OPUS · 2019. 1. 28. · PUBLICATION INFORMATION OPUS is published three times a year: September,...

OPUSThe Official e-Journal of the Saskatchewan Registered Music Teachers’ Association

December 2011 Volume 58, No. 2

Thelma Gillis

Honorary Life

Member

Achieving Success

Scheduled for the 2011 – 2012 academic year in locationsacross Canada, The Royal Conservatory Teacher ProfessionalDevelopment Seminars will focus on the integral and creative aspects of music teaching in the 21st century.

These accredited seminars will include master classes, teaching demonstrations, interactive sessions, online learning activities, roundtable discussions, and a range of specific pedagogical and professional topics.

For more information, [email protected] visit rcmusic.ca/tpd

Teacher Professional Development Seminars

Registration:Regular $99 | Student $50Includes lunch and light refreshments.

BRITISH COLUMBIA | ALBERTA | SASKATCHEWAN | MANITOBA | ONTARIO | QUEBEC | ATLANTIC CANADA | YUKON

Marc DurandDianne WernerJames AnagnosonJennifer SnowThomas GreenJanet LopinskiAndrew HiseyLinda Kundert-StollKent McWilliamsChristine VanderkooyChristopher HahnDale Wheelerand more…

Presenters

I enjoyed the chance to observe excellent teaching, and to have open dialogue about how to teach better.– Teacher

I enjoyed meeting other teachers, making connectionsand new friends. I also learned a great deal from themaster class.– Student

I was very appreciative of the positive energy establishedin the process of encouraging productive pedagogical dialogue.– Teacher

TEA1153A Teach_Prof_Dev_Ad Music Matters_Layout 1 11-08-29 11:45 AM Page 1

PUBLICATION INFORMATION

OPUS is published three times a year: September, December, and June

OPUS SUBMISSIONSSeptember 1, 2011 for Sept. IssueNovemer 15, 2011 for Dec. Issue

May 15, 2012 for June Issue

Article submissions must be sent electronically in an editable format (e.g. Word or PDF file or in the body of an email).

Photos (black and white, or colour) must be sent electronically as an image file (e.g. jpg, tiff). The minimum resolution for photos is 300 dpi. NOTE: Avoid reducing the photo to send it by email.

ADVERTISING RATESPer Issue

Inside front/back, back cover $180.00

Full page—$160Half Page—$100

Quarter Page—$50Business Card—$35

Ads need to be submitted by email as a camera ready image or pdf. Ads may be submitted in colour or black and white.

Send all submissions to:Gregory Chase—OPUS Editor

Email: [email protected]

DISCLAIMERThe views and opinions expressed in OPUS are not necessarily those of SRMTA, nor does SRMTA endorse the products or services advertised in OPUS .

www.srmta.com

What’s Inside . . . 4 Throughout the Year 5 President’s Message - Audrey Watson

5 Getting to Know Your President 7 Notice of Appointments 8 Engaging, Inspiring and Eduational - SRMTA Fall Convention & AGM Review - Peggy L’Hoir

9 SRMTA Fall Convention & AGM 2012 - Regina Branch

13 Honorary Life Membership - Thelma Gillis - SRMTA

14 Membership Renewal Form16 SRMTA Marketing Machine17 Thankyou to Our FPTP Sponsors20 What does it take to become a “Great Musican”? - Glory St. Germain

23 West Central Contemporary Showcase 2011 - Peggy L’Hoir

24 Jan Lisiecki - Mania in the Making - Mark Turner

25 Registrar’s Report - Sandra Kerr

28 Book Reviews - Peggy L’Hoir

- Audrey Watson

- Laureen Kells

- Gregory Chase

Front Cover: Thelma GillisPhoto courtesy of Judith Stewart

OPUS - December 2011 3

Throughout the YearJanuary 31, 2012 Entry Deadline for Wallis, Gustin, and Bee competitions/scholarships

March 25, 2012 Entry deadline for the Jean McCulloch Junior Piano Competition

March 31, 2012 Professional Fees are due

April 1, 2012 Deadline for the SRMTA/CFMTA Student Composer Competition

May 1, 2012 Entry deadline for the SRMTA Community Music Awards

May 15, 2012 Deadline for the Spring Issue of Opus

May 26, 2012 Gustin and Wallis competitions in Saskatoon, SK. Peter Jancewicz, adjudicator

May 26, 2012 Jean McCulloch Junior Piano Competition in the Battlefords

June 1, 2012 Entry Deadline for the SRMTA Summer Music Camp Bursary

October 19-20, 2012 SRMTA Provincial Convention in Regina, SK. Guest Artist will be Tracy Dahl, coloratura soprano

Provincial Branches, if you have an event you would like to advertise here, please feel free to submit the information to the webmaster. This information also appears on our website under Upcoming Events. Feel free to share your pictures with the rest of the association. Send all photos (with no reduction) to the Webmaster and/or the OPUS editor.

Visit our AdvertisersBrandon University 23 Frederick Harris Music 27From Prairie to Pine, Volume 2 29Ben Frostad Piano Technician 26Bruce Gibson Piano Technician 15Hal Leonard 19Gary Wagner Piano Technician 23

Music for Young Children 26Prairie Malt Limited 22Royal Conservatory of Music 2 & 18Study Online 15Ultimate Music Theory 21Yamaha Piano Centre 32

4 OPUS - December 2011

Are you looking for the Competition Entry Forms?

Due to the high volume of pages for the competitions and scholarships entry forms, please view and download the entry forms from our website at:

www.srmta.com

President’s MessageAudrey Watson

Wow! I cannot believe that I am writing this. It has been a busy fall and we are a few short weeks away from the Christmas break. Our students are plunking our Jingle Bells, We Three Kings, or perhaps getting ready for the winter exam

session. Life is very busy and time is getting short. I would like to encourage all of you to take time to BREATHE! Take time to enjoy those lessons, find the joy in your seven year old student finally recognizing Bass F or your high school senior actually making time to practice this week….even her scales. We all encounter the same types of issues in our studio, but we also experience the joys that teaching music brings.

Try to make time to make music yourself. Christmas is a wonderful music time. Pull out some books or go buy yet another music book. Sing, play, and enjoy your time with family

and friends. Have a great holiday because once January comes, we will all need to light fires under our students to start preparing for festivals, exams, recitals, and competitions.

I would like to take this opportunity to thank Sandra Kerr for all her tireless efforts as President. Sandra, your leadership and dedication as president of SRMTA was very much appreciated. Words really cannot express my gratitude. Also, thank you to Greg Chase who has officially completed his term as past-president of SRMTA. Greg remains the publisher of Opus and I know he will continue to do a stellar job. To the current board, thank you for all you do for SRMTA.

Wishing all of you a joyous holiday season and a fantastic 2012. v


Getting to Know your SRMTA President

When did you first begin music lessons?I began music lessons around the age of nine. Our parents bought an old upright piano for $200. Money was tight and the three oldest girls also kicked in some money; I think my contribution was $20.00.

What does your daily routine consist of?Most days I go into the store in the morning. (George & I own Friesen’s Bigway Grocery store. It is a pretty busy place-we have about 20 people on staff. We run a full service grocery store.) I do office work, deposits, payroll, most of the accounting stuff. See? Musicians are good with numbers.

I usually head home around lunch and then get ready for teaching. My teaching days are Monday, Tuesday, and Thursday. I do some teaching during school hours and I do not teach in the evening (which is wonderful!)

What are your favorite activities?I really enjoy quilting. I’m actually a wannabee athlete. A few years ago George and I bought kayaks-which we try to enjoy in the summer. And last winter we bought new cross country skis–so I’m eagerly awaiting more snow. I enjoy reading, and being with family and friends. Least favourite activity is cleaning house; I do as little as possible-which gives me more time to QUILT!

Who is/are your favorite composer(s)?My favourite composers are Chopin and Beethoven. For my teaching repertoire, I am a huge fan of Kabalevsky, Anne Crosby, anything Canadian!

What have been some of the highlights in your musical career?I would have to say achieving my ARCT teachers’ was an absolute highlight. My mom and I actually went to Toronto for convocation.

What is your philosophy of teaching?I like to challenge my students. I can feel the hair rise on my neck when parents say, ”they want it to be fun for their child”. Of course, so do I, but fun cannot happen without knowledge. So I try to challenge my students to do and be better than they think they can. Because almost always, they can do and be better. I try to get the students to see the payoff of the work they do. I love those “a-ha” moments.

What advice would you give to a teacher just starting on their teaching career?Get involved in the music (teaching) scene. When I first started teaching I joined the music festival committee. I loved going to music festival-I listened to adjudications, took notes, and tried to garner as much knowledge as I could. It was like a week-long master class. I learned a lot from those sessions.

If at all possible, keep taking lessons. I used to pick the brain of my teacher about many technical issues my students may have been having.

Join the RMT. These colleagues are truly your most valuable resource. They have all been through many of the situations you are experiencing. Talk to them, network, get together, play for each other, and learn from each other.

What is your vision for SRMTA, what do you hope to accomplish during your term as President?I hope that in my term as President, SRMTA will continue to establish the registered teachers as leaders in private music instruction. We need to continue to promote ourselves, and make sure the general public knows what an RMT is. Members need to be willing to be involved and use every opportunity for professional development. We are constantly being challenged with new teaching ideas, technological advancements, and our young students. We need to embrace the new ideas and combine them with our current philosophies so we can continue to be better teachers. And keep in mind that we are always Better Together. v


Our Mission . . . .

. . . . . . is to promote progressive ideas in music education, to encourage professionalism in the art of teaching, and to stimulate a

high standard of music and culture.

Notice of Appointments

Appointment of Registrar, Secretary, and TreasurerThe SRMTA Board is pleased to announce the appointment of Sandra Kerr of Regina as Treasurer, Registrar and Secretary. Sandra had been acting treasurer & registrar since May 2011. The board is confident that Sandra will be most proficient in these positions and we are delighted to have her in this capacity. v

Trinity College of MusicApplications for the upcoming examinations to be held in June of 2012, should be sent by February 1, 2012. The fee schedule will be sent later. If you are planning your own program please remember it must be approved by Trinity College and submitted with your application and sent to Mary Friesen by the above date.

Please be advised that Lynn Ewing from Saskatoon will be your future representative for Trinity College beginning in spring of 2012. Until then, Mary Friesen will still be processing the applications for this coming session. Mary may be contacted at 306-242-8185, or by email at [email protected]. v

Did you know . . . .

. . . . . you can view, read the composer’s bio, and hear the composers perform their pieces in From Prairie to Pine, Volume 2, on the SRMTA website?

You can also order your copy ofFrom Prairie to Pine, Volume 2

from our website as well.

www.srmta.com


Engaging, Inspiring and Educational!The SRMTA Convention - October 2011 - Yorkton

Peggy L’Hoir

On October 21 & 22, 2011, members of the SRMTA gathered for a time of fellowship and learning at the Annual Meeting and AGM in Yorkton. The teachers of Yorkton have again proved to be a most superb host for the members of the Saskatchewan Registered Music Teachers’ Association.

The concerts and workshops were engaging, inspiring, and educational. The Michael Kim concert was most inspiring. Michael’s performances were well chosen, delicate, and polished. Workshops featuring the Taubman technique (Michael Kim) and Cracking the Boy Code (Gregory Chase) left us with much food for thought as well as new tools to bring back to our studios.

We all enjoyed the opportunity to mingle at the Presidents Reception. It was a delight to honour Thelma Gillis with a lovely cake and accolades from her branch.

Many great door prizes were brought home by those attending this convention. Each attendee was given a free copy of the 1980 compilation, Saskatchewan Music. (If you would like a free copy of this book, please email [email protected])

The Annual General Meeting was filled with much good news for our membership….our SRMTA Executive continues to serve our interests with vision and wisdom. Acknowledgements were celebrated. Thelma Gillis was presented with a well deserved Honorary Membership. Lore Ruschiensky was acknowledged for her dynamic leadership and hard work in the very successful in the CFMTA Convention. Sandra Kerr was sincerely thanked for her many contributions as SRMTA President. Peggy L’Hoir was commended for her work on From Prairie to Pine – Piano Solos by Saskatchewan Composers – Volume 2.

Many thanks to Yorkton for their generous hospitality and to the SRMTA Officers for their fine stewardship of our professional interests! v

SRMTA Voice Competition?

The SRMTA is exploring the possibility of creating an intermediate voice competition, similar in format to the Jean McCulloch Piano Competition. (Details of the Jean McCulloch competition are available at www.srmta.com, listed under competitions.) This voice competition would be province wide, open to SRMTA

members’ students aged 18 years and under. We would like to know if those of you who teach voice would be interested in such a venture.

Please respond with any feedback , questions, comments, and yes, even suggestions to [email protected]. v


SRMTA Fall Convention & AGM 2012

October 19 & 20, 2012Hotel SaskatchewanRegina, Saskatchewan

Two Great Concerts10 Pedagogical Workshops

Vocal Masterclass with world-renowned coloratura soprano, Tracy DahlSRMTA AGM Luncheon

. . . . and more

Enjoy your stay at Hotel Saskatchewan, the official hotel of the SRMTA 2012 Convention. All events will take place at Hotel Saskatchewan and Knox Metropolitan United Church, located across the street from the hotel.

SRMTA Member Convention Fee: Hotel Accommodation Rate:$125 before July 15, 2012 $149 - Queen Standard Room$150 after July 15, 2012 $179 - Double Queen Room Book before September 25, 2012 Call: 306-522-7691

Guest Artist: Tracy DahlColoratura sopranoCollaborative Artist, Dr. Laura Loewen

With her 2006 debut at La Scala as Zerbinetta in Ariadne auf Naxos, Canada’s premier coloratura soprano Tracy Dahl has taken another milestone in a career that has brought her together with such opera houses as the Metropolitan Opera, San Francisco Opera, Houston Grand Opera, Santa Fe Opera, Canadian Opera Company, and the Chatelet in Paris, to name a few. Along with her Friday evening concert, a vocal masterclass with Ms. Dahl will be held Saturday morning.

Guest Clinician & Artist: Jacques Després Pianist

Critics worldwide have celebrated Després’ musical approach for its rare combination of virtuosity and artistic integrity. Després commands a broad and eclectic repertoire. His recordings appear on labels such as Naxos, Eroica, Gallo, and Arktos. Highlights of the past few seasons include performances in Hong Kong, Beijing, Manila, Seattle, Montreal, New York, Chicago, Reno, and Sacramento. On Saturday afternoon, Dr. Després will help us commemorate Debussy’s 150th Birthday by giving a presentation on the art that influenced Debussy’s Préludes, followed by a Lecture-Recital on Debussy’s Préludes.

SRMTA Fall Convention & AGM 2012

October 19 & 20, 2012

Hotel Saskatchewan2125 Victoria AvenueRegina, Saskatchewan

Friday, October 19, 2012

1:30 p.m. Registration at Hotel Saskatchewan

Sessions in the Blue Lounge Sessions in the Oak Room

2:00 - 2:45 p.m. Muzio Clementi: Father of the The Church Musician Pianoforte Clinicians: Janice Elliott Denike & Clinician: Laurel Teichroeb Valerie Hall 3:00 - 3:45 p.m. The Motivation and Reception of the Early Music for Singing Twenty-Four Preludes and Fugues Clinician: Barbara Swanson of Dmitri Shostakovich Clinicians: Dr. Christine Vanderkooy

3:45 - 4:00 p.m. Coffee Break

4:00 - 5:00 p.m. RCM Session Baroque Dance Clinicians: TBA Clinician: Ann Kipling Brown

5:00 - 7:30 p.m. Dinner Break Check out many of the fine restaurants in the area.

7:30 p.m. Tracy Dahl in ConcertAccompanist: Laura LowwenKnox Metropolitan Church

(located across the street from the hotel)

9:00 p.m. President’s Reception Hotel Saskatchewan - Blue Lounge

Clinicians or workshops may change due to unforeseen circumstances without prior notice.


Saturday, October 20, 2012

Events at Hotel Saskatchewan Events at Knox Metropolitan Church Blue Lounge Sanctuary

8:30 a.m. Tradeshow Opens

8:15 - 9:30 a.m. Showcase Debra Wanless 9:30 - 10:30 a.m. “Your Teaching Studio” Vocal Masterclass with Tracy Dahl Round Table Discussion From 9:30 a.m. - 12:00 p.m. Location: Knox Metropolitan Church Details to follow for the audition process to perform for Tracy Dahl in the masterclass.

10:30 - 11:00 a.m. Coffee Break and Trade Show

11:00 a.m. - Noon Session TBA Clinician: Debra Wanless 12:00 - 12:15 p.m. BREAK Walk over from the church for those attending the Masterclass

12:15 - 1:45 p.m. AGM Luncheon

2:00 p.m. Tradeshow closes

2:00 - 2:45 p.m. Celebrating 150 Years of Claude Debussy Presentation of Debussy’s Préludes Clinician: Jacques Després

3:00 - 4:00 p.m. Jacques Després in Concert Performing Debussy’s Préludes

4:00 p.m. Farewells

For more information visit:

http://www.srmta.com/convention.html


SRMTA 2012 Convention

Registration form

Name _________________________________________________________________________________

Mailing Address ________________________________________________________________________Street Address/Box No.

________________________________________________________________________ City/Town Prov. Postal CodeEmail Address __________________________________________________________________________

Phone Number _________________________________________________________________________

Registration:Before the Early Bird Deadline July 15, 2012:

SRMTA Members:___ Full Registration - $125.00___ Half-day Registration (does not include meals or concerts) - $60.00. Please indicate which half-day session(s) you will attend: ___ Fri afternoon ___ Sat morning ___ Sat afternoon

Non-SRMTA Members___ Full Registration - $150.00___ Half-day Registration (does not include meals or concerts) - $60.00. Please indicate which half-day session(s) you will attend: ___ Fri afternoon ___ Sat morning ___ Sat afternoon

After July 15, 2012

SRMTA Members:___ Full Registration - $150.00___ Half-day Registration - $60.00. Please indicate which half-day session(s) you will attend ___ Fri afternoon ___ Sat morning ___ Sat afternoon

Non-SRMTA Members___ Full Registration - $175.00___ Half-day Registration - $60.00. Please indicate which half-day session(s) you will attend ___ Fri afternoon ___ Sat morning ___ Sat afternoon

Extra concert and meal tickets (indicate the number you are purchasing):

Advance Concert Tickets Tracy Dahl: Jacques Deprés Combo Package (Includes both concerts) ___ $35 Adult ___ $25 Adult ___ $50 Adult ___ $15 Student & Seniors ___ $15 Student & Seniors ___ $25 Students & Seniors

President’s Reception AGM Luncheon Tracy Dahl Masterclass - $25.00___ $15 per person ___ $26 per person __ $25 Adult ___ $15 Students/Seniors

Send Registration form, along with your cheque, payable to SRMTA - Regina Branch to:Karen Frandsen2079 Princess St.

Regina, SK S4T 3Z5

For further information email: [email protected].


Honorary Life Membership - Thelma GillisSRMTA

On October 21, 2011 at the SRMTA Fall Convention and AGM, SRMTA president, Sandra Kerr, presented an Honorary Life Membership to Thelma Gillis. The

following are excerpts from the letter nominating Thelma for an Honarary Life Membership.

Thelma’s outstanding contributions have significantly influenced the provincial Association both directly and indirectly.

In 1985, Thelma founded the Yorkton Branch, expanding the Association’s influence and impact to the East Central region of the province. At that time Thelma was a member of the Saskatoon Branch but lived in Theodore; teaching in Theodore, Foam Lake, and Yorkton. With Yorkton Branch being one of the more enthusiastic branches in the province it has produced many students who have become teachers and professional musicians who are very active not only in SRMTA, but also in other provinces. In addition, some of the teachers from this branch have served on the provincial board in various facets. What Thelma started with the creation of the Yorkton branch has served the provincial association.

In the early 2000s, the Yorkton group was discouraged and the closure of their branch was being discussed. Through Thelma’s encouragement and tenacity the Yorkton branch has revived itself and is as active as ever. They have hosted the Association’s Fall Convention/AGM for the THIRD time in 6 years. Although Thelma hasn’t taken a front seat on the SRMTA board, she has and still is providing outstanding service to the provincial association of SRMTA through various other means.

Thelma has supported SRMTA’s composer initiatives by submitting compositions for From Prairie to Pine 2, and the national Northern Lights series. The current Saskatchewan Music Festival syllabus has also included her composition, Cascades in the 10 and under Canadian class.

In 1995, Thelma received the Governor General’s Caring Canadian Award -- this award was given to Canadian citizens who give freely of their time and talents for the betterment of people and the community they live in, within their province. In 2006, she received the Saskatchewan Centennial

Medal. Although Thelma has been recognized nationally and provincially for all her outstanding work in music she hasn’t been recognized by SRMTA. She has supported SRMTA since she became a member in 1964 and has been for years a member of both the Yorkton and Saskatoon Branches.

Many of Thelma’s students have become very successful in the music world. Some have been teaching in the school systems while others teach privately, also belonging to the SRMTA and the RMTA in other provinces. One of her past students is now the Conductress of the Victoria Symphony Orchestra! Thelma’s influence within SRMTA reaches beyond the SRMTA and provincial borders.

As the next generation of teachers in the Association, we wish we knew Thelma in her prime to witness her accomplishments. The Thelma we know now would never “advertise” everything she did. Thelma doesn’t do things for self-glorification, but rather for the betterment and growth of music and music education within the province.

Many people provide outstanding service to the Association – some serve on the board, some take on the role of president or an administrative position, but others provide the best service behind the scenes by building the Association from the ground up, by “working in the field”. It is the latter category where Thelma Gillis has provided the outstanding service to the Association.

Congratulations on being awarded an SRMTA Honorary Life Membership. v

Thelma GillisPicture courtesy of Judith Stewart


MEMBERSHIP RENEWAL [email protected]

Mail by March 31 to:

Sandra Kerr, Registrar45 Martin St.Regina, SK S4S 3W4

Please Print Clearly DATE:

NAME_____________________________ Post-nominal letters

DISCIPLINES TEACHING_______________________________________________

ADDRESS:

CITY/ POSTAL CODE:

PHONE#: E-MAIL:please print clearly

BRANCH (if applicable):

The Official Journal of the Saskatchewan Registered Music Teachers’ Association, OPUS, is now online (www.srmta.com). E-mail reminders are also periodically sent.

Please add $20.00 if you wish to have a copy of OPUS mailed to you. A LATE FEE of $25 assessed for fees submitted after April 12. Breakdown of fees:Provincial Membership $77.00CFMTA 26.00Insurance 30.00Total $133.00

Opus ($20.00) ________

Late Fee ($25.00) ________

Total Amount submitted: ________ ____Make cheque or money order payable to: SRMTA

Services• auraltuning• voicing• concertandstudiopreparation

• customrebuilding• regulating• repairing• evaluationsandconsultations

221-3786orcalltoll-free:

1-877-652-3571P.O.Box21063

Saskatoon,[email protected]

Serving Saskatchewan since 1984

Study Music History and Harmony

Online

Courses Offered for2011 - 2012

Basic HarmonyHistory 1 History 2

For more information and to see course samples

visit:www.gregorychase.com

Did you know . . . .

Did you know that it is an offense to misrepresent oneself as a Registered Music Teacher, either directly or by implication?” According to the Registered Music Teachers Act, 2002 our Association does have the protection of title, from sections 20 and 37:

Protection of title20 No person other than a member shall use the title “Registered Music Teacher”, the abbreviation “RMT” or any word, title or designation, abbreviated or otherwise, to imply that the person is a member.

Offence and penalty37 Every person who contravenes section 20 is guilty of an offence and liable on summary conviction:

(a) for a first offence, to a fine of not more than $2,000;(b) for a second offence, to a fine of not more than $4,000; and(c) for each subsequent offence, to a fine of not more than $6,000, to imprisonment for a term of not more than six months or to both. v


Be part of the

SRMTA Marketing Machine

Purchase one copy of From Prairie To Pine, Volume 2 for yourself and one for a friend/colleague out of province.

Your participation in 2005 helped send 600 copies of

From Prairie To Pine, Volume 1 across Canada!

Together we can promote our fine composers and fabulous province.

You may purchase your copies at the following local music stores:

Cobb Swanson Music, ReginaDarren’s Music Place, Saskatoon

Long and McQuade, Regina and Saskatoon

Or purchase your copies through our website: www.srmta.com


Th ank you to the following sponsors of From Prairie to Pine Volume 2

Saskatchewan Arts BoardSaskatchewan Music Education Association

Biggar and District Credit UnionUnity Credit Union

Macklin Credit UnionInnovation Credit Union

Dennis Weist Piano Tuning and SalesCobb Swanson MusicYamaha Piano Centre

Red Deer River Valley Music FestivalBiggar Music FestivalUnity Music Festival

Kipling Music FestivalTh elma Gillis

Recent neuroscience and behavioral research shows that the earlier children receive music instruction, the more they benefit in overall educational development. That is why top pedagogues in the US and Canada, in collaboration with The Royal Conservatory, created Preparatory A and B for piano.

Comprehensive and holistic in its approach to music, the program allows students to celebrate musical achievements earlier and receive meaningful national assessment. It also helps them develop skills that will serve them throughout their lives — in all aspects of their lives.

The finest instrumentis the mind.

Presenting an innovative approachto early piano study.

Get your copy of Getting Started with Preparatory A and B. Email [email protected].

rcmusic.ca

Preparatory A and B tunes it earlier.

Saskatchewan Music Conference 2011“More Than Music”

Laureen Kells

I was pleased to be able to attend the 3rd annual Saskatchewan Music Conference, which was held the first weekend in November at the Travelodge in Regina. The Saskatchewan Music Alliance includes the Sask. Band Association, the Sask Choral Federation, the Sask. Music Educators Association, the Sask. Music Festival Association, and the Sask. Orchestral

Association. As such it provides an excellent opportunity to attend a variety of workshops, listen to clinicians from across North America, meet new friends, and make acquaintances with music educators from across Saskatchewan.

Dr. Bruce Pearson, author of “The Standard of Excellence” band curriculum was the keynote speaker. Listening to him was indeed a treat as he brought to our attention the importance of our role as teachers and mentors in our students’ lives. Using humour, anecdotes, and facts, he left us all feeling motivated and energized as he reinforced what most of us already knew, that is, the importance of music in our lives, homes, and schools.

Other clinicians covered topics ranging from recognizing volunteers, Orff, various band workshops, promoting music in our schools, liability insurance, starting a string program, and motivating students. While each participant was free to attend the sessions of their choice, the trade show, coffee breaks, meals, and keynote address were open to all. On Friday evening all the participants came together for a lovely banquet which included the presentation of various awards and volunteer recognition by each group. A special treat of the conference is the opportunity for participants to join the Sask Music Conference Choir or the Sask Music Conference Band. Each group comes together for the weekend, and after a couple of intense rehearsals, is ready to perform. I know all members enjoy this time of camaraderie.

The trade show is a massive event and included all the major music retailers in the province. A silent auction was also held.

The Sask Music Conference is a great event and I congratulate all the organizers and member agencies for the cooperative spirit they engage in to make this week end possible.

The 2012 Sask Music Conference is scheduled for November 1-3 at the Saskatoon Inn. v


Are you looking for the Competition

Entry Forms?

Due to the high volume of pages for the competitions

and scholarships entry forms, please view and

download the entry forms from our website at:

www.srmta.com


What does it take to become a “Great Musician”? The Three D’s: Desire, Discipline and Determination.

By Glory St. Germain ARCT RMT MYCC UMTC DESIRE One must first have a DESIRE to become a musician. Sometimes we are motivated by someone we admire and want to emulate that person. What can help us fulfill our desire to become a great musician? A great teacher! A teacher, who is educated, dedicated and has a passion for sharing knowledge and nurturing creativity.

Education in music begins with the universal language of music theory. Music theory is the fundamental tool for understanding, interpreting and communicating our ideas through performing, composing and developing a deeper appreciation of music. It is through music education that we progress from student to musician and are able to understand music at a more comprehensive level. Goal Setting: Outlining the goals set for each student should include theory goals as well as practical goals. Goal setting is the greatest motivation for achievement. Goal setting without accountability results in good intentions. That’s why we need a teacher; we need accountability and discipline.

DISCIPLINE Discipline requires dedication. Lesson plans that outline daily, weekly and monthly goals become part of our daily routine of practicing and studying. Understanding and improvement of practical pedagogical studies comes from DAILY dedicated focused application of theoretical concepts. Learning Styles: Set individual lessons designed to target specific learning styles to benefit all students. Music theory includes learning the symbols and language, understanding their meaning and knowing how to write each musical symbol. This new written language helps us read our music and thus have a deeper understanding and enjoyment of music.

Goal Setting: Theory lessons, completed homework assignments and review tests - each one is an accomplishment to be celebrated; with a sticker, high five, special treat, smiley face or recognition in some way. Achieving success and reaching for excellence requires determination.


Become a UMT Member - Free Practice Exams and more! UltimateMusicTheory.com

Discover How Your Theory Students Can Score Over 90%Using Easy to Understand Lessons and Having More Fun!

UltimateMusicTheory.comThe Smarter Theory Book

Phone: 877 868-6644

Ask your local retailer about Ultimate Music Theory Books!

DETERMINATION Musicians alike must have a good understanding of the theoretical concepts in preparing for their craft. Determination to accomplish our goals begins with knowledge. Knowing and understanding the fundamentals is the key to successful learning. Through sheer determination our goals can be achieved. Lesson Planning: Theory may be taught in a class room, in a small group lesson or private lesson. The private theory lesson is often only 15 minutes in addition to a practical lesson and must be well planned to cover the material as outlined in the theory syllabus. It is important to have an outline of lesson plans to ensure all material is covered and that there is ample time for practice review tests. The focus of Music Theory is to simplify complex concepts and show the relativity of these concepts with practical application. Theory workbooks help teachers and students discover the excitement and benefits of a music theory education.

Goal Setting: Set a weekly goal such as identifying as many Flashcards as possible in less than one minute. Set a monthly goal such as composing a piece of music using the previous theory concepts learned in the month. Set a yearly goal to achieve over 90% on each review test as well as the final examination. Celebrate each accomplishment!

Teach with PASSION! Author Glory St. Germain ARCT RMT MYCC



West Central Contemporary Showcase 2011 featuresFrom Prairie to Pine - Piano Solos by Saskatchewan Composers

Peggy L’Hoir

Over 50 students and teachers, representing 9 communities, gathered in Rosetown to celebrate Canadian compositions, composers, and performers during the SRMTA - West Central Branch’s fourth Contemporary Showcase. Inspiring comments from our adjudicator Wes Froese were appreciated by the pianists, vocalists, and cellists participating.

The atmosphere was relaxed and educational. Students were greeted by their teachers and invited to decorate a leaf for the tree (signifying the CFMTA Branching Out Initiative – branching out to students, composers, and audiences for this

event). Students then moved onto the map of Canada to locate and pinpoint the city in which their composers presently reside. Each student also provided a write up for the Wall of Fame (students were encouraged before the event, to complete a form outlining their age, community, interests, and favourite Canadian composer/composition. A picture of the student was attached at the top of the write up for easy identification). Students, parents, and teachers enjoyed reading the Wall of Fame during the Showcase. Non-performing siblings were happy to sit and colour at the craft/colouring centre. On display, for purchase were local cookbooks as well as From Prairie to Pine – Pianos Solos by Saskatchewan Composers-Volume 2.

The day of great music had a special focus on SRMTA’s From Prairie to Pine publications (2005 and 2011). Five composers from the 2011 publication were in attendance for a

special meet and greet luncheon for students, teachers, parents, and composers. This was an exciting highlight that had opportunities for conversation, photo and autograph opportunities with the composers. The composers concluded this portion of the event with a brief preface/background about their compositions as well as delighting all with performances of their compositions. Many thanks to composers Andrea Neustaeter, Glenn Sutherland, Penny Rosten, Laurie Wiens, and Wes Froese.

The West Central Saskatchewan Contemporary Showcase 2011 was truly a memorable experience for all involved! v

L-R: Peggy L’Hoir, Penny Rosten, Glenn Sutherland, Wes Froese, Andrea Neustaeter, Laurie Wiens


At the centre of all this frenzy is the music. While youth might love the looks of his poster, what gets them excited and showing up in droves is his playing. Jan’s definitely a different pianist than he was a year ago – anyone who missed this year’s performance unquestionably missed out. Last

year he was incredibly talented, but this last year has been one of growth for ‘Piccolo Chopin’. Stepping on to stage now is an artist who is ready to show the world that he has something important to say. It’s his ability to communicate that is about to set him apart from the average pianist.

2012 will see his first CD release with the world’s most important record label, Deutsche Grammophon. Jan is feverishly excited about the opportunity to express himself on record. And what should we expect in his upcoming recordings? Exactly what we get on stage.

Never one to showboat, Jan will bring his humility, creativity, and passion to the recordings – even requesting the chance in the near future to record live, because he

loves the electricity that comes from playing live for an audience. Most importantly we’ll hear an artist of great honesty. It has become too easy for the crop of young pianists to pour as much smoke and fireworks into their recordings as possible, but what has and will continue to set Jan apart from the rest of the pack is his integrity as a music maker. In his eyes, a piece of music has a personal story that can be told, and his flawless technique is a means to a timeless interpretation that is at once original and sincere to the score.

Many people often say to me that they worry that he will wear out, but I’m not concerned about that. While most people would find the hectic schedule and jetlag a major burden, Jan ignores the difficulties that come with the career of a major touring artist and instead relies on the music. After getting to know Jan the person, rather than Jan the pianist, it was

Imagine if you will what audiences must have felt in the presence of Liszt. We’ve all read the stories of the throngs of fans who flocked to his recitals to catch a glimpse of a

genius: Lisztomania. There are fantastical accounts of frenzied devotees who would hysterically collapse upon a touch of the pianist’s hand, even fighting over a dropped handkerchief. It was all created by a dashing young man who, through his playing, was able to create a mystical state-of-being for everyone present in the room. Sound familiar?

Last fall I began working with Jan Lisiecki’s agents at IMG Artists; when I first talked to his agent, I told her of posters being stolen and the line up around the block to get in to the concert. I don’t think she believed me. I’m not entirely sure that anyone at IMG believed me that Jan had already achieved rockstar status in our town – and this spring in an email to IMG that I first used the word Janmania.

I couldn’t help but draw the comparisons: a handsome young man who attracted a young audience who literally cheered for him, who lined up to wait more than an hour for a chance to have a picture taken, and who couldn’t help but talk about how amazing his playing was. As posters were being stolen for concerts, many people would talk about how cute he was, but by concert intermission the only thing people could talk about is how Jan’s playing makes them feel.

And then there is the post-concert line up. Youth, adults too, rushed downstairs to have a chance to meet this humble artist. They line up with program, CD, or stolen poster in hand – it’s obvious that the autograph is just an excuse to get a chance to talk to him or, better yet, snap a picture on a cell phone and upload it instantly to Facebook. There were even a few brave girls who asked for a kiss! The line up took an hour and a half, and while patiently waiting in line admirers tried to sneak a peek and listen to whatever the young virtuoso was saying.

Jan Lisiecki - Mania in the MakingMark Turner


obvious to me that the only way that Jan will wear out is if he’s not true to his artistic needs.

I am positive if at any time he were to no longer feel inspired by music, he would walk away from it all. It has nothing to do with the applause, or the fame, or the prestige – the only reason why Jan is a pianist is because he is constantly moved to live for the artistic moments. He is the type of musician who would turn down a major money offer for a concert with a conductor who inspires him, or an audience who listens carefully. He’s excited to record his next album not because it will be a hit, but rather because he’s getting to record two of his favourite concertos (Mozart 20 & 21) with a wonderful conductor, playing cadenzas he’s written himself.

Refreshing isn’t it? Instead of showing off to get everyone’s attention, along comes a pianist whose unassuming charm and commitment to the music captures the awe of a whole new age group. And he’d be very embarrassed that I use the term Janmania (yes, he is actually that modest), but it is exciting to have students

asking when they can buy a CD of classical music. Hopefully it is just the beginning of a whole new mania, only this time the virtuoso at the centre of it all is a prairie boy.

And as for Lisztomania, doctors were convinced that the condition was contagious – it infectiously spread like wild fire. Probably the only cure for Janmania is taking comfort in the fact that he loves performing here and is already talking about a future performance! v

Full MembersMakenzie Morgan, Regina (Voice)Lynette Sawatsky, Saskatoon (Piano)LaDawn (Blazosek) Ouellette, Canwood (Piano)Naomi Friesen, Saskatoon (Voice)Gillian Leson, Canora (Piano)

Reinstated members:Kristin Dahlem, Blaine Lake (Piano)

Affiliate Level 1Kevin Ackerman, Watrous (Guitar)

Affiliate Level 2Kari Mitchell, Oxbow (Piano)

Friend of the AssociationCheryl BuddeckeIsabelle Mills

Registrar’s Report

Our calendar year is coming to a close and I would like to welcome our new or reinstated members who joined SRMTA in 2011.

So Long! Sadly we said goodbye to Terrilynn Klassen, Avila Lotoski, and Eleanor Epp, all of whom moved out of province. We wish them all the best in their new communities. v


Please Note

Following CFMTA/FCAPM’s lead in an attempt to create consistent branding across Canada, SRMTA hopes to also create a unified look through consistent visuals and wording. Members and branches can help to raise the profile of Registered Music Teachers, while creating a professional look on any publication/promotional material in two ways:• Use SRMTA and CFMTA/

FCAPM logos on all correspondence, certificates, promotional material, etc.

• Branches can use the wording “Saskatchewan Registered Music Teachers Association, xxxxx Branch”, particularly if you are sponsoring an event in your community. This in particular identifies that your branch is part of a provincial and national body. v

Membership renewals

are due by March 31, 2012.

Please use the “Membership

Renewal” form that can be found

on the website to ensure we have

your correct contact information.

Download your FREE Pattern Play® sampler at

1-800-387-4013

www.frederickharrismusic.com

AVAILABLE

NOW!

Play to learn!

This series is the solution for anyone looking to develop or discover their own musical creativity. Teachers and students of all ages will find Pattern Play®

an exciting

way to make music themselves, or collaboratively by playing duets, trios, or quartets.

With Pattern Play® 5, the newest addition to the series, you’ll learn to improvise in various keys within the same piece and explore how to make your own Patterns and Vacations!

Using this intuitive and fun series teachers and students

can improvise in classical and popular styles with ease!

Pattern PlayInspiring Creativity at the Piano

Akiko & Forrest Kinney

®

Check out the two newest additions to the Composer Library Series!

Sunny Skies and DragonfliesLate Elementary –Intermediate Piano SolosJason Noble

Jumping in the MudEarly Elementary Piano SolosChristine Donkin

AVAILABLENOW!



From Rags to Riches For Piano SoloComposer: Beverly PorterPublisher: redleafpianoworks.comReviewed by: Peggy L’Hoir

This is an inspiring collection of wisely written piano solos featuring many styles for Grades 1-4.

Each piece is accessible to the average student, incorporating a variety of genres from Jazz (Jazzamtazz) to Classical (Courtly Dance) to Impressionistic (Chimes in the Mist) while being student and audience friendly. Every composition has a technical and /or musical challenge. Especially clever (and fun for the student) are the use of ostinatos (Chromatic Rag), cross hands, impressionistic pedal, left hand melodies (Rainy Day Song, Petit Waltz), swing (Get a Move On) and rag styles (Moondust Rag).

From Rags to Riches is a book that has something for everyone. I look forward to using it in my studio! v

Land of the Silver BirchFolk Songs for Piano SoloComposer: Beverly Porter beverlyporter.ca Publisher: redleafpianoworks.comReviewed by: Peggy L’Hoir

Beverly Porter (redleafpianoworks.com/beverlyporter.ca)

Land of the Silver Birch is a series of impressive and unique piano solo arrangements of folk songs ranging in difficulty from elementary to intermediate.

Integrating pedal (She’s Like the Swallow, The Blooming Bright Star of Belle Isle, The Huron Carol) beautiful melodies (D’ou

viens-tu bergere?), polyphony (Vive la Canadienne!), great energy (Ah! Si Mon moine voulez danser!, Alouette), scales and modes (Land of the Silver Birch – dorian mode/chromatic scale, Acadian Lullaby – pentatonic scale),

Lyrics for these folk songs are at the end of the book and the table of contents give a brief overview of the style and technical requirements of each piece.

This book succeeds in stimulating the imagination of the student and treating the ears of the audience! We are so fortunate to have compositions that are written by active teachers. Thanks Beverly! v

Industrial Revolutions Per MinutePiano Trio – One Piano, Six HandsComposer: Janet GieckPublisher: redleafpianoworks.comReviewed by: Peggy L’Hoir

This trio has been described by students as EXCITING, DIFFERENT, ENTERTAINING, AND FUNTASTIC!

I have had the privilege of teaching this to three adolescent females this fall. The rhythmic challenges, unique effects (slaps, knocks, and voice effects), and cool groove make it a fun to learn/ fun to perform trio for the intermediate performer. The laughter, counting, creativity and acute listening that has been instigated by this composition are a treasure!

Thanks, Janet, for creating a pedagogically sound trio that is musical, creative, and cool! A must have in all studios! v

Piano PoemsComposer: Susan GriesdalePublisher: redleafpianoworks.comReviewed by: Audrey Watson

This collection of 9 piano pieces by Canadian composer Susan Griesdale is sure to delight the introspective pianist. The compositions are from about Gr. 4/5 to Gr. 8 .

They are indeed little piano poems, which challenge the pianist to interpret the title through his/her playing. Some of the titles include, Soliloquy. Sail Away, Remembering You, Forgotten; these are delicate, soft pieces that require careful attention to phrasing and dynamics. For example, the tempo marking for Forgotten is “Very Slow, Heartbroken”. This would appeal to many a teenager.

Some of my favorites are:Antique Lace is a tender melody that begins in Bb+ and goes through a few key changes. It features some syncopated rhythms in both hands. Students will have to control the dynamics very carefully.

After the Rain is an excellent choice for introducing improvisation. The LH is written as long chords and the RH improvises with the given notes. A really cool piece and it is sure to appeal to many students.

Lavender Dreams is a reflective piece that flows easily between the hands. The LH features graceful broken chords that fit the hand well. It is written in F natural minor and teases the listener with the relative major.

The pieces from Piano Poems require a mature musical interpretation & would be suitable for an older student. v

Book Reviews


Northern MenagerieIntermediate Piano Solos Composer: Teresa RichertPublisher: redleafpianoworks.comReviewed by: Laureen Kells

This fun-loving collection offers a variety of pieces that will suit any intermediate student who enjoys learning and performing program music.

Published in 2011, the composer shares that the collection was inspired by the “wild creatures of Canada”. Titles include such characters as Squirrels, Bunnies, Bear Cubs, Chickadees and Garter Snake and each piece is unique in its key signature, time signature, and compositional techniques.

Any of the pieces in the collection would make excellent repertoire for a Canadian Class in your local music festival or as a Canadian piece requirement on an exam. v

Northern Lights Primer 1An Exploration of Canadian MusicComposer: Canadian National Conservatory of MusicPublisher: Mayfair Music Pub. Inc.Reviewed by: Gregory Chase

Northern Lights Primer 1 bridges the gap between the Northern Lights Pre-Reader and Prepatory Books.

The collection begins with pre-staff reading of Middle C and C position and then moves to staff reading. As the pieces progress they expand to neighbouring positions and extended hand positions.

Each piece is accompanied with a Creative Corner guiding students as they learn the piece; as well as accompanied artwork caricatures.

All pieces are by Canadian composers, including our own, Janet Gieck from Saskatoon, with her piece, Hockey Player.

Brief biographies at the back of collection, are geared to the young pianist in getting to know a little bit of information about the composers whose music they are playing.

Not only will these pieces excite the very young pianist, but with the pedagogically sound approach, this Primer can be used as a beginning method book. v

Northern Lights Level 7 RepertoireAn Exploration of Canadian MusicComposer: Canadian National Conservatory of MusicPublisher: Mayfair Music Pub. Inc.Reviewed by: Gregory Chase

Found in this collection are 37 appealing pieces by 29 Canadian composers. This collection is a useful resource for Canadian content for festivals, recitals, examinations, sight reading, quick studies, and supplemental material.

The compositions are written in a wide variety of modes and styles, from Baroque to C o n t e m p o r a r y idioms.

Works by S a s k a t c h e w a n composers can be found in this collection, M i x o l y d i a n Masquerade by Joyce Pinckney, formerly from Wiseton, SK. Also appearing is Swingin’ Low by Janet Gieck of Saskatoon.

Photos of the composers are included with their biography, as well as program

notes for each piece. v

Northern Lights Level 7 Musical Discoveries - An Exploration of Canadian MusicComposer: Canadian National Conservatory of MusicPublisher: Mayfair Music Pub. Inc.Reviewed by: Gregory Chase

To accompany the Northern Level 7 Repertoire, the Musical Discoveries includes 26 etude-like pieces by 24 Canadian composers. Found among the pages are pieces by Saskatchewan composers such as Prairie Swing by Thelma Gillis, and Just Can’t Stop by Janet Gieck.

This collection comes with a wide variety of tonality, metre, skill level, style, and pedagogical value. Again, another collection that will round out a student’s musical education with pieces that will inspire the imagination of both the performer and the audience. v

SRMTA’s

From Prairie to PinePiano Solos by Saskatchewan Composers

Volume 2

The SaskatchewanRegistered Music Teachers’Association

A great resource of pedagogically sound

material!

To order your copy, hear composer

performances or to see excerpts, visit our website:www.srmta.com

$15.00 plus shipping

EXECUTIVE OFFICERS AND BOARD OF SRMTA 2011 - 2012President Audrey Watson, Box 948, Rosthern, SK S0K 3R0; (306) 232-4933 [email protected] President Laureen Kells, Box 57, Tuffnell, SK S0A 4G0; (306) 272-4762 [email protected] President VacantRegistrar/Secretary/ Sandra Kerr, 45 Martin Street, Regina, SK S4S 3W4; (306) 584-9547Treasurer [email protected]

Board Members Lynn Ewing, 726 - 10th Street E., Saskatoon, SK S7H OH1; (306) 652-2240 [email protected] Karen Langlois, 1261 Gillmor Crescent, Prince Albert, SK S6V 6A8; (306) 763-4674 [email protected] Laureen Kells, Box 57, Tuffnell, SK S0A 4G0; (306) 272-4762 [email protected] Marjorie Klassen, Box 37, Glenbush, SK S0M 0Z0; (306) 342-4946 [email protected] Gail Murray, Box 245, Yellow Grass, SK S0G 5J0; (306) 465-2580 [email protected] 1st Delegate Audrey Watson, Box 948, Rosthern, SK S0K 3R0; (306) 232-4933 [email protected] 2nd Delegate Laureen Kells, Box 57, Tuffnell, SK S0A 4G0; (306) 272-4762 [email protected]

APPOINTEES OF SRMTA 2011 - 2012

Archivist - Anne McGilp35 Porteous Crescent, Saskatoon, SK S7J 2S7(306) 373-8433, [email protected]

Dorothy Bee Memorial Scholarship and SRMTA Summer Music Camp Award - Gail MurrayBox 245, Yellow Grass, SK S0G 5J0(306) 465-2580, [email protected]

Florence Bowes and Gordon C. Wallis - Eunice Koehler419 Steiger Way, Saskatoon, SK S7N 4K2(306) 242-9506, [email protected]

Canada Music Week andSRMTA/CFMTA Student Composer - Laureen KellsBox 57, Tuffnell, SK S0A 4G0(306) 272-4762, [email protected]

Composers Division - Janet Gieck530 Redberry Road, Saskatoon, SK S7K 4S3(306) 384-1922, [email protected]

Canadian National Conservatory of MusicLaureen KellsBox 57, Tuffnell, SK S0A 4G0(306) 272-4762, [email protected]

London College - Mark Turner231–670 Kenderdine Road, Saskatoon, SK S7N 4W4(306) 652-4413, [email protected]

Lyell Gustin Memorial Scholarship - Lynn Ewing 726 - 10th Street E., Saskatoon, SK S7H OH1(306) 652-2240, [email protected]

Jean McCulloch Jr Piano Competition - Karen Langlois 1261 Gillmor Crescent, Prince Albert, SK S6V 6A8(306) 763-4674, [email protected]

Opus Editor and Webmaster - Gregory Chase2200 Halifax Street, Regina, SK S4P 1V2(306) 761-0277, [email protected]

U of Regina Senate - Karen Frandsen2079 Princess Street. Regina, SK S4T 3Z5(306) 790-7040, [email protected]

U of Saskatchewan Senate - Joan Halmo47 Pony Trail, Saskatoon, SK S7T 1A4306) 373-1451, [email protected]

RCM - Kathleen Lohrenz Gable419 Crean Lane, Saskatoon, SK S7J 3X3(306) 373-1785, [email protected]

Trinity College - Mary Friesen138-227 Saguenay Drive, Saskatoon, SK S7K 6G4(306) 242-8185, [email protected]

SMEA - VacantSMFA - Laureen KellsBox 57, Tuffnell, SK S0A 4G0 (306) 272-4762, [email protected]

SRMTA Community Music - Sarah Clark GregoryBox 1124, Watrous, SK S0K 4T0(306) 946-2160, [email protected]

Young Artist - Cathy DonahueBox 7, Perdue, SK S0K 3C0, (306) 237-4790, [email protected]


BRANCH PRESIDENTS AND SECRETARIES 2011 - 2012

THE BATTLEFORDS BRANCHPresident: Robyn Rutherford, Box 1360, Unity, Sask. S0K 4L0; (306) 228-2493, [email protected]: Diane Neil, Box 24, Unity Sask. S0K 4L0; (306) 228-3782, [email protected]

EAST CENTRAL BRANCHSecretary: Allison Sarauer, Box 165, Annaheim, SK, SOK OGO; (306) 598-2018, [email protected]

LLOYDMINSTER BRANCHPresident: Pam Rollheiser, Box 3012, Lloydminster, SK S9V 1P4; (306)825-4168, [email protected] Secretary: Pam Rollheiser, Box 3012, Lloydminster, SK S9V 1P4; (306)825-4168, [email protected]

PRINCE ALBERT BRANCHPresident: Lorna Gibson, 405 21st Street West, Prince Albert, SK S6V 4J5; (306) 763-5996, [email protected]: Lorna Gibson, 405 21st Street West, Prince Albert, SK S6V 4J5; (306) 763-5996, [email protected]

REGINA BRANCHPresident: Janice Elliott Denike, 101 Leopold Crescent, Regina, S4T 6N5; (306) 586-3007, [email protected]: Marina Wensley, 3090 Wascana Glen, Regina, SK S4V 2L4; (306) 546-2890, [email protected]

SASKATOON BRANCHPresident: Karen Reynaud Altrogge, 214 Skeena Cres, Saskatoon, SK S7K 4G8; 229-3364, [email protected]: Verna Olfert, 907 Steeves Avenue, Saskatoon, SK S7L 5N3; (306) 384-8431, [email protected]

SWIFT CURRENT BRANCHPresident: Diana Martens, Box 686, Herbert, SK S0H 2A0; (306) 784-3519, [email protected]: Rebecca Chilton, 442 Russel Crescent, Swift Current, SK S9H 4T9; (306) 773-2353, [email protected]

WEST CENTRAL BRANCHPresident: Peggy L’Hoir, Box 727, Biggar, SK. S0K 0M0; (306) 948-5231, [email protected]: Helen Barclay, 41 West Road, Kindersley SK S0L 1S1; (306) 463-6695, [email protected]

YORKTON BRANCHPresident: Diane Jones, Box 2339, Kamsack, SK S0A 1S0, (306) 542-2238; [email protected]

Who do I contact?Sandra Kerr

Registrar, Secretary and Treasurer45 Martin Street

Regina, SK S4S [email protected]

Please note that 2012 Insurance premiums will be raised to $30

per person


Are you looking for the Competition Entry Forms?

Due to the high volume of pages for the competitions and scholarships entry forms, please view and download the entry forms from our website at:

www.srmta.com

306.665.0213

1011 Broadway AvenueSaskatoon SK S7N 1C1

128 Victoria AvenueRegina SK S4N 0P3

306.522.8501

* BEST Quality

* BEST Prices

* BEST Service

GRAND AND UPRIGHTPIANOS BY

• Bechstein • Yamaha• Seiler • Knabe

Yamaha Disklavier, Avant Grand,Clavinova, Modus and Keyboards

www.yamahapianocentre.ca

Saskatchewan’s destination for high qualitypiano sales & service for over 31 years

Date post:	22-Jun-2021
Category:	Documents
Upload:	others
View:	3 times
Download:	0 times

OPUS · 2019. 1. 28. · PUBLICATION INFORMATION OPUS is published three times a year: September,...

Documents