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MODERN ERAPhilippine Childrens Literature
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FROM POST-WAR YEARS
TO THE 1960S
Iisang Daigdig (Daigdig ng Himala) (1949) by Juan C. Laya.
Once Upon a Time (1953) by Juan C. Laya and EmilianoRamirez.
Tales of Long Ago in the Philippines (1953) by Maximo
Ramos.
Philippine Tales and Fables (1957) by Manuel and Lyd
Arguilla.Tales From the Mountain Province (1958) by I.V Mallari.
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THE DECADE OF THE 60S
The Little Lizard and Other Stories (1960) by Ceres
Alabado.
Pamana was formed.
The Pamana collection displays a variety of themes and
concerns.
It includes such stories as:
Makisig, the Little Hero of Mactan (1964) by Gemma Cruz.
Horgle and the Kings Soup (1965) by Gilda Cordero.
Once Upon a Hilltop (1968) by Isabel Taylor Escoda.
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Short Novels for Young Adults by Ceres Alabado:
Asog (1969)
Kangkong 1896 (1969)
I See Red in a Circle (1973)
The Rattan Gatherer (1975)
Bookmark, experimented with childrens books.
Toby and The Christmas Bell by Marla Yotoko.
Berts Florentinos Publication
Mirinisa and Other Stories by Jose Garcia Villa
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1970S
In the early 1970s, New Day Publishers began a line
of small affordable books for children.
My Friends and The Haunted Cave by T. M. Zuniega
Tales of a Japanese Grandmother by Jean Edades and
Yasuko Hashimoto.
Phillippine Folk Fiction and Tales by Teresita Veloso Pil
Mandaya and Mansaka Tales by Vilma May Fuentes
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In 1974:
Philippine Appliance Corporation (Philacor) sponsored the
publication of a bookseries called The Young Peoples Library
Filipino Rites and Rituals
Filipino Myths and Legends
Games Filipino children Play
Profiles in Achievement
Pagdiriwang I
Pagdiriwang II
Filipino Arts and Crafts
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In 1976:
Anim na Dulang Pilipino Para Sa Mga Bata by Amelia Lapena
Bonifacio. Abadeja: Ang Ating Sinderela by Lapena Bonifacio.
In 1977:
The Nutrition of the Philippines initiated a childrens book
development project.
Headed by poetic Virgilio Almario. It was called Aklat Adarna.
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1980S
By 1980s, the increase in volume of the Aklat Adarna
Books had prompted the establishment of the Childrens
Communication Center.
There are eight sub-series:
Aklat ng Karanasan
Aklat ng Tahanan
Aklat ng Aliw Aklat ng Lahi
Aklat ng Kasaysayan
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Aklat ng Bayani
Aklat ng Karunungan
Aklat ng Salin
In 1982 to 1983 Mr. and Ms. Magazine sponsored
a writing contest for short stories for children.
The Philippine Board on Books for Young People
(PBBY) was established in 1983.
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The Founding members were:
Carol L. Afan Larry Alcala
Virgilio Almario
Angelica Cabanero
Lucrecia Kasilag
Cristina Lim-Yuson
Linda Ma. Nietes
Seratin Quiason
Gloria Rodriguez
Alfredo N. Salanga
Renato Villanueva
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Third Tuesday of July was proclaimed as National
Childrens Book Day.
Production of Calle Sesame in 1983.
A year later, it was replaced by Batibot.
The latter half of the 1980s, marks the beginning
of legitimacy for childrens literature in thePhilippines.
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1990S
In 1990, Bookmark launched its Filipino Folktale Series
with three titles by Marla Yotoko Chorengel.
The First Cashew Nut (ill. By Beth Parocha)
Why The Sky is High? ( ill. By Bernie Solina)
Bathala and The Gift of Rice ( ill. By Ibarra Crisostomo)
Bookmark also experimented with narrative poetry for
adolescent and pre-adolescent readers with:
The Unicorn (1992) by Marivi Soliven
Chun (1993) by Marivi Soliven
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In 1990, Cacho Publishing Novel Hous Inc.
began its childrens book line with Batibot.
The first titles:
Si Inggolok At ang Planeta Pakaskas
Ang Pamilya Ismid
Sina Linggit Laban Kay Barakuda
Ang Alamat ng Araw at Gabi
Katuwaan sa Batibot
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The Trampoline Series, also launched by Cacho Publishing House.
The first four titles:
The Boy Who Ate Stars (by A. Yuson, ill. By B. Parrocha)
Two Friends One World (by R. Sunico, ill. By S. De Leon)
Kung Bakit Umuulan (by R. Villanueva, ill. By R. Alejandro)
Ang Unang Baboy sa Langit (by: R. Villanueva, ill. By I Crisostomo)
In 1993, Cacho Publishing House, experimented small books with
limited text and full-color illustrations that can be sold for less than the
price of a fast food items.
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