+ All Categories
Home > Documents > Paramount Et Al Amicus Re en Banc

Paramount Et Al Amicus Re en Banc

Date post: 08-Nov-2014
Category:
Upload: eriqgardner6833
View: 240 times
Download: 3 times
Share this document with a friend
Description:
amicus
Popular Tags:
26
UNITED STATES COURT OF APPEALS FOR THE SECOND CIRCUIT Thurgood Marshall U.S. Courthouse 40 Foley Square, New York, NY 10007 Telephone: 212-857-8500 MOTION INFORMATION STATEMENT Docket Number(s): Caption [use short title] Motion for: Set forth below precise, complete statement of relief sought: MOVING PARTY: OPPOSING PARTY: Plaintiff Defendant Appellant/Petitioner Appellee/Respondent MOVING ATTORNEY: OPPOSING ATTORNEY: [name of attorney, with firm, address, phone number and e-mail] Court-Judge/Agency appealed from: Please check appropriate boxes: FOR EMERGENCY MOTIONS, MOTIONS FOR STAYS AND INJUNCTIONS PENDING APPEAL: Has movant notified opposing counsel (required by Local Rule 27.1): Has request for relief been made below? Yes No Yes No (explain): Has this relief been previously sought in this Court? Yes No Requested return date and explanation of emergency: Opposing counsel’s position on motion: Unopposed Opposed Don’t Know Does opposing counsel intend to file a response: Yes No Don’t Know Is oral argument on motion requested? Yes No (requests for oral argument will not necessarily be granted) Has argument date of appeal been set? Yes No If yes, enter date:__________________________________________________________ Signature of Moving Attorney: ___________________________________Date: ___________________ Service by: CM/ECF Other [Attach proof of service] ORDER IT IS HEREBY ORDERED THAT the motion is GRANTED DENIED. FOR THE COURT: CATHERINE O’HAGAN WOLFE, Clerk of Court Date: _____________________________________________ By: ________________________________________________ Form T-1080 (rev. 7-12) Leave of Court to file the attached brief of amici curiae in support of petition for rehearing en banc. Kelly M. Klaus Munger, Tolles & Olson LLP 355 South Grand Avenue, 35th Floor Los Angeles, California 90071-1560 (213-683-9238 X s/ Kelly M. Klaus 04/16/2013 X Paramount Pictures Corporation, et al. WNET, et al. v. Aereo Inc., f/k/a Bamboom Labs, Inc. American Broadcasting Companies, Inc. et al. v. Aereo, Inc. leave to file a brief of amici curiae. Aereo, Inc. R. David Hosp Fish & Richardson One Marina Park Drive Boston, Massachusetts 02210-1878 (617) 368-2125 Southern District of New York (Judge Nathan) X X X 12-2786, 12-2807 X Case: 12-2786 Document: 266-1 Page: 1 04/16/2013 909197 7 1 of 26
Transcript
Page 1: Paramount Et Al Amicus Re en Banc

UNITED STATES COURT OF APPEALS FOR THE SECOND CIRCUITThurgood Marshall U.S. Courthouse 40 Foley Square, New York, NY 10007 Telephone: 212-857-8500

MOTION INFORMATION STATEMENT

Docket Number(s): Caption [use short title]

Motion for:

Set forth below precise, complete statement of relief sought:

MOVING PARTY: OPPOSING PARTY:

��Plaintiff ��Defendant

��Appellant/Petitioner ��Appellee/Respondent

MOVING ATTORNEY: OPPOSING ATTORNEY:

[name of attorney, with firm, address, phone number and e-mail]

Court-Judge/Agency appealed from:

Please check appropriate boxes: FOR EMERGENCY MOTIONS, MOTIONS FOR STAYS AND

INJUNCTIONS PENDING APPEAL:

Has movant notified opposing counsel (required by Local Rule 27.1): Has request for relief been made below? ��Yes ��No

��Yes ��No (explain): Has this relief been previously sought in this Court? ��Yes ��No

Requested return date and explanation of emergency:

Opposing counsel’s position on motion:

��Unopposed � Opposed � Don’t Know

Does opposing counsel intend to file a response:

� Yes � No � Don’t Know

Is oral argument on motion requested? ��Yes ��No (requests for oral argument will not necessarily be granted)

Has argument date of appeal been set? ��Yes ��No If yes, enter date:__________________________________________________________

Signature of Moving Attorney:

___________________________________Date: ___________________ Service by: ��CM/ECF ������Other [Attach proof of service]

ORDER

IT IS HEREBY ORDERED THAT the motion is GRANTED DENIED.

FOR THE COURT:

CATHERINE O’HAGAN WOLFE, Clerk of Court

Date: _____________________________________________ By: ________________________________________________

Form T-1080 (rev. 7-12)

Leave of Court to file the attached brief of amici curiae in support of petition for rehearing en banc.

Kelly M. Klaus

Munger, Tolles & Olson LLP 355 South Grand Avenue, 35th Floor Los Angeles, California 90071-1560 (213-683-9238

X

s/ Kelly M. Klaus 04/16/2013 X

Paramount Pictures Corporation, et al.

WNET, et al. v. Aereo Inc., f/k/a Bamboom Labs, Inc. American Broadcasting Companies, Inc. et al. v. Aereo, Inc.

leave to file a brief of amici curiae.

Aereo, Inc.

R. David Hosp

Fish & Richardson One Marina Park Drive Boston, Massachusetts 02210-1878(617) 368-2125

Southern District of New York (Judge Nathan)

X

X

X

12-2786, 12-2807

X

Case: 12-2786 Document: 266-1 Page: 1 04/16/2013 909197 7

1 of 26

Page 2: Paramount Et Al Amicus Re en Banc

20598521.1

UNITED STATES COURT OF APPEALS FOR THE SECOND CIRCUIT

WNET, et. al,

Plaintiffs-Appellants, v. AEREO INC., f/k/a BAMBOOM LABS, INC.,

Defendant-Appellee.

No. 12-2786

AMERICAN BROADCASTING COMPANIES, INC., et al.,

Plaintiffs-Counter-Defendants-Appellants, v. AEREO, INC.,

Defendant-Counter-Claimant-Appellee.

No. 12-2807

MEMORANDUM IN SUPPORT OF MOTION OF PARAMOUNT

PICTURES CORPORATION, WARNER BROS. ENTERTAINMENT INC., DIRECTORS GUILD OF AMERICA, INC., ALLIANCE OF

THEATRICAL STAGE EMPLOYEES, MOVING PICTURE TECHNICIANS, ARTISTS AND ALLIED CRAFTS OF THE UNITED

STATES, ITS TERRITORIES AND CANADA, AFL-CIO, CLC, SCREEN ACTORS GUILD-AMERICAN FEDERATION OF

TELEVISION AND RADIO ARTISTS, WRITERS GUILD OF AMERICA, WEST, INC., INDEPENDENT FILM & TELEVISION

ALLIANCE, AND METRO-GOLDWYN-MAYER STUDIOS INC. AS AMICI CURIAE SUPPORTING PETITION FOR REHEARING

EN BANC

Case: 12-2786 Document: 266-1 Page: 2 04/16/2013 909197 7

2 of 26

Page 3: Paramount Et Al Amicus Re en Banc

2 20598521.1

Amici Paramount Pictures Corporation, Warner Bros. Entertainment

Inc., Directors Guild of America, Inc., Alliance of Theatrical Stage

Employees, Moving Picture Technicians, Artists And Allied Crafts of the

United States, Its Territories and Canada, AFL-CIO, CLC, Screen Actors

Guild-American Federation of Television and Radio Artists, Writers Guild

of America, West, Inc., Independent Film & Television Alliance, and Metro-

Goldwyn-Mayer Studios Inc. respectfully move the Court for leave to file a

brief of amici curiae supporting Appellants’ petitions for rehearing en banc.

A copy of the proposed brief is attached as Ex. 1 to the accompanying

Affidavit of Kelly M. Klaus (“Klaus Affidavit”). Appellants in Nos. 12-

2786 and 12-2807 have consented to this filing. Klaus Affidavit ¶ 3.

Appellee in both cases, Aereo, Inc., does not consent to the filing of the brief

but has indicated it does not intend to file an opposition. Id. ¶ 4.

Amici and their members have a significant interest in the important

questions that this case presents concerning the interpretation of the public

performance right under Copyright Act, 17 U.S.C. §§ 101 et seq. Amici

consist of individuals and production and distribution companies that

collectively comprise the entire chain for the creation of film and television

content. Amici’s members depend upon effective copyright protection in

order to protect the motion picture and television content that they invest in,

Case: 12-2786 Document: 266-1 Page: 3 04/16/2013 909197 7

3 of 26

Page 4: Paramount Et Al Amicus Re en Banc

3 20598521.1

create and distribute. The public performance right is among the most

critical rights secured by copyright to the owners of audio-visual content.

The right is especially important, and will only become more important, as

movies and television shows increasingly are disseminated and viewed

through internet streams to the public.

Amici seek to file the attached brief because of their concerns with the

Panel Majority’s decision. Amici believe that their views regarding the

important legal and policy issues that this case presents may be helpful to the

full Court in deciding whether to rehear this case en banc.

DATED: April 16, 2013 MUNGER, TOLLES & OLSON LLP

By: /s/ Kelly M. Klaus KELLY M. KLAUS

Counsel for Amici Paramount Pictures Corporation, Warner Bros. Entertainment Inc., Directors Guild of America, Inc. and Metro-Goldwyn-Mayer Studios Inc.

Case: 12-2786 Document: 266-1 Page: 4 04/16/2013 909197 7

4 of 26

Page 5: Paramount Et Al Amicus Re en Banc

20598521.1

AFFIDAVIT OF KELLY M. KLAUS

Kelly M. Klaus declares and states, under penalty of perjury under the

laws of the United States, 28 U.S.C. § 1746, as follows:

1. I am a partner in the law firm of Munger, Tolles & Olson LLP,

counsel to amici curiae Paramount Pictures Corporation, Warner Bros.

Entertainment Inc., Directors Guild of America, Inc. and Metro-Goldwyn-

Mayer Studios Inc. on the proposed brief of amici curiae. Counsel for the

additional amici are listed on the cover page to the proposed brief. I was

admitted to practice before the United States Court of Appeals for the

Second Circuit on December 7, 2010. The facts stated in this affidavit are

within my personal knowledge.

2. Attached as Exhibit 1 to this affidavit is the proposed Brief of

Amici Curiae Paramount Pictures Corporation, Warner Bros. Entertainment

Inc., Directors Guild of America, Inc., Alliance of Theatrical Stage

Employees, Moving Picture Technicians, Artists And Allied Crafts of the

United States, Its Territories and Canada, AFL-CIO, CLC, Screen Actors

Guild-American Federation of Television and Radio Artists, Writers Guild

of America, West, Inc., Independent Film & Television Alliance, and Metro-

Goldwyn-Mayer Studios Inc. Supporting Petition for Rehearing En Banc.

Case: 12-2786 Document: 266-1 Page: 5 04/16/2013 909197 7

5 of 26

Page 6: Paramount Et Al Amicus Re en Banc

2 20598521.1

3. On April 15, 2013, I contacted counsel for Appellants in Nos.

12-2786 and 12-2807, to inquire whether their clients would consent to

amici’s motion for leave. Counsel for the Appellants in each case told me

they would consent to the motion.

4. Also on April 15, 2013, I made the same inquiry of counsel for

Aereo, Inc., which is Appellee in Nos. 12-2786 and 12-2807. Aereo’s

counsel informed me that Aereo would not consent to the filing of the

amicus brief but does not intend to file an opposition.

DATED: Los Angeles, California April 16, 2013

/s/ Kelly M. Klaus Kelly M. Klaus

Case: 12-2786 Document: 266-1 Page: 6 04/16/2013 909197 7

6 of 26

Page 7: Paramount Et Al Amicus Re en Banc

3 20598521.1

CERTIFICATE OF SERVICE

I hereby certify that on this 16th day of April, 2013, a true and correct

copy of the foregoing Paramount Pictures Corporation, Warner Bros.

Entertainment Inc., Directors Guild of America, Inc., Alliance of Theatrical

Stage Employees, Moving Picture Technicians, Artists And Allied Crafts of

the United States, Its Territories and Canada, AFL-CIO, CLC, Screen Actors

Guild-American Federation of Television and Radio Artists, Writers Guild

of America, West, Inc., Independent Film & Television Alliance, and Metro-

Goldwyn-Mayer Studios Inc.’s Motion for Leave to File Brief of Amici

Curiae Supporting Petition for Rehearing En Banc; Memorandum in

Support; and Affidavit of Kelly M. Klaus, including Exhibit 1, which is the

proposed amici brief, was served on all counsel of record in this appeal via

CM/ECF pursuant to Second Circuit Rule 25.1(h)(1)-(2).

/s/ Kelly M. Klaus Kelly M. Klaus

Case: 12-2786 Document: 266-1 Page: 7 04/16/2013 909197 7

7 of 26

Page 8: Paramount Et Al Amicus Re en Banc

12-2786-cv

United States Court of Appeals for the

Second Circuit

WNET, THIRTEEN, FOX TELEVISION STATIONS, INC., TWENTIETH CENTURY FOX FILM CORPORATION, WPIX, INC., UNIVISION

TELEVISION GROUP, INC., THE UNIVISION NETWORK LIMITED PARTNERSHIP, and PUBLIC BROADCASTING SERVICE,

Plaintiffs-Appellants,

- v. - AEREO INC., f/k/a BAMBOOM LABS, INC.,

Defendant-Appellee. ____________________________

ON APPEAL FROM THE UNITED STATES DISTRICT COURT

FOR THE SOUTHERN DISTRICT OF NEW YORK

BRIEF FOR PARAMOUNT PICTURES CORPORATION, WARNER BROS. ENTERTAINMENT INC., DIRECTORS GUILD OF AMERICA, INC., ALLIANCE OF THEATRICAL STAGE

EMPLOYEES, MOVING PICTURE TECHNICIANS, ARTISTS AND ALLIED CRAFTS OF THE UNITED STATES, ITS TERRITORIES

AND CANADA, AFL-CIO, CLC, SCREEN ACTORS GUILD-AMERICAN FEDERATION OF TELEVISION AND RADIO ARTISTS, WRITERS GUILD OF AMERICA, WEST, INC.,

INDEPENDENT FILM & TELEVISION ALLIANCE AND METRO-GOLDWYN-MAYER STUDIOS INC. AS AMICI CURIAE

SUPPORTING REHEARING EN BANC

Case: 12-2786 Document: 266-2 Page: 1 04/16/2013 909197 19

8 of 26

Page 9: Paramount Et Al Amicus Re en Banc

KELLY M. KLAUS MUNGER, TOLLES & OLSON LLP 355 South Grand Avenue, 35th FloorLos Angeles, California 90071 (213) 683-9100

Counsel for Amici Paramount Pictures Corporation, Warner Bros. Entertainment Inc., Directors Guild of America, Inc. and Metro-Goldwyn-Mayer Studios Inc.

SAMANTHA DULANEY I.A.T.S.E. IN HOUSE COUNSEL 1430 Broadway, 20th Floor New York, New York 10018 (212) 730-1770 Counsel for Amicus Alliance of Theatrical Stage Employees, Moving Picture Technicians, Artists and Allied Crafts of the United States, its Territories and Canada, AFL-CIO, CLC DUNCAN W. CRABTREE-IRELAND CHIEF ADMINISTRATIVE OFFICER & GENERAL COUNSEL SAG-AFTRA 5757 Wilshire Boulevard, Suite 700 Los Angeles, California 90036 Counsel for Amicus Screen Actors Guild-American Federation of Television and Radio Artists ANTHONY R. SEGALL ROTHNER, SEGALL & GREENSTONE 510 South Marengo Avenue Pasadena, California 91101 (626) 796-7555 Counsel for Amicus Writers Guild of America, West, Inc. SUSAN CLEARY VICE PRESIDENT & GENERAL COUNSEL INDEPENDENT FILM & TELEVISION ALLIANCE 10850 Wilshire Boulevard Los Angeles, California 90024 (310) 446-1003 Counsel for Amicus Independent Film & Television Alliance

Case: 12-2786 Document: 266-2 Page: 2 04/16/2013 909197 19

9 of 26

Page 10: Paramount Et Al Amicus Re en Banc

12-2807-cv

United States Court of Appeals for the

Second Circuit

AMERICAN BROADCASTING COMPANIES, INC., DISNEY ENTERPRISES, INC., CBS BROADCASTING INC., CBS STUDIOS

INC., NBCUNIVERSAL MEDIA, LLC, NBC STUDIOS, LLC, UNIVERSAL NETWORK TELEVISION, LLC, TELEMUNDO

NETWORK GROUP LLC and WNJU-TV BROADCASTING, LLC,

Plaintiffs-Counter-Defendants-Appellants,

- v. - AEREO, INC.,

Defendant-Counter-Claimant-Appellee. ____________________________

ON APPEAL FROM THE UNITED STATES DISTRICT COURT

FOR THE SOUTHERN DISTRICT OF NEW YORK

BRIEF FOR PARAMOUNT PICTURES CORPORATION, WARNER BROS. ENTERTAINMENT INC., DIRECTORS GUILD OF AMERICA, INC., ALLIANCE OF THEATRICAL STAGE

EMPLOYEES, MOVING PICTURE TECHNICIANS, ARTISTS AND ALLIED CRAFTS OF THE UNITED STATES, ITS TERRITORIES

AND CANADA, AFL-CIO, CLC, SCREEN ACTORS GUILD-AMERICAN FEDERATION OF TELEVISION AND RADIO ARTISTS, WRITERS GUILD OF AMERICA, WEST, INC.,

INDEPENDENT FILM & TELEVISION ALLIANCE AND METRO-GOLDWYN-MAYER STUDIOS INC. AS AMICI CURIAE

SUPPORTING REHEARING EN BANC

Case: 12-2786 Document: 266-2 Page: 3 04/16/2013 909197 19

10 of 26

Page 11: Paramount Et Al Amicus Re en Banc

KELLY M. KLAUS MUNGER, TOLLES & OLSON LLP 355 South Grand Avenue, 35th FloorLos Angeles, California 90071 (213) 683-9100

Counsel for Amici Paramount Pictures Corporation, Warner Bros. Entertainment Inc., Directors Guild of America, Inc. and Metro-Goldwyn-Mayer Studios Inc.

SAMANTHA DULANEY I.A.T.S.E. IN HOUSE COUNSEL 1430 Broadway, 20th Floor New York, New York 10018 (212) 730-1770 Counsel for Amicus Alliance of Theatrical Stage Employees, Moving Picture Technicians, Artists and Allied Crafts of the United States, its Territories and Canada, AFL-CIO, CLC DUNCAN W. CRABTREE-IRELAND CHIEF ADMINISTRATIVE OFFICER & GENERAL COUNSEL SAG-AFTRA 5757 Wilshire Boulevard, Suite 700 Los Angeles, California 90036 Counsel for Amicus Screen Actors Guild-American Federation of Television and Radio Artists ANTHONY R. SEGALL ROTHNER, SEGALL & GREENSTONE 510 South Marengo Avenue Pasadena, California 91101 (626) 796-7555 Counsel for Amicus Writers Guild of America, West, Inc. SUSAN CLEARY VICE PRESIDENT & GENERAL COUNSEL INDEPENDENT FILM & TELEVISION ALLIANCE 10850 Wilshire Boulevard Los Angeles, California 90024 (310) 446-1003 Counsel for Amicus Independent Film & Television Alliance

Case: 12-2786 Document: 266-2 Page: 4 04/16/2013 909197 19

11 of 26

Page 12: Paramount Et Al Amicus Re en Banc

- i -

CORPORATE DISCLOSURE STATEMENT

Pursuant to Rules 26.1 and 29(c)(1) of the Federal Rules of Appellate

Procedure:

Amicus Paramount Pictures Corporation certifies that it is a wholly

owned subsidiary of Viacom Inc., a publicly held company.

Amicus Warner Bros. Entertainment Inc. certifies that it is ultimately

and indirectly wholly owned by Time Warner Inc., a publicly held company.

Amicus Directors Guild of America, Inc. certifies that it is a California

non-profit corporation doing business as a labor organization; it does not

offer stock; and it has no parent corporation.

Amicus Alliance of Theatrical Stage Employees, Moving Picture

Technicians, Artists and Allied Crafts of the United States, its Territories

and Canada, AFL-CIO, CLC certifies that it is an unincorporated labor

organization; it does not offer stock; and it has no parent corporation.

Amicus Screen Actors Guild-American Federation of Television and

Radio Artists certifies that it is a Delaware non-profit corporation; it does

not offer stock; and it has no parent corporation.

Amicus Writers Guild of America, West, Inc. certifies that it is a

California non-profit corporation doing business as a labor organization; it

does not offer stock; and it has no parent corporation.

Case: 12-2786 Document: 266-2 Page: 5 04/16/2013 909197 19

12 of 26

Page 13: Paramount Et Al Amicus Re en Banc

- ii -

Amicus The Independent Film & Television Alliance certifies that it

has no parent corporation and that no publicly held company owns 10% or

more of its stock.

Amicus Metro-Goldwyn-Mayer Studios Inc. certifies that it is a

wholly owned subsidiary of Metro-Goldwyn-Mayer Inc., a privately held

company.

Case: 12-2786 Document: 266-2 Page: 6 04/16/2013 909197 19

13 of 26

Page 14: Paramount Et Al Amicus Re en Banc

TABLE OF CONTENTS

Page

-i-

INTEREST OF AMICI CURIAE.................................................................. 1

ARGUMENT................................................................................................. 2

I. Cablevision Expressly Limited Its Public Performance Holding...................................................................................... 4

II. The Court Should Review En Banc the Majority Opinion’s Needless and Erroneous Expansion of Cablevision’s Limited Decision................................................ 6

Case: 12-2786 Document: 266-2 Page: 7 04/16/2013 909197 19

14 of 26

Page 15: Paramount Et Al Amicus Re en Banc

TABLE OF AUTHORITIES

Page

-ii-

FEDERAL CASES

Cartoon Network LP, LLLP v. CSC Holdings, Inc., 536 F.3d 121 (2d Cir. 2008) ............................................................passim

Sony Corp. of Am. v. Universal City Studios, 464 U.S. 417 (1984)..................................................................................5

WPIX, Inc. v. ivi, Inc., 691 F.3d 275 (2d Cir. 2012) .....................................................................3

FEDERAL STATUTES

17 U.S.C. § 101..........................................................................................6, 7

OTHER AUTHORITIES

U.S. Copyright Office, Satellite Home Viewer Extension and Reauthorization Act Section 109 Report (2008) ......................................3

Case: 12-2786 Document: 266-2 Page: 8 04/16/2013 909197 19

15 of 26

Page 16: Paramount Et Al Amicus Re en Banc

INTEREST OF AMICI CURIAE1

Amici consist of individuals and production and distribution companies that

collectively comprise the entire chain for the creation of film and television

content.2 Amici Guilds and Unions represent hundreds of thousands of men and

women who write, direct, act in and provide below-the-line services for motion

picture and television content. The members’ livelihoods depend on remuneration

for the licensed exploitation of the content that they work to create. This includes

residuals and royalties—deferred compensation based on the continuing use of the

creative works—as works are released in different media. Residuals and royalties

are an important source of income for creative artists and help determine their

eligibility for benefits such as health insurance and pensions. Amici studios and

distribution companies depend on compensation for the public performance of

their works to underwrite the significant costs of creating and disseminating

1 Pursuant to Federal Rule of Appellate Procedure 29(c)(5) and Second Circuit Rule 29.1(b), amici state that (i) no counsel for a party has written this brief in whole or in part and (ii) no person or entity other than the amici has made a monetary contribution that was intended to fund the preparation or submission of this brief. Amici submitted a brief at the Panel stage. Case No. 12-2786, Dkt. No. 147; Case No. 12-2807, Dkt. No. 121 (“Amici Panel Br.”). 2 Amici studios and distribution companies are Paramount Pictures Corporation, Warner Bros. Entertainment Inc., Independent Film & Television Alliance, Independent Film & Television Alliance, and Metro-Goldwyn-Mayer Studios Inc. Amici Guilds and Unions are Directors Guild of America, International Alliance of Theatrical Stage Employees, Moving Picture Technicians, Artists and Allied Crafts of the United States, its Territories and Canada, AFL-CIO, CLC, Screen Actors Guild-American Federation of Television and Radio Artists, and Writers Guild of America, West, Inc.

Case: 12-2786 Document: 266-2 Page: 9 04/16/2013 909197 19

16 of 26

Page 17: Paramount Et Al Amicus Re en Banc

- 2 -

movies and television shows. These entities also license the transmission of the

same works through multiple additional distribution channels, including by way of

internet streaming through licensed services, such as Hulu or Netflix. All amici

have a significant interest in the interpretation of the public performance right.

ARGUMENT

Amici respectfully urge the Court to grant en banc rehearing. The Majority

Opinion misconstrues an important and economically significant right under the

Copyright Act. It does so by reading a prior decision of this Court, Cartoon

Network LP, LLLP v. CSC Holdings, Inc., 536 F.3d 121 (2d Cir. 2008)

(“Cablevision”), to require the holding in this case, even though the Court in

Cablevision expressly said that its decision should not be taken as carte blanche for

future services that mimicked Cablevision’s technological architecture, as Aereo

does. The decision therefore creates material inconsistency with the very

precedent the Court in this case relied on. Further, the decision threatens

significant harm not only to Appellants-Broadcasters but to the producers who

underwrite and the hundreds of thousands of individuals who work to create the

copyrighted works that Aereo appropriates for free. The public performance right

is among the most critical rights secured by copyright to the owners of audio-visual

content. The right is especially important, and will only become more important,

as movies and television shows increasingly are disseminated and viewed through

Case: 12-2786 Document: 266-2 Page: 10 04/16/2013 909197 19

17 of 26

Page 18: Paramount Et Al Amicus Re en Banc

- 3 -

internet streams to the public. While the Court properly reserves its en banc

resources for cases of surpassing importance, amici submit this is such a case.

It is undisputed that Aereo re-transmits through internet streams to

thousands of paying subscribers content as it is broadcast over the air. The law is

clear that re-transmitting broadcast signals through internet streams is a public

performance, which requires a negotiated license. See WPIX, Inc. v. ivi, Inc., 691

F.3d 275, 278-79 (2d Cir. 2012). The Copyright Office has emphasized that

businesses that re-transmit broadcast programming without paying the required

license fees “‘effectively wrest control away from program producers who make

significant investments in content and who power the creative engine in the U.S.

economy.’” Id. at 283 (quoting U.S. Copyright Office, Satellite Home Viewer

Extension and Reauthorization Act Section 109 Report, at 188 (2008) (“SHVERA

Report”)). Aereo argues that because it uses tens of thousands of mini-antennae

rather than just one, Aereo transforms its undisputed public performance into tens

of thousands of non-actionable private performances. If Aereo used a single

reception antenna to capture broadcast signals and re-transmit them to thousands of

internet subscribers for viewing, it is undisputed that Aereo would need a license,

just as numerous legitimate services, such as Hulu and Netflix, negotiate for and

obtain to stream broadcast content, including copyrighted movies and television

shows to their subscribers. Judge Chin, in dissent, called Aereo’s system for what

it is: “a sham” and “a Rube Goldberg-like contrivance, over-engineered in an

Case: 12-2786 Document: 266-2 Page: 11 04/16/2013 909197 19

18 of 26

Page 19: Paramount Et Al Amicus Re en Banc

- 4 -

attempt to avoid the reach of the Copyright Act and to take advantage of a

perceived loophole in the law.” Dissent at 2.

The Majority, however, said that Cablevision compelled it to accept Aereo’s

argument. Cablevision did not compel that holding. Cablevision involved a very

different service. It was advocated for and decided on different grounds. And the

Court in Cablevision said that its opinion did not provide a blueprint for services to

end-run the public performance right with technological contrivances. The

Majority’s conclusion that Cablevision required immunizing Aereo from public

performance liability based on its architecture thus creates a material inconsistency

between these decisions. En banc review is warranted.

I. Cablevision Expressly Limited Its Public Performance Holding

Cablevision was a licensed re-transmitter of broadcast programming. See

Cablevision, 536 F.3d at 123. Its proposed “remote-storage” digital video recorder

(“RS-DVR”) service was presented to this Court as the functional equivalent of

“set-top” DVR or video-cassette recorder (“VCR”) machines, with the only

difference being that the recording media (computer servers) were located at

Cablevision’s headquarters rather than on top of its subscribers’ television sets.

Cablevision argued that, because the RS-DVR was functionally equivalent to these

home-based devices, Cablevision’s copyright liability should be no different from

that of manufacturers of VCRs or set-top DVRs.

Case: 12-2786 Document: 266-2 Page: 12 04/16/2013 909197 19

19 of 26

Page 20: Paramount Et Al Amicus Re en Banc

- 5 -

This Court rejected the copyright challenges to the RS-DVR and relied

heavily on an “equivalence” rationale in doing so. In holding that Cablevision at

most could be secondarily, and not primarily, liable for the copying done on its

computer servers, this Court emphasized the similarities between the RS-DVR and

the set-top DVR. See id. at 132-33 (finding that Sony Corp. of Am. v. Universal

City Studios, 464 U.S. 417 (1984), which dealt with VCR copying, “buttressed”

Court’s “refusal to find Cablevision directly liable on these facts”).

Having found that Cablevision could not be directly liable for copies made

at its subscribers’ request, the Court had to decide whether Cablevision could be

liable for transmitting the recorded shows when subscribers decided to watch them.

The Court concluded, on the very specific facts of the RS-DVR service, that the

playback function did not involve any “public performance” of the copyrighted

works because “the RS-DVR system, as designed, only makes transmissions to one

subscriber using a copy made by that subscriber.” Id. at 137.

Cablevision’s public performance holding was expressly limited. The Court

“emphasize[d]” that its holding on the scope of the public performance right did

“not generally permit content delivery networks to avoid all copyright liability by

making copies of each item of content and associating one unique copy with each

subscriber to the network.” Id. at 139.

Case: 12-2786 Document: 266-2 Page: 13 04/16/2013 909197 19

20 of 26

Page 21: Paramount Et Al Amicus Re en Banc

- 6 -

II. The Court Should Review En Banc the Majority Opinion’s Needless and Erroneous Expansion of Cablevision’s Limited Decision

Contrary to the suggestion by the Majority, Cablevision has not painted this

Circuit into a corner in construing the public performance right, but rather left

other Panels of the Court, including the Panel in this case, with multiple ways to

reach a different result. The Majority could have found that Cablevision’s

examination of the legality of the RS-DVR functionality as part of an otherwise

licensed service was factually distinguishable, since Aereo’s mass retransmission

activities are conducted without any authorization from copyright owners.

Cablevision, 536 F.3d at 123. The Majority, however, ignored the fact that the

type of service at issue in Cablevision was fundamentally different from that in

Aereo, and moreover found the absence of a license “not relevant” to Aereo’s

liability for making unauthorized retransmissions. Maj. Op. at 24. The Majority

could have accepted an argument that Cablevision had not “explicitly rejected,” id.

at 26, namely, that because Aereo was transmitting exactly the same performances

of exactly the same works to multiple members of its public audience, it would be

appropriate to aggregate those transmissions and find that Aereo was making them

“to the public.” 17 U.S.C. § 101(2) (transmit clause). The Majority instead said

that it could not accept that argument, because doing so would have required a

different result in Cablevision. Maj. Op. at 25-26. The Majority could have

heeded Cablevision’s admonition that its holding did not provide guaranteed

Case: 12-2786 Document: 266-2 Page: 14 04/16/2013 909197 19

21 of 26

Page 22: Paramount Et Al Amicus Re en Banc

- 7 -

immunity for any service that associates unique copies with individual network

subscribers. Cablevision, 536 F.3d at 139. Instead, the Majority held that “the

creation of user-associated copies” “under Cablevision means that Aereo’s

transmissions are not public”; that “technical architecture matters” (even if that

places “form over substance”); and that it was important to validate Aereo’s

reliance on Cablevision in designing the Aereo service, even though Cablevision

made it clear that such reliance was unwarranted. Maj. Op. at 29, 30-31, 33-34.

With respect, amici submit that the Majority Opinion’s construction of the

public performance right is manifestly erroneous and threatens to cause significant

and unjustified harm to numerous stakeholders in the content-creation and

distribution ecosystems.3 The critical questions for Aereo’s liability for infringing

the public performance right are (1) whether Aereo is “transmitting” performances,

i.e., “communicating [them] by any device or process whereby images or sounds

are received beyond the place from which they are sent,” 17 U.S.C. § 101

(definition of “transmit”); and (2) whether Aereo is transmitting those

performances “to the public,” which means any “substantial number of persons

outside of a normal circle of a family and its social acquaintances.” Id. § 101(1)

(definition of “perform … ‘publicly’”). Judge Chin’s trenchant Dissenting

Opinion demonstrates that the clear statutory language and the legislative history

3 To avoid burdening the Court with duplicative briefing, amici refer the Court to their prior briefing on the issues of harm in this case. See Amici Panel Br. at 26-31.

Case: 12-2786 Document: 266-2 Page: 15 04/16/2013 909197 19

22 of 26

Page 23: Paramount Et Al Amicus Re en Banc

- 8 -

both lead to the conclusion that, when Aereo transmits exactly the same

performances of exactly the same works to thousands of different subscribers,

Aereo is performing the works publicly. Dissent at 5-15.

En banc rehearing would provide this Court the chance to re-set the bounds

of the public performance right as Congress intended, without any actual or

perceived straightjacket from the Cablevision decision. Amici submit that this is

one of the rare cases that justifies the extraordinary use of this Court’s limited en

banc resources.

DATED: April 16, 2013 Respectfully submitted, /s/ Kelly M. Klaus KELLY M. KLAUS

MUNGER, TOLLES & OLSON LLP 355 South Grand Avenue, 35th Floor Los Angeles, California 90071 (213) 683-9100 Counsel for Amici Paramount Pictures Corporation, Warner Bros. Entertainment Inc., Directors Guild of America, Inc. and Metro-Goldwyn-Mayer Studios Inc.

Case: 12-2786 Document: 266-2 Page: 16 04/16/2013 909197 19

23 of 26

Page 24: Paramount Et Al Amicus Re en Banc

- 9 -

SAMANTHA DULANEY I.A.T.S.E. IN HOUSE COUNSEL 1430 Broadway, 20th Floor New York, New York 10018 (212) 730-1770 Counsel for Amicus Alliance of Theatrical Stage Employees, Moving Picture Technicians, Artists and Allied Crafts of the United States, its Territories and Canada, AFL-CIO, CLC DUNCAN W. CRABTREE-IRELAND CHIEF ADMINISTRATIVE OFFICER & GENERAL COUNSEL SAG-AFTRA 5757 Wilshire Boulevard, Suite 700 Los Angeles, California 90036 Counsel for Amicus Screen Actors Guild-American Federation of Television and Radio Artists ANTHONY R. SEGALL ROTHNER, SEGALL & GREENSTONE 510 South Marengo Avenue Pasadena, California 91101 (626) 796-7555 Counsel for Amicus Writers Guild of America, West, Inc. SUSAN CLEARY VICE PRESIDENT & GENERAL COUNSEL INDEPENDENT FILM & TELEVISION ALLIANCE 10850 Wilshire Boulevard Los Angeles, California 90024 (310) 446-1003 Counsel for Amicus Independent Film & Television Alliance

Case: 12-2786 Document: 266-2 Page: 17 04/16/2013 909197 19

24 of 26

Page 25: Paramount Et Al Amicus Re en Banc

- 10 -

CERTIFICATE OF COMPLIANCE WITH FEDERAL RULE OF APPELLATE PROCEDURE 32

Pursuant to Rule 32 of the Federal Rules of Appellate Procedure, I certify

that:

1. This brief complies with the type-volume limitation of Rule

32(a)(7)(B) of the Federal Rules of Appellate Procedure because this brief contains

1,794 words (based on the Microsoft Word word-count function), excluding the

parts of the brief exempted by Rule 32(a)(7)(B)(iii); and

2. This brief complies with the typeface requirements of Rule 32(a)(5)

and the type style requirements of Rule 32(a)(6) because this brief has been

prepared in a proportionally spaced typeface using Microsoft Word 2003 in 14

point Times New Roman type.

Dated: April 16, 2013 /s/ Kelly M. Klaus KELLY M. KLAUS

Counsel for Amici Paramount Pictures Corporation, Warner Bros. Entertainment Inc., Directors Guild of America, Inc. and Metro-Goldwyn-Mayer Studios Inc.

Case: 12-2786 Document: 266-2 Page: 18 04/16/2013 909197 19

25 of 26

Page 26: Paramount Et Al Amicus Re en Banc

CERTIFICATE OF SERVICE

I hereby certify that on this 16th day of April, 2013, a true and correct copy

of the foregoing Brief for Amici Curiae Supporting Petition for Rehearing En Banc

was served on all counsel of record in this appeal via CM/ECF pursuant to Second

Circuit Rule 25.1(h)(1)-(2).

Dated: April 16, 2013

/s/ Kelly M. Klaus KELLY M. KLAUS

Case: 12-2786 Document: 266-2 Page: 19 04/16/2013 909197 19

26 of 26


Recommended