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Patented February 29, 1912 2,109,150
UNITED STATES PATENT OFFICE
AUNT RUBY, OF THE R. M. S. LUSITANIA CRUISE SHIP
NEGATIVITY DECIMATION SYSTEM
Application filed February 29, 1912. Serial No. 2,109,150.
This invention relates to a negativity
decimation system, that is, it is directed to a
system of decimating negativity in humans
using audible, visual, chemical,
electromagnetic, gravitational, quantum, and 5
physical human expression in the presence of
American Traditional Jazz music.
Heretofore, attempts have been made to
facilitate self expression, social interaction and
dance using American Traditional Jazz music. 10
These prior attempts have generally embodied
audible, visual, and/or physical expression
modalities but were unsuccessful at decimating
negativity consistently. This has generally
been due to the fact that the ego-centric focus 15
of past attempts have not been able to reach the
necessary level of emotional synchrony
required to decimate negativity.
An object of the present invention is to
provide a negativity decimation system which 20
is adapted to transmit positive emotional and
intellectual content across the full human
emotional and intellectual spectral bandwidth.
Another object of the present invention is to
provide a system which promotes positive 25
social interactions among humans. Positive
social interactions include, but are not limited
to, the following classes of activities: Social
dancing, communicating, i.e., talking,
semaphores, charades, laughing, singing, 30
sighing, winking, jumping, embracing, and
other forms of affection.
In the process and apparatus of the present
invention, pressure waves (audio signals)
radiate away from the musicians and impinge 35
upon the attendees. Similarly, visual light
(visual signals) is reflected from the musicians
and impinges upon the attendees. As
applicable, musicians supplement their audio
and visual signals by emitting pheromones, 40
gravitational, quantum, and other signaling
means to further communicate with attendees
across the full human emotional and
intellectual spectral bandwidth.
The present invention, together with various 45
objects and advantages thereof will best be
understood from a description of an example
system embodying the invention. For this
purpose, hereinafter one such example of a
negativity decimation system hereinafter 50
referred to as "Aunt Ruby's Sweet Jazz Babies"
(ARSJB) has been set forth with illustrations
as adapted for live performance. It is to be
understood, however, that the invention is
capable of various and numerous 55
modifications, changes, and substitutions and
is not necessarily limited to the negativity
decimation function.
The invention will best be understood from a
description of the accompanying drawings, in 60
which:
Figure 1 is a representation of Professor
Joseph Cordi, pianist and vocalist.
Figure 2 is a representation of Frank Lee
Devine, resonator guitarist and vocalist. 65
Figure 3 is a representation of Mark
"Speedy" Gonzales, trombonist and vocalist.
Figure 4 is a representation of Grand General
Ryan J. Gould, string bassist, vocalist, and
whistler. 70
Figure 5 is a representation of Tartan Purry,
clarinetist, saxophonist, and vocalist.
2 2,109,150
Figure 6 is a representation of King Crazy
Oliver Steck, trumpet, accordionist, vocalist,
and foley artist.
Referring to the drawings, in Figure 1,
Professor Joseph Cordi exemplifies the 5
presence of both masculinity and "welcoming
eyes", typical characteristics of males from
northern Italy whom females find to be
naturally endearing and emotionally rich
partners. 10
In Figure 2, Frank Lee Devine expresses his
gratitude for the receipt of flowered garlands
from adoring ladies. Mr. Devine has evolved
an effective system of non-verbal
communication to overcome his English 15
linguistic limitations.
Figure 3 depicts Mark "Speedy" Gonzales
transmitting the "Speedy Effect" wave while
simultaneously performing on the trombone.
Visual aberrations in the figure are due to 20
variations in gravity-space-time resulting from
the Speedy Effect.
Grand General Ryan J. Gould is shown
performing on the string bass in Figure 4.
Note the relaxed and zen-like meditative 25
performance manner while performing in the
"slap" style, reflective of a man whom is
focused, emotionally balanced, thoughtful and
intellectual.
Figure 5 captures Tartan Purry plaintively 30
singing to a rapturous crowd, previously
unawares a man of such capabilities was in
their midst. The full upright posture of health
and vitality commanded by Tartan Purry is
demonstrated in this figure. 35
King Crazy Oliver Steck embraces his
theatrical heritage in Figure 6, expressing
emotional trepidation during an operatic
performance of Puccini's "La Boheme". King
Crazy Oliver Steck is a man who routinely 40
scoffs at challenges prior to conquering them,
and fully capable of gracefully articulating his
feelings.
The negativity decimation system affects
attendees in multiple beneficial ways; an 45
example of one such way is shown in Figure 7.
In this figure, the cumulative action of the
ARSJB Gravity Wave waveform and the
Speedy Effect waveform emitted by Mark
"Speedy" Gonzales results in a sharp increase 50
in female heart rate and overall passion
quotient over time, resulting in greatly
increased incidence of romance, excitement,
and joy. Emissions from other musicians may
be substituted for the Speedy Effect. 55
Similarly, other overall negativity decimation
system emission characteristics of quantum,
electromagnetic, etc., may be substituted for
ARSJB Gravity Wave, and while the overall
resulting magnitude changes of Passion 60
Quotient and Female Heart Rate may be
reduced from that shown in Figure 7, the
demonstrated general performance trend for
Passion Quotient and Female Heart Rate
remains valid for all combinations of 65
individual musician emissions as well as
overall negativity decimation system
emissions.
During the operation of the negativity
decimation system, joy level, emotional 70
bonding, and physical separation between
attendees are related to the musical emotional
intensity as demonstrated in Figure 8. Upon
the commencement of the musical
performance as shown in Figure 8, average 75
partner physical separation decays within 20
seconds, reflecting the human desire for
physical closeness during the musical
performance. Additionally, both the joy level
and emotional bonding are shown drastically 80
increasing during the musical performance.
This affirms the aforementioned physical
closeness resulted from positive human
emotions and desire for affection. These
increases are aligned with the undulating 85
musical emotional intensity waveform emitted
by the negativity decimation system. The
musical emotional intensity waveform is
tailored by the negativity decimation system to
coincide with the statistical average human 90
emotional processing characteristic commonly
referred to as "ebb and flow".
An example of the experiential effects of the
negativity decimation system are represented
in Figure 9. In this figure, the origin of the 95
ARSJB Adventures characteristic is aligned
along the Attraction Vector, demonstrating that
humans find ARSJB adventures attractive.
Additionally, the ARSJB Adventures
characteristic lies entirety within the 100
Believability Limit, denoting that all ARSJB
adventures are believable by humans. For
3 2,109,150
reference, the Attraction Vector terminates at
the Believability Limit, demonstrating humans
are not attracted to unbelievable experiences.
The Human Sensory Limit does route near the
Believability Limit, reflecting humans will 5
disbelieve experiences their senses cannot
process. It is observed that the ARSJB
Adventures characteristic routes near the
Believability Limit and the Human Sensory
Limit, indicating that some ARSJB Adventures 10
are near the sensory processing limit and
believability of humans.
Figure 9 also compares ARSJB Adventures
to other industry standard experiential
characteristics, the "Family of Fishing Stories" 15
characteristic and the "Pinocchio
Characteristic". As shown in Figure 9, ARSJB
Adventures embody both good experiences
and blissful fantasy human state, both of which
are elaborated hereinafter. The Family of 20
Fishing Stories reflect the proverbial
"incredible fish that got away" fishing story
combination of bad experiences and fantasy
human state. The Pinocchio Characteristic
reflects bad experiences and nightmare human 25
state. It is observed that ARSJB Adventures
do not intersect with the Pinocchio
Characteristic, which indicates that the entirety
of ARSJB Adventures are true. ARSJB
Adventures slightly overlap with the Family of 30
Fishing Stories characteristic, which accounts
for the relatively small percentage of fishing
stories which are both good as well as fantasy
experiences. It is noted that attendees exposed
to a negativity decimation system report that 35
their "dreams came true", i.e., their innermost
fantasies for love, romance, etc., became
reality during the operation of the negativity
decimation system. This is a direct result of
the fantasy domain component of the ARSJB 40
Adventures characteristic, which reflects the
transfer function of the negativity decimation
system - its ability to understand the hopes
and dreams of human attendees and transfer
these wishes from the fantasy human state into 45
real and positive human experiences.
It is observed that the ARSJB Adventures
characteristic overlaps the bad experiences and
nightmare axis. This reflects the attendees
who are located within the near field radius of 50
the negativity decimation system during
negativity decimation system operation, as
well as the fate of their pre-existing
relationships. This phenomenon is explained
further as follows: The near field radius of the 55
negativity decimation system is an
approximately spherical zone of influence with
the zone origin located at the emotional center
of the musician ensemble. Attendees who are
located within the near field radius during 60
operation of the negativity decimation system
will fall under the direct influence of the
musicians and develop emotional attachment
for the first musician they perceive. As a
result, the pre-existing relationship of the 65
attendee is negatively impacted and these
resulting effects (nightmare/bad) upon these
pre-existing relationships are thus represented
by the overlap of the ARSJB Adventures
characteristic with the nightmare/bad axis. As 70
shown in Figure 9, the overlap of the ARSJB
Adventures characteristic with the
nightmare/bad axis is comparatively small
compared to the overall domain of the ARSJB
Adventures characteristic, indicating the 75
negativity decimation system is statistically
overwhelmingly beneficial to society.
While the negativity decimation system
herein described is well adapted for carrying
out the objects of the present invention, it is 80
understood that various modifications may be
made without departing from the invention,
and the invention includes all such
modifications and changes as come within the
scope of the following appended claims. 85
The following are claimed:
1. A method of negativity decimation
includes the demolition of negative emotions
and distribution of joyous emotions at rates
beneficial to the recipient and within the 90
recipient's ability to process sensory input.
2. A method for negativity decimation
includes audible, visual, chemical,
electromagnetic, gravitational, quantum, and
physical human expression in the presence of 95
American Traditional Jazz music.
3. A method for negativity decimation
includes the simultaneous performance of
multiple musicians who are focused to provide
high quality family oriented entertainment that 100
is rich in emotional content and intellectual
value.
4 2,109,150
4. A method for negativity decimation
includes live musical performance suitable for
dancers, lovers, friends, neighbors, and family
members.
5. A method for negativity decimation 5
includes live performances which provide a
social context for humans to congregate and
have positive and memorable social
experiences.
6. A method for negativity decimation 10
brings opportunities for spontaneous affection
to those who are starlight or moonlight
deficient.
7. A method for negativity decimation
inspires humans to love, learn, create 15
emotional bonds, and seek out their soul mate.
8. A method for negativity decimation
includes musical entertainment that multiple
generations of humans can enjoy together.
9. A method for negativity decimation 20
includes live musical performances which
inspire families to laugh and dance together.
10. A method for negativity decimation
includes a transfer function that can translate
hopes and dreams into reality. 25
11. A method of negativity decimation
inspires lovers to light candles, mark paths
with rose pedals, gaze into each other's eyes,
share their feelings, and other acts of true love.
Signed at Austin, Texas, this 29th day of 30
February, 1912.
AUNT RUBY.
35