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Perceptual Organization Chapter 6, Lecture 5 “The motion we then see in popular action adventures...

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Perceptual Perceptual Organization Organization Chapter 6, Lecture 5 Chapter 6, Lecture 5 otion we then see in popular action ures is not in the film, which mere ts a superfast slide show. The mot ucted in our heads.” - David Myers
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Page 1: Perceptual Organization Chapter 6, Lecture 5 “The motion we then see in popular action adventures is not in the film, which merely presents a superfast.

Perceptual Perceptual OrganizationOrganizationChapter 6, Lecture 5Chapter 6, Lecture 5

“The motion we then see in popular actionadventures is not in the film, which merelypresents a superfast slide show. The motion isconstructed in our heads.”

- David Myers

Page 2: Perceptual Organization Chapter 6, Lecture 5 “The motion we then see in popular action adventures is not in the film, which merely presents a superfast.

In your notes:In your notes:

What is the What is the differencedifference between betweensensationsensation and and perceptionperception? Use? Usea specific example to illustratea specific example to illustrateyour explanation.your explanation.

Page 3: Perceptual Organization Chapter 6, Lecture 5 “The motion we then see in popular action adventures is not in the film, which merely presents a superfast.

Perceptual Organization

How do we form meaningful perceptions from sensory information?

We organize it. Gestalt psychologists showed that a figure formed a “whole”

different than its surroundings.

Page 4: Perceptual Organization Chapter 6, Lecture 5 “The motion we then see in popular action adventures is not in the film, which merely presents a superfast.

Organization of the visual field into objects (figures) that stand out from

their surroundings (ground).

Form Perception

Tim

e Savings Suggestion, ©

2003 Roger Sheperd.

Page 5: Perceptual Organization Chapter 6, Lecture 5 “The motion we then see in popular action adventures is not in the film, which merely presents a superfast.

Have you ever noticed anything special about the FedEx logo?

Form Perception

Page 6: Perceptual Organization Chapter 6, Lecture 5 “The motion we then see in popular action adventures is not in the film, which merely presents a superfast.

Grouping

After distinguishing the figure from the ground, our perception needs to organize the figure into a meaningful form using

grouping rules.

Page 7: Perceptual Organization Chapter 6, Lecture 5 “The motion we then see in popular action adventures is not in the film, which merely presents a superfast.

Grouping & Reality

Although grouping principles usually help us construct reality, they may occasionally lead us astray.

Both photos by W

alter Wick.

Reprinted from

GA

ME

S

Magazine. .©

1983 PC

S Gam

es L

imited P

artnership

Page 8: Perceptual Organization Chapter 6, Lecture 5 “The motion we then see in popular action adventures is not in the film, which merely presents a superfast.

Depth Perception

Visual Cliff

Depth perception enables us to judge distances. Gibson and Walk (1960) suggested that human infants (crawling age) have depth perception. Even newborn animals show depth perception.

Inne

rvis

ions

Page 9: Perceptual Organization Chapter 6, Lecture 5 “The motion we then see in popular action adventures is not in the film, which merely presents a superfast.

Binocular CuesRetinal disparity: Images from the two eyes differ. Try looking at your two index fingers when pointing

them towards each other half an inch apart and about 5 inches directly in front of your eyes. You will see a

“finger sausage” as shown in the inset.

Page 10: Perceptual Organization Chapter 6, Lecture 5 “The motion we then see in popular action adventures is not in the film, which merely presents a superfast.

Monocular Cues

Relative Size: If two objects are similar in size, we perceive the one that casts a

smaller retinal image to be farther away.

Page 11: Perceptual Organization Chapter 6, Lecture 5 “The motion we then see in popular action adventures is not in the film, which merely presents a superfast.

Monocular Cues

Interposition: Objects that occlude (block) other objects tend to be perceived as

closer. Rene M

agritte, The Blank Signature, oil

on canvas, National G

allery of Art,

Washington. C

ollection of Mr. and M

rs. Paul M

ellon. Photo by R

ichard Carafelli.

Page 12: Perceptual Organization Chapter 6, Lecture 5 “The motion we then see in popular action adventures is not in the film, which merely presents a superfast.

Monocular Cues

Relative Height: We perceive objects that are higher in our field of vision to be farther away than those that are

lower.

Image courtesy of S

haun P. V

ecera, Ph. D

., adapted from

stimuli that appered in V

ecrera et al., 2002

Page 13: Perceptual Organization Chapter 6, Lecture 5 “The motion we then see in popular action adventures is not in the film, which merely presents a superfast.

Monocular CuesRelative motion: Objects closer to a fixation point move faster and in opposing direction to

those objects that are farther away from a fixation point, moving slower and in the same direction.

Page 14: Perceptual Organization Chapter 6, Lecture 5 “The motion we then see in popular action adventures is not in the film, which merely presents a superfast.

Monocular CuesLinear Perspective: Parallel lines, such as railroad tracks, appear to converge in the distance. The more the lines converge, the

greater their perceived distance.

© T

he New

Yorker C

ollection, 2002, Jack Z

iegler from

cartoonbank.com. A

ll rights reserved.

Page 15: Perceptual Organization Chapter 6, Lecture 5 “The motion we then see in popular action adventures is not in the film, which merely presents a superfast.

Monocular Cues

Light and Shadow: Nearby objects reflect more light into our eyes than more distant objects. Given two identical objects, the dimmer one appears to

be farther away. From “P

erceiving Shape From

Shading” by V

ilayaur S. R

amachandran. ©

1988 by Scientific

Am

erican, Inc. All rights reserved.

Page 16: Perceptual Organization Chapter 6, Lecture 5 “The motion we then see in popular action adventures is not in the film, which merely presents a superfast.

Perceptual Constancy

Perceiving objects as unchanging even as illumination and retinal

images change.

Page 17: Perceptual Organization Chapter 6, Lecture 5 “The motion we then see in popular action adventures is not in the film, which merely presents a superfast.

Perceiving familiar objects as having consistent color even when changing illumination filters

the light reflected by the object.

Color Constancy

Color Constancy

Page 18: Perceptual Organization Chapter 6, Lecture 5 “The motion we then see in popular action adventures is not in the film, which merely presents a superfast.

Size-Distance RelationshipThe distant monster (below, left) and the top red bar (below, right) appear bigger

because of distance cues.

From Shepard, 1990

Alan C

hoisnet/ The Im

age Bank

Page 19: Perceptual Organization Chapter 6, Lecture 5 “The motion we then see in popular action adventures is not in the film, which merely presents a superfast.

Size-Distance RelationshipBoth girls in the room are of similar height.

However, we perceive them to be of different heights as they stand in the two corners of

the room.

Both photos from S. Schwartzenberg/ The Exploratorium

Page 20: Perceptual Organization Chapter 6, Lecture 5 “The motion we then see in popular action adventures is not in the film, which merely presents a superfast.

Ames Room

The Ames room is designed to demonstrate the size-distance illusion.

Page 21: Perceptual Organization Chapter 6, Lecture 5 “The motion we then see in popular action adventures is not in the film, which merely presents a superfast.

Lightness Constancy

The color and brightness of square A and B are the same.Cou

rtesy

Edw

ard

Ade

lson

Page 22: Perceptual Organization Chapter 6, Lecture 5 “The motion we then see in popular action adventures is not in the film, which merely presents a superfast.

More Examples

The following handouts willThe following handouts willillustrate many of theillustrate many of the

principles from today’s classprinciples from today’s class

Page 23: Perceptual Organization Chapter 6, Lecture 5 “The motion we then see in popular action adventures is not in the film, which merely presents a superfast.

HomeworkRead p.272-281

“The Gestalt psychologists, who had wide-ranging interests, were fond of saying that inperception the whole may exceed the sum ofits parts.”

- David Myers


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