October 2011: Glowing Ravel, Gorgeous Franck

October

Robert SpanoMusic DirectorDonald RunniclesPrincipal Guest ConductorMichael KrajewskiPrincipal Pops Conductor

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Proudly taking our seat as a supporter of Miami-area arts.Proudly taking our seat as a supporter of Miami-area arts.

Proudly taking our seat as a supporter of the arts in Atlanta.

20 “Nyx” Esa-PekkaSalonenandRobert

Spanoareofonemindona conductor’srole.

46 Community Corner: Meet Sheehan Hanrahan

Inthecommunity,making adifference.

50 ASO Media: Three for Three

GarrickOhlssonperforms Rachmaninov’sPiano ConcertoNo.3onnewCD.

departments12 President’s Letter 14 Orchestra Leadership 16 Robert Spano18 Musicians35 Contributors52 Calendar54 Administration56 General Info 58 Ticket Info60 Gallery ASO

features

8 EncorEAtlAntA.coM

25This week’s concert and program notes

the music

October 2011contents

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vp of creative/chief storyteller KristicaseySanders

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WelcomeCon-cert (kan-surt)n.[fromLatincom-,with+certare,tostrive]1)mutualagreement,concord;2)aperformanceofmusic—inconcert,inunison.

Welcometo theAtlanta Symphony Orchestra’s 2011-2012DeltaClassicalConcertSeason, our 68th! This season has been years in the making. We deliberated andplannedanddevelopedandtestedideaafteridea,allinanefforttofulfillthehopes,tomeettheneedsandexpectationsofouraudiences.Iamconfidentthatwe’vecreatedaseasonthatwilldelightyou,moveyou,andinspireyou.

Overthecomingweeksyouwillseeandhearus:

In Concert with Great Music:Beethoven’simmortalNinthSymphony,Tchaikovsky’sbelovedViolinConcert,Brahms’dramaticSymphony4,Rachmaninov’sThe Bells,musicofourowndayfromrenownedcomposersOsvaldoGolijov,MichaelAbels,andEsa-PekkaSalonen—andmuch,muchmore.

In Concert with Great Artists: Music Director Robert Spano, soprano ChristineBrewer, our own Atlanta Symphony Orchestra Chorus, legendary violinist JoshuaBell,pianistsTerrenceWilsonandHoracioGutierrezandmany,manymore.

In Concert With This Community: Through our nationally recognized educationprograms—SoundLearning,theTalentDevelopmentProgram,theAtlantaSymphonyYouthOrchestraandSymphonyStreetConcerts—wearenurturingthemusicalgiftsofAtlanta’schildrenandshapingboththepresentandthefutureofourcity.

Weareabletobeinconcertwithgreatmusic,withgreatartists,andwiththiscommunitythankstoyoursupport.Bravo—andthankyou!

Wishingyouallthebest,

StanleyE.Romanstein,Ph.D.President

12 EncorEAtlAntA.coM


2011-2012 BOArd Of dIreCTOrS

BOArd Of COuNSelOrS

lIfe dIreCTOrS

dIreCTOrS

OffICerS JimAbrahamson

ChairKaroleF.Lloyd

Chair-Elect

D.KirkJamiesonVice Chair

MeghanH.MagruderVice Chair

JoniWinston†Secretary

ClaytonF.JacksonTreasurer

JimAbrahamsonPinneyL.AllenJosephR.Bankoff*PaulBlackneyJanineBrownC.MerrellCalhounDonaldP.CarsonAnnW.Cramer†RichardA.DorfmanDavidEdmistonGaryP.FayardDr.RobertM.

Franklin,Jr.PaulR.GarciaCarolGreen

Gellerstedt

ThomasHootenTadHutcheson†Mrs.RoyaIrvani†ClaytonF.JacksonD.KirkJamiesonBenF.JohnsonIIIMarkKistulinecSteveKooninCarrieKurlanderMichaelLangDonnaLeeLucyLeeKaroleF.LloydMeghanH.MagruderBelindaMassafra*PennyMcPhee

VictoriaPalefskyLeslieZ.PetterSuzanneTucker

PlybonPatriciaH.ReidMargaretConant

ReiserJohnD.RogersStanleyE.Romanstein,

Ph.D.*MartinRichenhagen†DennisSadlowskiLynnSchinaziWilliamSchultzJohnSibleyH.HamiltonSmithLucindaB.Smith

ThurmondSmithgallGailRavinStarrMaryRoseTaylorJosephM.ThompsonLizTroyRayUttenhoveChiltonDavisVarner†S.PatrickViguerieRickWalkerThomasWardellMarkD.WassermanJohnB.White,Jr.†RichardS.White,Jr.†JoniWinston†PatriceWright-LewisCamilleYow

Mrs.HelenAderholdRobertM.BalentineElinorBremanDr.JohnW.CooledgeJohnDonnellJereDrummondCarlaFacklerArnoldoFiedotin

CharlesGindenJohnT.GloverFrancesB.GravesDonaHumphreysAaronJ.JohnsonHerbKarpJimKelleyGeorgeLanier

PatriciaLeakeMrs.WilliamC.LesterMrs.J.ErskineLoveCarolynC.

McClatcheyJoyceSchwobMrs.CharlesA.

Smithgall,Jr.

W.RhettTannerG.KimbroughTaylorMichaelW.TrappEdusWarrenAdairR.WhiteNeilWilliams

HowellE.Adams,Jr.BradleyCurrey,Jr.

Mrs.DrewFullerMaryD.Gellerstedt

AziraG.HillDr.JamesM.Hund

ArthurL.Montgomery

* ex officio† 2011-2012 sabbatical

leadership

AtlantaSymphonyOrchestraLeague

The Gary W. and

Ruth M. Rollins

Foundation

Presenting Sponsor Lead Sponsors

Additional support is provided by The Rich Foundation, the Modern Masters Circle of the High Museum of Art, and an indemnity from the Federal Council on the Arts and the Humanities.

This exhibition is part of the MoMA Series, a collaboration between The Museum of Modern Art, New York, and the High Museum of Art, Atlanta.

Pablo Picasso (Spanish, 1881–1973), Girl before a Mirror, 1932, oil on canvas, 64 x 51 1/4 inches. The Museum of Modern Art. Gift of Mrs. Simon Guggenheim. © 2011 Estate of Pablo Picasso / Artists Rights Society (ARS), New York.

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Opening October 15!

His mother said, “If you are a soldier,

you will become a general.

If you are a priest, you will be the pope.”

Instead, he was a painter and he became Picasso.

H I G H

Music Director Robert Spano, currently in his 11th season as music director of the Atlanta Symphony Orchestra,

is recognized internationally as one of the most imaginative conductors today. Since 2001, he has invigorated and expanded the Orchestra’s repertoire while elevating the ensemble to new levels of international prominence and acclaim.

Under Mr. Spano’s artistic leadership, the Orchestra and its audiences have together explored a creative mix of programming, including Theater of a Concert performances, which explore different formats, settings, and enhancements for the musical performance experience, such as the first concert-staged performances of John Adams’s Doctor Atomic in November 2008 and the production of Puccini’s Madama Butterfly in June 2011. The Atlanta School of Composers reflects

Mr. Spano’s commitment to nurturing and championing music through multi-year partnerships defining a new generation of

American composers, including Osvaldo Golijov, Jennifer Higdon, Christopher Theofanidis, Michael Gandolfi, and Adam Schoenberg. Since the beginning of his tenure (to date), Mr. Spano and the Orchestra have performed more than 100 concerts containing contemporary works (composed since 1950).

Mr. Spano has a discography with the Atlanta Symphony Orchestra of 19 recordings, six of which

have been honored with Grammy® awards. He has led the Orchestra’s performances at Carnegie Hall,

Lincoln Center, as well as the Ravinia, Ojai, and Savannah Music Festivals. Mr. Spano has led the New York and Los Angeles Philharmonics, San Francisco, Boston, Cleveland, Chicago and Philadelphia Symphony Orchestras, as well as Orchestra Filarmonica della Scala, BBC Symphony and Amsterdam’s Royal Concertgebouw Orchestra. In addition, he has conducted for Covent Garden, Welsh National Opera, Lyric Opera of Chicago, Houston Grand Opera, and the 2005 and 2009 Seattle Opera Ring cycles. Mr. Spano was Musical America’s 2008 Conductor of the Year.

In March 2010, Mr. Spano began a three-year tenure as Emory University’s distinguished artist-in-residence, in which he leads intensive seminars, lectures, and presents programs on science, math, philosophy, literature, and musicology.

In March 2011, Mr. Spano was announced as the incoming music director of the Aspen Music Festival. He was in residence in Aspen for the 2011 summer season as music director-designate and will assume the full role of music director in 2012.

Robert SpanoMuSIC dIreCTOr

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FIRST VIOLIN

David Coucheron ConcertmasterWilliam Pu Associate Concertmaster

The Charles McKenzie Taylor Chair*

Justin BrunsAssistant Concertmaster

Jun-Ching Lin Assistant Concertmaster

Carolyn Toll HancockJohn MeisnerAlice Anderson Oglesby

Lorentz OttzenChristopher PulgramCarol RamirezJuan RamirezOlga ShpitkoDenise Berginson SmithKenn WagnerLisa Wiedman Yancich

SECTION VIOLIN ‡

Judith CoxRaymond LeungSanford Salzinger

SECOND VIOLIN

David Arenz Principal The Atlanta Symphony Associates Chair*

Sou-Chun Su Associate Principal The Frances Cheney Boggs Chair*

Jay Christy Assistant PrincipalSharon BerensonDavid BraitbergNoriko Konno CliftDavid DillardEleanor KosekRuth Ann LittleThomas O’DonnellRonda RespessFrank Walton

VIOLA

Reid Harris Principal The Edus H. and Harriet H. Warren Chair*

Paul Murphy Associate Principal The Mary and Lawrence Gellerstedt Chair *

Catherine Lynn Assistant PrincipalWesley CollinsMarian KentYang-Yoon KimYiyin LiLachlan McBaneJessica OudinArdath Weck

CELLO

Christopher Rex Principal The Miriam and John Conant Chair*

Daniel Laufer Associate Principal The Livingston Foundation Chair*

Karen Freer Assistant PrincipalDona Vellek Assistant Principal Emeritus

Joel DallowJere FlintJennifer HumphreysLarry LeMasterBrad RitchiePaul Warner

BASS

Ralph Jones Principal The Marcia and John Donnell Chair *

Gloria Jones Associate PrincipalJane Little Assistant Principal Emeritus

Michael KenadyMichael KurthJoseph McFaddenDouglas SommerThomas Thoreson

Robert Spano Music Director The Robert Reid Topping Chair *

Donald RunniclesPrincipal Guest Conductor

The Neil and Sue Williams Chair *

Michael KrajewskiPrincipal Pops Conductor

Atlanta’s Performing Arts Publication 19

FLUTE

Christina Smith Principal The Jill Hertz Chair*Robert Cronin Associate PrincipalPaul BrittanCarl David Hall

PICCOLO

Carl David Hall

OBOE

Elizabeth Koch Principal The George M. and Corrie Hoyt Brown Chair *

Yvonne Powers Peterson

Associate PrincipalAnn Lillya †

CLARINET

Laura Ardan Principal The Robert Shaw Chair*

Ted Gurch Associate PrincipalWilliam RappaportAlcides Rodriguez

E-FLAT CLARINET

Ted Gurch

BASS CLARINET

Alcides Rodriguez

BASSOON

Carl Nitchie PrincipalElizabeth Burkhardt Associate PrincipalLaura NajarianJuan de Gomar

CONTRA-BASSOON

Juan de Gomar

HORN

Brice Andrus PrincipalSusan Welty Associate PrincipalThomas WitteRichard Deane Bruce Kenney

TRUMPET

Thomas HootenPrincipal The Madeline and Howell Adams Chair*

The Mabel Dorn Reeder Honorary Chair*

Karin Bliznik Associate PrincipalMichael TiscioneJoseph Walthall

TROMBONE

Colin Williams Principal Stephen Wilson Associate PrincipalGeorge Curran

BASS TROMBONE

George Curran

TUBA

Michael Moore Principal

TIMPANI

Mark Yancich Principal The Walter H. Bunzl Chair*

William Wilder Assistant Principal

PERCUSSION

Thomas Sherwood Principal The Julie and Arthur Montgomery Chair*

William Wilder Assistant Principal The William A. Schwartz Chair*

Charles Settle

HARP

Elisabeth RemyJohnson

Principal The Delta Air Lines Chair

KEYBOARD

The Hugh and Jessie Hodgson Memorial Chair*

Peter Marshall †Beverly Gilbert †Sharon Berenson

LIBRARY

Rebecca Beavers PrincipalNicole Jordan Assistant Principal Librarian

John WildermuthAssistant Librarian

‡ rotate between sections* Chair named in

perpetuity † Regularly engaged

musician Players in string sections

are listed alphabetically

Jere Flint Staff Conductor; Music Director of the Atlanta Symphony Youth Orchestra

The Zeist Foundation Chair*

Norman MackenzieDirector of Choruses The Frannie and Bill Graves Chair

“Nyx,”a 17-minute work by the Finnish conductor and composer Esa-Pekka Salonen, arrives with its own mystique. Did Salonen title his composition after the ethereal figure Nyx, the goddess of the night in Greek mythology and a figure previously best captured on canvas by painters in search of a muse? Salonen himself isn’t saying, but Anna Frankenberg, a representative for the composer, says “he is hard at work completing his description of the piece.”

Esa-Pekka Salonen, and Robert Spano who conducts the U.S. premiere of Salonen’s “Nyx” October 27/29, are of one mind on a conductor’s role

By Karl Schnittke


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All shall be revealed Thursday and Saturday evenings, Oct. 27 and 29, when Robert Spano and the Atlanta Symphony Orchestra give the U.S. premiere of “Nyx” — plus Scriabin’s Poem of Ecstasy and Rachmaninov’s The Bells.

Then it’s on to Carnegie Hall for the New York premiere of “Nyx,” and the Orchestra’s first performance at Carnegie without the Chorus since 1997, on Nov. 5. Instead of The Bells, pianist Garrick Ohlsson will perform the Rachmaninov Third Piano Concerto. (He plays the work on the new ASO Media recording, also featuring the composer’s Symphonic Dances, to be released in early November. A related article appears on page 48.)

The piece, a co-commission by Radio France, Carnegie Hall, the Atlanta Symphony Orchestra, the Barbican Centre and the Finnish Radio Symphony Orchestra, had its world premiere Feb. 19, 2011, during the final concert of Festival Présences Paris. “Nyx” affords audiences here and at Carnegie a glimpse of kindred sprits at work: Spano and Salonen, luminaries of contemporary music who believe making new music begins at home.

One of the hallmarks of Spano’s career has been an unwavering advocacy of modern composers. Prior to his appointment as the Orchestra’s music director in 2001, Spano was at the Brooklyn Philharmonic

where he brought a vital edge to the orchestra’s repertoire and an enthusiastic audience that came from every borough in New York City to hear what some called “classical music’s new era.”

Spano redoubled his commitment when he moved to Atlanta — where he now lives year-round — and founded the justly acclaimed Atlanta School of Composers. Members include Jennifer Higdon, Christopher Theofanidis, Osvaldo Golijov, Michael Gandolfi and Adam Schoenberg, with more composers on the horizon. Their orchestral and choral works are an essential part of the Orchestra’s recorded oeuvre.

“Spano has found that audiences react to these composers with pleasure,” wrote Los Angeles Times critic Mark Swed in 2008. “The Orchestra takes pride in sending its listeners home happy, having been given a big sonic hug.”

Spano and Salonen are not the first conductors, of course, to try and solve the ultimate mystery of the orchestra business, which is how to attract new listeners without alienating established ones. Their reputations for bold choices, however, draw music lovers, and the kind of media swirl that Salonen for one can live without.

Continued on page 42

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CIA0005-June 15 Playbill Ad.pdf 2 6/15/11 12:49 PM


program

Robert Spano, music DirectorDonald Runnicles, Principal Guest conductor

Delta classical Series concertsthursday and Saturday, october 6 and 8, 2011, at 8 p.m..

mei-Ann chen, conductor terrence Wilson, Piano

MICHAEL ABELS (b. 1962) Global Warming (1991)

MAURICE RAVEL (1875-1937) Piano concerto in G major (1931) I. Allegramente II. Adagio assai III. Presto terrence Wilson, Piano

IntErmISSIon

CéSAR FRANCK (1822-1890) Symphony in D minor (1888) I. Lento; Allegro non troppo II. Allegretto III. Allegro non troppo

“InsIde the MusIc” preview of the concert, thursday at 7 p.m., presented by Ken Meltzer, Atlanta symphony Orchestra Insider and Program Annotator.

the use of cameras or recording devices during the concert is strictly prohibited.


SPonSorS

is proud to sponsor the Delta classical Series of the Atlanta Symphony orchestra.

delta is proud to be celebrating our 70th anniversary as Atlanta’s hometown airline. delta’s community spirit worldwide continues to be a cornerstone of our organization. As a force for global good, our mission is to continuously create value through an inclusive culture by leveraging partnerships and serving communities where we live and work. It includes not only valuing individual differences of race, religion, gender, nationality and lifestyle, but also managing and valuing the diversity of work teams, intracompany teams and business partnerships.

delta is an active, giving corporate citizen in the communities it serves. delta’s community engagement efforts are driven by our desire to build long-term partnerships in a way that enables nonprofits to utilize many aspects of delta’s currency — our employees time and talent, our free and discounted air travel, as well as our surplus donations. together, we believe we can take our worldwide communities to new heights!

the Atlanta symphony Orchestra’s concert on november 5, 2011 at carnegie hall is made possible through the generous support of delta Air Lines and thurmond smithgall.

solo pianos used by the Atlanta symphony Orchestra are gifts of the Atlanta steinway society and in memory of david Goldwasser. the hamburg steinway piano is a gift received by the Atlanta symphony Orchestra in honor of Rosi Fiedotin.

the Yamaha custom six-quarter tuba is a gift received by the Atlanta symphony Orchestra in honor of Principal tuba player Michael Moore from the Antinori Foundation.

this performance is being recorded for broadcast at a later time. Atlanta symphony concert broadcasts are heard each week on Atlanta’s WABe FM-90.1 and Georgia Public Broadcasting’s statewide network.

the Atlanta symphony records for AsO Media. Other recordings of the Orchestra are available on the Argo, deutsche Grammophon, new World, nonesuch, Philips, telarc and sony classical labels.

Media sponsors: WABe, WsB AM, and AJc.

trucks provided by Ryder truck Rental Inc.

program


notes on the ProgramBy Ken Meltzer

Global Warming (1991)

MICHAEL ABELS was born in Phoenix, Arizona, on October 8, 1962. the first performance of Global Warming took place in Phoenix on May 7, 1991, with Mark Russell smith conducting the Phoenix Youth symphony. Global Warming is scored for piccolo, two flutes, two oboes, english horn, two clarinets, two bassoons, four horns, three trumpets, three trombones, tuba, timpani, harp, tam-tam, marimba, triangle, xylophone, tambourine, guiro, bodhrán (Irish drum), timbales, tablas (Indian drums), congas and strings. Approximate performance time is eight minutes.

These are the first ASO Classical Subscription Performances.

Global Warming, by the contemporary American composer Michael Abels, was commissioned by the Phoenix symphony Guild. the work premiered on

May 7, 1991, with Mark Russell smith conducting the Phoenix Youth symphony. Following the premiere, Global Warming received numerous performances by orchestras throughout the united states (the AsO twice performed the work in 1992, as part of their Atlanta Parks concerts). the piece was also featured as part of the detroit symphony’s 1992 African-American symphony composers forum. Global Warming was one of the first works by a black composer to be performed by the national symphony of south Africa, after the election of nelson Mandela as President. A recording of Global Warming by the chicago sinfonietta and conductor Paul Freeman is available from cedille Records (cdR 90000 066), Volume III of its African heritage symphonic series.

the composer provided the following comments on Global Warming:

Global Warming was written around the time of the collapse of the Berlin Wall, when the cold War was ending. Living in Los Angeles, I’ve been able to learn about music from around the world simply by opening the window; among my neighbors are immigrants from every corner of the world. I was intrigued by the similarities between folk music of divergent cultures, and decided to write a piece that celebrates these common threads as well as the sudden improvement in international relations that was occurring. since the piece was commissioned for an orchestra in the desert city of Phoenix, AZ, “global warming” was the title that seemed to incorporate all these ideas best.

the opening section of the piece is a vision of the traditional idea of global warming — a vast desert, the relentless heat punctuated by the buzzing of cicadas, and an anguished, frenetic violin solo. this scene


gives way to several episodes reminiscent of folk music of various cultures, most noticeably Irish and Middle eastern. At the climax of the piece, a Middle eastern melody is transformed, through gradual changes in rhythm and ornamentation, back into the Irish refrain, and many countermelodies join in to present a noisy yet harmonious world village. this joyous moment is broken by a sudden return to the stark vision of the opening, leaving it to the listener to decide which image may more accurately reflect the future.

— Michael Abels

Piano Concerto in G Major (1931)

MAURICE RAVEL was born in ciboure, Basses-Pyrénées, France, on March 7, 1875, and died in Paris, France, on december 28, 1937. the first performance of the G-Major Piano concerto took place at the salle Pleyel in Paris on January 14, 1932, with Marguerite Long as soloist and the composer conducting the Lamoureux Orchestra. In addition to the solo piano, the G-Major concerto is scored for piccolo, flute, oboe, english horn, B-flat clarinet, e-flat clarinet, two bassoons, two horns, trumpet, trombone, harp, timpani, bass drum, snare drum, wood block, triangle, tam tam, suspended cymbal, whip, bass drum and strings. Approximate performance time is twenty-three minutes.

First ASO Classical Subscription Performance: January 10, 1963, Philippe Entremont, Piano, Henry Sopkin, Conductor.

Most Recent ASO Classical Subscription Performances: November 19, 20 and 22, 2009, Olli Mustonen, Piano, Robert Spano, Conductor.

toward the close of 1927, Maurice Ravel embarked upon a four-month tour of the united states and canada. Ravel traveled across the north American

continent, appearing as pianist and conductor in twenty-five cities. Ravel enjoyed a glorious reception from the American people. At an all-Ravel concert at new York’s carnegie hall by the Boston symphony and serge Koussevitsky, the audience greeted the composer with a standing ovation. “You know, this doesn’t happen to me in Paris,” Ravel wistfully commented.

“Take Jazz Seriously!”

While in America, Ravel had the opportunity to meet such musicians as George Gershwin and Paul Whiteman. In fact, Ravel and Gershwin traveled to harlem on several occasions to listen to jazz. Ravel was impressed by what he heard and in a March, 1928 article for Musical Digest entitled Take Jazz Seriously!, the composer admonished:

You Americans take jazz too lightly. You seem to feel that it is cheap, vulgar, momentary. In my opinion it is bound to lead to the national music of the united states. Aside from it you have no veritable idiom as


program

yet. Most of your compositions show european influences, either spanish, Russian, French or German-rather than American individuality. nor do I believe those who claim that this is due to the admixture of foreign peoples who comprise the American people. Pas de tout. C’est ridicule, ça!...

Abroad, we take jazz seriously. It is influencing our work. the Blues in my sonata, par exemple, is stylized jazz, more French than American in character perhaps, but nevertheless strongly influenced by your so-called “popular music.”

Personally, I find jazz most interesting: the rhythms, the way melodies are handled, the melodies themselves. I have heard some of George Gershwin’s works and I find them intriguing...

When Ravel returned to europe, he began composition of his G-Major Piano concerto, completing the work in the fall of 1931. Ravel had, for some time, contemplated the possibility of writing a piano concerto for his own performance. But failing health prevented Ravel from appearing as soloist in the January 14, 1932 premiere of his G-Major concerto. the composer did, however, conduct that performance at the Paris salle Pleyel. the soloist was pianist Marguerite Long (who also premiered Ravel’s Le tombeau de Couperin), to whom Ravel dedicated the concerto.

In an interview, Ravel acknowledged that the jazz he so enjoyed in the united states influenced the G-Major concerto. “What is being written today without the influence of jazz?”, Ravel queried. “It is not the only influence, however; in the concerto one also finds bass accompaniments from the time of Bach, a melody that recalls Mozart, the Mozart of the clarinet Quintet, which by the way is the most beautiful piece he wrote.” Of course, the success of the G-Major concerto is a tribute to Ravel’s remarkable ability to synthesize these various and potentially disparate influences into an engaging, unified and individual work.

Musical Analysis

I. Allegramente — the soloist accompanies a vivacious piccolo melody, apparently based upon a Basque folk tune. the melody is soon played by the trumpet, then by the entire orchestra. Ravel introduces several themes, notably a descending blues passage first played by the clarinet, and echoed by the muted trumpet. In commenting on the G-Major, Ravel noted: “It has been said of certain great classics that their concertos were written not ‘for,’ but ‘against’ the piano. I heartily agree.” Indeed, the soloist and orchestra display an exceptional degree of interaction. toward the latter portion of the movement, the soloist takes center stage with an extended cadenza. the opening theme returns for the movement’s exuberant conclusion.

II. Adagio assai — Ravel confessed to Marguerite Long that the concerto’s slow movement (inspired by the Larghetto of Mozart’s clarinet Quintet, K. 581) was crafted “bar by bar.” still, there is no apparent sense of effort in the extended, flowing piano solo with which the movement opens. the remainder of the Adagio features lovely woodwind passages, including a haunting duet for piano and english horn in the latter portion of the movement.


III. Presto — the virtuoso finale is the concerto’s most overtly jazz-influenced movement. After an orchestral fanfare, the soloist enters with a scurrying perpetual motion figure and continues to play almost without pause throughout. A reprise of the opening fanfare caps this energetic and playful finale.

Symphony in D minor (1888)

CéSAR FRANCK was born in Liège, Belgium, on december 10, 1822, and died in Paris, France, on november 8, 1890. the first performance of the symphony in d minor took place in Paris on February 17, 1889, with Jules Garcin conducting the société des concerts du conservatoire. the symphony in d minor is scored for two flutes, two oboes, english horn, two clarinets, bass clarinet, two bassoons, four horns, two trumpets, two cornets, three trombones, tuba, timpani, harp and strings. Approximate performance time is forty minutes.

First ASO Classical Subscription Performance: May 4, 1947, Henry Sopkin, Conductor.

Most Recent ASO Classical Subscription Performances: March 10, 11 and 12, 1994, Yoel Levi, Conductor.

distinguished musical compositions are not always welcomed with the esteem they deserve. composer, conductor and musicologist, nicolas slonimsky, was

able to compile several hundred pages of negative critical reactions to acknowledged masterpieces. that book, the Lexicon of Musical Invective, subtitled Critical Assaults on Composers Since Beethoven’s Time (seattle and London: university of Washington Press, 1953) makes for fascinating and delightful reading (Invection, an Index of Vituperative, Pejorative and Deprecatory Words and Phrases is alone worth the price of the book).

slonimsky’s Lexicon contains the following contemporary review by Le Ménestrel, Paris, of césar Franck’s d-minor symphony:

the symphony in d minor by césar Franck drags slowly, painfully. It solemnly presents phrases whose chief merit comes from gravity, imperturbable seriousness with which they are given. this music is morose and pompously generates tedium. the maître had very little to say here, but he proclaims it with the conviction of the pontiff defining the dogma.

Indeed, the Franck d-minor, one of the most performed and beloved 19th-century French symphonies, had a decidedly inauspicious beginning. Franck was highly revered as a virtuoso organist and professor at the Paris conservatoire. his compositions, however, did not always inspire the same level of adulation. Franck’s disciple and champion, composer Vincent d’Indy, gave this unforgettable eyewitness account of the premiere of the d-minor symphony:

the Symphony was given for the first time on February 17, 1889, by the société des concerts du conservatoire. the performance was quite


program

against the wish of most performers of the famous orchestra, and was only pushed through thanks to the benevolent obstinacy of the conductor, Jules Garcin.

the subscribers could make neither head nor tail of it, and the musical authorities were in much the same position. I inquired of one of them — a professor at the conservatoire, and a kind of factotum on the committee — what he thought of the work. “That, a symphony?” he replied in contemptuous tones. “But, my dear sir, who ever heard of writing for the cor anglais in a symphony? Just mention a single symphony by haydn or Beethoven introducing the cor anglais? (Annotator’s note: Franz Joseph haydn composed a symphony that included not one, but two english horns, the 1764 “Philosopher,” no. 22 in e-flat major.) there, well, you see — your Franck’s music may be whatever you please, but it will certainly never be a symphony!” this was the attitude of the conservatoire in the year of grace 1889.

At another door of the concert-hall, the composer of “Faust,” escorted by a train of adulators, male and female, fulminated a kind of papal decree to the effect that this symphony was the affirmation of incompetence pushed to dogmatic lengths. (charles) Gounod must be expiating these words in some musical purgatory; for, coming from an artist such as he was, they can never have been sincere nor disinterested.

For sincerity and disinterestedness we must turn to the composer himself, when, on his return from the concert, his whole family surrounded him, asking eagerly for news. “Well, were you satisfied with the effect on the public? Was there plenty of applause?” to which “Father” Franck, thinking only of his work, replied with a beaming countenance: “Oh, it sounded well, just as I thought it would!”

Over time, orchestras, audiences and critics have come to appreciate the symphony’s considerable strengths. the Franck d-minor is a dramatic symphonic journey that, as d’Indy observed, “is a continual ascent towards pure gladness and life-giving light, because its workmanship is solid, and its themes are manifestations of ideal beauty.”

Musical Analysis

I. Lento; Allegro ma non troppo — the d-minor symphony begins with a slow introduction (Lento) that foreshadows the opening movement’s principal themes. the violas, cellos and basses intone a three-note motif, reminiscent of both the “Muss es sein?” (“Must it be?”) theme in the final movement of Beethoven’s string Quartet, Opus 135 (1826), and the opening of Franz Liszt’s 1848 symphonic poem, Les préludes. the tension mounts and, after a crescendo, the Allegro non troppo begins with a thunderous transformation of the three-note motif. An F-minor reprise of the Lento introduction and Allegro non troppo


leads to an F-Major section and the introduction of a flowing theme that has been described as the composer’s affirmation of faith. the development presents juxtapositions of the principal themes. A recapitulation ensues, and the movement concludes with a massive statement of the three-note motif and a final glorious orchestral pronouncement.

II. Allegretto — the Allegretto serves the dual function of a slow movement and scherzo. Over harp and pizzicato strings, the english horn sings a plaintive cantabile melody, soon continued by the clarinets and horns. A scurrying passage for muted strings inaugurates an episode that recalls the quicksilver charm of Felix Mendelssohn’s incidental music for A Midsummer Night’s Dream. the english horn solo returns, now accompanied by the muted strings, as the Allegretto proceeds to its serene conclusion.

III. Allegro non troppo — After a brief and vibrant introduction, the bassoons and cellos sing the finale’s principal melody, soon proclaimed in bold fashion by the entire orchestra. the trumpets introduce a chorale-like subsidiary theme. In the finale the composer reprises melodies from the previous movements, beginning with the Allegretto english horn solo, ultimately transformed into a massive orchestral proclamation. the “faith” and three-note motifs from the opening movement return as well, but in the end, the finale’s principal melody emerges triumphant.


program

MEI-ANN CHEN, conductor

One of the most dynamic young conductors in America, Mei-Ann chen has recently completed

her first season as music director of the Memphis symphony Orchestra. the impact of her energy, enthusiasm and high level of music-making has already been felt by the orchestra, audiences and entire community. In June, she assumed the music directorship of the chicago sinfonietta, only the second person to hold this position.

In great demand as a guest conductor, Ms. chen has appeared with the Alabama, Atlanta, Baltimore, chicago, colorado, columbus, edmonton (canada), Florida, Fort Worth, honolulu, national (Washington, d.c.), Oregon, Pacific, Phoenix, Princeton, seattle and toronto symphonies, and the Grand teton Festival Orchestra. Worldwide engagements include all the principal danish orchestras, BBc scottish symphony, Bournemouth symphony, Graz symphony, norwegian Radio Orchestra, tampere Philharmonic and the trondheim symphony. during the 2011-12 season, she will debut with the symphonies of Jacksonville, naples, nashville, Pasadena and sarasota as well as the national symphony of Mexico and the netherlands Philharmonic at the Amsterdam concertgebouw.

the first woman to win the Malko competition (2005), Ms. chen has served as assistant conductor of the Oregon symphony, and has recently completed highly successful tenures as assistant conductor of the Atlanta and Baltimore symphonies; these positions were sponsored by the League of American Orchestras. Ms. chen, who received the 2007 taki concordia Fellowship, has appeared jointly with Marin Alsop and stefan sanderling in highly acclaimed subscription concerts with the Baltimore symphony, colorado symphony and Florida Orchestra.

In 2002, Ms. chen was unanimously selected as music director of the Portland Youth Philharmonic in Oregon, the oldest of its kind and the model for many of the youth orchestras in the united states. during her five-year tenure with the orchestra, she led its sold-out debut at carnegie hall, received an AscAP award for innovative programming and developed new and unique musicianship programs for the orchestra’s members. she was honored with a sunburst Award from Young Audiences for her contribution to music education.

Ms. chen, who was born in taiwan, has lived in the united states since 1989. she holds a doctor of musical arts in conducting from the university of Michigan, where she was a student of Kenneth Kiesler. Before that, she was the first student in new england conservatory history to receive masterd degrees simultaneously in both violin and conducting. Ms. chen also participated in the national conducting Institute in Washington, d.c., and the American Academy of conducting in Aspen, colo.

Mei-Ann Chen


TERRENCE WILSON, Piano

P ianist terrence Wilson has established a reputation as one of today’s most gifted

instrumentalists. he has appeared with the symphony orchestras of Atlanta, Baltimore, cincinnati, dallas, detroit, houston, Washington, d.c. (national symphony), san Francisco, st. Louis, cleveland, Minnesota, Philadelphia and the st. Paul chamber Orchestra. he has worked with such conductors as Marin Alsop, christoph eschenbach, neeme Jarvi, Yoel Levi, Andrew Litton, Jesus Lopez-cobos, Robert spano, Yuri temirkanov, stanislaw skrowaczewski and Gunther herbig.

highlights of Mr. Wilson’s 2011-12 season include engagements with the cincinnati symphony, performing Rachmaninoff’s 2nd Piano concerto under the baton of Rafael Frühbeck de Burgos, and with the Atlanta symphony, playing Ravel’s G Major concerto with conductor Mei-Ann chen. he will also be guest artist with the orchestras of Wichita, Kan.; santa Barbara, calif.; Albany; stamford, conn.; and helena, Mont. he returns to the Jacksonville symphony in February 2012 as pianist in Beethoven’s triple concerto, and to cincinnati’s Xavier university Piano series, where he will perform in recital in March.

Abroad, Mr. Wilson has played concerti with such ensembles as the Lausanne chamber Orchestra in switzerland, the Malaysian Philharmonic, and the Orquestra sinfonica do estado de Minas Gerais in Belo horizonte, Brazil. In 2005, he toured spain with the Baltimore symphony, Yuri temirkanov conducting.

An active recitalist, Mr. Wilson made his new York city recital debut at the 92nd street Y, and his Washington, d.c., recital debut at the Kennedy center. In europe he has given recitals at the Verbier Festival in switzerland and at the Louvre in Paris. he has given recitals at the Ravinia Festival in chicago, the caramoor Festival in Katonah, n.Y., san Francisco’s herbst theatre and for the La Jolla chamber Music society. An avid chamber musician, he performs regularly with the Ritz chamber Players. Festival appearances include the Blossom Festival, tanglewood and Wolf trap.

Mr. Wilson has received numerous awards and prizes, including the sOnY es Award for Musical excellence, an Avery Fisher career Grant and the Juilliard Petschek Award. he has also been featured on several radio and television broadcasts, including nPR’s “Performance today,” WQXR radio in new York, and programs on the Bravo network, the A&e network and public television

Mr. Wilson is a graduate of the Juilliard school, where he studied with Yoheved Kaplinsky. he is a Bronx native, who now lives in Montclair, n.J.

Mei-Ann Chen


support

Mrs. Thalia N. Carlos**Delta Air Lines

The Mabel Dorn Reeder FoundationThe Zeist Foundation, Inc.

Fulton County Arts Council

National Endowment for the Arts

UPS

GE Asset ManagementAbraham J. & Phyllis Katz FoundationMr. & Mrs. Charles H. McTier

Turner Broadcasting SystemThe Vasser Woolley Foundation, Inc.Woodruff Arts Center

Madeline & Howell Adams, Jr.Mrs. Anne Cox Chambers

The Coca-Cola CompanyMrs. William A. Schwartz

$50,000+

$500,000+

$250,000+

$100,000+

$75,000+

$35,000+

$25,000+

*We are grateful to these donors for taking the extra time to acquire matching gifts from their employers. **Deceased.

AnonymousAT&T Real Yellow PagesMarcia & John DonnellGE EnergyThe Graves FoundationInterContinental Hotels Group

The Charles Loridans Foundation, Inc.

The Reiman FoundationMr. Thurmond SmithgallRobert SpanoSusan & Thomas Wardell

SunTrust BankSunTrust FoundationSunTrust Bank

Trusteed Foundation – Walter H. and Marjory M. Rich Memorial Fund

Massey Charitable TrustPorsche Cars North America

Publix Super Markets CharitiesPatty & Doug Reid

Sutherland Asbill & Brennan LLP

Susan & Richard AndersonStephanie & Arthur BlankMr. & Mrs. C. Merrell CalhounMr. & Mrs. Bradley Currey, Jr.Georgia Council for the ArtsGeorgia Natural GasAnn & Gordon Getty FoundationJohn H. & Wilhelmina

D. Harland Charitable Foundation, Inc.

Lucy R. & Gary Lee, Jr.MetLife FoundationThe Sara Giles Moore

FoundationNalley Automotive GroupTerence L. & Jeanne P. Neal*Victoria & Howard PalefskyMr. & Mrs. Solon P. Patterson*Printpack Inc. & The Gay

& Erskine Love Foundation

Ryder System, Inc.Mrs. Charles A. Smithgall, Jr.Mr. & Mrs. K. Morgan

Varner, IIIAdair & Dick WhiteAnn Marie & John B.

White, Jr.*Sue & Neil Williams

The Atlanta Symphony Orchestra gratefully acknowledges the generous gifts of individuals, corporations, foundations, government and other entities whose contributions help the Orchestra fulfill its mission to be a vigorous part of the cultural fabric of our community. The following list represents the cumulative total of philanthropy of $1,750 and above to the Orchestra’s fundraising campaigns, events and special initiatives from the fiscal year 2011: June 1, 2010 through May 31, 2011.

(Please note that donor benefits are based solely on contributions to the annual fund.)


$15,000+

$10,000+

$5,000+

Pinney L. Allen & Charles C. Miller III

The Antinori FoundationLisa & Joe BankoffMary Helen & Jim DaltonMr. & Mrs. David EdmistonIn memory of Polly Ellis

by Admiral James O. Ellis, Jr.

Mr. Donald F. FoxMr. & Mrs. Lawrence L.

Gellerstedt IIICharles & Mary GindenAnn A. & Ben F.

Johnson III*Sarah & Jim KennedySteve & Eydie KooninCarrie & Brian Kurlander

Michael & Cindi LangDonna Lee & Howard

C. EhniMeghan & Clarke

MagruderJeff Mango -

Verizon WirelessMr. & Mrs. William

T. Plybon*

Dr. Stanley & Shannon Romanstein

Lynn SchinaziIrene & Howard SteinMary Rose TaylorRay & John UttenhoveMr. & Mrs. Edus H.

Warren, Jr.

AnonymousThe Aaron Copland Fund

for Music, Inc.AGCO Corporation,

Lucinda B. SmithMark & Christine ArmourThe Balloun FamilyKelley O. & Neil

H. BermanMr. David BoatwrightMrs. Suzanne Dansby

Bollman & Mr. Brooks Bollman

The Boston Consulting Group

The John & Rosemary Brown Family Foundation

The Walter & Frances Bunzl Foundation

Cynthia & Donald CarsonDr. John W. CooledgeTrisha & Doug CraftCari Katrice DawsonEleanor & Charles

EdmondsonRosi & Arnoldo FiedotinMary D. GellerstedtGMT Capital CorporationNancy D. GouldThe Robert Hall Gunn,

Jr. Fund

Joe Guthridge & David Ritter*

Jan & Tom HoughMr. Tad HutchesonRoya & Bahman IrvaniAnne Morgan & Jim KelleyMr. & Mrs. Donald

R. KeoughMr. & Mrs. John M. LawThe Livingston

Foundation, Inc.Mike’s Hard LemonadeMorgens West FoundationLynn & Galen OelkersPrimerica

Margaret & Bob ReiserBill & Rachel Schultz*Joyce & Henry SchwobMr. John A. Sibley IIIJohn SparrowCarol & Ramon Tome

Family Fund*Trapp FamilyMike & Liz TroyTurner Foundation, Inc.Mark & Rebekah WassermanNeal & Virginia WilliamsSuzanne Bunzl Wilner

Atlanta Federation of Musicians

Edith H. & James E. Bostic, Jr. Family Foundation

Breman FoundationJeff & Ann Cramer*

Mr. & Mrs. Jesse Hill, Jr.C. Tycho & Marie Howle

Foundation

JBS FoundationThe Hellen Plummer

Charitable Foundation, Inc.

Anonymous (3)John** & Helen Aderhold*Aadu & Kristi Allpere*Ms. Julie M. AltenbachThe ASCAP FoundationDr. Robert L. & Lucinda

W. BunnenCharles Campbell & Ann

Grovenstein-CampbellRichard A. & Lynne

N. DorfmanChristopher & Sonnet

Edmonds

Dr. & Mrs. Carl D. FacklerDavid L. ForbesJames F. FraserThe Fraser-Parker

Foundation, Inc.Betty Sands FullerSally & Carl GableDick & Anne GoodsellThe Jamieson FamilyPhilip I. KentJames H. LandonGeorge H. Lanier

The Sartain Lanier Family Foundation, Inc.

Pat & Nolan LeakeLinks Inc., Azalea City

ChapterBelinda & Gino MassafraLinda & John MatthewsJohn F. & Marilyn

M. McMullanPenelope & Raymond

McPhee*Dr. & Mrs. Mark P.

Pentecost, Jr.

Margaret H. PetersenJohn & Kyle RogersHamilton & Mason Smith*Sandy & Paul SmithPeter James StellingMrs. C. Preston StephensTriska Drake & G.

Kimbrough Taylor, Jr.Charlie Wade &

M.J. ConboyRussell Williamson

& Shawn Pagliarini

$7,500+

$17,500+

Anonymous (2)Jim and Adele

AbrahamsonThe Arnold

Foundation, Inc.

Mr. & Mrs. Paul J. Blackney

Janine Brown & Alex J. Simmons, Jr.

City of Atlanta Office of Cultural Affairs

Gary & Nancy FayardMr. & Mrs. Paul

R. GarciaJane & Clay JacksonKarole & John Lloyd

Mr. Kenneth & Dr. Carolyn Meltzer

Loren & Gail StarrAlison M. & Joseph

M. ThompsonCamille Yow

$3,500+

AnonymousMr. & Mrs. Dennis ChorbaMr. James L. Davis &

Ms. Carol Comstock*Jere & Patsy Drummond

Ellen & Howard FeinsandFour Seasons Hotel AtlantaHerbert & Marian

Haley FoundationSteven & Caroline Harless

Mr. & Mrs. John E. Hellriegel

Mr. & Mrs. Daniel H. Hollums

JoAnn Hall Hunsinger

Paul & Rosthema KastinDr. & Mrs. James

T. Laney*Mr. & Mrs. William

C. Lester*


*We are grateful to these donors for taking the extra time to acquire matching gifts from their employers. **Deceased.

$2,250+

$1,750+

Anonymous (3)Mrs. Kay Adams*

& Mr. Ralph PaulkMr. & Mrs. Phillip

E. Alvelda*Paul & Marian AndersonJack & Helga BeamMs. Laura J. Bjorkholm

& Mr. John C. Reece IIRita & Herschel BloomMargo Brinton & Eldon ParkJacqueline A. & Joseph E.

Brown, Jr.Dr. & Mrs. Anton

J. BueschenMajor General & Mrs.

Robert M. BunkerDr. Aubrey M. Bush

& Dr. Carol T. BushThe Buss Family

Charitable FundMs. Marnite B. CalderMr. & Mrs. Beauchamp

C. CarrChip & Darlene ConradMr. & Mrs. Thomas

G. CousinsMr. Robert Cronin

& Ms. Christina SmithSally & Larry DavisElizabeth & John Donnelly

Gregory & Debra DurdenMs. Diane DurginCree & Frazer DurrettThe Robert S. Elster

Foundation George T. & Alecia

H. EthridgeJohn & Michelle FullerMr. & Mrs. Edward

T. GarlandDr. Mary G. George

& Mr. Kenneth MolinelliBen & Lynda GreerDr. & Mrs. Alexander GrossPaul B., Paul H.,

& M. Harrison HackettSally W. HawkinsDarlene K. HensonMr. & Mrs. Harry C. HowardRichard & Linda HubertDr. William M. HudsonMr. & Mrs. William C.

Humphreys, Jr.Dr. & Mrs. James M. HundDorothy JacksonMs. Cynthia JenessMr. & Mrs. Robert

A. JohnsonMr. W. F. & Dr. Janice

JohnstonDr. Maurice J. Jurkiewicz**

Hazel & Herb KarpMr. & Mrs. John

H. KauffmanMr. & Mrs. L.

Michael KellyDick & Georgia Kimball*Mr. & Mrs. Daniel J. KingDr. Fulton D. Lewis III & Mr.

Stephen Neal RhoneyMr. & Mrs. J. David LifseyMr. & Mrs. Paul A. Lutz*Mr. & Mrs. Frederick

C. MabryBarbara & Jim MacGinnitieThe Devereaux F.

& Dorothy McClatchey Foundation, Inc.

Mr. & Mrs. Albert S. McGhee

Birgit & David McQueenGregory & Judy MooreMs. Lilot S. Moorman

& Mr. Jeffrey B. BradleyDr. & Mrs. R. Daniel NableMr. & Mrs. Robert OliveMs. Rebecca OppenheimerMr. & Mrs. Andreas

PenningerSusan PerdewDr. & Mrs. W. Harrison

Reeves, Sr.

Mr. & Mrs. Richard L. Rodgers

Mr. & Mrs. George P. Rodrigue

Dr. Paul J. SeguinElizabeth S. SharpAngela & Morton SherzerKay R. ShirleyBeverly & Milton ShlapakHelga Hazelrig SiegelLewis SilverboardBaker & Debby SmithAmy & Paul SnyderMr. & Mrs. Raymond F.

Stainback, Jr.Lynne & Steven Steindel*John & Yee-Wan StevensMr. & Mrs. George B.

Taylor, Jr.Mr. & Mrs. Mark TaylorAnnie York-Trujillo & Raul

F. TrujilloMr. William C. VossDr. & Mrs. James O.

Wells, Jr.David & Martha WestMr. & Mrs. Peter

L. WhitcupMary Lou WolffJan & Beattie WoodMr. & Mrs. John C. Yates

AnonymousMr. & Mrs. Stephen

D. AmboDr. David & Julie BakkenMr. & Mrs. Ron BellLeon & Linda BorchersMr.** & Mrs. Eric

L. BrookerMr. & Mrs. Russell

E. ButnerMr. & Mrs. Walter

K. CanipeSusan & Carl CoferMr. & Mrs. R. Barksdale

Collins*Ralph & Rita ConnellDr. & Mrs. William

T. CookJean & Jerry CooperMr. & Mrs. Brant Davis*Mrs. H. Frances DavisMr. & Mrs. Peter T.

de KokDrs. Carlos Del Rio

& Jeannette Guarner

Elizabeth & John DonnellyXavier Duralde

& Mary BarrettCree & Frazer DurrettDr. Francine D. Dykes

& Mr. Richard DelayMary Frances EarlyRee & Ralph EdwardsGeorge T. & Alecia

H. EthridgeBill & Susan GibsonCarol & Henry GradyMr. Lewis H. Hamner IIIThomas HighIn memory of Carolyn

B. HochmanStephanie & Henry HowellMary B. & Wayne JamesAaron & Joyce JohnsonVeronique & Baxter JonesLana M. JordanMr. Thomas J. JungDr. Rose Mary KolpatzkiMr. & Mrs. David Krischer

Thomas C. LawsonMr. & Mrs. Craig

P. MacKenzieKay & John MarshallMartha & Reynolds

McClatcheyCaptain & Mrs. Charles

M. McCleskeyVirginia K. McTagueAngela & Jimmy MitchellMrs. Gene Morse**Barbara & Sanford OrkinDr. & Mrs. Keith

D. OsbornDr. & Mrs. Bernard

H. PalayMr. & Mrs. Emory

H. PalmerElise T. PhillipsDr. & Mrs. Frank

S. Pittman IIIThe Reverend Neal

P. Ponder, Jr.Provaré Technology, Inc.

Ms. Susan Robinson & Ms. Mary Roemer

The Gary Rollins Foundation

John T. RuffDr. & Mrs. Rein SaralAlida & Stuart SilvermanSydney SimonsAlex & Betty Smith

Foundation, Inc.Johannah SmithMr. & Mrs. Gabriel SteagallKay & Alex SummersElvira TateMr. & Mrs. William

M. TippingDrs. Jonne & Paul WalterAlan & Marcia WattMr. & Mrs. William White*Hubert H. Whitlow, Jr.Mrs. Frank L. Wilson, Jr.Charlie & Dorothy Yates

Family FundHerbert & Grace Zwerner

$3,500+ continued

Deborah & William LissDr. & Mrs. James T. LowmanRuth & Paul MarstonMr. & Mrs. Harmon B.

Miller III

Walter W. MitchellLeslie & Skip PetterMr. & Mrs. Rezin Pidgeon, Jr.Mr. & Mrs. Joel F. ReevesS.A. Robinson

Nancy & Henry ShufordIn memory of Willard ShullElliott SopkinMs. Kimberly Tribble

& Mr. Mark S. Lange

Burton TrimbleDrs. Julius & Nanette WengerH. & T. Yamashita*

support


Henry Sopkin CircleRecognizing planned gifts that benefit the Atlanta Symphony Orchestra

Madeline & Howell E. Adams, Jr.

Mr.* & Mrs. John E. Aderhold

William & Marion AtkinsDr. & Mrs. William BauerNeil H. BermanFred & Bettye BettsMr.* & Mrs.* Karl

A. BevinsMr.* & Mrs. Sol BlaineFrances Cheney Boggs*W. Moses BondRobert* & Sidney BoozerElinor A. BremanWilliam Breman*James C. Buggs, Sr.Mr. & Mrs. Richard

H. BurginHugh W. BurkeWilber W. CaldwellMr. & Mrs. C. Merrell CalhounCynthia & Donald CarsonMargie & Pierce ClineDr. & Mrs. Grady

Clinkscales, Jr.Miriam & John

A. Conant*Dr. John W. CooledgeMr.* & Mrs.* William

R. CummickelJohn R. DonnellDixon W. Driggs*Catherine Warren DukehartMs. Diane DurginKenneth P. DutterArnold & Sylvia EavesElizabeth Etoll

John F. EvansDoyle Faler*Rosi & Arnoldo FiedotinDr. Emile T. FisherA. D. Frazier, Jr.Betty & Drew* FullerCarl & Sally GableWilliam H. GaikKay Gardner*Mr.* & Mrs. L. L.

Gellerstedt, Jr.Ruth Gershon & Sandy CohnMicheline & Bob GersonMr. & Mrs. John T. GloverMrs. Irma G. Goldwasser*Robert Hall Gunn, Jr.Billie & Sig* GuthmanBetty G. & Joseph* F. HaasJames & Virginia HaleMiss Alice Ann Hamilton*John & Martha HeadMs. Jeannie HearnMr. Walter T. Heist* Jill* & Jennings HertzAlbert L. Hibbard, Jr.*Richard E. HodgesMr. & Mrs. Charles K.

Holmes, Jr.Mr.* & Mrs. Fred A.

Hoyt, Jr.Dr. & Mrs. James

M. HundMary B. JamesCalvert JohnsondeForest F. Jurkiewicz*Herb & Hazel KarpAnne Morgan

& Jim Kelley

Bob KinseyJames W. & Mary Ellen*

KitchellPaul Kniepkamp, Jr.Miss Florence KopleffOuida Hayes LanierMr. & Mrs. William LesterLiz & Jay* LevineJane LittleMrs. J. Erskine Love, Jr.Nell Galt & Will D. MagruderK Maier John W. Markham, IIIAnn Bernard Martin*Mr. Michael McDowell*Dr. Michael S. McGarryMr. & Mrs. Richard McGinnisVera A. Milner*Mr. & Mrs. Bertil

D. NordinRoger B. OrloffDr. Bernard

& Sandra PalayBill PerkinsMr. & Mrs. Rezin E.

Pidgeon, Jr.Janet M. PierceReverend Neal P.

Ponder, Jr.William L. & Lucia

Fairlie PulgramThe Reiman FoundationCarl J. Reith*Edith Goodman Rhodes*Vicki J. & Joe A. RiedelDr. Shirley E. RiversMr. & Mrs. Martin

H. Sauser

Mr. Paul S. Scharff & Ms. Polly G. Fraser

Edward G. Scruggs*Dr. & Mrs. George P. SessionsW. Griggs Shaefer, Jr.*Mr.* & Mrs.* Robert ShawCharles H. Siegel*Mr. & Mrs. H.

Hamilton SmithMrs. Lessie B. SmithgallMargo Sommers*Elliott SopkinElizabeth Morgan SpiegelDaniel D. Stanley*Peter James StellingBarbara Dunbar Stewart* C. Mack* & Mary

Rose TaylorJennings Thompson IVMargaret* & Randolph

ThrowerKenneth & Kathleen TiceSteven R. TunnellMary E. Van ValkenburghMrs. Anise C. Wallace*Mr. & Mrs. John B.

White, Jr.Adair & Dick WhiteHubert H. Whitlow, Jr.Sue & Neil WilliamsMrs. Frank L. Wilson, Jr.Elin M. Winn*Joni WinstonGeorge & Camille WrightMr.* & Mrs. Charles

R. YatesAnonymous (12)

*Deceased

Patron Partnership Thomas J. Jung, Chair

The Patron Partnership of the Atlanta Symphony Orchestra is the society of donors who have given $1,750 or more and comprise a vital extension of the Orchestra family through their institutional leadership and financial support.

Appassionato Meghan Magruder, Appassionato Chair

The Atlanta Symphony Orchestra is privileged to receive annual contributions from individu-als throughout the Southeast. Appassionato was inaugurated in 2000 and welcomes annual givers of $10,000 and above. Appassionato members provide the Symphony with a continu-ous and strong financial base in support of our ambitionous aritistic and education initiatives.

additional supportBlonder Family Foundation William McDaniel Charitable

FoundationWilliam Randolph Hearst

Endowed Fund


Classical Title SponsorClassic Chastain Title Sponsor

Family and SuperPOPS Presenting Sponsor

RICHARD ANDERSONChief Executive Officer

Holiday Title Sponsor

MUHTAR KENTPresident and

Chief Operating Officer

DARRYL HARMONSoutheast Regional President

Atlanta School of Composers Presenting Sponsor

PHILIP I. KENTChief Executive Officer

Supporter of the AtlantaSymphony Orchestra Chorus

JERRY KARRManaging Director

This program is supported in part by the Georgia Council for the Arts (GCA) through the appropriations of the Georgia General Assembly. GCA also receives support from its partner agency, the National Endowment for the Arts

Major funding for this organization is provided by the Fulton County Board of Commissioners under the guidance of the Fulton County Arts Council.

Major support is provided by the City of Atlanta Office of Cultural Affairs.

Atlanta Symphony Orchestra programs are supported in part by an award from the National Endowment for the Arts.

corporate & government support


2011-2012 boardBelinda Massafra

PresidentSylvia Davidson

President ElectSuzy Wasserman,

Leslie Petter, Camille Yow Advisors

Ruth & Paul Marston Decorator’s Show House & Gardens Advisors

Elba McCue Secretary

Sabine Sugarman Treasurer

Camille Kesler VP Administration

Dawn Mullican VP Public Relations

Paula Ercolini VP Youth Education

Ruth & Paul Marston VP Membership

Gayle Lindsay Parliamentarian

Ann Levin & Gail Spurlock Historians

Judy Schmidt Nominating Committee Chair

Amy Mussara, Chair, Decorators’ Show House & Gardens

Natalie Polk & Hillary Inglis Co-Chairs, Decorators’ Show House & Gardens

Janis Eckert & Gail Spurlock Chairs, ASA Fall Meeting

Poppy Tanner Chair, ASA Night at the ASO

Glee Lamb & Adele Abrahamson Chairs, ASA Spring Luncheon

Pat King ASA Notes Newsletter Editor

Jamie Moussa Chair, ASA Annual Directory

Nancy Levitt Ambassadors’ Desk

Helen Marie Rutter Bravo Chair

Elba McCue Concerto Chair

Joan Abernathy Encore Chair

Liz Cohn & Betty Jeter Ensemble Chairs

Karen Bunn Intermezzo Chair

Atlanta Symphony AssociatesThe volunteer organization of the Atlanta Symphony Orchestra

BRAVO! ON THE “BEACH” Members of Bravo!, the young professional volunteer group of the Orchestra, took in former Beach Boy Brian Wilson’s August show at Delta Classic Chastain. Shannon Smith, Helen Marie Rutter (Bravo! Unit Chair), and Wadette Bradford (left to right) soak up the “Good Vibrations.”

For less than what it costs for a single admission, you can purchase a Dinner & A Show package and get a TICKET PLUS A $20 GIFT CARD redeemable at a fine Atlanta restaurant.

AVAILABLE NOW:

DINNER & A SHOW

Amazing shows.

ORDER TODAY!

Memorable meals.MAMMA MIA! Deadline to order is 10/28

WED 11/2 - LIVINGSTON

THURS 11/3 - ECCOSUN 11/6 -ONE.MIDTOWN KITCHEN

TONY BENNETTDeadline to order is 11/17

FRI 11/25 - ECCO, LIVINGSTON, ONE.MIDTOWN KITCHEN, SHOUT, MURPHY’S, ROOM AT TWELVE

Dinner & Show offers can be found on the left side of the Fox Theatre’s Facebook page,

www.facebook.com/TheFoxTheatreAtlanta

For more information, please call Janet Potash at the Fox Theatre at 404-881-2103

or log onto FoxTheatre.org


Patron Circle of StarsBy investing $15,000 or more in the Woodruff Arts center and its divisions – the Alliance theatre, Atlanta Symphony orchestra, High museum of Art and Young Audiences – these outstanding Annual corporate campaign donors helped us exceed our $8.8 million fundraising goal for 2010–11. thank you!

cHAIrmAn’S councIl★★★★★★★★★★★★★$500,000+

The Coca-Cola Company Georgia Power Foundation, Inc. UPS

★★★★★★★★★★★$450,000+

Cox Interests Atlanta Journal-Constitution, WSB-TV, Cox Radio Group Atlanta, James M. Cox Foundation

Hon. Anne Cox Chambers

★★★★★★★★★$200,000+

AT&T The Community Foundation for Greater Atlanta, Inc.

Deloitte LLP, its Partners & Employees

Ernst & Young, Partners & Employees

The Home Depot Foundation Jones Day Foundation & Employees

The Klaus Family FoundationPricewaterhouseCoopers Partners & Employees

Mabel Dorn Reeder FoundationTurner Broadcasting System, Inc.

★★★★★★★★$150,000+

Alston & Bird LLP Equifax Inc. & Employees The Rich Foundation, Inc. SunTrust Bank Employees & Trusteed Foundations Harriet McDaniel Marshall Trust Walter H. & Marjory M. Rich Memorial Fund Thomas Guy Woolford Charitable Trust Greene-Sawtell Foundation

Wells Fargo

★★★★★★★$100,000+

AirTran Airways Bank of AmericaDelta Air Lines, Inc. Kaiser Permanente King & Spalding LLP KPMG LLP, Partners & Employees

The Marcus Foundation, Inc. The Sara Giles Moore Foundation

Novelis, Inc.Regions Financial Corporation Wal-Mart Stores, Inc. The David, Helen & Marian Woodward Fund

★★★★★★$75,000+

Holder Construction CompanyThe Sartain Lanier Family Foundation, Inc.

Patty & Doug Reid Family Foundation

★★★★★$50,000+

AGL Resources Inc. Lisa & Joe BankoffCiscoCoca-Cola Enterprises Ann & Jay DavisDoosan Infracore InternationalFrank Jackson Sandy Springs Toyota and Scion

GMT Capital CorporationBeth & Tommy HolderING Mr. & Mrs. M. Douglas IvesterKilpatrick Townsend & Stockton LLP

Newell RubbermaidPrimericaDarrick StephensSutherland Asbill & Brennan LLP

The Zeist Foundation, Inc.

★★★★$35,000+

Accenture & Accenture Employees

Katharine & Russell Bellman Foundation

Mr. & Mrs. Bradley Currey, Jr. GE EnergyThe Imlay Foundation, Inc. Invesco PLC Norfolk Southern, Employees & Foundation

SCANA Energy Siemens Industry, Inc.Harris A. Smith Troutman Sanders LLP Frances Wood Wilson Foundation, Inc.

★★★$25,000+

Air Serv CorporationAssurant Atlanta Companies Assurant SolutionsAssurant Specialty Property

Atlanta Foundation Julie & Jim Balloun BB&T CorporationBDO USA, LLPLaura & Stan BlackburnBrysan Utility Contractors, Inc.ChartisCIGNA FoundationCousins Properties IncorporatedCrawford & Company Drummond Company, Inc.Eisner Family FoundationFirst Data CorporationFord & Harrison LLPGenuine Parts Company Georgia-Pacific Jack & Anne Glenn Foundation, Inc.

IBM Corporation Infor Global SolutionsSarah & Jim KennedyPhilip I. Kent Foundation The Ray M. & Mary Elizabeth Lee Foundation, Inc.

LexisNexis Risk Solutions


The Blanche Lipscomb Foundation

Livingston Foundation, Inc.Macy’s Foundation McKinsey & Company, Inc. Katherine John Murphy Foundation

Piedmont Charitable Foundation, Inc.

J. Marshall & Lucile G. Powell Charitable Trust

Mary & Craig RamseyRock-Tenn Company Richard D. ShirkSouthwire CompanySpectrum BrandsTowers WatsonWaffle House, Inc. Gertrude & William C. Wardlaw Fund

Waste Management Charitable Foundation

Yancey Bros. Co.

★★$15,000+

22squared, inc. A. E. M. Family FoundationACE Charitable FoundationAcuity Brands, Inc.AGCO CorporationAlix PartnersAlvarez & MarsalArnall Golden Gregory LLPThe Partners & Employees of Atlanta Equity Investors

Atlanta Marriott Marquis Beaulieu Group, LLC Susan R. Bell & Patrick M. Morris

The Arthur M. Blank Family Foundation

The Boston Consulting GroupCatherine S. & J. Bradford Branch

George M. Brown Trust Fund of Atlanta, Georgia

Bryan Cave LLPBuck Consultants

The Capital Group Companies Charitable Foundation

Talela & Beauchamp CarrRoxanne & Jeffrey CashdanCB Richard EllisCenter Family Foundation Mr. Charles Center Mr. & Mrs. Fred Halperin Ms. Charlene BermanThe Chatham Valley Foundation, Inc.

Chick-fil-A, Inc.CornerCap Investment CounselAnn & Jeff CramerDLA Piper Duke Realty Corporation Egon Zehnder InternationalExide TechnologiesFeinberg Charitable TrustMr. & Mrs. Frank L. FernandezFifth Third BankRobert Fornaro John & Mary Franklin Foundation, Inc.

Gas South, LLC Georgia Natural Gas Dolores & Javier C. GoizuetaGrant Thornton LLPHarland Clarke HD Supply The Howell Fund, Inc. ICS Contract Services, LLC JamestownJenny & Phil JacobsMr. & Mrs. Tom O. Jewell Weldon H. Johnson Family Foundation

Ingrid Saunders JonesDavid & Jennifer Kahn Family Foundation

Mr. & Mrs. Muhtar KentKurt Kuehn & Cheryl DavisLanier Parking SolutionsThe Latham Foundation Barbara W. & Bertram L. Levy Fund

Karole & John LloydLockheed Martin Aeronautics Company

Marsh-MercerMcKenna Long & Aldridge LLPMohawk Industries, Inc.Mueller Water Products, Inc.Noonan Family FoundationGail & Bob O’LearyVicki R. PalmerThe Sally & Peter Parsonson Foundation, Inc.

Paul, Hastings, Janofsky & Walker LLP

Printpack Inc./The Gay & Erskine Love Foundation

David M. Ratcliffe J. Mack Robinson InterestsFrances & Jesse A. Sasser, Jr.Emily Winship Scott FoundationSelig Enterprises, Inc./ The Selig Foundation

Skanska USA Building Inc.Spencer Stuart Karen & John Spiegel Superior Essex Inc. Sysco AtlantaTriMont Real Estate Advisors, Inc.

United Distributors, Inc. WATL/WXIA/Gannett Foundation

John F. WielandMr. & Mrs. James B. Williams Sue & Neil Williams Womble Carlyle Sandridge & Rice, PLLC

Carla & Leonard Wood The Xerox Foundation Mr. & Mrs. Robert A. Yellowlees

*As of May 31, 2011


“Being a conductor myself, I do have some knowledge of the ‘empty hype’ that goes with this profession,” he said in an interview several years ago with Alex Ross of The New Yorker. “Conductors should be what they used to be — spokespeople for music in their hometown. But [as a composer] only I can write my own music. There’s no one else who can do it for me.”

Having studied horn, composing and conducting at the Sibelius Academy in Helsinki during the 1970s, Salonen initially considered himself to be a conducting composer, until 1983, when he pinch-hit on short notice for a performance of Mahler’s Third Symphony with the Philharmonia Orchestra in London and became a composing conductor virtually overnight. His orchestral works are regularly performed and broadcast around the world.

The Salonen-Spano pairing has prompted a palpable buzz in Atlanta music circles. After all, Spano and the ASO have performed nearly 100 contemporary pieces (works composed since 1950), since 2001, including seven ASO-commissioned world premieres, two additional world premieres, and two U.S. premieres as of the 2011-12 season. The Orchestra has received a total of eight Grammy awards for five recordings of contemporary works and, in 2007, was awarded ASCAP’s most prestigious honor, the John S. Edwards Award for Strongest Commitment to New American Music.

Next up, “Nyx.”

Tickets and more information on the performance and the complete 2011-12 season are available at aso.org, at the Woodruff Arts Center box office or by calling 404.733.5000.

“�Conductors�should�be�spokespeople�for�music�in�their�hometown.”

Continued from page 20


community corner

Meet Sheehan Hanrahan,

a member of the Atlanta Symphony Youth Orchestra and a student at Alpharetta High School. A Youth Orchestra student council leader and sole student member of the Atlanta Symphony Orchestra’s Education Committee, Sheehan also develops community service projects for his school orchestra and now is developing a Youth Orchestra community service plan.

What started you on the path to community service?I started early, joining clubs and activities in my elementary, middle and high schools, and a community organization with my family. In middle school, I was a member of the chamber music program, Beta Club, Junior Honor Society and a member of the Atlanta Indian Catholic Association. All these organizations arranged for community opportunities which I took part in; all of them exposed me to community service and giving.

Share a little about the community service plan you’re developing for the Youth Orchestra.I envision every member participating in at least one community service project this season, which is a challenge because we do a lot more than practice and perform music. We’re involved in sports, school clubs, organizations and many other activities, but I am confident we can do it — from volunteering at instrument petting zoos and a Youth Orchestra fundraiser to working in the community. Student musicians are the Youth Orchestra’s greatest resource, and following the lead of the Atlanta Symphony, we have the potential to take our music and talents throughout Atlanta and Georgia. There are many of us and taking part in one service project will have a lot of impact in the community.

Tell us about your work with the ASYO Student Council.I’ve been a member for two years. The student council is comprised of members from each [instrumental] section, and we meet throughout the year to discuss the non-music and social aspect of being in the orchestra and bring up any questions or concerns. We also plan events throughout the year that give students an opportunity to socialize and get to know one another. In the past we have held secret Santa gift exchanges and kickball games and will add community service as a priority.

In�the�Community,��Making a Difference

Our Professional EnsembleBruce V. Benator, CPA, Managing Partner

Kevin J. Hedrick, CPA, PartnerSteven G. Horn, CPA, PartnerLaura E. Speir, CPA, Partner

Patricia A. Yeager, CPA, Partner

NO rehearsalsONLY performances

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community corner continued


What are the challenges you face as the “student voice” on the Orchestra’s Education Committee?One of the biggest challenges is finding ways to make music more interesting and to incorporate it into students’ lives in the community and in their schools. Many students who would have been exposed to music at an early age are now missing out due to budget cuts, and this is devastating. We are all aware of the numerous studies that repeatedly show the positive effects of music on children, yet many families are not inclined towards music or are unable to afford private music tuition. My peers in the Youth Orchestra and I are a testament to the positive impact that music can have on students. I started playing the violin in fourth grade, and since then I have realized how much it has benefitted and helped me in various aspects of my life. There are many ideas as to how to solve this problem and efforts are underway to improve the situation.

How does the ASO impact your life and lives in your high school and community?It’s my favorite thing about this city and has provided me with so many wonderful experiences and opportunities, both musical and non-musical. To me, there is nothing that can compare to a night at the symphony. Watching our outstanding orchestra perform music with unsurpassed skill and musicality offers me something that no movie or theater can. My visits to Atlanta Symphony Hall are always the highlight of my week and always create fantastic memories.

The Orchestra also allows us to grow and develop by providing us mentoring from by its musicians. Participating in master classes is a privilege that very few students

elsewhere receive. Musicians volunteer their time to travel to schools throughout the city to work with students and teachers, and perform at Verizon Wireless Amphitheatre at Encore Park and Chastain Park Amphitheater, Family concerts and Symphony Street concerts. These provide wonderful music experiences for the general public and serve to make the Symphony an ever bigger part of the Atlanta community.

On a more personal level, our parent orchestra has helped me develop my leadership, social, academic and organizational skills to a great extent. These skills have helped me start a chamber music group in my school that performs throughout the community, and represent the Atlanta Symphony Youth Orchestra at local music camps. I am grateful.

Edited and condensed by Karl Schnittke

“�The�Orchestra�also�plays��a�large�role��in�the��community.”

Sheehan Hanrahan

At Lovett, we’ve set the stage—and the standard—for creative excellence.

Lovett Open HouseSunday, November 13, 2011

K–Grade 5, 1:00 pm

Grades 6–12, 3:30 pm

We offer more than 50 classes in the visual and performing arts,

as well as private lessons, all taught by professional artists.

Come to our Open House and explore the arts at Lovett—

just one component of our whole education

for the whole child.

The Lovett School practices a nondiscriminatory admission policy.

Financial aid is available.

Learn more at www.lovett.org

The Lovett SchoolEncore Atl ad4.625” x 3.625” (1/2 page horiz.) FINAL Schwartz Center for Performing Arts

Photo by Gary Heery

Hilary Hahn, violin

with

Valentina Lisitsa, piano

Thursday, October 27, 8 p.m.

Schola Cantorum

de Venezuela

Friday, November 11, 8 p.m.

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The Atlanta Symphony Orchestra Rachs ’n’ rolls into November with the release of an all-Rachmaninov recording on its own ASO Media label. Music Director Robert Spano leads the Orchestra in the

composer’s Symphonic Dances and Garrick Ohlsson, a frequent guest at Atlanta Symphony Hall, performs the mighty Third Concerto, a touchstone of the piano repertoire.

The album is the third release this year by ASO Media. The Orchestra created the label in late 2010, and “It was an exciting and vital step forward for us,” recalled John Sparrow, who guides the label as vice president of orchestra initiatives and general manager. “We were thrilled to build on our longstanding tradition of excellence with our partners at Telarc, which had brought us national and international recognition.”

The Orchestra-Telarc partnership spanned four decades and produced 27 Grammy awards, and ended only when Concord Records purchased Telarc. Telarc producer

Elaine Martone and recording engineer Michael Bishop, both of whom received Grammys for their work with the Orchestra, are part of the ASO Media team as well, a fact applauded by Spano.

“We have a great recording history together,” he said, “and working with Elaine and Michael provided the opportunity to perpetuate this legacy and ensure our recording history remains a vital and integral part of our future.”

ASO Media’s first recording came out Feb. 22, 2011. Music Director Robert Spano conducted the Orchestra in works by two members of his Atlanta School of Composers: On A Wire, a concerto by Pulitzer Prize-winner Jennifer Higdon, an Atlanta native, with the chamber ensemble eighth blackbird; and Michael Gandolfi’s choral work, QED: Engaging Richard Feynman (“The most exciting choral work I’ve heard in a while” — America Record Guide), with the Orchestra Chorus.

On June 28, ASO Media released the world-premiere recording of Atlanta School member Christopher Theofanidis’s Symphony No. 1 (“fresh and provocative” wrote the San Francisco Chronicle), and Peter Lieberson’s Neruda Songs, inspired by the poetry of Pablo Neruda, sung by mezzo-soprano Kelley O’Connor.

A few years back, critic Susan Elliott remarked that “no other orchestra in this country has commissioned and performed as much new work in a similar time frame as have Robert Spano and his players.” With the launch of ASO Media and three records in less than a year, it’s safe to say the ASO is still on track.

ASO Media recordings are available at the Symphony Store.

three for threeBy Karl Schnittke

Garrick Ohlsson, piano Robert SpanoAtlanta Symphony Orchestra

Rach- maninov

TM

Piano ConCerto no. 3Symphonic DanceS

October 27/29Thu/Sat: 8pm Delta ClassicalEsa-PEkka salOnEn: Nyxscriabin: Poem of EcstasyrachmaninOv: The BellsRobert Spano, conductorTatiana Monogarova, sopranoSergey Romanovsky, tenorDenis Sedov, bassAtlanta Symphony Orchestra Chorus

October 30 Sun: 1:30 & 3:30pm Familya stOrybOOk hallOwEEn Jere Flint, conductorLee Harper DancersWendy Bennett, vocalist

november 10/12/13Thu/Sat: 8pm/Sun: 3pm Delta Classical

brittEn: The Building of the House Overturebrahms: Double concertoOlivEr knussEn: symphony in One movementbrittEn: Young Person’s Guide to the OrchestraOliver Knussen, conductorDavid Coucheron, violinChristopher Rex, cello

november 17/19Thu/Sat: 8pm Delta ClassicalrugglEs: AngelssEEgEr: Andante for stringsmOzart: Flute concerto no. 1sibElius: symphony no. 2Ilan Volkov, conductorChristina Smith, flute

november 20

Sun: 3pm Overture

JamEs bEckEl: CelebrationsliaDOv: From the ApocalypsegabriEla lEna Frank: La Llorona

stravinsky: The FirebirdJere Flint, conductorJennifer Stumm, violaAtlanta Symphony Youth Orchestra

november 25/26

Fri/Sat: 8pm SuperPOPS!

symPhOnic sPEctacular – See the Music!Michael Krajewski, conductorDazzling imagery on giant screens accompany the world’s best loved music in a breathtaking SuperPOPS! first!

calendar

aso.org | 404.733.5000woodruff arts center box Office @15th and Peachtree

Make it a group! 404.733.4848

Presented by: Supported by: Media Sponsors:

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Administrative StaffExEcutivE Stanley E. Romanstein, Ph.D. President

Aysha H. Siddique Manager of Board & Community Relations

Brien Faucett Administrative Assistant to the President’s Office

Evans Mirageas Director of Artistic Planning

ADMiNiStRAtiONJohn Sparrow Vice President for Orchestra Initiatives & General Manager

Mala Sharma Assistant to the Vice President for Orchestra Initiatives & General Manager

Julianne Fish Orchestra Manager

Nancy Crowder Operations/Rental Events Coordinator

Kelly O’Donnell Artist Assistant

Carol Wyatt Executive Assistant to the Music Director & Principal Guest Conductor

Jeffrey Baxter Choral Administrator

Ken Meltzer ASO Insider & Program Annotator

Russell Williamson Orchestra Personnel Manager

Susanne Watts Assistant Orchestra Personnel Manager

Paul Barrett Senior Production Stage Manager

Richard Carvlin Stage Manager

Lela Huff Assistant Stage Manager

Education & Community EngagementMark B. Kent Senior Director of Education & Community Engagement

Melanie Darby Director of Education Programming

Ahmad Mayes Community Programs Coordinator

Education & Community Engagement (cont.)Nicole BirdEducation Program Coordinator

Janice CrewsProfessional Learning Teaching Artist

Tiffany I.M. JonesEducation Sales Associate

FiNANcE & ADMiNiStRAtiONDonald F. Fox Executive Vice President for Business Operations & Chief Financial Officer

Shannon McCown Assistant to the Executive Vice President for Business Operations & Chief Financial Officer

Susan Ambo Vice President of Finance

Kim Hielsberg Director of Financial Planning & Analysis

April Satterfield Senior Accountant

Peter Dickson Staff Accountant

Michael Richardson Venues Analyst

Stephen Jones Symphony Store Manager

ASO PresentsClay Schell Vice President, Programming

Trevor Ralph General Manager and Senior Director of Operations

Holly Clausen Director of Marketing

Keri Musgraves Promotions Manager

Lisa Eng Graphic Artist

Chastain Park AmphitheaterTanner SmithProgram Director

Verizon Wireless Amphitheatre at Encore ParkKatie Daniel VIP Sales Manager

Jenny Pollock Operations Manager

Rebecca Simmons Box Office Manager

DEvELOPMENtSandy Smith Vice President for Development

Rebecca Abernathy Development Services Coordinator

Zachary Brown Director of Volunteer Services

Corey Cowart Director of Corporate Relations

Melissa Donalson Development Coordinator

Janina Edwards Grants Consultant

Ashley Krausen Special Events Coordinator

Jessica Langlois Director of Leadership Gifts & Planned Giving

Sarah Levin Volunteer Project Manager

Stephanie Malhotra Director of Development & Education Services

Toni Paz Director of Individual Giving

Barbara Saunders Director of Foundation Relations

Meredith Schnepp Prospect Research Officer

Tammie Taylor Assistant to the

VP for DevelopmentAndrea Welna Major Gifts Office

Sarah Zabinski Individual Giving Manager

MARKEtiNG & cONcERt PROMOtiONSCharles Wade Vice President for Marketing & Symphony Pops

Alesia Banks Director of Customer Service & Season Tickets

Ted CaldwellGroup & Corporate Sales Assistant

Meko HectorMarketing Production Manager

Jennifer JeffersonDirector of e-Business & Interactive Media

Melanie KiteSubscription Office Manager

Shelby MoodyGroup & Corporate Sales Manager

Seth Newcom Database Administrator

Kimberly Nogi Publicist

Robert Phipps Publications Director

Melissa A. E. SandersSenior Director, Communications

Christine Saunders Group & Corporate Sales Associate

Karl Schnittke Publications Editor

Robin Smith Subscription & Education Sales

Rachel TrignanoManager of Broad Based Giving

Russell Wheeler Director of Group & Corporate Sales

Christina Wood Director of Marketing


staff

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general infoLAtE SEAtiNGLatecomers are seated at the discretion of house management. Reserved seats are not guaran-teed after the performance starts. Latecomers may be initially seated in the back out of courtesy to the musicians and other patrons.

SPEciAL ASSiStANcEAll programs of the Atlanta Symphony Orchestra are accessible to people with disabil-ities. Please call the box office (404.733.5000) to make advance arrangements.

SYMPHONY StOREThe ASO’s gift shop is located in the galleria and offers a wide variety of items, rang-ing from ASO recordings and music-related merchandise to T-shirts and mugs. Proceeds benefit the Atlanta Symphony Orchestra.

tHE ROBERt SHAW ROOMThe ASO invites donors who contribute at least $1,750 annually to become members of this private salon for cocktails and din-ing on concert evenings — private rentals available. Call 404.733.4860.

iMPORtANt PHONE NuMBERSConcert Hotline 404.733.4949(Recorded information)Symphony Hall Box Office 404.733.5000Ticket Donations/Exchanges 404.733.5000Subscription Information/Sales 404.733.4800Group Sales 404.733.4848Atlanta Symphony Associates 404.733.4865(Volunteers)Educational Programs 404.733.4870Youth Orchestra 404.733.5038Box Office TTD Number 404.733.4303Services for People 404.733-5000 with Special Needs 404.733.4800Lost and Found 404.733.4225Symphony Store 404.733.4345

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ticket infocAN’t AttEND A cONcERt?If you can’t use or exchange your tickets, please pass them on to friends or return them to the box office for resale. To donate tickets, please phone 404.733.5000 before the concert begins. A receipt will be mailed to you in January acknowledging the value of all tickets donated for resale during the year.

SiNGLE ticKEtS Call 404.733.5000 Mon.—Fri., 10 a.m.– 8 p.m.; Sat.–Sun., Noon–8 p.m. Service charge applies. Phone orders are filled on a best-available basis.

www.atlantasymphony.org Order any time, any day! Service charge applies. Allow two to three weeks for delivery. For orders received less than two

weeks prior to the concert, tickets will be held at the box office.

WOODRuFF ARtS cENtER BOx OFFicEMon.–Fri., 10 a.m. – 8 p.m.; Sat.–Sun., noon–8 p.m. The box office is open through intermission on concert dates. No service charge if tickets are purchased in person. Please note: All single-ticket sales are final. No refunds or exchanges. All artists and programs subject to change.

GROuP DiScOuNtSGroups of 10 or more save up to 15 percent on most ASO concerts, subject to ticket availability. Call 404.733.4848.

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EXECUTION: More First Class AD: Matt Even PM: Stacy Grogan SAFETY: 4.625” x 7.625” PUB DATE: June

PRINT SCALE: None SCALE: Actual

DOCUMENT PATH: production:Volumes:production:Studio New:DELTA:DELTA_brand_2011:Mechanicals:PRINT:DLTCORM11001_PRINT_Atlanta:Encore:DLTCORM11001_ENCORE:DLTCORM11001_ENCORE_MFC_JUNE_00.indd

FONTS: Whitney HTF (Medium, Book), Times (Regular)

IMAGES: DLTCORG11013_morefi rstclass_05_alt.tif (CMYK; 538 ppi), Delta_Gradient.psd (CMYK; 1215 ppi, 1312 ppi), SuperGraphics_wk.eps, Delta_c_r_kc_print_wk.eps

COLORS: Cyan, Magenta, Yellow, Black

MAX DENSITY: 300 PROOF TYPE: SWOP3_150

DOC NAME: DLTCORM11001_ENCORE_MFC_JUNE_00.indd LAST MOD: 5-4-2011 2:35 PM

DELTA.COM

SIZE SHOULD NEVER OUTRANK SERVICE.INTRODUCING FIRST CLASS ON REGIONAL JETS.

Date post:	14-Mar-2016
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October 2011: Glowing Ravel, Gorgeous Franck

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