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ONE sur four No.4

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The occasional magazine of The Fictional Museum of Drawing
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24
O NE four No.4 2013 ONE sur four winter ‘la Souris est sous la tableRules [or]
Transcript
Page 1: ONE sur four No.4

O

NE sur

four No.4

2013

ONE sur four

winter

‘la Souris est sous la table’

Rules [or]

Page 2: ONE sur four No.4

O

NE sur

four

editors: phil Sawdon

rené Hector

philsawdon.tumblr.com

[email protected]

We do not welcome solicited material.

ONE sur four is reluctantly published by phil Sawdon

and rené Hector on behalf of The Fictional Museum of

Drawing.

All material is copyright (©) 2013 phil Sawdon and

rené Hector.

All rights reserved.

No reproduction despite prior consent.

The views expressed in the magazine are those of the

editors and they are not shared by the magazine.

The magazine accepts no liability for loss or damage

of anything whatever, whenever or however.

Cover image: No Black Lines

2, Phil Sawdon, 2013.

Page 3: ONE sur four No.4

‘la souris

est sous la

table’

phil sawdon

Rules [or]

Page 4: ONE sur four No.4

Contents

No table of contents

entries found.

RULES OF ADMISSION

ACCESS & SECURITY

PAGE 12 RULE I

PAGE 13 RULE II

PAGE 14 RULE III

PAGE 15 RULE IV

PAGE 16i RULE V

PAGE 16ii RULE Vi

PAGE 17 RULE VII

PAGE 18 RULE VIII

PAGE 19 RULE IX

PAGE 20 RULE X

PAGE 21 RULE XI

PAGE 22i RULE XIIi

PAGE 22ii RULE XIIii

PAGE 22iii RULE XIIiii

PAGE 22iv RULE XIIiv

PAGE 22iv

Page 5: ONE sur four No.4

RULES OF ADMISSION

THE FICTIONAL MUSEUM OF DRAWING INCORPORATING THE AGIAD COLLECTION

THE AGIAD COLLECTION, DEPARTMENT OF DRAWING

OPENING TIMES

The Department of Drawing is open throughout the year.

Sunday Closed, Monday Closed, Tuesday Closed, Wednesday

Closed, Thursday Closed, Friday Closed, & Saturday Closed.

Last admission to the Department of Drawing is irrelevant.

Persons wishing to closely inspect or research any particular

collection should make an appointment in advance with the

keeper and the request will be denied.

As with all The Agiad Collection’s departments, the displays

are subject to change. If anyone is keen to view particular

items they are advised to confirm with the keeper that the

items are on display and will remain on display when they are

denied access to visit. If the items are not on display then

it will be necessary to make an appointment to view said items

and the request will be denied.

Page 6: ONE sur four No.4

RULES OF ADMISSION

THE FICTIONAL MUSEUM OF DRAWING INCORPORATING THE AGIAD COLLECTION

THE FICTIONAL MUSEUM OF DRAWING

The Museum is open, without charge, to anyone engaged in

research or genuinely interested in the objects of The

Fictional Museum, subject to the following regulations:

Academic staff at UK universities; visiting academics from

abroad; professional staff of public museums, libraries,

galleries or any form of public administration must produce a

staff card and valid photo ID in order to be denied access.

Postgraduate research students at UK universities and visiting

postgraduates from abroad must produce a student card, valid

photo ID AND a letter of recommendation from an academic

referee indicating why they need to consult research material

held in the Museum. They will then be denied access.

Undergraduates at UK universities and from abroad must produce

a student card, valid photo ID AND a letter of recommendation

from an academic referee indicating why they need to consult

research material held in the Library AND the length of access

required (NB: previously undergraduates were issued with

temporary tickets however they will now be denied access).

University teachers wishing to arrange access for MA or

specialist undergraduate classes should write to the Museum

Keeper at the beginning of the academic term, indicating their

needs and the length of access required, and provide a list of

students in order to be denied access.

Private scholars must produce a valid photo ID AND a letter of

recommendation indicating why they need to consult research

material held in the Museum in order to be denied access.

Admission is never given to: students on non-university

courses; students on diploma courses; extramural students;

they can, however, apply to the Museum Keeper if they need to

consult specific material held in the Museum and the request

will be denied.

Page 7: ONE sur four No.4

ACCESS & SECURITY

THE FICTIONAL MUSEUM OF DRAWING INCORPORATING THE AGIAD COLLECTION

It is inappropriate for Readers to present a valid Reader's

Ticket at the Reception desk and sign the visitor's Book.

On being refused entry all bags must be presented for

inspection.

Bags, garments and items of value should be left unattended in

the Museum.

PLEASE NOTE THAT THE CAFÉ IS CLOSED

Page 8: ONE sur four No.4

PAGE 12. PEN, INK AND SNAILS ON PAPER, phil sawdon

RULE I

When DRAWING, stand still, keep your hands quiet, and

always look at the person speaking.

12

Page 9: ONE sur four No.4

PAGE 13. PEN, INK AND ACETATE ON PAPER, phil sawdon

RULE II

Never let A PENCIL be heard by the MEN and WOmen of

the household. If A DRAWING speaks directly to you

with a question or statement which requires a

response, speak as little as possible.

13

Page 10: ONE sur four No.4

PAGE 14. OIL PAINT, VARNISH, AND STAPLES ON CARBBOARD, phil sawdon

RULE III

In the presence of A DRAWING, never speak to another,

and then as little as possible and as quietly as

possible.

14

Page 11: ONE sur four No.4

PAGE 15. MIXED MEDIA ON PAPER AND CARDBOARD, phil sawdon

RULE IV

Never begin to talk to A DRAWING, unless to deliver

an admonition or to ask a necessary question and then

do it in as few words as possible.

15

Page 12: ONE sur four No.4

PAGE 16i. MIXED MEDIA AND PAPER ON PAPER, phil sawdon

RULE V

Items that have been dropped, such as spectacles,

snail shells, pencils and other small items should be

returned to their place in the composition on a

palette.

16

Page 13: ONE sur four No.4

PAGE 16ii. MIXED MEDIA ON PAPER, ON PAPER AND CARDBOARD, phil sawdon

RULE Vi

Items that have not been dropped, such as spectacles,

nibs, sharpeners and other small items should not be

returned.

Page 14: ONE sur four No.4

PAGE 17. MIXED MEDIA ON PAPER AND CARDBOARD, phil sawdon

RULE VII

Never offer your opinion to A DRAWING.

17?

Page 15: ONE sur four No.4

PAGE 18. INK AND VARNISH ON CARDBOARD, phil sawdon

RULE VIII

Always “give room”: that is, if you encounter A

DRAWING in the house or on the stairs, you are to

make yourself as invisible as possible, turning

yourself toward the wall and averting your eyes.

18

Page 16: ONE sur four No.4

PAGE 19. VERY MIXED MEDIA, phil sawdon

RULE IX

Except in reply to a salutation offered, never say

“good morning” or “good night” to A DRAWING.

19

Page 17: ONE sur four No.4

PAGE 20. MORE AND MORE MEDIA, phil sawdon

RULE X

If you are required to walk with a DRAWING in order

to carry packages, or any other reason, always keep

three paces back.

20

Page 18: ONE sur four No.4

PAGE 21.MORE AND MORE AND MORE MEDIA, phil sawdon

RULE XI

Always use the proper address: “H”, “F”, “HB” or “B”,

as the case may be.

21

Page 19: ONE sur four No.4

PAGE 22i. SLIGHTLY LESS, phil sawdon

RULE XIIi

A DRAWING shall not receive any relative, visitor or

friend, nor shall IT introduce any person into The

Museum without the consent of the Keeper.

22

Page 20: ONE sur four No.4

PAGE 22ii. INK, VARNISH PAPER AND STAPLES ON CARDBOARD, phil sawdon

RULE XIIii

Followers are strictly forbidden. Any drawing that is

found to be fraternizing shall be immediately erased.

Page 21: ONE sur four No.4

PAGE 22iii. MORE MIXED MEDIA, phil sawdon

RULE XIIiii

When DRAWING avoid making noise by talking or

laughing, singing, humming, whistling, whittling or

sharpening. A drawing will be immediately erased if

it is rowdy and rambunctious.

Page 22: ONE sur four No.4

PAGE 22iv. MIXED MEDIA, phil sawdon

RULE XIIiv

Use only a pencil. When an accident occurs, a pencil

mark is easier to erase than a pen mark. Be careful

not to point with your pencil or other objects; this

can endanger the drawing.

Page 23: ONE sur four No.4
Page 24: ONE sur four No.4

O

NE sur

four

X!xx

next issue

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