Date post: | 05-Apr-2018 |
Category: |
Documents |
Upload: | erin-schiltz |
View: | 220 times |
Download: | 0 times |
of 36
8/2/2019 Perspective Erin S.
1/36
ONE-POINT
&TWO-POINTAERIALPERSPECTIVERepresenting three-dimensionalspace in two-dimensional art
8/2/2019 Perspective Erin S.
2/36
Linear perspective allows artists to trick the eyeinto seeing depth on a flat surface.
Based on the way the human eye sees the world.
Objects that are closer appear larger, moredistant objects appear smaller.
To create the illusion of space, the artist creates a
vanishing point or points on the horizon line.
Objects are drawn using orthogonal lines, whichlead to the vanishing points.
8/2/2019 Perspective Erin S.
3/36
Vanishing Point
The point or points on the horizon line where all thelines seem to converge or come together.
Horizon Line
In perspective it is drawn at the viewers eye level.In nature, the place where the land and the skymeet.
Orthogonal LinesStraight diagonal lines drawn to connect pointsaround the edges of a picture to the vanishing point.
8/2/2019 Perspective Erin S.
4/36
8/2/2019 Perspective Erin S.
5/36
Vanishing
Point
8/2/2019 Perspective Erin S.
6/36
ONE-POINTPERSPECTIVE
8/2/2019 Perspective Erin S.
7/36
The Last Supper by DaVinci
8/2/2019 Perspective Erin S.
8/36
8/2/2019 Perspective Erin S.
9/36
8/2/2019 Perspective Erin S.
10/36
The horizon line is horizontal, it goes from left to right
and is parallel to the bottom edge of the picture.
The horizon line represent the viewers eye level and
is the place where the ground and sky seem to meet.
8/2/2019 Perspective Erin S.
11/36
Place a dot on the horizon line. This will be yourvanishing point.
As things get closer to the vanishing point they getsmaller and smaller until they appear to vanish.
8/2/2019 Perspective Erin S.
12/36
Draw your shape on the paper.
8/2/2019 Perspective Erin S.
13/36
Now connect three corners of your rectangle or square
to the vanishing point. These are orthogonals.
8/2/2019 Perspective Erin S.
14/36
Draw a horizontal line between the two orthogonalswhere you want your form to end.
8/2/2019 Perspective Erin S.
15/36
Vertical lines go from the top of the page to bottom ofthe page and are perpendicular to the bottom edgeof the picture. Along with orthogonal and horizontallines they make up a one-point perspective drawing.
8/2/2019 Perspective Erin S.
16/36
Erase the orthogonals to complete your form.
8/2/2019 Perspective Erin S.
17/36
TWO-POINTPERSPECTIVE
8/2/2019 Perspective Erin S.
18/36
8/2/2019 Perspective Erin S.
19/36
8/2/2019 Perspective Erin S.
20/36
8/2/2019 Perspective Erin S.
21/36
Place two dots on the horizon line. These will beyour vanishing points.
Draw a vertical line above, below or on thehorizon line.
8/2/2019 Perspective Erin S.
22/36
Now connect both ends of the line to thevanishing points. These are your orthogonals.
8/2/2019 Perspective Erin S.
23/36
Draw two vertical lines, between the twoorthogonals, where you want your form to end.
8/2/2019 Perspective Erin S.
24/36
Now connect the bottom of your vertical lines tothe vanishing point which is opposite.
8/2/2019 Perspective Erin S.
25/36
Erase the orthogonals to complete your form.
8/2/2019 Perspective Erin S.
26/36
Which one is one-point and which one is two-point?
8/2/2019 Perspective Erin S.
27/36
AERIALPERSPECTIVE
8/2/2019 Perspective Erin S.
28/36
The effect the atmosphere has on the appearance of anobject as it is viewed from a distance.
As the distance between an object and a viewerincreases, the contrast between an object and itsbackground decreases, and the contrast of any
markings or details within the object also decreases.
8/2/2019 Perspective Erin S.
29/36
Pollution, fog, smog or moisture in the air createsaerial perspective.
When an object is far away, its colors become
lighter, cooler, and duller.
8/2/2019 Perspective Erin S.
30/36
http://www.artsconnected.org/toolkit/watch_space_perspective.cfm
http://www.artsconnected.org/toolkit/watch_space_perspective.cfmhttp://www.artsconnected.org/toolkit/watch_space_perspective.cfmhttp://www.artsconnected.org/toolkit/watch_space_perspective.cfmhttp://www.artsconnected.org/toolkit/watch_space_perspective.cfm8/2/2019 Perspective Erin S.
31/36
Repetition
OrthogonalLines
8/2/2019 Perspective Erin S.
32/36
Create realistic images by adding:
-Shading
The shading seen hereshows which side isclosest to us, theviewers.
8/2/2019 Perspective Erin S.
33/36
-Foreshortening
VS
8/2/2019 Perspective Erin S.
34/36
- Size
Luncheon of the Boating Party
Pierre Auguste Renoir- 1881
These twogentlemen aredifferent sizes
according to wherethey are on thepicture plane
8/2/2019 Perspective Erin S.
35/36
- Overlapping
Luncheon of the Boating Party
Pierre Auguste Renoir- 1881
8/2/2019 Perspective Erin S.
36/36
- High andLowplacement
http://www.artsconnected.org/toolkit/watch_space_overlap.cfm
http://www.artsconnected.org/toolkit/watch_space_overlap.cfmhttp://www.artsconnected.org/toolkit/watch_space_overlap.cfmhttp://www.artsconnected.org/toolkit/watch_space_overlap.cfmhttp://www.artsconnected.org/toolkit/watch_space_overlap.cfm