Date post: | 19-Feb-2017 |
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Pepe le MokoPart OneThemes, Settings, Context, Visual Composition
Discussion Questions
1. As your readings demonstrated, North Africa in general and Algeria in particular were fairly diverse. What populations have existed in Algeria? Which civilizations influenced its development? What connections between Global North and South can be seen in the history of Algeria? What elements of this diversity and history are visible in Pepe le Moko?
2. What is classical narration or the classical Hollywood style? Is Pepe le Moko classical in its composition, and if so why?
3. Who is the implied audience for this film? How do we know this? How does the implied audience shape the view of Algeria offered by the film?
Context
Made during the colonial era, set in Algeria, officially a Department of France
Made collaboratively in studio production style with many of the “stars” of French cinema (actors, producers, set designers, etc.)
Regarded as one of the great examples of colonial cinema
Setting
Historical Setting
Colonial Algiers The Casbah 1930s References to French control, power (the police, the
efficacy of the police) Use of colonial era iconography to represent Algeria
(feminized, violent, dirty, chaotic)
The Colonial Imaginary
North Africa
Iconography of North Africa
Exoticism / Eroticism
Violence / Danger
Settings (Scenes)
Exotic / Erotic / Dangerous
Beautiful / Civilized
Foreign, Unknowable, Dangerous
Foreign / chaotic
Criminal Dangerous
Casbah as Prison
Themes
France vs. Algeria (Pepe vs. Slimane, Gaby vs. Ines, Slimane vs. Paris
Police) Law / order vs. violence, chaos, crime Paris vs. Algiers Entrapment Power of destiny Love as only possible among those who are alike Restoration of order