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Pen and Ink - Beautiful Line and the Master Study

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Pen and Ink Master Study Strip Exercise Glenn Hirsch, Instructor
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Page 1: Pen and Ink - Beautiful Line and the Master Study

Pen and Ink

Master Study Strip Exercise

Glenn Hirsch, Instructor

Page 2: Pen and Ink - Beautiful Line and the Master Study

6/20         PENS three drawings: (1) blind contour (observation 10 min) (2) seven kinds of line (photo 30 min) (3) Fold-Up Monster Game (imagination, 60 minutes) HW finish

6/27         Pen Master Study (Strip studies) HW finish

7/4           holiday

7/11         NIB PENS HW finish

7/18         BRUSH “vocabulary” of the brush HW finish

7/25         PEN AND BRUSH HW finish

8/1           COURSE PROJECT "Series" of 5+ drawings (due last class)

8/7           MUSEUM STUDY Sunday at Legion of Honor Museum 930am-1pm

8/8           continue course project

8/16         continue course project

8/22         Final Critique

Page 3: Pen and Ink - Beautiful Line and the Master Study

What makes drawing beautiful?

Page 4: Pen and Ink - Beautiful Line and the Master Study

7. Pattern

Page 5: Pen and Ink - Beautiful Line and the Master Study

Variety of line ….

Light to dark …

Fast to slow …

Thick to thin

Leonardo

Page 6: Pen and Ink - Beautiful Line and the Master Study

Parallel

curving

short dashes

cross-hatched

loose wandering

Rembrandt

Page 7: Pen and Ink - Beautiful Line and the Master Study

contour

Durer

Page 8: Pen and Ink - Beautiful Line and the Master Study

pattern

Page 9: Pen and Ink - Beautiful Line and the Master Study

Picasso

Cross hatching

Page 10: Pen and Ink - Beautiful Line and the Master Study
Page 11: Pen and Ink - Beautiful Line and the Master Study

Repin

Page 12: Pen and Ink - Beautiful Line and the Master Study

Cross hatching behind the figure

Page 13: Pen and Ink - Beautiful Line and the Master Study

Cross hatching behind the figure

Page 14: Pen and Ink - Beautiful Line and the Master Study

Barry Coombs

Page 15: Pen and Ink - Beautiful Line and the Master Study

Albrecht Dürer

1471–1528

master of line and texture

 

Page 16: Pen and Ink - Beautiful Line and the Master Study
Page 17: Pen and Ink - Beautiful Line and the Master Study
Page 18: Pen and Ink - Beautiful Line and the Master Study
Page 19: Pen and Ink - Beautiful Line and the Master Study
Page 20: Pen and Ink - Beautiful Line and the Master Study

master study strip exercise

Page 21: Pen and Ink - Beautiful Line and the Master Study

You fill in the spaces

between xeroxed strips

from master

drawings

use your imagination

Page 22: Pen and Ink - Beautiful Line and the Master Study

The red

color

marks the

master

the

student

fills in

what’s in

between.

Page 23: Pen and Ink - Beautiful Line and the Master Study

The red

color

marks the

master

the

student

fills in

what’s in

between.

Page 24: Pen and Ink - Beautiful Line and the Master Study

The red

color

marks the

master

the

student

fills in

what’s in

between.

Page 25: Pen and Ink - Beautiful Line and the Master Study

The red

color

marks the

master

the

student

fills in

what’s in

between.

Page 26: Pen and Ink - Beautiful Line and the Master Study

Texture

The red

color

marks the

master

the

student

fills in

what’s in

between.

Page 27: Pen and Ink - Beautiful Line and the Master Study

Texture

The red

color

marks the

master

strip,

the

student

fills in

what’s in

between.

Page 28: Pen and Ink - Beautiful Line and the Master Study
Page 29: Pen and Ink - Beautiful Line and the Master Study
Page 30: Pen and Ink - Beautiful Line and the Master Study

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