ^3 .3 .4 ^4 .5 .5 ^4 .4 ^4 ^3 ^3 ^3 ^2 .2 ^2 ^3 .4 ^4 .4 ^3fa − ther wore it as a youth i − n by − gone da− ys of yore, And on the Twelfth I love to wear th − e

.5 .5 ^4 .4 ^3 .3sash my f − a− ther wore.

For those brave men who crossed the Boyne have not fought or died in vainOur Unity, Religion, Laws, and Freedom to maintain,If the call should come we’ll follow the drum, and cross that river once moreThat tomorrow’s Ulsterman may wear the sash my father wore!

And when some day, across the sea to Antrim’s shore you come,We’ll welcome you in royal style, to the sound of flute and drumAnd Ulster’s hills shall echo still, from Rathlin to DromoreAs we sing again the loyal strain of the sash my father wore!

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1912033. Spanish Lady

Dublin City

44

F Am

.5 .5 .5 .5 ^5 ^6 .6 .6 .6 .6 ^7 .7 ^8 ^7 .7 .6 ^5 .5 .5 .5 .5 .5 .5 .5 ^6 ^6As I went out throu− gh Dub − lin ci − ty At the hour of twelve o’ clock of the night, Who should I see but a

F

.6 .6 .6 ^7 .7 ^8 ^8 ^7 .7 .6 ^5 .5 .5 .7 .8 .8 .7 .7 ^7 .6 .6 ^7 .7 .7 .7 .8 .7Span− ish l − a− dy Wash− ing her feet by can− dle light. First she washedthemand then she dried them, O − ver a fore of

C F

^7 .6 ^7 .5 .7 .7 .8 .7 ^7 ^7 .6 .6 ^7 .7 ^8 ^7 .7 .6 ^5 .5 .5 .5 .5 .5 .5 ^5am− b’ry coals. In all my life I ne− ver did see a maid so sweet a − bout the soles. Whack fol the toor − a −

.6 .6 .6 ^7 .7 ^8 ^7 ^7 .7 .6 ^5 .5 .5 .5 .5 .5 .5 ^5 .6 .6 .6 ^7 .7 ^8 ^7 ^7 .7 .6loor − a la − dd − y, Whack fol the toor − a − loor − a lay; Whack fol the toor − a − loor − a la − dd− y, Whack fol the toor − a −

^5 .5 .5loor − a lay.

I stopped to look but the watchman passed, Says he, "Young fellow, the night is lateAlong with you home or I will wrestle you, Straight away through the Bridewell gate"I threw a look to the Spanish lady, Hot as the fire of ambry coalsIn all my life I never did see, a maid so sweet about the soles [cho]

As I walked back through Dublin City, As the dawn of day was o’erWho should I see but the Spanish lady, When I was weary and footsoreShe had a heart so filled with loving, And her love she longed to shareIn all my life I never did see, a maid who had so much to spare [cho]

Now she’s no mot for a puddle swaddy, With her ivory comb and her mantle so fineBut she’d make a wife for the Provost Marshall, Drunk on brandy and claret wineI got a look from the Spanish lady, Hot as a fire of ambry coalsIn all my life I never did meet, a maid so sweet about the soles[cho]

I’ve wandered north and I’ve wandered south, By Stoney Batter and Patrick’s CloseUp and around by the Gloucester Diamond, And back by Napper Tandy’s houseOld age has laid her hands upon me, Cold as a fire of ashy coalsBut where is the lonely Spanish lady, neat and sweet about the soles?[cho]

As I was leaving Dublin City, On that morning sad of heartLonely was I for the Spanish lady, Now that forever we must partBut still I always will remember, All the hours we did enjoyBut then she left me sad at parting, gone forever was my joy.[cho]

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1922034. Star of the County Down

43

Em C G D G Em Bm Em

.4 .5 ^5 ^5 ^5 .5 ^5 .6 .6 ^7 .6 ^7 .7 ^7 .6 ^5 .5 .4 .5 − .6 ^6 ^5 ^5Near to Ban − bridge town in the Coun − ty Down on a mo − r − ning i − n Ju − ly, Down a bo − reen

C G D Em Am Em G D

^5 .5 ^5 .6 .6 ^7 .6 ^7 .7 ^7 .6 ^5 ^5 ^5 − .7 .8 .7 .7 ^7 .6 ^7 ^7green came a sweet col − leen and she smiled as she passed me by. She looked so neat from her two white

D Em Bm Em C G D Em

^7 .6 ^7 .7 ^7 .6 ^5 .5 .4 .5 − .6 ^6 ^5 ^5 ^5 .5 ^5 .6 .6 ^7 .6 ^7 .7 ^7 .6feet to the sheen of her nut − brow − n hair, Such a coax − in’ elf I’d to shake my − self to make sure I was

Am Em G Em D Em G

^5 ^5 ^5 − .7 .8 .7 .7 ^7 .6 ^7 ^7 ^7 .6 ^7 .7 ^7 .6 ^5 .5 .4 .5 .5 .6 ^6real − ly there. From Ban − try Bay up to Der − ry Quay and from Gal − way to Dub − li − n town No − o maid

Em Em D Em

^5 ^5 ^5 .5 ^5 .6 .6 ^7 .6 ^7 .7 ^7 .6 ^5 ^5 ^5 −I’ve seen like the sweet Col − leen that I met in the Coun − ty Down

As she onward sped I shook my head, And I gazed with a feeling quare,And I said, says I, to a passer−by, "Who’s the maid with the nut−brown hair?"Oh, he smiled at me, and with pride says he, "That’s the gem of Ireland’s crown,She’s young Rosie McCann from the banks of the Bann, She’s the Star of the County Down."

I’ve travelled a bit, but never was hit, Since my roving career began;But fair and square I surrendered there, To the charms of young Rose McCann.I’d a heart to let and no tenant yet, Did I meet with in shawl or gown,But in she went and I asked no rent, From the Star of the County Down.

At the crossroads fair I’ll be surely there, And I’ll dress in my Sunday clothesAnd I’ll try sheep’s eyes, and deludhering lies, On the heart of the nut−brown Rose.No pipe I’ll smoke, no horse I’ll yoke, Though with rust my plow turns brown,Till a smiling bride by my own fireside, Sits the Star of the County Down.

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1932035. The Town I Loved So Well

44

G D C G C D

.4 ^4 .5 .5 ^7 .6 ^6 .6 .6 ^5 .5 .5 ^5 ^6 .6 .4 .3 ^3 .4 ^4 .4 ^3 .4 ^4In my me − mo − ry I will al − ways see the town that I have loved so well, Where our

G D C G C G

.5 .5 ^7 .6 ^6 .6 .6 ^5 .5 .5 .5 ^5 ^6 .6 .4 .4 ^3 .3 .3 − .5 .5school played ball by the gas ya − rd wall and we laughed through the smoke and the smell. Go − ing

D C G C D G

.6 .6 .6 ^7 .7 ^8 ^8 .7 .7 .7 ^7 .6 ^7 .7 ^8 ^8 ^8 .7 ^7 .6 ^6 ^5 .5 − .4 ^4home in the rain, run − ning up the da − rk lane, Past the jail and down be− hind the foun tain, Those were

D C G C D

.5 .5 ^7 .6 ^6 .6 .6 .6 ^5 .5 .5 .5 ^5 ^6 .6 .4 .4 ^3 .3 −hap − py days in so ma − ny ma − ny ways, In the town I loved so well.

In the early morn the shirt factory hornCalled the women from Creggan, the Moor and the BogWhile the men on the dole played a mother’s roleFed the children and then walked the dogAnd when times got rough there was just about enoughBut they saw it through without complainingFor deep inside was a burning prideIn the town I loved so well.

There was music there in the Derry airLike a language that we could all understandI remember the day when I earned my first payWhen I played in a small pick−up bandThere I spent my youth and to tell you the truthI was sad to leave it all behind meThere I learned about life and I found a wifeIn the town I loved so well:

But when I returned oh my eyes how they burnedTo see how a town could be brought to its kneesBy the armoured cars and the bombed out barsAnd the gas that hangs on to every breezeNow the army’s installed by the old gasyard wallAnd the damned barbed wire gets higher and higherWith their tanks and their gunsOh my God, what have they doneTo the town I loved so well.

Now the music’s gone but they carry onFor their spirit’s been bruised, never brokenThey will not forget but their hearts are setOn tomorrow and peace once againNow what’s done is done and what’s won is wonAnd what’s lost is lost and gone foreverI can only pray for a bright brand new dayFor the town I Iove so well.

2036. Waxies’ Dargle

42

.6 ^6 ^5 .5 .4 .3 ^3 .3 [^3] ^2 .3 .3 .3 ^3 .4 ^4 .5 .4 .6 ^5 .5 .4 .3 ^3 .3 [^3] .3 ^2 ^3 [3 ^3] ^2 .3 .3 .5 ^4

.4 .5 ^5 ^6 .6 .5 .4 .3 .4 .5 ^5 ^6 .6 ^6 .6 ^6 ^5 .5 .4 .3 ^3 .3 [^3] .3 .3 ^2 ^3 [3 ^3] ^2 .3 .3

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1942037. When Irish Eyes are Smiling

43

Chorus C G C C F Am C Am C C Am C G C G Am C F C Am G G C G

.5 .4 .4 ^3 .3 .4 .5 − .4 .3 ^4 ^5 .6 ^5 .5 − ^5 ^6 .6 ^6 .6 ^6 ^5 .5 ^4 .4 ^5 ^3 ^3 .4 ^3

C C G C C C F Am C Am C Am G C G G C C D C Am G C G C

− .5 .4 .4 ^3 .3 .4 .5 − .4 .3 ^4 ^5 .6 ^5 .5 − ^5 ^6 .6 ^6 ^7 .6 .7 .5 [^6] .5 ^5 ^6 .6 ^7 .6 .6

G Am C Verse C F1 2

^6 ^5 .5 .6 .4 ^4 .5 .6 ^5 .5 .4 ^4 .5 .6 ^5 .5 .4 ^3 .3 ^3 .4 .4 ^3 .3 .5 − ^3 .4 ^4 .4 ^3 ^4 .4 ^3

C G Am C Am

.3 ^3 .4 .5 ^4 .4 ^3 .4 [^6] ^5 ^6 ^3 .5 − .4 ^4 .5 .6 ^5 .5 .4 ^4 .5 .6 ^5 .5 .4 ^3 .3 ^3 .4 .4 ^3 .3 ^5

C G Am C

− ^5 ^6 .6 ^5 ^6 .6 ^6 ^5 ^6 .5 ^5 ^6 ^5 .5 ^3 .4 [^6] ^5 ^6 .5 −

When Irish Eyes are Smiling in D

43

D A D D G Bm D Bm D D Bm D A D A Bm D G D Bm A A D A1

.5 .4 .4 ^3 .3 .4 .5 ^5 .4 .3 ^4 ^5 .6 ^5 .5 − ^5 ^6 .6 ^6 .6 ^6 ^5 .5 ^4 .4 ^5 ^3 ^3 .4 ^3

D D E7 A7 D2

^3 ^6 .4 .5 [^6] .5 ^5 ^10 .6 ^7 .6 .6 −

There’s a tear in your eye, And I’m wondering why,For it never should be there at all. With such pow’r in your smile,Sure a stone you’d beguile, So there’s never a teardrop should fall.When your sweet lilting laughter’s, Like some fairy song,And your eyes twinkle bright as can be; You should laugh all the whileAnd all other times smile, And now, smile a smile for me.

Cho: When Irish eyes are smiling, Sure,’tis like the morn in Spring. In the lilt of Irish laughter, You can hear the angels sing. When Irish hearts are happy, All the world seems bright and gay. And when Irish eyes are smiling, Sure, they steal your heart away.

For your smile is a part, Of the love in your heart,And it makes even sunshine more bright. Like the linnet’s sweet song,Crooning all the day long, Comes your laughter and light.For the springtime of life, Is the sweetest of allThere is ne’er a real care or regret; And while springtime is oursThroughout all of youth’s hours, Let us smile each chance we get. [Cho]

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1952038. When You and I Were Young, Maggie

44

D A D

.4 .5 .4 ^3 .3 ^3 .3 .3 [^3] .3 [^3 .3] .3 .4 ^4 .4 ^3 .4 .5 .4 ^3 .3 ^3 .3I wan− der’d to − day to the hill, Mag − gie, To watch the scene b − e − low, The creek and the old rus− ty

Em D

.3 [^3] .3 .3 [^3 .3] .3 .4 .5 ^3 .4 .3 .3 ^3 ^3 .4 ^4 .5 ^4 .4 .5 .4 .4mill, Mag − gie, where we sat in the long, long a − go. The green grove is gone from the hill, Mag − gie, where

E D

^3 .5 [^6] ^5 .5 .5 .5 .4 ^3 .3 ^3 .3 .3 [^3] .3 .3 [^3 .3] .3 .4 .5 ^3 .4 .3 .3first the dai− sies sprung; The crea− king old mill i − s still, Mag − gie si − nce you a− nd I we − re young. And

Em D A D

^3 ^3 .4 ^4 .5 ^4 .4 .5 .4 .4 .4 ^3 .5 [^6] ^6 ^5 .5 .5 ^5 .5 .4 ^3 .3 ^3 .3now we are a − ged and gray, Mag− gie, and the trials of life near− ly done, But to me you’re as fair as you

.3 [^3] .3 .3 [^3 .3] .3 .4 .5 ^3 .4 .3were, Mag− gie whe − n you a − nd I we − re young.

A city so silent and lone, Maggie, Where the young and the gay and the best,In polished white mansions of stone, Maggie, Have each found a place of rest, Is built where the birds used to play, Maggie, And join in the songs that were sung; For we sang as gay as they, Maggie, When you and I were young.

2039. Whiskey in the Jar (Kilgary Mountain)

C Am F G C

.4 .5 .5 .5 ^5 .5 .4 .5 ^5 ^5 ^5 ^6 ^5 .4 .5 ^5 ^5 ^5 ^6 .6 .6 ^6 ^5 .5 .5 .6 ^6 ^5 .5 .4 .5 .5 .5 ^5 .5 .4 .4

Am F C AmChorus G G G C

^5 ^5 ^5 ^6 ^5 .4 .5 ^5 ^5 ^6 .6 .6 ^6 ^5 .5 .5 .6 ^6 ^5 .5 .3 .3 ^3 ^3 ^3 ^3 .4 ^3 − .4 .4 ^3 .4 .5 .5

C F C G7 C

.5 ^5 ^5 .5 ^5 ^6 .6 ^5 .5 .4 ^3 .4 .3

As I was a−walkin’ ’round Kilgary Mountain, I met with Captain Pepper as his money he was countin’, I rattled my pistols and I drew forth my saber, Sayin’, "Stand and deliver, for I am the bold deceiver"

Musha rig um du rum da, Whack fol the daddy o Whack fol the daddy o, There’s whiskey in the jar

The shinin’ golden coins did look so bright and jolly, I took ’em with me home and I gave ’em to my MollyShe promised and she vowed that she never would deceive me, But the devil’s in the women and they never can be easy

When I was awakened between six and seven, The guards were all around me in numbers odd and evenI flew to my pistols, but alas I was mistaken, For Molly’s drawn my pistols and a prisoner I was taken

They put me into jail without judge or writin’, For robbing Colonel Pepper on Kilgary MountainBut they didn’t take my fists so I knocked the sentry down, And bid a fond farewell to the jail in Sligo town

Now some take delight in fishin’ and in bowlin’, And others take delight in carriages a−rollin’But I take delight in the juice of the barley, And courtin’ pretty girls in the morning so early

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1962040. Wild Colonial Boy

42

D G A D A

.5 .3 .4 .5 .5 ^5 ^4 ^3 .3 ^2 .2 .4 ^3 .3 − .4 ^4 .5 .5 .6 ^6 ^6 ^5There was a wild co − lon − ial boy. Jack Dug − gan was his name. He was born and raised in I − re −

G A D A D A D

^3 ^3 .4 ^4 .5 ^6 ^5 .5 − .5 .5 .6 .6 ^6 ^6 ^5 ^3 .4 ^4 .5 ^6 ^5 .5land, in a place called Cas− tle − maine. He was his fa − ther’s on − ly son, his mo− ther’s pride and joy.

G A D

− .5 .3 .4 .5 .5 ^5 ^4 ^3 .3 ^2 .2 .4 ^3 .3 .3And dear − ly did his par − ents love the wild co − lon − ial boy.

Come all my hearties, we’ll range the mountainside Together we will plunder, together we will ride We’ll scour along the valleys and gallop o’er the plains We’ll scorn to live in slavery, bowed down in iron chains

In sixty−one this daring youth commenced his wild careerWith a heart that knew no danger, no foeman did he fearHe held up the Beechworth mailcoach and he robbed Judge MacEvoyWho trembled and gave up his gold to the wild colonial boy

One day as he was riding the mountainside alongAlistening to the little birds their pleasant laughing songThree mounted troopers came in view − Kelly, Davis, and FitzroyAnd thought that they would capture him, the wild colonial boy

"Surrender now, Jack Doolan, you see there’s three to oneSurrender now, Jack Doolan, you daring highwayman"He drew a pistol from his belt and spun it like a toy"I’ll fight, but I won’t surrender," said the wild colonial boy

He fired at trooper Kelly and brought him to the groundAnd in return from Davis received a mortal woundAll shattered through the jaws, he lay still firing at FitzroyAnd that’s the way they captured him, the wild colonial boy

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1972041. Wild Rover (No Nay Never)

43

D G D A D

.3 .3 ^3 .3 .3 .2 .4 .4 ^3 .4 ^4 − .5 .5 .4 .5 ^4 ^3 ^2 .2 .4 ^3 .3 .3 .3I’ve been a wild ro − ver for man − y a year, I’ve spentall my mo − ney on whisk − ey and beer. But now

G D A D A

.3 ^3 .3 .3 .2 .4 .4 ^3 .4 ^4 − .5 .5 .4 .5 ^4 ^3 ^2 ^2 .2 .4 ^3 .3 ^2 .3 ^3I’m re − turn − ing with gold in great store, I nev − er will play the wild rov − er no more. And it’s no,

F#m D G D Bm D

^3 ^2 .2 − − − .4 .4 .4 ^3 .4 ^4 − .4 ^4 .5 − .4 .3 ^2 [^3] − [^3 .3] .4 − − ^3nay, nev − er. No nay nev− er no more, Will I play the wild rov − er, No nev− er no more.

.3

I went to an ale−house I used to frequentAnd I told the landlady my money was spentI asked her for credit, she answered me "naySuch a custom as yours I could have any day." cho

I took from my pocket ten sovereigns brightAnd the landlady’s eyes opened wide with delightShe said "I have whiskey and wines of the bestAnd the words that I spoke sure were only in jest." cho

I’ll go home to my parents, confess what I’ve doneAnd I’ll ask them to pardon their prodigal sonAnd if they caress (forgive) me as ofttimes beforeSure I never will play the wild rover no more cho

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1982042. If You’re Irish come into the Parlour

86

G D F#m D Am G G Am G G

.5 [^6] ^4 .4 .2 − [3 .3 ^3 .3] [^2] ^3 ^3 .4 ^4 .5 .4 ^3 .3 − ^3 .4 ^4 [^3] [3 ^2 .3] .3 .4 .4 .4

D G D F#m D Am G

^3 ^3 ^3 ^3 ^3 ^3 .4 ^3 .3 ^2 .2 ^2 ^3 .5 .5 ^4 .4 .2 − [3 .3 ^3 .3] [^2] ^3 ^3 .4 ^4 .5 .4 [^1] .4

Am G Am G

− − .4 .5 .5 .5 .5 .4 .5 ^4 .4 ^3 .4 .5 .5 .5 .5 .4 .5 ^4 .4 ^3 .4 ^4 .5 .4 ^4 .5 ^4 .4 ^3 .3 − −

In sweet Lim’rick Town, they say, Lived a chap named Patrick John MoIIoy. Once he sailed to U.S.A. His luck in foreign parts he thought he’d try. Now he’s made his name, and is a wealthy man, He put a bit away for a rainy day; So if you gaze upon The house of Patrick John, You’ll find a notice that goes on to say:

Chorus:If you’re Irish come into the parlour, There’s a welcome there for you; If your name is Timothy or Pat, So long as you come from Ireland, There’s a welcome on the mat, If You come from the Mountains of Mourne, Or Killarney’s lakes so blue, We’ll sing you a song and we’ll make a fuss, Whoever you are you are one of us, If you’re Irish, this is the place for you!

Patrick loved the girl he wed, But he could not stand his Ma−n−aw, Once with joy he turned quite red, When she got into trouble thro’ her jaw. Six police they had to take her to the Court, She was informed a month she would have to do, So Patrick quickly wrote Up to the Judge a note Explaining, "Sir, I’m much obliged to you!"

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199− CHRISTMAS CAROLS −Appear in alphabetical order

3000. Angels we have heard on high

.4 .4 .4 .5 .5 ^4 .4 .4 ^3 .4 .5 .4 ^3 .3 .5 ^5 .5 ^4 .4 ^4 .5 ^4 .4 ^3 .4 ^4 .4 ^3 .3 ^3 [3 .3]

2

.3 ^3 .4 ^4 .4 ^3 .3

Angels we have heard on high, Sweetly singing o’er the plainsAnd the mountains in reply, Echoing their joyous strains. Gloria..

cho: Gloria, In Excelsius Deo

Shepherd why this jubilee, Why your joyous strains prolongWhat the gladsome tidings be, Which inspire your heavenly song?

Come to Bethlehem and see, Him whose birth the angels singCome adore on bended knee, Christ the Lord the newborn king

See him in a manger laid, Whom the choirs of angels praiseMary, Joseph, lend your aid, While our hearts in love we raise

3001. Away in a Manger

43

F C7 F C7 F G7 C7 F C7 F

.2 .3 .3 ^3 .4 .3 .3 .4 ^4 .5 .5 ^5 ^4 ^3 .4 ^4 ^4 .5 .4 .4 .3 .4 ^3 [^3] .3 ^2 .2 .3 .3 ^3 .4 .3 .3 .4 ^4

Gm C7 F Bb C7 F

.5 .5 ^5 ^4 ^3 .4 ^4 ^4 .5 .4 .4 .3 .4 ^3 [^3] ^2 .3

Away in a manger, no crib for a bed, The Little Lord Jesus lay down His sweet head;The stars in the bright sky looked down where He lay, The little Lord Jesus asleep in the hay

The cattle are lowing the baby awakes, But little Lord Jesus no crying He makes,I love you, Lord Jesus; look down from the sky, And stay by my side until morning is nigh

Be near me Lord Jesus; I ask you to stay, Close by me forever and love me, I pray,Bless all the dear children in your tender care, And fit us for heaven to live with you there

3002. Deck the HallsAABA

44

.5 ^4 .4 ^3 .3 ^3 .4 .3 ^3 .4 ^4 ^3 .4 ^3 .3 ^2 .3 ^3 .4 ^4 ^3 .4 ^4 .5 ^3 .4 ^4 .5 ^5 ^6 .6 ^6 ^5 .5

.5 ^4 .4 ^3 .3 ^3 .4 .3 ^3 .4 ^4 ^3 .4 ^3 .3 ^2 .3

Deck the halls with boughs of holly, Fa−la−la−la−la, la−la−la−la’Tis the season to be jolly, Fa−la−la−la−la, la−la−la−laDon we now our gay apparel, Fa−la−la, la−la−la, la−la−laTroll the ancient Yuletide carol, Fa−la−la−la−la, la−la−la−la

See the blazing Yule before usStrike the harp and join the chorusFollow me in merry measureWhile I tell of Yuletide treasure

Fast away the old year passesHail the new ye lads and lassesSing we joyous all togetherHeedless of the wind and weather

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2003003. Ding Dong Merrily on High

44

Chorus

.3 .3 ^3 .3 ^2 [^3] [3 .3] [^3] .3 .3 ^2 .3 .3 .5 ^4 .4 ^4 .5 .4 ^4 .4 ^3 .4 ^4 ^3 .4 ^3 .3 ^3 .4 .3

^3 .3 ^2 .3 ^3 ^2 .3 ^2 [^3] ^2 .3 [^3] ^2 [^3 .3 .3] [^3] .3 .3 ^2 .3 .3

Ding Dong merrily on high, In Heaven bells are ringingDing dong merrily the sky, Is riven with angels singing

Cho: Glo− − − −ria, Hosana in excelsis

E’en so here below, below, Let steeple bells be swungenAnd io, io, io, By priest and people sungen: Cho

Pray you, dutifully prime, Your matin chime, ye ringers;May you beautifully rime, Your evetime song, ye singers: Cho

3004. The First Noel

43

Chorus

.4 ^3 .3 ^3 .4 ^4 .5 ^5 ^6 .6 ^6 ^5 .5 ^5 ^6 .6 ^6 ^5 .5 ^5 ^6 .6 .5 ^4 .4 .4 ^3 .3 ^3 .4 ^4 .5 .6 ^6

^5 ^5 .5 − .6 ^6 ^5 .5 ^5 ^6 .6 .5 ^4 .4

The first Noel, the angel did say, Was to certain poor shepherds in fields as they lay,In fields as they ,lay keeping their sheep, On a cold winter’s night hat was so deep

Noel, Noel, Noel, Noel, Born is the King of Israel

They looked up and saw a star, Shining in the east, beyond them far;And to the earth it gave great light, And so they continued both day and night Cho

And by the light of that same star, Three wise men came from country far;To seek for a King was their intent, And to follow the star wherever it went Cho

Now let us all with one accord, Sing praises to our heavenly Lord,Who brought forth Heaven and earth from naught, And with his blood mankind has bought Cho

3005. God Rest You Merry Gentlemen

44

Em Em Em B7 Em Em Em B7 D7

[^3] [^3] .4 .4 ^3 .3 ^2 [^3 .3] [^3] ^2 .3 ^3 .4 [^3] [^3] .4 .4 ^3 [^3] ^2 .3 ^3 [^3] .4 .4 ^3 .4 .4 ^4 ^3 .4 ^4

3G B7 Em A7 D7 G C D B7 Em A7 D7 G Em A B7 Em Em

.5 ^5 .4 ^3 .3 [^3] ^2 .3 ^3 .3 ^3 .4 ^4 .4 .4 ^3 .3 ^2 [^3] .3 ^2 [^3] ^3 .3 ^3 .4 ^4 .5 ^5 .4 ^3 .3 ^2 [^3] [^3]

God rest ye merry, gentlemen, let nothing you dismayRemember Christ our Saviour was born on Christmas DayTo save us all from Satan’s pow’r when we were gone astray

Cho: Oh, tidings of comfort and joy,comfort and joy Oh tidings of comfort and joy

In Bethlehem in Jewry this blessed Babe was born,And laid within a manger upon this blessed mornThe which His mother Mary did nothing take in scorn, Chorus

From God our heav’nly Father, a blessed angel cameAnd unto certain shepherds brought tidings of the sameHow that in Bethlehem was born the Son of God by name, Chorus

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2013006. Good Christian Men Rejoice

86

.3 .3 .3 .4 ^4 .5 ^5 .5 .5 .3 .3 .4 ^4 .5 ^5 .5 .5 ^5 .5 ^4 .4 ^3 .3 .3 .3 ^3 ^3 .4 ^3 .3 ^3 .4 .5 ^5 .5 ^4

.4 ^3 .3 .3 ^3 ^3 .4 ^3 .3 ^3 .4 [^3 ^3] ^2 ^2 .3 .5 .4 .4 ^3 ^3 .3 −

Good Christian men, rejoiceWith heart and soul and voice; Give ye heed to what we say:

News! News! Jesus Christ is born today:

Ox and ass before him bowAnd He is in the manger now

Christ is born today! Christ is born today!

Good Christian men, rejoiceWith heart and soul and voice; Now ye hear of endless bliss;

Joy! Joy! Jesus Christ was born for this!

He has oped the heav’nly doorAnd man is blessed evermore

Christ was born for this! Christ was born for this!

Good Christian men, rejoiceWith heart and soul and voice; Now ye need not fear the grave;

Peace! Peace! Jesus Christ was born to save!

Calls you one and calls you allTo gain his everlasting hall

Christ was born to save! Christ was born to save!

3007. Good King WensleslasAAB

44

.6 .6 .6 ^7 .6 .6 .5 ^5 .5 ^5 ^6 .6 .6 .8 ^8 .7 ^7 .7 ^7 .6 ^5 .5 ^5 ^6 .6 .6 .5 .5 ^5 ^6 .6 .6 ^7 −

.8 ^8 .7 ^7 .6 ^8 .6

Good King Wenceslas looked out on the feast of Stephen, When the snow lay round about, deep and crisp and evenBrightly shone the moon that night, though the frost was cruel, When a poor man came in sight, gathering winter fuel

Hither page and stand by me if thou knowst it telling, Yonder peasant, who is he, where and what his dwelling?Sire, he lives a good league hence, underneath the mountain, Right against the forest fence, by Saint Agnes’ fountain

Bring me flesh and bring me wine, bring me pinelogs hither, Thou and I will see him dine when we bear them thitherPage and monarch forth they went, forth they went together, Through the rude winds wild lament, and the bitter weather

Sire the night is darker now, and the wind blows stronger, Fails my heart I know now how, I can go no longerMark my footsteps my good page, tread thou in them boldly, Thou shalt find the winter’s rage freeze thy blood less coldly

In his master’s steps he trod where the snow lay dinted, Heat was in the very sod which the saint had printedTherefore Christian men be sure, wealth or rank possessing, Ye who now will bless the poor, shall yourselves find blessing

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2023008. Hark! The Herald Angels Sing

44

F C7 F Bb C7 F Dm G7 C F G7 C No chord

.2 .3 .3 ^2 .3 .4 .4 ^3 .5 .5 .5 ^4 .4 ^3 .4 .2 .3 .3 ^2 .3 .4 .4 ^3 .5 ^3 ^3 ^2 ^2 [^3 .3] .5 .5 .5 .3

C7 F C7 No chord C7 F C7 Bb D7 Gm F C7 F C7 F Bb D7 Gm

^4 .4 .4 ^3 .5 .5 .5 .3 ^4 .4 .4 ^3 ^5 ^5 ^5 .5 ^4 .4 ^4 ^3 .4 ^4 .5 .3 .3 ^3 .4 ^5 ^5 ^5 .5 ^4 .4 ^4

C7 F C7 F

^3 .4 ^4 .5 .3 .3 ^3 .3

Hark, the herald angels sing, Glory to the newborn King,Peace on earth and mercy mild, God and sinners reconciled";Joyful, all the nations ,rise, Join the triumph of the skies;With the angelic host proclaim: ’Christ is born in Bethlehem"

Hark, the herald angels sing,’Glory to the new born King’

Christ, by highest heav’n adored, Christ, the ever−living Lord,Late in time behold Him come, Offspring of a virgins wombVeiled in flesh the Godhead see, Hail the incarnate Deity;Pleased as man with man to dwell, Jesus, our Emmanuel

Hail the heav’n born Prince of Peace, Hail, the Sun of righteousness;Light and life to al! He brings, Ris’n with healing in His wingsMild He lays His glory by, Born that man no more may die;Born to raise the sons of earth, Born to give them second birth

3009. Holly and the Ivy

43

Chorus

.3 .3 .3 .3 ^5 .5 .4 .3 .3 .3 .3 ^5 .5 .5 ^4 .4 ^3 .3 .4 .4 [^3 ^3 .3] .3 ^3 .4 ^4 .4 ^3 .3 .3 .3 .3 .3 .3 ^5

.5 .4 .3 .3 .3 .3 .3 ^5 .5 .5 ^4 .4 ^3 .3 .4 [^3 ^3 .3] .3 ^3 .4 ^4 .4 ^3 .3

The holly and the ivy, When they are both full grownOf all the trees that are in the wood, The holly bears the crown

Oh the rising of the sun, And the running of the deer The playing of the merry organ, Sweet singing all in the choir

The holly bears a blossom, As white as the lily flowerAnd Mary bore sweet Jesus Christ, To be our sweet Savior

The holly bears a berry, As red as any bloodAnd Mary bore sweet Jesus Christ, To do poor sinners good

The holly bears a prickle, As sharp as any thornAnd Mary bore sweet Jesus Christ, On Christmas day in the morn. [Rpt verse 1]

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2033010. I’m Dreaming of a White Christmas

44

.4 ^4 .4 [^1] .4 ^4 [^6] .5 ^5 ^6 .6 ^7 .6 ^6 ^5 .5 − .3 ^3 .4 .4 .4 ^5 .5 .3 .3 .3 .5 ^4 .4

^4 .4 ^3 .3 ^3 − .4 ^4 .4 [^1] .4 ^4 [^6] .5 ^5 ^6 .6 ^7 .6 ^6 ^5 .5 − .3 ^3 .4 .4 .4 ^5 .5 .6

− .3 ^3 .4 .4 ^5 ^4 ^3 ^2 .3 −

I’m dreaming of a white Christmas , Just like the ones I used to knowWhere the treetops glisten and children listen , To hear sleighbells in the snow

I’m dreaming of a white Christmas , With every Christmas card I writeMay your days be merry and bright , And may all your Christmases be white

3011. Jingle Bells

44

F Bb C7 F

.2 .4 ^3 .3 [3 .3 .3] .2 .4 ^3 .3 [^3] ^2 ^4 .4 ^3 ^2 .5 .5 ^4 ^3 .4 [3 .3] .2 .4 ^3 .3 [3 .3 .3] .2 .4 ^3 .3

Bb F C7 F Chorus F C7

[^3 ^3] ^2 ^4 .4 ^3 .5 .5 .5 .5 ^5 .5 ^4 ^3 .3 .5 .4 .4 .4 .4 .4 .4 .4 .5 .3 ^3 .4 ^4 ^4 ^4 ^4

F G7 C7 F c7 F C7 F

^4 .4 .4 .4 .4 .4 ^3 ^3 .4 ^3 .5 .4 .4 .4 .4 .4 .4 .4 .5 .3 ^3 .4 ^4 ^4 ^4 ^4 ^4 .4 .4 .4 .4 .5 .5 ^4 ^3 .3

Dashing through the snow, in a one horse open sleigh, O’er the fields we go, laughing all the way,Bells on bobtail ring, making spirits bright, Oh what fun it is to sing a sleighing song tonight

Jingle bells, jingle bells, jingle all the way, Oh, what fun it is to ride in a one horse open sleigh;Jingle bells, jingle bells, jingle all the way, Oh what fun it is to ride in a one horse open sleighAussiecho: Jingle bells, jingle bells, jingle all the way, Christmas in Australia on a scorching summer’s day, Oh, Jingle bells, jingle bells, Christmas time is beaut. Oh what fun it is to ride in a rusty Holden ute.

Dashing through the bush in a rusty Holden ute. Kicking up the dust, esky in the boot. Kelpie by my side, singing Christmas songs, It’s summer time and I am in my singlet, shorts and thongs. Oh.

Engine’s getting hot, we dodge the kangaroo, Swaggie climbs aboard, he is welcome too. All the family’s here, sitting by the pool, Christmas day the Aussie way, by the barbecue. Oh..

Come the afternoon, Grandpa has a doze, The kids and Uncle Bruce are swimming in their clothes. Time has come to go, we take a family snap, And pack the car and all shoot through before the washing up. Oh..

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2043012. Joy to the World

42

D Em D A D G A7 D

.6 ^6 ^5 .5 ^4 .4 ^3 .3 .5 ^5 ^5 ^6 ^6 .6 .6 .6 ^6 ^5 .5 .5 ^4 .4 .6 .6 ^6 ^5 .5 .5 ^4 .4 .4 .4 .4 .4 .4 ^4

A D G D Em D A D

.5 ^4 .4 ^3 ^3 ^3 ^3 .4 ^4 .4 ^3 .3 .6 ^5 .5 ^4 .4 ^4 .4 ^3 .3

Joy to he world! The Lord is come;Let earth receive her king; Let every heart prepare Him room,And heaven and nature sing, And heaven and nature sing,And heaven and heaven and nature sing

Joy to the world The Saviour reigns;Let men Their song employ; While fields and floods rooks hills and plainsRepeat the sounding joy, Repeat the sounding joyRepeat repeat he sounding joy

He rules the earth with truth and grace,And makes the nation prove; The glories of His righteousnessAnd wonders of His love, And wonders Of His love,And wonders wonders of His love

3013. Little Drummer Boy

.3 ^3 .4 .4 .4 ^4 .4 .4 ^4 .4 − .3 .3 ^3 .4 .4 .4 .4 ^4 .4 ^4 .4 .4 ^3 .4 ^4 .5 .5 .5 ^5 .5 ^4 .4 ^3

^3 ^3 .4 ^4 .5 .5 .5 ^5 [[^1] ^3] .5 ^4 ^5 .5 ^4 .4 .5 ^4 .4 ^3 − .3 ^3 .4 .4 .4 .4 ^4 .4 ^4 .4 .4

^3 .3 ^3 .3 −

Come, they told me , Pa−rum−pa−pum−pum,"Our newborn king to see" , Pa−rum−pa−pum−pum,Our finest gifts we bring , Pa−rum−pa−pum−pum,To lay before the king, , Pa−rum−pa−pum−pum,Rum−pa−pum−pum, rum−pa−pum−pum,So to honour him, Pa−rum−pa−pum−pum,When we come

"Little Baby, Pa−rum−pa−pum−pum,I am a poor boy too, Pa−rum−pa−pum−pum,I have no gift to bring, Pa−rum−pa−pum−pum,That’s fit to give our King! Pa−rum−pa−pum−pum,Rum−pa−pum−pum, rum−pa−pum−pum,Shall I play for You, Pa−rum−pa−pum−pum,On my drum?’

Mary nodded, Pa−rum−pa−pum−pum,The ox and lamb kept time, Pa−rum−pa−pum−pum,I played my drum for Him, Pa−rum−pa−pum−pum,I played my best for Him, Pa−rum−pa−pum−pum,Rum−pa−pum−pum, rum−pa−pum−pum,Then He smiled at me, Pa−rum−pa−pum−pum,Me and my drum!

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2053014. O Come All Ye Faithful

44

G D7 G A7 D A7 D G D7 G C

.3 .3 .2 .3 ^3 .2 .4 ^3 .4 ^4 .4 ^3 .3 .3 ^2 [^3] ^2 .3 ^3 .4 ^2 [^3 .3] .2 .5 ^4 .4 ^4 .4 ^3 .4 .3 ^3

D7 Chorus No Chord G D7 Am D7 C G D7 G

^2 [^3 .3] .3 .3 ^2 .3 ^3 .3 .2 .4 .4 ^3 .4 ^4 .4 ^3 .4 ^4 .4 ^3 .3 ^2 .3 ^4 .4 ^3 .3 .3

O come all ye faithful! joyful and triumphant,O come ye, 0 come ye to BethlehemCome and behold him, born the King Of angels,

O come let us adore Him, O come let us adore Him, O come let us adore Him, Christ the Lord.

Sing choirs of angels sing in exultation,Sing, all ye citizens of heaven above,Glory to God in the highest

Yea Lord we greet thee born this happy morningJesus to thee be glory givenWord of the Father, now in flesh appearing,

3015. O Little Town of Bethlehem

44

G GO G C G D7 G E7 Am G D7 G Em

.4 .4 .4 [^1] .4 .5 ^4 [^3] ^3 .3 ^2 .3 ^3 .2 .4 .4 .4 .4 ^5 .5 .5 ^4 [^3] ^3 .3 ^2 .3 .4 ^3 .3 .4 .4 .4 ^3 .3

B B7 Em C B G GO G C GO G G

^2 ^2 ^2 [^3] ^2 .3 ^3 .4 .4 .4 .4 [^1] .4 .5 ^4 [^3] ^5 .5 .3 .4 ^3 .3

:O little town of Bethlehem, How still we see thee lie;Above thy deep and dreamless sleep, The silent stars go by:Yet in the dark streets shineth, The everlasting LightThe hopes and fears of all the years, Are met in thee tonight

How silently, how silently, The wondrous gilt is givenSo God imparts to human hearts, The blessing of his heavenNo ear may hear his coming; But in this world of sin,Where meek souls will receive him, still, The dear Christ enters in

3016. Once in Royal David’s City

44

D7 G D7 G D7 G D7 G D7 G D7

.2 ^2 .3 .3 .3 ^2 .3 ^3 ^3 .3 .3 .4 .5 .4 .4 ^3 .3 ^2 .3 .2 ^2 .3 .3 .3 ^2 .3 ^3 ^3 .3 .3 .4 .5 .4 .4 ^3 .3 ^2

G C G D7 G C G C D7 G

.3 ^5 ^5 .5 .3 ^4 ^4 .4 − ^5 ^5 .5 .4 .4 ^3 .3 ^2 .3

Once in Royal David’s city, Stood a lowly cattle shed,Where a mother laid her baby, In a manger for His bedMary was hat mother mild; Jesus Christ her little child

He came down to earth from heaven, Who is God and Lord of all,And His shelter was a stable, And His cradle was a stall;With the poor and mean and lowly, Lived on earth our Savior holy

And our eyes at last shall see Him, Through His own redeeming love,For that child so dear and gentle, Is our Lord in heaven above,And He leads His children on, To the place where He is gone

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2063017. On Christmas Night

86

G C G D7 G C D7 G G C G D7 G C D7 G

.5 .5 .4 ^4 .5 .4 ^3 .3 ^3 ^2 .3 .3 ^3 .4 ^4 .4 ^3 .3 .5 .5 .4 ^4 .5 .4 ^3 .3 ^3 ^2 .3 .3 ^3 .4 ^4 .4 ^3 .3

89

86

Am D7 G D7 G C D Am D7 G

^3 ^3 .3 ^3 .4 ^4 .5 ^4 .4 ^3 − .5 ^5 .5 ^4 .4 ^3 .3 ^3 .3 −

3018. Mary’s Boy Child

44

.5 .5 .5 .6 .6 ^5 ^4 ^3 ^5 ^5 .5 ^6 ^5 ^4 .4 .5 .7 ^7 .6 ^5 ^4 ^3 ^5 .5 .6 ^6 ^7 .6 .7 .7 ^8 ^8 ^7 ^7 .7

.6 .6 ^7 .6 ^6 ^5 .5 .7 ^7 .6 ^5 ^4 ^3 ^5 .5 .6 ^6 ^7 .6

Long time ago in Bethlehem so the holy bible sayMary’s boy child Jesus Christ was born on Christmas day

Hark, now hear the angels sing, a new King born today,And man will live for evermore, because of Christmas dayTrumpets sound and angels sing, listen to what they say,That man will live for evermore, because or Christmas day

While Shepherds watched their flocks by rightThem see a bright new shining star;They hear a choir sing the music seemed to come from afarNow Joseph and his wife Mary come to Bethlehem tat night,Them find no place to born the child,Not a single room was in sight

By and by they find a little space in a stable all forlorn,And in a manger cold and dark Mary’s little boy was bornLong time ago in Bethlehem so the holy bible say,Mary’s boy child Jesus Christ was born on Christmas day

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2073019. Rudolf the Red Nosed Reindeer

44

.5 .5 ^5 .5 .4 .6 ^5 .5 .5 ^5 .5 ^5 .5 .6 ^6 ^4 .5 ^4 ^3 ^6 ^5 .5 .5 ^5 .5 ^5 .5 ^5 .4 ^5 ^5 .6 ^5

.5 .4 .5 − ^4 ^5 .5 ^4 .4 − ^3 .4 .5 ^5 ^6 ^6 ^6 − .6 .6 ^6 ^5 .5 ^4 ^3 − .5 ^5 .5 .4 .6 ^5 .5

.5 ^5 .5 ^5 .5 .6 ^6 ^4 .5 ^4 ^3 ^6 ^5 .5 .5 ^5 .5 ^5 .5 ^7 .6

Rudolph the Red−Nosed Reindeer (reindeer)Had a very shiny nose (like a light bulb)And if you ever saw it (saw it)You would even say it glowed (like a stop light)

All of the other reindeer (reindeer)Used to laugh and call him names (like Pinocchio)They never let poor Rudolph (Rudolph)Join in any reindeer games (like Monopoly)

Then one foggy Christmas Eve,Santa came to say (Ho, ho, ho)Rudolph with your nose so brightWon’t you guide my sleigh tonight

Then how the reindeer loved him (loved him)And they shouted out with glee (ha, ha, ha)Rudolph the red−nosed reindeer (reindeer)You’ll go down in history...(like George Washington)

3020. Silent Night

86

C G7 C C7

.5 ^5 .5 .4 .5 ^5 .5 .4 ^7 ^7 ^6 .6 .6 .5 ^5 ^5 .6 ^6 ^5 .5 ^5 .5 .4 ^5 ^5 .6 ^6 ^5 .5 ^5 .5 .4

F C F C G7 C

^7 ^7 ^8 ^7 ^6 .6 .7 .6 .5 .4 .5 ^4 ^3 .3 − ^5 ^5 .6 ^6 ^5 .5 ^5 .5 .4 ^7 ^7 ^8 ^7 ^6 .6 .7 .6 .5 .4

G7 C

.5 ^4 ^3 .3 −

Silent night, holy night, all is calm, all is brightRound yon virgin, mother and child,Holy Infant so tender and mild,Sleep in heavenly peace, sleep in heavenly peace

Silent night, holy night, Shepherds quake, at the sightGlories stream from heaven afarHeavenly hosts sing alleluia,Christ the Saviour is born, Christ the Saviour is born

Silent night, holy night, Son of God Love’s pure lightRadiant beams from thy holy face,With the dawn of redeeming grace,Jesus, Lord at Thy birth, Jesus, Lord at Thy birth

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2083021. While Shepherds Watched Their Flocks by Night

44

F Bb C7 F G7 C F Bb A Bb C7 F

.3 .4 .4 ^3 .3 ^4 ^4 .4 ^3 .4 .5 .5 [^6] .5 .4 ^5 .5 ^4 .4 ^3 .3 ^2 .4 ^3 .3 .3 ^2 .3

Silent night, holy night, all is calm, all is brightRound yon virgin, mother and child,Holy Infant so tender and mild,Sleep in heavenly peace, sleep in heavenly peace

Silent night, holy night, Shepherds quake, at the sightGlories stream from heaven afarHeavenly hosts sing alleluia,Christ the Saviour is born, Christ the Saviour is born

Silent night, holy night, Son of God Love’s pure lightRadiant beams from thy holy face,With the dawn of redeeming grace,Jesus, Lord at Thy birth, Jesus, Lord at Thy birth

3022. We Three Kings of Orient Are

86

Em B7 Em Em B7 Em Em D G C B7 Em D7

.4 ^3 .3 [^3] ^2 .3 ^2 [^3] .4 ^3 .3 [^3] ^2 .3 ^2 [^3] .3 .3 ^3 ^3 .4 .4 .5 ^4 .4 ^3 .4 ^3 .3 ^2 [^3] ^2 ^3

Chorus G C G G G Em D C D G Em G

.3 .3 .3 .2 .3 [^3] .3 .3 .3 .3 .2 .3 .3 .3 .2 .3 .3 ^3 .4 ^4 .4 ^3 .4 .3 .3 .3 .2 .3 [^3] .3

We three kings of Orient are, bearing gifts we traverse afarField and fountain, moor and mountain following yonder star

O star of wonder, star of night, star with royal beauty brightWestward leading, still proceeding, guide us to thy perfect light

Born a King on Bethlehem’s plain, Gold I bring to crown Him againKing forever, ceasing never, over us all to reign

Frankincense to offer have I, incense owns a Deity nighPrayer and praising, all men raising, worship Him, God most High

Myrrh is mine, its bitter perfume, breathes a life of gathering gloomSorrowing, sighing, bleeding, dying; sealed in The stone cold tomb

Glorious now behold Him arise, King and God and sacrificeAlleluia, Alleluia, earth to the heavens replies

3023. We Wish You a Merry Christmas

43

Chorus

.2 .3 .3 ^3 .3 ^2 [^3 ^3 ^3] ^3 ^3 .4 ^3 .3 ^2 ^2 ^2 .4 .4 ^4 .4 ^3 .3 [^3 .3] [^3] ^3 ^2 .3 .2 .3 .3 .3

^2 ^2 .3 ^2 [^3] .2 ^3 .4 ^3 ^3 .3 .3 .5 [3 .3 .3] [^3] ^3 ^2 .3

We wish you a merry ChristmasWe wish you a merry ChristmasWe wish you a merry Christmas And a happy New Year

We want some figgy pudding (3 times) And a cup of good cheer

We won’t go until we get some (3 times) So bring it out here!

We wish you a Merry Christmas (3 times)And a happy New Year

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209AUSTRALIAN CAROLS

3024. Port Hedland Carol, AMr John Parker

= 150

86

C C Dm C C C G G C C

^3 .4 ^3 .3 ^3 .3 − .5 .5 .4 ^4 .5 ^4 ^4 .4 .3 .3 ^3 .4 ^3 ^3 .5 .5 .4 ^4 .5Red Dust Blow − ing a − cross the town, Warm he − arts to − ge − ther. Ma − ny co− lours and

Dm C G C G C C Dm C C C Dm C C

^4 .4 .3 ^3 .4 ^3 .3 ^3 .3 .6 ^6 ^5 ^6 .5 ^4 .4 .6 ^6 ^5 ^6 .5 ^4 .4fa − ces, At Christ − ma − s in Hed − land. Time to go and say fare − well, Some will go and some will stay,

G C G G C C Dm C C C G G C C

^3 .5 ^4 .4 ^3 ^3 .5 .5 .4 ^4 .5 ^4 ^4 .4 .3 .3 ^3 .4 ^3 ^3 .5 .5 .4 ^4 .5But we will re − mem− ber. Red Dust Blow − ing a − cross the town, Warm he− arts to − ge − ther. Ma − ny co− lours and

Dm C G C G C C C C C C C

^4 .4 .3 ^3 .4 ^3 .3 ^3 .3 .3 ^3 .4 ^3 .3 .5 .6 ^6 .6 .5 .3 ^3 .4 ^3 .3fa − ces, At Christ − ma − s in Hed − land. Time for re− birth and ce − le − bra − tion, Loo − king to

C G Dm C C C C Dm C C C G G

.5 .6 ^6 ^7 ^4 ^4 .4 ^3 .3 .5 .5 .5 .4 ^4 .5 ^4 ^4 .4 .3 .3 ^3 .4 ^3 ^3a bright new year, Full of pro− mise and Red Dust Blow − ing a − cross the town, Warm he− arts to − ge − ther.

C C Dm C G C G C

.5 .5 .4 ^4 .5 ^4 .4 .3 ^3 .4 ^3 .3 ^3 .3 ^3 .4 ^3 .3 ^3 .3 −Ma − ny co − lours and fa − ces, At Christ − ma − s in Hed − land.

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2103025. Three Drovers, the

Music: William G James. Words: John Wheeler = 100

86

.3 .5 .5 ^5 ^6 .6 ^6 .5 .4 ^3 .3 ^3 .4 ^4 .5 ^5 .5 ^4 .4 ^3 − ^3A − cross the pla − ins, one Christ − mas− night, Three drov − ers rid − ing blythe and gay, Looked

86

.3 .4 .4 .4 .4 .4 .4 .3 ^2 .3 ^2 .3 .3 .3 ^2 .3 .3 ^5 ^2 ^2

86

86

.4 ^3 .3 ^3 .4 ^4 .5 .5 ^5 .5 ^4 .5 ^5 ^6 .6 .6 ^6 .5 ^5 ^5 .5 .4 ^4 ^4up and saw a star − ry light, More rad − diant than the milk − y way; And on their hearts such won − der fell, they

.3 ^2 .3 ^2 .3 .3 .3 .3 .3 .3 .3 .3 .3 ^3 .4 .4 .4 .5 ^4 ^4 .3 [1] ^3 ^2

89

86

.4 ^4 .5 ^5 ^6 .6 ^7 .5 − .5 .3 ^3 .4 ^3 .3 ^3 .3 −sang with joy "No − el! No− el! No − el! No − el! No − el!"

89

86

.3 .3 .3 .3 .5 .5 .5 − .5 .3 ^2 ^5 ^2 .3 −

89

86

89

86

Page 211: 'Oct03' Tunebook Concert Pitch Bass Clef 2007

2113026. Christmas Day

Music: William G James Words: John Wheeler (c) Chappell & Co

89

.5 .5 .6 ^6 ^5 .5 ^4 .5 − .5 .5 .6 ^6 ^5 .5 [^6] .5 − .5 ^5 ^7 .6 ^6 ^5 ^6The North wind is toss− ing the leaves The red dust is ov − er the town; The spar− rows are un − der the

.6 .5 .5 ^5 − .5 ^5 .5 .4 ^3 .4 − .4 ^4 .5 .6 ^6 ^5 .5 ^4 .5 .5 .5eaves And the grass in the pad− dock is brown; As we lift up our voi − cesand sing To the

^5 ^7 .6 ^6 ^5 ^6 .6 −Christ child the hea− ven− ly king.

Full Choir

.5 .5 .6 ^6 ^5 .5 ^4 .5 − .5 .5 .6 ^6 ^5 .5 [^6] .5 .5 .5 .6 ^6 ^5 .5 ^4The tree ferns in green gul − lies sway; The cool stream flows si − lent − ly by: The joy bells are greet− ing the

.5 .5 .5 ^5 − .5 ^5 .5 .4 ^3 .4 .4 ^4 .5 .6 ^6 ^5 .5 ^4 .5 .5 .5 ^5 ^8 .7 ^7 .6 ^6day, And the chimes are a − drift in the sky, As we lift up our voi − ces and sing To the Christ child the hea− ven − ly

.6 −king

3027. Calypso CarolMichael Perry arr. Stephen Coates

= 200

44

D G A7 D

.5 .5 ^5 − .5 ^4 .4 ^3 ^4 ^5 − .3 ^2 ^3 .5 − ^4 .4 ^3 .3 .4 .5 −See him a − ly − ing on a bed of straw draught − y sta − ble with an op − en door.Star of sil − ver sweep a − cross the skies, show where Je − sus in the man − ger liesAn − gels sing a − gain the song you sang bring Gods glo − ry to the heart of man

G Em A7 D D7

.5 .5 ^5 − .5 ^4 .4 ^3 ^4 .5 − .3 ^2 ^3 .5 − ^4 .4 ^3 .3Ma − ry cra − dl − ng the baba she bore: The prince of glo − ry is his name.

Shep− herds swift − ly from your stu − por rise to see the Sav − iour on the worldSing that Bethl − hem’s lit − le ba − by can be sal − va − tion to the soul

RefrainG D A7 D B7

.6 .6 ^7 − .6 ^6 ^5 .5 .6 .6 − .5 ^4 ^6 ^6 − ^4 .4 .5 .5 − .5 .5 ^5 − .5 ^4 .4Oh, now car − ry me to Beth − le − hem to see the lord a − ppear to men; Just as po − or as was the

Em A7 D Gm D Gm

^3 ^4 ^5 − .3 ^2 ^3 .5 − ^4 .4 ^3 .3 .3 .3sta − ble then. prince of glo − ry when he came. V123 V4

Page 212: 'Oct03' Tunebook Concert Pitch Bass Clef 2007

2123028. The Cherry Tree Carol

= 76

43

.3 .5 .5 .5 ^5 .5 .4 ^3 .3 ^5 .5 .5 .5 .4 .5 .4 ^3 .3 .4 ^3 .3 [^3 .3 .3 ^3]When Jo− seph was an old man, An old man was he. He mar − ried Vir − gin Mar − y The Queen

3

.3 .2 .3 ^3 .4 .4 ^3 .3 .4 ^3 .3 [^3 .3 .3 ^3] .3 .3 .2 .4 ^3 .3of Gal − i − lee. He mar− ried Vir − gin Mar − y the Queenof Gal − i − lee.


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